#literally samples this song btw

[batmobilestires]

Disco Deewane by Nazia Hassan is very Discowing coded

[idekwtf-is-happening]

Absolutely adored the Barbie Movie with my whole heart, but I hate that with all the good messages in it they still had a rape apologist on the sound track

[alllgator-blood]

hymns of the unholy drops tomorrow, I'm gonna make a track tier list but here's my initial thoughts before it comes out:

This feels worthy of a "read more" just because there's no pictures to look at and it's four paragraphs. TL;DR the album is very cheesy but I'm literally so excited I'm gonna stay up all night so I can listen to the new album the second it drops. The overly critical part of my brain is telling me I shouldn't derive enjoyment from this album unironically but I'm not gonna obey, I am cringe and free and I'm gonna crank this shit with no shame cause it's the game I like...IN MUSIC FORm

[gif meant to represent me randomly busting it down leshy style when I'm home alone, and singing "THE END AWAITS AS THE OLD FAITH TAKES THE LAST OF MY KIIIIINDDDD" over and over]

The lamb's song was kickass and if I heard it in the wild without knowing there was a metal album for this game, I'd spontaneously combust from sheer excitement. It's instantly recognizable and that's kinda all I wanted from it tbh! I've mentioned before that I'm way more of a djent/shoegaze/sludge fan when it comes to metal rather than the genre these songs have been, but I'm literally so excited the bishops are getting some kind of inclusion in a project that I'm gonna crank this album even if it reminds me of the shadow the hedgehog game soundtrack. Tbh this one is so solid that if they JUST announced this one and didn't make the others, I'd still think it'd stand alone quite well for what it is! Edit: I said I'm cringe and free, why did I spend half this section dunking on the genre.....

Leshy's song..........was totally lame but in an epic way, like the first time I listened to it I thought it was fine! But when I actually read the lyrics I had tears streaming down my face from laughter. I screamed out loud when the guy basically says "btw my name is leshy :)", the lyrics are actually so fucking bad. But c'mon it's LESHY he's the littlest brother, if anyone got a corny ass song it should really be him. The shredding solo at the end is fucking hilarious and if he was in charge of his own song, he 10000% would request that specific ending. Musically, this one sounds the least like the source material so far but it's got that arpeggio from his + amdusias' theme and that's arguably the most iconic part. Also, "DAYLIGHT WILL COME UNDONE AS WE ECLIPSE THE SUN" is insane and is the best part besides describing his blindness as "ETERNAL NIGHTFALL"

Heket's song...........It has my favorite lyrics so far but the vocal work after the 40 second mark had to grow on me. I can't describe it but it sounds like that post grunge style and as a grunge fan, post grunge is my biggest opp in the music world. I was hoping they'd get a female singer for this but for heket specifically I can understand why they didn't. The actual lyrics in the song are fuckin badass, when it gets to the "MAKE YOUR PEACE, CREATURE" part I always turn it up to a deafening volume because it goes BALLISTIC. Genuinely my favorite part of any of these songs so far. I adore that her characterization in this song is layered and isn't just "I'm leshy, I'm made of plants or something and also I'm gonna kill you", it goes through her arc PERFECTLY imo!! Instrumentals in this one are better than the leshy song as well, I really like that they brought back the pitch bending/choppy sampling from the ost for this one

I'm on my hands and knees begging for the shamura song to be good, the leshy song had me worried but they came in clutch for heket. If they don't work in shamura's iconic lines from the game, I'm gonna cry inside I think- I'll forgive a lame kallamar song but ONLY if it's funny. Narinder's theme is gonna be hard to fuck up imo I have faith it'll be top tier

[venterry]

its genuinely so annoying the way the whole ai argument still revolves around the wrong shit for so many people

how hard is it to get that copyright law is NOT your friend. more regulations are not the solution literally just take a look at the entire music industry please

we're talking copyright strikes, dmca, This Video Is Not Available In Your Country, spotify taking down songs with a two second sample in them etc etc etc you think the poor little artists are the winners here?

now can you imagine that for IMAGES, for VISUAL ART ??? "sorry this piece you worked so hard on looks just too similar to this other one please take it down or better pay up!" and you can kiss memes, jokes and references goodbye while youre at it also did everyone just forget the whole nft thing

idk if you see some very big artists advocating for copyright law id suggest taking a moment to look into why they might be doing that. yeah some of them are just clueless and well intentioned and just jumped on the bandwagon, but many have other deals going on in the back

also saying youre fully anti ai makes you look like an idiot btw just because companies are being annoying and stupid about cutting costs via shit like chatgpt when ai is literally so vital in more serious fields like detecting cancer cells, processing data that would take people several years etc

id really love for the whole debate to go back to talking about the MASSIVE waste of resources and abuse of power the entire cheap ai trend has brought on

[genericpuff]

It's so hard to pick one but! But I am going to take the chance to talk about Greek music!

Entekhno and rebetiko are some of my favourite music genres, the later one especially has very interesting history if anyone is interested in looking it up! (it would be too long to analyse it here unfortunately, I would love to)

For it's significance I would recommend the album "Axion Esti" by Mikis Theodorakis, it's based on the poetry of Odysseus Elytis. Many of the songs were also very important to the resistance during the 1967-1972 dictatorship, so if you have ever been to a greek school during a national holiday you have definitely heard these songs a million times already.

The next song I would recommend is "Hamlet tis Selinis" (Hamlet of the moon), purely because I love it :)

From what I've noticed, if you enjoy rock music you are very likely to enjoy these genres, many artists that sing entekhno are also known for their greek rock songs! The subcultures really overlap, even though they are quite distinct in sound. Thank you for the opportunity, I am literally always looking to talk about greek music lol, so if this has interested anyone feel free to look into it! (or ask me about it)

omg thank you so much for these recommendations! There seems to be a live performance of "Axion Esti" that sounds gorgeous, I can't wait to listen to the whole thing!

Here's "Hamlet tis Selinis" btw if anyone wants a sample of the reccs!

Thanks so much for sharing!!! <3

[jet-bradley]

a list of artists (and groups of artists) who could do tron 3's ost, not because they sound like daft punk, but because tron 3 is probably going to completely ignore everything that made tron tron and they might as well do it with a banger soundtrack:

susumu hirasawa (especially in the style of p-model) (LISTEN TO THE SECOND SONG ON THAT ALBUM IMMEDIATELY)

mick gordon (because tbh i want tron 3 to be a tron 2.0 remaster/sequel FPS with him on the soundtrack. WHAT CAN I SAY? LOOK AT MY URL.)

most of the random edm artists making homestuck music in 2013. this includes toby fox but im gonna drop some of my favorite lesser-known tracks: crystalmethequins (dubstep with lots of industrial samples), heat (ambient industrial with a cello lead???), and fuchsia ruler (its just edm idk subgenres well enough to tell you)

telemist (literally almost everything they do, but here's some highlights)

3TEETH (cyberpunk metal. they did a collab with mick gordon and i couldn't tell where one started and the other ended, to give you an idea of their sound. two examples)

you can go down the chipspeech rabbit hole BAD in a post like this, but im going to limit myself to two recs from the chipspeech scene: attack humanoid 2015 and quantum leaper <- THESE ARE THE CLOSEST THIS LIST COMES TO FITTING IN WITH ANY EXISTING TRON SOUNDTRACK BTW

montopolis, because they toured live accompaning the silent l'inferno in tiny art house theaters, which feels more tron than... tron, somehow

THIS IS NOT AN EXHAUSTIVE LIST

[blubushie]

Me when nobody makes a jojo ref under a a music bands post (the band is literally earthshatteringly famous with a huge non jojo-related fanbase and im being completely unreasonable)

This is me when no one knows that Sniper TF2's theme is actually the theme from Magnum Force (1973, the second Dirty Harry movie)

Which is weird because the FIRST film was the one of him trying to bust a sniper!

