#long post. just hecking long as heck

[screwpinecaprice]

Some warm up connverse

[saintbleeding]

it’s a horror tragedy. people are mean and uncharitable and impatient with him and don’t give him the benefit of the doubt because he is the protagonist of a horror tragedy. u are supposed to think it is tragic. dare i say u are supposed to be horrified.

[adeleine-everyday]

day 90

she is NOT a 3D art kid

[abnomi]

PSYCHOANALYSIS ON CHARACTER PASTS IN WRECK IT RALPH!!!!!!!!!!!!!!1!

ok... so you know how some characters were never given a backstory to play off of? (like Turbo for example)

i dont know for certain the psychological impact that not having a past could have on video game characters (or if they would even care), but what i do know is that it is objectively damaging to not have anything that came beforehand to work with.

imagine being tossed into a world, have whatever code implanted into your brain tell you specifically what you need to do, not have any choice in the matter, and then be forced to go from there. whether or not the individual believes they need a past is irrelevant; they lack one, regardless.

the psychological differences between video game characters with a past and those without come into question... are those who have a solidified memory of who they were before more or less susceptible to growth over time? or are they both intrinsically equal? maybe it depends on who it is, what game theyre from. some could thrive off of the idea of not being latched onto a past that was chosen for them, while others could long for at least some semblance of an in-between.

all things considered, it would be significantly more difficult to have a broad understanding of emotions when you aren't granted access to the same grace that those with a "before" may have. without any memories, you'd have to rely on your external surroundings to achieve any kind of development; a noticeable contrast to those who already have at least some internal understanding of themselves that came with their programming.

characters who begin their life with a clean slate may be bound to being more actively involved with the world around them because it's how they have to learn. if they don't, they're going to get stuck in the same mindset for an indiscernible amount of time until some kind of external force pulls them out of it. they don't have knowledge of their initial life; all they have is the current moment.

a big factor that correlates with all of this is the psychology of nature vs nurture. in short, "nature" is the deterministic aspect of genetics (or in this case, code) influencing who one may be, while "nurture" is how one's development is influenced by the role that one's surroundings might play. in humans, we experience both of these; they go hand-in-hand. in the WiR universe, however, it's not always guaranteed that a character will have a chance at having both at once.

those with a past get both nature and nurture, bundled into one package. however, those without are only presented with nurture, tossed into a world and expected to move on from there (maybe with a faint sprinkle of nature, but not anything that goes beyond an implication of what their life was like before spawning in). they have limited options compared to the ones who don't have to start off on a blank slate.

something else to keep in mind is how without the presence of a past, there will be far more variations between the same character across different locations. without any code telling them who they used to be, they will learn about who they are through their environment and go from there. of course, no single character will be the exact same, but code largely determines the mindset of a character and how they process the world around them.

in Turbo's case, i personally think it wouldn't matter a whole lot to him because of its irrelevance to his main concerns, but it undeniably had a strong hold over his behavioral development as an individual; he is very immature. he had no foundation to start off with... well, other than the message that was branded into his mind, dictating every decision that he has ever made: he has to win.

he acted like a child when he first came around because, in a sense, he was one (not literally HAHA, i think of him as in his late 30s). his game was plugged in for about five years before he had the biggest tantrum of his life, and keeping in mind how game characters are technically immortal until the moment they're unplugged (unless they die in another game before then), this really wasn't that much time in the grand scheme of things. it was hardly anything at all.

without a healthy outlet to process his feelings, coupled with an unnerving lack of life experience beforehand, of course he'd lash out a lot! of course he'd be overwhelmed by his own emotions to the point of not knowing what to do with himself!

that doesn't excuse his behavior at all, as he did have opportunities to change for the better or learn from his mistakes, but he chose not to. he was too stubborn for his own good.

maybe part of the reason he's so hellbent on being the best is not only because it's lodged into his code to feel that way, but also because it would feel like betraying what little personality he was coded with to go against it. yes, he's never been too keen on the idea of having anything or anyone tell him what to do, but consider this: he's clinging to his own identity, protecting what small fragments he was given and holding onto them for dear life. he doesnt have a past; he has goals, and losing said goals would be losing himself and the footing he has on his own identity. he's defined by succeeding, and he refuses to let this go. this is more headcanon-territory but it is fun to explore concepts like these!!! bro is internally empty.......

