#like real life comics was the biggest of those for me because i was like hey did that hiatus ever end during the pandemic and guess what?

[fishmech]

tbqh a huge amount of those "straight" people making bad webcomics starting in the 90s were uh, not as straight (or sometimes, as cis) as they thought lol

if i had a nickel for every mediocre gamerish webcomic i read back in the day whose author realized they're some kinda lgbt since they started it i would straight up have like 3 bucks now. if it was just the ones who specifically realized a gender thing it would still be a dollar.

thinking about that "gay people make bad webcomics" post again. Wasnt the trend for literally 2 decades straight people making webcomics about what if two dudes were sitting on their couch talking about if mario was on drugs? to the point where homestar runner made fun of it? 🤨

[starry-bi-sky]

Danielle and Danyal's meeting... very, very quickly goes very sour from, basically, the moment Danny steps into his room and finds Ellie sitting on his bed (strike one) and reading the comic books Tucker introduced him to (strike two). By the time she's looked up to address him, Danny has the door locked, and a hand hovering near the knife hidden under his shirt.

She gets her third strike when Danny, in a voice that could make the mountains tremble, demands to know how she got into his room, and she lies (with uncertainty of her decision growing in her chest) that Jazz let her in. Danny's hand shifts closer to his weapon, and he turns towards her fully, and says that Jazz would never let someone he didn’t know into his room, and who was she.

(Vlad Masters had underprepared Danielle for her meeting with Danny -- not out of any completely direct malicious intent, but he failed to mention just how... 'touchy' Daniel could be -- he failed to mention the scars littering up his arms, unhidden by the hoodie tee he meets Ellie in. He failed to mention that along with those scars, that Danny was visibly lean, capable of doing very real damage without the use of his powers.)

(He tells Ellie that he’s adopted, and that he is observant and clever, but ungrateful and has a bad attitude.)

Her final strike occurs when Ellie, trying to keep her facade of cheeriness, tells him that she’s his third cousin once removed. Immediately, Danny has his dagger pulled out, and Ellie finds herself with the cold metal of a blade pressing against her throat.

Danyal 'A.G' Fenton hasn’t killed since he arrived in Amity Park. At first it was because mother told him to keep a low profile, and killing would do the opposite of that. But, he's been slowly learning from his sister and friends over the years the value of human life. So it's become a combination of keeping his head down, and also that life has value to it.

But. That doesn’t mean he can’t kill, nor is he opposed to doing it if the situation calls for it. It just means that he doesn't do it. And ‘Danielle’ is an unknown in his room, claiming to be family to him, and appearing uncannily similar to him and his family. Either someone hired her and she was trying to pass herself off as a relative to him because that someone realized Danny was the biggest threat, or, his false death has been compromised, his mother was unable to tell him, and the league was aware he was alive.

No matter how he looks at it, this Danielle was a threat to him, his sister, his friends, to Damian, and to the Drs. Fenton. Danyal Fenton doesn't kill, but he has no problems doing so.

(Ellie, pinned under Danny’s knee and the blade to her neck, is too terrified to think of phasing out of his hold. Not that it would help, he would just chase after her.)

“You have broken into my home, dared to lie to my face, and when I demanded to know the truth, you dared lie to me again." Danny's scowl could cower even Skulker, his glacier blue eyes burning. "Your continual breath has been a favor from me, that I have graciously allowed, from the moment you entered my room, dahkil."

"So I will ask one more time," he hisses, "who. are. you."

Danielle, only a few months old, unprepared for the ice storm that is "Daniel" Fenton, and his clone in only flesh and blood, and not memories, immediately breaks. And tells him that she was his clone, that Vlad sent her to come capture him, and to please not kill her.

Danny's face twists with anger, Ellie thinks he's going to kill her anyways. Instead, he withdraws his knife and gets off her, stringing out curses in Arabic as he sheathes his weapon back into its hiding place faster than Ellie can blink.