That theme is my ringtone btw and was before I knew about Sniper TF2. I just really like the Dirty Harry movies. Clint Eastwood is great and those movies are fun and the opening theme is a banger. It's also really amusing to me that all the other mercs got their own themes but Sniper's was sampled out of a film. Which kinda sucks because if TF2 ever had a show or anything they'd probably have to pay royalties for every time that song was played... which means they'd probably just say fuck it and compose an entirely new theme for Sniper that nobody would recognise. Which sucks! Because that theme is iconic. And I love it, personally.

[bizlybebo]

oh my god im not your girlfriend but i NEED your normal album analysis omg (im normal about will wood btw)

HI OH MY GOD I TOOK SO LONG TO ANSWER THIS I AM. S ORRY

AUGHH this is definitely an excuse to ramble and i am TAKING it thank you so much for this

im fucking obsessed with the normal album. like sosoos much. it's such a subversive and creative and just. sort of album that you've never seen before, i think it seriously doesn't get the credit it deserves augh

first off here's a link to a 3-hour long analysis of the normal album that i haven't actually watched yet

here's where im cutting the post off before i start incoherently rambling about every song so that i don't curse people's dashes with having to Scroll for a million miles

THIS IS. A LONG ASS POST. LIKE 2.3K WORDS. SO IF YOU CLICK ON THIS BE WARNED LMAO.

i don't expect this to get more than like 2-3 notes this is literally just an open ramble about the normal album cause i got an excuse to.

Suburbia Overture / Greetings from Mary-Bell Township / Vampire Culture is SUCHH a good intro to the album. like. not even going into the lyricism it's fucking so insanely well-composed in a musical sense, I LOVE the samples and the immediate, like, doorbell sound at the very beginning because it just. introduces the ENTIRE album so well.

and the way it introduces will wood's motif of "Everybody's all up in my goddamn business" is SOSOO good.

The first half or so of the song is very illustrative of the typical, like, nuclear family, with these sounds inspired by a very upbeat, like... almost 60s-70s kind of music? It's a very creative song but it's tune and melody are also somewhat restrictive for a decent part of it, expressing perfectly what will wood's saying about this kind of lifestyle. If that makes sense?

and THEN the sudden switch into vampire culture is INSANE. im fucking AUGHGHGH over it.

It draws back on this stereotypical, happy lifestyle where something just seems a bit off and leans ENTIRELY into the uncanny-ness of it all. it's a sudden jump into random tempo switches, fucking just making all the noise he wants, and screaming "fuck your culture".

like the symbolism is so clear yet so subtle. I fucking love it.

and I am

OBSESSED. with this outro.

and THEN the little 'love me, normally' melody at the end is fucking INSANEEE augh. there was literally no better way to start this album off.

2econd 2ight 2eer (that was fun, goodbye) is EASILY one of my fucking favorites on this album. like. god.

IMMEDIATELY starting off with "take it with a pillar of salt, H.A.L.T., it's not my fault", illustrates the point of this song so well.

HALT is the acronym Hungry Angry Lonely Tired. It encourages you to "halt" and think before making an important decision and evaluate-- are you any of these four things?

And it's often been suggested by psychiatrists to a lot of people dealing with mental health issues.

The reason why I'm so obsessed with this lyric is because this entire song is basically accepting, "hey. i'm mentally ill. like i am. FUCKED in the head. this isn't something i can't escape, not really. i'm learning to be okay with this instead of searching my whole life for a cure. i'm never going to be able to assimilate fully into normal society."

and it's mixed with this very, like. Rudimentary view of how society views mentally ill people / those struggling with more severe psychological conditions. The chorus is literally "I'm just a psycho babe; come and go out my mind"

It's almost like this expression of mania, what with the upbeat tempo and the dark lyrics.

"I didn't lose it, I set it free" is another lyric in this song i just. augh. love. love love lvoe vloevleo this whole album. this is DEFINITELY the song i could say the MOST about. but i feel like i'd almost have to save that for another, more organized post.

Laplace's Angel / Hurt People? (Hurt People!)

AUGGGHHHHH.

god.

The title Laplace's Angel comes from the idea of Laplace's Demon, which concerns the whole idea of determinism, etc. It's essentially the idea that if a demon knew the position of everything, everywhere, the laws of physics would allow it to predict and understand the future.

it. doesn't make a lot of sense to me tbh.

BUT.

i understand determinism in a sense, and it's basically the idea that free will doesn't exist and that we and our actions are. products of the things that have already happened to us.

That's the best way I can explain it.

And I think that all of this, tied together with how the song is discussing important topics of morality, etc. is just. So cool and artistic and. God.

It references this guttural, primal sort of fear and this sort of "predictability" of the human psyche with the lyric that throws the entire song into it's first chorus-- said lyric being:

"Run your diagnostic tests, it's posited; nobody dies agnostic, though we still dial 9-1-1."

AND THEEENNNN. the chorus itself. augh.

You could go on all day about the main voice, "Could you take a look at me?" but i'm more in love with the backing chorus--

"It's the norm for animals, it's the norm for chemicals -- It's the norm for particles, eye for eye, for tooth"

and you can see a lot of references to other philosophies such as "an eye for an eye".

AND THEN the bridge being "wash your hands of where you been until you flood the second floor - neatly fold your skeletons but still can't shut the closet door"

essentially just being this greater commentary on morals as a whole, and how, in a sense, morality is just. subjective. Like I don't think I have the skill to illustrate just how insightful this song is on the topic of morality. god.

I / Me / Myself !

so obviously i / me / myself is a remaster of sorts of i / me / myself by Will Wood and the Tapeworms (versus just solo Will Wood)

BUT I LVOE THIS SONG. SO MUCH.

Will Wood wrote this song, essentially, about wishing he could express his femininity properly, right? how he felt like people refused to accept his identity as cisgender and heterosexual because he was a crossdresser, and very proud of it?

i fucking love that. he just puts absolutely everyone on blast for that. he's a cis dude who's also fucking with gender and fashion and art and he's letting people understand that.

but here's where i get personal because i ADORE the song as a lesbian who doesn't consider himself cisgender in the slightest.

I've spent my whole life wishing I could "be a girl" despite being born and raised female-- I simply just didn't fit into the mold of traditional femininity and, growing up in a religious background, that just made it even more difficult to fit in.

So I LOVE the lyric "i wish i were a girl".

AND THE BRIDGE IM JUST OBSESSED WITH TOO

"Eating your prosthetic, meet your anesthetic criteria, pathetic seeing you become acetic -- Say my name like a slur, but I've been called worse; I've heard it all before, no this isn't a first -- Let me be the void you fill with taxidermy fingerprints, taxonomize our differences -- I am quantum physics, my witness brings me to existence"

I think I just. need to leave that there. Cause it says more than I ever could. rahgaghag

and then closing out with the repeated line "all identities are equally invalid; don't you think that there's a chance that you could live without it?" is such cool like. food for thought yk?

idk i love the view Will Wood gave here, honestly. Especially knowing that he's very accepting of the lgbt+ community.

...well, better than the alternative

HOLY SHIT I AM. AUGH. UNWELL OVER THIS SONG.

see, the way I view it, is this attempt to just. Play into a normal, quiet life, despite EVERYTHING mentioned previously in the album. It's about trying to shove beside everything else for a normal existence.

