#literally no one suffers as much as we have this season
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killa-trav · 1 year ago
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manchester united have had the most var decisions against them so far this season in the premier league yet other fans of certain clubs think they are purposely targeted
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spock-smokes-weed · 1 year ago
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while I still really love the baratie part of the LA, I do think it's the weakest adaption-wise. Particularly for Sanji. I'm kinda bummed that so much of Sanji's intro had to be shared with so much other plot stuff. I still like a lot of that plot stuff, but it does mean the Sanji stuff is weaker.
I really mourn how the conflict between Sanji and Luffy in the manga got shifted over to Sanji and Zeff. Sanji is considerably less snotty than he was in the manga, and there's no longer that visceral fear of following his dreams that made him stand out. Even Usopp the coward jumped at the chance to join Luffy's crew, but someone strong like Sanji took a lot of convincing. Also him not witnessing Zoro almost die for his dream is something I just flat don't like, and is the biggest thing of the plot getting in the way of Sanji's chunk of the story. Zoro's willingness to die instead of give up is a big part of why Sanji changed his mind.
Sanji being so much less resistant to Luffy is not as compelling in my opinion. I feel like if the LA had more episodes to properly play out arlong park, Sanji's part of the story wouldn't feel so squished. Cus to me it feels like they had to sacrifice Sanji getting a stronger character intro so they could end stronger.
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nereidprinc3ss · 8 months ago
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hi!!! here for a request. can we have a imagine where reader has a wound from surgery or whatever on like in a rib and she hides to change the bandages but then spencer sees her and he’s like ‘lemme help you’ and…
you do you for the rest!
in which spencer helps BAU fem!reader change her bandages in the bathroom at work. it's intimate, and he's adorable and awkward, and it only fuels her terrible, terrible crush.
warnings/tags: fluff, talk/description of wound, brief talk of being stabbed (does not actually occur in this fic lol), reader wears a bra, spencer undoes said bra but not sexually, lots of suggestive humor and teasing, a TINY sprinkling of angst but not really, idiots in love
a/n: i'm picturing early seasons spencer and it is filling me with so much unbridled joy. I. LOVE. HIM. thank you for the request!! and lets not talk about how inconsistent my formatting for requests is pls and thanks!!
It’s not like you meant to bend down so quickly that your wound reopened—but here you are, suffering the consequences of your actions in the women’s bathroom at Quantico as you try to assess the injury before you re-bandage it. And your shoe is still untied. 
Unfortunately, the fact that you had quite literally been stabbed in the back last week makes it hard to reach said injury��especially when you’re at work and so can’t take off your shirt like you normally would. And all this struggling means it’s taking longer than it should, so now you’re focused on the wound and its scabby, wet edges and all the things it’s secreting rather than hurrying to give another statement of the entire event to Hotch since the first one had apparently been too sparse on the details. 
A knock sounds on the open door. Spencer calls your name. 
“You in there?”
The angle of your neck has your voice slightly strained as you call back, “yeah, what’s up? Is it Hotch?” you pause to hiss as you accidentally scratch at the wound with a nail. You don’t even want to know how much bacteria you just introduced to it. “Tell him I didn’t forget our meeting, I’ll be there in—”
“It’s not Hotch. I just wanted to make sure everything was okay with your back? I know you said you were going to check on it, but you’ve been in there a while.”
You sigh, dropping your sore arm as you continue to hold up your shirt with the other and regarding the reflection of your back in the mirror. 
“Actually—could you come in here?”
There’s a pause. 
“You want me to come into the women’s restroom?”
“Yes, Spencer. It’s fine. There’s nobody else in here. I just… I need some help, I think.”
The last part is admitted quietly, with an air of defeat. To admit to needing help, is, by your standards, the same as failure. Spencer knows this, which is probably the only reason he puts aside his hesitations and shuffles uncertainly into the tiled room. If you’re asking for help, it’s because you really need it. 
“What do you need help with?” he asks, sweeping his gaze suspiciously around the lavatory as if you were lying about there not being any other women present and this whole thing might be a trap of some sort. 
“It’s gross, and you can totally say no.”
He raises his brows expectantly, before spotting the weeping wound on your back. Unconsciously he steps closer, leaning forward. It’s not your fault, and the gore is not specific to you—anyone’s body would react this way to being stabbed. But you still feel embarrassed by the close attention to such an ugly marring, which nobody besides you and your doctors has actually seen up close.
“That doesn’t look good,” he mutters. The expression on his face is irritatingly familiar—the drawn brows, tightened eyes, barely parted lips—but it takes a moment before you realize what it is. 
“Reid,” you complain. He’s still stooped over slightly to examine the wound, and looks up at you through dark lashes with those infuriatingly warm puppydog eyes.
“What?”
“You’re looking at me the way you look at a dead body on the slab.”
His nose scrunches.
Some might say it scrunches adorably. 
“No, I’m not. That’s just my face.”
“Okay, well stop. It’s freaking me out.”
He pouts—actually pouts. Subtle, but bottom lip jutted out and all. It’s ridiculously endearing. 
“My face freaks you out?”
“Wh—no! That’s not what I said! You have—you have a great face! I didn’t mean—” 
You manage to claw yourself out of the hole you’re digging when you see the dopey smile growing on his face. 
Oh. He was fucking with you. 
He never used to do that. It’s unnerving to be the fucked with instead of the fucker for a change. Especially when it’s Spencer. 
“What did you need me for?” Spencer asks by way of peace offering. You close your eyes and sigh, attempting to collect your thoughts without his presence re-scrambling them.  
“Um—I just need you to put this bandage over it. I can’t reach without taking my shirt off.”
And now you’re forced to wonder if he’s thinking about you shirtless as much as you’re thinking about you shirtless.
“Yeah—don’t do that,” he says absentmindedly, stepping again closer to get a better look before turning to the nearest sink.
For some reason, this offends you. 
“Why not?”
Spencer pulls another face as he washes his hands—you love the constant flow of expressions he always seems so unconscious of. Even when they’re not pleasant and directed at you.  
“Are you asking me why shouldn’t you take your shirt off?” he clarifies. 
“I know why I shouldn’t take my shirt off, but I want to know why you think I shouldn’t take my shirt off.”
“Because we’re at work?” he observes astutely. You frown deeply at his completely logical reply. Spencer chuckles as he dries his hands and approaches once more, taking the square of gauze pre-lined with medical tape from your hand. “I mean, I can’t stop you. But it would be kind of a weird choice.”
“Oh, so me shirtless is weird?”
Cool fingers meet the comparatively hot skin of your back—where everything is still sensitive because the wound wreaked havoc on your nerves there. You flinch slightly. 
“Sorry,” he murmurs gently. Though his touch is so incredibly light it doesn’t really hurt—it hurts much less than when you’re tending to the wound, anyway. It’s almost soothing. After a moment he continues, a bit louder. “And that is not what I was saying. But I am completely comfortable asserting that it would be weird for you to be shirtless at work.”
The gentle touches contrast with his teasing words and serve to disorient you as you’re shaken back in to your usual dynamic. Which is markedly more sarcastic. 
“Well—”
Before you have to think of something to say, Spencer interrupts you. 
“Your, um—I think your… brassiere… is in the way.”
As soon as he says it you burst out laughing. It echoes through the room. 
“My brassiere? Are you actually 70 years old?”
His brows knit even tighter and his face gets very pink very quickly. He can’t meet your eyes over your shoulder. 
“That’s what it’s called.”
“Spencer, you may be the first person to use that word since 1952. Say bra.”
“I don’t want to,” he complains. Your laughter only grows as your head tips back. 
“Why? How is brassiere better than bra?”
“It’s—it’s too colloquial! I’m trying to be professional!”
“Call it a bra or I’m going to rub my dirty hands all over my back,” you threaten, adopting a poker face so he knows you mean business. His eyes widen immediately. 
“Oh my god! Bra! Do you want to introduce staph and meningitis and g—do not do that!”
“See? How hard was that?”
“I hate you,” he mumbles, face still flushed and adorable. “And you still have to take it off.”
“Excuse me?” you grin, pretending to be affronted because you know he didn’t mean it like that but it’s fun to pretend he did. Fun for you, of course. Not so much for him. He's utterly flustered by this point.
“Or at least undo it! It’s in the way.”
With a deeply bored sigh, you go to unclasp your bra—but as you go to do it your shirt drops down. You grimace, humor briefly forgotten as the fabric brushes the damaged skin. 
“I can’t—”
“Okay, just—I’ll do it,” Spencer says. “Just move your shirt again.”
So you do, watching his reflection as he works.
And you have not one joke to break the heavy silence with as you feel his knuckles gently pressing into the middle of your back, as he unclasps the bra with his characteristic tenderness and a surprising amount of agility. It’s quiet except for your pulse in your own ears as he carefully pushes it out of his way, holding it down with a hand to your rib cage and fingertips slipping just under the fabric of your shirt—unintentionally and certainly non-sexual, no doubt, but skimming under your heart in a way that still feels so intimate you’re realizing how touch-starved you are. 
“You do that often?” you find yourself asking, because you’re stupid, and you need to cool the tension before it chokes you, and you can’t help yourself even though you don’t actually want to know the answer. 
“I,” he begins, voice quiet as rustling paper, tongue darting over his lip and eyes narrowed. The sentence stalls as he focuses on placing the patch just so. “Do not think that is an appropriate workplace question.”
Something aches in the pit of your stomach. 
Something resembling jealousy. 
It was not the timid evasive linguistic maneuver of someone who is insecure about the thing they’re discussing. It was not the awkward fumbling no but I don’t want to tell you that which you were expecting from Spencer Reid. 
Nor is it an easy yes—an admission between friends. He doesn’t want to tell you. 
You swallow and try to act like yourself. 
“Yet here you are, in the woman’s restroom at our place of employment, undoing my bra. I think we’re past professionalism.”
“When you decontextualize it like that it sounds like something it’s not. This is professional, because I’m helping you with a wound you sustained on the job. I’m being a good colleague.”
Your lips twist into a smile he can’t see. 
“A great colleague would kiss it better.”
“It's almost like you want me to file a sexual harassment complaint with HR," he says through a little smirk as he smooths the bandage over. Before you can snip back, he steamrolls over his own teasing—you’ve both been speaking in almost reverent tones since he started but his voice loses the sarcastic edge from a second before and reverts back to concerned and sweet. “Does that feel okay?”
You rotate your shoulders best you can without letting go of your shirt or flashing the good doctor to check if it feels secure.  
“It’s good. And hey—if I were going to sexually harass you I would do a lot better than that. You think that’s my best material? That’s just the tip of the iceberg. I keep so many inappropriate comments to myself. You’d be shocked by some of the things I have almost said to you.”
He laughs, secures the band of your bra and begins fitting it to the clasp you’d had it on—and at that precise moment Emily walks in. 
“H—woah.”
“It’s—I’m—I was helping her!” Spencer panics, immediately removing his hands from you like his palms are burning and holding them up defensively. 
“Oh, you helped me alright,” you tease, pulling your shirt back into place. 
“Don’t say it like that!” And then, to Emily, “I was changing out her bandage!”
“Changing my bandage,” you emphasize, winking more than is advisable. 
“That’s—this is a hostile work environment! I feel unsafe!” Spencer almost yells, half laughs, as he scampers towards the door. “I’m going to HR!”
“Shut up! You love it!”
His laughter audibly travels farther away for several moments as he presumably goes back down the hallway to do his actual job. 
You have the stupidest grin on your face, but you wipe it off when you notice Emily staring. 
“What?”
“Nothing,” she says, shaking her head and looking away, moving toward a stall. “You’re just… you guys are funny.”
“What do you mean funny?” You demand, standing right outside her stall as she closes it. 
“Wh—I mean funny! Are you going to listen to me pee, you weirdo?”
You frown. 
She makes a good point. 