Felix has a past, yes, but it's vague and uncertain. he had a father, but does he even know what the man looked like? who he was beyond a name and an heirloom?

notice how it took thirty years for the handyman to shift his perspective on who Ralph was as a person. this could likely both be a product of the nicelanders and himself all being programmed with the belief that "Ralph is a bad guy," thus internalizing it, combined with the external influence and pressure Felix upheld being the good guy. (EDIT (LOL!!!!!): i know felix doesnt hate ralph but constantly being surrounded by everyones fear of him would have at least made him cautious about interacting with him)

his younger years have no hold on how he makes decisions, especially considering how absent said years are. his code only hints at the idea of a father, alongside the foundational belief that he is good.

his lack of a clear upbringing contributed even more to his sheltered persona, oblivious to the hardships that everyone else might face. combine this with how every NPC he surrounded himself with never dared to criticize him, he was prone to experience stunted empathetic development. he was never a bad guy by any means, but his lack of exposure to difficult situations did not fare well for his psyche.

that isn't to say he hadn't ever been in any difficult situations before. the roadblasters incident absolutely shook him to his core and likely cut deep into him, as he hadn't ever experienced anything similar to it before. without a fleshed-out past, he didn't have a bright idea of what hardships might linger just beneath the surface.

to his credit, he has changed for the better, now having more awareness of how others feel and function outside of himself. he makes sure to treat everyone with equal amounts of dignity, regardless of any preconceived notions he might have. :-]

when it comes to Calhoun, her experiences shape her significantly, directly being the cause of her hypervigilant and instinctual nature. it can't be ignored that she suffers from PTSD due to how her character's life was mapped. this demonstrates that having knowledge of who one was before isn't always necessarily a wholly good thing. not to say that her condition makes her broken in any way! it just brings difficulty into her life that wouldn't have been present otherwise.

there is some goodness that can be brought to the surface from this; just as it isn't completely good, it isn't completely bad, either. on the opposite end of the coin, she knows how to keep herself and others safe. if it weren't for her predetermined past, she'd potentially face more struggles on the battlefield.

not only that, but it helps us, as the audience, empathize with her character, along with Felix. we learn that she isn't simply intense and nothing beyond that; she's just been through a lot. on top of all of this, she is very emotionally mature and understands how to push through horrific situations, especially when necessary. it is her job to do so, after all!

Calhoun's heavy experiences may be part of her character's mold, but they do not define who she is. a past only steers a character in an approximate direction; it does not 100% determine how they grow from there. we directly see evidence of this when she moves forward and marries Felix :-]

and then there's Vanellope :-] she did have a past, but it was ripped away from her. how does she cope with this? by defining herself and becoming her own person, unrestricted by her code. she didn't start off as a princess, she started off as Vanellope.

even when she had the chance to reclaim her status as princess, she didn't, instead choosing to stick with the version of herself that she passionately created. there's a great chance that she wouldn't be the silly little booger we all know and love if it weren't for her time to think about who she was and who she wanted to be; the omission of her past was a significant contributor in how she now presents herself, unconfined to how she is apparently "supposed" to be. she has more room to choose for herself.

she doesn't let anyone else tell her who she is, holding her handcrafted identity with pride. her eccentricity is nowhere near a flaw, making itself known as a strength. her perspective of the world is unique to her and allows her to emotionally connect on a deep level with Ralph.

one doesn't need to be tied to a past to be a person. it doesnt put any more or less weight on anyone's worth, and we see this as clear as day with her character! starting off with nothing, she grew into her own skin and found her sense of self all by herself without the guidance of anyone else. i am so proud of her. i love my baby ok

above all else, having a past isn't a surefire way to predict how one may develop; it is only an aspect of who someone is. an important aspect, yes, but there are many other things to consider in the sea of personalities and experiences...

the biggest difference between having one and lacking one is ultimately how an individual character might go about how they change over time and how long said progression might take. the past is only a starting point; a pre-written map without a marked destination created in order to provide a basic concept of who exactly one was earlier on. being left without one leaves some with a need for more effort to figure life out, and this distinction will affect everyone in many different ways. at the end of the day, though, a map is just a map. the road itself is what matters most 👍

