#losing my mind over all of these posts

[renegade-castiel]

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[foxstens]

matt dropping everything to get gorilla off of kevin

dan checking on kevin when gorilla tried to hurt his hand

the upperclassmen keeping an eye on kevin during the fall and winter banquets

kevin spending the winter break with nicky, aaron, and matt

nicky hiding behind kevin, nicky and kevin squabbling over food

kevin and aaron clacking sticks and renee hugging kevin after the catamounts match

[varilien]

wednesday was the 1000th day since the fateful afternoon my roommate asked to see the space cowboy show i apparently used to talk about a lot and i wanted to do a big illustrated piece to celebrate but my job keeps me from drawing anything at all !!!!!!!

anyways i've been missing vash so so so so so bad u guys can anybody hear me it's so dark in here.

lines also cuz i really like how his hair turned out :3 reminds me of the couple shoujo manga i read as a kid teehee

[somegrumpynerd]

I'm certain I've seen this said somewhere else already and I cannot for the life of me track it down but Dream's favourite colour being purple and Nightmare's being yellow

Everybody assumes Dream's is yellow because, well, he's dressed in it head to toe and his magic is yellow and his eyelights are yellow. It's just a bright happy colour, it must be his favourite! Only Blue and Ink know it's not, Ink because he takes note of how Dream favours purple any time he gets to pick something or joins in on an art project and Blue because he just asked.

Everybody assumes Nightmare doesn't have a favourite colour, that if you asked he'd say he was above that sort of thing or tell you something edgy like black because it's the colour of his soul. And it's kind of true, if you asked he would never admit to liking a colour, especially not one so cheery and bright. But the boys have definitely noted how he has paintings of sunrises in his offices and sunflowers planted outside.

[poisonouspastels]

can you believe these are statements made by the same fucking guy over 10 years apart

[artsy-1diot]

firesetter art dump i got a bit silly guys oughhfghdfgjnnjjdghj

[luciavein]

they're the same picture, your honour

[flowerakatsuka]

a while ago, i started working on something meant to explain the lore behind this kurokara drawing i did back in may, but i never ended up finishing it. it popped back into my head again so i decided to redraw one of the panels from it to see how much my art / style imitation has improved since then. i'm pretty proud of how much my art's grown!! 😊✨

the original sketch is under the cut!

[thevalleyisjolly]

There’s something really fascinating about the different ways in which the Hungry One is understood and conceptualized in Calorum.  In the Bulbosi Church, it’s characterized as an apocalyptic Satan-figure, the cause of suffering in the world and the thing that will one day come to devour everything just because that’s what it does.  Where things really get interesting is in the different sects within and around the Church.  Adherants of the Ramsian Doctrine, for example, believe that it is necessary for the Hungry One to devour the world so that the Bulb can triumph over it - and they believe that the Hungry One will not devour the world so long as it contains “junk food.”  In a similar manner, the Prophidian Heresy and the FDA believe that the Hungry One will not devour the world if it is full of waste -only the FDA consider waste to be general rot and decay rather than the Candians specifically, misanthropy vs xenophobia GO- and that this is therefore the key to preventing the destruction of the world. 

Within the FDA and the Prophidian Heresy, there’s also an intriguing link between body and soul that contradicts mainstream Bulb theology.  Whereas most of the Church believes in a rigid delineation between body and soul, that after death, the body returns to the ground and the soul (if it is not damned) goes to the Bulb, the FDA’s plan of filling the world with rot and decay so that the Hungry One will not devour it suggests, quite radically, that the body just as much if not more so than the soul is what the Hungry One devours.  Mainstream Bulbians believe the stomach of the Hungry One is Hell for damned souls who do not go to the Bulb - the FDA seems to believe that the state of the material is just as important to the Hungry One as the metaphysical and that large enough volumes of rotting decay (which could also be the moral decay that comes with actions in war, but in this case the FDA themselves have the most rotten souls of all) can keep this Devil-figure from consuming anything, regardless of the state of the soul.

On a different level, with Karna, we find the idea that the Hungry One is not just a powerful over-arching entity but rather something which people can relate to and personally interact with.  When Karna kills Sir Drunon and the woman, she takes part of their bodies and burns them “in offering” to the Hungry One.  As the audience, we know that Karna is mechanically a warlock of the Hungry One, with the specific subclass of The Great Old One.  Combined with the offering, the characterization of the Hungry One is as an active, powerful being who, to some degree, can engage with people personally.  Not necessarily in a reciprocal way -you can burn an offering as a sign of respect or acknowledgement without any expectation of receiving something in return- but people like Karna can and do engage with it on an individual and personal level.  Given the fact that when she kills, a new rotten spot appears on her body, it suggests that her relationship to the Hungry One does, in some part, go both ways, that there is something on the other side receiving her votives and responding to them.