Unfortunately, giving Hotch a more detailed statement is just as bad as you’d thought it’d be. Despite how cheery you’ve tried to remain about the whole situation, despite the way you insisted that the wound was so shallow you didn’t need more than a few days off work, despite the jokes you make about forgetting it’s even there because it’s on your back—it’s hard not to remember exactly how the glass felt twisting under your skin, how you’d felt suddenly so hot and lightheaded and sick to your stomach and the way Morgan hollered because he didn’t know how deep it had gone after you crumpled quick from shock, when you’re asked to describe it all in excruciating detail. 
It only takes ten minutes, but they seem to drag on and on and by the time you’re leaving Hotch’s office you feel utterly drained. You hurry back to your desk, covertly wiping away moisture that you refuse to allow to become tears. Once seated, and having dodged sympathetic looks and avoided any do you want to talk about its, you allow yourself a few deep breaths with your eyes shut. 
When you open them, you realize there’s a fresh cup of your favorite tea on your desk, in the Snoopy mug the team is always fighting over. Now his little black nose is covered by a square of yellow paper. You’re already smiling as you peel away the sticky note and hold it closer. 
On it is an adorably odd smiley-face, and a note in familiar, messy looping scrawl. 
I would never report you to HR beautiful
That would be a stab in the back!
You snort loudly and clap a hand to your mouth—but you’ve already drawn the attention of almost everyone in the bullpen. 
When you turn to look at Spencer, he’s not looking back. Instead, his eyes are firmly trained on his computer screen. But he’s got his chin propped on his fist over the desk, and his knuckles are doing a poor job of concealing a giant self satisfied grin. He is the only person on the team who knows you well enough to make such a distasteful joke. And he also knows you well enough to know that it would make you feel so much better after your meeting with Hotch than all the well-meaning sincerity in the world ever could.
Funny. 
Maybe that is the right word for what you two are. 
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carmenilla · 1 month ago
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ok bc if byler isn’t canon they really just bullied the shit out of will for no reason. like
there’s a difference between filming an unrequited love where the couple gets their own moments together and alone (you know, since they’re in love and should have their own intimate moments) and filming an unrequited love where the person whose love will never get requited is in ALL OF THEIR SCENES. BLATANTLY. IN CAMERA VIEW. sometimes in DEAD CENTER RIGHT BEHIND THEM, drawing attention to him as opposed to mike and el’s sweet moments. just so we can see him suffer.
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he’s being taunted. he’s just being taunted. we’re being taunted. they’re just doing it for the sake of being depressing and making will suffer more (and making that suffering abundantly clear to the audience!!!) and just fr bullying him and us at this point like
obviously he’s not a real person but i am and if byler isn’t canon i’m taking this as a personal violation. “poor gay boy has a gay crush on his best friend who will never love him back :(( here see him suffering in the background of all of the romantic scenes with mike and el in season four, just so you can see how depressing his gay love is :(((“
as a queer person watching this, that’d literally just be them rubbing it in my face
i’m nearly 100% sure byler is endgame but if it’s not, me and other queer stranger things enjoyers have every right to feel fucking bullied because literally what the fuck. this is not how you write an unrequited love - this is just them pointing at will and going “boohoo :((( depressing :((( suffering :((((“ when they could literally just let mike and el have moments together without cutting to will being upset about it??? like they keep showing will being there and his reactions to it and for WHAT. just so they can show us how much he suffers? we already know babes
bottom line is i will have one HELL of a bone to pick with the duffers if the 1% chance of byler not being endgame is real
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sharky-teeth · 3 months ago
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top dean/bottom sam fics that perfectly exemplify why bottom sam is the best (the list got kind of super long because i'm just too passionate about this topic):
take the things you love by hathfrozen: i think everybody and their grandma knows this one but i had to include it, this is our gospel. literally changed my life.
mommy dearest by tradwifesam: if you don't like feminization, read this and see the vision.
Softly, as a morning sunrise by LaughableLament: one of my go-to authors for fun and short PWPs.
Noise Complaint by formalizing: a lesson on how to make a thousand words count!
Coast On Through by philalethia: this actually contains switching, but when i tell you it has some of the best samdean scenes ever...
Feel About the Same Most Every Day: pining that you can feel in your bones.
Like a Machine by ani_coolgirl: camboy!sam perfection.
Untouchable for Life by Sintari: another one for my camboy!sam enthusiasts.
Undertow by Molly: starts out angsty and ends with psychic sex vibes, what's not to love?
Birthday Boy by DickBaggins: sam's ass is dean's birthday present, need i say more?
Keeping it Clean by themegalosaurus: swesson filth <3
this thing, for which we break by orbiting_saturn: intense and intimate, as PWP as it comes.
Sweltering by WhoopsOK: brothers with benefits done right. slutty sam as a treat!
weecest:
With A Bit Of Spit And Luck by elsi: in my top 5 weecest of all time, which is saying something because the competition is crazy.
Bulletproof by road_rhythm: gunplay! incredible characterization, if you have a kink for guilty dean who's unable to stop himself, and pushy sammy, this is the one.
Heart of Worms by Ninni: very moody, and beautifully written.
Petulant by formalizing: another short read that hits all the right spots and leaves you wanting more.
and all is right in Dean's world by ladygizarme: loved dean's characterization here, he left me feeling unsettled.
for those like me who need some jokes with your p*rn:
The Koala Conundrum by De_Nugis: (mentions of switching) to this day, one of the most unique & refreshing stories i've read, an absolute masterpiece.
the one with aphrodisiac: this one managed to be hilarious and hot in equal measure, an amazing feat.
Incidentally, It Was Christmas by ani_coolgirl: one of my favorite fics of the year! ani's humor is impeccable! if you also believe in the sam-sexual dean truth, this is a must read.
Tongue-Tied by ADeedWithoutaName: cursed!dean unable to speak, and sam speaking for both of them, you know where this goes...
Dicks in a Box by fictionallemons: buried alive and how do sam and dean decide to spend their time? it ain't cuddling!
Versatile, Tender and Delicious by themegalosaurus: improper use of a zucchini. read and find out.
for my omega sam lovers:
Five Weeks & its sequel Three Weeks Too Late by rei_c: probably my favorite wincest a/b/o of all time! i could've read 100k of this universe, loved the details put into it.
A Blind Fool's Luck by hellhoundsprey: this is also a favorite! i remember the tension in this fic had me dizzy. this author has an incredible way with descriptions, vivid and unique writing style.
Phantom Pain by hellhoundsprey: weecest! love their dynamic here so much, great blending of a/b/o traits while keeping them in character.
Clover by hellhoundsprey: perfectly done late seasons getting together! with the right amount of schmoop. clearly this author is very dear to me lol
know the feeling by sammyatstanford: this is the longest work in this list, around 40k words, and so worth it! really enjoyed the worldbuilding.
now to my favorite flavor (bottom sam with a side of delicious angst):
Lesser Evils by Dyed_Red: [non-con] not for everyone, but definitely for me. if you love samdean at odds and suffering, this will push all the right buttons. life-changing fic.
Is It Tomorrow (Or Just the End of Time) by elsi: the angst here is so glorious. from beginning to end it's angst, angst, then more angst. there is no resolution to their issues, and i love that.
Collision Course by lovetincture: one of the most believable first time stories i've read, spot on characterization and raw descriptions. didn't shy away from the ugly side of incest.
You can run away with me any time you want by Trojie: sam leaving for stanford fic! oh this one hurts like a motherfucker. there's a line in here that's so beautiful, it lives in my brain.
his skin barely keeping him inside by hathfrozen: another banger by hathfrozen, i have a weak spot for first time in a long time stories.
No such thing as Forgiveness by hellhoundsprey: lawyer!sam getting his life sent off track when big brother comes back to the picture... the unhealthy dynamic here is to die for.
Blood sacrifice sex magic type of thing by Goshen: sam performing ritual sex to cure his demon brother... as he should.
Worship Not These False Idols by killabeez: ruby fucking sam while pretending to be dean. as amazing as it sounds.
Circles of Light by WhoopsOK: there is a "Magical Healing Ass" tag. enough said
end of list! i tried to only include works with less than 10k hits here, so someone might find something they haven't read before. i didn't include warnings, so definitely check out the tags first. all these fics are seriously amazing, i hope more people will read these gems <3
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truelovepolinator · 20 days ago
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Nicola and Luke are ABSOLUTELY TOGETHER and have been all along and here’s how I know
(Friends, I’ve just finished this and it is INSANELY LONG. Like, two looong book chapters long. But I PROMISE it’s worth it. I was gonna cut it into multiple parts to make it more readable, but I’m going to be super busy over the next few days, so I wouldn’t have a chance to post subsequent parts until probably Christmas, so I’ve decided to drop it all now so I don’t delay the final victorious conclusion. Sorry, it’s so long, but I don’t really have time to rethink it and try to tell the story in a more concise way. Again, I think you’ll be glad you stuck with it if you want to feel as thoroughly confident as I am that Nic and Luke are absolutely together.)
So I want to start by saying something I’m sure I’ll repeat. This is, of course, just my opinion and supposition based on the evidence available to me. But I also want to say, I am absolutely, positively sure now in a way I have never been. Genuinely not a doubt in my mind, and I think you’ll agree by the end of this.
It’s also worth noting that this may be nothing new to some of you. I’ve only been on this platform for a week and have barely scratched the surface of the great content here. So this is how *I* came to the final, joyful conclusion that everything is right with the world where lukola is concerned. I had long been sure they belonged together, but was afraid to embrace the theories about them actually being together now for fear of heartbreak, plus all the confusing signals about A & J, etc.
But all that changed a couple nights ago when I finally got the last piece of the puzzle I needed to see the big picture. There were just too many things that didn’t make sense, until they did! I literally couldn’t sleep that night (seriously only got about 2 hours) and then spent next day telling my husband the story for hours (in 20-30 minute increments as he could spare them during his slow, Christmas time work day).
My husband has been a patient, long-suffering skeptic through all of this. He’s put up with my rants and constant videos I just had to share, but he’s been completely convinced from day one that they simply leaned into their friendship to turn on faux relationship vibes for PR. He was absolutely sure it was all just make-believe for the fans. No matter what I showed him, he could not be convinced.
Until yesterday. Yes, I convinced the toughest skeptic in town.
I think it’s important to start with my journey into the Lukola fandom for context. I was a casual Bridgerton watcher until this season, and had never read the books. I liked season 1, I loved season 2, and I was looking forward to watching season 3.
I had planned to wait to watch the first 4 until the second half was about to launch (so I wouldn’t have to wait for more), but I realized after about a week that we needed to watch it immediately before everything was completely spoiled by timeline gifs and clips.
Needless to say, I was beyond hooked. Instantly. Season 3 was another level for all the reasons you all know. Finally I could engage safely with the fandom, but the process from occasional Polin/Lukola content to nonstop immersion took some time. So even following the second half, there was a TON of footage I hadn’t seen.
All of this to say, I basically missed all of the World Tour stuff as it was happening, and it took well into the summer to finally see so many amazing clips and edits that I was absolutely fucking sucked into the lukola wormhole. However, I was well behind many of you on the curve, and even to this day, I’m still catching up on things.
But by late summer, I was all in. I was sailing high on USS Lukola (or I suppose that should be the HMS Lukola!) because I saw exactly what you all saw. This was clearly real, their feelings were indisputable, and everything about their behavior and much of what they said was so far beyond PR, even “faking couplehood” PR.
They were real. Even if he had this dumb girlfriend. (I say that only in the good-natured, abstract sense that I wanted him with Nic, not in a personal “actually about her” sense. In fact, I’ve never said anything hateful about either A or J and I hope I never will.)
WHY AREN’T THEY TOGETHER???
I couldn’t resist the mystery.
It drove me absolutely crazy for months trying to understand why they weren’t together. Nothing made sense, but I mentally explored literally every possibility. They’re afraid of ruining their friendship? They’re afraid of disrupting the production if it goes wrong? These possibilities at least made some kind of sense and seemed to be the only explanations I could find. But in my mind, they weren’t good enough reasons to resist what these two so obviously had. Still, I’m not them, so that was easy for me to say. I had nothing to risk in this.
