#lmao i put the wrong tag

[rabbitoid]

Two truths, one lie!!

[vacantgodling]

Finish the statement: I love how I describe things when…

thank you for the ask! :’)

… when there’s sex and high emotions. absolutely favorite things to write haha.

i’ll also answer the one u sent to my side blog too! :3

so there’s a couple of ways i do this

1. those character questions thing? i’ll just straight up do them all in a row (or as many as i feel like/are pertinent) for the character in question. an example here LMAO

2. i ruminate on the character, like a lot. i’ll just kind of sit and chill with them in my head for lord knows how long. this isn’t always in one sitting this can also be for literal years. for example, the entire cast of tcol i’ve had since i was 12 & i’ve had the cast of other wips like jenna the reaper/lukewarm rejection/etc since i was like 15? so i know them pretty well by now (though as i’ve aged my ideas and understanding of them has matured)

3. i get smacked with every bit of information about them like i’m being possessed. i think everyone has ocs like this but the ones that show up with an entire “yep here’s my life story” all in one go. that actually happens to me Quite Frequently lolol

4. i talk to my partner about them. or friends, but i don’t tend to do that too much;;; my partner tho always tends to help me flesh characters out just by asking about them and being excited with me

[basslinegrave]

pin-up

b&w originals

[onesidedradiostatic]

can we talk about how the weirdest part of staticmoth isn't even the fact that they're toxic to each other?

it's how they both react to each other's toxicity with nonchalance.

like. first, during val's tantrum, val throws a glass at vox, or well, in his vicinity.

then vox just... steps away like it's nobody's business, barely bothered by it.

and later, when it's vox's turn to be angry, he roughly pulls val down, shakes him, and shouts at his face.

then val just... shrugs it off.

usually when you think of a toxic relationship, you'd probably think of person A being toxic to person B then person B biting back just as toxic until it's a back and forth of toxicity, a full-blown fight.

but that. that's not staticmoth. staticmoth is fucking weird in that when one is acting toxic towards the other, the other acts nonchalant and doesn't retaliate. then they switch roles on who the toxic one is and who the nonchalant one is.

I am not at all denying the toxicity in their relationship, but they certainly are a really fucking weird brand of toxic that is just. so hard to describe.

[ascesabo]

the great irony of early one piece antagonists believing zoro was the actual captain and using luffy as a puppet ... oda really threw us a bone and curb-stomped it right in our faces. yes, zoro could be a captain in his own right. yes, zoro could match luffy in strength. yes, zoro knows this perfectly well. and you know what? he chose luffy two years ago, and he will continue to choose luffy again and again. roronoa zoro, the pirate hunter, who followed a wannabe pirate with a nonexistent crew on a whim because luffy brought him his swords and made a half-assed attempt at a bargain. zoro, who made a vow to never lose again on both his and luffy's honor. zoro, who told luffy he'd make him commit harakiri if he got in the way of zoro's goal, only to turn around and be willing to sacrifice his dream if it means that luffy reaches his. zoro, who stood in place and took luffy's pain and told a warlord to take his head instead of luffy's, who got down on his knees before his supposed rival and begged mihawk to mentor him so that he could return strong enough to protect his captain. zoro, who has conqueror's haki- a natural born leader- but chooses to stay at the right hand of a man he has deemed greater than himself.

and the thing that luffy fears most? being alone. being rejected. being left behind. and what should have been his foil- the pirate hunter to his pirate king, the nonbeliever to his divine, the king of hell to his sun god- instead becomes his first and most devout follower; the one who demands to follow him to hell and back. oughhhggg i'm sick to my stomach

[yellowvixen]

"Don't look up sonic x shadow, you'll regret it." "Imagine the shock of kids looking up the new sonic game and finding sonadow." "Go look up sonic x shadow, I promise you'll find totally normal images >:)"

What is wrong. With all of you. Why is it a gotcha? Why is it a trick to get people to find sonadow fanart? Why is it bad for kids to find art of cartoon hedgehogs gay kissing? It's 2024, have we really not moved on from the "wow aren't sonic fans freaks for gay shipping their little cartoon animals" mindset? Come on. Let's put down the homophobia now

[youredreamingofroo]

How do you feel?

