#like the characters telling statements

[void-and-vortex]

He decided to be called john and I thought “hey i know a john” and you guys. it fits. 

[acidsaladd]

drawing her with straight hair just healed me i think

[id: three images with digital drawings of nya from ninjago. on the first image there is a colored drawing of her from the thighs up. she is standing with one hand on her hip and the other holding her trident in front of her casually. she is wearing a gray tank top and her maroon gi is tied around her waist. she is looking at something straight on, with her chin tilted down and a serious look in her face. next to that there is a headshot of her with short hair in a bowl cut. she is frowning and looking to the side.

the second image has three doodles. the first one is a headshot of her turned to the right but looking left. she is smiling, her eyes squinted slightly, and she has one brow raised. she is drawn with with her hair in a high ponytail, a chunk of hair falling off the ponytail and onto her neck and her bangs messy on her forehead. next to that theres a doodle of her with her head tilted up and to the side as she smiles wide, her eyes squinting. she is facing the left but is looking at something over her shoulder. the last drawing is of her with short hair. she is drawn from the waist up, she is wearing a tank top and her arms crossed; she is frowning as if judging someone.

the last image has three headshots, two of nya and one of kai from ninjago. the first one is a side profile headshot of nya turned to the left. she is drawn with east asian features, mostly her nose and she is drawn with her bangs messy, her hair in a high ponytail except for some strands that stay on her neck. below that theres the other two headshots. these are drawn sude by side and facing the viewer completely. kai is on the left and nya on the right. they are drawn with similar features, nose and eyes, and they are both drawn with neutral expressions with their eyes looking towards the right./ end id]

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

[First] Prev <–-> Next

[worldwright]

It's the "repeat after me" that always gets me.

The silent, invisible struggle is over. Jon has tried and failed to stop himself from speaking. He has turned the page and his voice is steady and expressive. His voice is Jonah's.

Was there ever a fight at all? Jon has always followed the path Jonah laid out for him. Or was that a lie Jonah told to make his victory seem unilateral? Regardless, the eye's weapon is information, and Jonah wields it with precision and uncompromising force. He always has. And now his favorite plaything is finally ready to serve its purpose.

In some ways, Jonah made a gamble by tossing his statement in the stack randomly. If Martin had seen it before Jon, then they would have known his plan and been much more wary of any future attempt he made. But his calculation was sound. Martin had no real reason to look over the statements, and Jonah knew that his Archivist liked to read them in private.

It's one thing for him to gloat. Villains like to have their little monologue, and an avatar of Beholding especially so. But dragging his confession out of the throat of the one he abused?

He chose Jon as Archivist. He made sure that he went far enough down the path that he wouldn't be able to stop. He made sure that every word out of Jon's mouth sounded uncannily like Jonah's own voice.

But even that wasn't enough. All he really had to do was put his little incantation on the second page and he would have won. But he wanted Jon to know what was happening, and why, and how. And that he never could have stopped it. And after all that:

"Repeat after me."

Jonah had never seen Jon as a person, that had been obvious for a long time. Even so, he had great affection for him. Enough to apply his twisted love to one final act of exquisite cruelty.

[bitchthefuck1]

Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.

Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.

It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.

[fallen-hero7]

The MHA vestiges/OFA holders make me so terribly ill.

they make me so sad. They make me so sad and I love them so much. All of them. From the first to the seventh. (I dont count All Might as a vestige since he isn't dead) . All of them died horribly (maybe not for Hikage since he just died of old age lmao loser died at 40 💀💀)

btw I made an AU with @rockin-it-rusty so read more to know (be careful, spoilers for after the finale war!)

We made an AU where after the war & the defeat of AFO & Shigaraki, the holders come back to life (since they all died because of AFO/OFA, and since both of it finally came to an end, I think it would be fair for the holders to finally get a fucking change at LIVING.) and they now have to adapt to the post-final war world & their new quirks (since they keep their evolved quirks ^^) & evolutions of society :)

I think a few points I would love to explore in this AU is the shear amount of angst you can get out of Nana coming back, ≈40 years after her death, still looking like the day she died(in her 20's) and meeting a 50+ years old Toshinori (y'know, her protégé? Her sorta adoptive son?) and her friend Sorahiko Torino who used to be her crime fighting partner and is now a senil(not really) old man. Imagine how devastated she can be. She knows that the man who put her friend in the hospital is her grandson. She knows they had to fight someone who shared her blood. Nana coming back to life has such amazing angst potential it's sickening.