One or both of them is/are secretly gay? Soulmate besties instead of soulmate lovers? I didn’t think this was the case and nothing made me believe this. Yet, I was attempting to allow for every possibility. Still, with Nicola being the super vocal “gay icon” that she is, it was hard to imagine she wouldn’t live out and proud if that was the case. And apparently she lived with an unknown man for two years. Though she does always keep her private (romantic) life super private, so I suppose who knows? And, of course, Luke had two very public past relationships with women, but again, who knows, I suppose? This option doesn’t ring true at all, but it does exist in the universe of possible explanations for this inexplicable situation.
They love each other in a soulmate way, but somehow one of them just isn’t “attracted” to the other? Certainly, if the stories about Antonia were true, that might suggest that Luke might be attracted to an entirely different physical type than Nicola. But that didn’t ring true either because LOOK AT THEM TOGETHER! He can’t take his eyes off of her, let alone his hands. And the same for her. They are magnetized to each other. If that’s not attraction, what is?
One of them has baggage and isn’t ready for a real, serious relationship? This one seemed possible. People can have hang-ups or wounds for all sorts of reasons, and letting someone in – especially someone who might actually be your soulmate – can be terrifying. Self-protection by avoiding relationships and/or distracting yourself with less meaningful relationships is a natural way of coping with baggage. Yes, maybe this one? Neither of them seems obviously wounded, but what would I know? Most people don’t wear their wounds on their sleeves, least of all during a PR tour. Still, the energy flow between them seemed anything but wounded. It seemed like the healthiest, happiest thing in the world.
People kept saying, they’re blind and they don’t see it yet. But I don’t believe anyone can be that blind. Especially after watching all the countless edits and clips of their tour, which we know they did because Nicola is chronically online and sharing with Luke the best of it all (and sneaky Luke is likely lurking also).
So at the end of the day, I had no good explanation. It just kept not making sense.
Then those music festival photos of Nic and Jake (I’ll abbreviate sometimes for ease, but I do say their names) showed up. The fandom erupted into chaos with full reactions across the spectrum including a bizarre, almost immediate burst of (not yet named) jakolas, which felt like a disproportionate response to a few photos.
Admittedly, those photos did look quite friendly, and touchy, and yes, they stood arm-in-arm. But lots of friends stand like that at concerts. And Nic is known to be touchy-feely, so let’s not go overboard, I thought. However, I did acknowledge (in my head, I didn’t weigh in online at all) that it suggested that it COULD be romantic. I opted not to freak out, because either way, Nic’s love life is her own and I want her to be happy.
And it’s worth saying here that both of their private lives are none of my business, none of any of our business, and even writing this is completely at odds with that truth. I acknowledge that. But what I told myself, and actually meant it, was that I was going to stay out of it unless and until NicLuke got together. That was the only place I would invest my energy since they’ve both said they think it’s sweet that fans ship them. If they dated others, good luck to them. Be happy. But when the time comes…
Yes, friends, the time has come!!! But back to my story.
Note that (because again, I was still catching up), I hadn’t yet seen the swimming in Sorrento photos and had missed that piece of the puzzle at that point. Throughout this time, I’d see people refer to things on Twitter like everyone already knew what they were talking about, but hardly anyone ever took the time to explain. So I got lots of glimmers of things that others felt were notable, without actually knowing any details. Those pictures were an example. Another was the Claddagh ring.
I’m very grateful to some amazing deep dive blog entries by @threeacttragedy that explained the ring, “Bless the Telephone,” and other meaty, important history that I’d previously only heard mentioned in passing. In fact, one of her blogs is what first brought me here by referral from Twitter. And if you don’t follow her, you should!
In the past week, as I started reading blogs that broke down past dates and clues, I finally started looking them up one by one and trying to put the pieces together in my head. I’d seen the swimming photos by then, but I revisited them. I dug in to try to understand the references to a “New Year kiss” from the night the friend group (Rory, etc.) posted photos together from a Soho House party. I reviewed Hot Boy Summer, I rewatched the incredibly emotional video of Luke meeting Nicola’s mom, I looked at photos of the Claddagh ring and went to Chupi’s website. I learned about the LA photos from April, both Antonia’s version and the InStyle Polaroids. I reviewed all the photos of Luke and Antonia that I could find. And I reviewed all the photos and videos of Nic and Jake that I could find. Also, I listened to “Bless the Telephone” about one hundred times. Lol.
Regarding Luke and Antonia, I had the same response in this deep dive I’ve had every time. Weird. I mean, if I didn’t feel so strongly that Luke was in love with Nicola, and if I knew nothing about him except he was some hot actor, could I see him dating someone like A? Sure. But the fact that there are almost no pictures of them posing together, alone like a couple, is weird. Even if it’s super casual and she was just his date to some stuff. The fact that Luke looks grumpy in both sets of pap photos (premiere night and swimming in Sorrento), but A is smiling happily in at least one of the premiere night photos is weird. The fact that after the Sorrento pap photos, Luke seems to leave his friend group to come home early, and then stops liking any of his best friend Rory’s photos from there on, weird.
The fact that in the fall, she posts pictures harkening back to a place and time they were apparently together, but without any actual photos together, weird. And the continual drip, drip of Likes from Luke is weird. And then when a photo of Luke in a restaurant in Rome is posted by the restaurant, she immediately follows with a video story of someone making pasta in the same restaurant, weird.
Perhaps weirdest of all, the fact that she pre-posted the LA pictures, and then he gave other versions of the same shots to InStyle. Especially the switching seats thing. If my husband and I were taking pics of each other at a café, I’d take his picture in front of the traffic, and he’d take my picture in front of the restaurant, because that’s where we’d be sitting. Across from each other. So why switch seats to take the photos? It’s not like that street with traffic was such a fantastic backdrop that we’d each need our turn with that shot? And they’re the same, with the same table number, but different. Sure, traffic moves, but weird coincidence that they each had a white truck, but a DIFFERENT white truck. So, like I said, weird. Always implying they were together, but never actually saying/showing it. Weird.
I read all sorts of theories from pragmatic (we just have to accept that they’re dating) to hateful (they’re not together/never were, but she’s obsessed and keeps inserting herself in a pathetic, desperate plea for attention and followers) to seemingly far-fetched (some sort of NDA that means for some reason Luke is obligated to Like her photos). Only the first of these seemed plausible. I maybe didn’t like it (not maybe, I didn’t like it at all), but I thought, “Yes, I guess we just have to accept that they’re probably together until they tell us otherwise.”
(Though I held out a small sliver of “but we don’t know anything for sure until L and/or N tell us themselves” hope, which remains true even as I write this.)
Now, let’s talk about Nic and Jake. First, there were those shots from the concert (discussed above). Then, I believe, were the NYC shots (if I’m not confusing the order). In the NYC shots, they were both there, but they weren’t especially intimate in any interpersonal sense. Then, the pap shots on the street posted on DM, ostensibly catching them walking home together, holding hands and arm-in-arm after a night at the pub. With those photos came an onslaught of fandom fury and gossip site reporting about how “Nicola Coughlan confirms her relationship…” Same story runs across a bunch of trashy sites, all saying the same thing and citing an unnamed source talking about how besotted they were, or whatever the quote was.
Admittedly, I was among the furious fans. Not because of what the pictures showed. Again, I was trying to be serene and Zen about them and their private lives. I believed with all my heart that NicLuke belonged together, but if now wasn’t their time, I’d have to wait. I didn’t love that I’d heard he was only 24, but I was trying to balance my efforts to be a non-judgmental person with my discomfort over that issue and reminding myself that her choices are none of my business (unless she chooses Luke!).
So I did my best to refrain from judgment, even as I saw the fandom erupt into toxic madness about whether it was true, whether he was gay, whether the age gap was wrong, whether DM lied about the date, and if they did (which they did), why? But I figured, unless the photos were very, very old, things weren’t likely to have changed in their relationship over a couple weeks, so I wasn’t overly concerned about the date.
However, I was angry about all these stories (basically the same story across the board) announcing that she’d “CONFIRMED” the relationship. It made me very angry that they said she confirmed something when she’d done nothing of the sort. I wasn’t prepared to argue that she wasn’t dating Jake at that point, but why would they all run this story, with this headline, when what actually happened was a paparazzi photographer snapped shots and sold them, then the media drew conclusions from what they saw?
Nicola never confirmed a damn thing. So why were they running this headline so universally?
I was also angry that the photos existed at all. Photos in her neighborhood could reveal her location and put her safety at risk. Also, how did they happen to be there to take those photos late one specific night? Felt like they must have received a tip. But I moved on and forgot about that part.
Time went on and I saw more and more discussion of Jake’s sexuality. I don’t really want to get into that here because I don’t really feel comfortable speculating about anyone unless they choose to explicitly come out, but I did finally start poking around his page, Douglas’s page, etc. and began to understand why people were saying what they were saying. However, I reminded myself that bi/pan-sexuality exists and I wasn’t willing to partake in bi-erasure, so I held my tongue and kept watching.
Now, at this point, I want to remind us all that Nic has always been extremely private and uttered nary a peep in public about her romantic/sexual life. And fair enough. It’s none of our damn business. Also, she’s talked extensively about how women are not just men’s girlfriends and her feminist take on many things and how it doesn’t feel nice to know that people are more interested in her love life than her work. She’s worked freaking hard to achieve the success she’s now enjoying, and she certainly should not be reduced to a woman in a relationship. No matter who is on the other end of that relationship.
(Again here, I feel the need to acknowledge my hypocrisy in writing this, but I really do genuinely love Nic’s work and spirit and activism, etc. as well.)
So, in light of her position on all of that, we wouldn’t expect her to go public with a new love interest. The fact that she was papped with this guy (if indeed he was a love interest) was just an indication of how much her celebrity and profile have grown. There’s greater interest now and she’s more recognizable now, so it’s to be expected that she’d have a harder time keeping her love life private now than in the past. Not so strange then, that she got caught a couple times in paparazzi photos at this point.
However, would she really then go public with that guy? That would mark a radical change in her behavior just when you’d think she’d want to be the most private because the glare of the spotlight is brighter than ever. Still, she allowed a public photo with him, Camilla, and Evan Ross Katz to go out shortly thereafter. If one believed they were dating, that could certainly be interpreted as a launch. Yet, as I said, would she really do that if she were dating him?
Then he started popping up everywhere. I won’t get the chronology here right because I don’t want to research the dates right now, but there was the Charlie xcx concert, in which she appeared with Jake and Dylan, who is out and proud. The Queer premiere where he was just caught in the background of a fan photo. The simultaneously released photos from the red and gold restaurant (with a mysterious third person taking the photos). There was the apparently brunch-time photo of her with Jake and two others, taken by Dylan. And most recently, Louisa’s photo with Jake and Douglas (who is also openly gay and close friends, if not more, with Jake).
I’m not mentioning all the players in all of these because it’s not critical to the story, and I may be forgetting some photos, but there is a point to all of this. First, there’s potentially a notable shift in what she’s allowing to be shared here. Again, historically, she’s never shared anything about her love life. Suddenly, she’s letting him be photographed everywhere. Also, at most of these events, there were other queer participants and/or queer content (the movie premiere).
And while she’s never allowed her romantic life to be shared, you know what she has often shared? Photos with all of her platonic friends, including her huge friend group of many, many gay men. So this trend in what she’s allowing to be shared suggests that she’s telling a story and clarifying Jake’s role in her life.
But then there’s that one mystery release, the simultaneously timed restaurant photo drops. Clearly coordinated, clearly indicating they were there together. No indication about the third party. Why? Just enough to hint that there might be something going on, and to continue wreaking havoc in the fandom.
Because remember that toxic fandom bickering over all of this? The jakolas swearing they’re in love and soon to be engaged and furious at the lukolas for “being blind and refusing to accept the truth and it’s so disrespectful to Nic ('who you claim to love') by disregarding her feelings and treating the love of her life so badly. They keep showing you they’re in love and you won’t listen!” Etc., etc.
Meanwhile, the lukolas fall into a couple camps. By this point, most have decided Nic and Jake aren’t dating, but some remain circumspect. Some scream back at the jakolas, ostensibly in defense of Jake, saying very similar things about “Jake and his friends are doing everything in their power to show you the truth and you refuse to see it.” And a variety of other responses. Everyone’s mad at everyone.