- -

[There's little details in most of these pics, so click/tap the pics to see those better :)] [ Names, Colors and Emotions/Feelings under the cut ]

- -

Red - Anger Nirvana represents Anger, Rage and Strength

Orange - Fear Hero represents Fear, Danger and Caution

Yellow - Joy Ithuriel represents Joy, Comfort and Happiness

Green - Jealousy Onia represents Jealousy, Envy and Possessiveness/Possession

Blue - Sadness Kyneva represents Sadness, Pessimism and Fragility

Purple - Mystery/Mysterious Roo represents Mysteriousness, Confusion and Frustration

Pink - Love Leo represents Love, Passion and Desire

Brown - Security/Secure Carter represents Security, Resilience and Responsibility

Black - Grief Phoenix represents Grief, Guilt and Isolation

White - Ease Nanel represents Ease, Calmness and Hope

[five-flavor-soup]

This is technically in response/as an addition to a post on the supposed ‘double standard’ in the fandom between Zuko and Jet as Katara’s love interests, but it’s been so long since it was posted and I figured the OP would be entirely uninterested in my word vomit, especially after like one and half years—so, separate post. I added a link for those interested. There's a cut because this got quite long lmao.

In short, the post supposes the argument that though Jet would’ve made Katara kill people (something Zuko very much Did Not Do, no matter what you think about The Southern Raiders), he cleaned up his act after this. Zuko, on the other hand, did lots of Really Bad Things to Katara & Co. with far more frequency than Jet did and got redeemed after a multitude of episodes doing Various Things Moste Evile. To then slap Jet with The Toxic Ex-label and see Zuko as the ‘healthier’ and ‘better’ option creates a Double Standard(™) within the fandom, which is supposedly bad and not an arguably incorrect reading. 

But the differences in fandom perception between Jet and Zuko as Love Interests for Katara (one of which canonically, and the other potentially and apparently talked about in the writer’s room) are easily explained, as can the Supposed Double Standard—just by thinking about it from Katara’s viewpoint, or even the audience’s. Because, well, the worst things Jet ‘almost’ ended up doing didn’t happen because of outside interference only. 

That’s the important bit here. He 100% would’ve drowned an entire village just to get rid of a handful of Fire Nation soldiers, had Sokka not managed to evacuate everybody. He 100% would’ve grievously injured two people who, as far as Jet and everybody else were aware, were refugees who might not even be firebenders — considering nobody else saw Iroh heat up his tea, he could’ve been wrong — in an attempt to prove his own hunch. Had the guards not been there, had Zuko not been able to fight back with swords, Jet would’ve genuinely attempted to wound them for as much as a puff of smoke. And Jet consistently involves bystanders (innocent or not) in his desperate quest to harm and defeat the Fire Nation: the Gaang (and particularly Katara, through explicitly manipulative means) and the villagers in Jet; Zuko, Iroh, and the people in the teashop in City of Walls and Secrets. Additionally, we don’t see more violence from him because he’s not a main character like Zuko is—though it’s implied that Jet beats up villagers who are supposedly in cahoots with the Fire Nation often, only agreeing to turn over a new leaf when he, Smellerbee, and Longshot decide to move to Ba Sing Se. 

Zuko explicitly and frequently doesn’t harm people: that, or it isn’t important to the plot. He doesn’t burn down the village on Kyoshi, he literally only manages to lightly singe it. He threatens people with violence frequently but never actually goes in for the kill. I’d argue that the most explicitly violent thing he does in Book 1 is breaking Aang out of the Pouhai Stronghold—for his own ends obviously, but if it’s spelled like treason and sounds like treason, it’s probably treason. When he thinks of robbing the pregnant couple while he’s on the run, he stops himself of his own volition; when he considers using Appa to catch Aang (this was a point made against Zuko in the post), he’s unaware of what Appa’s been through prior to that point and sees him as no more than an animal used for travel, much like the ostrich horse he stole earlier in the season. 