[felassan]

remember that wild Dragon Age theme park ride (Dragon Age: Flight of the Wardens), originally located in Dubai until it randomly turned up years later (now also oddly-rebranded as "[Not Dragon Age We Swears It]: The Guardian") in, of all places, Skegness England? well, I had to satisfy my curiosity and obsession with obscure pieces of Dragon Age media & archival thereof. and so - actually quite some time ago now - I finally got around to going on a pilgrimage there (which was this whole, like.. heinous harrowing in and of itself, that I will not go into), and I rode it

and to my surprise the original Dragon Age in-ride movie is still part of the ride experience! - complete with references to darkspawn, a Pride demon, dragons, green "rifts", Discount Anders (a Grey Warden[?] mage called 'Eldron'), Discount Yavanna (a Witch of the Wilds called 'Alexia') and Dragon Age: Inquisition soundtrack music. there is also now a new pre-ride movie which replaces the old Dragon Age pre-ride movie as part of the ride's rebranding, and i simply ?¿?

there are also still quite a lot of identifiable Dragon Age props in the fantasy-themed queue-area of the ride (so these must have been part of the whole purchase between parks), including multiple iconic Inquisitor helmets, Grey Warden shields, a Dragon Age dragon (now with DA-dragon identifiable horns.. sawn off??), and several Dragon Age banners, including the Inquisition hairy eyeball, the templar symbol and the Circle symbol. here's some pictures.

[^this image is taken from the video linked below]

I also captured the new pre-ride movie, and you can see it along with the Dragon Age in-ride movie here ⬇️. and so now, with this epilogue to the.. most odyssey of all time, more than two years after the first message about the ride was ever sent to Ghil Dirthalen, this adventure in obscurity and the strange fever-dream meta story of the Dragon Age: Flight of the Wardens era in Dragon Age history is finally complete.

Ghil Dirthalen: The Guardian??? {Overview. - Spoilers All}

[video source & link: Ghil Dirthalen, posted here w/ permission]

some further notes, thoughts and commentary under the cut -

there's a few seconds missing from this capture of the in-ride movie. for the sake of the curious and completion: in them, you're still in the fort and you see lots of 'Wardens' walking and milling around.

a camera in the ride takes two photos of the riders during the ride, which are displayed on a screen on the way out. you can choose to buy these from the Fantasy Island merchandise store. you know those photos of people on log flume rides? it's like those, only of the four riders in a row in the seats. the photos have Fantasy Island branding on them and fire along the bottom, then in two corners there's a bit of a dragon's head and that's about it. the ride photo is the only Guardian-specific merch available at the park.

some of the queue area props appear to be from random other places. like there was a barrel which had something like "1850 distillery" written on it, which is obviously temporally/thematically and universe-ly out of place (not that that's at all unreasonable given the rest of the rideworld lore, there's totally a way it could have gotten there easily hh, see below), and I guess it's a spare or leftover prop from a Western-themed ride or something? others were generic sword'n'sorcery fantasy props (some of these are from the ride's previous life in Dubai though). there are also some pretty random props, like a dead stuffed roe deer's head on the wall and a.. comically large spoon.

there's music playing in the queue area, but it's not DA music, it's generic ye olde fantasy world music.

some folks there mistakenly thought that the long themed lead-up (it was pretty darn long) queue area with the props was the entrance to or start of something completely different, like a haunted house or maze type thing, or was the ride 'experience' in and of itself.

the ride attendant gives you the option of watching the new pre-ride movie or not. I guess they get sick of putting it on and listening to it 9000 times a day (valid), and also cutting it out reduces queue times as it's about five minutes long. it's screened in a little enclosed room at the end of the queue area. you go in and sit down, they show it to you, then you go through another door to the chair machine.

the in-ride movie is blurry and poor quality. I heard someone else who rode it say that it was so blurry that they had no idea what was going on hhh

Now about the new pre-ride movie. first of all, here's the transcript.

