#lord what is my brain doing

[blasphemousclaw]

he doesn’t like to talk about it

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[harbingersglory]

Mayhaps something with (transfem) Kujou Sara fucking a bratty reader who (intentionally) pisses her off to the point where she goes all out with her full inhuman strength, ultimately knocking them up completely by accident because she was so caught up in the moment she forgot to pull out?

I bet nobody expected her to be first out of her siblings to become a parent, least of all herself, but she ain’t complaining!

{☆} characters kujou sara {☆} notes drabble, implied fem reader, sub reader, transfem kujou sara {☆} warnings 18+ content, breeding kink

Kujou Sara was not one to allow herself to lose her ironclad control– she was a general, above all else, a servant of the Almighty Shogun.

Yet try as she might, you..you had a way of getting under her skin in a way that had her patience and will tested. Maybe it was the bratty, teasing demeanor that had her jaw clenched so hard it creaked, or maybe it was the provocative words you'd whisper in her ear while she was trying to focus.

It was irrelevant in the face of her dragging you back to her quarters, her brows furrowed and her lips pursed into a thin line– she tried to be gentle, but her grip was firm on her arm as she pulled you into the delicately managed room, her composure cracking like shattering glass. She wanted to wipe that smug grin off your face when she slammed her hands against the door, the wall nearly splintering beneath barely restrained strength, her expression..less than amused.

"Just what are you trying to accomplish?" She ground out, her teeth aching from how hard she was clenching her jaw– and, though she refused to outwardly admit it, your little..distraction was working far better then she wanted to admit to even herself. "I told you not to..to do such things while I'm working. Do you ever listen?"

She nearly growled– like some common beast, she thinks, and she is glad for her tempered control that she did not embarrass herself in such a way. She still had her dignity. But Archons, you were testing that control even still– the way your tongue poked out like a child, mocking and teasing, as if you wanted her to snap.

She almost considered it, but..you were human, she had to remind herself. Archons knows she's never forgive herself if she actually hurt you.

"What? Can the General not handle a little playful banter?" Sara opened her mouth to snarl back a reply, but she closed it but a sharp click just as quickly, a grimace gracing her features instead. "Is that all it takes to rile you up?"

She wants to deny it, keep her sense of control, but damn it– the way your hands glide across her skin, your nails just barely ghosting across the flexing muscles of her back..she feels her control slipping faster then she can maintain it, her lip quivering.

"You.." She croaks out in reply, trying to subdue the uneasy urge that lingers in the back of her mind with every glance down at you, every touch of your hands, every word that drips from your lips like honey. The silence is broken by a low growl, her hands tugging you off your feet and practically shoving you onto the bed.

"What? Are you going to shut me up? Or are you going to admit you enjoy it?"

Fine, she thinks, fine! If this is what you want so badly, she's going to shut you up the only way she knows she can.

She wastes little time between shoving you onto the bed and climbing on it herself, one of her hands reaching up to tangle in your hair as she shoves your face into the mattress, her other hand fumbling with your clothes– just enough to expose your dripping cunt to her, nostrils flaring at the sharp tang of your arousal, her teeth bared in a snarl.

She can't help the raspy groan that tumbles from her lips at the sight– you looked perfect like that. Quiet, your face forcibly held down, your thighs soaked in your own arousal. She absentmindedly wonders if you'd been so wet the entire time– if you'd just been waiting, no, practically begging for her to just..she can't even finish the thought, her hands trembling and her control slipping even further.

Her free hand fumbles with the hem of her own shorts, freeing her straining, twitching cock, pre cum beading at the tip. Her fist tightens in your hair as she leans over you, pressing her chest against your back and aligning her aching cock to your entrance. She almost snaps out of the fog clouding her rationality, but it returns in full force when she snaps her hips forward, sinking into your cunt with a sharp hiss.

