#+ it really works with both their characters

[angelltheninth]

Vander and Silco Get Baby Fever After Seeing Felicia Have Kids

Pairing: Vander, Silco x Fem!Reader

Tags: nsfw, smut, established relationship, creampie, size difference, breeding kink, mentioned future pregnancy, on the bar, desk sex

Ko-Fi | Rules | Fandoms and Characters

A/N: I saw them in that flashback and haven't had time to get them out of my mind sense. They were all so hot, we lost so much!

Vander was usually careful when having sex, at least when it came to pulling out on time

Lately he's been actively pushing you against his cock to make sure his cum goes inside you, not out

Will put you in a headlock while he breeds you

If he notices you teasing him through the day he will wipe the bar down at the end of the night and fuck you on top of it, not even caring to carry you to the bedroom

Already has a list of names in his head

Uses his fingers to push his cum back into your pussy while holding you up with his other hand, those fingers dancing along your spine

Gets pussydrunk very easily when you say how much you want him to make you pregnant, how good of a dad you know he'll be

Could go all night if he thinks it would increase the chances of your pregnancy

Raises your ass when he fucks you from behind, his strong thighs smacking against your cheeks hard, the bed protesting under you both

Eats his cum from your pussy if it leaks out, at least then it won't fully go to waste

Silco never thought he'd want to become a dad but now it's all he can think about, all day, every day

Cockwarming was always one of his favorite things, one of the best ways to pass the time while he works but now there's an added bonus to it of him keeping your pussy nice and full

Bends you over the desk almost immediately after you enter his office and actually enjoys seeing his cum drip down your thighs

Has so much more cum to give you so it's no issue

Never masturbates, not until you get pregnant anyway, because he wants to make sure that as much of his seed ends up in your womb as possible

Knows that pregnancy will be hard, and raising the kid even harder, he is ready to be there every single step of the way, especially when all the hormones kick in

Folds you into a mating press, the slight curve of his cock hitting your sweet spot and making your pussy squeeze so hard you milk the cum right out of his balls

If he really gets into it it's debatable if he would stop fucking you if someone were to walk in

Every time he imagines how beautiful you'd look pregnant his cock stirs in his pants, it's a problem if he's at work during that time

When he's balls deep inside of you he gets very talkative and starts brainstorming names and things that you'll need to buy for the baby

[liahaslosthermind]

~𝐓𝐡𝐞 𝐒𝐩𝐲 𝐌𝐚𝐬𝐭𝐞𝐫'𝐬 𝐒𝐞𝐜𝐫𝐞𝐭~ Part 2

Part 2 of The Spy Master's Secret Find more ACOTAR works here! Summary: The strange scent of an unknown female and a... love letter? Warnings: Out of character bat boys? idk but they are happy and brotherly and all is good in this, Mention of illicit affairs (just teasing), Bad injuries, Inner Circle loves to STAY in Azriel's business, I actually write Rhys as not an asshole in this one

The Spymaster had a dirty little secret.

Well, not really. But she loved to tease Azriel by referring to herself as such. 

He always pretended to hate it, but he could never fight the smile he got when hearing her refer to herself as his dirty little secret.

Deep down, he knew she did it just to see that damned smile.

He wasn’t smiling right now though, as he sat in his office after a rather… tiresome mission and got berated by his dirty little secret in question. 

While the conversation wasn’t pleasant, a wave of disappointment hit Azriel as he heard the combined footsteps of the High Lord and his General.

With one last scathing look, she walked into the shadows once more.

“Az! Rhysand and I were… was someone else just in here?” Cassian asked, stopping whatever thought was so important in the moment that both brothers had to interrupt him, but not important enough to finish.

“No.”

“Azriel, we can smell that a female was in here… a rather excited one at that.” Rhysand said, slightly wincing at his word choice.

“Oh my Mother, Azriel is having an illicit affair with an unknown female in his office.” Cassian teased, bouncing on his feet at the excitement the mere idea gave him.

“Yes, Cassian. I found time while finishing paperwork from the two week long mission I went on to have a clandestine meeting with a woman.” Azriel grumbled. He played it off as a ridiculous thing to think, but it wasn’t actually that far from the truth. In reality, she didn’t really give him any time nor warning to find the time to get yelled at by her.

“Who is she? Do we know her? Nesta is going to die when I tell her we caught you post-hot and steamy meeting with a mystery woman.”

“I didn’t mean excited as in aroused, you idiot.” Rhysand said while smacking the back of Cassian’s head. “Is this the so-called best friend? And how did you get someone to winnow in and out of here without being detected?” 

“She didn’t winnow.”

“But her scent starts and ends in this room?” Cassian jumped in, still rubbing the back of his head.

“Yes.”

Both brothers waited for more information, till they remembered who they were talking to. Rhysand caught sight of the Shadows once more appearing in the room. “Did- did she shadow walk?” That seemed like the only explanation, but how could she have done such a thing without Azriel? She couldn't have been able to unless…

“Please tell me you did not find another fucking Shadowsinger and not tell us immediately.” Cassian begged.

“I didn’t find another Shadowsinger and not tell you immediately.” Azriel replied sarcastically. 

“Wait, so did you or did you not?”

“I didn’t.” He replied truthfully. Not that the two bastards standing in front of him could tell.

Realizing that once again Azriel wasn’t going to give more than he wanted to, Cassian and Rhysand gave up, finally explaining what they had actually come into the room for. 

----

“I swear to you Feyre, Darling. Just smell his office!” Rhysand said as he led his mate, with Cassian and Nesta in toe, to the Spy Master��s office.

He had sent Azriel on a bullshit errand in order to get the two Archeron sisters to experience it for themselves, having not believed either of the two Illyrians. 

Azriel knew it was a bullshit errand, but he also knew he didn’t want to deal with whatever Rhysand was planning on doing without his knowledge. 

“All I can smell is Cassian’s sweaty leathers.” Nesta said, coughing at the smell.

“I just washed them!” Cassian replied defensively. This only made Nesta gag, the smell strong enough to prevail even after a deep clean.

The two began to bicker, Rhysand joining in, as Feyre snooped around, not having had the opportunity to really look around Az’s office before. 

She had been content in her observations, ready to stop the argument about Cassian's eternal body odor, when she spotted a letter in beautiful handwriting.

She couldn’t read the letter, it had been written in a language she had never seen. Just as she began to lose interest, the sign off startled her.

“What the fuck?” she yelled, startling the rest of the occupants in the room.

“What's wrong?” Nesta asked, concerned at the sudden swearing. The vulgarity was normal for the eldest Archeron but not so much with the youngest. 

As Feyre pointed to the letter, Rhysand walked around to look at it, also unable to read whatever language it was written in. 

“Must be from one of his spies. Some kind of thing only they can read.” He reasoned.

“Why would he talk to his spies like this?” She asked, pointing to the ending, reading it out for the other two in the room.

𝓨𝓸𝓾𝓻𝓼 𝓲𝓷 𝓶𝓲𝓷𝓭, 𝓫𝓸𝓭𝔂, 𝓪𝓷𝓭 𝓼𝓸𝓾𝓵,

𝓐𝔃𝓻𝓲𝓮𝓵

A stunned silence filled the room. This was a strangely poetic side of Azriel none of them had ever witnessed. Before any questions could be asked, a crash sounded from the balcony. 

There, the poet in question held his stomach, seemingly trying to stop his organs from falling out. 

—

“How do you feel?” Rhysand asked his brother, finally waking up after a long few days asleep.

“Like death.” Azriel answered, head pounding from the light, even though it was as dark as possible, minus the candle that was lit on the far side of the room inhibited by the rest of the Inner Circle.

“Good. You are an asshole for staying on the brink of death for days straight. You stressed us out enough with your dramatics. I hope you hurt for a little.” Nesta said, trying to hide her relief at Az’s sudden consciousness. 

“It isn’t my fault I was attacked while having to search every art supply store in Velaris for certain paints Rhys wanted for Feyre. Which by the way, Rhysand, don’t exist. So fuck you for that.”

Rhysand grimaced. Feyre sent him a feeling down the bond he knew meant he was in for a lot of berating later. 

“At least you are on the mend. Madja said the poison coating their weapons is what really did you in. Once she found the anecdote you started healing. So, no hard feelings. Everyone is happy now, yes?” Cassian explained, a forced smile on his face as he hoped Rhysand wouldn’t bring up the fact it was his idea to send Az on the impossible paint run. 

“Actually, I have a few choice words for the Shadowsinger.” A new voice replied, startling every single person in the room. Well, all except one.

Azriel groaned in his bed, wishing the headache was worse just so he didn’t have to go through what he knew was unavoidable. 

“You know, we have a rule. No taking what isn’t ours without explicit permission from the other. 500 years is a long time to obey that rule just to throw it out the window.” The mysterious fae female scolded.

The rest of the room was in a stunned silence. Hands on weapons, magic at their fingertips, ready to fight whoever this was the second the shock wore off. 

“Who the fuck is this?” Cassian yelled.

A reasonable question.

The sound made Azriel wince, head still pounding. But it was about to get way worse. 

“My carranam.” The Spy Master replied.

A/n: sooo part 3?

[rohirric-hunter]

I don't know if I agree that escalation is important. Another series that did this well is the Redwall series by Brian Jacques. The first book written in the series had a protagonist, Matthias. A later book focused on his son, Mattimeo. The stakes in Mattimeo's book are, if we're quite honest, noticeably lower than in Matthias'. There are still stakes -- one of the villains kidnaps Mattimeo and a bunch of other children and another one threatens their home while they are away from it, but neither villain is as threatening as the main villain of Matthias' story, and both of their evil plots are fairly localized. If they both got away with it then far fewer people would be negatively affected than in the first book.

In fact, both villains are villains that Matthias, as the hero of the first book, would easily have been able to deal with if he had just happened to be in the right place at the right time, but he's not. Matthias' failing as a parent isn't that he is bad at it. It's that his greatest strengths are also his greatest weaknesses. He's a very kind character, and this results in him letting Mattimeo get away with far more than he should, and one instance of him choosing to be kind rather than cautious kicks off the plot and all the ensuing conflicts. (Note that this is not presented as the wrong choice, per se, just an example of how unfortunately bad people can often use people's good qualities against them.)

Matthias then spends the entire book being restrained from being involved directly in either plot (which, again, he would have sorted in about ten minutes most likely) by time, distance, or cave-ins. Getting thrown into a bottomless pit. That sort of thing. There's almost a third plot where Matthias struggles against himself, TBH. His actions only indirectly and distantly affect the downfall of either villain. (This is thematically appropriate for the character, something something themes and motifs, but only tangentially related to this discussion.)

Some of the things that make this sequel succeed where others fail are these:

Matthias is present and active in the story. He is not put on a bus or killed early on; lesser writers use this tactic when they fear the new characters won't hold their own against the old ones. He is present and active; the story is simply not about him. He also passively influences the story through his past actions from the first book (kind of) and who he is as a person.

Matthias is a good parent, albeit not a perfect one. This works to the story's advantage, as Mattimeo ends up sharing many of his good traits that endeared readers to him in the first place by virtue of having been raised by him. Now they endear readers to the new protagonist as well.

Matthias has his own proper role in the story and a satisfying character arc. Matthias enjoyers still have something to be excited about in the story even though he is not the protagonist: here the writer neatly sidestepped the pitfall of alienating readers who are primarily reading the sequel in the hopes of new stuff about their faves.

Stakes really have little to do with it -- if anything the story is helped by the fact that the stakes are all deeply personal to the protagonists and not an Even Bigger Threat that will Destroy the World Even Harder than the first time.

In the case of Tolkien also doing this well, I think the most important takeaway is this: The parent figure must in some clear and important way influence and direct the child figure's story. You cannot write a sequel about a beloved character's kid where things just happen just because. There must be a clear line of narrative that makes sense between the parent and child's story.

But it takes a really talented writer to pull that off (especially if they weren't planning the sequel when writing the first book) and well a lot of people aren't really talented writers.

Generational spin-off media is like “okay, what would be the most in-character way for the previous show’s protagonist to comprehensively fail as a parent?”

[shrimpybbq]

the thought of drew and obx actress!reader sweeping award season with their crime drama😍 maybe it’s about 2/3 seasons too to really get their characters yearning…

Hehe they’re on the red carpet at the Emmy’s with the rest of the cast but they’ve split off together to do interviews. The reporters are ecstatic at getting the main actor and actress of the hottest tv show this year in front of them. Ever the gentleman, Drew has his hand resting on her lower back as he guides them through the interview line ups.

“So Drew! Y/N! How are we feeling? Your show is predicted to sweep the awards tonight - what’s that feeling like?”

Drew looks over and obx actress!reader before smirking cheekily. “I mean… I’m honoured,” he drawled, laughing as he received a playful swat to his chest at the now-famous remark. “No, but really, it’s really rewarding to know that people are liking and appreciating our work. Just a big thank you to everyone who has watched our little show. For letting us put two seasons out as well - it’s amazing to see people have faith in us.”

When the reporter turned to obx!actress reader, she spoke too, “Pretty much just echoing Drew, but it’s been quite intense! You know, you always have hope that your project is going to do well, but seeing the way this has blown up and the love from the fans for us and these characters has been incredible!”

Drew nodded alongside her. The cameras caught the way the pair had subtly begun to lean into each other, though it was clear neither was aware of it.

“And guys, coming from Outer Banks to this kind of show, it must be crazy! You two played an on-off couple before, but now for your characters, the stakes are a lot higher. What would you say has been the most important thing to help you portray this different kind of relationship, especially balancing the really challenging scenes you’re filming?”

