#liked the show a lot and the urge to make lots of fanart is over powering me 👉👈

[squidpedias-fanart]

HI I JUST BINGED ALL OF LMK IN A FEW DAYS UM???????

[transhanniday]

Adapt. Evolve. Become.: The Genderqueer Fandom of NBC's Hannibal - SECOND EDITION!

In 2023 we released a fan-led volume of fanworks by and about trans non-binary, genderqueer and otherwise non-cis Fannibals. Now we're back by popular demand, to create a second edition and YOU can be involved!

We've extended submissions! You can now submit until February 28th 2025!

We'd especially love to see more:

Essays

non-fiction

personal pieces

memes

cosplay

fanart

We're still open to fanfic but as we have quite a lot on that front, we'd love to see other types of submissions.

SUBMIT HERE

NBC's Hannibal has resonated with many queer fans, and we know that being in the Hannibal, Hannigram and Hannibal Extended Universe fandom, and the support of Fannibals, has been part of many people's gender identity journeys. We want to capture that in a fandom led volume of non-fiction, featuring essays, creative nonfiction, personal accounts and art.

You may have even seen that Hugh Dancy was gifted a copy and had a very thoughtful conversation about the interpretation of Will Graham as a trans man.

IF YOU WISH TO SUBMIT WE URGE YOU TO READ THE EXISTING EDITION FIRST! You can read or download free here!

WHO should submit: Please ONLY SUBMIT IF:

you are aged 18 or over. For the sake of legalities, we are only accepting submissions from those legally considered adults in the region of publication - UK.

you are transgender, non-binary, genderqueer or otherwise non-cis. 

OR you have a close relationship (sibling, partner etc) with someone who is transgender, non-binary, genderqueer or otherwise non-cis.

NB: The reason for the edition of cis creators is as a result of the feedback on the first edition regarding how much it spoke to people who had trans relatives or a trans partner and how it resonated with them and their (often) non-fandom partner/relative. We wanted to give them a chance to voice the impact of the show and fandom on their lives as people with close relationships with trans people.

WHAT submissions do we want:

Fanfiction (100 to 5000 words)

Fanart (including comics)

Personal piece / statement / testimony (pref. under 3000 words)

Creative non-fiction (up to 5000 words)

Essay (up to 5000 words)

Cosplay (photos of yourself in cosplay and/or instructions/tips on how to make trans friendly cosplay)

Other (any form of art, photography or writing not covered here including crafts, memes, playlists???)

Theme:  Via one of the above mediums, we want you to share with us in as much or little detail as you’d like, your journey as a non-cis Fannibal in the Hannibal fandom, and/or the impact NBCs Hannibal has had on your gender journey. 

A few points for consideration you may wish to explore: 

Has the show and/or being part of the fandom helped you explore your gender, or made you feel more confident in expressing it - even if only online. 

Has the fandom helped you with your transition and/or medical needs, such as donating for trans-clothing or surgeries? 

Do you want to write an essay exploring the connection between NBCs Hannibal and non-cis fans? Or explore the trans-coding of Francis Dolarhyde?

Do you want to submit fic or art of Hannibal, Will or another character that expresses how you feel about your own gender identity?

PLEASE NOTE: if your submission is successful you are welcome to use your real name or an online handle for authorship, but you will have the option to publish anonymously or under a pseudonym if you would prefer. 

YOU CAN submit multiple works. We may publish up to two pieces from each person if they are different types, e.g. one fanart AND one essay.

Timeline:

Submission period: ENDS 28 February 2025

Editing: March 2025

Final edited copies for proof by 31st May 2025

Publication: July 2025

Compensation: As a fan-led project we do not have any funding and so cannot offer monetary compensation. All contributors will receive at the least an e-copy of the collection. If we are able to establish funding (potentially via Kickstarter) we may be able to send each contributor a print copy, but will not be able to confirm until further in the process and cannot guarantee this.

If funding is not available, we will be able to offer contributors reduced cost print copies by charging only cost price. However, given the quality of the art printing of the print copies, this will still be a significant cost.

Content Restrictions: 

Contributors must be transgender, non-binary, genderqueer or otherwise non-cis, OR in a close relationship with someone who is transgender, non-binary, genderqueer or otherwise non-cis.

Contributions must relate to NBCs Hannibal, HEU and/or the fandom

The contribution must be original. Previously published works may be considered, such as existing fanfic and fanart.

ABSOLUTELY NO GENERATIVE AI.

Explicit works welcome, but please give details in the sign up form, especially for any visual media.

It should go without saying, but we will not accept bigotry and hate speech: We may consider works that feature these things but do not glorify them. For example, we will consider works that discuss transphobia but not works that are transphobic.

FAQ under the cut!

What is Trans Hannigram Day? Trans Hannigram Day or TransHanniDay is a day of celebration for trans* fanworks and creators in the Hannibal, Hannigram and Hannibal Extended Universe fandom. On this day, old and new fanworks are shared with the intention of filling the timeline with trans* love!

Originally this event was Transcendence Fest, first held in December 2020. The first TransHanniDay was held on 8th April in 2022 in reaction to the release of a certain movie on that day.

Is this edition also for charity? We were thrilled to donate the profits from the 23-24 fiscal year to The Okra Project, and we're already on track for a similar donation to this year's nominated charity - Gendered Intelligence.

Will this collection only be focused on Hannigram? Technically the focus is on the fans, but we know the influence of NBCs Hannibal and the fandom itself goes beyond Hannigram. Both in written works and in art, other characters are accepted including those from NBCs Hannibal and those from other Mads and Hugh projects (Hannibal Extended Universe). 

For example, if Bedelia De Maurier or Adam Raki resonated with you as part of your gender journey, we’d love to hear about it. 

How can I prove I’m Trans*? We aren't expecting you to and in no way expect you to out yourself either online or in real life. We will take on trust that you are who and what you say you are, including if you are questioning, between labels or do not like to use labels. 

As noted above, those who would feel more comfortable doing so, can have their work published under a pseudonym or anonymously. 

Who is publishing this collection? This collection will be edited and published by Max Turner. Max is a gay transgender writer based in the UK, a Fannibal and the publisher of small indie press A Coup of Owls Press. This publication will not be associated with A Coup of Owls Press directly. 

[thescarletnargacuga]

This blog has changed my life

No exaggeration. No hyperbole.

Back in May, I was lonely and working myself to death. Work. Sleep. Work. Sleep. No time for anything else. I didn't really want anything else.

Then the internet exploded about this little indie show I never heard of. Apparently, they had just released their second episode and it was a big deal. Everyone was going nuts.

I had nothing better to do, so I watched it. Then I watched the first episode. Then I dove head first into the fanart here on Tumblr. Then... I felt something I hadn't felt in a very long time.

The urge to write.

When I started posting my fanfictions here, I had not written anything to this degree in over a decade. I didn't think anything I'd post would be any good. I was just trying to have fun in my own little corner of the internet.

Through this blog, I've made real friends. Met some of the most creative and wonderful people. I've found love, platonic and romantic. I've truly reevaluated my own priorities. I've rediscovered an old passion that I thought long dead.

Part of the reason I was so quiet this month was due to a lot of heavy introspection. I thought I had hit a wall or burned out...

No, I had simply discovered that my motivation for writing has changed. I no longer write because I am lonely. I write because I am happy. I write to express. I write to create. I write because I can visit worlds beyond my own within my mind and I wish to share them with you. My mind's theater is a grand stage and I am more than happy to give you all a show. It makes me happy.

You've made me happy. You read my work. You left a comment. You left a like. Maybe you say hi in the Showtime server. Maybe you're a close friend.

@gooseworx on the off chance that you read this, Thank you. Your show literally changed my life. Thank you for giving us such engaging characters to tell stories with.

Thank you for being here. Thank you for reading. May 2025 be just as creative!

Happy New Year! 🎉🍾

Scarlet

[boopdadooper]

Just wanted to show everyone the clip from Dream's latest stream where he talks about the whole 'showing nsfw fanart in a discord call with minors'.

Here's a link to the stream. It starts from 2:56:06 and goes until 3:00:55

Here is the abridged transcript. It is heavily paraphrased, as the original has a lot of stuttering, but I've done my best to stay as impartial as possible, though I very forwardly admit that I have a bias, and strong opinions about this whole situation. I urge you to read the full, unedited transcript below the cut, and watch the clip.