Another point I wanna explore is the first user, Yoichi, Yoichi SHIGARAKI. You know.. AFO's brother? His twin? His blood? Yeahh. Yoichi coming back to a world destroyed by his brother. Not only does he grieve his brother, but he feels responsible for everything that has happened. Why does he gets to be alive again? Therapy might be needed here. Everyone HATES AFO, so why would anyone welcome him?

Then, we ofc have the fact that most(if not all) of the vestiges are WAR veterans who died HORRIBLE deaths. That means : nightmares, flashbacks, PTDS, potentially derealisation from their time as vestiges, paranoia and other mental illnesses/health issues. We also have : phantom pains!!! Phantom pain is really important since : En got sliced in two. He died losing half of his body and his right hand. He HAS to feel some kind of phantom pain even if they're back once he get resurrected; and Bruce got stabbed, having a gaping hole in his torso.. he had to be feeling some phantom pain too! Then, obviously, with Kudo & Nana getting choked, I can imagine that it would feel a certain way (choking is very easy, and the feeling of hands squeezing the life out of you is something you don't ever forget)...

we also have a few other ideas and stuff, so stay tuned ^^

[drieddpetals]

(i feel like analyzing stuff again so here we go) kaz is smart because he knows people. he loves puzzles, loves locks, loves taking things apart to figure out how they work. he says in soc that you figure people out like you figure anything else out, by taking it apart. kaz is smart because he finds enough out about people to make assumptions.

he knows what people will do, and often times it leaves the ones being duped going "how did he do that? how did he know?" kaz never truely knows something will 100% happen, he's just assuming it will and is almost always right.

in the begining of soc, when the crows are breaking matthias out of hellgate, kaz assumes wrong, though. he knows that jesper has a reputation for being late, so he assumes that jesper will take to the task of releasing the animals like he will anything else he does, and be late doing it. he has, in some sense, taken jesper apart. he knows what jesper does, and he plans around this assumption, however ends up being wrong. nothing extremely consequential happens because of his assumption, but it proves that kaz will assume things with confidence.

a huge aspect to why kaz is so successful in his planning and overall schemes is because he knows how to make a good assumption. he has inej gathering him intel, which enables him to make such confident and correct guesses about how people will act.

one instance of kaz's assumptions being correct is the whole geels and 19 burstraat situation in the beginning of soc. when kaz threatens to burn down geels' lover's home, geels could have not cared, could have shot kaz right there, but he didn't. geels doesn't, and kaz continues very boldly facing him. why? because kaz knows how geels will act.

another instance is in ck when kaz kidnaps alys and uses her to get inej back. at this point, kaz knows how van eck will act. van eck has already duped kaz once, and i imagine after this one of the things kaz does to insure it never happens again is over analyzing and taking him apart. it works in this instance, because kaz has already seen how much van eck cares about a "worthy heir," and alys is literally holding that. kaz has taken van eck apart, and had figured him out enough to make a bold and correct act based on assumption.

all this to say, kaz thinks and thinks and thinks and is always thinking and picking everything apart, and that is the key to why he can get away with everything he does. and maybe one day his assumptions that make him so smart will fail him, and maybe one day they'll be fatally wrong.

[beanghostprincess]

Saying Sanji is "straight-washed" might be the funniest thing in the whole world because yes, his character is heavily queer-coded and reflects queer experiences, and no, it is not about his sexuality. It's about his gender. You got it a bit wrong, bestie.