Drew reached for the mic first, looking towards obx actress!reader momentarily for approval before speaking. “Yeah, I think knowing each other for so long beforehand was probably the most important thing. We would always debrief after scenes and check in to make sure we were both good, just keeping ourselves in good condition.”

He passed the mic to the shorter woman by his side, turning his attention to her.

“When you’re filming scenes that put you on edge and really push you out of your comfort zone, having people you feel safe with is just so invaluable. Pedro was great with that too, and all the cast on the show really recognised the nature of what we were portraying. Drew and I had a routine that each evening after filming, we would go and get ice cream from this place near the set and just chill. It was really great to just sit silently and eat for a while, you know?”

The interviewer nodded, incredibly pleased with the answers she’d managed to get from the pair so far.

“Ok! So my last question before you go is this - who is the best dancer on the set? Drew, I know you love to show off your dance moves, but there are quite a few great dancers in the cast!”

The pair both thought silently for a moment, before obx actress!reader leaned into the mic, “it has to be Pedro! He loves a quick dance party in between takes.”

“I’m also gonna go with Pedro,” Drew chimed in.

The interviewer grinned widely, thanking them quickly as their publicist began to shuffle the actors over to the next interview stand. The camera caught the pair waving goodbye as they moved over, not failing to capture the way Drew’s hand still rested on obx actress!reader’s back. This time though, her hand was resting on his bicep as she turned to talk to him, their bodies pressed closely together. The interviewer thanked her lucky stars that the pair were so touchy because her editor was going to love this.

[felassan]

DA:TV spoilers under cut.

The Felassan Files (DA:TV-specific post)

Post will be updated if/when needed as I go. This post is a WIP. :)

Please let me know if you have found a codex entry or note etc that I have missed in this post.

DATAMINING

“GENERAL FELASSAN AGE RANGE: 40 CHARACTER DESCRIPTION: The second in command of a resistance army. You’ve an elf who’s fought against the tyranny of your gods, cruel despots who’ve enslaved your people. You’re practical, level-headed, and have good sense for what other people are feeling, which makes you well-suited for your role. Your leader is an elf called Solas, a powerful mage who isn’t quite the people person you are. You respect him, and are there to help him with whatever he needs - especially when he needs guidance about being the face of a resistance.”

“BETRAYAL OF FELASSAN CHARACTER DESCRIPTION: A powerful undead born from Solas’s regrets and betrayals (in this case, Solas’s murder of his friend Felassan by stabbing him in the back).”

[original source, original post]

Betrayal of Felassan is an undead - a revenant - embodying one of Solas' greatest regrets, his murder of his friend.

CODEX ENTRIES

Codex Entry: Introduction to the Lighthouse

"Introduction to the Lighthouse Once, the Lighthouse was a place of learning, with tools to study the secret workings of great magic. When Solas rebelled against those who call themselves our gods, the Lighthouse became his center of operations, with tools to study the best ways to free ourselves from the tyranny of the Evanuris. You are safe here, both those of flesh and those of Fade. Any who wish to help are welcome. The magic of the Lighthouse will provide for your needs, see to your comfort, and even help you understand different tongues, for those who escaped here from distant parts of the empire. Should you have any other needs, ask for the Slow Arrow, and I will help. --Felassan"

Codex Entry: The Dread Wolf's Eluvian

"The Dread Wolf's Eluvian Most of us have only traveled through the eluvians at the whims of those who called themselves our gods. We know them as mirrors that always go from one to another, a bonded pair linked no matter the distance. Solas has outsmarted the so-called gods. If we used normal eluvians, they could track us to our lair. Solas has improved upon June's work by creating a mirror whose singing stone can change its tune to take us to any eluvian and not just its bonded partner. Thus, we can travel wherever this rebellion needs us, with no fear of pursuit. Travel is as safe as a normal eluvian. If you have questions, ask for the Slow Arrow, and I will guide you. --Felassan"

Codex Entry: About the Freed Slaves

"About the Freed Slaves We got word from the warding sites. Many dead, far more than the casualties we inflicted. The story being spread is that we killed everyone. Andruil's servants made examples of a few and claimed the Dread Wolf is trying to weaken Arlathan by attacking servants and destroying the wards. It's hard to tell what people really believe now. I know you're likely berating yourself reading this. Just remember the faces of the people we saved. We can't control what the Evanuris do. And yes, we have to keep playing up the Dread Wolf. The people need someone they believe is strong enough to protect them, or they'll never join us. Don't worry. I promise to mock you viciously if you ever start believing those stories yourself. --Felassan"

Codex entry: Aftermath of Disparaging the Gods

[codex entry is from game files]

"Aftermath of Disparaging the Gods You were right. The Evanuris did not like the insinuation that they need protection. The good news is that public sentiment has turned against the lyrium knights, and our agents got information that let us destroy one of the sarcophagi. The bad news is that Andruil and Ghilan'nain made a big show of putting down a protest in the east personally instead of sending the knights. Andruil left a crater where the town stood, and Ghilan'nain is using the people taken prisoner as fodder for her experiments. This isn't your fault, but still, this is exactly what I was worried about. It's not enough to be right about these things. We have to think about the consequences. --Felassan"

Codex Entry: Felassan's Concerns about the Dagger

[codex entry is from game files]

"Felassan's Concerns about the Dagger I'm keeping calm in front of the new recruits, but you've been dodging me for weeks now. We need to talk about the lyrium dagger. Yes, it's powerful. So is an erupting volcano, and nobody would try to harness that for power. (Well, maybe Andruil, but do you really want to be compared to Andruil?) We need to stop the Evanuris, but I'd rather we didn't destroy the world in the process. If you're certain you can control its power, tell me that. In those words. No equivocating. Also, you and I both know what this dagger means to you. I don't cast my best spells when my spirit is unbalanced. Do you? (That's a real question. Maybe you do!) I'm with you no matter what. --Felassan"

NOTES

Note: Mirrors Upon Mirrors

"MIRRORS UPON MIRRORS This place is amazing. June's normal eluvians function with twinned lyrium fragments. One always leads to another. Solas somehow talked the Crossroads into making Fade-eluvians that override them. His own network to run our rebellion. Provided you ignore all the old stories about holding mirrors up to mirrors and getting caught in the infinite reflections. - Felassan"

Note: An Unknown Artifact

"AN UNKNOWN ARTIFACT What are the Crossroads doing? “The spirits of the Crossroads do as they must, Felassan. As do we all.” Thank you, Solas. That's incredibly useful. Really helps your old friend pull together a rebellion against the Evanuris. - Felassan"

Note: The Blighted Tree

"THE BLIGHTED TREE This is a holy place. The tree draws strength from the earth, just as the first elves did. Some younger elves grow trees in the cities to honor their ancestors. Roots have a tendency to dig down and gnarl up, then twist around things they aren't supposed to, though. Hoping that metaphor doesn't stick. - Felassan"

Note: The Cathedral of Roots

"THE CATHEDRAL OF ROOTS When we first started, this was a safe place for spirits who joined our cause to find peace from the stress of battle. Now... I don't know. Not a lot of spirits use it any longer. Have they grown stronger, or has the fight against the Evanuris made demons of us all? - Felassan"

Note: A Refuge for Mythal

"A REFUGE FOR MYTHAL Solas always thought Mythal would join us eventually, that she was better than the rest of the Evanuris. He made this place so she'd be comfortable here once she joined the rebellion. Now it's too late. Solas has sealed this place off out of grief. He won't let me in. I'm sorry, my friend. There was something left for the war to take from you after all. - Felassan"

Note: Calm Before The Storm

"CALM BEFORE THE STORM I come here sometimes when I need to be myself. Not Solas's friend Felassan. Not the Slow Arrow of the rebellion. Just me. He hasn't been right since what happened with Mythal. He's planning something with the dagger. And if it were a good idea, he'd have told me. Damn it, Solas. I'm with you as long as we're protecting the innocent from the powerful, but you make it hard sometimes. - Felasan"

Note: The Empty Forest

"THE EMPTY FOREST This place used to be full of spirits who flocked to Solas's cause. When his ritual went wrong - when everything went wrong - he vanished, and the spirits stopped coming. Where are you, my friend? You stopped the Evanuris, but broke the world. Please tell me you didn't leave me to fix all this alone. - Felassan"

Note: Faded Note

[this note is not explicitly signed as being by Felassan, but it seems likely to me]

"FADED NOTE Look at this place. We planned a rebellion here once. Said we'd change the future of the elves, throw off tyrants, and we did. Now the path outside is fractured. It'll be hard rekindling all the eluvians. Solas, if you see this: I'll be looking for you, out in this world and in the mortal one. Don't cause too much trouble before I get there."

FELASSAN'S RUNE

"FELASSAN'S RUNE The power of Felassan's Rune is based on how much of the gods' influence you drove back in the Crossroads. Equip Felassan's Rune at the Character screen, and use [buttons] to activate it. This rune can only be used against Elgar'nan."

Close-up of the image of the rune from the pop-up above:

The rune comes in three different strengths, each with a differing design. The design increases in complexity as the rune's strength does. Image of the Ultimate version of the rune, called "The Ultimate Salvation of Felassan":

The design of the carvings of the Felassan runes btw are shaped like arrow-heads, very fitting for the Slow Arrow... :)

I think the two weaker versions of the rune are called The Lesser Salvation of Felassan and The Greater Salvation of Felassan respectively. The appearance of the "Lesser" version is the one shown in the close-up image from the pop-up. And the appearance of the "Greater" version is:

Morrigan's dialogue when she gives Rook the Ultimate version of the rune:

Morrigan: “‘Tis a difficult battle you face, but you are among more allies than you know. You have purified the Crossroads, uncovered ancient truths lost for ages, and earned the essence of Mythal. You are truly the champion of the Fade. Take this. Should your fight against Elgar’nan grow desperate, invoke the memories of the Dread Wolf’s rebels. For you, they will stand against tyranny one las time.”

Rune effects info boxes, explaining what the Ultimate version does in gameplay:

DIALOGUE (this section is a WIP)

The boss "Betrayal of Felassan" has the following lines of dialogue, said as combat barks during its boss fight:

“His back, turned.”

“A story, unfinished.”

“For the Wolf.”

“For freedom.”

These lines of dialogue refer to Solas' murder of Felassan as depicted in Dragon Age: The Masked Empire (and his regrets around this), Felassan's role in their rebellion, and Felassan and Solas' relationship.

MISC

Voice actor: Chris Gordon [IMDB]

Hair: I think Felassan's in-game hairstyle is available in the CC - Hair 47

Vallaslin: Mythal's (as was known before DA:TV released), specifically I think it's Design 34 from the CC

Armor: I think Felassan's in-game armor is available as an appearance Rook can have for theirs. The name and description of it are as follows -

"Arlathan’s Fall (Arlathan) Appearance The harder they hit you, the stronger your resolve. Crafted from ancient Arlathan alloys."

[rafeskai]

Life as We Know It — Rafe Cameron

Chapter Three

Two opposites must navigate love, loss, and unexpected parenthood to discover the meaning of family.

Summary: When tragedy strikes, two very different individuals find their lives unexpectedly intertwined as they become the guardians of an orphaned child. As they navigate the challenges of co-parenting, balancing careers, and confronting their pasts, they discover that family can form in the most surprising ways. Through heartfelt moments and unexpected humor, they explore what it means to build a life together—one step at a time.

Pairings: Rafe Cameron x Reader

Warnings: Character deaths & angst.

Author's Notes: Shit really just went down in this chapter. IM SORRY

Masterlist: Here

The months that followed were a blur of late nights, baby cries, and countless moments of learning how to be something neither of you had ever planned to be—parents. The house was constantly filled with the soft murmur of Willa’s coos, the sound of bottles being washed, and the endless shuffle of trying to make everything fit together.

It wasn’t easy. There were days when you thought you couldn’t keep your eyes open, and nights when you questioned if you were doing anything right at all. But there were moments, too—small victories, fleeting glimpses of joy—that kept you both going.

Moving in with Rafe had been the right decision, you told yourself. The practical side of it made sense, especially as the weeks went on. Rafe was still Rafe: intense, unpredictable, and sometimes impossible to read. But he was trying, and that was something.

Willa had come to see both of you as a constant in her life. She was thriving—growing fast, her chubby cheeks rounding out and her eyes lighting up when either of you walked into the room. You’d become an expert in diaper changes and feeding schedules, and though you hated to admit it, Rafe was actually pretty good with her. He had his moments where he was awkward, unsure, but when it came down to it, he was there. He would hold her when she cried, rock her when she wouldn’t sleep, and talk to her in that soft, almost tender voice you rarely heard from him anywhere else.

You had both fallen into a routine, the rhythm of everyday life settling in like a steady heartbeat. Willa would wake up around 6:30 AM, and by the time Rafe would stumble downstairs with a groggy groan, you’d already had coffee brewing and Willa settled on her blanket. The mornings were quiet—comfortable silence, filled with routine, until Willa started to fuss and everything shifted into motion.

You’d learned how to work together without much communication, both of you picking up on cues. One of you would get the bottle ready while the other soothed Willa, and when she finished, it was time for a nap.

And as much as you hated to admit it, you’d grown used to Rafe’s presence—his heavy footsteps down the hallway, the sound of his voice trying (and sometimes failing) to sing Willa back to sleep at 3 AM.

But there were challenges too. It wasn’t all sweet moments and baby giggles. There were the days where everything felt like it was too much, when you felt overwhelmed by the endless demands of raising a baby, of balancing the practicalities of your life with the unexpected responsibilities of parenting.

There were the mornings when you woke up feeling like you hadn’t slept at all, when you were late for your shifts at the café, and you’d have to rush around to get everything in place. Rafe would always be there, trying to help, but still learning the ropes himself.