And all of it, every bit of it, keeps us ALL talking about Nicola Coughlan and Luke Newton. Nonstop, every day.
Now, we are nearing the big mic drop of all of this, and I want to say at this point that we need to remember that Nic and Luke are HUMAN BEINGS who have a right to privacy. And they are celebrities living in a world that has an intense interest in their love lives. And sometimes, we might not feel good about the measures they must take to protect their privacy. We might hate those measures. We might feel manipulated, and we are. But if we love and respect them as much as I hope we all do, we can also understand and forgive them for taking such measures.
A quick review of important factors in all of this:
THINGS THAT TELL US IT’S REAL
The Galway trip and that very emotional introduction to Nic’s mom, which looked for all the world like a woman meeting her future son-in-law
The Claddagh ring and how she’s been wearing it
The things reporters, cast, and crew have said in passing and/or posted, not to mention recent open shipping from Ryan Wheeler and Shondaland’s IG
Everything we saw with our own eyes on the world tour, not to mention everything we’ve seen in the BTS
Little droplets of NicLuke over the recent months like Bless the Telephone and (not yet mentioned above) the S4 selfie and the photo of them in costume that Nic said she thought she’d shared, but now it’s ours (while she hasn’t posted any Jake)
The absolute consistency of all of this as a story that makes sense
THINGS THAT MAKE US DOUBT IT’S REAL AND/OR KEEP US GUESSING AND DISCUSSING
The premiere night pap photos (and though I didn’t mention it earlier, the fact that Nic went home that night so she wasn’t around for A’s attendance)
The friend group photos at Soho House with Luke, A and others
The weird LA InStyle photos
The Sorrento swimming photos
The multiple sets of pap photos of Nic and Jake, including grainy night-time neighborhood photos (with a woman walking a dog in the background)
The way every gossip news outlet ran the same “Nicola confirmed her relationship” story with the same headline and the same anonymous quote
The weirdly devoted, intensely defensive jakolas/Jake stans that seem to care about nothing but Jake/jakola out of nowhere and love screaming at and stirring up shit with lukolas
The chaos and constant discussion of all of this over the past 6+ months
The absolute inconsistency of any of this with anything in the top group
So, this mystery just gets deeper and deeper, and none of it makes sense. Every time I’d try to accept that they were just seeing these other people, something would bump in my head. There were just too many weird things that didn’t quite make sense and the biggest, weirdest one of them all was that NICOLA AND LUKE ARE CLEARLY IN LOVE WITH EACH OTHER.
So while the pieces would always almost fit, the puzzle never quite took shape. Until two nights ago when I stumbled on @lukolafan ’s page after they liked one of my posts. I scrolled down their page and found a link labeled “Lukola PR Strategies and Fake Narratives.” I cannot scream this loudly enough. GO VISIT THAT LINK!!!!! (I’ll add the links myself later if I have time.)
I did and it led to a series of Reddit posts taking an academic approach to teaching us, the general public (and lukola fans) PR Media Literacy. Among the various topics it discussed were things like:
“PR Firms and Entertainment Media: Coordinating “News” Across Gossip, Entertainment, and Official Publications,” which talks about using anonymous sources, more about staged paparazzi, and repeated narratives (“outlets echo identical stories, reinforcing PR-approved messaging, for example, multiple outlets platforms describing a celebrity ‘rising above’ a controversy, quoting the same anonymous insider” – Sound familiar?)
“The Invisible Hand of Celebrity Privacy: How PR Fabricates Narratives and Manipulates Fans,” which includes ways that PR strategies intentionally manipulate fans to fight/debate celebs faking relationships, and more (sound familiar?)
There’s honestly so much meat in all of these (there are a couple others as well) that they are ALL worth reading. There is definitely some repetition, but still, the content is super insightful and revealing and can help us all be more savvy consumers of media.
But I want to focus on two CRITICAL posts, in particular.
“The Role of Staged Paparazzi and Gossip Outlets in Celebrity PR Campaigns”
The first part of this piece talks about the method for staging fake paparazzi photos to create narratives. Two items of particular note (and I’m excerpting directly):
Quality Control of the Image: While professional photographers use high-quality cameras, staged paparazzi photos are intentionally manipulated to appear grainy or blurry. This adds a layer of authenticity to the photo, making it look as though the photographer stumbled upon the celebrity by chance.
Extra Figures in the Background: Another key tactic in staged paparazzi photos involves the use of background extras—people who might be walking with dogs, pushing strollers, or simply in the vicinity.
Think of Nicola’s photos walking home with Jake, a woman walking a dog behind them. Some of them are clear, but some are quite grainy, despite the fact that professional photographers have great equipment and are more than capable of taking a night-time shot.
Another excerpt…
Gossip Outlets: DeuxMoi and the Symbiotic Relationship with PR Firms
With the rise of user-generated content and anonymously submitted tips, gossip websites have become integral to the modern celebrity PR machine. Sites like DeuxMoi thrive on rumors and speculation, providing a platform for fans and anonymous sources to share celebrity gossip. PR teams exploit these platforms to feed their desired narratives without appearing to directly control the flow of information.
How Gossip Sites Like DeuxMoi Work:
Anonymous Tips and Leaks: PR teams often send anonymous tips to gossip outlets, offering details about celebrity activities or sightings. These tips are deliberately vague, leaving room for interpretation and speculation. Once posted on sites like DeuxMoi, the stories tend to snowball as they are shared across social media and republished by larger outlets.
Fueling Speculation: These posts generate buzz and speculation, keeping celebrities in the public eye without any direct confirmation. Gossip sites become a key player in amplifying the narrative, as fans, influencers, and media outlets continue to discuss and spread the information.
Mutual Benefits: While gossip sites operate independently, there is a mutual benefit to the relationship between them and PR teams. Gossip sites thrive on traffic and engagement, while PR teams can ensure their client’s name stays relevant in the public discourse. By subtly feeding stories, PR teams maintain control over how their celebrity’s narrative unfolds.
The piece goes on to give specific examples like Kendall Jenner and Bad Bunny, Tomdaya, Gigi Hadad and Zayne Malik, etc. then talks about fake fan interactions and how to spot them.
It offers key questions to ask about the photos you see (like what story is it telling and why and who benefits?) and then it gives this example. If your ears aren’t already fully perked, this will do it:
Example: 37-Year-Old Famous Actress and 24-Year-Old Lesser-Known Celebrity
Narrative of Romance or Distraction: In this case, the 37-year-old actress is likely fueling rumors of a relationship with the 24-year-old to either distract from something else in her personal life (like a real romantic partner) or to refresh her public image. The younger celebrity could be hired to play a temporary love interest or interest figure in the media, leading people to speculate whether they are more than just friends.
Creating a Romance or Mystery: The photo of them walking arm-in-arm, laughing, or holding hands might suggest that a romantic connection exists. This could be used to make the actress seem more relatable, desirable, or single, even if there is no romantic involvement behind the scenes.
Diverting Public Focus: If the actress is privately in a relationship with another celebrity or involved in an ongoing controversy, the staged photo with the younger celebrity helps to deflect attention. By inserting a "mystery romance," the public is more interested in who the new partner is, leaving the actress’s real partner or issues to stay out of the spotlight.
PR Stunt to Revitalize Publicity: The actress might not just be looking for romantic gossip but also fresh exposure. A curated paparazzi shot could serve as a PR tool to keep the actress's name in circulation—be it through romantic rumors, new partnerships, or simply new media content to fuel speculation.
Potential Body Double for Real Partner: If the real partner is shying away from the public eye or trying to avoid the media, the younger celebrity might act as a "body double" or decoy. This helps maintain an image of the actress being in a public relationship, while allowing her to keep the real relationship.
Don’t think I need to explain the relevance of this very specific example. There’s a lot more in the post, but I’ll move on for now to the next key post.
“Breadcrumbing and Coordinated Campaigns”
In this piece, they offer first some key breadcrumbing tactics, many of which sound awfully familiar.
Common Types of Breadcrumbs:
Cryptic Social Media Posts: Celebrities post vague messages or abstract references, sparking fan theories. Example: Harry Styles posts cryptic images or quotes, prompting speculation.
Coordinated Social Media Timing: PR teams synchronize posts to create the illusion of a shared narrative. Example: Taylor Swift and Karlie Kloss posted similar content at the same time, fueling relationship rumors.
Accidental Social Media Interactions: Liking posts or commenting on ambiguous tweets creates intimacy and speculation. Example: Kendall Jenner engages with fans on social media, fueling rumors.
Seemingly Innocent Photos: Casual photos subtly hint at a larger narrative. Example: Zendaya and Tom Holland posted photos together, teasing their relationship.
Cryptic? Like Bless the Telephone? Or a mysterious left-handed guy holding a phone in the background while Nic gets ready?
Synchronized like Nic and Jake at that restaurant? Or as far as that goes, like Nic and Luke with the S4 selfie?
Accidental social media interactions? I didn’t go into that here, but we’ve seen lots of odd likes and things, lots of Nic interactions, oh, and those RW and SL likes of late.
Seemingly innocent photos. Like very happy looking S4 pics and the “now it’s yours” BTS photo?
Perhaps most of this could be interpreted as just genuine fan interaction and fan service, which I think it is to some extent. It’s a natural part of the business. But it’s also very often done with intention.
But here’s the more important part of this piece. It gives some case studies (Ben and JLo, Shawn and Camila), then it gives two “abstract” examples.
YOU’LL LOVE THIS. Note that the second example changes to an actor and a musician, but don’t let that fool you. Keep reading for some unmistakable specifics.
Breadcrumbing with a Fake PR Girlfriend: Case Study of Celebrity 007
For Celebrity 007, breadcrumbing is used to create a false narrative about a relationship with a PR girlfriend. This helps maintain fan interest while deflecting attention from the celebrity’s true personal life.
How It Works:
First Breadcrumbs: The PR strategy begins with posts from both the celebrity and the PR girlfriend, hinting at a connection without confirming it. Example: Celebrity 007 posts a picture from a Paris restaurant or cafe in LA and the PR girlfriend shares a similar post from the same location but from a different day with different white trucks in the background (double check the Instyle Stunt images!!!)
Expanding the Narrative: Shared travel posts and indirect interactions continue the illusion of a relationship. Example: Matching geo-tags in posts from Rome suggest they were there together.
Indirect Engagement: Likes, comments, and ambiguous interactions increase intrigue without confirming the relationship. Example: The PR girlfriend comments, “Great to be here with you! 💖,” on Celebrity 007's post.
Paparazzi Shots: Carefully timed candid shots further reinforce the illusion of a relationship. Example: Paparazzi photos of Celebrity 007 and the PR girlfriend walking hand-in-hand, fueling speculation.
Note:
Café in LA, same location, different trucks?
Matching tags in Rome?
Likes and ambiguous interactions
Carefully timed (say at a premiere party) candid paparazzi shops w gf walking hand-in-hand
And then there’s the next one. In the interest of length since this is already hella long, I’ve removed some less relevant parts, but I encourage you to read it yourself.
Breadcrumbing to Hide a Real Relationship: Case Study of Celebrity 009
Why Hide the True Relationship?
In celebrity culture, the decision to keep a relationship private—or hidden—can be a strategic move, driven by a mix of personal privacy and professional interests. Some celebrities may choose to share their personal lives openly, but for others, particularly those who value their privacy or wish to control their public image, keeping a relationship private is key. This is especially relevant for two celebrities who are romantically involved but prefer to maintain discretion, despite public curiosity about their relationship.
Whether it’s a high-profile couple like Beyoncé and Jay-Z, or a less conspicuous pairing, the decision to hide the true nature of a romantic relationship often involves balancing personal desires with career strategy. In this scenario, let’s explore why two celebrities might choose to keep their relationship under wraps and the complex PR considerations that lead them to do so.