He switches to English as she is collecting her bearings (and contemplating fleeing), and Danny paces the room like a tiger in a cage. "--of course that wretched, arrogant, peacocking little ingrate would do something so infuriating. I should have driven my sword into the shrivel of his heart when I had the chance--"

Ellie, for a moment, thinks of leaving while he is distracted. And starts to slowly creep away. But Danny notices instantly, and whirls on her. His too-bright eyes bore into her head: "Where do you think you're going."

"...I'm leaving."

And Danny scoffs at her, "Why? So you can fly back to Masters and tell him that you failed to capture me, and that I know that he cloned me?" He says, and Ellie remains silent -- that's exactly what she was going to do. "He will destroy you within seconds."

Of course, Ellie rears back in offense, and she finds the footing to glare at him. "He would not! He's my dad, he loves me!"

Danny gets in her face, glowering back with an equal intensity. "He does not." He snaps, "Vlad Masters has not a soul in his body nor a heart in his chest. He would sooner cut off the hand that helps him stand, than to take it along with him."

"If you're really made of my blood, then I will teach you only this: we bow not our heads nor our hearts to anyone." Danny's too-blue eyes narrow, and his voice dips into a hiss, "Especially not to a conniving snake like Masters. Your heart: cut it off, or cut it out. He will sooner leave you to bleed."

Then, he unlocks the door and drags her out before she has much time to act. And as he drags her down the hall he shoots Sam and Tucker a text, and they meet up at Nasty Burger. Ellie is a spitfire, but Danny has her too intimidated to leave.

"This is Danielle," he tells them bluntly as he corners her into the booth, "she's my clone. Masters created her."

Ellie is with them for a week, and somehow throughout that time, Danny manages to actually get her to like him throughout that time. He's callous, blunt, and full of sharp edges that you can cut yourself on. But when he's not spitting venom, he's fretting.

When he drags her back to the house after being with Sam and Tucker, he pulls her to Jazz's room and opens the door to tell her the same thing. "This is Danielle." He says upon abruptly opening the door, interrupting Jazz's studying as he pulls Ellie inside. "She is my clone, Masters created her. She needs clothes."

Then he turns and leaves, shutting the door behind him. Ellie, in that moment, thinks that now's her chance to flee. But Jazz then squeals, and she is trapped in new arms, shaken around by Jazz Fenton, excited for a sister.

(Ellie finds herself complaining to Jazz that night, shoved into old pajamas. She's in utter disbelief that Jazz could care about a jerk like Danny.)

("He's rough around the edges, but Danny does care." Jazz tells her, combing through her hair with her fingers. "We've been working on it ever since he joined the family, but Danny warms up slowly. He's usually less stoney; I think your arrival spooked him.")

("Spooked him?" Ellie repeats, she doesn't believe it at all. "He has a funny way of showing it, he threatened to kill me!" And she turns around just in time to see Jazz's press her lips into a line.)

("He's... very protective. He'll deny if you ask him, but he worries a lot." Jazz's fingers find her hair again. "What I do know for certain though, is that he wouldn't have kept you here if he wasn't worried about you at least a little bit.")

(Ellie doubts it.)

But Ellie is indeed there for a week, and the day after her initially rocky introduction with Danny, he is a little bit kinder to her. Still kinda a bitch, but he's less harsh to her, if... almost uncomfortable around her. Flighty, kinda.

Whenever she gets mouthy at him though, he looks oddly smug about it and, infuriatingly enough, praises her attitude. He is very, very annoying. And still kinda terrifying. But hearing him shout insults via puns at someone during a ghost fight that happens that week lessens the intimidating factor,,, a little bit.

Things go about,,,, relatively,,,, similar to canon. In the sense that it ends with Ellie defecting from Vlad because she finds out that Danny was right and that Vlad didn't actually care about her. (And that Jazz had been right too; Danny, in his weird, mean way, had been worried about her as well)

Danny looks out of his depth as she talks about how he was right, and he cuts her off with a vaguely uncomfortable clearing of his throat. And gives her the most awkward, but genuine apology he can muster.

"I should've used more tact when telling you about Masters, and I... apologize for threatening you when we met. I was..." he makes a face like he's sucked on a particularly sour lemon, "worried. First about my family, and then later about you."