"Fuck," Sara curses beneath her breath, groaning at the tight heat enveloping her– Archons, she'd never get used to it. It only drove her further over the edge, rolling her hips to force more of her cock into you. "Not..not going to talk back?" She growled, huffing and releasing her hold on your hair to instead slip her fingers past your lips. The muffled, garbled response was..far more enjoyable than she expected, the hazy eyed look as she sunk fully into you.

It made her feel lightheaded, to be honest. She was getting a bit too carried away, but the way your walls squeezed against her..her teeth ached for an entirely different reason, tongue swiping over the sharp points before she leaned down to sink them into your shoulder, pulling out and slamming back in with a muffled groan. Her pace was frantic after that, dragging moans and whimpers from your throat like a chorus of broken notes.

She hated how easily you got under her skin, but damn it, she couldn't deny how good it felt to put you in your place. You couldn't even get away if you tried– you were human, and while it made you fragile it also made you weak. Easier to handle.

Even if your tongue was far sharper than your appearance would make one believe.

Archons, she was so close, though. She pulled her fingers from your mouth, nearly crumbling at the moan that tumbled openly from your lips immediately after– she may have chastised you for your attitude, but she still thoroughly enjoyed hearing you. Just knowing you were unable to form anything more complex then senseless babbling was a special kind of high.

She wants to speak, but even her own words fail her beyond a low groan, the absence filled with the slick sound of her wild thrusts, caring little about the stinging ache in her thighs as she pounds you into the mattress without a shred of hesitation or rationality beyond fucking you into silence.

A small part of her, the rational part, tried to remind her to pull out– but your cunt felt so fucking good she just kept going despite the sirens blaring in her head. Even as your limbs tensed and your voice grew hoarse from screaming, she kept you beneath her, nipping at your throat to leave her mark against your skin. She was so close, just..just a little more. Just a little longer. Archons, she doesn't ever want to leave– doesn't ever want to pull out.

Her hands grasp your hips tightly as she nears her own climax, slamming back into you with a broken moan– she barely registered the fact she had cum inside you beyond the thrill of it dribbling down your thighs, not even her cock enough to keep you plugged up as she tried to gain some semblance of control through the haze.

..Fuck. She was going to regret this. She was, every so slowly, coming back to her senses– the first thing she felt was embarrassment, then panic, and then resignation.

At the very least she hadn't accidentally fucked you into unconsciousness on accident.

She was much gentler as she sat up, her cock still half hard as she pulled out, inhaling sharply at the way her cum dripped down onto the sheets. She hated how arousing it was. No– no. She needed to get a hold of herself.

But then again..you didn't seem to be complaining, at least not yet. She hesitantly lifted her eyes to see your expression, her throat suddenly feeling dry at the smug satisfaction on your face.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[mvmnbnv]

The more I think about caitvi the more unsettling it gets because why does Cait lowkey show feelings of entitlement to everything about vi?

[vaggieslefteye]

CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"

[doverstardoodles]

I took a little journey to the unknown And I've come back changed, I can feel it in my bones

[averagepsychouser]

The NCR when they see I’ve chosen to kill the president again

[moeblob]

And then his husband enters his life and is like "do you have toe beans as a dragon? is that a thing? do reptiles have toe beans?" and Sascha looks at him like "I do not know the meaning of those words in that order..."

edit: ...I forgot my own OCs scar (now included)

[butwhatifidothis]

Still baffled that Hopes so blatantly wrote Claude as the typical Evil Vaguely Middle Eastern Man set on destroying the Good White Nation for his Evil Vaguely Middle Eastern Nation that is often seen in fantasy settings - complete with him being seen as worse than a white woman who does many of the same evil deeds he does in-verse, even by his friends (should it be the bad ending route of SB) - and so many in the fandom were so eager to gobble that shit up. INSIST that "Clearly A Racist Stereotype" is LEAGUES better than "Subversion Of A Racist Stereotype" even. Like I don't think I'll ever get over how supremely fucked that is