It ties into suburbia overture, i / me / myself, and 2econd 2ight 2eer soso well. it's the perfect "halfway point of the entire album".

another lyric that i just HAVE to throw in here "This isn't my first kiss, it's better to be lost than loved, now isn't it?"

i'm mainly just. obsessed with that because of how aromantic it sounds. even though i know that's not how it was intended.

but i LOVE. THIS SONG. AUGH i love them all obviously but this one has such a special place in my heart.

It's asking somebody to "play along with" you (referring to the normal life thing) and THEN the whole "I just wanna do what's right by you"

it's just. tying together all the previous songs and like. expressing, essentially. "I'm fucked up. Are you willing to put up with me?"

or maybe im just yapping about absolutely nothing on this one idk

--

I don't know much more about the second half of this album, but I feel like diving into the lyrics of Outliars and Hyppocrates : a fun fact about apples is something i definitely need to do soon. i love this song's musical composition and.

"Don't wanna be human, anyways -- who pilots all these crude machines" ?? BANGER FUCKING LYRIC.

It's essentially just-- "the things that make you special are the things that make you strange"

meaning. get weirder with it. get fucking weirder with your art.

BlackBoxWarrior - OKULTRA is probably my favorite song on this album in terms of, musical composition and noise. I've pored over these lyrics soosososo many times and a lot of it goes over my head but over time I've started to understand a LOT of it and i just. augh.

also this song has such strong animatic vibes?? this is the one that makes me think SO much about my current writing project and i adore it for that.

I wish i was like. able to coherently express my thoughts on the lyrics of this song but they're just so complicated and. wow. it's. I think Will Wood totally outdid himself with this one because this is the most. Perfectly tied-together song on this entire album.

HOLY SHITTT

MARSHA, THANKK YOU FOR THE DIALETICS, BUT I NEED YOU TO LEAVE

OKAY I LIED I CAN TALK ABOUT THIS ONE ALL FUCKING DAY.

GOD.

I'M AUTISTIC. IN THE DIAGNOSIS PROCESS. AND LET ME TELL YOU I AM FUCKING OBSESED WITH THIS ONE SO MUCH.

Essentially, under our current system, any inability to perfectly execute a grueling 9-5, 5 days a week, on top of the mental labor of schooling and debt etc. is considered a disability. "Actual" diagnosed people are just the canaries in the coal mines, we're struggling soso much daily and it's just.

It's expanding upon this idea of microlabels and how Will Wood feels about them, and i honestly do think that, even though it's not the intent of this song, it can open up a conversation about how autism is not a "silly" thing. yk how the jokes have essentially become "I have (normal personality trait), is this... 'the tism'?" or the obsession with the fucking. god. "Neurospicy" thing.

^and how this improper culture/misunderstanding of neurodivergency and the need to make it more sanitized/palatable feeds into consumerism. but i can. go on a rant about that some other day.

But basically, with the lyric that "Dr., what's my prognosis if the study shows that: disease is in the eye of the beholder?" it expresses this sort of disdain, almost, with greater society's view on psychiatric abnormalities. if that. makes sense.

and then it's this constant repetition of "Back in my day ; ; ; we just drank ourselves to death. And we fucking liked it". It's also jabbing at this idea of how, in previous generations, you were generally just told to suck it up or you were left behind/ostracized entirely. It's about older generations not understanding the surge of mental health issues as of late. Closing with "We just bled out in the bed".

I love this song. So much. But I feel like this is all I'm gonna say about it because honestly this sort of discourse. Tires me out so much.

AAA OKAY

MY FUCKING LOVE MY DEARIE MY SHINING STAR I LOVE THIS NEXT SONG MORE THAN I LOVE ANYTHING ELSE ON THIS FUCKING PLANET

Love, me Normally

GAHHHHHHHHHHHHHHHHHHH

THIS IS THE ONE. THIS IS THETHE THE THE THEHT EH *THE* ONE.

THIS IS THE SONG THAT I UNDERSTAND THE MOST. THIS SONG IS LITERALLY ME. ME ME EM EM ME EAUGGHGH

HOLY SHIT.

I feel like so much has already been said on this song. I want to highlight, specifically, the bridge.

This is. my favorite piece of lyricism Will Wood has EVER put out and i fucking mean that.

---

"Now this is the part of the song where I like to talk to my audience

I like to tell 'em there's something I want from you hep cats tonight

I want you to look to your left, look to your right

Your 12 o'clock, three o'clock, six o'clock, nine o'clock, rock around the clock tonight

And I want you to find those points of no return, those singularities

Those burning rings of fire in the beautiful pupils of the beautiful eyes of the beautiful

Boy, girl, neither, both, or in-between that you brought with you tonight

And I want you to tell 'em how you really feel

I want you to tell 'em that you love the way they so seamlessly, like-a-dream-fully

So beautifully, oh so dutifully

Jam that square peg in the round hole in their heart

I want you to tell 'em that you love the way

That they don't stick out like sore middle fingers

That they crawl their way up the side of the bell curve

Stick their flag in the peak, and slide their way back down

I want you to tell them that you love the way that they're not maladaptive

Not malcontent, not malignant or maleficent, but rather that you love them

Exactly the way that everybody else is!"

---

now is it. unnecessary. to paste it all in here? certainly. but i just. love this so much.

the constant motif of mentioning the bell curve is amazing, too. I love this album because of it's essential... just. Being so outside of the normal bounds of society that all you can do is sit back and observe it all like "huh".

this is another ramble that i'd have to save for another post because this is the one that i understand the most.

I personally like to view this one through the lens of aromanticism. cause i can.

Now I'm not gonna go too much into detail on Memento Mori: the most important thing in the world cause BOY is it existential.

but i do think it's a beautiful way of tying this entire album together.

this entire album is almost like a note to humanity in general, this whole "you may not listen to me ever again, but give me these 45 minutes of your life to change your outlook on all of it".

Despite this album being subjective and subversive? Deviating so strongly from the norm that the average person, hell, even most avid fans, could never begin to relate to most of it?

It has this sort of... span of the human existence, in a sense. It understands it on such a small level, and it speaks bast the barriers that we usually don't try to cross. It just says shit that nobody else has said before.

I <3 this album. So insanely much.

I think that it's honestly one of the better pieces of music period that have been put out in these last few years. nothing else is as lyrically, linguistically, or musically different. aughgg

thank you for the ask if you read to the end youre fucking insane.

[youremyheaven]

https://www.tumblr.com/youremyheaven/753636400982786048/whys-this-song-sooo-catchyyy-sreeleela-is-a?source=share

Yes!! It is. The music director ( thaman) literally sampled a Telugu meme of an old man cursing and used it inthe song. " Kurchini marthabetti de***githe " is what that old guy says , in the song they beeped out the last word . Thaman gave him 10k to this old man for using his voice & meme .

Sreeleela is a phenomenal performer . Her debut was in tollywood and she had a movie release every month in 2023 . How does she balance her studies btw she's a mbbs student and acting.

My fav performance of her is 'pulsar bike' song , she got popular with this song actually .

https://youtu.be/c9fXiv1UELo?si=jAdegfoeDPgl-uzx

Omg tysm for telling me!!! This is sooo interesting

I looked up the meme,, I don't understand anything but the grandpa seems funny as hell 😭😂 marthabetti means chair??? I saw a comment say that the grandpa was talking about attacking someone with a chair??? 😭 idk if they were kidding but what's the context??? like within the song?? ik they used chairs as props in the chorus but???

Damn he should've been paid more than 10k tho if his meme inspired a whole ass song :/

Sreeleela seems like such a Martian woman, she's such a high energy performer,, more than anything, it's her energy and power that makes her look so good while performing. It seems very Martian to me.