(Ellie will be damned: Jazz was right)

Before Ellie leaves, Danny puts a hand on her shoulder and tells her: "I wasn't kidding about what I said to you when we first met: you are of my blood, and as such, you do not bow your head nor your heart to anyone."

Ellie looks at him, thinks about the last week, and smiles like she's caught him in a trap. "What about Sam and Tucker then? And Jazz?"

Danny smiles, it's awkward and tilted, like his face isn't used to the gesture. "We bow not our hearts, but that doesn't mean we can't share."

[maxwell-grant]

There's a trend people have pointed out in superhero stories over the past 20 or so years that is the death of "regular" supporting casts, an increasing absence of un-powered sidekicks or people involved who aren't in the thick of the action or in the hero's secret. Everyone who interacts with superheroes is a couple issues away from becoming one, every story involves a supervillain encounter or several dozen, every hero's gotta have a lunchbox-ready "superhero family" made from these characters, and every side character that doesn't join them is either going to die or become a supervillain.

The defining example people use for this is Spider-Man's supporting cast, with every Spider-Man cast member short of Aunt May and J Jonah Jameson getting some kind of powered upgrade or symbiote, and I'm gonna say Amanda Waller is an excellent case study of how this kind of thing happens, and I think it helps to explain why Amanda Waller has been, Like That, for the past 30 years.

She’s wearing a grey shirt underneath a blue blazer and it’s tucked into a similarly blue skirt that stops at mid calf. She reminds me of the neighbourhood aunties I used to see leaving for church every Sunday morning.

My mom used to say that you are the company you keep. So what kind of person does it take to keep a variety of bruised, battered, and dangerous personalities in check? - Amanda Waller: DC's Most Terrifying Woman

To those of you who haven't read John Ostrander and Kim Yale's Suicide Squad, there once was a time where Amanda Waller was something more than a powerful antagonistic force able to butt heads with the biggest superheroes, and something other than a heartless establishment face out to make superheroes miserable for ill-defined reasons. Structurally speaking, Suicide Squad is a comic about marginal DCU characters forced to deal with actual real life problems, and it's central character is a marginalized person forced to deal with DCU problems and characters. The members of the Squad are a rolling parade of costumed misfits and maniacs assigned to go around the globe to fight and kill and die on dirty missions to deal with dirty laundry and stop war zones from erupting, while Amanda Waller is forced to shuffle around her cadre of D-list supervillains and disgraced superheroes and get into stand-offs with secret spy societies, living nukes, voodoo cartels, and Batman.

Amanda Waller neither looks nor acts like the kind of character that stars in a superhero comic, and she is the central character throughout the 66 issues of the run and we follow her character arc from beginning to end as she's forced to spin plates to accomplish her goals and prevent bad situations from getting worse. She is the most fully realized character in the run and everything rests on her shoulders. We spend a lot of time inside her head, her team, her associates, she is the center holding together an extremely chaotic book with no two characters on the same page. She is, and has to be, an extremely powerful person, someone who stands her ground no matter what, an unbeatable force of will because that is the only way she's going to survive the situations she's in, the only way she can be "The Wall", the kind of person who can repel Batman, command a platoon of monsters, talk her way out of Deadshot's contract, someone who can stare at Darkseid and credibly threaten the President into letting her live.

That's the part that everyone is more or less familiar. But there is, or at least used to be, much more to Amanda Waller than just being The Wall, not in the least because being The Wall is also hampering her effectiveness as well as straight up killing her.

"Amanda's toughness has taken her a long way" "It's taken her as far as it can. But it can't take her no further. It's actually starting to drag her down. I'm scared for my baby sister, rev - scared that the anger in her is congealing into hate." - Suicide Squad #31

We get to know her backstory, her plans, her points of contention with the system, her relationships with people around her, and how deeply she cares about things and people even as she sends them to the meatgrinder. From the start we learn that Waller staffs her team with people she's prone to getting into disagreements with, like Simon LaGrieve and Rick Flag, specifically so they can cover her moral blind spots and pick up the slack in emotional intelligence she's lacking, be the heroes that she can't afford to be. It is unspeakably crucial that the Squad is led by Rick Flag as well as Bronze Tiger, a fallen hero who owes Waller for his recovery who eventually takes Flag's baton. Waller stands up for her team, gets into fights with her superiors when they decide to terminate them, and takes the fall for them when necessary. Waller is a person who does Bad Things - but she is not a Bad Person.