Media Scrutiny/Escaping Constant Surveillance: Navigating the Spotlight Together (I’ve combined two sections here for length)
When two celebrities become romantically involved, the media will inevitably take notice. The relationship can quickly become the focal point of constant headlines, paparazzi photos, and gossip columns. For celebrities who value their privacy, this level of scrutiny can feel overwhelming, as every public appearance or moment shared can quickly turn into speculation, even if the couple doesn’t wish to attract attention.
Romanticized Expectations: The Pressure of Perfection
Media scrutiny often creates an unrealistic, romanticized version of a celebrity relationship. Fans and the public tend to project their fantasies onto famous couples, imagining them as the perfect, unbreakable pairing. The real complexities of a relationship—differences, compromises, and struggles—often don't fit neatly into the idealized narratives created by the public.
For a couple like Actor A and Musician B, the pressure to live up to these idealized expectations can be exhausting. By choosing to keep their relationship private, they can avoid the constant pressure to fit into a preconceived mold. Hiding the relationship from public view allows them to keep things grounded and avoid being turned into a media spectacle.
Brand Control: Managing the Image of "Singleness" or "Availability"
For many celebrities, their public image is closely tied to their brand, and that brand may depend on their perceived "availability" or their status as desirable, unattached individuals. The way the public perceives a celebrity’s romantic life—whether they are single, dating, or in a long-term relationship—can have a significant impact on their professional success and marketability.
Creating Room for Desire: The Allure of the Single Celebrity
Consider Actor A, a leading man known for portraying romantic heroes on screen. The public’s perception of Actor A as a single, unattainable figure is key to their marketability, both in the media and as a brand. If they were to publicly reveal a relationship with Musician B, it could diminish that aura of unattainability. Similarly, Musician B may want to maintain a flirtatious public persona, which could be undermined if they were publicly involved with someone. By keeping the relationship private, both celebrities retain the allure of being desirable and unattached, feeding into the fantasies of their fans.
Avoiding the "Couple" Brand: Risk of Being Reduced to a Package Deal
When a high-profile couple’s relationship is made public, they may become known less for their individual work and more for their collective identity as a couple. In some cases, the couple's public appearances or shared brand messages may overshadow their individual projects. Think of Beyoncé and Jay-Z, who have an incredibly powerful couple brand that often eclipses their solo endeavors in the media. For celebrities like Actor A and Musician B, the fear of being seen as a "package deal" might drive them to hide their relationship. This allows both to maintain their distinct identities, keeping their projects and brands separate and preventing the public from viewing them solely as a pair.
Respecting Boundaries: The Vulnerability of Celebrity Relationships
Even when two celebrities are involved, the vulnerabilities of a relationship can become the focus of media attention if they go public. Romantic relationships—especially those in the high-pressure world of celebrity—are often fraught with ups and downs. The public might demand to know every detail, fueling rumors of breakups, infidelities, or relationship drama. By keeping their romance under wraps, Actor A and Musician B can avoid becoming the subject of constant gossip and can maintain some semblance of normalcy in their private lives.
Avoiding Disruptive Publicity
Celebrity relationships often attract media scrutiny not only about their romantic lives but also about how their relationship affects their careers. The public and the media often delve into the smallest details, speculating about how the relationship might impact their professional trajectories, previous relationships, or future projects.
Career Disruption: The Challenge of Balancing Love and Work
For celebrities like Musician B, a new relationship can take attention away from their upcoming album release or concert tour. The media’s obsession with their personal life might overshadow the launch of a new professional project. Similarly, if Actor A is in the middle of promoting a film or preparing for a big role, the press could focus more on their relationship than their craft, disrupting the flow of their work.
I won’t bother reviewing the relevance of all of the above. I’m sure you can see it plainly for yourself. The examples are absolutely, positively referencing Nicola and Luke, and the reasons for hiding it are super relevant. Especially boundaries, disruption, pressure to be perfect, and being reduced to a package deal.
Now at this point, it’s worth asking the question, do we trust this source? I don’t actually know who posted this content, so I can’t verify their credentials. Perhaps this is yet another PR person’s tricky efforts to continually confuse us and keep us guessing? That seems unlikely since the entire purpose is to help lift the veil on all the other tricks. If you wanted the other tricks to be effective, you’d hardly be revealing them to your target audiences.
But even setting that very logical assumption aside, the reason I know with every fiber of my being that it’s true is that this is literally the only version of events that makes sense of absolutely everything.
All those mysterious and confusing signals, all those weird photos and changes in behavior, all the inconsistencies between what we all saw with our own eyes (they are IN LOVE) and what we saw subsequently with the adjacents, all the tiny Lukola crumbs keeping us hanging on, and all the fandom bickering, especially from bizarrely rabid jakolas.
Every bit of it makes complete sense if we accept that Nic, Luke, and their PR teams have been using a classic PR handbook to distract us from the very real truth that they are together and in love.
Does it hurt to know we’ve been manipulated? You bet it does! But I quickly accepted that because I was so happy to have the truth verified at last. And because I understand why they would do it.
Relationships are hard enough when lived in private. No relationship, no matter how much people love each other, is without challenge. Even soulmates have issues to navigate. Can you imagine the pressure on them if the whole world was watching?
And their lives have added challenges. Travel and separation. Long work schedules that may often be at odds. Possibly romantic scenes with future co-stars that could stir up uncomfortable feelings. Career ups and downs that may not always synch up. Fans and media watching their every move, dissecting them, judging them, rooting for them, and just putting massive pressure on them. What if they fail? They’re letting down the whole world, not just themselves.
And what about Nic’s longstanding demand for privacy? And her emphasis that no woman is just some dude’s girlfriend. She wants to be known for her own work and achievement and passions, not for who she dates or marries. Even if it is wonderful Luke.
Likewise, Luke is just now achieving a newfound level of success. This is a moment for him to seize and make the most of. Being a hot, sexy, ostensibly single guy is good for his brand right now. Even if we know he loves Nicola, his stans need to be able to fantasize about him, which is easier if his relationship is unconfirmed.
And let’s face it, if they come out as a couple, IT WILL BE LUKOLA all the time. That will be the story. Certainly if they’d come out during the World Tour, every question at every stop would be about them and their personal “friends to lovers story.” It would be irresistible to reporters. Too good a story to ignore. And they’d spend way more time talking about their personal lives than about their work. Does that sound like something either of them would want?
And one last thing. Back to their changes in behavior. Does it make more sense that Nicola, who has always been super private about her love life, would suddenly be willing to be photographed constantly with her new bf Jake? Or that Jake is not her bf and she’s keeping her actual bf (or fiancé or husband) secret?
Meanwhile, Luke, who has always been open about his relationships in the past suddenly decides to tighten up and share absolutely nothing about his private life? Well, that makes complete sense if he’s now in a relationship with a woman who is famously private and shares not one word publicly. Suddenly, literally everything makes sense and is entirely consistent.
So there it is, folks. To me, this is the Holy Grail. There’s not a doubt left in my mind about them. They’re together and everything else – literally everything else – is a decoy and a distraction, and every bit of it comes straight from the PR playbook.
I’d like to maintain a sliver of hope that they’re leaving much of it to their teams and they’re not in on the worst of it, but in any case, I don’t blame them one bit for trying to protect their love. It’s too special to let it be destroyed by public consumption. You gotta do what you gotta do.
Given that I don’t actually know them and haven’t confirmed anything directly, I’ll leave 1.5% room for doubt, and adjust my certainty to 98.5%.
And you may dismiss all of this and draw very different conclusions, which is okay, too. But if I’m being really honest, I’m actually 1,000% sure. And I couldn’t be happier for them.
What do we do now? That’s up to each of us. Personally, I’m going to be blissfully happy for them, not sweat any of the distractions, let them live as quietly as they like, and patiently await the day (whether it’s very soon or far in the future) when they finally go public. I hope you’ll do the same.
And until then, I’m going to keep watching Lukola videos on repeat.
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thewistlingbadger · 1 month ago
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I'm going to be honest: I think one of the ways you fix season 2 is by getting rid of Warwick
Act 2 was more or less entirely dedicated to Warwick, a new character who really isn't that new bc he's actually Vander from s1. Despite the fact that he plays a heavy role in the act, his character isn't explored at all. Warwick is used in act 2 for the main purpose of reuniting Jinx and Vi. The sisters end up basically ignoring all their problems and differences and become family again solely due to Warwick's presence. If you get rid of Warwick, then the sisters don't reunite. They either stay on opposing sides or they end up reconciling later in the show, most likely due to them developing some sort of understanding for the other and by actually exploring their baggage.
Warwick is tied to Singed in this season, and through him and Viktor he's tied to Ambessa. Half of the plot in act 2 is Ambessa trying to find Warwick by using Singed to turn Warwick into the ultimate weapon. This part of the show was kinda weird and it definitely took away from the plot. If you get rid of Warwick you can actually focus on ambessa and her motives, or on ambessa and Caitlyn since their relationship is established but not developed.
The sisters end up bringing Warwick to Viktor's commune, which is how Viktor gets reintroduced to the story after not being seen for several episodes. Viktor decides to attempt to heal Warwick, but it isn't said why. We learn that Viktor's powers are suffering and that the commune isn't all that it seems, but we never get to learn anything further bc this segment isn't focused on Viktor- it's focused on Warwick. If you get rid of Warwick, you could actually focus on Viktor, his powers, his commune, his relationship with sky and the hexcore, and his motives.
At the start of act 2, we see that Vi is in a really bad place. She's fighting a lot, getting wasted, and isn't taking care of herself. We see that she has a friendship with Loris as well. However, we're not able to explore Vi's friendship or her current situation or her character bc shortly after Jinx asks Vi to help her with Warwick. If Warwick is gone then you can actually focus on Vi as a character and unpack all the shit the show has built up.
At the start of act 2, we see there's a lot of unrest in zaun. We see zaunites starting to band together and view Jinx as a symbol. This is a really cool concept that isn't explored because instead of Jinx spending the act with other zaunites, she spends it with Warwick. If Warwick is gone then we could actually explore the current politics between zaun and piltover and the effects they have.
It really doesn't make sense to have Warwick be the center of the act when he's not a main character. Hell, he isn't a character at all. He's a plot device. Literally almost everything that happens in act 2 is somehow related to him, yet he has no arch in the season. Everything he does just adds to the plot, not to the value of the story. We end up getting the most random piece of lore dropped in the middle of the season because of him. Lore that literally wasn't relevant at all to what was going on in the show and was never brought up again. I understand that season 1 hinted at Warwick being Vander but if it were up to me I'd be prioritizing the other, much more important shit that s1 set up. Not fucking Warwick. Especially since he's just Vander, an excellent character that we were done with at the start of the first season. There's no reason for him to be back. Since act two is so centered on him, the other acts had to condense and become jammed packed full of shit. But if you get rid of Warwick, you give the story space to breathe. You could have things stretched out longer and in more detail because now you have the time to! You can go into the gray and Caitlyn's dictator arc in detail because now you don't have to worry about wrapping it up before Warwick shows up.
Warwick was literally so big in the show that he took away time and development from literally every character, but especially mel, jayce, ekko, heimerdinger, and Viktor, who were rarely seen this season despite being key players from season 1. If Warwick was gone, you could actually show what happened to ekko, Jayce, and heimerdinger before act 3. You could give ekko some much needed depth and screen time. You could actually explain the black rose, which is never explained throughout the entirety of the show. You could have had Ambessa's backstory be in the show and not its own separate music video. You could have showed Mel more. If Warwick was gone, you could actually explore the characters of Caitlyn and Vi and their relationship. You could explore Sevika's character, who got pushed to the side despite her promising start. You could explore Isha as a character. You could explore lest as a character, who was introduced and then completely forgotten. You could have expanded on the chem barons instead of glossing over them.
In general, if Warwick isn't around you just have more time to do more shit. Like holy shit this is actually crazy.
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cutieln4 · 7 months ago
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Matchmaker | LN4
lando norris x fem!reader, background lestappen
summary: you try getting involved in max and charles' love lives, and it turns out they're also trying to get involved in yours
At the age of 21 years old, you joined McLaren after becoming a champion in all the junior categories. This made you the first woman in modern F1, and the first woman in several decades. And if people thought that Lando had a lot of energy, they had not met you yet.