She only had 4 releases in 2023 👀 that math don't be mathing

But yes, that's still a lot of movies to do IN A YEAR 😭😭😭

Damn she's doing medicine??? I looked her up and apparently her mom's a famous doctor and treats many film stars?? Wow

Also Sreeleela adopted 2 kids??? when she was 21??? What 😳🤯😮?? Has she ever talked about them?? I can't find more info on it 😔

I watched the pulsar bike song and damn her energy is just 💯🥵🔥 but the song itself is kinda meh (sorry 😔) but I loooveeee Telugu dance numbers,,, all Telugu actors can dance really well. They go sooo hard. Same with Tamil dance numbers actually. They dance like they'll break all their bones , it makes you want to get up and join them 😍🥳

[piglii]

btw I have not finished Umineko (I’m literally on the last leg of Episode 8, shortly after an important jump happens) but I’m so gushing with things to say about that I feel like I need to type this all out now (will start with impressions that are non-spoilery and go into impressions that are big spoilers. there will be a dividing line which I earnestly recommend you do not cross if you have any interest reading it yourself.)

anyways

Non-Spoiler Section

Absolutely 10/10 for me. Can feel like a climb at times but that feeling increasingly goes away as you get used to the pacing. Any fumbles Umineko has for me personally are so small in the grander scope of what it’s doing that it doesn’t even feel worth acknowledging them. Literally a story that is going to affect my view on life. I really fell for the charm of Ryukishi’s goofy ass old sprites too after a while, it’s really compelling to me that Ryukishi was able to make such a good, earnest story while having kind of limited drawing ability. I’m dead ass serious, it’s really inspirational. The quality of the writing and voice acting especially is so good that after a short while you kind of don’t even process that the sprites look kind of silly-goofy at all. I highly recommend playing with the original sprites and voice acting if you can.

And the music! holy shit I can’t imagine getting through this story without the music! The fucking 1800′s pipe organ songs one minute, intense trance the next, distorted choir singing, a mellow beat that’s sampling that fucking ambulance siren! Probably my top faves are Infant Queen Bee, Golden Nocturne, far, Rain, Daydream’s End, Fall, Miragecoordinator, Melting Away, Dead Angle, Hope and probably like 15 more I’m forgetting. Absolute banger of a soundtrack. Virtually no misses and the ones that hit, HIT. I think I have spent nearly as much time listening to the soundtrack in between sessions as I have just playing the game itself.

I won’t go into detail about what the central messages of Umineko are because they could ostensibly be spoilers but they are pretty fucking hard to miss. If you have two eyeballs and a brain you will probably figure them out as you go because Ryukishi is NOT subtle about what he wants to say. He will smash you with a hammer making sure you get it. But it’s less of a giant metal warhammer and more of a little wooden mallet that he’s just hitting on your knee every 20 minutes to make sure you’re awake and following along.

The writing honestly can be very... it straddles the line between very straightforward descriptions and waxing very poetic about a particular topic. I won’t even say it’s particularly the best prose ever or anything - I think Ryukishi’s biggest talent is simply in how he’s able to convey the characters by always having a really solid understanding of how they react to things. Maybe his worst flaw is that sometimes he includes a scene or concept where I’m like  “oh Ryukishi just thought this would be super fucking cool” but I can’t even hate because most of the time it is super fucking cool actually. Umineko is so dripping with earnest cheesiness in a lot of its delivery and character interactions that I can’t help but like it most of the time. Granted I am biased because I do enjoy stuff that is earnestly cheesy like 90% of the time. The goofy ass anime interactions characters sometimes have are used just sparingly enough and contrasted with the serious scenes that I found pretty much all of it enjoyable for what it was. 

Be warned it is 150+ hours (faster if you are just reading but seriously those voice actors are top tier, big recommend) but it really needs... at least most of that time. I struggle to find a single exact point that I would shorten any part of Umineko because so much of it really is required to understand what the story’s going for but at the same time sometimes Ryukishi does love to sit you down and talk about the process of liquidating gold into cash money for 30 minutes. A lot of the worst of that is in the first episode to be honest so if you can get past that you’re probably golden. It’s got a hell of a hook by the end of episode 1. Go in as blind as possible and enjoy yourself.

 And now, for the spoilers.

---------------------

Spoiler Section

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Don’t Go Beyond This Point If You Haven’t Read It, Seriously Holy Fuck!!!

---------------------

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Seriously, The Author Wants You To Go In Blind!

---------------------

Alright.

All the losers are gone let’s partay.

Heads up I’m a little blasted so this might be a bit scrambled and all around the place so sorry, just writing stuff as I think about it.

I really adore the way that Beatrice is in literally every layer of this story. Like the concept of the masses being in such a rush to figure out what the truth of the Rokkenjima Massacre is that they end up literally trampling over the deeply embedded and sad story of Beatrice really gets to me. Like, the people who are looking at the Massacre from the angle that she even “exists” at all literally only see Beatrice as a piece in their own constructed games, an explanation that’s just one step to figuring out what was really important. But of course, Beatrice IS the heart of the story. The whole family is arranged around her like a web and she’s right at the center. She’s in every possible layer of this story that she can be, she’s the connecting fabric of everything important.

Also I really adored Battler and Ange as characters. It’s rare that a main character feels so relatable but I ended up really enjoying his personality by around episode 2 or 3. He’s just so stupid but also earnest and flustered. Try to give him a slight pass on episode 1 because he is supposed to be kind of dumb and immature on purpose... even if it probably could’ve been toned down maybe just a bit. He gets better, I promise.

(btw literally been here. so relatable.)

anyways moving on. Ange. absolutely enjoyed the hell out of her story in episode 4 and was so glad to see that she’s basically the conclusion to the whole Ushiromiya family story in the final episode as well. also, her being the focus of this really inspirational message of what it means to move forward with your life was really well done. it’s insane to me that people are still out there trying to “figure out” the mystery when Umineko tells you as bluntly as it possibly can that it doesn’t really matter - finding out what “really” happened can’t bring closure no matter what and holding and walking this tenuous tightrope between belief and non-belief is a better way to live. her goodbye with the family and battler was about where it got me pretty good I could not fucking hold back crying at that.

and speaking of the family at large, I really like pretty much all of them! even the stinkers are fun to make fun of. also, Eva in particular is the milf of all time for me, personally. in fact thinking on it the only character I can really think that still rubs me badly (even though it is of course entirely intentional that the reader feels this way) is Rosa. good fucking lord the moments of episode 4 with Maria and Rosa’s relationship being explored (or rather, the complete lack of it except for the spouts of child abuse) really hit me. that... is probably the most I’ve ever been emotionally effected by a piece of media in a long ass time, it was a rough chapter to get through. that said ryukishi’s understanding of domestic abuse is fucking incredible, does not surprise me that he was a social worker before working on VNs. beyond even just that dynamic he clearly has an understanding of the kind of broken adults that come out of highly abusive households. the final game of episode 8 with ange getting to see this world that could theoretically have been real had kinzo chosen love in the future versus love in the past was so sincerely sweet to me. sorry I am a sucker for sappy shit, it got me.

anyways let’s talk about the illusions. loved them all too. feels obvious to say but Beatrice is one of the characters of all time. also really liked Ronove, his and battler’s occasional moments of being bros out of nowhere were really enjoyable to me. also sorry gamers Virgilia is another milf of all time. loved her tender and sweet personality. but as for beatrice and co as a whole - I do enjoy what Ryukishi has to say about fiction. Indulging too much of your life in fiction is ultimately harmful but it can be a valuable crutch to people who are dealing with life or even just people who could stand to learn and grow more. it’s also such a loving letter to mystery as a genre, you can really tell Ryukishi was going hog for mystery at the time. and it does work as a completely conventional mystery too - figuring out stuff as you go and putting the pieces slowly together is a huge blast! I loved the scenes where he’s clearly celebrating that with the readers who tried their best to understand the story.