The book in no uncertain terms frames the Suicide Squad's existence as monstrous in a scale Waller doesn't understand until the very end, and it digs deep into the unethical things Waller has to allow for and perpetrate in order to keep it running no matter how many lives it saves, and she spends the first half of the book on a downward spiral. But then there's the 2nd half of the book:

In the first 39 issues, Amanda’s flaws are her undoing. As she pushes away the people she hired to act as a balance, she grasped tighter and tighter to her uncompromised vision of the Suicide Squad despite the constant changes and derailment. Her choices had consequences: the death of Rick Flag, her demotion, employees quitting, and finally, the disbandment of the team.

The last 27 issues have Amanda rising up from the ashes after a year in jail. She’s less in her own way – she communicates, her anger isn’t driving her, she’s more receptive of alternative perspective and recognizes when she’s wrong in real time – but she’s still just as scary.

Waller rebuilds her relationships with the people she drove away, takes a different tack to how the team works, and starts going out into the frontlines with the Squad. She brings Oracle (who actually made her debut in this comic) into the fold, saves her life and plays a big role in Barbara making progress in overcoming her Joker trauma. She genuinely puts in the work to improve as a person and do things a better way than before, even if there is an inescapable immorality to the very existence of the Squad and what they do. That immorality never goes away, and it only further horrifies her when learning how badly her project has gone. In fact, it's that very inescapable immorality that ends her arc.

She learns that the CIA has started using a new Suicide Squad to support a brutal regime in South America, and when faced with the full extent of her complicity in Western imperialism? She decides right then and there to end the Suicide Squad for good after they liberate the population of said regime from said Squad. She is the only person who gives a shit about the country enough to start the assignment for free once she knows about it, force the Squad along, lead the mission in field, and personally (and even gently) usher the villain to his death at the end, to end what began with her.

She does bad things, and she does good things. She cares about people, and she uses people. Her decisions ruin as well as save the world. She spins a million plates to match wills and wits with the strongest, wickedest, most cunning humans and superhumans alike, and she still has superiors to answer to and people close to her she hires to judge her for what she does. She endured racism and misogyny and poverty for decades and rode whatever she could to attain as much power over her own life as someone like her could possibly attain, and to have it, she must be a willing tool of the state and bend the knee to Ronald Reagan, the man she derides for what he did to her community, hating every minute of it.

She lost her family to sexual and racial violence, and now she wrangles a penal battalion comprised of some of the worst people on the planet to inflict violence on her orders. She has saved and redeemed people, and she's haunted by the corpses she's left in her wake. She is oppressed and oppressor, someone who could only escape the ravages of American imperialism by becoming one of it's chief enforcers, and still she rebuilds herself into a better person from it upon confronting and challenging her role in it. She is not a bad person, she is not a good person either, she is just afforded a degree of agency and complexity unpowered characters in superhero books simply don't get.

Okay cool, now what is she up to these days?

That, I guess. That is what a strong but unpowered person who does not allow themselves to be bossed around by superheroes or supervillains looks like now. Everytime there's a call for a military bad guy, Waller gets tagged in to be DC's Henry Gyrich. There was a point where Waller was made to contrast the likes of Sarge Steel and Wade Eiling, someone who butted heads with them because she was a well-meaning person working for and committing evil as often as she attempted to stop it. These days, the most consistent beat with her is that she is the most dangerous person alive and worse than the villains she wrangles into working for her. She is a thing to be overcome, a hypocrite to be exposed, a challenge to the natural order of the universe, and she is too terrific at it to be shuffled off quietly. She is a Bad Person and so everything she says and does is Bad (and thus can be ignored).