The first time you caught him on the phone with his aunt, asking how to properly wash a baby bottle, you had to stifle a laugh. It was the first time you realized that Rafe Cameron—wild, unpredictable Rafe—was just as clueless as you about this whole parenting thing. He might have grown up in a house full of servants, of wealth and privilege, but when it came to taking care of a tiny human, he was as green as they come.

But you didn’t hold it against him. You couldn’t.

The kitchen was where a lot of your moments happened—early mornings when you’d both stand side by side, quietly making coffee, or late nights when you’d settle Willa back into bed, whispering soft words of reassurance to each other. It wasn’t perfect. It wasn’t easy. But it was yours.

One night, as you both took a rare moment to sit on the couch after putting Willa to bed, you glanced at Rafe from the corner of your eye, noticing how he rubbed the back of his neck, a tired but satisfied look on his face. You couldn’t help but let a small smile tug at your lips.

"She’s growing so fast," you said softly, breaking the comfortable silence. "I swear she was just a tiny little thing a few weeks ago."

Rafe hummed in agreement, glancing over at you with a small, almost wistful smile. "Yeah. And it feels like every time we get used to something, she changes again."

You nodded, leaning back against the couch. "It’s like we’re constantly playing catch-up."

"Yeah," he said, the word carrying more weight than usual. He ran a hand through his hair. "You ever think about what this is all gonna look like when she gets older? I mean, God, we’re just making it up as we go."

You chuckled, the sound light and almost freeing in the quiet room. "I think that’s kind of the point, right?" You paused, looking over at him, your expression softening. "I never thought I’d be here. With you. Raising a baby. But it doesn’t feel... impossible anymore."

Rafe glanced at you, a small flash of something unguarded in his eyes. "Yeah. Me neither." He paused, looking down at his hands before looking back up. "I guess we’re doing okay, huh?"

You didn’t have an answer at first. Instead, you just let your gaze soften. Maybe you hadn’t figured everything out yet. Maybe you still had a long way to go. But right now? Right now, in this moment, you were okay.

The door creaked from the hallway, and you both turned toward it, the sound of Willa stirring faintly through the door. Without a word, Rafe got up, stretching his arms before walking to the crib. You watched him for a moment, surprised at how natural it had become for him to step in like that.

You followed him, your steps quiet as you watched him gently pick Willa up, rocking her in his arms as he murmured something soft to her. You felt a flutter of something in your chest, a strange mix of relief and warmth.

“Got her?” you whispered, half-expecting him to protest.

He looked at you over his shoulder, his face soft, the exhaustion in his eyes mixing with something else—something more like contentment. “Yeah. Go back to sleep. I got it.”

And in that moment, as you watched him rock Willa back to sleep with ease, you realized something: this—whatever this was—had become a part of you. Not the life you’d planned, but a life that felt strangely right.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

It was a few days later, and a crisp morning greeted them when the crying started again. Willa had been particularly fussy the past few days—her sleep patterns erratic, her cries escalating to heart-wrenching wails that neither you nor Rafe could seem to soothe. You'd tried everything: feeding her, changing her, singing to her, rocking her to sleep—but nothing worked.

Rafe was pacing around the living room, his eyes scanning every corner of the room as if the solution to Willa’s crying was hidden under a piece of furniture or buried in a drawer. You sat on the couch, rubbing your eyes, already feeling the exhaustion of another sleepless night pressing in on you. You hadn’t been able to focus at work, and the lack of sleep made everything feel like a blur. But now, there was no ignoring it. The crying was louder, more insistent, and it was like a knife to your heart every time she screamed.

Rafe glanced at you, his frustration mounting. “We’ve tried everything,” he muttered, the words tinged with helplessness. "What else can we do?”

You shook your head, feeling that same helplessness clawing at you. “I don’t know... We’ve been through the list a hundred times.”

You both sat there for a moment, staring at the baby monitor as Willa's cries grew even more frantic. You were about to stand up, about to try the rocking chair again, when Rafe's voice broke through the tension.

“I might know something.”

You looked at him, confused. "What do you mean?"

Rafe shifted, his brow furrowing slightly as he leaned against the wall. “Sarah used to do this when she was little. It’s crazy, but it worked every time. She had this blanket... a childhood blanket. I don’t know, it just always calmed her down.”

Your eyes widened as you processed his words. "Wait... Sarah had a blanket? Here?"

Rafe nodded. “Yeah. I think it's still in the attic. I’ll go get it.”

You watched as Rafe turned to leave, the sound of his boots echoing on the stairs. There was a strange, almost surreal feeling in the pit of your stomach as he disappeared from view. Sarah’s blanket. You hadn’t known about it—had no idea it was even still here, tucked away in the attic, a piece of her childhood still lingering in the house after everything that had happened.

A few moments later, Rafe returned, a slightly worn but soft-looking blanket in his hands. He didn’t say anything as he made his way over to the crib where Willa was still crying, her little face scrunched up in distress.

“Here goes nothing,” Rafe muttered, more to himself than to you.

He gently wrapped the blanket around Willa, smoothing it over her tiny body. It was faded in spots, the fabric soft with age, but it carried a strange comfort to it—a piece of Sarah that had been forgotten until now. You stood quietly, watching the scene unfold, unsure of what to expect.

And then, in what felt like an instant, Willa’s cries started to fade. Her tiny hands grasped at the blanket for a moment, and then she let out a soft sigh. Her body, tense from the crying, relaxed in Rafe’s arms, and her big brown eyes blinked up at him, almost like she was seeing him for the first time.

You could hardly believe it. The moment felt like magic.

Rafe, looking just as surprised as you, stood there for a moment, his hands still holding Willa as she cooed softly, her eyelids fluttering. “I’ll be damned,” he whispered. “It actually worked.”

You couldn’t move. The sight of Willa—now calm and almost content—was like a weight lifted from your chest. You had been so focused on solving this crisis, on trying to manage everything, that you hadn’t considered that something so simple, so deeply tied to the past, might be the key.

As Rafe gently placed Willa back in her crib, you stood still, unable to shake the strange sensation that had crept into your heart. Watching him with the blanket, watching him soothe Willa, a feeling washed over you—an unfamiliar tightness in your chest that was both comforting and unnerving. It was as if, in that moment, a piece of Sarah had crossed into your life in a way that felt too intimate. Too real.

Rafe glanced over at you, his face soft, almost vulnerable. “I didn’t think it would actually work,” he admitted quietly, still gazing at Willa, who was now sleeping soundly, wrapped in the faded childhood blanket.

You swallowed, trying to shake the sudden lump in your throat. “I didn’t know she had it,” you whispered, your voice quiet. “It’s... it’s kind of strange, isn’t it? To think that something so simple could bring her comfort.”

Rafe nodded, walking slowly back toward the living room as he sat down on the couch. He looked at you, his gaze slightly distant but full of that same raw honesty you’d come to expect from him. “Yeah, it’s weird. But it makes sense, right? Sarah had that damn thing with her everywhere. Maybe she passed it on to Willa somehow. Who knows? Maybe it’s something about the smell, or just the familiarity of it. But I guess that’s the thing with kids—they find comfort in things that we can’t even explain.”

You didn’t answer immediately. The room felt thick with something unspoken. There was a soft, melancholic weight in the air, and your chest ached. You hadn’t expected to feel this—this weird pull in your heart. The thought of Sarah, the reminder of her presence in this house, in your life, and now, with Willa... it was all too much to process.

You sat down beside Rafe, your body heavy with the unspoken thoughts crowding your mind. Neither of you said anything for a while. There wasn’t anything to say, really. But the silence between you two didn’t feel uncomfortable this time. It felt... shared.

Finally, after a few moments, you spoke, your voice soft but steady. “It’s... strange to think that Sarah’s still here. In some way. For Willa.” You looked at Rafe, trying to read his face, but his expression was guarded. “It’s like... she’s still looking out for her, even now.”

Rafe didn’t meet your gaze immediately. He just stared at the floor, running his hand through his hair. “I don’t know,” he muttered. “But I hope so.”

You glanced down at Willa, her tiny form tucked into the blanket, her face peaceful now. The weight in your chest felt a little lighter. “I hope so, too.”

It wasn’t easy. None of this was. But at that moment, with Sarah's blanket wrapped around Willa, you both realized something—it wasn’t just about the past anymore. It was about the present. And the future.

You didn’t have all the answers, but maybe you didn’t need to. Maybe you just needed to trust that you were doing your best, that you were doing this for Willa, for Sarah, for each other. And maybe, just maybe, that was enough.

The day had shifted into something quieter, something more grounded. The house felt a little warmer, a little fuller, with Sarah’s memory lingering in the most unexpected of ways.

And as you sat there next to Rafe, silently watching over Willa, you couldn’t help but feel a strange sense of peace—the first you’d felt in a while.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

A few hours later, the night had settled into a rare quiet, the soft hum of the refrigerator and the occasional creak of the house the only sounds in the otherwise still air. Willa had finally fallen asleep—her tiny body now wrapped snugly in her crib, her peaceful face illuminated by the moonlight that spilled through the window. You and Rafe were sitting in the living room, a bottle of wine between you both, the remnants of the evening slipping by in a slow, comfortable haze.

It wasn’t something either of you had planned, but tonight felt different. The weight of the past few months, the stress of adjusting to this new life together, had somehow slipped away after dinner. There was no rush to get up, no urgent task that needed to be done. The wine flowed freely, and for a brief moment, it felt like you were allowed to just breathe.

You poured the second glass of wine, the conversation light, a mix of joking about how neither of you had ever really handled a bottle opener right and how neither of you knew much about wine, but at that moment, it didn’t matter. The normal world felt far away, and this small moment of calm was something you both desperately needed.

“I swear,” Rafe said with a half-grin, swirling his glass and leaning back into the couch, “I think I might be a natural at this wine thing.”

You laughed, lifting your own glass to your lips. “Oh yeah? That’s what I was thinking too. A whole new world of sophistication has opened up for you.” You clinked your glass against him, the light chimes almost too loud in the silence.

There was a quiet ease to the night. The tension of the past few months, the uncertainty of your situation, seemed far away. You both talked about random things—life before Willa, stupid high school memories, the occasional dig at the ridiculousness of the Kooks’ high-society antics. And somehow, in this soft glow of laughter, you both began to forget the weight of your new reality.

But as the night wore on, something in the air between you shifted.

The conversation had died down, and now the silence felt heavier, different. You caught Rafe’s gaze as he looked at you over the rim of his glass, and for the first time in what felt like forever, the space between you seemed charged. It was almost as if, after everything, this moment was too... easy. Too comfortable.

You shifted on the couch, the wine starting to cloud your mind in the way it did when it wasn’t just about a drink anymore. Your heart beat a little faster, a strange heat blooming in your chest.

Rafe’s eyes never left you, and you could feel the sudden awareness of his presence—his usual confidence now laced with something more raw. You tried to brush it off, to laugh it away, but your throat felt tight.

“I think we might’ve had a little too much,” you said, your voice a little unsteady, more than you’d intended. You weren’t sure if it was the wine or the sudden tension or maybe something else entirely.

He nodded, his gaze now focused entirely on you. “Yeah, probably. But... you know, it’s been a while since I’ve had a night like this. With someone.”

You felt the words sit heavy between you both, something unspoken hanging there, and for a brief moment, you swore you saw something flicker in his eyes—something that mirrored what you had felt earlier, that strange warmth in your chest.

You opened your mouth to respond, but before you could find the right words, Rafe shifted closer.

It was subtle, a slight movement, but it was enough to make your breath catch in your throat. And then, before you could stop yourself, before you could even process what was happening, his lips were on yours.

The kiss was gentle, and slow, like neither of you wanted to let go. For a moment, it felt like everything had shifted, like time had paused and all that mattered was the contact, the connection, the warmth of his mouth against yours.

But as quickly as it started, it was over. The distance between you two was almost immediate, both of you pulling away with wide eyes and labored breaths.

You both sat there, frozen, the weight of what had just happened sinking in like a heavy stone.

“Oh my God,” you muttered, your chest tight as your heart raced, “That... that was a mistake.”

Rafe’s face was flushed, his hands running through his hair nervously. He looked just as stunned as you felt. “Yeah. A big mistake,” he muttered under his breath, his voice laced with something like disbelief.

The air around you both thickened, heavy with the tension of what had just happened. Neither of you knew how to fix it, how to go back to the way things had been just minutes before, when everything felt... simple. When you both were just two people trying to figure things out.

“I—” You cut yourself off, unable to find the words. You didn’t know what you were supposed to say, what you were supposed to feel. The kiss had been... unexpected, yet somehow, it had felt too natural to ignore.

Rafe was silent for a long moment, his eyes locked on his hands, his voice quiet when he finally spoke. “We can’t—this can’t happen again, [Y/N].” His words were final, but there was something underneath them—a hesitation, like he wasn’t entirely sure that was what he wanted to say. “I mean, we’re... we’re doing this for Willa, right? We can’t let this mess things up.”

You nodded, swallowing hard. “Yeah. You’re right.” But as you said the words, you felt a strange tug in your chest—something that didn’t align with the logic of what you knew was right. You didn’t know what to do with that feeling, how to even begin to unpack it.

It wasn’t supposed to be like this. You and Rafe were guardians to Willa. That was it. It had to be that way. This... this wasn’t supposed to complicate things.

But the air between you both remained heavy. Every word that followed felt like an attempt to fill the silence, to erase the awkwardness, but nothing worked.

You sighed, your hands pressing against your eyes. “This is just so messed up. We’ve already got enough going on, and now...” you trailed off, unsure of what to even say next. You felt disoriented, your emotions tangled.

