#looks at light & sayu

[monakisu]

big bad kira’s soft spot for his sister oooooooohhh (⃔๑⃙⃘◡̈๑⃙⃘)⃕↝🤎🧸 (still haven’t watched death note so is this their actual dynamic?? if it isn’t, don’t bother replying)

[purplink8]

Can I be real for a second? I don't think L giving a foot massage to Light was very in-character of him. Like manga!L would've totally scoffed at how pathetic anime!L appeared when he did that.

I like the rain scene bc it's really pretty (also Light MOANS bc of L? *sighs* yeah i ship lawlight) but I'm always so ?? at anime!L's behavior? The anime made L way too melancholic and y'know self-deprecating kinda guy. In contrast, manga!L (whom I love to death) is so so confident in doing what he's doing and has the time of his life during the Kira case as he's intellectually challenged (by Light) as he figures out the case little by little.

I don't get where the anime creators got the idea that L is a very sad character who cares about justice so much so that he's actually Justice itself? Manga!L enjoys solving cases. I'm not saying that L doesn't care about justice at all- just that he cares more about winning.

So, the anime creators looked at a character who cares about winning (& his own ego) than everything else and decided to... make him give a foot massage to his nemesis (surprise surprise bible symbolism featuring L as Jesus *🤮* coming up) apparently due to accepting Light's (boy's first debut as Judas) 'betrayal' how can there be betrayal when there was no trust between them in the first place and saying "It is the least I can do to atone for my sins"...

The only way I could've made a little sense of this is if L was mocking Kira with that line but the anime just had to go above & beyond to make it (L's actions) seem too genuine for that to be true. which is. so. FRUSTRATING

Manga!L wouldn't have done anything like that. Not even ironically (he'd have thought it to be below him for pretending to be accepting his defeat mockingly to Kira). Even Manga!L's not enough of a bastard to try to compare himself with Jesus (and just after knowing (god knows how) that he's going to die)- like that's too stupid omg: even for a mockery.

Does he actually think that Light would pick up on the (him as Jesus) symbolism and be like 'oh no! L is too noble like Jesus to die by my betrayal i'm such a bad judas how come i NEVER NOTICED THIS BEFORE'... and decide to spare L's life? Or embrace his inner Judas like the bad bitch he is and finish L for that godawful mockery of Jesus?

Whenever I think about Anime!Light's in-character reaction I crack up as it would be smth like 'wow this guy who graduated summa cum laude from torture university is pretending to be Jesus? lol what a real piece of work. would've expected better from you L: so pathetic lmao i hope rem kills you soon i'm so done with you rn- rip 💀'

Manga!L (if he knew he were going to die (don't know how that's possible in the anime; still we're talking about how the anime creators seem to see L as Jesus so ~anything is possible~) that is) would never go 'guess i'll die' accept his defeat offering a foot massage to his enemy and inwardly throw a pity party being all "… It'll be lonely, won't it?" GIRL you were the one going on & about how you'd EXECUTE Kira once you catch him on live tv (also saying that you'd bring Kira's head to the task force) I REALLY doubt you'd feel lonely if either one of you were to die- that (killing each other) was the point!!

Manga!L is a selfish character: he values his victory above all else so the anime making him accept defeat that easily + gracefully doesn't sit well with me.

[kiyomitakada]

it's always so funny how many death note facts i re-learn while trying to look for one specific panel

[captainhysunstuff]

11 more images below the cut:

Light heads to meet L at the pick-up point for their date and is met with a surprise.  Another more frustrating surprise was finding out that Sayu had followed him.  She briefly meets “Hideki Ryuga,” and has her suspicions all but confirmed as far as she knows.  With the delay over, they drive off to officially begin the date.

Next

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Master List

Transcript

[requinum]

Breakfast x.

[batfamiliar]

you heard about about awful adaptations that have nothing to do with the original, now get ready for adaptations that just go through every story beat without thinking or understanding the themes of the original so they cut corners by cutting out the "filler" that is the heart of the original instead of modifing the story to better suit the media it is adapted to

[astersofthesky]

this is too good to be hidden in the tags

something about light being so in love with L but only realising it after L's death makes me feel so miserable

[lightnotyagami]

"Do you think you'll kill for me one day?"

"Yes, of course i will my dear."

Light x fem reader (soft) smut

A/n:remeber when L put cameras into lights room? When i was like 14 or 15 i read a smut FF like this and OH MY GOD its still in my head. Coudnt find the ogs @ but if i ever do ilysm🙏 (it was on ao3 if anyone wants to help me find it😭)

Summary: L puts cameras into lights room.. great.. but what do normal people his age do? Hang out with friends, do homework.. and some other things.