Now that your rookie season was halfway done with, you've learned two important things. 1) Lando was very easy to get along with and 2) Max and Charles were certainly in love. 
There were a couple times when you had been on the podium with them, and of course you loved being on the podium, but having to third wheel that pair would drive anyone insane. 
So, when you got back from the summer break, you decided to make it your mission to get them together. Step 1 was telling Lando about your plans.
"Landooo!" you called out as you saw him walking in the paddock up ahead, running to catch up with him. 
"Hey, Y/n/n," he greeted you with a handshake. 
"I have a plan," you said devilishly. 
"Shit, that can never be good."
"Hey! Hear me out. So, Charles and Max, you know?"
"Who? I've never heard of those people in my life," he said sarcastically. 
"Ooookay, I could do without the attitude, thanks. Anyways, I'm sure you've noticed how in love with each other they are. Like hello? They literally scream 'enemies to lovers' trope. You know what I mean? I just need to find a way to get them to confess their undying love for each other." 
Lando's eyes widened and he looked around, making sure that no one was listening before pulling you to the side.
"Oh—jeez, so, you in?"
"The entire grid has been trying to get them together for years, you think that you'll be able to do it?"
"Yeah, obviously, but I'll need a sidekick that's why I'm telling you, so...?" 
He sighed. "Alright, tell me your ideas."
"Yes!"
"But I'm not your sidekick, we're partners in crime, okay?"
"Sure, sure. Anyways, step 1 of 'el plan' is to just subtly start mentioning Max or Charles when in conversation with the other. Get them in each others brains, you know? Like 'Oh Max was saying how he hopes for rain.'
Then, step 2, we start mentioning things that they've said about each other. 'Hey Max, Charles was saying how he always loves his on track battles with you the most,' stuff like that. Then we have to start interrogating them about their love life so they can hopefully admit their feelings. That's all I got so far."
Lando nodded, deep in thought. "Okay, this could work, this could work."
~~~~~~~~~~
Charles won in Monza, with Max and yourself completing the podium. While you were getting your interview done, the two of them seemed to be locked in their "debrief".
"Am I the only one who's noticed all the chemistry between her and Lando?" Max asked.
"You're definitely not the only one, mate. Being in a press conference with those two is unbearable."
"Ugh, yes, like just kiss already. I'm glad I'm not going crazy. We need to do something about it, get them to confess their feelings."
"I agree," Charles replied, staring into Max's eyes. 
~~~~~~~~~~
Later, they were in the press conference room, waiting for it to start, and Max and Charles were chatting away.
Y/n: MATE
Y/n: HELP
Y/n: I CAN'T TAKE THIS THIRD WHEELING
Landhoe: you can't complain you got a podium
Y/n: i actually can complain, i've suffered too much
Landhoe: you like seeing them together, don't lie. 
You grinned at that, then glanced up from your phone to see Max and Charles looking at you. 
"Who you texting?" Max asked.
"Just Lando," you shrugged, confused as Charles and Max gave each other a look.
"You guys seem to be getting along well, no?" Charles asked. 
"Uh yeah, I guess. It helps that we're both pretty similar."
"Yes, yes, very similar," Max nodded, and you raised your eyebrow, side-eyeing them. 
"Anyway, you guys have anyone special in your life, yet?" you asked.
The smirk on Max's face faltered as he glanced at Charles for a millisecond before looking back to her. 
"No, not yet, mate."
"Me neither," Charles added. 
You hummed. "Hm, okay."
~~~~~~~~~~
In Suzuka, Lando and you were talking while walking towards the driver's parade. 
"So I'm going to talk to Charles and you're going to talk to Max, sounds good?"
"Yup, I know the plan," Lando confirmed. 
"Great, we'll debrief after the race."
You spotted Charles and quickly ran up next to him before someone else could start a conversation with him. 
"Hey, Charlie! Congrats on your podium in Singapore!"
"Thanks, mate."
"Man, it's crazy how fast the season flew by, it seems like just yesterday I was a scared little rookie rolling up in Bahrain. Anyway, I was hoping to get your advice on something," you said, trying not to bring up the topic too suddenly. 
"Yeah, of course, go ahead."
"Okay, well, let's say hypothetically in a situation where you like someone, but you're not sure if they like you back, and you don't want to say anything because it could ruin your friendship and it would be awkward because you have to see them for the majority of the year, what would you do?" you asked, trying to gauge his feelings about potentially confessing his feelings. 
Charles glanced somewhere behind you, and you didn't want to look but you would've bet a million bucks that it was at Max.
"Well, if you're feeling like that person even just maybe likes you back, I say go for it. You wouldn't want to waste precious time that you could be spending together because you were too scared."
"So you're saying that if you like someone, you should just go for it?" you confirmed. 
"Yeah."
"Interesting..." you rubbed your chin, then turned to look at Max behind you. 
Meanwhile, Lando and Max were deep in conversation. 
"What would you think if two of the drivers started dating? Cause some of these people have some real chemistry," Lando asked, trying to seem nonchalant. 
Max shrugged. "I mean, yeah, some of us have known each other since our childhoods. I wouldn't be surprised if some crushes have developed. It's not my business, but I don't mind. It would be interesting, though."
"What about Charles and Pierre?" Lando egged on, waiting for a reaction. 
He watched in satisfaction as Max's eyes turned a shade darker and his jaw clenched. "Nah, I don't see it. But you and Y/n seem to be getting awfully close."
Lando couldn't help the blush that painted his cheeks. He tried to say something but was at a loss for words, mouth gaping like a fish. Max started snickering.
"We're just friends," he finally stuttered out.
"Alright, if you say so."
Lando sighed, turning away in disappointment. That did not go according to plan. 
~~~~~~~~~~
Max won the race, and because the McLaren was good in the high speed corners, Lando finished 2nd and yourself 3rd. 
You and Lando hugged as soon as you got out of your cars.
"Wohoooo! Let's go!" you cheered as you both ran to the fence of McLaren workers. 
You got done with the interview and was the first one in the cooldown room. You had put your helmet down on the platform and was drinking your water. You heard the others entering and turned around, bumping into Lando. 
"Oh, shit!" you exclaimed as you dropped your water bottle. 
You both bent down to grab it, causing your hands to touch and both of you to pause. Lando then grabbed you bottle and you both stood up, staring into each others' eyes for a couple seconds before you snapped out of it and moved to grab your water bottle. 
"Thanks," you said quietly. 
Lando was still looking at you, before quickly saying, "You're welcome."
You noticed Max watching you and the camera on you, so you cleared your throat and moved around Lando to sit on one of the chairs. 
"That was a good overtake, in the beginning," you commented to Max, trying to diffuse the awkwardness. 
Before the conference, Max was quick to get on his phone.
Max: Holy shit, I have so much to tell you about Lando and Y/n
Max: You should come to my hotel room tonight
Max: I think we're in the same hotel
Charles: I have stuff to tell you too. What time?
Max: Does after dinner, 9:00 work? 
Charles: That's perfect
Max: Great, my room is 1633
Charles: See you then ;)
And for some reason Max felt like a giddy schoolgirl at the thought of Charles coming to his hotel room.
You and Lando kept stealing glances at each other whenever the other wasn't looking, and it was so frustrating.
Later, when it was just around 9:00, Max waited (im)patiently for Charles to knock on his door, and he jumped when he finally heard the noise, getting up to let him in. Charles walked in nervously. 
"We can sit on the couch," Max commented, and Charles quickly situated himself on one end, and Max on the other. 
"Ok, you go first," Max urged. 
"Well Y/n came up to me during the driver's parade and she was talking about 'hypothetically' liking something but not doing anything about it because it could ruin their friendship. So of course I told her she should just go for it, and then she looked at Lando."
"Oh my God. Lando came up to me during the driver's parade and asked what I would think if two drivers started dating each other, and I said something about how close him and Y/n were, and he blushed. And then in the cool down room, they bumped into each other which made Y/n drop her water bottle, and when they both reached down to pick it up they touched hands. Then they just stared at each other for like 5 fucking seconds."
"Jesus, what is going on with them."
"I know right, like holy fuck just make out already! I'm sick of their pining."
Max shifted on the couch, causing his foot to touch Charles' leg. 
"Anyway, want to watch a movie?" Max asked, and Charles nodded eagerly. 
And that's how they ended up in the pitch dark, a bowl of microwaved popcorn in between them, some racing movie on the television. 
They both reached for the popcorn at the same time, causing their hands to touch, and both of them snapped their heads to look at each other. 
They stared at each other, eyes flickering down to each other's lips...until the sound of Max's phone ringing caused them both to jump apart. 
"Jesus!" Max exclaimed, quickly silencing his phone, and they reluctantly turned back to the movie, moment ruined. 
~~~~~~~~~~
A couple weeks passed until they were in Qatar. Max and Charles hadn't spoken to each other, and there was minimal communication between you and Lando. 
Max would be starting the race on pole, then Lando, you, and Charles. 
As the race went on, it seemed like that would be the finishing order, until halfway through Max started having braking issues. Lando caught up, overtaking Max for the lead, and you did the same a few laps later. 
The rest of the race, Max had adapted to the issue but still had slow pace because of it, which left him defending against Charles. 
The race ended in that order, Lando taking his first win.
"YEAHHH!!! LET'S FUCKING GO BABY! WOOHOOOOOO!!!" Lando cheered. 
They parked up in front of the podium boards. Lando opened his visor, got out of his car and stood on it, holding up his pointer finger and pumped his fist in celebration, fireworks going off in the background in the dark sky. 
You quickly got out of your car and removed your helmet, going straight to Lando. 
"You did it! You fucking did it! I'm so proud of you!" you told him as you pulled him in for a hug. 
He stared at you for a second when you let go, then immediately removed his helmet, putting a hand on your waist, pulling you closer and connecting your lips together. 
You were stunned for a second, before placing your hand on his cheek and deepening the kiss. Everything around you guys went still, like only the two of you existed. You eventually pulled away and could hear the booming of fireworks, the cheers from the crowd, and the whistles from the McLaren team a few feet away. You both blushed as you came to your senses. 
"I really fucking like you," Lando breathed out, slightly winded from the kiss. 
"I would hope so, after that," you teased, before pulling him in for another kiss. 
Max stood by his team, watching the pair from a far, his jaw dropped. 
"Fucking finally," Max sighed. 
But then he glanced behind him and spotted Charles walking to the FIA garage to get weighed, and an irresistible urge overcame him.
He followed Charles into the garage and grabbed his arm, dragging him behind one of the curtains.
"Did you see that! They finally—"
Charles was cut off as Max crashed their lips together.
"I think I've been wanting to do that for a long time," Max admitted when they pulled away. 
"I've been wanting to do that since I pushed you off the track in karting," Charles smiled, and Max smiled back, kissing him again.
—••—••—••—••—••—••—••—••—••—
a/n: i never intended to publish this anywhere but here i am. i literally never write written romance like this so this is really cringe and i cringed while writing it but enjoy ig. if you have any suggestions though please tell me!!
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ararebloom · 1 month ago
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in the scene where the council agrees that alicent can't be regent because she's not the next male heir - imo larys's great betrayal is not just that he's abandoning her (and clearly he's been a great champion for her interests up until now, given how quickly she turns to him for backup), but that he's abandoning her for the sphere of men. like, he says his piece and then he kind of glances around the table, like they're all in this solemn male understanding together - all but alicent.
the first time we meet larys in s1 he is associated with the female sphere - literally, he is sitting with the women because his disability shuts him out from the masculine pursuit of the hunt. he attaches himself not to some male player at court, but to the young queen. and ofc he is generally a user of "soft power" and manipulation to attain his goals, as women have often had to be throughout history, pushing events forward by influencing others to act.
but now, through alicent's favor, he has risen up and doesn't have to rely on that so much anymore. quoting needham in this interview: "in season 2, because of his relationship with alicent, he's a familiar face in the court. he's in very, very close proximity to even more powerful people than alicent. his influence is growing, so he's just in these powerful circles everyday. so i think it's the fact that he's not invisible, that he is more visible now, and can be, is sort of where his power lies now." it's like he realizes that these circles of power - male power - can come to accept him, even as a disabled man, in a way they cannot accept alicent. so it's time to cast her aside now and join the domain of real influence, the domain of men.
weirdly this is one of my favorite larycent scenes in the season? i really like betrayal with my loyalty kink tbh and i love how he can't stop himself from making a jealous prod at her relationship with cole by forcing him to betray her as well. "It’s not that he’s without love; he’s just able to overcome it […] I don’t think he’s without feelings, but you have to be able to turn off your heart" (from this s1 interview). so he "overcomes" his long relationship with alicent to climb the next rung of power… but has larys really turned off his heart fully here? it's like a nasty little compulsion: he has to enjoy the thrill of moving around the chess pieces of her life one last time, has to make her suffer in this little way, make cole suffer, tear them apart, even as he is tearing himself from her too.
