i never liked the idea that good trans rep has to be so subtle its easy to miss. nothing wrong with a character saying "im trans" or dealing with their experiences as a trans person.
just let them have a personality too, don't tokenize them. And make them a weird freak. we need more trans characters that are weird freaks.
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I've been getting increasingly pissed off at stuff like this with Helluva Boss for a while now so I'm running out of room for patience and giving the benefit of the doubt.
I'm not Deaf/HoH but I do have audio processing disorder and I have been involved with the Deaf/HoH community through learning Auslan and needing some of the same accommodations in my life so it's becoming increasingly apparent just how much they get short-changed by a society that does not care and has to be pressed constantly for the bare minimum of accommodating anyone other than the expected default abled demographic.
I'm sorry but while having a character who signs was fucking amazing to see even as a Hearing person
and it's been genuinely great to have the last episode of Season 1 with actual subtitles and all of Season 2 up to this one having actual subtitles
SEASON 1 STILL HAS FUCKING AUTO-GEN
We have to read T R A N S C R I P T S to understand what's going on in the entirety of Season 1 except for the final episode because while Hearing people who aren't affected by needing actual subtitles seem to think autogen and otherwise having to engage with just a transcript is good enough, news flash, IT ISN'T. Autogen has been getting better but it still fucks up (if your accommodation doesn't bring everyone up to speed with the same access as abled people your accommodation isn't good enough) and if your video is older like Season 1s are then they're FUCKING AWFUL. Even good autogen takes more energy to engage with than proper subtitles making it still more difficult than it needs to be to engage with a video.
This has annoyed me for a while but I was hoping they just needed some time to sort out someone to go make subtitles and put them up.
At the very least I figured ok, they're at least putting proper subtitles up for Season 2. Took them until OOPS came out to do it if I recall correctly, but they did it. Strange they stopped at the end of Season 1 but ok, whatever. Give them time.
Nothing has changed. It's been 3 years and nothing has changed.
Then The Full Moon dropped directly after Mammon's Magnificent Musical. I was expecting there to be proper subtitles since Season 2 now is being given them upon release.
...
So basically fuck anyone who needs proper subtitles.
This
is officially lip service to look good, not proper representation.
You can't follow this with fucking autogenerated bullcrap pretending to be accommodation.
I saw someone sending an ask in an hour or so ago to another blog to talk about The Full Moon and mentioned offhandedly in it that they had to look at the transcript to catch a line they wanted to understand and talk about.
I'd been hoping they would just put the subtitles up maybe a day or so later at least.
IT'S BEEN A WEEK.
Vivzie doesn't care about Deaf/HoH people. She chucked the kid in for brownie points. And hey, sure, brownie point rep is better than no rep, but it isn't actual representation and really doesn't deserve that much praise if you immediately follow it up with a fucking AUTOGEN ENGLISH ONLY EPISODE.
Sincerely, fuck you too.
EDIT: There are proper subtitles on The Apology Tour, so I'm glad for that at least. It came out like two weeks after The Full Moon meaning it had to be in production at the same time so idk why they could put subtitles on release for TAT and not TFM, but whatever. And hilariously (read: mystifyingly and infuriatingly) enough, THE FULL MOON STILL ONLY HAS AUTOGEN AS OF THIS EDIT BEING TYPED ON THE 25TH OF JUNE 2024. Why? Why is it the only one without subtitles in S2? Why is S1 still all auto-gen even now, right up until the Kesha-song episode? Spindlehorse continues to confuse and annoy me with their flipflopping on their supposed caring about accommodation.
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What did/do you like about Pharah?
Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.
Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).
But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.
There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.
Now Mercy? Mercy is a real complex character.
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When it comes to darlings of a yandere, I always notice how they are the innocent victim, someone you feel bad for.
But what about a morally grey darlings? What about a darling who has it coming but still doesn't deserve the extent of the situation they're in? Or what about a darling that everyone hates, a darling that deserves the absolute worst because of who they are and their actions.
What about those darlings? The ones who aren't sweet and kind, the ones that are vicious and victimize the yandere themselves?
What about the assholes who have no regard for no one but themselves? The ones that are insufferable around others, the ones that surprisingly have a stalker that either loves them or obsessively hates them. What about the darlings who are just as horrible as the yandere? So horrible to the point even they question why they have such an attraction to the reader.
Are they really in love with them? Or do they just hate them to the point of obession?
There are so many things you could cover with a morally dubious darling, so many thoughts and scenarios that could be done! But those are my thoughts for now.
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my favourite sexuality for comic book characters to be is "we made this other character canonically queer because of their relationship with them but for some reason they are still canonically straight"
like wade wilson? mostly canonically queer because of the period where he was married to cable. he was in a queer relationship, so we have to just make him canonically queer. (Yes I know it's not the only reason, I have read all his extremely camp early 00s comics, but lets be real they'd have kept insisting that was all just a joke if it wasn't for Cable and Deadpool).
cable? definitely straight. 100% straight. obviously cable is straight. his relationship with wade is only gay during the & Deadpool, in the Cable part of the book it's very straight. He stands next to a woman sometimes, that's how you can tell it's not gay.
Kitty has, finally, been allowed to come out, but for like a decade, Illyana was canon queer because she dated Kitty, but Kitty was definitely straight and would never date a woman, and no one at marvel thought there was anything weird about that.
[Image Description: a very straight character, interacting with another straight character, in a very believably straight way]
Marvel has way more of these, mostly by virtue of having more queer characters and also chris clairmont (you can never understate the impact of chris clairmont in these matters) but Tim Drake and Kon Kent spring to mind from DC.
I think you could even make a solid argument that 616 Tony and Steve are that, given Tony is out now and Steve, somehow, still isn't.
anyway you don't really get these in any other medium, because they require multiple writers who all wildly disagree with one another to all write the same characters to happen, but i love them, and as much as I want Cable and Kon to come out, I kind of hope this never stops happening in comics, it's just never not funny.
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Sorry not sorry but if you hear "we need more aroace rep" "we need more repulsed rep" or "we need more non-partnering rep" and your first response it to get upset and assume this means people think just aro/ just ace/favorable/partnering rep shouldn't exist then that's a YOU problem and maybe you should ask yourself why you feel threatened by other aspec identities asking for rep so much.
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the Riordans: the show will highlight more Annabeth and Percy’s dyslexia.
The show: taking the mentions of dyslexia from it (them not really being able to read Auntie M’s sign, the zoo truck etc..) kinda giving up about it after one episode
"the show will highlight Percy and Annabeth's dyslexia"
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