Tw/cw: my horrible english, soft smut (duh) , being watched, tell me if i missed anything!!

"Are we seriously going to do this?" You asked him still in a safe distance from his house. "Yeah, wanna back out?" He said as he looked at you like you were stupid. "No! I'm just saying, I don't know about the whole... thing." You voiced as he answered with a shrug like what you said wasn't a big deal to him. "Look," he said walking towards you with his hands in the pockets of his jeans. "I'll take care of it, okay? you just relax and lay down." Your mind went crazy thinking about all the things that could go wrong. "So, are you in yes or no?" He stopped right in front of you and looked directly into your eyes. His face was close enough for you to smell the mint from his breath. 'It felt different being so close to someone, I mean I didn't feel threatened by his appearance, just like when we were fighting but this time I could see how beautiful he really is...' you thought to yourself "fine." "Good girl."

*later in his room*

'64 cameras.' you thought to yourself as you sat yourself on the bed and light on his chair. "hey light!" the door was shot open revealing his little sister, sayu was her name? "mom asked if you want anything from the supermarkt, oh and does Y/n want something too?" she asked now looking at you "oh no dear its fine! you two make yourselves a great day" you answered. "Okay, dont be mad then if we dont bring extra snacks" she winked at making your laugh slightly. 'i wish i had a younger sister' you thought to yourself "okay mom says bye." Sayu said closing the door behind her, leaving only you and light. oh and the 64 cameras from every angle of course. The lights were dimmed making everything look more mysterious. "you want anything?" Light asked turning around to look at you. "no... thanks its okay." you answered looking at the ground embarassed as he sat besides you ."it's alright babe, come sit over here." he patted on his lap. You slowly moved your legs closer to him sitting on his lap. he pulled you closer so that your head was on his chest and his arms were wrapped around you. Everything was going after Plan but why did this still feel so..weird? you dont know if L is the only one watching this. you could only hope. you closed your eyes trying enjoying his touch and warmth as he kissed you softly. "let me show you something, babe." you hummed in response. His fingers which were playing with the ends of your hair slowly moved up to your body . "your heart is beating so fast" he whispered in your ear, causing you to shiver slightly. It sent an electrical jolt through your spine, it was almost painful but good. your heart started hammering in your chest as he pushed your t-shirt up exposing your bra and sofly pushing you down on the bed climbing on top of you. you moaned as he started kissing you softly on your neck, moving it from side to side, leaving small red marks "l-light~!" you whined not sure what to do as he started to unhook your bra , slowly peeling it off your body.

*at the headquarters*

"mister Soichiro Yagami, i belive you would like to leave the room?" L said as soichiro looked at the computers not sure if to ignore this ever happaned or to kill light when hes back home. "yes im sorry i just.." he said as he walked out of the room in complete shock that his son was capable of these things. "anyways. Im bluring the cameras now. Watari unblur them when this is done and a cheese cake would also be nice "

[alarici]

L “we are going to be professional collaborators” / Light “Icarian embryo research fraud, needs that Nobel before he dies”

lawlight Nobel prize / scientific fraud AU

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[purplink8]

I just can't get over how cute the Yagami siblings are! <3

Like look:

Light bragging in front of Sayu while she cheers him on? ADORABLE

Light doing Sayu's homework helping Sayu with her homework? So endearing!!

Light's FOND side-glance towards his sister? Absolutely Lovely!!! <333

Just look at them gooo :D I especially like Light secretly smiling to himself :DD

Oh and did I mention? Sayu's the only one perceptive enough to notice little changes in Light's personality (although she mistakes its cause of course). Like Sayu is close enough with her nerdy older brother to know the lil differences <3

Just! Light & Sayu y'all <33

[kiyomitakada]

Light Yagami is compliant the entire first day they're handcuffed together.

Almost too compliant. L is not ruling out the possibility he'll strangle L in his sleep, hence why, as he shuts the hotel room door behind them, L silently decides he'll use his Whale Sleeping Method (standing up while shutting down alternate halves of his brain) tonight. Unfortunately he isn't quite as good as a whale is yet, but he presumes he'll at least notice Light's hand wrapped around his neck.

"Ryuzaki," Light says on cue, "why is there only one bed."

"That's because only you'll be sleeping," L says. "I am patenting my Whale Sleeping Method."

"The what — actually, I don't want to know." Light digs one thumb into his temple. "You're going to be watching me while I sleep, aren't you."