Rafe glanced over at you, his expression shifting from shock to something softer. “I don’t know what to say either. But... we need to focus on Willa. We’re doing this for her. That’s all that matters.”

You nodded again, trying to pull yourself together, but the air between you two was thick, and no amount of words could erase the kiss, the connection that had flickered between you both.

And in the quiet that followed, you realized something: things were already complicated. Whether you admitted it or not, the line between what was necessary and what felt right was already blurred. And neither of you knew how to unblur it.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

The days dragged on, each one more awkward than the last. After the kiss, Rafe had retreated into himself, throwing up walls so high you could barely see over them. He was colder now—shorter with his words, sharper with his tone. The rare moments of understanding and teamwork you’d managed to build in the past months seemed to vanish overnight.

It was suffocating.

You found yourself juggling too much at once: your shifts at the café, the endless demands of parenting, and now, the tension that lingered between you and Rafe like a storm cloud. You couldn’t escape it. Every glance, every clipped response from him was a reminder of the kiss—a reminder of how things had gone wrong and how neither of you knew how to fix it.

Willa was your only reprieve. Despite the chaos, she was growing brighter by the day. Her giggles were your anchor, her tiny hands reaching for yours a reminder of why you were enduring this storm. But even she wasn’t enough to distract you from the weight of everything else.

“Rafe, can you grab her bottle from the kitchen?” you called one afternoon, cradling Willa in your arms as she fussed.

He didn’t look up from his phone. “You’ve got two legs, don’t you?” he muttered, the words slicing through the air.

You froze, biting back the sting of his tone. “I’m holding her, Rafe,” you said as evenly as you could manage.

With an exaggerated sigh, he got up and stomped into the kitchen. The bottle landed on the coffee table a moment later, the sound of it hitting the wood sharper than it needed to be.

“Thanks,” you said, though your gratitude felt hollow. He didn’t respond, disappearing into his office without another word.

This was how it was now—barbed comments, cold silences, and the ever-present feeling that you were walking on eggshells.

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯

One evening, after another particularly tense exchange, you sat on the edge of your bed, the weight of everything pressing down on you. The exhaustion was bone-deep. You felt like you were failing on all fronts—your job, your relationship with Rafe (if you could even call it that), and even Willa.

You couldn’t help but wonder how much longer this could go on. How long you could juggle everything without dropping one of the pieces.

But before you could dwell on it too long, there was a knock at the door.

Rafe stood there, his face unreadable. For a moment, you thought maybe he was going to apologize, maybe he was going to acknowledge how hard this had been for both of you.

Instead, he said, “We need to talk.”

You braced yourself. “About?”

His eyes flickered with something you couldn’t place—nervousness, maybe, or anger. “Ward.”

Your stomach dropped. “What about him?”

Rafe stepped into the room, his posture tense. “He’s... he’s trying to get custody of Willa.”

The words hit you like a punch to the gut.

“What?” you whispered, your voice barely audible.

“He’s claiming we’re unfit,” Rafe said, his jaw tightening. “Says we don’t have the resources, that we’re too young. He’s filing a petition.”

Your heart raced as you tried to process the information. Ward Cameron, the man who had emotionally scarred his children, who had driven a wedge into their family with his manipulations, was trying to take Willa away?

“He can’t—he can’t do this,” you said, your voice shaking with anger. “He’s not fit to take care of her! What about everything he did to you? To Sarah?”

Rafe’s expression hardened, a mixture of fear and fury flashing across his face. “None of that matters to him. He doesn’t care about her—he just wants control.”

The room felt smaller, the air heavier. You couldn’t lose Willa. Not to Ward. Not after everything you’d fought for, everything Sarah and John B. had wanted for her.

“What do we do?” you asked, your voice cracking.

Rafe looked at you, and for the first time in weeks, the coldness in his eyes melted away, replaced by something raw and real. “We fight him,” he said firmly. “We don’t let him win.”

But as he said the words, the doubt in his voice betrayed him. Because deep down, you both knew that Ward Cameron wasn’t a man who fought fair. And the thought of what he might do to get his way sent a chill down your spine.

The battle for Willa had just begun, and it was about to shake everything you thought you knew.

© 2024 rafeskai | All rights reserved. This fanfiction is a work of fiction inspired by characters from Outer Banks, and no part of it may be reproduced or distributed without permission.

[pink-ivy-vines]

what it honestly feels like they did was take the concept of native rivaini people stealing their culture before the rich andrastian nobles could and then turned that on... every other culture? like, it makes sense that rivaini pirates are stealing their own history before it could become a showpiece for some asshole chantry bootlicker who approved of the dairsmuid circle being annulled in 9:40 dragon. and it makes a little bit of sense for the qunari ones because rivain is the only country in thedas that had a peaceful qunari settlement. it does not work with the elven artifacts.

my first playthrough of the game was as a lord of fortune, and i liked it a lot, but there is this really weird disconnect between what taash thinks is happening in the lords and what rook sees in the lords. rook acknowledges that they're thieves. that they steal things. in fact, one of the most interesting moments of the game for me was rook trying to connect to taash through being a lord and taash shutting it down by saying "we're not thieves" and rook saying "UM. yes we are?" then gives a very pointed example about said thievery. because the lords do steal things. sometimes they do it just because it's funny.

but taash doesn't recognize this? or doesn't believe it and sees it through these rose-tinted glasses? with every other faction i've played you're able to connect to the other character from that faction in some way. you chat with them, talk to them, and your shared history comes up often.

that does not happen with a lords of fortune rook. in fact, the only time i've ever actually seen rook uncomfortable is talking about the lords of fortune to taash. because rook tries really hard to connect with them about it and then is clearly shut down at the get-go due to their vastly different viewpoints on what the lords actually do. it's almost as though both of them have wildly different perceptions about what goes on in the lords and this is fascinating and interesting and also never brought up again.

sure, it's hinted at; isabela does not take taash on anything remotely political, doesn't bring them into dragon hoards, and tends to have taash there only for advice on dragons. rook was much more involved in the 'delving into temples and ruins' and has a much closer relationship to isabela than taash does.

some part of me actually thinks that taash's storyline should have been about realizing that the lords aren't exactly the goody-two-shoes that were presented to them. that they do commit crimes and maybe that can be good in some ways (in regards of fighting against the chantry in their country) and bad in others (like stealing and selling elven artifacts).

of course, all this also just exemplifies the problem that you bring up; which is that the lords do have good things that they're doing as well as some bad things. they're in a weird situation where they're fighting to help people, but rivain has been the subject of so many genocides and massacres that they are trying to survive the only way they know how; through piracy.

yet the only person you can talk to in a meaningful way sees them as a weird abstract painting of themselves and when you play as a lord of fortune it still never gets resolved or pointed out. it just becomes more obvious.

I got a party banter between Bellara and Taash about how the Lords of Fortune steal elven artifacts. And then Taash clarifies later that they have a Dalish expert on the team so they can check to make sure the Lords don't sell something culturally important and instead return it to the elves.

Like. I get it. You want the Lords to be fun swashbuckler Disney pirates and Robin Hoods instead of actual pirates who steal and plunder. Because we're only now in Western society realizing that stealing from indigenous groups is, uh, bad. But like. Writing really uninteresting factions for your "dark" fantasy (tho lbr Dragon Age hasn't been dark fantasy since DA2) isn't gonna solve real-world neo-colonialism, ya know? The Lords not stealing priceless elven artifacts and returning them to the elves doesn't signal to me that the Lords are total rascally good guys, it signals to me that BioWare itself is trying really hard to seem morally conscious. "See? We know stealing from other cultures is bad!!!"

And man. Not to be a "political correctness has poisoned media" grifter on main (tbh it's less political correctness itself and more the commodification of real-world activism) but I couldn't help but imagine how this convo would've played out in earlier games, potentially even Inquisition.

You could've so EASILY made this interesting while giving the Lords and Taash and Bellara a lot more depth, while also making it clear that stealing from indigenous groups is wrong.

Just have the Lords, yeah, actually sell those artifacts. But also establish that the Lords take in and help elves from all walks of life. That they free slaves, or collaborate with alienages. Then you could have Taash defend the practice by saying to Bellara that little orphaned elf kids being sold as slaves probably don't give a flying fuck about some artifacts they're never gonna see, but the money from selling those artifacts goes to buying them food. And have Bellara fire back that preserving elven culture is also part of its survival, and that there are Dalish clans that would be willing to pay for them or offer something in return. Or have her say that the Lords are doing charity for the sake of recruitment rather than actual altruism. And then Taash responds that those high and mighty Dalish elves don't do shit to help abandoned city elves, just because those aren't part of their correct elven subculture, and they care more about reclaiming old glory than helping the people that exist here and now.

Then you could have side missions or at least codex entries that describe maybe some Lord recruit being conflicted about what they're doing. Maybe a few of them are collaborating to hijack a deal or steal back an artifact. Have implications that some high-ranking Lords are, in fact, using those artifacts for their own gain, despite claiming otherwise. Have some Lords genuinely trying to help, and believing that gold and trinkets don't matter as much as people's lives, so they sell them in exchange for safety for refugees or slaves or some other helpless group.

But no. Instead it's "hey do you steal from my people?" "nah lmao we have a cultural advisor don't even worry about it" "oh wow so cool and woke of you!" And then that's it. No need for any further discussion. No conflict and no complexity. No bad actors and moral quandaries.

Weh.

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[angelltheninth]

Daily Dose of Vitamin D

Pairing: Zayne x Fem!Reader

Tags: nsfw, smut, experimenting, cum swallowing, blowjob, flirting, praise, cum shot

Word count: 0.5k

Ko-Fi | Rules | Fandoms and Characters

A/N: I'm on my period, that means I'm in feral mode. Fuck...

As one of the best doctors around you took Zayne's word as gospel when it came to your health. He would never steer you wrong, he deeply loves and cares about you like the caring and smart boyfriend that he is. Right? Yes. But... this... you knew this wasn't the way to get vitamin D. Yet Zayne insisted that it was a new method that he came up with and wanted to do a little experiment to see if it really worked.

It was a stupid excuse. "Zayne, for such a smart man, you sure do come up with the silliest of lies."

"And yet you're opening your mouth." Why, yes you were because you were looking for an excuse. His big tip pushed your lips open, guiding the throbbing length into your mouth, down your wanting throat. "You'll have your fill. I'll make sure of it."

You choked out a "Yes," around his cock an tilted your head back so he could push his balls against your chin, completely trap you between his legs. With nowhere to move your head you were at his disposal, his to use. Zayne's eyes softened for a moment when he looked at you, your pupils blown out and lips so tightly sealed around him.

They made the perfect slippery ring, so soft.

He moved back then slowly back in, relishing in your dawn out groan. Your hands pressed into his hips, tapping your fingers and letting him know he doesn't have to take it slow.

"A perfect test subject. So willing get a throat full of my cum. Aren't you lucky to be my girl? My good girl." Zayne rose on his knees then roughly back down, making your eyes water at the rough intrusion. He moved up and down, almost riding your face, your moans barely choked out, mixing with wet gurgling sounds and the sounds of his balls smacking against your chin.

You couldn't let him do all the work. You were never one to be lazy for him. As his cock pushed in and out you circled your tongue around the tip, making it twitch, his cock getting hotter, salty cum dripping from the tip.

Zayne pressed his hands on the wall, his biceps flexing, relaxing, his hair falling over his face as his cold expression began to crack into that of pleasure. Seeing his pulling his lip between his teeth and saying your name in that low tone made you suck him even harder, and you made damn sure he both heard and felt it.

What you felt moments later was his warm, gooey cum flooding your taste buds, being fucked deep down your throat. Thick webs of it connected his cock and your lips, his cock still twitching and shooting little drops across your mouth, cheeks and breasts.

"I feel even more tired. Your experiment failed." You commented with a cheeky smile as you kissed his cock. Zayne slicked his hair back, easy with the sweat on his forehead, which made him look more handsome then he already was. "Do over?"

"In a few minutes." Not even he could get hard again instantly. "Let me write this down first. We need to have notes to compare." Of course, this was an experiment after all.

[cherrycranes]

Claustrophobia (Edward Dillinger Jr. x Fem!Reader) [+18]

Pairing: Edward Dillinger Jr x female reader Summary: What's worse than getting stuck in an elevator when you're claustrophobic? Being stuck in an elevator with your hot boss/work crush when you're claustrophobic! Word count: 5,141 Contents: Slight age gap (Reader is in her 20's, Edward is in his early 30's), only one use of Y/N, reader is claustrophobic, reader has a panic attack, virgin reader, fingering, oral sex (female receiving), p in v, unprotected sex, pulling out, technically public sex. Edward asks for consent a lot. Author's notes: This is a collab with my dear @lauuren! She wrote the intro and the oral sex scene and I am in awe at her talent. I desperately want to spread the "stan Edward Dillinger Jr" agenda. I will not stop. There's a character playlist I made about him at the end of this fic. Please stan Edward Dillinger Jr, Lauren and I are all alone in this boat.

A quiet ding could be heard throughout an empty modern hallway of the ENCOM building, announcing that the elevator had just arrived at your floor. After both automatic doors had slid open, and a quiet sigh escaped your lips, your steps made their way inside the confined space of the machine.

Not only a second after, a loud confident stride joined you inside, just before the doors closed. You already knew who the person was just by the sound of his fine leather boots on the floor, and by his signature scent you, oh, so adored.