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woofs-silly-ships · 2 months ago
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Oh. Oh holy hell
HEAVY WARNING FOR THE HAZBIN LEAKS. PLEASE FOR THE LOVE OF GOD DO NOT BE MAD AT ME IF YOU WILLINGLY CLICK ON THIS AND GET SPOILED.
Tw: Mentions of Poison/Angel Dust’s abuse, Aphobia (from Viv and Hazbin, not me. Frick Aphobes or any kind of queerphobe /srs)
This is almost certainly real and that makes me
I think I feel worse than when the Poison leaks happened
And that was bad
Yet I think this might be worse… because at least some survivors do relate to and find comfort in Poison and Angel as a whole. At least people knew he was suffering from and dealing with this abuse. This… people couldn’t have seen this coming.
Alastor and Rosie’s relationship was one of the few actually well written ones in this freaking show. And they just screwed it the hell up
Alastor being owned by/selling his soul to Lilith made so much sense. Of course Lilith would care about his child’s dream, of course she would hide him away in heaven after a (likely) bad fight with Vox, of course if he was in heaven nobody could find him, of course he’d be so fearful of the literal Queen of hell.
If Alastor is owned by Rosie, why the hell would he actually be genuinely comfortable around her as shown in season one? Rosie wouldn’t give a shit about the hotel as well, I’m sorry but like huh??? She has 0 relation to the founders or guests besides Al??? Also there’s no freaking way that Rosie would be able to hide Alastor IN HELL FOR 7 FREAKING YEARS AND AVOID ALL DETECTION. If Vox’s cameras didn’t catch him in a HEAVILY POPULATED TOWN, there’s literally no way some random diner didn’t catch a glimpse of him or something??? And Al is probably on the level below Rosie power wise, there’s no way he wouldn’t have rebelled at some point, even if he lost???
But yeah, I’m beating around the bush here. Elephant in the room time.
The whole song and animation and everything leans WAYYYY too into the aspect of Alastor being Rosie’s pet, and that creeps me out so much. Because it again feels fetishized. Way too reminiscent of pet play and such, which I already don’t like on its own but I’m not getting into that. I wouldn’t even have an issue with it if
1. Rosie was portrayed as an actual big bad and not “secretly silly”, same issue as Val
2. ALASTOR WASNT FREAKING ASEXUAL. AND ROSIE WAS LITERALLY THE ONE TO CONFIRM THAT IN CANON (the “ace in the hole” scene was one of my favorites and now it’s ruined for me. Of course.)
I know k!nky asexuals exist and are completely valid and yall are awesome, and I’d be fine seeing that represented if, you know, ALASTOR WASNT SHOWN TO BE FREAKING SEX REPULSED?? HAVE WE FORGOTTEN ABOUT THE FREAKING
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^^^ THIS???
AND GOING BACK TO WHAT I SAID BEFORE: AT LEAST SURVIVORS WHO RELATE TO ANGEL KNEW THAT HE WAS A VICTIM LONG BEFORE THE RELEASE OF POISON AND S1. MANY FELT BETRAYED BY IT AND THATS VERY VERY VALID, BUT IT COULD HAVE BEEN FAR WORSE (as in, Addict could’ve never existed, Angel fans including survivors could’ve had no idea of what he was going through before being thrown into the mess that is Poison). THERE WAS ABSOLUTELY NO FORESHADOWING OF THIS WITH ALASTOR. IVE SEEN SO MANY ASEXUALS LOVE AND RELATE TO AL AND TAKE WHAT LITTLE REPRESENTATION THEY GET IN STRIDE, AND IM SO SCARED TO SEE THEM DEAL WITH THE FETISHIZATION OF THEIR SEXUALITY. THAT WILL HURT ME MORE THAN WHATEVER THE PLOT DOES. IF YOU ARE ASEXUAL AND RELATE TO AL THEN I AM SO FREAKING SORRY FOR YOU, ESPECIALLY IF THIS ENDS UP HURTING YOU AS MUCH AS IT DOES ME /GEN
ALSO, APPARENTLY VIV IS DOUBLJNG DOWN FROM POISON BECAUSE THERE’S SOME CHEERY UPBEAT AH MUSIC BEING SUNG ABOUT ALASTOR BASICALLY BEING CHAINED AND ABUSED FOR THE MAJORITY OF HIS AFTERLIFE AND ALSO BASICALLY BEING SHOVED INTO A PET-PLAY KINK LIKE THING AS AN UNWILLING AND UNCOMFORTABLE (AND ASEXUAL) PARTICIPANT
Urghhh, I’m sorry I just really needed to get that out. Posting this on my selfship blog since it’s more contained and I have 2 Hazbin f/os anyway
Since I’m here anyway, yeah my Hellaverse AU won’t have any of this crap. Alastor will be owned by either Lilith or Roo, whichever one makes more sense when S2 comes out and we see more of Lilith and see if Roo was scrapped or not. Right now he’s owned by Lilith in the AU and his relationship with Rosie is exactly like in S1: genuine and comfortable. I’m sorry but I’m not letting Vic’s awful plot direction here ruin one of the few good relationships in the show.
And I’m sorry if any of this is exaggerated by accident, I’m just, er, very passionate about minorities being disrespected this badly and this is kinda just me dumping my thoughts and rage into writing /gen
On a small but light note, the other clip is actually really cool!! Makes sense for Heaven to have Goitia as well as Hell, and as long as this bird doesn’t turn out Stolas then I’m pretty happy with this :D
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byerseason · 9 months ago
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why byler is the only logical way to end stranger things: a personal opinion
long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.
first of all, let's see the options i heard from people who doesn't think byler is gonna happen.
not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.
"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.
"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.
now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers
i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.
we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.
will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.
like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.
the second character whose character arc needs byler: mike wheeler
mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?
because we all just watched him struggling. dealing with something inside of his mind that we don't know.
let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?
this is where we start to think if the problem is will himself, for mike.
why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?
if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.
people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.
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chemicalreal · 10 months ago
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Viserys is just as despicable as Daemon and Otto, except in a different way
It's weird enough how King Viserys is widely well seen by the audience despite his evident selfishness, which is perhaps one of the most pronounced traits throughout the show. This perception is predominantly fueled by Rhaenyra's camp, who views Viserys' unequal treatment of his children in her favor as a redeeming quality of his character.
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The subtle detail of Rhaenyra eagerly desiring a sister while her mother is still pregnant often goes unnoticed, just like her displease of the life she is supposed to endure going through many difficult pregnancies. Her strong insistence that it will be a girl contrasts with her father's wishes, hinting at an awareness of the changing dynamics within the royal family in case a boy is born. Despite spending her early years as the king's only child, the frequent pregnancies of Rhaella imply the king's persistent efforts to secure a male heir to the throne.
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Therefore, Rhaenyra is effectively being sidelined as a potential heir in favor of a yet-to-be-born phantom brother. The king's intense desire for a male heir leads him to make the drastic decision of sacrificing his own wife during childbirth. While it's understandable that a mother would prioritize her child's life over her own, the scene becomes disturbing due to Aemma's clear distress and pleas for help let alone the fact that she was literally cut open while being awake, highlighting the king's unwavering determination that will lead to others suffering and this is a leit motive for the rest of his life, be it physically or emotionally.
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The claim that Viserys, a now seasoned king, was manipulated by a teenager into marriage is one of the most absurd ones in this fandom, especially if we take into account how Alicent is portrayed. In reality, it was another self-centered choice driven by his own desires. Alicent, despite being urged by her ambitious father to seduce the grieving king (much to her horror), maintains the demeanor of a respectable lady. During her time with Viserys, the focus is on shared interests such as history and books, creating a dynamic more akin to a father spending time with his daughter. Alicent even mends the temporary rift between him and Rhaenyra giving him genuine advice. Viserys undoubtedly married Alicent out of his own desire, not coercion as some suggest. The scene where he announces it reveals Alicent's almost shocked reaction, indicating her lingering hope that he might not proceed with the idea. If Viserys were a virtuous man, he would have found Alicent a suitable match with a respected lord to acknowledge her services and simultaneously spite her father's ulterior motives.
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Viserys continues to treat Alicent as an object throughout their marriage, often demanding her to fulfill his physical needs, even after he is plagued by illness and Alicent shown to be visibly uncomfortable because of it. After a somewhat "honeymoon" phase, which is still marred by a strained relationship between Alicent and Rhaenyra which puts the former in isolation despite her efforts to show support for her as the heir, Viserys is suddenly consumed by guilt for his actions towards Aemma. At this point, Alicent and their son Aegon (and by consequence their future three children) cease to exist for him. It's important to highlight that despite this epiphany and subsequent emotional neglect, Viserys' requests for physical intimacy with Alicent persist, which only makes him more of an hypocrite who still can't help but indulge in his selfish needs at the expense of others.
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Viserys' insensitivity towards Alicent is further emphasized when Daemon returns to King's Landing and both he and Viserys mock Alicent's attempts at conversation about the new tapestries. Even Rhaenyra is visibly appalled by their behavior and chooses to support Alicent to prevent her from feeling humiliated. The temporary resumption of friendship between the two women adds layers to their tragedy, as their later falling out is ultimately induced by the men who view them merely as tools of power.
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In addition to Daemon's emotional hold on Rhaenyra that will lead to their scandalous marriage, Otto's influence over Alicent, and his manipulative schemes, Viserys perpetuates the conflict through his inaction and convenient stance in the middle ground. He neglects his other children, projecting guilt towards Aemma onto them and Alicent. While he outwardly shows love and favoritism for Rhaenyra and ignores her infractions, it seems more like a projection of guilt rather than genuine support, as he fails to take concrete steps to legitimize her ascension, especially now with the presence of sons. Viserys' actions ultimately work against Rhaenyra's favor, rather than supporting her. His handling of the family feud after Laena's funeral closes the door for any potential reconciliation between the queen and the princess.
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The truce dinner in episode 8 is unmistakably a ticking time bomb. The Rubicon was crossed years ago, but Viserys prefers to maintain the illusion of a happy family, akin to the illusion of Alicent being Aemma, for his own peace of mind. Rather than addressing the underlying issues, he opts to create a facade to avoid dealing with the potential chaos of his family members turning against each other once he is gone.
In conclusion, Viserys embodies those problematic people who often evade accountability for their actions due to their seemingly kind and sympathetic demeanor. His ability to project an amiable facade masks the deeper issues and consequences of his decisions, allowing him to avoid the scrutiny he might otherwise face.
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q8qwertyuiop8p · 4 months ago
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"Wow Silco's not on that mural!" " Zaun really hated him!"
It's literally a firelight mural... of course they are going to paint Jinx with her "real" father because the firelights hated Silco and loved Vander.
But you know who the zaunites didn't like? Vander. Vander did absolutely nothing for them, he was enabling oppression, turning a blind eye to the enforcers and the suffering of Zaun, and they were absolutely sick of it. That's why Zaun turned its back on him and embraced Silco.