"So why is Dream skipping over Tubbo talking about the inappropriate conversations happening in discord calls in the Dream SMP?" I didn't intentionally skip over that. Tubbo didn't give any specifics, so I won't go into full detail, but I'll give a bit more than what he did because, the way he's phrasing it, it sounds a lot worse, like something that could be used in a 'gotcha!' moment against me. But it doesn't directly involve me, other than the fact that I owned the Dream SMP, so it was my discord server. Tubbo brought it up to me in a previous call that how, on looking back, there were some interactions he had in the Dream SMP discord that he was uncomfortable about because he was seventeen at the time. And one thing he brought up was how there was a fanart porn image shown. It's not something that should be shown to anyone, regardless of age. But this happened with a bunch of people who were on the Dream SMP in a call together, looking though some of the crazy art people had drawn of them, to poke fun at it. And one of the images was BadBoyHalo's Minecraft character, with a penis, with Skeppy's Minecraft character. Now, I validated Tubbo's concerns - it's obviously something that could make anyone uncomfortable, especially if you are a minor. But also, I did express that the way he brought it up, it could be used to accuse us of being predators. And, it wasn't something that I did… Look, privately, with George and Nick, I have shared things like this to poke fun at it with them. So, if you come in looking at us through the lens that we're terrible, creepy guys, then this instance where we showed fanart porn is vindicating, and can be held up as an example of a predatory action. And it shouldn't have happened, and maybe it's fair to say that you should avoid having anything like that in a channel with people who are seventeen, as Tubbo was. But, in that situation, no one was trying to be creepy or predatory. People were treating Tubbo as if he was an adult, like them. Which shouldn't have happened, but is also something that both Tubbo and Tommy asked for. They both asked not to be treated any different, but they are also still kids. You shouldn't take their word for that. It wasn't a thing that happened often, this was just one instance Tubbo brought up. Obviously, people are going to take that information and run with it, but, be real. We're creators who have to deal with that sort of art being shared about us, and we were talking about it as a collective. It wasn't some weird, sexual thing. And this wasn't something that I was directly involved in. In this case, I think more context is better. Because saying that 'there were some inappropriate conversations and actions that happened in the Dream SMP discords that Dream was aware of' sounds a lot worse out of context than with the details. And I'm sure Tubbo didn't want to go into specifics because of how awkward it was, but sometimes the details are necessary.

Full Transcript:

Um... 

"So why is Dream skipping over Tubbo talking about the inappropriate conversations happening in discord calls in the Dream SMP?" Um…

I didn't intentionally skip over that, um, I can look at- I don't know when he said it in the vod, but, um... Yeah one of the things Tubbo- so, I guess- Tubbo didn't give any specifics so I'm not going to give exact specifics, but I'll give more specifics than Tubbo did because again, it does make it seem a- a lot worse than what he's... y'know, th-the way that Tubbo's phrasing it, I do think that eventually it's something that could be, y'know, used in like a 'gotcha!' moment of like, 'Oh my god!'. But, first of all, it doesn't involve me, like I have nothing- o-other than the fact that obviously the Dream SMP is my... is like my- my thing, so it's my discord. Y'know, whatever. Um…

But, uh, but Tubbo brought up to me one of the previous times we called, um, how looking back on, um, y'know, some interactions that he had, uh, in the Dream SMP discord that he y’know, was uncomfortable because he was seventeen, or whatever, at the time. And, um, (stuttering) an interaction he, y’know, brought up was that in a, um, in, like, one of the chat- one of the Dream SMP chats or whatever, um, there was like, uh, a-a fanart porn image shown.

Um, now, obviously that's not something that should be shown regardless, um, uh, to anybody, it doesn't matter what the affiliation is, but, um, or like, I dunno what their... I guess age is, unless they- y'know, whatever, um... But, to give context because I think it- it is important, um, to this situation, is it was a bunch of Dream SMP people in a call, um, looking at the fact that fans were drawing crazy art like that and making fun of it, and being, like, 'oh my god, this is crazy, this is disgusting' um, y'know 'no one should do this' essentially. Um, and to give context to like, an image, I guess, I don't know how to say this without it being kind of... it's not graphic, but like, is. It- I think it was like, a BadBoyHalo Minecraft character with like, a penis, and a- and a Skeppy Minecraft character…

Obviously, again, I-I validated, uh, Tubbo's concerns and was like, yeah, obviously that's, like- obviously that's something that could make someone uncomfortable and I totally see that, and obviously if you're a minor being around something shared like- or shown like that, then you wouldn't- you wouldn't- you wouldn't want to be, um... But, I also did express to him that, uh, y'know, the way that that's being brought up - even in this context - is like, almost as a way of, like, 'Therefore (y'know) these people are predators!' o-or whatever. And again, that wasn't- that's not me, I wasn't- I didn't- it wasn't something that I- I did, or whatever, but it's also something that, uh…

Um, I definitely, y'know, even privately with George and Nick, or whatever, have shared ridiculous things like- and t-they're like 'Look at this, this is terrible!' um, and so, uh, I- even expect him as like, you're- you're looking at this through a lens of, like, if- if these guys are super- if these guys are super terrible, creepy guys, then look at this action where they shared, y'know, Skeppy/BadBoyHalo Minecraft porn and that's a predatory, like, action, um... And so I think it can both be not something that should be happened and- happening, and something that's fair to look at and be like, hey that's, y'know, hey, you should avoid having anybody in a channel with anything like that if they're seventeen, um, y'know, as Tubbo was. 

But, the way that I- it kinda looked as, Tubbo's like- well, no one- I-I don't think anyone in that scenario was trying to be creepy, or- or predatory to anybody. It was people treating Tubbo like, he was, uh, y'know, just like them - like he was an adult. Um, which probably shouldn't have happened. But it's also something that both Tubbo and Tommy both asked many times. They both said 'Don't treat us any different, don't treat like anyone else' don't- don't, y'know, whatever. But, at the same time, they're kids. They're young. They're- they're minors, at that point, so they're not... you- you shouldn't take their- their word- their word- word for that. 

But it's not like that was, like, a frequent thing that happened, obviously, again, this was one instance that Tubbo brought up, I'm not sure, I've- I- I don't know this- the exact specifics, but that's something that Tubbo brought. Um, and so that- I- I don't know the exact clip where he mentioned that, but there's, y'know, that. 

Obviously people- I'm sure people will run to the hills with that information, and be like 'Oh my god! They're fucking- They're- They're sharing, y'know, whatever!'. It's like, guys. Be for real, be serious, and realise the luni- the lunicacy of the situation we were in as creators having that type of stuff posted about us, and were collectively, as a collective, talking about it, and sharing it and being like, 'What the hell, what is this?' y'know. Um, and- and not like, a 'oh my god, this is like-' like, it's not a sexual, weird thing. 

Then again, wasn't something that I- that I was personally, as far as I know, directly involved in. But, um, but it is something that, obviously-

But again, it- it feels... It's not disingenuous, but it feels... the, like... given- It's almost sometimes the more context is better. Like, in this case, saying, like 'Yeah, there was some inappropriate stuff that happened- conversations and stuff that happened in Dream SMP discords that, like, Dream was aware of and that's like...' y'know, like, whatever. That without more context sounds weirder than if you give more context, where it's like, 'well, yeah, okay'. It's almost worse to- it's like, I don't wanna- sometimes I'm like- I'm sure Tubbo's like 'I don't wanna give details because it's awkward to talk about' versus- But sometimes, like, details are necessary, I guess, in a way, um... So…

If there are any errors, please let me know.

[the-quiet-youve-been-longing-for]

Okay time for another small (I hope) analysis on IWTV, mainly the way it's written and its place on current television. I'll try my best to format this so it's not ramblings all over, I promise.

IWTV and plot points

I watched a good amount of television in my time, and one thing I noticed here is the fact that it doesn't hold your hand. It doesn't tell you "hey, this thing x is important, now we will tell again why x is important, now here see x being used, the important thing we talked about so far, did you remember, audience?".

Let's take as an example the "don't drink the blood of the living" thing. It's said to a young Louis (telling also to the audience in the 2nd episode how vampirism in this setting works) and then every time it's brought up it's indirectly (Lestat spitting out the sick man's blood, we see Claudia buying Laudanum and we know what it will be used for, but they don't tell us "Hey, Claudia is planning to poison someone so that Lestat drinks it, because remember audience, dead blood kills them"). Sometimes not only it doesn't hold your hand, but shoves you in a different direction, especially in S2. It contradicts himself, backtracks and then it's up to you to spot it.