Integral to Suicide Squad's structure was the fact that Waller was the center holding everything together, the ultimate third party: spinning plates working with, for and against all of the others so she can bend rules and be bent by them. Bent, but never broken, because The Wall doesn't break, others break first. Waller was a one-of-a-kind character, and that broke her, because beating Sarge Steel and Wade Eiling at their own game means replacing Sarge Steel and Wade Eiling. Waller doesn't look like them, she doesn't look like the superheroes either, and so she can't be one of them. She can't even look like herself a lot of the time, they try to slim her up everytime they think they can get away with it.

Suicide Squad was preoccupied with exploring a perspective from a world outside the superhero worldview, but we no longer have her perspective or that of people around her, we only know her through the superheroes she inherently defies and has had an adversarial relationship against from day one. She is someone with a viewpoint that is charitable to neither superheroes nor institutions, and thus, the universe is increasingly less sympathetic to her, the less utility she has to the grander narrative where everyone has to pick between one of two options. If she wasn't powerful and assertive, she'd be another Leslie Thompkins, another Jiminy Cricket the heroes passively ignore. But because she is powerful and doing morally compromised things without asking Batman's permission, she must have a personal grudge. She must be a government monster. She must attack the superheroes for no reason, no ideology, no motive.

So now she's just The Wall 24/7, the mean icy establishment boot who is strong and clever and cruel and hates superheroes and wants to destroy superheroes and rule the world from the shadows. Everything she does is a fuck-up she refuses to take responsability for, everyone is right to hate and distrust mean old Waller, and now everyone gets to look good by dunking on her. They couldn't make her a superhero, so they made her a generic supervillain instead. And now that she's a bad guy, she no longer has to believe anything, she doesn't really have to mean anything, they don't have to write stories about something other than superheroes and supervillains, and they don't have to let a fat woman of color take up space and screentime they could be giving to Harley Quinn and Slade Wilson instead.

Even by the time of Waller's debut on the tail end of the 80s, her career opportunities were on their way to extinction

Days Of Future Past marks the triumph of the superhero comic that's pretty much concerned with no-one but superheroes. Where Ditko and Lee's Spider-Man featured a single costumed crimefighter in the context of a commonplace existence, the X-Men of the 80s focused on a huge cast of mutants who had little if any lasting involvement in the everyday world.

By the 21st century, the corporate superhero comic would largely - if not exclusively - concern itself with little beyond a large class of superhumans and their fantastical existence. I suspect there's a significant correlation between that and the continuing cultural  peripherilisation of the superhero comic - Colin Smith

Amanda Waller is one of the strongest characters in all of comics, she was as powerful as an non-superpowered character given center stage could possibly be, a perfectly designed character from which an entire corner of a shared universe was developed out of with her as the center making it work, but as the room for civilian casts and unpowered protagonists got smaller and smaller, so did Waller's options. If she was a Spider-Man character and somehow didn't get killed or made into a villain, they would have slimmed her up and given her a symbiote, because you're nobody unless you're web-swinging. Characters didn't look or act like Amanda Waller, and unfortunately, they still don't. It's just instead of making more characters like her, they gutted Waller to be more like the rest. If she couldn't make it, who else even could.

Keep your eyes peeled for this summer when she'll team up with two meaningless robot baddies to burn down the Justice League and I guess the universe for the next reboot or something.

[malenjoyer]

I'm interested in reading tim's comics but I fear I may have gotten too many (general) spoilers about what happens to actually manage to enjoy it. if you've read his comics, how much did you know beforehand?

I knew the timeline of when he became robin, his general approximate meetings with characters like Steph, jason, Damian, and existence of Red Robin before. Who he loses.

The good thing about getting into reading character comics is that it’s impossible to know everything. It really is unless you’ve got around 10 years or so invested into it or you’ve got maybe 4-5 years of hardcore reading. Even then if you only read solos, you don’t know how the character exists in other people’s pov until you read outside of the main popular recommended comics. For example, in some comics Batman might the biggest broodiest saddest asshole, in others he’s a sopping wet cat broken hearted man, in some he’s really funny and beats people up.