I managed to avoid most spoilers - the ones I saw beforehand were really minor and didn’t really help me in putting the mystery together - that said, I really only figured out that Shannon and Kanon were being performed by the same person not terribly long before the game revealed it pretty directly - I think only a few hours ahead of time. that said, I really did give it my all, I’m just not super good at mysteries. I did pick up on some hints early on, like being able to figure out some of the early closed rooms but I didn’t have enough context to join them all together and realize the Truth before the game spelled it out for me. and tbh, that’s fine! I loved how the game congratulated people who simply try to figure it out for themselves, regardless of if they’re successful.

btw it also took me so fucking long to read because I was reading it side by side with a friend (who had read the manga but not the VN) and we basically set it up to auto play (with japanese voice acting + the original sprites of course.) we’d play intermittently roughly every few months in leaps and progress little by little. I can’t fucking believe I wasn’t spoiled on any of the major elements playing like that, it’s a fucking miracle. we started reading it on and off like that nearly two years ago now but honestly it was worth.

god I have so many thing I could spend rambling on about this manga but it genuinely is up there with, like, War and Peace and Crime and Punishment and I’m not even joking. there’s some of what I would call “Goofy Anime Bullshit” that happens (and it’s especially coated in that layer of stuff you only really got in the late aughts anime communities) but even that I found pretty enjoyably silly after a short period of time and just ended up rolling with it. if you know someone who can see past that layer of Goofy Anime Bullshit and enjoys reading 150+ hour long visual novels, this is the thing for them.

and speaking of the length boy fucking howdy. it’s worth it. the amount of time dedicated to fleshing out every character and making me understand what kind of person they are underneath everything else really makes me appreciate everybody in this fucked up family unit. it’s not something you could replicate in a movie or any reasonably lengthy manga. the magic of getting to know the whole family, flaws and all, really sells you on what a tragedy it is regardless of what happened. there are so many early scenes where I was like, “okay what’s the point of this” that I look back in hindsight and I’m either like "oh that was actually super fucking important and I just didn’t realize it” or “oh this was giving me time to become familiar with this character.” fuck man, I even liked Hideyoshi and he almost didn’t do shit!

btw I got the culprits in bernkastel’s game figured out in one try (with the help of my friend bouncing ideas off of eachother)

feels good, feels organic, thank you, etc

anyways... I think that about wraps it up for me... honestly just a stellar game. It feels like one of those things where I’m going to catch myself thinking about the themes and what it was trying to say, just like Disco Elysium or a lot of Wildbow’s works or EEAAO. It almost makes me wish this story was in a more conventional book form because I think you could tell the core of what’s there but at the same time I don’t think it’d be worth losing all the other aspects that make it so memorable. It’s going to have probably 1/100th the readers it could have just for being a long VN rather than a long book series but I’d honestly rather have it this way. It’s such a weirdly specific gem of that era of internet-anime culture that I think the time has already passed that anything quite like it could come out. What a special little piece of media.  If I have more to say after finishing out the ending proper I‘ll probably just edit my impressions on to this post and reblog again at a later date.

EDIT: It is now two days later and I have finished everything, including the last “????” segment. My thoughts on the ending - I liked it. It’s very sweet and depending on how you want to interpret certain facets of what you see, it can be read several different ways. Of course the way the narrative is set up, it very much wants you to pick the most optimistic interpretation but I like that there’s always room to explore just a bit. The point of whether Beatrice as a witch is real or not is entirely beside the point almost - there was a woman named Beatrice who brought happiness to her family (at least, in one world) as well as she could given her fucked up circumstances. That’s honestly all there really is to say on it. I can very much vibe with that message.

I was also earnestly expecting the last scene of Umineko to be even more bittersweet than it ended up being - I was really waiting for the very last scene to be Ange literally throwing away the key to Eva’s diary into the ocean. That is kind of what happens in a way, and the scenes in which they do explore Ange opening the diary and reading it are left deliberately obscure (as they should be) but I was really expecting it to be even more poignant than that. I was thinking Ange would literally never see the diary in any part of the story the reader saw at any point. It would’ve been very Titanic-esque in a way - Ange throwing away the only way for her to even possibly know what happened on Rokkenjima. The story does effectively do this, kind of, anyways, it’s just a lot more roundabout.

But yeah. Supremely sweet story. I will probably be thinking about it for much of my life.

[optiwashere]

Archspire touring this year? Alongside Aborted? There's few shows where I've immediately bought tickets quite like that lmao.

Also, Friday's new releases were kinda sick ngl.

I love the "completely random discovery" part of new music. Sometimes you find a band that just flew under your radar for no reason.

Doomy, folky band called Isenordal released a new album and it's just fucking incredible? Melancholic, dark, emotionally raw. Melodic and depressing. Almost funeral doom in its pacing but with bursts of melodic black metal AKA fuckin' made specifically For Me. Definitely found new writing music with this one. The clean bridge in "A Moment Approaches Eternity?" Literally all of "Await Me, Ultima Thule?" The ethereal title track? Every track is incredible, 11+ minute songs have never felt so brief. Also, the 2CD physical copy comes with a narrative essay about the concept of the album??? How can a band be so for me and yet I've only heard of them now?

Skeletal Remains is the best death metal a girl could ask for 💜 Ending the album on a Hate Eternal cover 💜💜💜 It feels good to hear death metal so clearly inspired by F/G-era Morbid Angel without the absolutely tragic snare sound of the G album. Incredible follow-up to their 2020 album (that also rules btw)

Fun grimy death-doom from the fantastically named Slimelord. This time with an album title referencing a fungal disease found in frogs (???) and the album starts off with a highly reverberated, atmospheric sample of layered geese and gull sounds (?????)

On another note, the new Midnight is fine, nice and punky. I feel like he's been spinning his wheels for the last few albums though. Live shows still fuck either way, so I'm probably gonna see them live when they swing around here next time lol.

I have to wait to get the new Spit On Your Grave because I can only buy it from their label in Mexico. Zero presence around this album at all, and it's very odd. Maybe it's getting a wider release with the independent release on the 30th, IDK.

Also, new Ulcerate this year? Which means possibly Ulcerate tour this year? What pact did I unwittingly sign to deserve this?

[chewwytwee]

Okay not to harp on the AI thing, this’ll be my last post about it rn.

But remember in the 90s when musicians thought that MIDI meant performing musicians would all lose their jobs and become obsolete? Well yeah that kind of happened (similarly to self checkout) but in the aftermath of ‘every musician losing their job’, plenty of musicians still had jobs using their skills along with new technology. People weren’t hiring musicians for music, they could just put in a CD if they really wanted to, people hired musicians for their expertise in the field of music.

Some studio exec has no fucking clue how to use a DAW or write a song or record samples or build chords or literally any other basic musical task, and THATS what makes musicians valuable. Digital artists aren’t valuable because they can make JPEGs they’re valuable because they have skills in the field of design and digital art, which AI still doesn’t have btw.