[rapidhighway]

Ahahaaaa oh my goddd can you not make "ADHD undereating" and "ADHD overeating" into a competition of who has it worse and who has nothing to complain about, that'd be awesome

[frogaroundandfindout]

You remember when dick was in space (for the first time with the new teen titans) because komand’r took Kory back and they needed to save her? And you remember how he understood it was a war they were fighting and that they needed to do what they had to in order to survive it? And how when Gar told him he needed to control Kory, dick wondered if he even should try to stop her from killing her sister? And how he literally killed to save her (there’s some deniability but he’s literally hitting them with lasers described as deadly right in the head)? I do.

[danidoesathing]

i keep thnking about like. the parallels between buck and the ghosts in the movie. Johnnie and Buck have the whole "opposites attract" while being eerily similar. A dead man in love with life and a living man in love with death. Coming across each other by complete chance (stars align type chance, pun not intended) and it's so brief but so important to the both of them. They've both already experienced their fair share of the unnatural and the undead so the situation is almost casual to them. Both are lost in these naive ideas of how the world works and are so headstrong they don't stop until it literally kills them. both end up getting blackbrained because of those ideas. Even if buck survived and Johnnie didn't, they're dead men walking.

and then there's Frankie and Buck's love for a person that doesn't love them back. being devoted to the point of self-destruction, even if they're aware of it and know it's going to end badly they still keep going. Frankie's already been down this path and she tries to get Buck off of it but she already knows its pointless. Frankie's constant use of ghost metaphors in her songs with Buck's ability(?) to speak to the dead. the night we met being Frankie's song but the MV is about Buck. they're both doomed by the narrative and doomed themselves, and knowing this changes nothing. god.

[seeminglyseph]

I know everyone hates M Knight Shyamalan's The Village, and "oooh it's modern day all along" seems like a lame twist, but consider:

A) wool cloaks fuck and that's always a cool look and I won't apologize for the fact that I definitely just wanted to wear cloaks instead of coats even though I live somewhere that experiences winters in Hardcore Mode and that was not viable

And B) the concept that your parents decided for you that you had to live in a dangerous and reductive environment and raised you on fear and punishment and secrecy because they hated the way society was developing and didn't want you to have access or choice was like. Extremely real fore as someone raised Catholic with multiple friends raised either Jehovah's Witness or Mormon. Like, obviously, it was extremely exaggerated as a 2000s horror-thriller type movie, but like.

It's no Lady in the Water. I honestly haven't seen The Village in a bit, but in concept, I think it does make sense as a cult movie. It's just that too much is like... "oooo it's a twist!" Rather than, like... "damn, the adults of this movie have a cult compound that they have used to isolate, indoctrinate, and control their children, literally creating and becoming monsters that haunt and torment them to keep them in line to maintain a way of life in line with their own moral values"

And like. If you look at it through the lens of like. The emotional impact of how much betrayal goes on within the film in the families and the cult and for the children who had no choice to be there and no information, like. That's much more impactful than simply "it was modern day all along"

It's "your parents have been lying to you all along, and all of your pain and fear has served no greater purpose. Half of these rules were not to keep you safe. They were to make you obey, and you have no way of knowing which are which. The people you trust have deeply and intentionally fractured your relationship with reality as a way to keep you contained and docile and under control. You have been betrayed on the most fundamental level by the people who were supposed to raise you and guard you and keep you safe."

And that's like. That's good horror that sticks in the back of your brain forever? Idk. Maybe my imaginary Village is better than the real Village but like. I think it's a better movie than it gets credit for.

And I want more excuses to wear wool cloaks, like damn.

[potatobugz]

"tiso gets rescued after his loss at the colosseum of fools and recovers from his injuries" type au but cloth is the one who finds him. i think they'd be buddies

[adorablemonk643]

Paul and Ted should team up and kill Sam for Charlotte me thinks