For example, attentive viewers may have noticed that Sam was in 2 places at once in the trial, one episode before the actual reveal. It isn't a gotcha they came up with in the finale to give more gravitas to the revelation. When they tell us Lestat mass manipulated the audience, it makes sense for the storyline too because we already saw him do that with the soldiers, we have a previous example to refer to, Armand never used that particular power.

In a time where we see so many social media adopt the "short videos" gimmick, like reels and shorts etc, having a piece of media that references back in this way is super refreshing.

2. Character complexity

Complex characters are the backbone of this show. It's easy to place a character in a box and leave them there. You see it with the stereotype of the villain, the best friend, the hero. Some tv shows may have the character shift into a different box, but it's almost never permanent (think of the times where a hero gets corrupted by the Evil Power, but then reverts back to their hero status after Defeating the Evil Power because they remembered the Power of Friendship).

We have Louis, well meaning vampire who is capable of horrible deeds when pushed to the brink. Lestat, who feels so much to the point it hurts the people around him. Armand, whose trauma and fear bring out the need to control, but at the same time he needs to do that without actually controlling. They are all these things at the same time, and it's impossible to see them in a black and white perspective.

3. Details

A line almost always has its parallels to another line in the show, gazes always mean something, props are detailed and shown (I made a post looking at Daniel's notes in 2x05, which were shown for a second only, but you can also think about Claudia's diaries, all handwritten, or the astonishing amount of folders that were in Daniels computer from the Talamasca. That is all prop work done to be shown for a few seconds at most).

4. Analysis

This is more of a fandom thing than the show itself, but I was suprised by the amount of deep analysis that people here on Tumblr did (but also on other social media). Long essays on the meaning of a scene, or on the many many topics the show brings to light (the fallacy of memory, the impact of trauma, the meaning of free will and agency).

Similarly lots of people said that the show brought them back the urge to start creating, whether it's gifs, video essays, edits, fanart, fics, what have you. I started going back to Tumblr after years (last time I was here was during S4 of Sherlock).

And I feel like this is only possible if you give your audience something to work with, something to talk about and to dissect, rather than simple "entertainment".

5. Final thoughts

Of course, this isn't to say IWTV is error free, all perfect, without flaws. Nor is it the only one that has had this amount of labor and impact. But it's still miles ahead from most media we have available at the moment in my opinion, and I really hope its success brings other showrunners or directors to want to try and dare, to trust in their audience, to avoid shortcuts and to pour love in their creation.

If you got this far, I just want to thank you for taking the time to read my ramblings again! Have a cute Louis as a reward, and see you next time :)

[mickstart]

Re your last headcanon ask: I ABSOLUTELY think we get an unfair balance of jealous Aventurine as compared to Ratio. Do you have any thoughts on how Ratio's jealousy/possessiveness would manifest? Aventurine-centric again, but I love in fanfic/fanart when he's being all over the top friendly to Ratio and then sends whoever Ratio was talking to The Death Glare™. Real gap moe.

I also love when jealousy is the thing that makes them realize "oh Shit I think I care about him more than the average coworker amount"

Okay I think. The thing about Ratio is he's so resigned to his own isolation that he probably doesn't usually GET jealous bc he's just like "of course people want to spend time with others over me. they always do. I don't care." and I think it would be a pretty new feeling to him. He'd beat himself up a LOT for getting possessive because he'd be so annoyed at how irrational it is. So his possessiveness would probably be more lowkey than Aventurine's.

I think pre-relationship he sits there and silently seethes watching aventurine flirt and YES that would probably be the thing that makes him realise he likes him a little too much. Just imagine Ratio on the sidelines watching Aventurine show a little shoulder at a bar, distracting someone he's about to fleece, and he's just hit by this competely irrational emotion he has NO idea what to do with. All he knows is he wants to march over there and throw the mark out the window.

But in a relationship he'd know that was a Tactic aventurine uses, and I think he'd kind of get off on the "Aventurine is playing all these people they don't know he's only interested in ME" (Top 50 ratio ego moments) In fact it might be a tactic of theirs on missions, to have Aventurine seduce someone and then have Ratio show up like "hello darling. mwah." and Aventurine introduces him as his Husband. (They are not married.) It makes the mark uncomfortable and also makes them feel like they can confide in Aventurine because they Share A Secret with him.

(And maybe Ratio Thoroughly Enjoys kissing Aventurine in front of them to make a Statement, and Later, Alone, reminding Aventurine who he's always going to go home with.)

Sorry another cut, I rambled again but way more this time.

I think it's easy to enter more complicated territory with Ratio's possessiveness, with Aventurine's past being what it is. It would be important that what Ratio feels possessive of isn't Aventurine, but Aventurine's feelings and attention. When Ratio is jealous he's usually doing something to get Aventurine's attention back on him. But - traumatised king that he is - Aventurine ASKS for marks and growly, frustrated possessiveness. He taunts Ratio. Asks him to "claim me", that type of shit. Asks if Ratio will buy him a collar to replace the one he wears for the IPC. Asks if Ratio would wear his collar instead, with Aventurine's address on his nametag, instead of asking him to move in like a sane person.

(Sorry my "Aventurine takes his trauma and regains power over it by sexualising it on HIS terms" agenda is so strong.)

Ratio says he's just going along with Aventurine's kinks to let him work through shit in a safe environment, but he's definitely into having Aventurine whine that he's His, or dig his nails into his hips and tell him he's HIS. He's never really been Wanted like this, enough that Aventurine covers him with bites that make him feel warm whenever he sees them, and he's never Wanted anyone else like this. It's a thrill, even if it is humiliating that Aventurine reduces him to animalistic urges. (And even more humiliating that he's then into Aventurine making fun of him for that.)

And then he buys Aventurine a necklace with his little owl eye symbol on it, and Aventurine wears that Everywhere.

.... and buys Ratio a collar with a small aventurine stone attached instead of a nametag.

[the-secret-narnian]

I was looking for some cutesy mileven fanart on twitter and stumbled across an artist I follow being homophobic towards bylers, so here’s a rant.

This whole thing probably won’t be very organized at all but this shit got me actually upset and I’ve been a silent member of the ST fandom for so long now and I have the urge to address this crap.

TW: I’ll be showing two prints that showcase clear homophobia

This is the first print I found when looking trough my notifications, I didn’t really think anything of it at first but with the context of another tweet, this one, posted by the artist themselves, makes it very clear that the intent behind this repost was not to talk about fetishization of queer people but to be hateful.

I don’t think I really need to elaborate on what is wrong with this one

The main problem here is not the homophobia (even tho it is a HUGE problem that I’ll also address separately later) , but the fact that this person, and multiple other within this and other fandoms, keep justifying their prejudice behind shipping.

I have seen so many people saying the most awful stuff to try and prove that their ship is the “right one” or “better one” or anything similar to that. I’ve seen misogyny, homophobia and ableism just by looking trough the byler/mileven tags here on Tumblr.

It is not okay to be aggressive and hateful just because you have a disagreement with someone over something as simple as shipping, and it’s even worse to involve shipping in your hate.

If you are going to be a bad person, just do it. Don’t try to pretend to be above that because of who you ship. Acting like that not only will make you look bad for being homophobic and trying to excuse it, but also helps with the negative stigma over ships.

When you do that type of shit, you are actively giving a bad name to your ship and harming other shippers who didn’t do anything.

This kinda of behavior is what results in the “bylers are ableist” and “milevens are homophobes” discourse, because “how can you say that it’s not true when it is happening before our very eyes”.

By acting like this you are causing aggressive behavior within the fandom to worsen, you harm yourself, the people you are being prejudicial towards and other fans.

Do you dislike the ship and not want to see stuff about it? Filter the tags, mark it as “non interested in this” and most importantly DONT INTERACT.

Don’t go commenting on someone’s edit because you think your ship is better, don’t go around talking about how “X ship sucks because-” whatever the reason is. By doing that you are inevitably spreading hate and making more content of that ship appear to you.

I can’t tell anyone to “not be homophobic” because that is something that people need to do for themselves.

It’s not just about being super straight forward with the prejudice either.

What I believe to be the case with a lot of homophobes is that they are incapable of understanding that they are causing harm to the LGBT+ community even if they don’t “technically hate it” and are just “not supportive”

You don’t have to be actively saying stuff like “all (respective slur to whatever minority it is) should die!” A phobia is not only to hate or be scared of something, but a general aversion towards it with no rational reason.

You can’t just “not support it” because you are just trying to make yourself look and feel better about something you know is wrong. By “not supporting” queer people you are also not supporting people’s rights to be themselves; sexuality, gender and romantic attraction are not a thing that people can change, it is a part of you.