Your boss, Ed, or rather Mister Dillinger, as you usually called him, stood right next to you, fixing his navy bow-tie. You caught a glimpse of him with your peripheral vision and you felt your cheeks burning with heat. And not just them. The shameless sensation reached your pussy at record speed and you could feel the fabric of your crimson-colored panties getting slightly damp. Something that had been happening ever since you started working for him.

It was his nicely ironed dark blue suit, his silky-smooth vest, his glasses, or maybe the way he stood there paying attention to the screen of his iPad - it all sent shivers to all the right places. The places you never even knew you could feel something at.

“Evening, sir.” You chirped, hoping to catch his attention.

His head turned upwards from the tablet, his eyes finding your own. He fixed the glasses on the bridge of his nose with his fingers, and you were fighting all your inner demons to not stare at them.

“Ah, Y/N…” His sentence was interrupted by a weird rambling and a thud. The lights of the elevator flickered a few times, and the machine stopped.

You always felt kind of nauseous every time you stepped into that elevator. All your muscles tensed and your breathing got slightly shallow until you got off. But being stuck in such a horrible and confined space really did not help your claustrophobia. Quite the opposite… You felt panic starting to flood your mind, darkening it with fear.

“Oh, my God.” A last breath of tranquility escaped your lips when everything above and below you stopped dead on its tracks. And the brief flicker of the lights prevented it from coming back to you.

Your desperate fingers broke through a tremor and frantically pressed every button that looked like an emergency one. And then, when the elevator doors did not magically open, you rushed to double-press every single button to no avail. 

“Shit!” You exhaled, giving up and giving in into your worst fear. The metal around you sizzled and constricted like it burnt, your vision blurred and the pressure in your stomach made you feel so hollow yet so heavy. The tortuous beating of your heart took over your ears so loudly, you didn't catch your boss' voice. It wasn't until his hand touched your shoulder, that you could make out the words.

“Hey... Relax.... Relax.” Edward repeated, his voice so unfazed, like it wasn't his first time stuck in there. You didn't turn to face him, it would have mortified you twice as much. So you pressed your forehead against the wall, finding it colder than expected.

“Calm down, people will come for us. It won't take long, I promise... Just calm down, breathe with me…”

It was all a big, draining whirlwind you were trapped in, but somehow you found the will in you to follow him. Seven seconds of air filling your lungs, five of holding it there and six of exhaling it. Repeated several times until your feet were back on the ground and your forehead felt the wall warming up to your touch. 

“That's it... It's ok…” Edward repeated, his hand very gently touched your upper arm and slowly pulled you away from the useless button board and towards his chest. He must have set his Ipad down on the elevator floor during your panic, because he carefully guided you with both hands towards the center. You calmed down a little more, putting all your focus on the right amount of seconds for each breathing phase. With all the gentleness he had, he started to sit you both down, with you between his legs, your back against his chest and your ear close to his lips.

“Easy… That’s good… You’re ok… You’re going to be ok…” He kept soothing you, his hands rubbing comforting circles over your arms. Slowly but surely, it had an effect on you. And then it finally hit you: you had just had a panic attack. IN FRONT OF YOUR BOSS/WORK CRUSH. And while you dreaded thinking about it, you wished the elevator would just plummet down the building. 

“You know, this has happened to me two times before… The longest I’ve been here is about 15 minutes… They always notice if there’s something wrong with the elevators.” Edward’s warm voice snapped you out of your thoughts. At least a rescue was ensured. But that still didn’t fix your embarrassment… Oh, God must really like seeing you suffer. What must Mister Dillinger think of you now? He must think you’re pathetic and stupid and…

“So don’t worry, baby…. I’m here with you…” Baby… BABY. You almost didn’t believe it. And you would have told yourself it was an auditory illusion but then, his hand slowly started to move down your arms. His lips and stubble caressed your ear, giving you a good shiver. Edward kept whispering soft praises the more you relaxed and you felt in heaven.

“Good girl.” He murmured, and your cheeks burned. The cheeky little warmth your pussy always felt when he was near returned with renewed intensity now that you were in his arms, and now that you were “baby” and “good girl”. 

His left hand stopped tracing circles on your arm and traveled to your chest, tenderly lazing over the side of your breast. Not kneading it or even attempting to cup it, just lingering there in a silent plea for permission.

“Tell me to stop and I’ll stop…” His voice was soft against your ear, his hands completely stayed still over your beautiful body, expectant for a cue or a full on red light. You had found that his touch had a soothing effect on you. There was something so calming about his big hands, his warmth and, on top of all things, his understanding nature.

“Don’t stop…” More than a cue, this was a soft little plea. You needed to feel him all over you, his warmth washing away the fear and the constriction. 

On command, his hand on your breast kneaded the flesh so softly over your bra until he found your nipple, making you moan quietly.

“That’s it… Just relax… Let me take care of you…” His voice was huskier now. The combination of his stubble and his breath on your ear was a sensory experience drawn out straight from your fantasies. You obeyed, the last bits of tension in your body fading away the more he fondled your now hardened nipple.

As for Edward, he swallowed thickly, his cock was growing uncomfortably harder in his tight pants. A desperate need started to tug on his reason and he swiftly moved onto the next step when he noted your new calmness and your quiet moans. 

“Is this ok?” He whispered again, making your eyelashes flutter and your lips part when the hand that wasn’t massaging your breast reverently and very carefully traveled down your abdomen. You nodded and he smiled ever so slightly before taking in the shape of your thigh with his palm.

That morning when you picked out your outfit, you decided against a pair of pants for not matching with your new shoes, and God, you were glad you had. Because instead, you chose to wear a cute black skirt and stockings that Edward now palmed in admiration. 

“I’ve never told you… But you always look so stunning…” He confessed to the skin of your neck before planting a soft kiss there, getting a reaction out of your needier and needier body. Your underwear felt damp and your lower abdomen felt hotter, lonelier.

As if he had detected it, Edward rode up your skirt slowly at first, in his usual search for permission. When you nodded again, he continued, exposing the sheer fabric of your stockings and then, a view that made him smile, your crimson panties with a flirty lace trim. 

“Naughty little girl.” Edward couldn't contain himself. Your choice of underwear had been unintentional. All your panties that would have been more suitable for a black skirt were in the laundry and your choices were limited. But you pretended it was a deliberate seduction tactic. Perhaps part of a plan to cross your legs in front of him, or bend down to pick up something at the office so he could have an ‘accidental’ little peek. Whichever way, he was a fan. His thick fingers lowered them well enough to see your little bush, something that got a guttural sound out of him.

“Just how I like them.” He growled. His fingers attracted to your heat like a magnet to metal. He ran two digits across your needy cunt, rewarding you for being so wet for him with a lustful kiss. You moaned softly once more, your eyes closed as you let the feeling sink in. You spread your legs a bit further, only hearing his breaths, the smacking of your lips together and, of course, the sounds of your slick arousal.

"God... Hear that? Hear how wet you are? Is that all for me, babe?" He gently broke the kiss and his whisper teased the skin of your earlobe along with his stubble. His fingers slowly buried themselves into your tight cunt, this time spreading you open with a scissoring motion. His index and middle fingers stretched you once experimentally, making you gasp and whine and making him groan in a pleasant surprise.

"Oh, don't tell me you're still a virgin, baby? A pretty girl like you?" He teased, half in disbelief, half in arrogance. He was going to be your first then? That knowledge filled him with a greedy, possessive, perhaps a little old-fashioned pride. Nobody had touched you or had you before. You were going to be all his. He smirked like a devil and continued his motions to get you ready for his cock.

You moaned again, lost to the lust and willing to be his, when suddenly, a sound made you clam up and open your eyes widely. Two voices outside the elevator, loudly complaining that the machine was not working.

"Mister Dillinger..." You tried to warn him in a rising panic despite the coup d’état your pussy threw over your brain. Somebody had to be the voice of reason here. Remind you both that you were stuck in the elevator, that the people you just heard could hear you. And even if they didn’t,  they would still try to get the doors to slide open. And if they did, they would discover you two were fucking in there. The embarrassment made your cheeks even redder. Or maybe it was the feeling of his fingers that kept massaging your walls. It got hard to think, your cunt only got wetter and your mind cloudier. You moaned so softly, so needily, eliciting another groan from him.

"Ed. Just call me Ed." He completely ignored the voices and whispered into your neck, placing soft kisses that led him lower and lower. His hand left your heat for a moment, making you whine in protest.

"Ed..." You called out for him. Your anxiety at being caught dissolved in your dampness. The absence of his thick fingers in you pushing you over the edge of carefulness. You've wanted him for so long, your entire body begged for his touch. 

A third voice from the outside almost pulled you out of this renewed state. But as soon as you heard the relief in that voice, telling the other two about the other elevator that still worked, you relaxed. All voices disappeared away and all you could hear now was the heavy breathing of Ed, who never stopped kissing your neck and touching you. It was the first time in your life you were glad that people who could have rescued you didn’t even notice you were there. 

“That’s it, pretty girl… It’s ok.” Ed placed another slow, rewarding kiss on your lips, and you were lost on him again. Finally, there was no tension left that could block your true wants.

He noticed that right away. His hands that roamed slowly over your breasts and waist started to travel to your hips. 

“Are you ready?” You were not sure what he meant exactly, but you were ready for anything.

“Yes.” You replied and he wasted no time. He groaned softly as he manhandled you in a 180 turn, pinning you down against the elevator floor with your knees up.

"These have to go. You're so pretty to be all covered up." Edward charmed you while he fully took off your crimson panties, tossing them aside. Once they were off, he delighted in the sight of your wet cunt. So pretty and needy. It made his cock twitch in his pants and his tongue lick his lips. A low growl of approval, more than that, rumbled in his throat.

Your arousal successfully lured him in. Each hand took hold of one of your thighs to spread you open, his grip on the soft flesh firm but careful. He didn't want to scare you, he wanted you to feel revered and beautiful. Confident and determined. He wanted you to want him as much as he wanted you. So he looked into your eyes, his pupils behind his glasses were so dillated it made something in you flutter.

"Tell me what makes you feel good." He whispered, lost in your gaze, before lowering his mouth to your clit.

You quickly tried to figure out what you liked, but since you had never done anything like this before, you didn’t know what you preferred and what not. Of course you touched yourself on the loneliest of nights, however that was completely different.

“I…”

But the single-worded reply was everything you were able to say, before a loud gasp left your lips as his mouth connected with the already sensitive skin of your damp folds. The mere feather-like contact of his lips and stubble against you was enough to throw you off edge. 

Your reaction caused his smirk to be more prominent. He opened his mouth wider as his hot breath tickled you – a prediction of his drool-covered tongue licking a fat stripe down your wet cunt. He started moving it up and down at a slow but teasing pace, wanting to reach and explore every little space and corner of your arousal, wanting to taste and devour all of you. 

“Mmhh…” your quivering voice creating a pleasurable melody for his ears.

The tip of his nose was buried at your clit, right under the bushy cut, pressuring against the receptive spot. Ed was relishing at the fact the touch increased the shivering of your already tensed up muscles, bringing you close to release of the tight knot in your lower stomach.

Adding his lips to the skilled movements of his tongue, he started sucking your clit and folds. Your breathless moans heightened on the frequency and volume. The man was hungrily lapping out on you as if you were a fine five course meal and he was a starved animal. And God, saying he could not get enough was a light word. 

“Ed-” you whined his name. “Uhh, oh God!” 

A groan formed deep down in his chest rambled out of his throat, vibrating at your slick pussy. His hands gripped at the flesh of your hips and thighs tighter, not letting you shift even an inch away from him. Your juices mixed with his drool tasted as if heaven itself landed in his mouth. It was like an addictive drug possessing all his senses.

“Fuck, you taste divine.” he was able to quickly mutter before getting back to eating you out until you would be a trembling mess.

Your hips started bucking and squirming, and he knew you were close. And he couldn't wait for the sweet treat in the form of your orgasm. His tongue kept torturing your throbbing cunt. The heat of the moment and your wetness made his glasses foggy, but your boss did not care. There was no way for him to stop now.

The merciless movements of his mouth continued until the tight knot in your abdomen finally untied as you reached the peak of pure bliss, with your moans following along. He slurped on everything, what came out as if it was the most delicious dessert he had ever eaten. 

"That's it... You're ready for me, baby." Edward whispered. His index and middle fingers traced a sticky line across your pussy, proudly showing just how eager you were for his fat cock. You moaned softly at the touch, more than aware of what you wanted: him.

“Oh God, Ed, please…” You begged ever so softly, guided by the hand by your need. Ed found it so exquisite he didn’t know when his hand reached for your cheek to cup it so tenderly.

“‘Please’ what, baby? Tell me.” His voice was a warm whisper that kept you at ease, a complete contrast to the fuss between your thighs. And he knew it. He reveled in the look in your eyes, in the way your folds clenched the air. Your mere presence had him addicted already, and he still hadn't been inside you. Yet…

“Please… Fuck me…” Embarrassment be damned, you thought, your body begged and cried for him. You wanted him not just inside your thoughts every day, you needed him everywhere he could fit in. 

“Say it again.” He commanded firmly but still with gentleness towards you. He just wanted to hear something so filthy come out of your innocent lips again. His thumb traced a path of adoration on your cheek. His baby blues glimmered like a beacon with the lights of the elevator.

“Please, fuck me…” Another sweet whisper for his ears’ delight. He smiled in a mixture of tenderness and desire. He would not make you wait much longer, it would be torture for the two of you.

“As you wish, babe.” His voice was slightly hoarse already. He never once stopped looking at you as he unzipped his black pants and lowered them just enough. He would have wished he could undress completely. Have your soft skin bare against him so every inch of his being could memorize the feeling of you. But your circumstances were not ideal. He still held out hope for a rescue. And if the elevator doors slid open mid-fuck for a bunch of concerned ENCOM employees to see, he would at least appreciate to still be mostly clothed.