"Yes," L confirms.

"Right." Light sighs. "I'm sorry, but if you're expecting anything, you'll be disappo…"

He trails off.

L frowns and glances over. "Light-kun?"

"Ryuzaki," Light says extremely evenly, not looking at him: "what's today's date?"

"July 23rd, 2004," L informs him easily.

"July," Light mutters to himself. "J—fuck."

"What is it?" L asks, even as Light tugs him over to the bed in silence and sits with a thump.

"My father was in prison too," he says abruptly. "He said so."

"Yes." L is becoming a little annoyed, and more than a little intrigued. This version of Light Yagami — because he does seem to be a different version — is off in a million ways. He seems truer, more anchored in reality somehow, and yet the workings of his mind are more opaque than ever.

His fingers, L notices, are trembling.

"When?"

"When what?"

"When did he go into imprisonment?"

"June first," L says, then — noticing Light's lost expression — "The same day as you."

"I have to go," Light says.

"The bathroom is five meters away from you."

"No, I have to go home. Sayu—"

Light stops. He shuts his mouth with a clack.

"Your younger sister?" What does Sayu Yagami have to do with anything? L could count on one hand the number of times Light has brought her up voluntarily. Is she a pawn? An accomplice?

"I need to go home," Light repeats, still not looking at him.

Instead of answering, L taps his nails against the chain between them. It rings metallically. Light drops his face into his hands.

L presses one finger into the corner of his mouth. Light is concerned about: the current date, his father's date of imprisonment, his sister. L flips through files in his head. Sayu Yagami, student, blood type O—

Ah.

"June eighteenth," L says. "Her birthday."

"I was supposed to take her to a concert," Light mumbles.

"Rather noble of you."

Light glares at him. L is almost taken aback by the genuine venom in it; it lasts for half a second before Light blinks and looks away again. "Mom wouldn't let her go. She'd been to one in March already. We were going to sneak out."

L studies him. This eighteen-year-old boy with every bone in his body calculated to align in only the most disarming of poses, now slumped inelegantly on the edge of a hotel bed. L had always wanted to see how Kira killed; had always wanted to see how Light Yagami's face, that confident and smiling mask, would split to reveal the ugly breathtaking truth of his cruelty.

That's the reason for all of this, isn't it? He wants to see Light honest.

And this — is honesty. Just not where L had expected it.

"Your father was allowed communication in his cell," L informs him. "I am sure he wished her a happy birthday on your behalf."

Light's mouth twists. "She thinks I ran off with Misa."

"Yes," L says. "You came up with the cover story yourself."

"There was something wrong with me then," Light mutters, but without any of his usual conviction. "Give me a phone. She deserves to hear from me."

"I can't do that," L lies.

"You can look at the goddamn texts when I send them, okay? Run it through all the detectors you want, I just — want to talk to her."

L allows himself to stare. Light looks back at him, unflinching. His hand twitches at his side, the same way it had when he'd screamed at L in the hospital when he'd accused Sayu Yagami of fitting Light's profile.

Hm. A hypothesis; an experiment. "One text."

"Fine," Light says too-quickly, and L hands him a burner.

[ @deathnotetober day 4: family ]

[applestorms]

the misa post

adding a lil additional note here because this thing SPIRALED the fuck out, even more so than some of my usual essays. therefore, i will be going back to my roots by breaking this post down into two sections: misa and sexuality, and misa and romance/death. skip to whatever section, if you wanna. or don't. ¯\_(ツ)_/¯

misa and sexuality:

honestly, the way that misa engages with her sexuality in DN is such a fascinating topic in and of itself. i really have quite mixed feelings about it because while yes, to some degree the art and story does sexualize and objectify her, there is also an element of agency to it that i don’t often see people talk about…?

like, idk. misa is a model, she does act, her job primarily involves working in front of cameras. she’s selling her Image and her body and she’s well aware of how to market the appeal— we literally see her doing this during yotsuba, when they’re trying to free matsuda after he runs around like an idiot and gets caught.

i actually think it's quite interesting that she specifies being against nudity here but alright with swimsuits and lingerie— full nudity implies sex work, something that in the mainstream might be considered "dirty" or somehow less/not worthy of respect (even if that's utter bullshit). yet lingerie is fine, despite having similar implications of sexuality, blocking off the most private areas and thereby allowing profit off of the same concept but without the associated disapproval. you could read this panel as misa simply knowing her boundaries and what she is and isn't comfortable with— but i think it's interesting that you could just as easily read this as misa knowing what boundaries she is and isn't allowed to have, if she is to market herself as effectively as possible and maintain her public image.