[thegeminisage]

THE FINAL FRONTIER breakdown

as always my first impressions were typed hastily and in shorthand w typos on my phone and i am translating them to proper readable language

opening scene was very reminiscent of mad max and the sound effects made me think of sybok as darth vader, lol. when i realized he was vulcan i knew exactly who he had to be

the first mind meld scene was like. weirdly sexual. that share your pain thing also reminded me so much of sound of my voice lol

cathy's reaction to the names in the credits: sighing heavily on seeing william shatner's name. no reaction to leonard nimoy's name. delight at seeing deforest kelley.

second scene of the movie i watched while blinded by tears because spock was there. to be fair to me i had been primed by the world's longest rock climbing scene ever in which i glorified in the sheer fact that i was NOT watching tng. i needed this so much. my reward for finishing most of the first two seasons which is some of the worst tv i have ever watched in my entire life.

cat lady with three tits. bill shatner is a fucking freak

every time there's a woman catherine and i have a bit where we gasp and go, in shock, a woman! but when it's a romunlan woman we really are shocked every single time. just like in the enterprise incident, so true

uhura is still super mega fucking hot in these movies btw. she's so beautiful. it's very cute that she's with scotty i guess (and i was really surprised!! i guess this explains why i see them as a side pairing in fics so often) but she could be marrying ME instead

thrilled to learn that bones can cook and that spock is. willing to sample his beans, as it were

i loved the whole camping scene. i understand the Plot of this movie is bad but the character scenes were some of the best in all 5 movies and indeed the entire tos series. like this is the most married those 3 old men have EVER been. "we don't have families but we have each other" THEY WERE LITERALLY DOING THE GAY FOUND FAMILY ON ACCIDENT. HOW DID WILLIAM SHATNER WRITE THIS???

"i've always known i'll die alone" is maybe the worst thing kirk has ever said or will ever say and i don't want to talk about it.

my one point of complaint is "marsh melon" or whatever spock said. it was cute but i know his ass read and pronounced it alone in his quarters like 700 times first. it's like when you make castiel not know what an egg is. maybe he was being silly on purpose to amuse kirk and bones <3

LOVED their singing. i didn't think they'd actually do it but they did. times were different back then

bones was in fine form in this movie. he had a lot to complain about but he also jumped to spock's defense at least once that i remember right off hand. i swear he just gets progressively better with each season/movie the way uhura just keeps getting hotter. some things truly do get better with age ¯\_(ツ)_/¯

i loved how when spock had some distress re: potentially recognizing sybok they all had to go in their little longue and have a heart to heart together with him. i don't think this movie ever left anyone out - even in the voyage home, which i LOVE, bones was left out of the kirk-and-spock duo. but almost every single scene they had involved all three of them. truly a win for the throuple enjoyers <3

really mixed feelings about naked uhurua. i'm glad she got to sing her little song. and she is, again, extremely hot. AND i love when she gets to surprprise people even though nothing will ever beat her telling that little ensign to get in the fucking closet. but how could they DOOO that to her william shatner IS going to hell

"hold your horse captain" made me chuckle. also, can you vulcan nerve pinch a fucking HORSE?? i guess you can now. i bet they had to train those horses so well. how often do you see a fucking HORSE play dead

when sybok was like "well spock what do you have to say" and spock, outnumbered 100 to 1, guns pointed at him, obviously in deep turmoil, was silent and expressionless for 5000 years and then replied with "you are are under arrest." KING shit

sorry to be like this but spock with a gun was fucking awesome. i'm glad he didn't shoot his bro but still.

the three of them truly bickered like an old married throuple in the brig. bones coming to spock's defense was so funny he's like fine to gang up on spock until he realizes kirk is genuinely upset and then he switches sides because they're only supposed to gang up on him for fun

"STAND BACK" i knew those idiots weren't going to get the morse code in time and it was still funny. same with scotty like "i know this ship like the back of my hand! [BONK]" anyway he totally came in clutch i love him sm

i don't remember why i wrote "bones is so frail and waiflike" because we said it about 7000 times during this film but it's true

spock's rocket shoes saving the day nearly made me cry again except i got jerked out of it by my SHEER ECSTATIC GLEE that he got to take both kirk and bones ently in his arms while carrying them around. wow <3 love wins <3

"the people of your world once believed it was flat but columbus proved it was round" bitch the fuck he did. i'm blaming william shatner for that one. who knew that in 2023 they would still fucking think the earth was flat

the whole thing with bones's dad was fucking brutal. normally we talk through everything but we were dead silent for that bit. even though i knew what was gonna happen my jaw was on the fucking ground

spock's little baby vulcan ears...wait hold on

LOOK AT HIM!!!

that birth looked brutal. for once i'm giving aos some credit whatever they had going on looked much nicer. sarek seemed less disgusted too. maybe this was just spock's imagination he was like yeah my dad took one look at me when i popped out of the womb and diagnosed me with human cuz i was crying lmao

the second half of this movie was where the plot started getting dicey for me. i didn't really care what was going on before now bc i was having fun but when they started talking about the great barrier i got confused. i thought that was on the outside of the galaxy? and i thought at the center of the galaxy was some fucking anomaly and the devil lived there. cuz that was in the animated series. i know. i watched the whole thing.

like we get there and everyones like wow its so beautiful! like no offense cool rocks bro but ??? there's literally nothing there

the big ribcage rocks popping up out of the ground gave us a laugh. at first were like: hopeful: tentacles? no. just spikes. this place is not a place of honor etc

god as a giant inverted face over white light who shot lasers out of his eyes was the stupidest fucking thing i have ever seen in my life. i laughed so hard. i do love though that kirk is apparently an atheist who enjoys backtalking god. he talked to god the way he talks to computers when he's trying to suicide-bait them

i wish we had gotten some explanation of what that actually was? and why everyone thought it was god? but whatever. apparently this movie was also trying to say something about cults but it didn't. again, whatever, i was mostly having fun with whatever was going on so i didn't care but the plot was really very very bad

at one point in my hysterics i typed "LMAO GOD'S GONNA FUCK THE SHIP" as in "and make jim jealous because that's what he wants to do" but i don't remember why so i'll just leave it as the mystery that it is.

spock's little "get ahold of yourself" when bones started being frantic about jim being al;one down there after the two of them got beamed up. lol.

spock's little "damn you, sir" 🥰

metal as hell and also anime as hell that they killed god. what a ride that was. first i thought kirk was gonna do it. then i thought the klingons did it. then it was SPOCK that did it. i could not have asked for a better outcome

"not in front of the klingons" i finally have context for this. i had seen snatches of it in gifs and videos but it was even gayer than i imagined. WILLIAM SHATNER WROTE THIS???

genuinely in SHOCK they ended it with them camping again. i was like if they start singing i am Going to scream. and you know what they did?? yes. yes. yes.

i don't understand why everyone hates this movie. like, yes, the plot was bad near the end. the villain was bad. the stuff about god being In Your Heart was lame af. but the character moments were PERFECT and the movie was extremely funny and everyone was very charming. it boggles the mind that it almost meant there was no sixth movie. like it wasn't perfect but it had so many redeeming qualities!!

that said. i did watch it after some of the worst tng i have Ever seen AND on the same day i watched into darkness so maybe that has something to do with it lmao

[umazane-muesli]

Jukebox January: Day 7

I fell off this bandwagon SO fast it's not even funny 😭 like even for a professional quitter and give up-per like me this is kind of impressive. Anyway. I was so excited about this game, I really want to get back into it, so I'll just try to continue and pretend nothing happened. Kind of a shame, I had banging ideas for B and C and E. Maybe I'll make those posts later, or in February or something, I don't know.

Also, rereading this post i realise how incoherent and insane i sound. I'm afraid it's not gonna get better sorry.

Anyway, today's theme is songs beginning with G.

(Edit I forgot to mention what the hell this game/tag was about, here is the post explaining it)

Głośniej - Kwiat Jabłoni:

I found this band completely randomly while searching for good polish music to go with a polish book, and they have low-key become a favourite in the past couple of years. Their new album is fucking good and Głośniej is one of my favourites on it.

Les gens qui doutent - Anne Sylvestre:

I love the lyrics of this song. Kind of sad, kind of comforting.