Pre-ride movie transcript "Welcome, my friends, to the gates of our kingdom, and the start of your adventure. I know your journey has been a long and arduous climb to get here, but we are grateful that you are the ones that have stepped forward to help us in our quest. I should probably start at the beginning. My name is King Aethelswyth [sp?] and I am the ruler of Elvia [sp?] - at least, what's left of it. You see, six months ago, our world was invaded by giant demons and creatures from another dimension, which now plunder our lands, and continue to destroy our kingdom piece by piece. They came, through a time-rift, from another world, leaving much destruction in their wake. Ever since they came, our people have defended as best they are able, but, we were once a peaceful race, and sadly no match for the giant demons and dragons. Luckily, a few days ago, help arrived. They came through the rift, human in form but with incredible powers, and the ability to not only fly but transform into dragon-like creatures. That's where you all come in. You see, not only have they brought hope to our lands, but also gifted us with technology, the likes of which we have never seen before. This communication device for example - it enables us to talk to each other from great distances without being in the same room. And there is something else, and the reason why you are here. They provided us with plans to create our own machine, which as we speak is being prepared for your mission. I should explain. The machine, although made of metal and advanced technologies we can't even begin to understand, requires biological matter to function; a very specific amount of oxygen, carbon, hydrogen, nitrogen and calcium, all of which you are made from my friends. Once you are connected to the machine, you will be lifted into the portal and instantly dropped into the outer world. You'll be able to fight alongside the guardians and help close the rift once and for all. I won't lie. The mission will be dangerous, but with your help, we can defeat the giant demons, close the rift and save the kingdom. Hahahaha! [dragon roars] Ah, do not be afraid! This is Mia [sp?], one of the dragon guardians. She will help you on your quest and guide you to the rift. There it will be up to you to find a way to close it. My friends, it is almost time for you to enter the machine, and become the guardians! [inaudible] a safe journey. Save Elvia, become the heroes you're destined to be! The gates will open momentarily, as soon as the machine is ready for you. Good luck my friends, and I'll see you on the other side!"

in the linked video, the start of the new pre-ride movie isn't included in full at normal speed as it seemed to be a compilation of whatever random fantasy-themed stock footage the video creator could find, stitched together. but again for the curious and the sake of completion: it starts out panning randomly around SPACE, like at the solar system and of planets and at the Milky Way. for a sec I wondered if it was made up of random old Mass Effect assets. then it shows dragons (FROM SPACE) invading an Earth-like planet where I suppose the Ferelden-y kindgom (formerly called "Noathen", now called "Elvia" or something) setting in the rideworld is now supposed to be set. these invading dragons invade either from space or.. another dimension?? or maybe from the future or both?? [see below], entering through a big green rift. (and they still have the green coloring for the rifts and call it/them "rifts" like in DA, which was honestly so funny to me for some reason). the whole panning in from space start to the movie reminded me a lot of the Easter eggs in the DA and ME games that, while they're just Easter eggs for fun and I don't subscribe to this theory myself (as DA is its own great, self-contained thing), could light-heartedly imply that the planet with Thedas on it is a planet in the MEverse (like the krogan head in the Winter Palace in DAI or the ogre in that ME dlc).

in the pre-ride movie, the kingdom of "Elvia" might have actually been called "Albion", which is the earliest-known name for the island of Britain. (it was hard to make out exactly what the king was saying there) the new pre-ride movie seems like it was made in England and ofc thats a common fantasy setting, so I could see it, especially since the king character's name was something like Aethylswyth, which sounded very "Old English". for me personally, if it was "Albion", it adds fuel to the fire of Caitie's cracktheory/"trying to make this fit"-headcanon for the ride story/lore (see Caitie's original video on the ride's previous life for this), that it's set somewhere obscure and backwatery in Ferelden, which is kinda England- or Britain-inspired. (dont take these thoughts or other thoughts in this post about the lore/canon etc too srsly pls hh, it's just crack for fun and I know tis just an off-brand themepark ride)

on the whole the new pre-ride movie is pretty random. there's a giant in it, but it doesn't look like a DAI giant. (is it his big spoon??) it shows a fortress in part of it which looks a bit like Skyhold if you squint, with the long bridge approaching it as the entrance. at one point one of the dragons that pops up is a dragon designed more in the style of a dragon as they are sometimes depicted in, for example, Chinese mythology and folklore. the "communication device" the king described had me rolling, it's exactly like a Dragon Age Skype Crystal or a working set of eluvians from Thedas.. I wondered if the video creator was inspired some by DAI promo images and took cues from the Inquisitor's green hand/the Anchor, since the king has a green glowing thing on (or in?) his chest. and when the king started listing the elements humans are made of, I was reminded of Fullmetal Alchemist.

also, "through a time rift".. I mean technically Dorian's involvement in DAI DOES show green space-time magic right? Where is this other dimension? ofc I know it's not literally Dragon Age, but it's funny to think about and to try and make it "fit" skhskdhfjhe. is it the Fade? the Void? from somewhere in-between like Tevinter Nights implies exists? or is it the dimension which has Thedas's mundane world itself in it - like maybe the dragons are invading this poor guy's kingdom dimension from Thedas? if so what tf is going on in Thedas?? did Solas' explosion at the Conclave ripple through spacetime and rip holes in the fabrics of other worlds as well - like is Solas out here accidentally causing interdimensional Space Dragon invasions? like, theoretically.. the new pre-ride move does reference the in-ride movie, and in turn the in-ride movie is still Dragon Age (!), so technically the new pre-ride movie IS.. kind of.. weirdly.. canon.