Lucky for you, the elevator was still stuck, and Ed was free to release his hard cock from the confines of his dark blue Calvin Kleins. 

He let out a hoarse sigh, and you gasped softly. You had seen penises before (your reaction to seeing his made you feel like a sheltered Victorian girl), but you had never seen one that was this close and erect for you. 

You swallowed thickly at the sight. He was not pornographically big, but ‘small’ was not a term you would use to describe it. It was a perfectly fine cock with a pink mushroom tip that would have made you smile had you not been a little nervous. You could barely tell from the confines of his underwear, but it seemed like he was well groomed down there. He did look like he took good care of himself in general. This only made you a little self conscious as you remembered that your own little bush was on display. Not that he seemed to mind. You had to remind yourself that he had just gotten back from gladly eating you out.

With an immediate drive, Ed used the remains of your wetness on his fingers to lube himself up as much as he could, just so he could give his cock a few pumps that made his eyes close for a moment and his eyebrows furrow. He was so ready for you it could drive him insane. And you, despite the nerves, could feel the neediest parts of your mind and body luring him in.

It worked. Ed crawled towards you, his body caging you in. You thanked the architects and designers of this elevator for making it wide enough for missionary. Had it not been you would have probably had to lose your virginity against the wall. Or, if Edward wanted to be nice and considerate to you, in an awkward kneeling missionary position that, you figured, would work better on a bed. Fuck his knees, he would have done it even if it hurt. But lucky for his 30-something-year-old patellae and ligaments, this elevator had space. God bless ENCOM.

“It's ok… Relax and tell me if you ever want to stop.” He whispered. Once again, his eyes focused on yours, on your face. Studying every micro-expression in search for any hesitation, discomfort or a single trace of your previous panic. He only found understandable nervousness and also a gleam of desire that made him warmer. Gone was his usual cockiness for the time being. He was going to be the gentlest man in the world for you.

You exhaled a breath you didn’t know you were holding when he shifted closer towards you. A sweet gasp resonated when you felt the tip of his cock poking at your slick entrance. You nodded, and your hands reached up to feel his back. He groaned in pleasure when he started to push inside you, finding his brand new addiction.

“Fuck… You're so tight.” He uttered, completely taken by the feeling of you. His thick eyelashes fluttered and he licked his lower lip in automatic. The tip easily slided in. 

You whimpered and furrowed your brow, it was hurting much less than what you had always expected, but it was still something to get used to. 

He buried himself to the hilt, groaning and panting. The veins of his cock pumping viciously, making it twitch a little. To relax you, he took your mouth in a gentle kiss, nothing too demanding to balance out the arduous work he made your small pussy do. You moaned gently into his mouth, your hands felt him up over his vest. On your own, you put more passion into the kiss, and when your cunt throbbed around him and he was able to slide a little bit more inside you, he knew you were ready.

Carefully, he thrusted in and you moaned. He moved with you, setting up a nice and easy rhythm that was just perfect for you. It all felt so slick, so hot. He was fully lost. Pride swelling up his chest at the fact that he had just popped your cherry, trying to interfere with the gentleman he was being with you. It could be so easy to let go of his sweetness. It was not every day when he had sex with somebody as innocent as you. In fact, it was the first time he was with somebody inexperienced. But no, he was going to remain gentle. There would be other occasions for the roughness.

Soon enough, the elevator filled with your moans and his low grunts, along with the sounds of your bodies colliding. He was in heaven. Your body, your voice, your lips, your tightness. You were an obsession that was going to haunt him and his dreams for evermore. 

And you, so needy and delicious, were almost incredulous to the fact that you were living out your recurring daydream scenario. All the nights you felt desire taking over you would stroke your clit and imagine your fingers belonged to your unreachable boss. Daring to dream that this man would ever do that to you. You moaned again when his actual fingers snaked between your thrusting bodies to draw sweet circles around your clit. Reminding you that this was very much real.

“That’s good. You’re doing so good.” He praised with his voice husky, and your pussy throbbed around him. He took it as a sign, going a little faster on you. With both hips and fingers.

He groaned wholeheartedly, sending electricity through you with the circles on your clit. Your pussy clenched around him like a vice, and it was driving him absolutely insane.

“God, baby. I’m gonna fill you up so good.” He whispered absentmindedly, reason unavailable from his pleasure and the feeling of you. In his remaining thoughts, he saw a near future where you walked the ENCOM halls with his cum dripping down your inner thighs. But you, much more aware of the consequences since they would mostly affect you, snapped out of your own haze.

"Wait... Fill?" You asked. Your old friend Anxiety paying you a little visit once more.

"Oh… Are you on birth control?" Ed managed to formulate once he took notice that his fantasies couldn’t always coexist with reality. His labored breath seeped through each syllable. His hips never once stopped moving. A ticking time bomb.

"No..." You admitted. Worry clawing its way out of your arousal-clouded mind. But even then, your cunt had a life of its own. Throbbing all around him in an act of rebellion, drawing a moan out of you and a low groan out of Ed. You saw the pale blue of his iris roll back a little in between fluttering eyelashes before he fought back for control over himself.

"Fuck... Can't risk it... I'm pulling out, ok?" He struggled to talk as his slow thrusts faltered a little. All he needed now was your consent to pound you into the elevator floor and pull out before it was too late. God help him.

You nodded eagerly, holding onto his back and the fabric of his vest. Once he saw you, he went ruthless with you. 

“Shit… Shit!” He moaned, his pace grew desperately faster. It was a race to see what would come faster: a rescue, or him.

Your moans became mantras with Ed’s faster pace. Your toes started to curl inside your shoes and your nails wished they were sinking on his skin and not his clothes. That was the last coherent thought you had for the time being as his cock hit your sweet spot right in the middle. You howled, Ed got the hint. He managed to hold your hip with one hand to keep you there, trapped between the strong pumps and the waves of pleasure this sent through you.

“Ed!” You cried out, unable to handle this for much longer. He huffed in response, attacking your cunt with another series of deep thrusts that made you whine.

“That’s it, baby. Cum for me.” His word was your command, it seemed. Fact is, you didn’t need much longer to be sent over the edge. Your back arched, making your clothed breasts press against his chest, to which he moaned. The last sound you heard before your scream of pleasure. 

Your wet, throbbing, creamy pussy sent the biggest, most wanted orgasm it could have ever given you, all over your nervous system. Making you milk his cock in desperation. He didn’t last a few more seconds upon feeling that all around him.

He thrusted one last, faltering time before painfully detaching himself from your addictive cunt. Quickly, he grabbed the first thing he found: your crimson panties, and clutched them around the head of his penis, whimpering when he used them to contain his spurting cum and not make a mess out of this elevator, or worse, of you. 

You watched the scene unfold. Ed opened his mouth in what it seemed like the most pleasurable yawn of his life and shut his beautiful eyes when he came. His jaw trembled for a moment and he made an attractive sound before the last drop of semen coated your panties. He panted there for a moment, holding his covered cock until he had the stamina to wipe off his tip, half-assedly fold your panties, leave them on the elevator floor and, finally, rest himself on top of you, fully satisfied.

You struggled to catch your breath with the remainder of his weight on you. You could have stayed right there, committing the post orgasmic feeling to memory so you always carried it with you. But a flicker of the elevator lights and a sudden movement dragged you out of the little death and sat you both up. For a moment you feared the worst case scenario.

“What’s-” You didn’t even formulate your question properly when the familiar movement of an elevator going up as if nothing had happened made your already racing heart jump. 

“Oh, shit… It’s working again!…” Edward deciphered with relief, pointing towards the digital numbers on the elevator screen that counted the floor numbers. In your own relief and your gratefulness your eyes grew wide when you remembered the state you were both in.

“Shit!” You whispered, gently pushing him off of you in desperation to get proper again. He got the hint immediately and stood up with the help of the elevator wall. The hand that had been inside you took yours and he lifted you back on your feet.

It all became a blur of clothes being straightened up; thigh high socks, blouse, his zipper. When you looked around for your panties, you only saw him shamelessly shoving something crimson down his pocket and looking at you with a cocky grin.

"Can't let you go out there with filthy panties, babe." Edward explained so nonchalantly he almost convinced you. But you didn't have time to disagree and protest as the elevator stopped on the floor you had initially wanted to go to, and so, before the doors slid open, you unrolled your skirt in a swift motion and prayed that nobody would notice.

"See you." The cocky bastard picked his IPad from the floor and stepped out into the hallway, fixing his glasses before turning to look back at you. It was then, with his vision clear again, he noticed something in the upper back corner of the elevator that had been there all along, too hidden for lustful eyes that only looked into each other and never around: a security camera pointing towards the middle of the metallic floor.

As promised, here is the Ed Dillinger Jr playlist. It has a LOT of Daft Punk cause I headcanon that he's a big fan. Plus some songs I think fit him lyrically or just for the vibes.

[kingkirkwall]

they really said lord i've seen what you've done retroactively in canon for others (destiel) and i want you to do that for me for real this time

article under the cut

Watch: William Shatner’s Captain Kirk Returns In “Unification” Short Film From Roddenberry Archive

November 18, 2024 | By: Anthony Pascale

Today is the 30th anniversary of the film Star Trek Generations, which marked the final film appearance of William Shatner as James T. Kirk, who sacrificed his life to save the day on Veridian III. Now you can see Kirk return in a short film in honor of the Generations anniversary.

Kirk returns

The film released today by the Roddenberry Archive and their technology partner OTOY (in cooperation with Paramount) is titled Unification. It launched on The Archive web portal (at roddenberry.x.io) and via the Apple Vision Pro app. This is the fourth from the Archive’s “765874” series of films tied into Star Trek using a combination of live-action footage and computer generated imagery. William Shatner and other Star Trek vets were involved in the making of this new film. Check out what they describe as a “mind-bending Star Trek experience celebrating the 30th anniversary of Star Trek Generations.”

Behind the scenes

The characters from Star Trek history were brought to life through live-action performances, including Sam Witwer as young James T. Kirk and Lawrence Selleck as Spock. According to OTOY, they were filmed in costume, performing as Kirk and Spock on set, aided by “both physical and digital prosthetics resulting in period-accurate portrayals matching the appearance of the characters as they originally appeared in TV and film at the time.” William Shatner and Susan Bay Nimoy, widow of the late Leonard Nimoy, served as executive producers on the production.

The 8-minute video connects multiple decades of Star Trek lore, with nods to Robin Curtis’ portrayal of Saavik (1984’s Star Trek III: The Search for Spock), J.M. Colt (1964’s “The Cage”) played by actress Mahé Thaissa and Gary Mitchell, Kirk’s friend from the second Star Trek pilot episode, “Where No Man Has Gone Before” performed by original actor Gary Lockwood. The short also incorporates the character Yor (Gordon Tarpley) from Star Trek: Discovery who crossed from the Kelvin Universe to the Prime Universe.

According to OTOY, Shatner worked with them to “fine-tune the technical and creative direction required to bring his interpretation of Kirk back to live action.” This included “the addition of his voice to narrate a key moment in the experience.” The film was previewed on Sunday with Shatner at the Star Trek Tour in Ticonderoga, New York. Describing the film, Shatner said it “takes years off of your face, so that in a film you can look 10, 20, 30, 50 years younger than you are.”

765874: Unification was directed by Award Winning Spanish filmmaker Carlos Baena, from a story by Jules Urbach and features original music by Academy award-winning Star Trek composer Michael Giacchino. Production design was provided by Star Trek: Picard production designer David Blass.

Emmy award-winning visual effects supervisor Mark Spatny led OTOY’s team of artists and animators, who combined digital and physical prosthetics with live-action location photography, virtual production, and CG set extensions. According to OTOY, each major scene in “Unification” was filmed twice, “ensuring coverage to create video and spatial content mastered for Apple Vision Pro.” These locations were scanned in and merged with CG set extensions to become part of The Archive’s growing library of 3D worlds and locations. The visual effects in Unification were created using OTOY’s “Octane” rendering software and the “Render Network” decentralized GPU rendering platform. Characters and props were digitized using OTOY’s Academy-Award winning “LightStage” scanning system.