[viiinz]

there's something about Dostoyevsky characters suddenly bursting into tears that just hits different

[vickyvicarious]

So this conversation... hoo boy, does it pack a punch. I had completely forgotten to think about what Kazuma being alive would mean regarding Herlock until Susato and Ryunosuke brought it up, but... this is a really agonizing betrayal. And even when they confront him on it, he just delays, waits out to see what they know, what he can get away with. So many times he just sits there for a long moment, letting them talk. He asks Susato, "You're quite sure?" He says this:

This is utterly infuriating. I would lose it here. And it's all the worse because Ryunosuke counters this with nothing but a certainty in Herlock's skills. He had to be lying, because they trust him to have known the truth. They aren't willing to believe that he made a mistake when he announced Kazuma's death, any more than they doubt their own recognition of him actually being alive. The confidence here hurts a lot in context. The friendship with which they approach this conversation. And he never tells them!

I'm sure the truth will come out eventually, and he'll have had his reasons, but... Ryunosuke has lived with him all along. Susato so clearly admires him so much. They're all friends. And he's seen how deeply they are grieving, he must have, and he's chosen to stay silent all this time. I'm so so impressed again by Ryunosuke and Susato's willingness to extend that trust further, to wait to find out answers.... And then even to continue investigating together with him shortly afterwards. It would be completely understandable if they couldn't. I still feel like they need to get properly angry at him, but maybe they're saving that for after they know the whole situation.

[greypetrel]

Red Right Hand 🦊🗡💅

I talk of you: Why did you wish me milder? would you have me False to my nature? Rather say I play The man I am. - Coriolanus, William Shakespeare

The Blight is not a good excuse not to be fabolous and not to be working. She can listen to the Calling another day, thank you very much, she has a Landsmeet to attend and funds to get for the Alienage.

(I'm getting refs ready for Artfight: Alyra | Raina | Aisling | Radha )

[todayisafridaynight]

theres something really funny about how the other day i was talkin bout majima fans complaining and then like three days ago yokoyama says something and now theyre complaining again

[magiefish]

Something I've kind of noticed about a lot of the academic scholarship I've read about Frankenstein / Dracula / Jekyll & Hyde is that everyone just seems to completely dismiss/ignore the characters as actual characters most of the time unless they're the Main Guys. Like, they'll go really in depth about Victor or the Creature's motivations and backstory and spend ages talking about Jekyll's relationship to Hyde and stuff, but the second it comes to characters like Enfield and Elizabeth or Lanyon and Clerval or frankly the Entire Rest of the Cast of Dracula, they just immediately seem uninterested. They'll just sort of vaguely gesture in their direction and go 'Oh yeah X and X thing happens to this character and here's a one sentence summary of their personality which doesn't really matter because this entire cast is interchangeable, anyway, onto the next theme' and half the time their One Sentence is just textually incorrect (looking at the New Woman/Traditional Woman descriptions of Lucy and Mina). And the reason I find this so baffling is because with other analysis I've read (e.g. Great Gatsby stuff) people seem to actually slow down and consider the characterisation and motivations of the cast as a whole with like. Nuance. Like they sit down and treat the characters as multifaceted and complex and having actual relationships with one another, and then you get to these books specifically and no one seems to care? Like they'll go really in depth with various interpretations and historical context for the Big Guys, and then never apply the same sort of examination to anyone else, and if they do, very rarely and probably only for one other character e.g. (Utterson or Mina).

If I had to posit an explanation, I would say its a combination of the archetypal nature of the title characters and the admittedly patchy writing of these books (which arguably lends to their archetypal status). I think academics kind of assume that the primary draw of these books are The Big Guys and the expansive themes and ideas they cover and that everyone else is just a pawn there to enable the narrative around the Big Guys, and the propensity for film adaptations to scrap or rewrite characters probably compounded this impression. And while I think this is at least partly true, the thing is, these characters were not always archetypal Big Guys. They originated in stories alongside *these* other characters *specifically* and it is worth asking what it is about the rest of the cast that makes the story interesting as well. Because, let's be real, if there was approximately no interest in the fucking *narrators* of Dracula, the best friends of Henry Jekyll, or the victims of the Creature, the original readers would have been completely bored out of their minds for most of these novels and public interest in them would not have been as great as it was. All of these novels were stories before they were myths, and academics should not be letting pop culture eclipse them unless they're specifically talking about the relationship between the two.