Garden Flat - Mini Vague

This one is not even on spotify anymore, barely on youtube, I literally bought it on bandcamp to still be able to listen to it, but I had to mention it because it's one of the most surefire way to make me cry instantly like i'm some sort of pavlovian dog lmao. It's not even really a sad song i don't think, but it was used in some fuckass french web series that was my my entire life when i was a teenager (and still has a piece of my heart if we're being honest, the way I came crawling back at the speed of light when they made a movie two years ago) and anyway. Mini Vague slash Mix Bizarre slash whatever other names your band had please come back I miss you i won't even cringe at your french accents i promise.

Go through it - Blondie

I love Blondie, they have such a wide range of genres and I love Debbie Harris' voice. If you've seen me gush about Brass Ona(TM) you've probably guessed I can't resist a song with good old trumpets, like this one or Island of Lost souls.

Galway Girl - Ed Sheeran

Look, yes, Ed Sheeran, I know. But this song (and the album it was on) came out when I was in Ireland, working on a farm that had the radio on all day, and I can promise you the radio DJs were LOSING THEIR MINDS over it. Big "Ireland mention!!!!!" energy, it was kind of cute honestly. They even interviewed the frontwoman of Beoga, the band that made the song that was used as a sample in Galway girl (the song is called Minute 5 btw). This song just brings up memories of vibing with Today FM and shoveling metric tons of cow shit and visiting pretty Irish towns (including Galway, of course). I still kinda like it. But if you're allergic to Ed Sheeran it's okay, i understand, you can go listen to Steve Earle's Galway Girl instead.

Gnossienne No. 5 - Erik Satie

I like this for normal reasons :) don't even worry about it :)

Gianna - Siddharta

You know what, I get why Joker Out are such little Siddharta fanboys. This rules.

Gole sanje - Big Foot Mama

Me, scanning through a bunch of slovenian music and recognising two (2) words: I'm bilingual :)

Gold - Years and Years

I remember so vividly when this album came out, I thought I was so cool and trendy for listening to it lmao. Now he's going to eurovision apparently. Good on him.

Giordano's Dream pt. I and II - Blanco White

This new(ish) album has immaculate vibes throughout, but I particularly like this double song.

Gold Mine - Beatenberg

I've been listening to Beatenberg for ages and I'm so so happy because ALL the new music they've been releasing recently is fucking great. I'm kind of considering going to their concert in Germany please someone stop me I can't go to Germany ONLY for concerts lol

And now a bunch of songs that could be summarized as "iconic, tbh".

- Girls Just Want to Have Fun - Cindy Lauper

- Grace Kelly - Mika

- Girls Like Girls - Hayley Kiyoko

- Good Old-Fashioned Lover Boy - Queen

- Go Your Own Way - Fleetwood Mac

- Georgia - Phoebe Bridgers

- Green Light - Lorde

[airadam]

Episode 176 : It's Goin' Down...

"I AM"

- Chuck D

Hope you've had a good start to 2024! While it's been a bit bumpy over here, the selection on the first episode of the year is strong from start to finish. If you know every single one of these tracks already...we should probably have a chat as you clearly have an ear for the good stuff! 

Mastodon : @airadam@mastodon.me.uk

Twitch : @airadam13

Playlist/Notes

Organized Noize ft. Big Boi, Big Rube, Sleepy Brown, and Cee-Lo : We The Ones

A very fortunate find during a recent digging expedition, I didn't even know that the "Organized Noize EP" existed until I had it in my hands. Looking around on Discogs, it seems that it was a limited release in 2017 of 500 copies, on fiery orange vinyl and with a fantastic cover. Apparently twenty years in the making - probably because the production team behind OutKast, Goodie Mob, and more were kind of busy - it's a quality seven-song collection that you can now also get digitally! I heard a few seconds of this track at the listening post and it was the one that convinced me to buy the record, a musically-stirring and always-relevant and timely call to stand up and fight against oppression.

Orbital : Adnan's

This industrial-sounding track from the 1996 "In Sides" album was an extended version of a song they contributed to the 1995 "War Child" charity LP, and was named after a young boy who was killed by a missile during the war in the former Yugoslavia. Paul Hartnoll of Orbital broke this, and the rest of the album, down in a way only one of the creators could - so I'll link you to his own words.

Sepalot ft. Blu : Surrender

I've heard the instrumental of this many a time and had actually forgotten that there even was a vocal version! The beat went down well on the most recent #BeatsOnly show on my Twitch channel, so I thought I'd bring it out on this episode. The angular production from German producer Sepalot lurches, twitches, and squelches, with Blu fittingly being a bit more aggro lyrically than you might have expected from some of his better-known work. I have this on the B-side of a 12" headed up by "She Likes Me" with Frank Nitty, but you can also find it on the 2014 "Red Handed" LP.

Jigmastas ft. Shabaam Saadique : Too Ill

Does what it says on the tin! DJ Spinna on production on this track with the dramatic backing, courtesy of a well-known old TV show sample, while the processing on the vocals makes it sound like weak MCs are being admonished over the phone! By the way, the spelling of Shabaam's name is different than what I've seen on previous releases, but as it's written this way on this album ("Resurgence") I'm taking that as being correct unless/until I find out otherwise.

Public Enemy : Louder Than A Bomb

A classic from what is often said to be the greatest Hip-Hop album of all time, "It Takes A Nation Of Millions To Hold Us Back" (lot of text to write on a cassette label btw). Those who follow me know I'll sometimes refer to the more grimy records as "not calling for the building of a new nation or anything" but this track literally does! Chuck D will always be the first name that comes to mind when pro-Black, politically-driven Hip-Hop is mentioned, and this is just one of his outstanding vocal performances. Bomb Squad on production of course, with a hard-hitting track that would dominate most other MCs, even now. Sonically, you might notice that the sound is busy but not "thick" - if it was made nowadays, I suspect it'd be mixed with a lot more bass, not to mention built with more high-fidelity samplers. Would that have been "better"? Hard to say, but this is revolutionary in all senses regardless. 

Bumpy Knuckles & DJ Premier : B.A.P. (Bumpy and Premier)

For those of more gentle dispositions, you may as well skip to the next track! Otherwise, this is quintessential boom-bap rawness, courtesy of DJ Premier - one of the finest exponents of the style - and fellow Gang Starr Foundation MC Bumpy Knuckles. Wicked track from the "KoleXXXion" LP, where Bumpy starts each verse with the same four bars, before raining fire on snakes, suckers, and studio gangstas over the rugged beat. No sir, Bumpy did not fall off, not even a little.

Stro Elliot : Miles Funk

I may have been late getting on the Stro Elliot train, only hearing his stuff in the last three years or so, but now I'm firmly on board and settled with a book and some snacks. The drums are cracking and merciless on this track from his 2016 eponymous LP, and they lead the way for the bassline and funky guitar to do what they do. Definitely check the album - it's really excellent work.

Dubbul O & Jointhedots : Life:Mics

A great new Manchester release to open the year! You should already know that Dubbul O is one of my favourite MCs from any coast or territory, while the excellent Jointhedots have been holding it down in fine style since most of the members were part of the best-known lineup of The Mouse Outfit. The most special feature on this track is the guitar of the much-missed Phil Ratcliffe, who sadly passed away in 2022, and whose family will continue to benefit from any posthumous releases. Coming together over the peak of the COVID restrictions, this track started when bassist/bandleader/producer Defty sent beats around Manchester for musicians to add their own touches to. As well as Phil Ratcliffe, the flautist Dr Claire Press got busy on here - you may remember her memorable work alongside Dubbul O again on "Never Get Enough" all the way back in 2012! Flavourful and polished music as always from this collective, and worthy of your support.