765874: Unification is accompanied by new interactive sets, props, and worlds from Star Trek Generations on The Roddenberry Archive. The full experience with all related extra content is available in its entirety in Digital Cinema 4k HDR and spatial video, “exclusively mastered at peak fidelity” for viewing on Apple Vision Pro.

hey so what the actual fuck

[jbaileyfansite]

Critics Reactions to Jonathan Bailey's perfomance as Fiyero (Master Post)

“Dancing Through Life,” on the other hand, is the adaptation’s biggest musical accomplishment. Although Wicked is primarily about the relationship between these two women, the charming prince Fiyero always threatens to steal the show, and never more so now that Bridgerton heartthrob Jonathan Bailey is playing him in a dazzling blue/gold suit. Setting this song in a library full of rotating, cylindrical shelves allows the dancers to really show off their moves, while Bailey succeeds at infusing the number with his personality as he flirts with men and women alike. Unless Wicked really hits big with the Academy, it’s unlikely that Bailey will score a Best Supporting Actor nomination at the Oscars, but surely he deserves some honor for being the sexiest actor on Earth at the moment — hope you’re taking notes for next year, PEOPLE! [x]

And Bailey, from his boot-toe book choreography to ovation-worthy gymnastics, is hoofing his way through every step of “Dancing Through Life;” there will be deserved awards attention coming Grande and Erivo’s way for Wicked, and Bailey should be as much a part of the conversation. I can’t remember the last time a performance was so instantly charismatic, the kind of movie-star heist—he nearly runs away with the film during that musical number—that makes going to the cinema so exciting. [x]

A character I was worried about going into this. Jonathan Bailey, he plays Fiyero, who is this kind of just over the top cocky, flamboyant, kind of douchey, but in a fun way character. And there’s just so much there that it could be really easy to mess up. And I didn’t know that he was into song and dance performance, because I’ve only seen him in Bridgerton, so I didn’t know what else was in his repertoire. But I feel like he absolutely crushed that character. You cannot help but love everything he does when he’s on screen. He nails it. [x]

Jonathan Bailey oozes sex appeal and charisma as Fiyero Tigelaar in an utterly swoon-worthy performance, unleashing his West End talents with the dazzling “Dancing Through Life” sequence that cements himself as a true superstar, while his chemistry with both Erivo and Grande is off the charts. [x]

I have to give Jonathan Bailey his freaking flowers. I thought he was going to be good. He got an Olivier award for Company and if you haven't, there is a video of him singing The Last Five Years from years ago….So I was like I think he's going to do a good job, he's also so charming and everybody loves him. I was not prepared to see what we got. The perfomance, the vocals, the gymnastics, the charm, the way he says 'you're perfect' is just engrained in my brain in the right way. And he's so…like he would have chemistry with a chair, I'm convinced. Everyone in 'Dancing Through Life' is now pregnant and so am I. His entire arc of Fiyero being like the daft person and then becoming who he becomes is so clear and every choice, and look, nuances he has…it is calculated but effortless. [x]

Jonathan Bailey delights in the supporting cast as her love interest Fiyero, also offering a fantastic interpretation of someone who hasn’t been called upon too often to be serious but might be willing to give it a try. [x]

“Dancing Through Life” triumphantly translates the joy of seeing Wicked live: Dancers perform acrobatics in rotating circular bookshelves, Jonathan Bailey (who I swear has chemistry with every single person on the planet) taps his way across books with a flippancy perfectly suited to the charismatic prince Fiyero, and the ensemble works (and sings!) in harmony. [x]

Jonathan Bailey uncorks an outrageous scene-stealer as the heterocamp Fiyero, a performance to put alongside Cary Elwes in The Princess Bride. [x]

Chu's usual choreographer, Christopher Scott, delivers again with vibrant, inspired moves, particularly in the elaborate "Dancing Through Life," which takes place in the school's rotating, multilevel library. "Bridgerton" star Jonathan Bailey gets a chance to show off his musical theater background here, and he's terrifically charming as the glib Prince Fiyero, the object of both Elphaba and Galinda's romantic interests. [x]

The true surprise, even more than Grande, is Jonathan Bailey as Fiyero, the charming prince with hidden depths that both Galinda and Elphaba gravitate towards. Bailey has such a light comic touch to him and his performance of “Dancing Through Life” might be the best part of the movie, and the most ambitious set piece in the film. [x]

The true standouts are three-fold, with Grande, Erivo, and Bailey embracing the tonal shifts with unbridled glee. […] Fiyero has major bisexual vibes, and chemistry with every single character. Bailey’s take on “Dancing Through Life” lets the Olivier Award-winning actor unleash his sex appeal on a library full of unsuspecting Oz-ites. [x]

Jonathan Bailey adds renegade bravado as the devil-may-care Prince Fiyero, selling the character's journey from apathy to activism with aplomb. [x]

Elsewhere, British heartthrob Jonathan Bailey steals the show as the vain Prince Fiyero Tigelaar, a love interest for both young witches. Bailey effortlessly dances and sings his way through the film’s most demanding musical numbers. [x]

It's Jonathan Bailey who threatens to steal the show though, instantly charming during Flyero's meet-cute with Elphaba. Anybody not swooning already will be with his excellent 'Dancing Through Life' number, Bailey's palpable charisma shining through the extended number which culminates in a reimagined Ozdust Ballroom. [x]

One more: Jonathan Bailey. His dashing Prince Fiyero is one charming prince, so cheeky that he will have boys and girls everywhere swooning. And swoon they do, within the film — it’s a small thing, and not to get all #RepresentationMatters about it, but I was delighted to see Wicked make very clear that both male and female Shiz students are equally lustful whenever Fiyero’s around. There are some deliciously flirtatious moments between Fiyero and some guys during “Dancing Through Life,” and it had me thinking about the fact that, for as fabulously gay as musical theater so often is, you don’t usually see that kind of thing in a massive mainstream film. Kudos all around. [x]

The standout to me: I’m going to go with Jonathan Bailey as Fiyero. He pops up into the film and immediately comes off so cocky, but so charming and likable. Just everybody he talks to, he has this fun rapport and chemistry with them, and just brings to life every scene that he’s in, whether it is just dialogue, joking, dramatic or his big dance number in the library. He’s so good. And it’s one of those things where I am not super familiar with him outside of this, and you just see him and you go - man, that guy is a star, this guy is really good. [x]

And while Wicked is all about is two leading ladies, we must spare a moment or several for Jonathan Bailey’s virile, twinkly Fiyero, who quite literally leaps onto the screen on his horse while clad in tight britches and sturdy riding boots. He’s charming in a way I never found the rather bland character to be onstage, bringing vibrancy to the role as a big screen heartthrob who tears up the floor (and library books) with his aggressive dancing. Now it makes sense that he could turn the head of both Glinda and Elphaba. A West End veteran himself, Bridgerton actor Bailey also boasts an exemplary voice – the casting directors truly spoiled fans here – and there are no exceptions made when every number is treated as a potential show-stopper. [x]

In terms of supporting performances, Bailey’s absolutely dashing and magnetic, giving a star-making performance – a la Rupert Everett’s in MY BEST FRIEND’S WEDDING. He lights up the screen as the object of romantic affection in screwball-esque scenes shared with Grande as much as he does during the library set number leading “Dancing Through Life.” [x]

Bailey is a charming Fiyero, using all of his Bridgerton swagger in exactly the right ways. He arrives well into the term, a transfer student who has reached the end of the number of schools to be kicked out of. Fiyero is sometimes treated as a throwaway character–the generically hot love interest for two girls to feud over. But this Bailey’s Fiyero will not be so easily dismissed and his “Dancing Through Life,” plays well when accented by talented professional dancers that make the entire scene pop. [x]

Then there’s Jonathan Bailey, who manages to steal the show from his very entrance. Not since Dan Stevens first showed up in The Guest, or perhaps when Glenn Powell out-cruised Tom in Top Gun: Maverick, has there been this much tantalizing testosterone employed in such an effective way. Bailey’s bravura take on Fiyero Tigelaar, the Winkie Prince who sings about “Dancing Through Life,” is by far one of Chu’s most accomplished moments of filmmaking, managing to make the character simultaneously seductive and disarmingly silly. It’s also a moment in Wicked‘s storytelling where there’s fun to be had, and the massive sequence is absolutely a joy that by far exceeds the smaller scope of the on-stage presentation. [x]

Jonathan Bailey is so very “that guy.” His Fiyero doesn’t have the foppish facade of the original. His portrayal makes us aware he’s more complex than he appears from the moment we meet him and his talking horse, but as a Prince Charming, his rizz is high. Who wouldn’t fall in love with Bailey (and who hasn’t)? [x]

Bailey as Fiyero is the ultimate casting as the Lord becomes a Prince. He delves into Fiyero’s shallowness and his moments between Elphaba and Galinda are so starkly different as Bailey plays into both relationships organically with wonderful chemistry between all three. [x]

Jonathan Bailey has a standout musical number with “Dancing Through Life,” and he manages to have chemistry with everyone on screen as the handsome Fiyero. He’s fiercely flirtatious and fun to watch. [x]

Jonathan Bailey could have chemistry with an inanimate object. That man absolutely shines in the role of Fiyero. [x]

But, it’s Bailey’s Fiyero (surprise!) who steals the movie’s second-best scene: the elaborately choreographed “Dancing Through Life.” [x]

Galinda immediately sets her sights on Prince Fiyero (Jonathan Bailey, bringing an outstanding amount of Kenergy to his role). […] And there are certain sequences, specifically Galinda’s signature number “Popular” and Fiyero’s “Dancing Through Life”, where everything does click together nicely and the film suddenly sparks into life. [x]

Jonathan Bailey is absolutely swoony as the flirty Fiyero. While Wicked: Part One is just the beginning of his story, you can already see how Elphaba’s impact is starting to influence him to think more of others versus being shallow and self-consumed. [x]

Jonathan Bailey‘s Fiyero is a joy to watch, and you can see in his physicality and the sparkle in his eyes who he is destined to become. Once we see him dance and sing, he sweeps everyone off their feet. [x]

Fiyero gets one of the film’s most appealing numbers, brilliantly delivered by Bailey, “Dancing Through Life”, as the dashing Prince disturbs the peace of Shiz’s library to entice his classmates to join him for an evening of fun at “the most swankified place in town”, the Ozdust Ballroom. With Bailey gleefully taking on Christopher Scott characterful, silky smooth, choreography, he goes on to offer us seductive glimpses of the more substantial man hiding behind his mask of superficiality. [x]

I can’t say the word scene-stealer without talking about Jonathan Bailey as Fiyero. Give Jonathan Bailey awards, give him every role … for being so amazing in this movie. He is just so effortlessly cool and charming and funny, but I love the heart that he gives certain moments … Fiyero just lives with me now … He enters this movie giving me one of my favourite performances. [x]

The supporting cast proves equally magnificent. Jonathan Bailey’s Fiyero exudes oodles of charisma and a strong voice, easily proving he can handle Christopher Scott’s limber choreography while simultaneously putting his own stamp on it.  While his character plays a more major role in the second film, his introduction, through the stunning “Dancing Through Life” number, leaves a lasting impression and makes for a compelling counterpoint for both leading ladies. [x]

Not to be outdone, Jonathan Bailey of Bridgerton fame plays Fiyero. The heartthrob, almost brainless hunk, who arrives at Shiz and drives so many of the students crazy with lust. Now Bailey’s carefree, but passionate, and decisive in both singing and choreography. With his signature song “Dancing Through Life”, Bailey gets to showcase some awesome footwork, along with amazing vocals, for a scene that is just mesmerizing thanks to the energy and the camera work. [x]

That said, it's BRIDGERTON (2020) star Jonathan Bailey who winds up stealing most of the scenes he's in as the Prince, Fiyero Tigelaar. Bailey is fantastic as the Prince, bringing an entertaining sense of levity and delight to the film. This is to the point that Bailey's absence in the film's finale is quite noticeable, with the film feeling somewhat dull without his presence. [x]

Elsewhere, Jonathan Bailey is charismatic as the dumb-but-charming Fiyero, and there’s a campness to his song-and-dance number, “Dancing Through Life” that will stir the loins in a whole range of viewers. [x]

One standout is Jonathan Bailey as Fiyero, the Winkie prince who quickly makes a mark on Shiz after his enrollment. Bailey is not only charming and funny throughout, but exudes an energy that many of the other supporting players simply lack. [x]

Supporting roles are strong too, most notably from Jonathan Bailey as Fiyero, full of bravado and fun, as well as a hefty dose of yearning – and fans of Bridgerton will know that no one does yearning like Bailey. His 'Dancing Through Life' is a blast but he's just as powerful in the film's quieter moments as his chemistry with Elphaba burns. [x]

As for the supporting cast, Bailey absolutely shines in his biggest film role to date. Much like Galinda, Fiyero is initially privileged and arrogant, but Bailey instils him with so much undeniable charm that you can easily understand why literally everyone at Shiz is falling under his spell. The seeds are sewn for Fiyero to open up in Part Two, but, for now, Bailey nails it as a seemingly one-dimensional hunk with hidden layers to explore. [x]

The film’s biggest strength is its perfectly cast triple-threat performers – Cynthia Erivo as Elphaba Thropp, Ariana Grande-Butera as Glinda Upland and Jonathan Bailey as Fiyero Tigelaar, a handsome prince whose subplot is best not spoiled. […] The charismatic Bailey, Emmy-nominated for “Fellow Travelers,” is known as the oldest son Anthony in the “Bridgerton” TV series, but in England, he is also an accomplished musical theater performer. He won an Olivier Award as Best Supporting Actor in a Musical for playing Jamie in the revival of “Company” in 2018. Fleet-footed and a nimble vocalist, he gives Fiyero an allure that wasn’t initially apparent on stage. [x]

Meanwhile, Jonathan Bailey channels his incredible Kenergy to bring the effortlessly charming Fiyero to the screen, with his fun take on “Dancing Through Life” almost stealing the show (someone please give him his own musical!) [x]

The same goes for Fiyero as Jonathan Bailey who makes his male lead into a much stronger character by leaning into the sobering moments as strongly as the lighter ones. [x]

Another pleasant surprise was Bailey as Fiyero. Best-known for his role in “Bridgerton,” Bailey isn’t as well-known for his singing chops, but he deftly carries one the most dazzling musical numbers of the whole show, “Dancing Through Life,” serving up both impressive vocals and dancing. Beyond his musical talent, Bailey is charming and roguish as the Winkie prince, while hinting that there’s a little more to him beyond his care-free persona. Bailey also has the unique ability to have chemistry with practically anyone he’s a romantic lead with, so he has great chemistry with both Grande and Erivo. The few, briefly swoon-worthy interactions between Fiyero and Elphaba specifically will likely have fans excited to see Fiyero and Elphaba’s relationship develop in “Wicked: Part 2.” [x]

[taliesin-the-bored]

Tag game: tag nine people you’d like to know better.

Tagged by: @oneshoulderangel (Thank you for tagging me!)