((the pre-ride movie references an "outerworld", implying that even in THAT dimension there's an outer world and an inner world, definitely more than one at least. and back on the dimensions thing, I'm not clear - are the dragons coming from Thedas dimension? or are they coming to Thedas dimension? "they came through the rift, human in form but with powers, the ability to fly [that's Eldron] and the ability to transform into dragon-like creatures [that's Alexia]" implies that the dimension on the other side of the rift - if the helpers came through the same rift as the invading dragons - is Thedas, because that's Eldron and Alexia from the Dragon Age in-ride movie being referred to, and Noathen where they're from is in Thedas somewhere. so some Thedosians have travelled to another world to save it?? Dragons are escaping out of Thedas? but.. from space? but also - the narration is telling us that Eldron and Alexia and the other Guardians brought with them from where they came from, as a gift, incredible advanced technology that the people of Elvia have never seen before. he then gives the example of "this communication device" which could be read meta-ly as meaning the television screen, and of plans to build a machine made of metal and advanced technology (meaning the ride machine you go sit on, which is a themepark machine irl obviously and in the 'world' of the ride, some kind of flying machine). so like.. are Eldron and Alexia from Future Thedas (think Avatar Aang/Korra, when by Korra's time there's like lots more machinery and a more modern feel), a Thedas which has advanced complex machines like idk, AEROPLANES? is that what they mean by "time-rift"? because they specifically did say "time". is that to try and explain the modern machinery? does that mean the invading dragons also came from the future, not just from space or another dimension? the other option: Eldron and Alexia came from alternate universe Thedas, which has more modern technology in it. but Thedosians Time-Travelling From The Future And Also Space And Another Dimension is so funny to me so lets go with that. my headcanon is that on the way to Elvia they also timetravelled through a Westernthemed time period and thats why theres a recent-modern period whisky barrel)).

in the ride's previous life, the explanatory hook was that Eldron made you a special harness or saddle thing with which to ride a dragon, which was what the ride machine was simulating. however now, the hook to explain the machine is that it's a gift of advanced technology powered by carbon, hydrogen, organic matter (Big Oil lmao?) etc. (I enjoyed that this explanatory hook got wackier between eras of the ride's life, much like the whole meta story of this piece of media itself. it was already weird because riding dragons isn't really part of DA. though I don't understand meta-ly speaking this convoluted explanation for the machine. dragon-riding isn't an identifiable or key part of the Dragon Age franchise, so they could have kept the idea that you're sitting on a dragon's back and flying around on that in instead of having this wacky explanation about a flying machine gifted from magical strangers from Back To The Future and it would have been fine. I love it though bc its so absurd)

And Tiny Dragon Alexia from the original ride experience is kinda referenced (unintentionally?) when the king introduces the dragon "Guardian" "Mia", as when she comes on-screen her size or scaling looks small/kinda off, so maybe Tiny Dragon lives on. so now we have Tiny Dragon Alexia, Tiny Dragon Mia, and Tiny Dragon queue prop. it's a Tiny Dragon Conference.

and like I just have so many questions. in her original video on the ride, Ghil Dirthalen wondered at length where in Ferelden/Thedas Noathen could be. where is Elvia? why does the pov of the pre-ride movie proceed downstairs into the room where the king is - like why does the king have his throne in a basement? is he in an underground bunker for safety because of the Space Dragon invasion? why does he say we "climbed" up when we have just gone down into his dungeon? why is the tiny dragon introduced as "Mia" when the tiny dragon witch lady in the in-ride movie is called "Alexia"? does the king's green glowing chest thing work like the Anchor - does he have a chest Anchor.. a Chanchor? where did they get Discount Gandalf from the queue area and why is he exactly like the Ghil Dirthalen Stock Theatre Wizards in her original video? why did they change the kingdom's name from "Noathen" to "Elvia" in the pre-ride movie when "Noathen" was already non-existent in Dragon Age lore? why did they scrub Dragon Age from or avoid Dragon Age in the pre-ride movie but leave the whole Dragon Age in-ride movie intact? are the "Guardians" Discount Grey Wardens? is the king's whole schpeel secretly an evil plot so he that can use our bodies for like necromancy-alchemy? why does the ride run on your flesh and are we about to be sacrificed in a blood magic ritual? do we end up like the husks in Mass Effect after our organic forms are broken down into compounds to fuel the King of Elvia's flying anti-dragon defense tank? is the actor of the king a park staffer who is into larping, or someone's fun nerd uncle who likes DnD? does Caitie not in fact agree that I am very handsome and smart, indeed the World's Most Interesting Guy? 😤 why go to the trouble of sawing off the dragon's DA-dragon horns when the in-ride movie is still Dragon Age?? why are the dragons invading from space anyway like what do they want??? how can I obtain the king actor guy's autograph? where are EA's lawyers? and why is there a giant spoon?