You can claim that you just disagree with their life choices as much as you want, but in reality it is just as bad as any other prejudice. Racism is also about people not having the rights to be who they are and live normal lives.

They are both equally awful.

I won’t be accepting any comments claiming that one is worse than the other, because pain is not something to be compared. Both have caused great suffering and deaths of many people across the years

I won’t be diving any deeper into the racism discussion because of I did I would have to get into how people treat Lucas and Erica in comparison to the other characters and I have already seen a great post diving into that topic (I’ll try to find it and link it in the comments if anyone is interested)

I will also be adding, the don’t interact thing also counts for proshipping content. Most proshipping accounts are from people doing rage bait and it is common knowledge that many problematic people thrive with attention, don’t hate, don’t DM, just report it and block them.

I also won’t be going deeper into this topic cause it brings many discussions on what’s okay and what’s not when it comes to fictional content and how it affects people, and if were to say everything I thought of the topic this rant would be just a book.

I really had the need to write this down after seeing those tweets because I am a queer mileven shipper and I just hate that I have to be associated with people like that because I think Mike and El make a cute couple.

I just really want our fandom space to be more pacific, fighting and being disrespectful towards people because you think fictional character A would be better with C instead of B is silly and makes the fandom experience worse for most people.

I like to live by the principle that you shouldn’t say anything if you don’t have anything good to say, and I believe we could all have more harmony if hateful people kept the hate to themselves.

This goes for other fandoms other than Stranger Things too.

TL;DR: Shipping different characters is not a justifiable reason to be an asshole to anyone.

Edit: I just realized I wrote “tumblr” instead of Twitter, so sorry for that I am sleep deprived 😭

[crookedkryptonitebeliever]

I’ve spent the past few days eating up all the Yves content I could find on your blog he’s just so perfect oh my god??? I don’t know how to put it but he sounds like the type who’d always have the best posture and the way he walks would feel feathery.

I did not see this question from the gazillion asks I read but if something similar has been asked before you can ignore this.

How would Yves be with an artist reader who mostly has time for him but completely becomes detached for hours or sometimes days while working on a drawing? Sorry if it’s too specific you can go with different scenarios too.

Also sorry if I randomly drop a fanart of him one of these days

oh man i would be honoured to receive a fanart of yves and hell yea i love yves thanks for reading thru the madness, yea hed like walk so fluidly n shit its like unreal

but anyways getting to da meat:

He would be happy if you have a lot of time to spare for him. Yves would never take a single second for granted and he will cherish every moment with you.

Through his observation and your own assurance, he is secure in the relationship. So he wouldn't mind you disappearing into your room for days on end to complete an art piece. He will let himself in to provide you your meals or do parallel work; he will bring his laptop over and do his own thing while you do yours.

There is an invisible timer that dictates when you should go to the bathroom, eat, rest, or sleep. If you're cooperative when he greets you with a kiss and reminds you to come to bed, eat dinner or to relieve yourself after an entire day of not visiting the toilet once, he will continue to use that method. He doesn't mind having to babysit you for ages, Yves actually likes it.

He would take pictures of your progress. When you start to think that your work looks horrendous, Yves will show you the photos of your earlier stages. Praising you for how far you've come, telling you that he personally thinks it's beautiful. But he is in no way a pure 'yes man', it depends on your goals. If you want to create photorealistic paintings or drawings, he will provide the best constructive criticism on how to improve your proportions. You can simply describe what you want to create, Yves could be your muse if you want him to. He is willing to stay in a singular, muscle-straining pose for hours if you ask him to. Or, he could gather reference materials for you. Yves does have a strong background in photography too. No concept is too absurd for him to capture or even sketch.

However, if you react negatively to his reminders, such as harshly shoving him away or screaming at him to leave you alone, Yves will be resorting to reality bending. Depending on how much you hurt him, he will either make you cry 'on your own' by manipulating you into thinking that your work is terrible no matter what you do. You can't accuse him of saying derogatory remarks, because he wasn't even in the room. You shooed him out earlier.

He messes with the lighting to make your artwork 'ugly' in your eyes. Yves toggles with the humidifier or dehumidifier to make it harder to work with your art medium. The temperature in Yves's studio either seems to be sweltering or freezing. But the thermostat says otherwise. Either way, you can't create in these atrocious conditions. So you give up and retire for the day.

Everything will be back to normal tomorrow, but if you pay closer attention, you will start to feel upset over your artwork every three hours. Specifically, 12pm, 3pm, 6pm, and inevitably give up by 10pm. You would only have the urge to continue after enjoying breakfast with him past 7am. Strange, don't you think?

During your breaks, you would automatically seek Yves out for lunch, tea time, and dinner. He will not visit if you express your extreme displeasure with his presence while you work, Yves gives you the 'freedom' to choose to meet him in his office. He is always there if you need him.

Regardless, in the end, you will never fail to appreciate your own work no matter how tough the journey was. Yves ensures that you know your creation is valuable. He is supportive of your passion and is willing to finance any and all of your essential (and nonessential) materials. You could even ask him for advice, unlocking a previous chapter of his life where he used to paint under a pseudonym, for the wealthy, the enthusiastic, and the eccentric. Best to keep your mind open and not undermine him in anything, or else you might miss out on fascinating Yves lore. He wouldn't bring these up on his own if you never asked. It's always a good thing to learn from someone much older than you are.

Your jaw would be on the floor if you knew that his old canvases were now retailing for billions of dollars at auctions. But he deems it unnecessary for you to learn of that, all you need to know is Yves can draw human hands wonderfully and accurately in any pose, in under five minutes with no reference.

[xxx-theartofsuicide-xxx]

I had to pass out last night so I didn’t get a chance to take a look at your posts until now, and this is easier than reblogging shit over and over. And forgive me for missing things - it’s ass o,clock in the morning here. I really like your theory about it being married to the cartoon, because I do feel like the Beetlejuice we got in the second movie is a lot more like that iteration than the first movie. I’m also happy to keep both entities separate but fan theories are part of what makes fandom great and I can definitely see it. The theory that I agree with most is that the ENTIRE second film is the dream and this is BJ’s way, during the wedding scene, of letting us know that none of this is real. Couple of possibilities here:

1) Her waking up at the end with the indented pillow I think could be a nod to something like you suggested where she grew up, never got hitched or had a kid and she’s just been clowning around with BJ the whole time, much of which as a couple, maybe they do even have the ghost house show but it’s a long con they’re running together from both sides lol. Otherwise, why show him in bed with her at all?

2) Could Charles death brought her and the others to the house and allowed BJ to use her dreams to show her the truth about her relationship with Rory and her daughter?

3) I also like the to play with the idea that it isn’t all a dream up to a certain point, and that there’s a time skip between their escape before failed second wedding and when she has the dream about the future only for it to turn into the beetle baby nightmare lol. People can take it at face value to play with that. In that scenario she’d have to wake up and make changes because Rory would still be in the picture, and maybe she can keep Delia from killing herself lol. There’s a lot there to work with.

This is part of the genius of Burton, Gough and Millar tho. I think where fans run into trouble is that some folks cannot accept that it can be interpreted many ways and that all the ways are technically correct. You can take and leave whatever you want. I think a great example of that inability to accept differences is like…

I don’t know if you’ve noticed, but I’d say within the last seven years or so, fans have gotten really aggressive about canon actualization and then bringing the disappointment (sometimes in extreme ways) when the creators and writers of a work take the plot and its characters in a direction the disagrees with their head canons and desires for the work. And we get all kinds of weird harassment of writers and actors and shit and just, I’m from an entirely different school of thought.

It’s always been my understanding that transformative works like fanart and fanfiction were where fans went to create the outcomes they desired for their favorite stories and characters. I’ve never understood the need to have a headcanon or canon to become actual canon. I feel like canon has its space and fandom, likewise, has its own space, and if something from fandom actualizes into canon, awesome. But if it doesn’t, then who cares? So all these antis and others who refuse to accept that art is made to be interpreted just seem so silly to me. Which is why I responded to your post originally. So, I apologize for mischaracterizing you.

Apology accepted, and I'm sorry if any of my responses were needlessly harsh. I most definitely have noticed the rise in vitriol. I was here through all of it and was a key player in the Beetlewars. There was a time when you couldn't Google "beetlebabes" without finding antis complaining about me specifically by name on all the big social media platforms. It's made me a bit jaded in my response to others, but at my core I am a person who respects artistic freedom and freedom of fan interpretation.