Last song: At the moment, I have "Losing Your Memory" by Alan Star stuck in my head, which I suppose makes it my current song, not my last song. Hm. I get songs stuck in my head very easily, but the last one I had there for a significant amount of time was a mashup of different language versions of "Les Rois du Monde" for about a week. "Lehetsz Király", the Magyar version, is probably my favorite of them. It's worth a listen.

Currently watching: Normally, the answer would be "random mostly terrible old movies/shows" or "nothing much", but I currently have a hyperfixation on the musical Roméo et Juliette and have been watching it in multiple languages. (Thus, the song).

Three ships: This is hard. Maybe as a result of being on the ace and aro spectrums, I'm more likely to care about which characters are interacting than whether it's romantic or platonic. Here goes:

Kedivere/Bedikay. It can be romantic, platonic, or queerplatonic, but whichever way, I'm here for it. I probably spend too much time thinking about how in Cullwch and Olwen, when Cai gets mad at Arthur and marches out, Bedwyr stays behind, keeps acting like nothing's happened, and isn't the one to avenge Cai's death. The feeling of betrayal on both sides has a lot of unexplored potential. And the version where Bedivere dies and Kay fights to bring his body back safely while mortally wounded himself... And the version where Bedivere survives Camlann and Kay isn't said to fight in it, so they might be left together after their world has fallen apart...

Platonically or queerplatonically, Galahad and the Grail Heroine. I really like the tragic Grail Quest friendships, but I like theirs most, maybe because there's something weird and otherworldly about them both. I like it when characters are strange and endearing and doomed by the narrative.

Ever since reading John Matthews' retelling, which I read before the original, I've had a soft spot for Caradoc and Guinier. The Story of Caradoc is very disturbing, and I have some major qualms with Caradoc over a detail Matthews cut out, but all the same, there's a reason these two have the best track record with magical fidelity tests. Each of them would go to the ends of the earth for the other, and together, they're stronger than any curse.

Favorite Color: Blue, particularly royal blue and some teals.

Currently consuming: Black licorice with chocolate.

First ship: This is a hard one, since through elementary and most of middle school, I tended to go along with whatever I thought the author's intentions were and was more likely to unship something. The first non-endgame ship I got invested in was Sonya/Nikolai in War and Peace. I didn't like Nikolai, but Sonya did, and she was my favorite character, so I wanted her to be happy. The first non-canon couple I thought was meant to be together was also in War and Peace: Marya Bolkonskaya and Julie Karagina. My eighth grade self did not think their letters could be interpreted platonically. I still don't.

Last movie: If the musical doesn't count, the last movie I watched was Quest for Camelot, which was awful. Though not Robot Monster-level bad, Robot Monster has an elegance to its simplicity which Quest for Camelot lacks.

Currently working on: Various fics, most of them Arthuriana or CotRK-related (I am woefully behind on the Badfic Bingo), and (theoretically) an epic-style poem, though I haven't gotten much of it written for quite a while now.

Tagging: @gawrkin, @emperorcandy, @wildbasil, @gorewound, @knightsofsomethingorother, @ladyminaofcamelot, @tasosotaso, @amashelle, @gingersnaptaff (I have no idea who's been tagged so far, apart from the people on @oneshoulderangel's post, so I apologize for any multi-tags)

[saras-almanac]

So I’ve been sitting on my feelings about the BuckTommy breakup and handling of it for a while, trying to get my thoughts in order. And after a while of thinking on it—and the recent Lou interview dropping making me feel like my feelings are valid—kind of made me want to just blurt them all out and hope for the best. So this is that.

Ultimately the entire handling of the BuckTommy breakup feels cruel. And not just cruel in an intentional way, but cruel in a casually, not even given any thought cruelty, which is worse sometimes. And to be honest, I think that’s part of why I’ve been struggling with it so much. (That and the echoes of Magicians season 4, which if you know you know).

What I mean by cruelty is just the lack of any real effort or care put into this storyline, one that they had previously been handled with so much care and concern and were praised (rightly so) for at the time. It’s the way they introduce this Tommy as Abby’s ex thing, which makes hardly any sense at all, but also feels cruel in the intention of laughing at the invisible string of fate theory between them. It’s they way that they’re 6 months anniversary and not only have they not talked about this, but Buck (Evan Buckley) didn’t get him a gift that feels cruel because that feels so wildly out of character for him. It’s the way they had the break up play into some bisexual stereotypes at best and inherently biphobic at worst by having Maddie suggest Abby turned him gay or that Buck needs to “explore” things to figure out what he wants or that Buck “Doesn’t know what pond to jump back into” of it all. (Not to mention the comments from OS about wanting Buck to fuck—which I’m not getting into because I didn’t read it and as a bisexual woman, don’t feel the need to go and try to find something that might upset me more.)

All those reasons are why the breakup itself is cruel to the characters, but it’s also cruel to those of us watching, and especially to anyone and everyone who loved and/or related to the character of Tommy, who we see walk away much much worse off than when we found him. It’s the way the story (intentionally or not) is framing it like a romcom break up – make up – pining storyline which they apparently are not doing according to interviews. It’s the way they didn’t give any sort of closure to Tommy for the character or for the audience.

There’s a reason that people lose themselves in stories—it’s because they follow certain rules and contracts. It’s expected that stories do not match up to real life because while things don’t have bigger meanings in life or they don’t work out according to plan, in stories, everything happens for a reason. Because that’s the whole point of what you’re consuming. And along with that, emotional moments are meant to feel cathartic in a way, at least eventually, because you were able to see the bigger picture, to feel the finality to things, and to really understand what’s being said and what’s happening. This breakup does none of that and actually seems to have been included and rushed for shock value and that to me, is just shitty, lazy writing.

If you were going to break them up and have no desire for any sort of reunion or closure, why not make it intentional? Tommy could be the one who wants marriage and kids and settling down and Buck internally freaks out because theoretically he wants that but maybe it’s too soon and as much as Tommy loves Buck, he’s not going to wait around and hope that Buck feels the same for him because he’s been hurt too many times like that. Or Tommy could be leaving for another state because he’s no longer going to be a firefighter or needs to go for family reasons or gets a job at a different station that he applied for ages ago and he has everything all set up and isn’t going to ask Buck to leave his entire life for Tommy, so they decide to breakup even if it hurts both of them. In either of those cases, it’s sad and devastating, but at least there would be some closure to it and understanding of it for both the characters and the audience and some peace knowing that at least these two are going to be moving toward happiness in whatever way that means for them.

Instead, what we have, is a hail-mary last-second breakup that comes out of nowhere and feels abrupt and crappy in the way we leave Tommy specifically because we might never see him again. And that is the crux of the issue. Because the way this was written, the understanding is that they are going to get back together or reunion or at least have that final closure conversation—because that’s what happens in stories. We see this type of surprise breakups, breakups where they issue is they love each other too much and are afraid to go further (Athena/Bobby and Maddie/Chimney to name two examples we saw in universe) only to eventually fight to be together and realize that if they don’t take a chance they might never know how amazing it is. So the fact that it’s set up to follow this same path while nearly every interview is telling the opposite, again demonstrates that casual cruelty as well as an inherent failure on the writing. If you have to go in interview and explain what it is you wrote or are telling, then you have failed as a writer. It’s really as simple as that.

This breakup doesn’t feel set up or foreshadowed, it just feels like they added it on because they didn’t want to do anything more with it? And that feels incredibly crappy as a decision to so many people who related to Buck and Tommy and them coming out later in life and all those other things. I’m rambling and on my phone and feeling a lot of things that I can’t fully express right now, but the long and short of it: If this was always intended to be the final time we see Tommy, this breakup is even crueler than intended.

[tehkusogaki]

I'm seeing a lot of people in the comments disparaging this remake, but I do want to go into a few reasons why it doesn't look as strong as the original.

Now of course no one is immune to nostalgia goggles and it's very easy to have that "they changed it, now it sucks!" instinctive reaction, so I am going to try to critique specific things and go into why I think they don't work as well.

First, I want to point out the composition of these two shots and specifically where the focus is.

In our original Hiccup and Toothless literally meet in the middle. With both Toothless and Hiccup pushed off the edge of the screen.

In this version they kept Hiccup fully in scene, but look how the focus of the action is now off to the side. We aren't focusing on either character-- they're both still pushed off to the edges of the screen-- but it's no longer both of them coming together in the middle, but rather Hiccup taking up the scene with Toothless starting to invade it.

Now this bit may be a little nit-picky, but look how perfectly the curve of Hiccup's hand matches Toothless's snout in the original in a way they don't in second image. They are so close, running parallel to each other. That's a very powerful image, and the remake doesn't quite match it.

I see a lot of people in the notes saying the lighting sucks, but no one explaining why. Looking at the bottom pic, you can see it actually has a greater value scale. There are a lot more midtones. Why is this bad? Because the action disappears into the background.

In the first pic there is a clear line of action going from Hiccup's arm to Toothless. By having these the lightest areas in the shot your eye is drawn to them. Then the darkest parts are Toothless's body and Hiccup's vest and hair which make them pop from the background. The most visible part of Toothless is his eye. There's a little bit of highlight on his scales and there's lighter midtones around his body to help clarify his silhouette, but we are drawn to his eye because of the light on dark contrast.

In the lower pic there is some highlight on toothless's scales (look at all that Texture! Wowee! We sure can put our computers to good use adding in details), but why is that the part on Toothless that stands out? Why is that important? Hiccup's arm kind of disappears into the background, and I can see more detail in the background than in our main character. The light sandy beach wants to draw my eye down, but there's nothing important there.

Now I put these in black and white to better see the contrast, but back to the color version, the background is mostly cool tones with warm light settling on our characters: another way in which the first one makes the characters stand out.

The only thing really catching my eye in the second one is that the greens are maybe too green? I'm not getting the same delineation of foreground and background.

There are a few other things to be picky about.

Like Hiccup's costume. Now I don't know enough about costumes to confidently pick it apart detail by detail (and honestly can't make out enough details to do so anyway) but what is one of Hiccup's defining traits? His scrawniness, right?

Look at that skinny little arm reaching out for that dragon. Look how that thin strip of lighter colored fabric visible from under his vest accentuates how slender his trunk is. Look how clearly you can see how he leans away from Toothless even as he reaches out for him. You can see the hesitation in his arm through his slightly bent elbow.

I feel like the bulky, loose costume on the actor makes him look bigger than he should and obscures body language.

Now here's the part where I want to remind y'all that art is subjective. These are some of my thoughts on this, but are by no means the only way view this. Also, please be nice to this kid. He got a chance to play a favorite childhood character. I'm sure he thought it was pretty cool to be given the opportunity and is trying really hard to live up to the role. None of the things I've pointed out here are his fault. Don't be a dick! Actors are people too.

I don't like that this is a thing. But I'm sure many people really tried to put in their best effort into this. Don't let your ire with Universal/DreamWorks for making a cash grab of your childhood nostalgia turn into harassment of artists and actors. I've seen that happen too frequently.

And remember: animation isn't an inferior art form, sometimes it really is the best medium to tell a story in.

httyd got live actioned. trailer just dropped and its uh. hm

idk what i was expecting but what looks like a shot-for-shot remake except with ugly ass high definition cgi that detracts from rather than enhances the cinematography really is. well it's a choice.

[thenerdofthegroup]

Just saw a post saying that Agatha had no reason to be angry and she is a terrible person for being angry at Rio…

Because…

Her child died.

Media literacy is dead. Jac’s work shouldn’t be talked about by people who make takes like ‘how dare Agatha be angry at Rio when her child died and Rio didn’t even go to Agatha to comfort her when she woke up! How dare she!!!!’ (This is a simplification. I shouldn’t have to put that because it’s obviously sarcasm and an oversimplification but… like I said… media literacy is dead and people can’t read context so-)

Note: before people AGAIN take what I said out of context: this is a complex situation. If you can’t see both sides then you shouldn’t be watching this show. The WHOLE point is that in their relationship they are both to blame and not to blame at all. Agatha was a grieving mother. She lost her child!!!! Literally the only thing that has loved her and been there constantly. Rio loves her more than anything but she isn’t. Always. There. That was shown. Agatha clearly wanted something to pour her love into all the time and not be alone

Rio shouldn’t have been pushed away and blamed for it. She was doing her job.

But to diminish Agatha pain completely to support Rio’s side is bollocks. I don’t have kids but I will say this: only people who don’t have kids will make that take. Because to lose a child must be the WORST pain a parent could ever experience. And she had the double barrel of guilt that her body failed her in growing him and not being able to save him due to her destructive magic. DOUBLE the pain.

And then a wonderful point my friend (a parent) brought up: Rio wasn’t there when Agatha woke up or when she buried him. It would be a VERY different story of Rio was there to support her and be with her. Yes Agatha would have been furious but she would have every right to be. But if Rio stayed and comforted we would have a very different story on our hands 🤷‍♀️ sorry but that’s the truth. Rio probably thought she was doing the right thing. Like what some friends do.

When I went through a terrible situation, my friends (who weren’t really friends but that’s not relevant) didn’t contact me or check up saying ‘well I thought you’d want to be left alone’.

No.

No one wants that.

Including the witch who has been left alone again and again. If Rio had stayed for when she woke up it would have been VERY different. (And I can’t think of a reason she didn’t. If anyone can apart from saying ‘doing her job elsewhere’ which to me is bollocks because she could have spared time. She had time to travel the road so that’s not gonna work on me when the love of her life lost their/her child)

So yeah… diminishing the main characters pain is… I’m not even gonna make a joke, fucking mental. Both can be wrong and both can be in pain. Rio lost Agatha. Agatha lost her child and Rio. Both are tragedies

Jeez…