[atlantic-riona]

Batgirl #9 (2000) // the Iliad trans. Caroline Alexander // Táin Bó Cuailnge trans. Thomas Kinsella

[aur0ralights]

Part 1 (ur here) | Part 2

LUWAP2023, I got to do some art for JadeHawk0290′s fic; The Hour of Twilight

I loved legit everything abt the fic and I couldn’t narrow down exactly which one artwork I wanted to do.... so i did the entire first chapter loll

[after-nine-at-the-oasis]

I'm sorry W H A T

[inconclusionray]

new(ish) due South fic, anyone? In ascending order of spice, we have Strawberry Jelly, written as a gift fic for @cro-mignonette back when we were both on the tumblrs, on the stresses that can lead to alcohol abuse in remote areas, on Ray moving to the middle of nowhere and being undiagnosed ADHD starting to get bored out of his gourd, but mostly about... fruit preservation. As it were. Ahem. Rated T for teen because there are allusions to canon-typical violence between our beloved duo. Then there's Know I'll stay beside that telephone line, which wasn't directly responsible for the change in relationship status between me and @hereeatthiskitten but also wasn't not, so. Kept private because sometimes things are just too precious to be public for a while; she gave me permission to post it years ago, nonetheless, but did I? Look, it's there now, isn't it? Anyway, it's about longing, and repression, and how challenging it can be to change the shape of a relationship, even when you both know the other knows you want to. Talking is awkward, okay, sometimes it's easier in a chat box over the telephone. Rated M, because there is sex, but it's mostly alluded to, not described. Finally, we have the fully smut rated Book, Book, Duck, which if I recall correctly was just me trying to prove to @hereeatthiskitten that Fraser and Duck could so do the deed (ish), what that would look like, and what Ray's reaction would be. It's about... libraries? and alleys? okay it's about dopplegangers and public-ish sex and jealousy and desire. Explicit, no question, though once again, the point is the feelings. Please leave comments on this, it took me over seven years to finish, I crave the validation. That's it! Enjoy! Feel free to use this to promote your new-ish old fandom creations, too! Fic, art, gifs, meta, squees, literally any engagement with this cheesy buddy cop show that is way too good for being as absurd as it is!

[simgerale]

me after attempting to get back into sims and realizing i had a lot more to do than play the game

[puppyie-innit]

the best worst dream ever ˶˃⤙˂˶

part 2 here!

The room was quiet, softly lit, save for the soft hum of a machine in standby mode. Its gleaming surface reflected the dim light, a playful contrast to the serious concentration of the tall figure standing beside it. His hands moved swiftly over a control panel, his fingers tapping with precision as he adjusted settings. He had worked tirelessly to perfect this creation, every detail designed to deliver the optimal mix of playfulness and effectiveness. His eyes sparkled with anticipation as he glanced toward the small figure hesitating nearby, her posture stiff with equal parts apprehension and curiosity.

The machine, sleek and carefully crafted, bore a whimsical design that suggested mischief and care in equal measure. Every polished surface, every soft brush and teasing feather affixed to its arms, gleamed with precision. It was clear that this wasn’t an ordinary creation—it was designed for a single purpose and a single person.

“You’re being very rude, you know,” the boy teased, his tone light but with an unmistakable edge of playful authority. He folded his arms, looking down at her with a mock-pout. “I went through all this trouble just for you, and you’re not even going to try it?”

The girl took a half-step back, her shoulders hunching as a shy smile twitched at the corners of her lips. She shook her head quickly, letting out a soft whine of protest, but her gaze betrayed her conflicted emotions. Her nervousness mingled with an undeniable curiosity. She couldn’t deny the warmth in his teasing or the care behind every detail of the machine. She just didn’t trust it—or him, for that matter—not to overwhelm her.

“Alright,” he sighed dramatically, his eyes sparkling as he reached out to catch her wrist. She squeaked and squirmed as he effortlessly lifted her into his arms. Her tiny frame barely filled the space against his chest, her legs kicking half-heartedly while her fingers curled into his shirt. “You leave me no choice. Someone’s got to help you be a good sport.”