off the top of my head i can only think of two major examples where it’s clear that misa is super overtly being sexualized by forces outside of her control/with no particularly meaningful justification, at least in terms of visuals. this panel, which managed to sneak in a panty shot:

which, weirdly enough was actually kind of foreshadowed by sayu earlier in the chapter:

(sidenote1: does light really not have any other fucking chairs? further evidence that he doesn't really connect with people pre-DN, if he's not really prepared to have any guests in his room. anti-social weirdo.)

and, of course, the classic torture cover from chapter 33:

though i must admit, it is difficult to find any image of a character getting tied up like this that doesn't have some implication of sexuality. bondage torture is just a classic like that. though the camera certainly doesn't help, L— and neither does the fact that light and soichiro are not put into an equally objectifying, sense-deprived contraption like this, and instead just get normal ass bare cells.

in many other cases however, misa herself is the one flaunting her sexuality, typically as a means of trying to appeal herself to light but sometimes i think you can definitely read it as misa just. dressing the way that she wants to dress because it's cute? like, okay, in terms of trying to appeal herself to light we've got this classic panel from after the timeskip ft. a particularly homosexual light moment:

but there's also plenty of misa moments that just look like this:

girlie is chilling. literally kicking her feet, stalking her crush in bed with her supernatural death god girlfriend.

to be clear, this is not to say that death note isn't sexist or has particularly fantastic writing for its female characters. rather, what i'd like to point out here is that there are different levels under which we can view and analyze misa's sexuality:

the base level, of a girl who is comfortable with her body and fine with wearing revealing clothing

the level above that, involving the fact that misa's job revolves around selling her image, of which her sexuality is a key factor

and then the uppermost meta level, surrounding the fact that misa is a character in a story not only written and illustrated by men, but sold in shounen jump, meaning that she is thus filtered pretty significantly through a quite literal male gaze

it both can be and is true that misa is simultaneously objectified for her body on multiple levels and a pretty fucking horny person herself (or at the very least, willing to push that for the sake of her own goals)

remember, misa is the one pushing for their "alone time" here.

just. idk. i suppose my main point here is simply that i think this is a topic that deserves to be looked at with more nuance. there is credence to both the claims that misa is sexualized in DN and that misa herself has agency in how she chooses to dress and present herself, and i don't think you can cleanly separate those two aspects without losing something significant.

honestly, when it comes down to it, my personal take is that the real problem of sexism in DN is less about the particular ways in which individual female characters are presented/traits they are given, and more about the broad strokes of how women in general are treated... if my post on that particular subject ever ends up seeing the light of day, i guess i'll link that right about here. anyways,

misa and romance/death:

if there is one thing that her parents dying, almost being killed by a stalker, and making contact with a shinigami teaches misa, it is that love is something you kill and die for.

i really don't think that you can separate out "death" from "love" when it comes to misa, not only in terms of general themes, but also when it comes to how she personally views the world. i mean, just look at rem and gelus— death literally loves her, and in the process of loving her, allows her to cheat her way back to life. ryuk calls light a better shinigami than the actual shinigami, but honestly, if anyone fulfills that role, it's misa— she's the one whose life gets cut down until others stock it back up, who has so little regard for life (both in terms of others' and her own), who gambles her time again and again and does whatever she wishes, when she wishes, how she wishes.

it's that second point in particular that really gets to me here. throughout the story, misa shows herself to be equally detached from both the world and herself— she kills without care, gives up half her lifespan without a speck of a second thought, throws herself into dangerous situations and pushes for what she wants even when she knows it's stupid and probably going to get her caught. i'm slightly tempted to say that death's love for misa is the only mutual love she ever has, but that has some implications that i don't think quite fit. misa doesn't get a kick out of killing, she is not (overtly, or very explicitly) suicidal in the sense that she constantly expresses a yearning to kill or be killed. it's more of a toned down attachment than that, which... kinda gets into my next point, on misa's relationships. namely, with two very important people: rem and light.

in terms of rem... i struggle to analyze this relationship sometimes in the context of canon because at times it just feels like there is so little to work with. but perhaps that also fits, in a way...?

one thing that i think the musical really got right about rem is the fact that she has some of the most genuine feelings of love in the entire series, just in general but also specifically in terms of how other characters treat/approach misa. again, misa is a person whose job revolves around people loving or being attracted to her. i have a very hard time believing that the person who tried to kill her was her first or her last stalker, but even without getting to that level of intensity, much of the love surrounding misa is superficial, distant. she is beloved for the image she fits and the role that she plays, but very few people (if anyone) are even capable of getting close enough to recognize the self she hides under that mask (assuming, of course, that she ever lets that core part of her out).