Zuko’s schtick throughout Book 1 and 2 is that he doesn’t want to think of the consequences of his actions. His plans are never fully complete. He doesn’t think of how he’s going to get a chained, notoriously slippery little eel of an Avatar to the Fire Nation, and he doesn’t think about what would happen to twelve-year-old Aang after they got there—which is horrible of him, but it also shows an odd, ignorant kind of innocence that you’d associate with a kid who’s got a hard time telling right from wrong. Like, I love Zuko dearly, adore him even, but kiddo doesn’t think ahead until the Book 2 finale and even that’s debatable. He’ll eventually start thinking ahead a little bit but for the most part, he doesn’t. Not saying that takes away responsibility, because it absolutely doesn’t, but it is telling of Zuko’s character: he’s an ‘act first, think later’-kind of guy, all ‘fuck around; find out; maybe success’. His sole goal throughout Book 1 and 2 is going home, without even thinking on how to get there beyond like, Avatar in my custody => back in Fire Nation with Avatar => dad loves me again. And he says that his only intention is to go home too, in Ep 2 of Book 1:

Aang: If I go with you, [He holds his staff in front of him as an offer, making sure Zuko understands that he does not wish to continue fighting.] will you promise to leave everyone alone? [The camera cuts to a side-view of the area, Zuko's men still surrounding him, spears poised. After a brief moment of hesitation, Zuko erects himself and nods in agreement. Aang is apprehended by Zuko's men, who take his staff . . . ] Zuko: [Boarding the ship up the walkway. Determined.] Head a course for the Fire Nation. I'm going home.

(Added emphasis for my point)

Zuko is not the Big Bad. He’s not The Largest Threat. He never is. In Book 1 it’s Zhao, in Book 2 it’s Azula, and in Book 3 it’s Ozai. Zuko is a consistent threat, yes, but not a particularly large one no matter how good of a fighter he is. Because he’s presented to us as a disastrously hurt and traumatised little brat who we, the audience, are supposed to feel sorry for, and slowly grow fond of. Because we learn in The Storm that the notion of “caring for others is weak” has literally been branded into him. Because he keeps getting back up to fight, but consistently holds back. We are shown that he knows, on some level, that what he’s doing is wrong: the text suggests that Zuko is actively suppressing his morals. And by the time Zuko hires an assassin to ensure the Avatar is dead, we know that Zuko is incredibly unhappy with his choice(s) and is desperate to be safe; that he’s uncomfortable but wants to be comfortable; that he’s incorrect about the source of his fear while he’s back in the palace. The audience is shown this explicitly. 

By contrast, we’re shown that Jet is fully aware that those villagers will die. He’s fully aware that, if he manages to prove the two refugees are firebenders, they’ll be arrested and probably mutilated (if the hand-crushing is any indication). I love Jet and his character, but he’s supposed to be the example of poisoning yourself with your hatred, anger, and hurt. He’s revenge that goes too far, because he doesn’t allow himself closure. He knows the consequences and isn’t shown to care for them, as long as his goal is furthered.

And there is the small, but significant, difference between the two characters: Zuko initially just wants to capture the Avatar, is purposefully remaining unaware of what will happen when he does so, and is clearly shown to change, while Jet just wants to punish firebenders and is very aware of what will be necessary for him to do so, with a handful of lines of how he ‘stopped being like that’. And honestly, Jet is far more mature than Zuko is for quite some time, regarding the violence of war—basically as mature as Zuko eventually becomes at the tail-end of his redemption arc. But Zuko’s maturity is at that point healthier, because he doesn’t want to genuinely do harm. 

In regards to their separate relationships with Katara, there’s these fantastic points that @sokkastyles made in reply to the post:

The fact that Zuko actually did change and Katara actually forgave him makes ALL the difference. [ . . . ] The thing about Jet is how manipulative he was with Katara. He not only almost made her kill innocents, but he lied to her about the man he attacked having a knife when he was called out, so that Katara would see her as righteous. Someone who is willing to lie in order to make themselves seem good and someone who says they are going to change but then does the same things doesn’t have a good track record, and that’s a more troubling relationship dynamic than someone who acts as an upfront enemy but then sincerely changes.