Her heart raced as he carried her toward the contraption, her face already flushed. She wriggled as if she might escape, but his firm grip was careful, unyielding. There was no malice in his actions—only a teasing determination that made her feel both flustered and inexplicably safe.

The boy set her down gently onto a padded seat built into the machine, his hands briefly resting on her shoulders to steady her. She tensed, every nerve alight, her gaze darting from him to the various tools now beginning to whir and swivel in anticipation.

The brushes were the first to move, fine and flexible, their bristles soft enough to tease rather than scratch. Two of them angled toward her underarms, while others hovered near her sides and tummy, the anticipation nearly unbearable. She bit her lip, already squirming before they even touched her. Her small hands instinctively tried to block her sides, but he clicked his tongue and gently held her wrists, moving them aside with ease.

“You’re going to ruin the experience if you don’t let the machine do its job,” he teased, his voice low and warm, as if coaxing her into accepting her fate. “Just relax. It’s not like you can fight it anyway.”

A feather arm descended next, its delicate plumes sweeping across the soles of her bare feet. She jolted with a startled gasp, her toes curling instinctively as the sensation sent shivers up her spine. The brushes along her tummy began to swirl and scrub lightly, eliciting a giggle she tried—and failed—to suppress.

“No—nohoho!” she squeaked, her tiny frame twisting as she tried to lean away, but the machine adjusted seamlessly to her movements. The brushes followed her curves, their touch soft but relentless.

The boy crouched in front of her, grinning like a cat with a cornered mouse. “Aw, don’t tell me it’s too much already. I haven’t even activated the gloves yet.”

Her eyes widened in alarm, but her words dissolved into bubbly laughter as the feathers on her feet changed patterns, alternating between long, sweeping strokes and light flicks at the base of her toes. The brushes along her sides seemed to mimic playful fingers, kneading and swirling in teasing rhythms.

The boy reached for a set of grooming gloves hanging from the side of the machine, pulling them on with an exaggerated flourish. The soft, rubbery bristles covering the palms glinted under the light. “See? These are special,” he explained, his tone deliberately casual. “Sometimes, the machine needs a little…human touch.”

Before she could protest, he leaned in, his gloved hands descending on her ribs. The soft bristles pressed and circled over her sides, adding an entirely new layer to the ticklish onslaught. She shrieked, her head tipping back as laughter poured out of her, unfiltered and melodic.

“You’re adorable when you’re like this,” he murmured, his voice tinged with fondness as his hands traveled to her tummy, the gloves brushing over the tender skin in slow, deliberate circles. She twisted and arched, but her small frame was no match for his steady hands and the machine’s calculated movements.

Every tool seemed to work in perfect harmony: the feathers dancing across her feet, the brushes stroking her underarms and tummy, and his gloved hands adding just enough unpredictability to keep her completely at their mercy. Her laughter grew breathless, her protests dissolving into incoherent giggles.

“P-please!” she managed to squeak out between breaths, her wide eyes meeting his. There was no real desperation in her plea, only a quiet vulnerability that made her all the more endearing.

He paused, tilting his head as if considering her request. “Please what? Please keep going? Or please stop?” His grin widened as she flushed, unable to answer.

She shook her head, her small hands trying to push at his arms weakly. Despite the clear exhaustion in her movements, there was a lingering sparkle in her eyes. She didn’t really want him to stop—not yet.

As the session continued, her resistance melted into soft, hiccupping giggles. The boy eventually eased up, the tools slowing to gentle strokes before coming to a complete stop. He lifted her from the machine with ease, cradling her against his chest as she buried her rosy-cheeks into his shirt.

“There now,” he murmured, his tone softer, almost affectionate. “Was that so bad?”

She nodded her head, her small hands clutching his shirt as a sleepy smile crept across her lips. As her breathing slowed, the remnants of her laughter still bubbled faintly in her chest. Deep down, she secretly wished it hadn’t ended. The warmth of his attention and the playful intimacy of his creation had left her feeling giddy and safe in a way she couldn’t quite put into words.

As he carried her away, his arms secure around her tiny frame, she closed her eyes, already replaying the experience in her mind.

[little-pup-pip]

ok. This one might be OUT THERE. BUT.

MARBLED NEWT. marbled newts are my current hyperfixation please please please please please I LOVE THESE GUYS.

Decorated paci please? green shiny things!