rem is perhaps one of those few people, seemingly having watched misa for years alongside gelus before breaking that parasocial divide and meeting her idol in person. yet, it's also that very period of watching that puts a strain on their relationship, in my mind...

to put it bluntly: apologies to any and all remisa shippers, but i simply Do Not see there being much canon evidence that rem's love for misa is in any way mutual. not only do i struggle to think of any notable scenes where misa displays even an inch of affection or care towards rem, but misa is also kind of horrifically apathetic to rem's death, iirc. i mean, in a way, she's basically the cause of it— in failing to remember L's name upon getting her memories back, she pushes the first domino in the line leading up to watari, L, and rem's deaths.

misa basically treats rem like just another stalker, accepting her love so long as it is somewhat distant or gets her what she wants.

but, like. as shitty as that is to think about, it does kinda fit that misa would treat genuine love this way. at no point does she push back on or try to change rem's mind about this, or even really say fucking anything in response to rem's overt romantic/threatening overtures about how she'll kill anyone who tries to hurt her. i'm kinda inclined to view this as misa's attempt at kindness, accepting the love of her fans for what it is but never pushing it in either direction. she neither demands rem's love, nor attempts to dissuade it— it is what it is, and what happens, happens. and if it results in rem's death, or results in her own... at least it all happened out of love.

now, in terms of light... i was gonna make this its own post but it's on topic, so i might as well just add it here.

it is simultaneously so, so sad and yet also so, so utterly fucking funny that misa is perfectly designed to be everything that light absolutely hates. like, to just list it out cuz i literally have too many points to simplify this down into proper paragraphs rn, misa is:

uncontrollable. supposedly, misa is a perfect little devoted disciple of KIRA, willing to do anything and anything for him as thanks for getting justice for her parents' killer. but like... we all know how this actually works out. misa does whatever the fuck she wants, usually with the thin justification that it'll help KIRA in some way, and light is left behind to deal with the clean up.

stupid. no, not really— but she at the very least presents herself as such, as a ditzy, silly little girl, willing to do anything for love even if it hurts her. really, all this proves is that she wears a mask, just the same as light, though in the process she manages to also reflects to his own sins back at him. misa plays stupid so that she can justify doing stupid things without having to feel bad about it (or get emotionally attached at all?)— light plays god, a being above human morals, so he can do horrifically immoral things without having to feel bad about it. equal and opposite, in the worst possible way.

powerful. and pushy. the only person more stubborn than light yagami is misa amane, etc. etc. just like KIRA, she is a key pawn that light must rely on logistically, but is disgusted with all the same. misa is not a god, not in the way that KIRA is— she's just another filthy criminal, uncaring about the horrible acts she has committed. but she fits herself into his plans in just the right way that he can't quite come out and condemn her directly, and therefore is stuck quietly stewing in his dislike of her instead.

a liability. related to this is the fact that she is essentially unkillable, at least as long as rem is alive. many of the points behind her being uncontrollable apply to this one as well.

feminine. in a way that light dislikes, but also cannot ignore. she's cute and hot in a way that light is supposed to like, if he is to fit in w/ his Just A Typical, Good, Respectable Boy routine, but also drives him up the wall— pitting his desire to be "good" against his desire to be a "boy," essentially. (this point in particular is taken from THIS POST, big thanks to shydroid3000 for the beautiful yotsuba light analysis!!!)

possessive. controlling, in a way, which is again ironically exactly like light himself. light Hates being controlled because it means there may be factors outside of what he has power over, a trait which becomes increasingly relevant in the latter half of the story.

untouchable. even after rem's death, light can never quite get into the right position to kill her. she's almost too effective, causing light problems (e.g. yotsuba) and fucking things up, but never in such a way that he can easily place the blame on her shoulders alone. she is useful, a necessary evil, outliving multiple gods.

and, above all else, ultimately...