New Sector Movements ft. Allysha Joy : These Times

Neither of these artists were on my radar previously, so it was a big bonus when First Word Records included this cut on the "Two Syllables Volume Twenty" compilation! As it turns out, New Sector Movements is actually an alias of IG Culture, a UK stalwart respected for his work as part of Dodge City Productions, and of course he shows the deft touch of a veteran on the music here. The vocals are carried by the powerful voice of Australian songstress Allysha Joy, who started singing as a youngster in the church and you can hear the influence very much still with her! This track in full is actually about six minutes long, so if you like what you're hearing, you know what to do...

Common : The Movement

I'll have you know that I did actually mix this in bang-on, but J Dilla decided to go all the way weird with the timing and drum placement at the start, to the point I almost re-ripped the tune from the "2K6 : The Tracks" CD to be sure! This one had somehow escaped me on first listen, but it's got that electronic sound that was increasingly a feature of Dilla's late work, with that edginess contrasting with Common's smooth and familiar voice.

Actual Proof ft. TP : Show You The Way

North Carolina in the house, with Actual Proof (Enigma and Sundown) linking with guest TP (who I don't know much about) for a 9th Wonder-produced track that sounds very different than the intro might lead you to expect. Lyrically, in places it almost comes off as a rougher, less civilised take on "Mind Sex" by dead prez, blended with some of that LL Cool J - in attitude, if not in flow! Track down the 2012 "Black Boy Radio" LP for this one.

Mecca:83, Buscrates, and J Vibes : Amber Hue

Such warm vibes emanate from this 2019 composition, with Macclesfield, Pittsburgh, and Aarhus (Denmark) in collaboration. I don't know who did what, but the final result is a thing of beauty!

Tall Black Guy, Craig Mack : Flavor In Ya Ear Remix

The original beat by Easy Mo Bee is one of the greatest in Hip-Hop history in my opinion, so it takes a brave man to put his production in its place - and right here, Tall Black Guy is that man! Tough drums and a relatively simple bassline provide the structure for some spaced-out touches and soul vocal sampling to undergird TBG's take on one of the all-time great posse cuts.

1773 & Strange Soul Music : Dialed In

Manchester's Strange Soul Music is a fearsome producer, the man no-one wanted to face in last year's WORKINONIT beat battle! He's been putting in that work for years and this is from one of his latest releases, "The Strange Soul Project" a seven-track collaboration with Chicago MCs Jay Nagoma and Wisdm Uno. Themed around a method of internet access that might be unfamiliar to the younger listeners, this is a brief, but strong, opener to the project.

Clear Soul Forces : Nine 5ive

It's a shame that the 2020 "ForcesWithYou" LP is ostensibly the last from this Detroit crew - their stuff has always been energetically high-quality. Ilajide on the beat of course, while on the mic, CSF reference everything/one from Busta Rhymes to Mortal Kombat via George Washington Carver in a track that lasts well under three minutes. May the force be with them, indeed.

Heather B : Steady Rockin'

Straight-ahead Hip-Hop, with the commanding voice and bars of Heather B over the boom-bap production of DJ Premier. Vocalist Twyla adds a little sugar to the hook, but the rest of this track from 2002's "Eternal Affairs" is pretty much as stripped-down as you can get.

Khrysis : The Devil Wears Designer (Instrumental)

North Carolina representing again here, with a groove borrowing clearly from a classic soul record on this instrumental from "The Hour Of Khrysis".

DJ 2-Tone Jones ft. Prince Po, Asheru, Joe.D and yU : Not Down

I've always thought that one of the most important inflection points in the culture was when our ability to self-police was countered by the epithet "playa hater", which nowadays is more likely to take the form of "but he getting the bag tho". This call to arms from the "Contraband From India" LP features real MCs with real commitment letting us know that the leeches, the culture vultures, exploitative corporate interests of various shapes, and everyone else taking away from the culture rather than adding on need to be ejected. The production is not minimal as such, but well-spaced, with the sparse drum pattern and Indian string samples avoiding a situation where the instrumental ends up fighting the MCs for the spotlight, which is critical when what they're saying is of actual importance.

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

[cakejerry]

Persona first batch of listens thoughts. Did not look at the lyrics for any of these btw.

1. The who am i skool luv affair intro SAMPLE is genuinely a banger. Glad they brought it back although it does seem kinda cheap to bring up your old albums like that when its not even like they're leeching off of their old fame, or promoting a song that they think deserved more, because they make it very clear they don't consider anything pre-2015 canon but... Sure. Sell the "we're proud of our roots" story. Namjoons flow actually brings to mind haruman, for some reason. Im sure someone out there was gagged at his improvement over the years. Him refusing to use coherent english is certainly a choice. Also the song is too long.

2. Same issue with the self-referencing. Several white woman related problems i mentioned earlier. Just confused and personalityless, which is ironic. Do you want to be korean or american???? Choose, greedy. Makes me feel nostalgic, which might just be because I'm pissed about the direction they're taking in general. "Modeunge geumgeumhae hajilte" "YOUR ONE YOUR TWO" Jungkook randomly glew up in the mv I will have to investigate this further....... Im mad asfk about how attractive I find him btw. Yoongi just doing whatever in his verse ohhh he hates white people. Mv is literally so confused with its concept, 2012 sm-level box sets, when they promoted themselves with this deeeeep jungian philosophy, please. Just funny and shameless.

3. I was actually expecting to be so gagged by souju especially since sakura said she loved it but its a SKIP. ITS A SKIPPER. ITS A SNOOZER FOLKS. A gift for the fans, was it? Why it's so beloved is beyond me. Literally a tear reject, sounding like magic shop. Sounding like the ost for a random webtoon actually but FROMIS_9 did that better with LOVE ME BACK so. Byeolbit part kinda catchy but not enough to not skip the song. "Shine dream smile" okayy i bring wind sunlight water. "Nanana" ohh bts you are on a downward spiral and you don't even know it

4. Am actually kinda GAGGED over the make it right sample/riff ngl! Gaslight potential. On loop for 8 hours while I look at spreadshees potential. It reminds me of something and i cant put my finger on it. Sounding like a girlgroup song probably im ngl. Was eddy boy on this one? He slayed so hard I almost forgave him for plagiarising April's snowman (cakejerry 2017 twitter reference, don't worry about it.) "I can make it better i can hold you tighter" okurrrr shawn mendes!!!!!!!!! I know jungkook was cheesing

5. Another tear reject, was it? Wasnt 'crazy for myself' an army meme or something, whatever. Rhyming rich and switch? Okayy inna up. Your love- I want that? Okurrrr ariana grande 7 rings!! Why that "naega" sounding a bit.... The houoououm part sounding like the average song that would be playing on mtv, oh bts you're so done

6. Jamais vu NOW OKAY THIS IS A REALL SNOOZER. And also another tear reject ctfuuu they really had a signature sound during this period didn't they. And it was TRASH. Sounding like an ending credits song for an episode of Grey's anatomy.

7. And the grandiose DISAPPOINTMENT. Dionysapppintment lol. Everyone gagging over this one i thought they were actually gonna serve rock realness when all they served was a seo taiji reject.... And again with the "haters"... Bts got more imaginary haters than itzy in 2019. Massyeo part kinda okay. Did jungkook just say he was feeling saucy???? FFFFFA- Wait hoseok just slayed omg okurrr onomatopoeia!!!! Is this supposed to be like the mic drop of the album?... Okay... Whateva that means. Brings to mind the injustice 6.5 faced but whatever. Wow you can actually almost hear an instrument here at the end. Bros think they rockstars 😭😭😭😭 okurrr opening song for a korean remake of a random flop japanese shonen anime from the 1990s!!