In fact, I think the whole point of Beetlejuice Beetlejuice is that it's a spite film meant to insult fans who take it too literally. I strongly urge all of my haters to please, please take the plot literally lmao. I want them to. Tim wants them to.

The need for "headcanon" to become canon is weak af. As far as I'm concerned, my interpretation is canon because it's derived entirely from canon. I don't need Tim or Winona or any of the legends to validate that for me. This is partially why I'm not a fan of BJ3 begging. It feels greedy to me. I've learned my lesson about asking for more beetlebabes smdh.

The dreamverse is just canon, honestly. It's up to user interpretation where the dream starts and how much of the fantasy is indeed a fantasy, but it makes the most sense to me that the entire plot is hooey. Basically every lifelong babe I know prefers to believe that Lydia spent her life with BJ and I don't see why Winona would be any different. Personally, I think they're in the twisted cuck phase of their marriage.

As a bonus, here's my literal interpretation.

[lingy910y]

Art Tag

tagged by @doshiart and @gallapiech, this was truly a i'm cringe but i'm free moment

how did you start drawing? what year was it that you become more seriously and consciously interested in it? i've always had an interest in art and i started going to art classes since i was 8

when did you felt the urge to share your art with other people? When did you start posting your drawings on social media? i was scared to because of the amount of reposts in other fandoms but my mom kinda pressured me to do so cause she wants me to earn money via commissions 💀 but the gallavich fandom makes me want to share my art now, out of my own free will :3

your first/earliest drawing. what were your impressions of it back then and what are your feelings now?

one of my earliest kept drawings 💀 i couldn't have been over 11 yrs old

your first fanart ever:

i had mlp and sonic doodles too but they're also nowhere to be found

your first gallavich fanart:

when you had bad days and things didn't work out, what inspired you to keep trying?

i find that passion can get you through anything

show your old piece that you strongly dislike and explain why:

it's not a strong dislike (an old friend said it's her fav??) but yeah i was struggling with proportions and perspective (i still do)

show your old piece that you like a lot and explain why. what's the difference with the previous answer?

i rly like the colors and lighting hehe

show your old piece that you were very proud of back then:

this was actually my first rendered piece of digital art ever.

do you do any practice sketches or warm-ups before you draw something big? no i'm not a planner 😬

sketch vs final. show your process:

your most recent drawing:

i'm taking a break from art classes bc of college but i'm gonna go back during winter/summer break and since my sister quit, they're gonna give me the classes she has left LOL

give yourself some praise! look at what improved in your art! proportions, lineart, coloring, shading

any advice you'd give to your earlier self? they're right - if you have passion and keep learning, you'll eventually get better

set a goal for yourself for the coming year: stop judging your art based on an imaginary critic

tagging @deedala, @heymrspatel, @sgtmickeyslaughter, and @reganmian

[justscrolllling]

Here, a fan comic of tmnt I never finished and gave up on 😌

You can totally tell I suck at art, I didn’t just wanna leave all this effort behind tho… so here you go, my cringe fanart 😘😘😘

So I had this idea for the 2012 tmnt apocalypse au, like summing up how they all got to where they were in the movie. I wanted it to be mainly Mikey and Leo centric (mainly Mikey), because they didn’t get much backstory (or at least a strong one) in the movie, and I wanted to add more depth on how Mikey loses his mind over the apocalyptic years. It wasn’t planned to be JUST Leo and Mikey, i was definitely gonna add some Raph and Donnie in there as well, just to satisfy my urge to traumatized the brothers some more lmao.

Quick sum up of the original idea bc it’s super cringe: the story begins with Mikey and how he got out of the city, he meets some people and escapes with them, along the way he makes a map with some spare paper supply as the group searches for an oasis, he makes a friend along the way but they end up dying and that’s how he gets his poncho (it belongs to the dead person). Eventually it leads to a small montage of Mikey leaving the group and his mental health just declining from there, he starts to hallucinate and the loneliness of not having his brothers there takes a tole on him. After some time Mikey stumbles upon the oasis, finishing his map he spends a nice time in the water and enjoying the greenery, but after some time he doesn’t want to be alone and he sets out to go find his brothers, knowing they’re not dead. He stumbles upon a small clan and entrusts his odd map with them, and him being the sparkle sunshine guy he is, his map is unreadable. Mikey continues on this journey, with constant doubts at the back of his mind that his brothers are dead, this eventually leads to even more of a mental decline and he gets more traumatic flashbacks as he continues. He soon starts to hallucinate after fighting with himself that his brothers are not dead, and starts to make fake items to represent each brother, talking to icecream kitty and chompy along with his new hallucination brothers he finally finds the pizza place. This is where his story ends (I had planned it to be him seeing the pizza place and a childish smile appears on his face, it making him look absolutely insane and he walks towards the pizza place and the comic panel fades out).

Leo I didn’t plan much, his was a lot more of a short story beginning ing with a few terrifying panels of him just withering in pain and losing himself to the mutation. This would then lead on to more of a silent comic with no talking and Leo just wandering and slowly becoming this beast.

Raph and Donnie’s little mini comic was just supposed to show how Donnie became a robot and how the 2 bond as they set sail across the now barren world, searching for an oasis, completely believing their brothers are dead.

Pg: 1 (1.5) - 5

Oh btw page 1.2 looks different because that’s my more recent art style, it’s there bc I needed to add more context, I’m not good at making comics so forgive me if it’s confusing..

Yeah so that’s my cringey tmnt fan comic bc I can ❤️

I don’t own tmnt

[parageist]

If you were a slugcat what would your powers, your special mutations be? Also backstory maybe? :3

okay well i do have a slugcat OC but they don’t exactly represent me: they’re called The Hermit, and is gray with green-tipped limbs and markings. their hands are large and webbed, allowing them to climb walls and ceilings quick like a lizard, but their walking speeds and spear damage is pretty average. they make up for this by being quite crafty, and dons a pair of ancient binocular goggles. when using this ability, time slows (even slower than the effects of mushrooms), and you can freely move the camera around the room, allowing you to quickly take notice of everything in the room. though when using the goggles, you can’t control the hermit’s movement or throws at all, but it will warn you if a projectile or predator is approaching them. also after you take notice of something off-screen, it will show a faint marker at the edge of the screen pointing to it. you can customize this to show creatures, objects, exits, shortcuts, etc. the markers disappear once you leave the current room.

anyway, onto lore! [THIS IS GONNA BE A LONG ONE LMAO]

(this takes place a little bit before spearmaster’s campaign) the hermit once lived in the slugtree, but during their time the current leaders of the tribe were a lot more anxious about leaving the territory. despite this, one day the hermit leads a large expedition to find some ancient technology hermit claims will improve the lives of all the slugcats. this goes horribly wrong, and everyone but hermit is lost in the excursion. when they return, the hermit is exiled from the slugtree, never to return. because of this, they feel an intense fear of ever going outside again, and spends the next decade of their life in isolation, living in the remains of one of those giant transmission towers.

they never leave the tower, but over the years they transform a lot of it into their own massive fort, easily traversing the structure with their wall and ceiling climbing. maybe life as a hermit isn’t that bad?

then one day, they find a peculiar, spear-sized needle in one of the tower’s many shelters, alongside a wall scribbled in drawings. the hermit is fascinated by this concept of “art”, alongside the mysterious needle. finally tired of endlessly scavenging parts and improving their fort, the hermit embarks picks up two new hobbies: drawing and finding out who or what left that needle. they manage to find an ancient telescope and set it up, spending most of the day watching from atop their tower for any new travelers, while at night they retreat to the lantern-lit shelters and draw (mainly fanart of the carvings they found, which are of a strange being with antennae and seven dots on their forehead.).

eventually, they find something. a glimpse of a purple slugcat with a large be-speckled tail, carrying two white spears, traveling from the direction of the slugtree to somewhere in the distance. despite the hermit’s fear of the outside world, a primal urge burns inside them to follow this purple stranger into the fog. the next cycle a close call with a vulture sends them running back inside the safety, though they continue to ponder this for many cycles, scribbling drawings of the mysterious traveler everywhere.

deja vu strikes the hermit, as they catch yet another glimpse of the tantalizing stranger, this time traveling the opposite way, back towards the slugtree. this infatuation the hermit has with them leads them to slide down the tower and get a closer look at them. from the safety of some rafters, they observe the traveler pulling white needles from their tail and hurling them at lizards. at some point, the hermit accidentally makes a noise, and the spearmaster looks up at them, surprising the hermit with their lack of a mouth, before both of them slink away into the shadows.