(sidenote2: it's kinda interesting to compare misa to L in this regard, actually, especially in terms of why light gets so attached to L but hates misa so viciously, despite L also being quite a bit like light? i guess you could say that misa reflects back the parts of light that he doesn't like as much, or even more specifically that she reflects KIRA back at him, where L matches/opposes light in terms of what he sees to be his better traits— his intelligence, his social power, etc. something to consider.)

to follow up on the sentiments of this post: misa does not love light. she relies on him to fill the hole in her life, in her, as a quick fix to avoid having to engage with the deep-seated grief that haunts her, an answer to the horrifying question of why she is even still here, alive, so long after her appointed bell has already stopped ringing.

to tie this all together, then... i suppose it's fitting that both love and sexuality are are so essentially Empty when it comes to misa amane. ultimately, she is a character defined by a misery she never allows herself to show to the world, a girl stubbornly sticking to the first reason she managed to find for living. again, just like light, she is a character that never grants herself the ability to truly grow up, stuck in the same childish, immature cycles of thinking and methods of presentation she came up with when her life first failed to end. a tragedy in her own right, unable to even remember the face of the one being that genuinely loved her at the moment of her own true death.

born on christmas, dead on valentines. how fitting.

[asmallmoon333]

Another Death Note AU I love to think about: Fem!Light x Male!L.

I adore these two in any form, but the potential of this dynamic in particular had me thinking plots that had my brain noodles excited since way back when I was in the middle of writing Time Speaks.

Now, L's gender wouldn't change anything about him, not really, but Light? Oh, it would be a whole new act for her to put on. And with L still male, it ensures it's not just a repeat of canon, but a whole new exploration of their characters, their dynamic, and the world they live in.

So in this AU, we have a Light Yagami who grew up in a society that told her she was lesser. That implied her gender was predictive of her place and abilities. But she wouldn't actually have a lot of anger about her gender I feel, since that goes against her natural feelings of superiority based on her intellect, so she'd just see it as the world being wrong as usual (rotten, if you will). She would look down on men for how easy they were to manipulate; not that anyone else would ever see these thoughts. Except Sayu, who Light raises with care.

Now, while said world would make it harder for her to rise up, Light is someone who gets what she wants and thrives on a challenge. She would use gender as her stepping stone, playing the "good girl" role to perfection.

And she'd be so very good at it. A much better manipulator than male Light.

Now, when she gets the Death Note, the story goes about the same at the start because Light Yagami is Light Yagami regardless.

Then in comes L, the first person who bested her, the first person she hates, and the plot changes. L is the only person, the only man, who looks at her and sees Kira. The only man who is deadpanned and blank to her "good girl" act and meets her provocation for provocation. Infuriating her every time they meet simply by being as smart as she is. By looking at her pointedly crossed arms, at her 'casual' forward-leaning posture, at her inviting smile--and blandly asking if her back hurts like his sometimes does.

How dare he.

How dare he see and value and fear her for her intelligence? He is certain she is Kira despite how aghast every other man and woman in her life is about the very idea of it.

They call L mad. Sexist. He ignores them and insists he's right, that no one else could be Kira but Light. That she's perfect.

And Light? She hates him for seeing through her. He scares her right back.

But she also can't stop herself from craving the acknowledgement.

The game between them would be so different and yet just as complicated this time, because while the two of them don't care about gender, they know this about each other, the rest of the world is not at their level and can't stop their bias about it. And Light uses that to her advantage; Kira will use any shield.

While L will do his best to strip her bare of all her lies.

So Light plays with the world's perceptions of womanhood in her war against L, using her 'weak' gender and 'need for protection' to manipulate the police against him. While L continues to pursue his Kira with a single-minded focus and certainty. He knows it's her.

But now he has to work even harder to prove it because no one is willing to listen to him. He has no proof, and in this universe, that means a lot more to the task force.

Light is smug about this, internally of course. She sweetly tells him to give up and start looking for the 'real' Kira.

L blinks at her and says he'll give up when she stops being a serial killer.

Light hates him.

But she also can't stop thinking about him. She can't stop revelling in how he sees her like no one else was ever willing to. And she eventually decides that she'll get him to give into her too, like she's gotten everyone else in her life. She'll make him admit he wants her, too. That he's human just like they all are, that he has feelings. (Just like she does).

She'll give him her attention in a way no one else has ever deserved. And L better appreciate it.

And after that? She'll kill him, of course.

She's Kira. She's pitiless. She plays to win.

But she might as well...enjoy L while he's here.

He's the only one she'd ever want to have in that way.

As for L? Well he's more than willing to play along, in any and all ways Light wants. He's seen her from the start, seen Kira behind her sweet smile, and he's entranced by her as always. He'd want her in any form, and gender is just one more tool of the brilliant mind he'll always be obsessed with, in any universe.

And he's absolutely thrilled at this game.