Overall, I just feel like academics are not only shooting themselves in the foot, but also doing a disservice to these stories by not bothering to investigate the other characters because frankly. It's lazy. It's lazy to dismiss an entire cast and basically skim read any sections involving them just because it's easy to focus on The One Guy. If you people really cared about themes, you'd understand that characters are inextricable from them. Like shit dude I see more care given to characters in essays about Greek tragedies, you guys are waaaay fucking behind

[youngyoo-apologist]

OG Choi Han they could never make me hate you cause if some random rich boy was yelling at me and telling me my family deserved to die like a day after it happened and all I wanted was to know how I could get help I’d beat him up too

This plus the added fact that the Harris Village people were the first people to take Choi Han in and take care of him after years and years in the dark forest. Like he’s obviously not going to be mentally stable after all that, and he was so young when everything happened to him like I cannot blame him at all. I don’t think I can ever hate OG Choi Han like ever, he’s flawed, he has problems, but I love him dearly. He deserves the world. This kid who had to fight for his life, was taken away from his family, and in the process had to give up parts of his own humanity to survive, and like went to war two years later, they could never make me hate u OG Choi Han…

Like yeah violence is bad I guess but OG Cale had it coming(saying this as an OG Cale fan, I love him, but he was mean as hell when he was younger!)

If I’m honest, I think they were both in the wrong to an extent. Like OG Cale shouldn’t have said all that no matter the circumstances, and OG Choi Han shouldn’t have beaten him up so much. But u say mean shit and you get hit, that is how it will work when you’re talking to the guy who just saw his entire village get murdered like idkkkk man

I understand where OG Cale was coming from, but he had many issues and while he wasn’t an awful person, he was capable of doing bad things because of his own internalized pain and emotions that he never got to properly process because of his emotionally distant childhood and relationship with his father who should have been there for him more when he was younger.

Okay speaking of his childhood, Deruth isn’t the WORST father in the world but there are a lot of things he could have done better. I think a lot of Deruth’s flaws come from his fear of failure and messing up. He’s scared of doing the wrong thing, and so he sticks to doing what he knows and using what he knows best. That’s why he uses his money, that’s why gift giving is his way of showing affection, he knows that it is one thing he cannot mess up.

The problem is that money and gifts is NOT what OG Cale needed. I think what that guy needed the most was a parent who wasn’t afraid to talk to him, to ask him questions. Not to say that Deruth gave up on OG Cale, but I think in a way he gave up on OG Cale by giving up on himself. Deruth didn’t trust himself to have the capabilities to talk to OG Cale, which is why he never did. It’s because that Deruth was scared, and didn’t trust himself, that he could never face OG Cale

If Deruth was able to trust himself a little more, and pull himself together, I don’t think OG Cale would have turned out the way he did. As a kid, he probably thought the only way he could help his family without relying on anyone(no doubt this whole ‘I have to do it myself’ thing came from the fact that he couldn’t rely on his father when his mom died, and instead was acting as a pillar of support for his father when it should have been the other way around) was to sabotage himself, the only heir. If he was shown to be unfit to be heir, then everyone else would have no choice but to direct their hatred towards him instead of his family.

If Deruth had talked to his son at least ONCE when he was a kid, asking him why he was upset or why he did the things he did, I think OG Cale would have told him. Why? Because he’s a kid!! A kid will obviously want to rely on his father, if he just had one sign telling him that he didn’t have to do it alone I’m 90% sure OG Cale would have said something.

Basically, while Deruth isn’t the worst father, he’s not really a great father either. I think he does do his best, but he has issues with communication lol

OG Cale and OG Choi Han are both complex characters and had their own reasons to behave the way they did. The thing is with people is that they’re complicated and have layers, so the situation with them would have layers behind it as well with multiple co-existing truths and stuff

[sagechan]

Kageyama comes back from Italy and the first thing he says to Hinata when they step onto the court is "in te c'è già un'aria di frociaggine" and Hinata thinks he's saying "I love you" and he just goes "aw you too"

[lillyanne4writes]

Sometimes i think i left my jjk phase. Then i remember that Gojo is the most powerful force in his universe, but instead of exploiting that for his own gain or just sitting back and spouting wisdom at others, he actively leverages his position to challenge the status quo and make the world safer for kids, which is so incredibly rare in fiction. And i go insane about this series all over again.