the next day, the hermit returns to that spot, finding more of the spearmaster’s drawings of creatures and beings unknown to the hermit, including that same antennaed entity, confirming this is the same slugcat who left that needle here so many cycles ago. inspired by the spearmaster’s beautiful combat skills, the hermit ties rope to a pair of spears leftover by the purple traveler, fashioning two “grappling hooks” they can use to pull impaled prey closer or assist with climbing, as the rope is also tied to their back. (these two spears + rope both occupy a back slot and free up the hermit’s hands when not in use. when you have an empty hand, press grab and up to unsheath one of them. you can throw it and it does the same damage a normal spear does, but it can’t travel further than about double the length of saint’s tongue. this frees up the hand you previously had the spear in, but if you want to reel it in, you have to keep at least one hand free, and having two hands free increases the reel-in speed and force. to pull it back, hold C. once within grabbing distance, you can press grab to yank it out and return it to your back sheath slot. also keep in mind the hermit has two rope spears, and if one of them is already deployed, you can up+grab another and throw it, maintaining the original rope connection. however, if both of your spears are impaled into two different large objects/creatures and one or both of them is moving away from the other, one of the spears will be dislodged once the impaled creature moves further than the max rope length. extremely fast or forceful creatures/objects may also dislodge even if you just have one spear deployed, but most of the time they’ll stick into whatever they’re impaled to until removed. also, when both spears are out and grappled to two different objects, you can hold C to reel in the first one and V to reel in the second. keep in mind though that unlike grapple worms or saint’s tongue, the spears aren’t strong enough to allow you to dangle from impaled ceilings, and you need both spears to scale a wall, though im unsure why you would want to do that as you can just climb walls/ceilings with your webbed feet. the rope spears are designed for pulling things closer, though with both of them impaled into the same creature you can theoretically grapple to it and let it pull you along lmao)

anyway, back to story. the hermit becomes even more obsessed with art, drawing the spearmaster and the strange creatures they drew everywhere inside their tower. this helps them pass the time and keep insanity at bay, but the hermit can’t keep doing this forever. one day, either the tantalizing stranger returns for a 4th time and forces their curiosity to leave the tower, or the hermit’s transformation of their home tower leads to the creatures and plants they feed on eventually dying out, forcing them to leave and find food elsewhere.

turns out, it’s a combination of the two. the spearmaster is seen once again traveling back into the unknown, and the hermit uses their dwindling food supplies as an excuse to face their fears and satisfy their obsessive curiosity. though even if the hermit’s tower was crawling with nutritious prey and their dreams weren’t plagued with the spearmaster obsession, it seems the universe has an extra, third safeguard in place to force the hermit out of their tower. past the slugtree, far far in the distance, one of the giant cubes that dominates the horizon, crumples into the ground, shaking the land for miles with a deafening rumble. and whether it’s due to a design flaw or the hermit’s modifications, their home tower collapses in half, leaving them disoriented and destitute. hopefully their tools and the knowledge they gathered from the spearmaster’s scribbles will be enough to keep them alive, as they embark on a mission through the unknown to track down their mysterious idol.

this takes them through the following regions:

-Crumbling Skyway: an old railway bridge, with half of the hermit’s collapsed tower home crashed into it. through the railway itself is only about one or two rooms thick, it supports a variety of plants and creatures that dangle from its underside. below that is the

-Dandelion Forest: growing from the mud flats of this part of the outer expanse is a grove of lighter-than-air puffballs, connected to the ground by vines. despite being a separate biome from the skyway above, the roots that dangle from it seem to form a symbiotic relationship with the floating dandelion trees below, perhaps even being two parts of the same creature’s life cycle. whether the hermit takes the skyway or the forest floor doesn’t matter, as either way brings them to

-Midpoint Factory: a large hulking mass of steel, filled with a variety of both mechanical and biological instruments made for producing specific parts for the iterator project. though after it was abandoned in the ascension, most of the bizarre, purposed mechano-organisms remain alive inside, some still producing parts for a long-abandoned project. on top of this factory facility is a subregion called the interchange, where resources and parts for the iterator project would be put on trains and distributed to other sites in the local group. at this point the hermit has lost track of which direction the spearmaster went, and there is a secret path that will take you towards NSH’s facility, but most of the evidence points you the other way, towards the

-Hazy Spires: following the railway bridge, the ground below gives way to a hazy abyss, where bizarre structures pierce through the toxic smog. these are remains of an old bioengineering compound; matrixes of mixers and separators, where organic chemicals and the ingredients for purposed organisms were synthesized. many species were even grown in situ here, escaping from their confines and roaming the complex. at lower levels of the facility, the toxic haze grows thick enough to be dangerous, though the hermit is able to fashion a gas mask to survive the deep sections for short periods of time. eventually, the hermit discovers the collapsed railway bridge gives way and they have to ride some giant flying organism to get across the gap. on the other side is a subregion but it’s so large it may as well be it’s own, the

-Organometallic Refinery: a bioengineering compound more specified for forging a special steel alloy, infused with microbes for a self-healing effect. this facility could be considered more lifeless than the one next door, but it simply lacks a biodiverse ecosystem, as the organometal refinement process leaves the building too toxic for many creatures. though it’s unknown how much of the hazy abyss below the factory spires is created from industrial activity, as beneath the toxic clouds is a massive sinkhole called the

-Vent Zone: at the end of the organometallic refinery, the hermit finally catches up with the spearmaster after all the agonizing factory structures they passed through. both don’t know how to react, as neither have interacted with another slugcat in ages, with spearmaster having never met another of their kind before. but they look out into the distance together, as a looming superstructure grows closer and the fog grows thicker. they mount a giant flying creature to cross the vast expanse of haze between the retaining wall and the refinery, but not too far into their journey, a vulture attacks them, and the hermit panics, falling off into the abyss below. somehow they survive, waking up in a massive sinkhole. the terrain is filled with acid pools alongside the rubble of the collapsed railway bridge, and even during the day the air is dark and hard to breathe. the proximity to the hermit’s destination results in deadly, acidic rain that drowns the sinkhole every night. the hermit’s skin is chemically burnt from injuries, and can no longer stick to walls or ceilings, relying on only their spears, goggles, and gas mask to keep on surviving. what little life manages to sustain itself down here is unlike anything else, being borderline impossible to kill. as the hermit stumbles through the mangled mess of acid, mud, and metal, they eventually come across a crumbling wall, and realize this sinkhole must be a recent development. it turns out a vast aquifer once stood here, right above a chamber of void fluid. ever since ancient construction activities damaged the thin crust separating this aquifer from the void sea protrusion, the two fluids have mixed, resulting in a reducing chemical reaction, decomposing water into its base elements and allowing it to recombine into much more reactive compounds. this, combined with the draining of the aquifer for the nearby iterator facility, has led to a mixture of toxic gases and acid bubbling from the ground, creating the vent zone and the layer of haze on top of it. as the hermit scales the crumbling, slanting wall, unable to use their climbing ability, they eventually make it above the layer of smog, into the facility grounds of Seven Red Suns. first off, they cut through a passage near the top of the retaining wall through to the other side, a vast reservoir known as

-Darkwater: SRS’s facility was built in an unconventional configuration, with one of their can’s legs being right on top of the retaining wall. this means that right after the hermit steps through the wall into SRS’s facility grounds, they’re beneath their can’s underhang. the first subregion of this shaded reservoir is the Treatment Center, where pumped groundwater would be purified before being sent up SRS’s leg. a bunch of scavengers have made the refineries and water-agitators their home. past that is the Lakebed Pipeline, which during dry seasons, would transfer water across the bottom of the reservoir into the Treatment Center. during wet seasons though, the whole reservoir would be full of water, creating a vast lake underneath SRS’s shadow, even partially submerging the treatment center. however, as more iterators went online, the climate became much wetter, and so maintenance orders on the pipeline were stopped, as even during the dry seasons the reservoir was full. even before the mass ascension the lakebed pipeline fell into disrepair, which came back to bite SRS all these centuries later. the recent earthquake caused by moon’s collapse resulted in the vent zone sinkhole caving in, damaging half of SRS’s water intake systems, draining the darkwater reservoir, and what little remains of the lakebed pipeline has barely enough capacity to supply SRS with water. most of SRS’s critical systems are intact and operational for the meantime, but the creation of spearmaster will be the last bioengineering project SRS can attempt without drying up. anyway, past the lakebed pipeline is the last subregion of darkwater, the Exterior Pumping Station, which takes in water from beyond SRS’s can and pumps it across darkwater and through the treatment center, up into SRS’s easternmost leg. through this mechanical mess of pipes and pumps lies the source of half of SRS’s groundwater, the