🏴‍☠️🏴‍☠️🏴‍☠️

Sure!!

[fruitsofhell]

Goin' strong on a year of struggling to process RTDL DX's fucking Magolor ethnicity twist, but I think I've come to maybe my third eye-opener on why it happened.

The core of Magolor's character is that he is a nobody who pretended to be someone y'know? Even when it was implied he was from Halcandra, you got this image of a little runt living in a hellscape dotted with vestiges of a great past, and one that he lied and stole his way into, ultimately in order to get his hands on the symbol of ownership over it right?

But if he's from Halcandra, to a lot of people and probably the writers, that would imply that there IS something special and deserved of his hoarding of the Ancient's glory. In fandom I often see a character being implied to be RELATED to the Ancients meaning they *ARE* an Ancient. They ARE an important old fart with a lot of history and knowledge, but I have personally never seen it that way.

I LOVE history. I LOVE HISTORY AND ANTHROPOLOGY SO MUCH, and I love thinking about history, mythology, and people as symbiotic living things and concepts, so to me, INSTANTLY the most intriguing route is for the Ancients to be a myth and whoever is left to Just Be A Guy. Maybe they can trace direct heritage, but more than anything they are a person living in the shadow of something, there is nothing but the shadow, and the shadow is that Legacy of The Ancients. Whether it be Hyness ranting and raving about a magic and religion he fundamentally misunderstands, or Magolor claiming an artifact that may've ironically been what brought his home to such ruin.

But I think the writers want to avoid Magolor being Halcandran - to the point of not just leaving it open, or hinting to the negative, BUT EXPLICITLY SAYING 'NO' - because they don't want to say that he is special or deserving of the legacy he is so fascinated with by birthright. But simply, I love writing characters who DO have birthright to things they seek. They're just not informed that birthright is fucking stupid in my headcanon and they will suffer for that.

[tea-cat-arts]

Star Rail players who complain about sapphics being in the game are like people who order broccoli and cheddar soup and then complain that there are vegetables in it

[sydney-carton-of-sour-milk]

📣ANNOUNCEMENT📣 THE BIG 2024 PROJECT

At long last, I'm announcing what I've been working on🥁

Starting February 6th and continuing every other Tuesday through at least mid-December, this blog will be highlighting the work of various illustrators of A Tale of Two Cities over the many decades since its initial publishing!💫

As it stands right now, the archive will span from the very beginning in 1859 all the way through about 1992 (with a heavy density at the turn of the century) and will contain just under 500 individual illustrations by 20 individual illustrators — in styles ranging all the way from pen to painting and abstraction to realism✍️

All of these numbers will continue to grow, however, because this is an ongoing project! In fact I expect the queue to continue through a good portion of 2025 as I keep finding and archiving more and more — there's just so much out there! For this reason I am not posting these in a sorted order — I looked at what I have right now and ordered them to feel random and balanced, with some themed for certain months😎

Also! A large percentage of these (about half of the artists and well over half of the total illustrations) are coming from sources difficult or impossible to find on the Internet and are instead coming from my own scanning work: When I would discover in my research editions that I knew to have work by new illustrators whose pages weren't available for online viewing, I would seek out and buy those editions for super cheap online and scan them on my own printer's scanner — so for a lot of the old illustration work that this blog will be posting, it will possibly be the first time some of these have ever been uploaded for public view on the Internet!🤩

As far as keeping the archive organized on this blog, the organizational tag for these posts will be " #illustrators ", and I will also tag each post with the highlighted artist's name and with the decade in which each set of illustrations was initially published (as far as my research tells me)🏷️

On the off-weeks, this blog will be posting its usual miscellany, with a sprinkling of behind-the-scenes and extras for this specific project. But starting next week and continuing every other Tuesday* through about the entire year, expect a new post highlighting the work of a given A Tale of Two Cities illustrator — and be prepared because sometimes the number of illustrations on a single post will be in the tens/dozens since Tumblr increased the max image count for a single post to 30! *with the exception of April, which is going to have a special schedule for reasons you'll see when the queue gets there👀

I'm just so excited to at long last get to share this incredible archive here! I sincerely hope you enjoy this fascinating and often breathtaking look at these tiny, beautiful pieces of art history!🌟

[redbootsindoriath]

My already-belated Fëanorian Week took another hit when I realized my half-finished Curufin piece might not meet Tumblr guidelines so I’m going to have to start over with that one.  In the meantime, here’s something from a few months ago that feels more like something I might have made in 2019 or thereabouts.