So, yeah!! I love this AU and one day, I'll write it, but for now thank you to the amazing artist @thanatelle who inspired these current thoughts! His work is so good <3

Fem!Light and Male!L are so very fun.

[quicktimeeventfull]

@deathnotably hello sorry this took me seven days to write BUT this is in fact perfect bc i think about light and his horse every single day of my life. thank you!!!! <3 <3 <3

Light had not been especially excited about the program. There was something about it that felt juvenile — horses, he felt, were for children. Or at least horses which were supposed to make you feel better about yourself were. 

He wasn’t sure what horse therapy would even entail. He wasn't even convinced that there was anything about him which required fixing. The world is a terrible place, a kingdom of rot. He acknowledges it as such, and that makes him feel bad. Frankly, he thinks it’s other people who have a problem which needs to be resolved. If he wants to spent the rest of his life in bed, not eating or sleeping or speaking to a single person, then that’s his prerogative. It is, he thinks, a perfectly reasonable reaction to the state of the universe. 

Still. When Sayu had insisted, he went. He supposed that if he didn’t have any particular opinion on what happened to him he might as well take into account his sister’s.

And so here he is, standing in the dark of the stables, looking up at a massive black animal. It is inside its stall, but its neck and head arc outwards, watching him. It has big black eyes and breath that rises white in the cold. There are other horses in the stables, but he likes this one best because it had looked at him the second he walked in and followed him with its eyes. 

The rest of the people in the program are side the barn, huddled together by the door. He’d slipped past because he hadn’t wanted to wait with them for the clinician. Some of them had looked incredibly ill. Mentally, not physically; they had seemed miserable. He doesn’t like thinking of himself in the same category as ill people. He's only here for Sayu. It doesn't count.

He holds his hand towards the hose. It’s bigger than he had imagined possible. He’s tall, but the horse has a bulk to it that he hadn’t expected. In photographs they always look so delicate. 

It smells like an animal — acrid, earthy, not entirely unpleasant but alarming nonetheless. 

Its nostrils flare. He pulls back, and then, gathering his courage, places two fingers on its neck.

Nothing happens. 

He is not healed. He does not feel okay. There is only the warm flank of an animal beneath his hand, heavy muscles and more soft fat than he’d expected. It is faintly damp.

The horse flicks its ears and then its tail, then turns its head towards him and then past him. It is so large that the movement pushes his hand with it; he pulls it away, something twisting heavy in his stomach. 

It doesn’t make sense to feel devastated by something that he hadn’t thought would work. He swallows against a heaviness in his throat, then pulls his arms tight across his chest. Clearly the experiment has failed. He might as well turn and leave now.

“They aren’t magic.” 

He spins, then startles.

There’s a man hunched beside him, standing far too close. Light has no idea how he'd gotten there so quick, or without Light's notice.

He’s got long dark hair and eyes as black as the horse’s. He is wearing jeans and a white sweater that looks too thin for the cold. 

The man blinks at him, then goes on. 

“I’m not psychic,” he informs Light, who hadn't been thinking anything of the sort. “It’s just a bit obvious.” Something must cross Light’s face, because the man pauses, then goes on. “And there isn’t anything wrong with that. Of course. We’re all connected, and so on.”

There’s something vaguely condescending in his tone, but it’s not without compassion. Light can’t decide if he prefers that. If the man had been just a bit ruder, Light could simply have told him to fuck off.

“What are you talking about,” Light says, as flatly as he can manage. 

The man jerks his head towards the horse. “They don’t generate happiness. It’s not a Hallmark movie.” 

"I don’t —" Light isn’t sure what to say about any of this. “I’m going home.” 

“That’s fine. Would you like to feed her first, though? I’m L, by the way. Now we aren't strangers anymore."

Before Light can point out that he’s slightly past horse-feeding age, the man — L —  pulls a ziplock back out of his pocket and holds it out for Light. For one wild moment, Light thinks it’s full of meatballs, but when he reaches for it — more out of confusion than anything else — he discovers that they’re actually little balls of dark sugar oats. “Molasses cookies,” L says. “You can give one to her. Don’t — ah, not like that.” Light has taken one between two fingers, which seems perfectly normal to him. He considers whipping it at L instead. He had been trying to have a quiet moment of despair, and L is not only ruining that by handing him bags full of weird horse treats but also critiquing how he handles said treats. “She can’t see forward very well, so she'll bite off your fingers if you do it that way. Just lay it on your palm and hold it out.” “I don’t want to feed something that’s going to bite off my fingers,” Light says. “She won’t, if you lay it on your palm. Go on. You’ll like it.” The whole world feels so clouded and pointless and stupid that he figures he might as well do this one extra clouded and pointless and stupid thing; these days, that's how he operates most of his life. He drops the cookie onto his palm.