-Underground River: a snaking maze of natural caverns and artificial conduits, the underground river is quite small compared to the other regions but it felt distinct enough to not just be a subregion of somewhere else. the dank caves and tunnels are home to a diverse selection of life, mostly adapted to breathe underwater as the conduits flood with water when the rain comes. the river eventually branches into two paths, but i’ll continue through the one which leads up into a sewer system beneath

-Derelict Cityscape: one of the oldest cities in ancient history, that sits at the bottom of a massive cliff. it was abandoned long before SRS’s construction, as most of its inhabitants chose to scale the massive cliff it’s built next to once technology allowed them to modify themselves to breathe at those altitudes. then some time later the iterator project started, and the first ever generation-2 model, Seven Red Suns, was built a few miles past the cliff, sandwiching the derelict cityscape between the two sides. what few stubborn ancients who remained at the bottom of this canyon were forced to leave once the iterator came online, drenching the ancient city in rain. the nearby cliff acts to trap most of the moisture exhaled by SRS in the canyon, resulting in the abandoned city being vastly overgrown and humid, with some buildings being completely unrecognizable as the high moisture allowed nature to overtake them. some of the more modern buildings are still standing however they lack the luxuries and advanced technologies of the living cell block skyscrapers atop iterator cans. speaking of cans, if you go to the eastern edge of the city, you’ll end up at the base of the leg of

-Seven Red Suns: okay im gonna be honest i haven’t drawn the map for this area yet but this is the end of the hermit’s journey. they finally reunite with spearmaster and meet SRS, who at first is cautious, as the spearmaster nearly died saving the hermit, but the hermit expresses their admiration for spearmaster, and SRS eventually comes around, adopting hermit, who is now The Apprentice. spearmaster, SRS, and the apprentice all teach each other different things from their journeys, and maybe one day spears and apprenti fall in love and maybe have slugpups and SRS becomes a scug grandpa or whatever the non binary equivalent to that is lmao. but yeah, that’s the end of the hermit’s journey of becoming the apprentice, but i still have some ideas i wanna write down. somewhere in SRS’s can is a blocked off area, where they first experimented with bioengineering. they were very young and experienced when they began this however, resulting in the creation of many bizarre, useless, or dangerous organisms. but to SRS they were all still living creatures, and they couldn’t just kill them all or release them into the environment, so now there’s a secret lab inside his can full of mutant beasts and it plays out like the true lab from undertale. maybe there’s even some prototypes to spearmaster in there, SRS is super guilty but doesn’t know how to deal with it, and eventually, far after spears’s and apprenti’s campaign someone discovers it and SRS has to deal with it finally. another cool idea i had for SRS’s structure is for the top to be a giant empty grassland instead of a desolate wasteland, which also lacks a city. the reason why? well that leads us to my next region idea, where you take a precipice-like skybridge across the canyon to the aptly named

-Cliffside: if you kept going to the west through the underground river, you would end up in a giant waterfall which connects up into the bottom of a giant cliff. you can also reach this area at the western side of the derelict cityscape. this cliff is natural, unlike a retaining wall or iterator can wall, with many primitive, *ancient* ancient structures carved into the rock, long since abandoned or eroded from the humid exhalation of SRS. there are a bunch of more modern structures too, including experimental city designs the ancients undertook, and a sort of giant elevator that goes to the top. there’s also a bunch of scavenger settlements along the cliffside, covered in moss and roots. once you near the top, you’ll find the giant sky bridge that crosses the canyon over to SRS’s can, and on the top of the cliff is a massive plateau that stretches out for miles above the clouds, obscured by a gigasized city, the

-Continental Capitol: the end of what i have planned so far. before the ancients built SRS, they relocated from what’s now the derelict cityscape, far above the clouds, scaling Cliffside, and founded a new city atop this plateau. because of the cultural significance and long history of this city’s population, the new city became one of the many capitals of the ancient’s global empire. this one grew so large it was known as the administrative capitol of one of the planet’s entire continents, housing nearly a hundred million ancients in its towering constructs. so yeah, after they built SRS, they had no need for a city on top, as the continental capitol was already built atop a plateau above the clouds, and was safe from the rain. now the top of SRS’s can is just a flat empty sea of grass, with a radio mast in the middle

one more bonus concept: sometime in the future but probably before saint’s time, the activity in the vent zone has damaged the retaining wall to the point where SRS’s eastern leg collapses into the sinkhole with it, breaking their can in half. maybe this also unlocks the hidden mutant lab area and spears/apprenti/their descendants discover it and SRS has to explain themselves (as also half of them fell into an acid sinkhole lmao). i also think a lava region would be really cool but i have no clue how tectonics and volcanism works in a world where the mantle is void fluid instead of magma lmao. i already handwaved the vent zone’s creation as a result of void fluid “vaporizing” water but im not sure how i could explain it turning rock into magma. either way, the geological activity from the vent zone continues, causing severe damage to SRS’s facility and can. hey, you gotta figure out a unique way for each iterator to die out instead of them all just decaying from time!

also not even kidding, this post took me over three fucking hours to complete lmao. i have been doing nothing but typing this on my phone in complete silence, checking my notes and drawings and transcribing them here, and getting up for a bathroom break once, every so often plugging my phone back in. shit it may even be four hours by now xD

anyway, this one is definitely going in the parageist classics. oh and here are sketches i have so far (i didn’t even draw the hermit/apprentice yet lmao, i just focused on all the cool regions, i love drawing maps :3)

[kebriones]

Does Greek mythology count as a fandom? Probably not but still there's definitely the community there.

Also i don't like the minute something becomes popular like a series or movie people jump to fanart and i feel the anxious urge that i have to draw it only because it's popular and it may gain popularity.

It's general yeah for commissions but internet has become hostile to new artists so eventually just focus on what i like the most. Though it's also not bad when your art gets appreciated.

well I count everything as fandom. Greek mythology itself is.... a mythology. The entirety of myths from a specific time and place. I would say "the people who like greek mythology" can consider themselves/be considered part of a fandom for sure. fandom isn't a scientific term so we can say "the cat fandom" etc, whatever we want.

Okay yeah, I understand the fear of missing out, but we also need to remember that the fanartists usually actually like the thing. when something is popular it means many people watch it and a percentage of these people are artists. if 1 in 50 people draws, when 50 people watch something then you have only 1 making art, if 50.000 people watch it then you have a thousand artists. that's an over simplification but I hope you get my point. FOMO is an issue we need to work on in ourselves because it's a useless burden.

There's a discussion i've seen happening a lot about the problem with fandoms getting faster and faster, where the majority of fans consumme everything within a month and then forget the thing afterwards, making fanartists feel like they have to rush. That's a problem with media in general imo, and it's up to everyone individually to understand this is a problem, slow down and enjoy things more and for a longer time. But there will always be people who are fans of a thing years and years after it's done. Star trek fanart, or lotr fanart is still doing extremely well out there.

When everyone and their mother is trying to market you a new band, a new game, a new series it doesn't help. At the same time, nobody can police how long people spend on any one interest and nobody owes anyone their free time and attention.

OKay so for commissions, as I said, if your art is good, and you build yourself a small community of artists (even just a few dozens of people) who will see you making a "commissions open" and reblog it, you can get some jobs. then one job will bring another, but it's a very slow process. Another thing about commissions is that you will absolutely get orders that do not interest you at all, and unless you're crazy succesful, you'll have to take them to make a living. so if you see your "making fanart of things you maybe aren't crazy about" as part of your job, maybe that will make it easier.

But literally, don't stress. Just post your art and try to focus on growing as an artist. If you don't rely on commissions to pay rent and food, literally give 0 fucks about the audience.

Final note, it really is extremely rewarding and the best motivation, to have your art appreciated by others. The more you grow and the more you share it, the more of that you'll get. People are usually very drawn to others who are passionate. Whatever you're passionate about, share it. Be annoying, even. post stupid sketches, post whatever. I thought I was just gonna be screaming into a void about alcibiades but i've found a bunch of people who also want to scream about him and it's great.

P.S. PRO TIP I JUST THOUGHT OF. One could say this is a bad thing, idk, but the way social media is, it pays off to show yourself along with your art. I don't mean show pictures. I mean post about your day. Post your thoughts, whatever. Make your presence more personal rather than "I just post my art", especially on places like twitter and tumblr. On instagram, you can do that through stories. Share funny things, be engaging. I have favorite artists that I know nothing about, but the ones I feel like I know personally I will be more likely to support by buying merch/commissions or helping them promote their stuff. It makes people feel like they can talk to you more.