And: 

I do think it makes sense to focus on manipulation being worse than being a cartoon villain when we're talking about personal relationships. I think many people can relate to having someone like Jet in their lives who seems nice but who lies and manipulates to justify their own bad behavior despite repeatedly claiming that they will change. Not that many people will experience being tied to a tree by someone who wants you to tell them where the Avatar is, and it is completely reasonable for people to be more forgivable of things Zuko did as a villain than things Jet did to Katara when he claimed to be a friend.

I actually don’t have anything to add to this, lol. It’s succinct and well-worded.

Lastly, in addition the relatability and the relationships being different (the manipulative, emotionally hurt, and self-proclaimed anti-hero versus the initially childish, explicitly confused and desperate cartoon villain, plus the girl they hurt horribly), there’s also the problem of Jet not being a main character. Jet is a relatively well-written side character, whilst Zuko is very quickly established as a main-ish character with his own POV (as the writers decided during the conceptualisation that he’d be joining Team Avatar eventually). Zuko’s troubling, self-destructive nature that has been forced upon him and his Tragic Childhood is shown in high definition. The audience is supposed to eventually be okay with Zuko and hopefully like him, slowly adding puzzle pieces to complete the picture of a horrific earlier youth and treatment by nearly everybody he knows except Iroh. Something like this isn’t necessary with Jet, not just because he was already incredibly likeable and understandable from his introduction and onwards, but also because he’s neither a villain nor a main character. 

There’s multiple reasons as to why Zuko is often seen as the ‘better’ option, just like there are multiple reasons why Jet and Zuko are compared so frequently—they’re both traumatised teenage boys who ‘rebel’ to get some semblance of control back, but we see Zuko change into a kid anyone would be a little bit proud and fond of and that doesn’t happen with Jet. Double standard or not, Zuko and Jet are different characters who the writers also treated very differently, on purpose. It makes sense to me that the audience would think Zutara is the ‘less bad’ or far better option. We know far more about Zuko than we know about Jet; and Jet’s redemption arc, if we can even call it that, halts permanently when Zuko’s is reaching the height it for him to go into a freefall, ultimately culminating in a genuine redemption. We, the audience, know this. So does Katara.

[jackslocket]

I GUESS THAT'S HOW ITS DONE!

[tradingjack]

cringefail late valentine's day posting some rushed kiss studies bc I worked like 36 of the past 72 hours yippee

and I STILL can't draw kissimg this shit haaard how yall do it 😭😭

[serialbxwl]

some doodles of baji from tokyo revengers ft. akkun 😿

[llamagoddessofficial]

Tilikum, Chapter 12

Skull wants to give you something. Something you won't be able to stop thinking about.

(It's Skull's turn to impress~)

[critter-screams-into-the-void]

mort theory part 28 recap for those who don't want to bother watching it

[belabellissima]

pov you're jude and you go to visit your banished fae dad and he walks in with boba wearing jeans and this t-shirt. how are you reacting?

a) being chill about it

b) committing patricide

~~~

a gift for @popjunkie42 who wanted to see Madoc in this shirt.

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[xamaxenta]

Sabo shipped off to work on an oil rig, the ? Managing director? quartermaster?

Idk what jobs there are on oil rigs but whoever is in charge, a rough sea dog kindly in that isolated sort of way kind of man named Marco takes him in and tells him the rig shapes you, best, leave what it lures you alone

Which is fine, sabos no stranger to seeing beyond what one is supposed to but on the rig he hears voices and thats fine too because its not uncommon out at sea

Its also not uncommon to see nothing at all durinf the dark pitch black nights

What is uncommon is to see his husband sitting on the railings of the rusty salt eroded rig, radiant and with a smile that lances through his ribs because he misses him so much

Further uncommon is Ace died one summer that feels so fresh it couldve been yesterday, an aching wound from five years past

Sabo ran to the sea to escape him, Ace, fraught with the concept that sabo may forget him, chases after him

Cosmic psychological horror haunting by your deceased lover and seeking the comfort in the arms of the only other soul on deck— marco

Perhaps hes fucking crazy, Marco doesnt feel real either