Knowing things didn’t spoil enjoyment for me because knowing big events didn’t mean I knew how they were set up, which character interactions lead up to that part, and how the author weaves around elements for the build up. I don’t know about what happened in the timeline, in real life, that causes editorial to make those decisions specifically until I read the comics and I learn what happens in the background.

If you’ve got a serious detail obsessive brain itch like me, no amount of spoilers will ruin it for you, probably! You should read it anyways. Reading the comics yourself will feel good because you can feel the puzzles start to piece itself together- in a sense. And a bit of a hot take but if you are ever uncomfortable with a specific fanon depiction that ends up developing, which yknow is okay, we all play with toys. Reading the comics allows you to develop a sense of who they are in a…real way? I don’t know. In a way where they exist outside of shipping, I suppose. It allows you to enjoy the character better because he will exist for you, on a separate plane that will be hard to be ruined by any associations with fandom.

[cabi-leodrann]

Cabi! Big fan Joffrey here!

I wanted to ask, every time I see your art not only am I stunned by the quality, but also by the sheer uniqueness in style and character design. I've never seen a lamb designed quite like yours, it's so perfectly yours. What went into the inspiration behind the characters design, especially facially? Did you try and mimick a real lamb, or was there a more fantasy-element that you veered toward?

I can't specifically put my finger on it, but it gives me vague Warframe vibes. It's such a beautifully odd design and I can't get enough.

Love your work, love everything you do, can't wait to see what's next!

Hope you're well, stay safe, take care!

First of all, your ask is one of the biggest compliments I ever had in my life, I will keep it forever. You're an absolute chad! Second of all, those are very interesting questions, and I will be very happy to answer to them!

It started more or less with this drawing I made *look at the date* 2 years ago apparently. Way before I even thought of an AU- I didn't had much in mind, beside doing something that looked cool tbh.

I was very happy with the flow of it, and how it came out. And when I drew the Lamb again, I would try to nail THIS design.

The thing is, with time, I had a really big problem: Lamb looked way too young when I thought of them more as an adult. I had too much of the original game design guiding me, making a Lamb that was too cute and childlike for what I wanted. (And also, the head did not go well with the rest of the body holy shi-)

Came those drawings! I was happier with the look, Lamb was older! And I found the colored design quit nice! (I used a sheep picture as reference, but I don't think I used it well, compared to now. I used the reference for details, when I should have gone for overall shape first.) I still wanted something simpler to draw tho. The colored design was nice for an illustration, a one time gig, but I got pretty annoyed pretty fast at trying to nail the face every time. And from those attempt, you get the sketches on the right. (I also wanted to get away from other artiste's interpretation of Lamb, and at the time of those drawing, I didn't felt like I was away enough)

From those previous sketches, the idea for THaB started to emerge. I also still had problem with Lamb's design. Especially the hair. I was inspired by black hair, which is usually not a problem, but I was never happy with how it looked on Lamb specifically. I can draw black hair, I can draw black characters, but this mother-fucker would never feel satisfying to draw or finish 👀

And one day, as THaB was solidifying in my mind, I made a series of sketches that I posted! And one of them was the most important in Lamb's final design. This lil guy! (this design didn't came out of nowhere tho, Lamb was evolving into this as I kept trying. But I wont show those sketches, because those are spoilers =3)

And soon after, I made a comic that was supposed to only be a one shot, just a POV of Lamb and there reaction to Nari' telling them to die for him. But you know, things got out of hand lol

As I continued the comic and doodles on the side, I finally made myself a reference board, with real life images that were close to the vibe of this head drawing. (And I cannot stress enough how those references solidified Lamb's design as a whole. Draw with references, it is life changing. The more reference you get, the more your visual library will get diverse, and the more interesting detail and shape you will add to your art in general.) (I'd also add this: understand what you are drawing, make research and stay curious for every bit of info on everything. You never know when these nuggets of knowledge will help you as you create)

As I kept drawing the Lamb, they evolved! Things changed, slowly, like the shape of the nose, the shape of the eyes, how the hair flowed. You see those change at the face, but also on the body! As the idea of THaB's Lamb got clearer, the design got more specific. (I also got better at drawing! This comic make me draw way more often then before, and it shows)