[wix-0-nightshade]

Ya know what. I’m throwing the main thing going through my mind with the top TMA AU I’ve made. This. May/may not be long. I do have my little rambles lol. Anyway! Let’s goooo!! Please ignore cause it will mention some spoilers- I think? Idk. Going with what I have.

My first ever AU I have made is The Magnus Archives x Clue. Now. I did not think this. I was showing my mom Elias fanart and one of them(yes) had been Elias holding the pipe. And my mom’s response was “It reminds me of Clue”. So that got me thinking. What if I did actually cross it over.

A lot of the thought’s are in my mind lol. And I’ve written the thoughts as well(And got help from a friend :333) but. I have the urge to start making random scenarios. Like just the season 1 crew together and people don’t suspect Martin is the actual killer- but also may write an actual fanfic for once. Will I get to it anytime soon- I- don’t honestly know. Sorry for that. But wanted to see people’s interest. Since ya’ll took a liking to the Plush AU I’ve made not not as much as the Helen AU with “The Yellow Door”

But! I hope you enjoyed this post. Tell me your thoughts if you want to. I’ll be floating around.

[dragongirldg]

Hellooo there how are you

anyways if you want you can use this post to infodump on whatever you want

Info dumping huh? Well then.

I have been the biggest fan of this one ship for as long as I remember. Back in high school, I developed an interest in Homestuck. I obsessed over John Egbert specifically.

As I read fanfiction and looked at fanart, no ship sparked. I didn’t really care. I would read and yeah it’s cute and blah blah blah not my OTP.

Then the worst thing could have happened.

I looked at a crack ship and then I was fxcked. The more I thought about it, the more I loved it. Karkat who? Dave who? Dirk who? Sollex and Eridan who? Literally everyone that’s a common ship WHO?

It didn’t stick with me.

Want to know what stuck?

Caliborn.

I had this idea of Calliope getting to John first and then breaking up for one reason or another.

Then Caliborn and John date or live together for other reasons.

Calliope doesn’t really come into the equation anymore or show up in my daydreams.

I don’t why, but I thought it was adorable if John just got bothered by Caliborn at every turn. They’d bother and fight and just it was cute how much they antagonized.

Then I started developing my trans Headcanon and June eventually makes her first appearance without her being June. It’s only recently (late 2022? - 2023) that I heard the name June and went from there.

I would draw and write fanfiction after fanfiction adding and subtracting details.

June stays 8ft tall and Caliborn is slightly shorter by a few feet or inches.

Caliborn gets rid of the half shaved hair look for short curly hair.

I couldn’t stop doodling John all over my school work to the point my science teacher recognized him when I gave her a little quiz. She had a bearded dragon in the classroom and I loved holding them during class :3

(Don’t ask about the things I did in highschool)

I had a ton of ideas and a lot of them were problematic tbh so I’m still curving them out of my head for far better ideas.

No matter what fandom I became a part of John/ June x Caliborn never left me. I didn’t want to really read fics anymore since no one writes my ship.

Does anyone actually do pixies and Crocker and Harley and Egbert family dynamics? Do they ever have them interacting like a big extended family?

If I had the urge, I’d write my AU ideas more. (I’m kinda stuck at the moment, work burns me out to much and too often that I don’t have motivation to get through the one? Shot I have)

I am going to attempt to redraw this political romance fancomic I drew a long time ago to update it with my newest version of John/ June. That means she will be June. If I could find the notebooks I had.

With my inability to write I’m stuck with lackluster chapters and get nothing done. I need some form of energy boost for my creativity. It’s at an all time low at the moment, being used for other fandoms.

Like this Transformers AU that got me in a chokehold.

Optimom AU (I have a whole blog on it if you want to send asks and stuff)

Optimus becomes the mother of Soundwave, Sari, and Bumblebee. The seeker teens think of Optimus as their mother and there are like 9 of them. Not to mention the others that kind of sees Optimus as a mother figure.

Basically Found Family Trope :3

It’s more complicated than that and I have several fanfics and fanart (which is now found in the Blog)

The messy Age thing with Sari, it’s because I plan of having her die at some point (trauma) and I can’t in good conscience do that to a 3-5 year old (it’s by electrocution).

Yeah it’s messed up, but the world of Transformers is equally if not more messed up and morally grey :3

At least Ariel (Black Arachnia) and Sari get to become extensions of Unicron and Primus!

Sentinel redemption and Ultra Magnus retiring to become Optimus’ father.

There’s a lot to the AU I’m not going in to in this post but yeah!!! That’s it!!!

Honestly I could go on, but then the post will never end.

[michellemisfit]

TAG GAME: FANDOM EDITION

Tagged by the wonderful @energievie, thank you my love!

Your Name: Michelle (Mys for short)

Your Age: Just turned 38 🤟

Your First Fandom(s): Buffy the Vampire Slayer

Your Current Fandom(s): Shameless is my current active fandom, but like, you never really leave a fandom, you just get distracted by a new shiny thing. There’s still Merlin (2008) and Shadowhunters (2015) fic open on my phone right this minute. And I go back and read some of my favourite fic from much older fandoms on a semi regular basis. I have hundreds of them saved in word. Because if you love something… don’t let it go! Save the ever-loving shit out of it and keep it on your current laptop as well as on multiple external hard drives for back up!!

How did you first get into fandom? I was looking for someone to talk to, and that wasn’t going to happen in real life. So instead I found myself on a German Buffy Forum, which led me to discover fandom, online friends, and fanfic… all of which changed my life forever.

How long have you been engaging with fandom spaces? Probably since 1998? It was during Buffy Season 1, but when it aired on German TV, so 98/99 sounds about right. I DEFINITELY lied to the ‘are you over 18?’ ticky boxes!!

How often do you read fanfics? Daily. I used to be that kid that would walk to and from school with her nose in a book. Now I’m that adult that walks to and from school reading fanfic on her phone.

Top 3 characters from your current fandom(s): Mickey Milkovich. Ian Gallagher. Lip Gallagher.

Have you ever written a fic for a fandom? if so, shout it out! I have. I’m not primarily a writer, but about once a year I get the urge. Here’s my AO3. Also, if you search very hard you may be able to find some German Buffy/Spike fic out there somewhere, from when I was a child, proof read by my mother, whose main comment was ‘Oh my. You could have a career in erotica…’ (They barely kissed! Sheesh!)

Have you ever drawn fanart for a fandom? Yep. Back in the day I did the full range: Drawings, Icons. Wallpapers. Manips. Fic Banners. Fic Awards. Now I mostly stick with traditional art, and then once a year pumpkins haha Some of my recent stuff is on AO3. You can also find a lot of my art on my RedBubble Page or my Instagram.

Share a personal headcanon that you feel very strongly about: For Shameless? The Gallaghers visited Ian and Mickey in prison. Yes, they are busy, but they love their brother, and by extension they love the person their brother loves! And there is loads of them!! If they visited on rotation, it would only really “cost” them one day a month each. Not a hardship, is it? Also, Lip went more often than everyone else. Send tweet.

You’re trying to convince a friend to get into your current fandom(s) with you. what episode, clip, or scene are you showing them? Depends a little bit on the friend and on what aspect of a show I feel they’d vibe with best. 01x03 Aunt Ginger is a pretty good one. It’s got the full family working together to solve a problem. And it introduces Mandy and the itty bitty murder floof, which is a great bonus!!

And finally, what does fandom mean to you? Absolutely everything. You know Penny Lane’s speech in Almost Famous? “If you never take it seriosuly, you never get hurt, you never get hurt, you always have fun, and if you ever get lonely, just go to the record store and visit your friends.”? I followed bands around for about half a decade, and that, and Oasis’ “Please don’t put your life in the hands, of a rock and roll band, who'll throw it all away” were things I tried to live by. But fandom doesn’t work that way. Fandom is all about emotionally investing. Caring too much is basically a requirement. And what makes it safe is the fact that we are all in this together. <3

~

My word that was fun!

Tagging @malec-crazed-author, @ohfreckle, @rutherinahobbit, @deedala, @rereadanon, @toughpaperround, @teawithjelly, @faejilly, @industrious-ian, @orca122, @poemsfromthealley, @allmyfantasiesarethirdperson, @darknutmeg, @glorious-spoon, @hellofavillain, @howlinchickhowl, @katspace, @lynne-monstr, @captainjowl, @crossmydna, @vintagelacerosette, @beatperfume, @nanf1c