It’s very moist. He wonders how it would taste. He’d skipped breakfast. He holds his hand out for the horse. She leans down, as if this were a routine she was used to and he had been invented just to facilitate it. 

For a second his stomach swoops with terror as he head drops towards him — he can see her teeth, which are dull but massive, and can't help but imagine the thinness of his bones -- but then her nose touches his palm and the world goes suddenly quiet. 

It is the softest thing he’s ever felt, and she is the biggest living thing he has ever been near, and she’s eating right from his palm. 

He looks at her, entranced. It’s sort of disgusting, actually. His palm is getting wet. He can feel her tongue all over it. Still, when she pulls her hand away and flicks her ears he reaches into the ziplock bag and pulls out another. 

He is aware, distantly, of L walking up beside him. When the horse is finished the second, L takes the bag very gently from his hands. Light looks towards him.

He still feels very hollow. Possibly more so than before, really. It's easier when he doesn't subject himself to nice things; they leave an absence in their wake. But still the softness of the horse’s nose lingers. 

“It’s difficult,” L says, very quietly. “I know it is. It’s a lot of work, to do … all of this. To take care of oneself. And it’s not fair that we have to do it, when so many other people don’t. I wish there were some sort of magic cure and I wish they were it.”

“Who are you?” Light says. This, he realizes, is what he should have asked in the first place. “Are you an instructor? Did you follow me in?” L blinks at him. “What? No. I’m a patient. It’s just very cold outside.” Light stares at him, and L stares back. At last L puts the ziplock bag back in his pocket. “Don’t go home,” L says. “Give it a shot. One day. If you don’t absolutely hate it, I’ll give you my cookie recipe and you can make your own for her.” 

“Why do you —“ Care is what he wants to ask, but it feels almost trite. “You don’t know me.” “But I will,” L says, and smiles. It’s bright, almost childish, almost embarrassing to look at. “If you stay.” 

Light breathes out. “Okay,” he says. “Fine. Yeah. Okay. One day.”

[raitobie]

✧Meet my self insert & a summary to my Yumeship Raitobie 🤍🩶✧

Template by QueenJoou on Deviantart

( 🗒️: AU takes place in the Death Note pilot universe. Taro Kagami finds the notebook instead of Light. As does Ryuk, an alternate timeline version of Light and other characters from the main canon exist but are on different paths. Light and Tobie are 5 years younger than Taro in this AU.)

ཐི♡ཋྀ Excelling at guitar quite effortlessly, Tobie was involved in the reggae scene and gigging with bands across the Caribbean as a child. A Japanese native musician who happened to be visiting one of the islands she was performing at was amazed at her talent, and invited her to come to Japan to share her talents with the Caribbean inspired scene over there.

ཐི♡ཋྀ Being exposed to the culture, Tobie came to adore Japan and stayed in touch with the musicians she met and befriended. She became interested in the music scene there as a whole, picking up the language and becoming acquainted with other music spaces such as the Jazz, Idol and Visual Kei spaces.

ཐི♡ཋྀ Through her connections, Tobie made the move to Japan to work as a producer, songwriter and live player for a large variety of Japanese artists as a late teenager. Later of which would include Hideki Ryuga and Misa Amane.

ཐི♡ཋྀ Years later, Tobie meets Sayu Yagami at a club and befriends her after the two mutually connect over being dragged along by friends despite their discomfort with drinking and partying. Sayu is immediately enamoured with Tobie’s gentle and easy-going nature in contrast to her close proximity to celebrities, as well as her unique appearance and background. She adopts Tobie as an older sister figure, much to Tobie’s amusement and endearment.

ཐི♡ཋྀ Through Sayu, Tobie is introduced to a bitter and jaded Light Yagami who has never picked up the Death Note and is finishing up university, about to enter the workforce as an aspiring detective. In spite of having troubles with dating and friendships due to his hubris and attitude in adulthood, Light becomes intrigued by and endeared to Tobie, looking out for her as an extension of his love and protectiveness of Sayu.

ཐི♡ཋྀ Their bond and friendship grows strong and Light finds himself developing romantic feelings for Tobie, amused and challenged by her attempts to hide her own feelings for him out of fear of it not being reciprocated. Their connection inspires Light to reflect on his negative judgement of the world and others, while it inspires Tobie to reflect on her negative judgement of herself.