Silco was by no means a perfect leader either, he brought horrible suffering to the Zaunites himself, especially those who were most impoverished. But Silco also did a lot of good for the undercity. If it weren't for him, Zaun would not have shimmer to treat all sorts of ailments, to keep people alive long enough to recieve care and prosthetics. If it weren't for him, they would not have the shimmer they need to fuel devices like Sevika and Smeech's prosthetics. It is because of Silco that little Zaun has an army of shimmer beasts and weapons to fight for freedom and defend itself from the cat. Shimmer gave Zaun a new product that wasn't under Piltover's control with which it could strengthen its economy, and we see the industries of Zaun florish under Silco. As we see illustrated in the ending of episode one, it is only through shimmer and the sacrifice that comes with it that Zaun can turn the tables on its oppressor, and I don't think the Zaunites, especially Jinx, Sevika, an the others leading this fight, will forget so soon.
In the game Convergence, which takes place after Zaun's independence, we still see Silco's symbol plastered in the undercity. His symbol remains on the assembly building in the season two trailer. Silco even seems to have a cult-like following; the eye has a strange significance in Zaun, we see Zaunites making offerings of eyeballs to a turtle-like diety that is covered in jars of eyes and has Silco's symbol inscribed on its praying hands. The Zaunites know Sevika and Jinx were loyal to Silco. It would be in their best interest to paint Silco as a hero and his death a tragedy executed by Piltover.
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Bonus: I don't understand why people make such a big deal over Silco employing children in the shimmer factory like he invented child labor or something. Child labor has been a thing in Zaun at least since Piltover has been oppressing it. Silco and Vander worked in dangerous conditions in the mines as children. Ekko worked for Benzo as a child. Vander's kids steal from people to make a living, they aren't doing much better. Silco didn't get rid of child labor but he did ensure the profit from it went towards the Undercity rather than the greedy hands of Piltover.
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endearing-dalliance · 29 days ago
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the way the Arcane team romanticize the undercity disgusts me
Especially in the new art book, they talk about how Zaun and Piltover really aren’t as different as they first seem, as they are both heavily invested in technology. Zaun is a bastion of flamboyant body modification and innovative technology. They describe it as a refuge for outcasts who are looking for a home, where people are free from Piltover’s rigid rules and politics. A communal place with a thrilling sense that anything is possible. The Firelights are described as a group uses the freedom granted by Piltover not caring about them to find beauty and innovation. People are particularly interested in recycling technology and resources because "nothing is precious and everything can always be made better". Bc obviously that's why poor people fix stuff. They are definitely able to easily replace stuff at any time, but they want to strive for perfection...
In the same breath, they describe Zaun as being oppressed, crushed by Piltover, addicted to Shimmer, having “some issues with the mob”, dangerous, volatile. They talk about how if it was better, people like Jinx and Ekko could use their skills for good. This is the same place that’s a refuge for innovative, flamboyantly augmented outcasts to be able to make wonderful technology?
Notable mention: "we had to design a prison, and that was tricky because Piltover is supposed to be a city of progress - do they really put people in prisons? Maybe only people from the Undercity, and maybe they put them really far away" like seriously does nobody realize how fucked up that is? Your issue with it is the difficulty in designing the prison?
Like have any of these people ever actually met someone who lives in an irl place like Zaun? Heard of Maslow’s hierarchy of needs? Opened any book or video on heavily polluted urban areas?
On top of that, the undercity is filled with negative stereotypes. Many of the characters are “bad” in some way, whether that be missing body parts, mentally damaged, filthy, an addict. Their food is tentacles, a drooling animal head, and a dish that looks very much like slugs in mud sauce (vs Piltover’s “normal” sandwich). Many of the people are all dressed punk/goth/sexy and look “dangerous”. This season, I expected them to address those stereotypes and show how Zaun has equal value to Piltover. That those differences don’t make people hateable or disgusting or deserving of their misery. Instead, we got “actions have consequences” theme and a dying man who suffered from chronic pain and mobility issues his entire life being told that his imperfections make him beautiful. (She-Ra did that line already and did it much better.) Because using tech/magic to fix his leg and spine strip him of his humanity.
The team have said they were specifically inspired by the current political climate in the US, specifically the two-party system within one nation divided and unable to reason with each other. But that is an entirely different and incompatible concept. Zaun literally doesn’t get a vote, and that kind of lack of political representation is literally why America rebelled against England. Its not as simple as them just talking it out or getting a single vote. And for me it explains why the conflict fizzled out in season 2 and felt so unresolved. I was expecting independence, which is the only solution to colonial oppression, but the creators gave us a fix for the political party problem they thought they were showing. We only got to see the Piltie’s viewpoint of Zaun, and it was unflattering specifically in the ways that are in real life associated classism, body shaming, and cultural shaming. They were never redeemed or validated, and almost everyone repeatedly proved the Pilties were right about them all along. In season 2, all the bad guys were Zaunites (Jinx, Viktor, Skye, Vanwick, Singed kind of) aided by a foreign power also trying to use them, and the solution was for them not to be part of their world anymore. They were too broken, too evil, too violent to remain. And for the rest, their only use was to die protecting the Pilties from one of their own people (whose autonomy wasn't even respected by his own partner and became his own worst nightmare). Instead of it being this glorious, Marvelesque fight where everyone bands together against one common enemy, it’s just another situation in which they are brutally exploited.
And I would genuinely be OK with all of this as some sort of tragic story that ended terribly for everyone and there was no real solution or progress, just more bloodshed. A tale of caution.
But the creators have been very clear that they feel that this is an appropriate ending to the story and the individual characters’ stories. Specifically, they are pushing this idea that the finale was to show the characters facing the consequences of their actions. But the characters themselves aren’t the problem, it’s the society that they are living in that basically corrupted everything it touched. Mel and the council manipulated and pressured Jayce and Viktor into making weapons instead of technology that was designed to help people, while also ignoring Viktor’s steadily worsening health problems that *they caused*. Vi and Jinx were repeatedly traumatized, orphaned, and weaponized. Cait literally got away with being a dictator, but even she was manipulated by someone who was only ever able to establish power by taking advantage of the situation. Singed (OG Piltie) literally committed war crimes and got everything he wanted. And according to the creators, everyone got what they deserved. Piltover received no punishment or retribution for their oppression. The undercity got no apology or redemption/validation. Piltover got no significant consequences. They’re still in power, still rich, still have Hextech, still oppressing the undercity. And I guess that's what they deserve.
What a load of absolute horseshit. I had a lot of expectations for season 2, but "the arcane team are actually Pilties in the worst way possible" was absolutely not one of them. I'm genuinely devastated.
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filipfatalattractionrblog · 1 month ago
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The thing about Episode 7, Jayvik and Timebomb
We like to joke about the whiplash from constantly shifting between Ekko's visit in paradise and Jayce's suffering, but....
I actually have to put the shipping googles back on for this one.
When Ekko and Jayce meet, Timebomb and Jayvik have basically been torpedoed. Ekko almost killed Jinx last season, and only hesitated at the last moment. He spent so much time telling himself Powder is dead and Jinx killed her, but now he is no longer so sure. Jayce meanwhile kept drifting away from Viktor and every time he thought he would bring them back together, he would fumble, last time they meet he was yelling, unable to understand why Viktor given up on him, as if Jayce haven't broken every promise he made to him by not destorying the hexcore and by weaponizing hextech. Ships aren't completely sunk, but they're gaining water fast.
And then the Wild Rune sent Jayce and Ekko to different worlds. Ekko gets the world that could have been, Jayce gets one that may be.
Ekko's life in a near-utopian version of Zaun quickly focuses on him falling in love with Powder that could have been. And why wouldn't he fall in love with her? Shems a genius, she's funny, she's creative...but I think with time he realizes that all these things can still be found in Jinx. He realizes Jinx didn't kill Powder, Jinx is Powder lashing out in pain.
And yet, this Powder is not free of pain either. It's different pain, that he actually stupidly pokes early on. Pain caused by different trauma, which she got to deal with, while having a better support network, but sitll present (I have seen somewhere a good argument she shows signs of depression, but forgot where). It's not that she deals with her pain better than Jinx, it's just different. And I see with time Ekko realizes that and realizes how wrong it would be to give up on Jinx, that the same person he loves is in her world, but she has no one to be for her what this Powder has in her Ekko, Mylo, Claggor, Vander and Silco (that last one is an assumption on my part, it's unclear how close he is with Powder in this world, but considering he apparently co-runs the bar with Vander, he has to be present in her life in some way). When Ekko decides to come back, he isn't doing it only because it would be unfair to Ekko of this timeline and to Powder and everyone who loves that Ekko. He also does it because he realzied what an asshole he'd be to give up on Jinx.
And remember, he has no fucking idea about the seven hells of bullshit that went down in his world when he was absent. He doesn't know about martial law, about Warwick, about Viktor, about Noxus. He's coming back expecting to deal with his tree being sick and Chem-Barons war.
Now let's look what Jayce goes through. He gets sent to hell where his dream goes horribly wrong, yes. But what quickly happens to him? He breaks his leg falling down the chasm. He ends at the very bottom of where Piltover used to be. Correction, where Zaun used to be. The enviroment is slowly poisoning him. He is forced to fight every second to survive. Poisoned by enviroment, limping, forced to use leg splint and a staff as a crutch. Sounds familiar? Moreover, he is then forced to climb his way from the bottom all the way to the highest tower of Piltover. I'm surprised more people aren't talking about this, the metaphor is laid down pretty thick. Jayce gets crash course version of Viktor's life, he is literally forced to walk miles after miles in his shoes. They even made his leg splint look like one League of Legends' Viktor had until 2024.
he never really could understand where Viktor is coming from, even at his lowest he still was a minor noble house, he still lived in good part of the town. And sure, he and Viktor became close, but then Jayce got seduced by the fame, by glamour, by being man of progress, by being savior of the future, by cushy council seat. Power makes it hard to see evil, and privledge makes you blind to human the suffering. This experience was eye-opening to Jayce. I wonder how many times he must have stopped himself and realize this is what Viktor goes through on daily basis. And, as we learned later, after Jayce climbed this way to the top of hell, he saw how much HE means to Viktor, how HE is the only person who can give Viktor hope and save him from his own internalized ableism. He goes back to save the world, but he also goes back to save Viktor.
These stories weren't paired jsut to fuck with us, they're pararells. Jayce and Ekko both were blinded, one by glamour, the other by hardship, they could no longer see real Viktor and Jinx, too wrapped up in the people the world forced them to become. Each one was forcefully stripped from his ideantity, and therefore his biases, and forced to actually SEE the person they love, not the false image they built, but real them. And then each one went back and each one reached to their respective love and save them. And jsut like Ekko went back in time over and over to make Jinx see he's there for her even if she hates herself, Jayce was willing to sacrifice it all to show Viktor he doesn't need to be perfect to be loved, because for Jayce he always was beautiful.
And I could probably write a whole separate essay about how this theme of tearing through your own bullshit and actually SEEING the other person is present in this season. How Jinx and Vi are forced to go through microcosm of each other's experience to rebuild their love. How Caitlyn is saved from her own descent into villainy by being forced to see how much pain she caused Vi, see a human in Warwick, see a wounded child in woman who killed her mother. How Vi stops her self-destruction by trusting Jinx and seeing Vander in Warwick. How Mel literally has to fight Illusionary Sorceres, a.k.a. LeBlac THE DECEIVER and defeats her with words "I see you". How Ambessa is the only person who doesn't go through this identity destruction this season, even i nthe opening proudly wearing red of Noxus, and that's why she fails. How Maddie being a spy is telegraphed from her first appearance, where she's blocking the sun, effectively obscuring Vi's vision and making herself harder to be seen. How Jinx and Sevika are forced to see people in one another now that Silco's gone. How even during sesbian lex Vi doesn't let Cait get bogged down in guilt because she sees the woman she loves and that's all that matters. How Ekko defeats Viktor by showing him he's wrong to think only he can achieve power of Wild Rune, but also by literally tearing off the mask of god from his eyes, so that Viktor can SEE Jayce again.
But it's 4 in the morning as I type this and I'm no longer being coherent. Episode 7 is literally the microcosm of the whole season and Ekko and Jayce go through the same character arc in it.
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dreadfuldevotee · 6 months ago
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I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?
I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.
I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).
I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.
Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.
I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is
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