Also fascinating to observe, when she kills Sir Drunon, she says “We are all eventual food in the maw of the Hungry One,” and immediately thereafter as she kills the woman he’s with, “I’m sorry, but we are all eventual waste.”  This presents another perspective on the relationship between the Hungry One and the concept of waste. In contrast to the FDA or the Ramsian Doctrine, which believe that the Hungry One won’t devour the world if it is full of waste or junk, Karna’s statements suggest that the process of dying inherently involves becoming waste - and that the Hungry One will still eat that waste nonetheless. 

Then there’s Cumulous and his specific monastic tradition (which is not actually one and the same as the Order of the Spinning Star because it’s stated that there are monks in the Order who draw power from the Bulb; overall, the Order seems to be more an organization of people dedicated to the same goal rather than a religious enclave of people with the same spiritual beliefs).  In ACOC, the first thing Cumulous ever says is, “The Hungry One must feed.”  It’s an interesting phrasing because there’s a very passive connotation - not “The Hungry One must consume” or “The Hungry One must eat,” but rather the use of the term “feed” suggests a little less agency and purpose.  It isn’t going out looking for something to eat, but rather it is feeding on whatever it is given.

Later, Cumulous explains to the party that he does not worship the Hungry One and that it is just a source of power to him.  He can tap into it, just like the Bulbosi miracle workers can tap into the Bulb, but it’s not something that has a real consciousness or its own will and he does not interact with it as if it does.  Combined with his monk subclass (Long Death), the characterization of the Hungry One is less a supernatural powerful figure but more a manifestation of inevitable death and entropy.  Very similarly to Karna’s perspective, it’s going to feed on everything eventually because everyone’s going to die one day.  It might be today, if you happen to be a cheese sailor trying to murder your lawful child duchess, but that’s neither here nor there.

And as Lapin realized in his last moments and as he later showed to Liam, this seems to be the closest understanding to the actual nature of the Hungry One which we have encountered so far in either campaign.  The Hungry One is just a cosmological ball (add that to the list of significant TTRPG orbs!) and while it certainly contains a lot of power, it doesn’t do anything with it other than eat what is delivered into its mouth.  The power and the destruction and the death associated with the Hungry One?  All of that has only been wielded or used by living people, for their own aims and agendas.

Anyways, all this to say that while I don’t think it likely to happen, my dream scenario is for a couple FDA members to flee the scene of whatever plan they had that some or all of the Scrumptious Scoundrels have managed to foil, and as they escape, they run straight into a group of Candian monks (aka what they were actually doing during the Ravening War).  The last thing they hear, after all their scheming to “save” the world, is “The Hungry One must feed.”  And it does.

[foxstens]

kevin grew up without a microwave

[lovereadandwrite]

Happy Easter from Nikolai & his DOA chicks🐣🐰🪺

[nyx-xp]

ok look no matter what, i think ill always be obsessed with dl-6. i know, its kinda overused at this point, but the whole thing is so amazing

like,, miles obviously didn’t know he was innocent, but gregory didnt either. when they channeled him he said it was the bailiff (forgot his name srry) even though there was no proof, because he wanted to protect his son. and the result of a child convinced he is guilty for the death of his dad, who even after death tried to find a way to reassure him he was innocent??? just- the concept of this relationship is fascinating, and honestly has so much potential.

and then you add von karma, and the fact he was not only the murderer of the father but the adopter of the son??? just makes everything gets better (worse)

dl-6 will forever live in my head and in my heart bcs the overwhelming guilt at least two of the three must have felt!! (depends on your headcannons about manfred ofc, maybe he was slightly guilty or smth) the psychological impact and the aftermath of it? amazing. maybe its not perfectly written, nothing is, but its fascinating and makes me want to dissect all three’s brains to see the effects this would have caused.

[doroinoue]

finished dunmeshi (the manga), it made me cry 4 times 11/10 im not rereading it ever

(i made this drawing while still watching the anime btw.. the sillies)

[chrollogy]

[stars278]

“Javert, t’es amoureux” English translation for anyone who hasn’t had the divine experience of hearing this for the first time yet. ❤️

I still can’t believe these lyrics were written by the original musical Javert actor:

“Javert, you’re in love

Poor old damn idiot of a cop

I believed you were clever

You’re just miserable.”

“Come help me and make me unapproachable again.”

“I believe our chance was yesterday, and it’s already tonight.”

And my favourite verse of all that just sums up how Javert fans have felt ever since the book was published:

“Javert, you’re in love

Excuse me, Mr. Victor [Hugo]

If I’m extrapolating from the book, I can’t help it anymore

I love it too much

Javert, you’re in love

I am pathetic, a poor guy who admits he was wrong

Javert, you’re in love

And yes, too bad, whether you want to or not, you will have to deal with it

Javert, you’re in love

Can’t you see it, Javert!”

The yearning of it all, the poetry, the way this could be a song in the actual show and it’s written and sung by the original musical Javert actor because he couldn’t stop thinking about Javert?! Javert fans have always been insane over him, it’s inherited.