Something before I finish: the other Cult of the Lamb character's design are way more inspired by their animals, when Lamb is more in the human spectrum. I thought of changing Lamb at some point, to make it fair/coherent, but I loved the design too much to change it again. This AU is something I do for fun, and even if it would have been more logical to change them... I don't want to-

As for the vague Warframe vibes: I play the game! And I found the character design absolutely stunning. So I am definitely influenced by the game without knowing it lol

Thank you very much, again, for your kind words! I also wish you the best, and see you next post =D

TL;DR: Lamb design, at first, wasn't inspired by much, beside the game and my style at the time. But as I retried to make them, added more intent, they got more refined. What really nailed the idea was to have real life references on the side.

[sealofarchives]

Could you create a headcanon for ‘Rise of the Teenage Mutant Ninja Turtles’ about what kind of fathers Leo, Raph, Donnie, and Mikey would be? I find this idea fun. :3

Headcanon: Rise!Turtles being dads and sweetest husband to the reader (Separate) (Requested prompt)

A/N: I'm still uncomfortable with the idea of aging up the guys towards "mature content."

However, this idea was really cute. It only made sense for this prompt where the guys are aged up with some reference to their bad end!future selves. I went with around early 30's when the turtle of your choice and the reader are in a committed relationship and currently raising a kid at the moment.

So please have common sense and think before typing some snarky response with 'oh aged up content is bad lol' (Because I will put those ideas on the 'do not write list' if people get too weird about it...)

Raph

You know how he has the habit of that one baby voice with Mayhem. (and a bit of the hey buddy tone towards Mikey or Donnie)

- His kid is never gonna escape from it. (even by the time the kid is a grown up)

He definitely panicked for a bit when his kid (during the energetic toddler phase) enjoyed climbing over a big guy like him.

- So he had to ask Donnie to make a battle shell specifically as a soft cushion. So the spiky shell doesn't accidentally scratch the kid.

Part of him is worried anytime he has to scold his kid. And only when you're around is when he feels okay to do so.

- He definitely does the "Did you ask (Y/N) if you could have another cookie?" sort of question. (Sometimes willing to go along with what his kid wants or following (Y/N) if he got caught spoiling the kid)

You're getting at least one peck on the cheek by the end of the day.

- Or earlier in the day if he accidentally woke you up.

Compared to his younger self who slightly whined about chores, he grew to enjoy it when both of you worked on it together.

- Laundry being one example where you're usually folding clothing fresh from the dryer. And he stacks a pile back into the clean basket/hamper.

His eyesight in the right eye has gotten a bit worse. (not as bad as his bad end counterpart where he needs an eyepatch) But, you often act as his extra set of eyes and call out to any surprise attacks.

- Which earned the title of you two with a tag team couple and he still blushes thinking about it.

Leo

Every few hours before a night patrol, he always checks in to see what his kid is up to and often gives a hug before leaving.

Often gives bedtime stories through retellings of Lou Jitsu's movies or Jupiter Jim's comics.

- Even acting out of some of the scenes before a yawn decides its time to sleep.

Gave one of his spare bandana scarves to his kid.

- Had the biggest grin on his face when the kid realized "Oh hey! We're matching!!!"

Almost similar to the night patrol part, but if you can't make it because of work or some other boring life detour.

- Its a portal away for a light hang out sesh. For both of you to take a breather away from the grown up life.

Late night conversations are just a regular thing between the two of you.

- Especially when he couldn't sleep. By the time he almost dozes off to sleep in your arms, he still playfully teases you that your voice is soothing to him.

When light conversations about the bad end future was brought up during a casual match of video games, he was never used to the idea that he had a prosthetic arm.

- You instantly hugged his right arm, jokingly reassuring him.

"As long as you can crack a joke in the most serious moment. I'll still know that its you Leo."

"Even in a timeline where, me and the guys were raised by Draxum?"

You gave the red slider turtle a 'really?' pout before he hugged you into his lap.

"Nah I'm just kidding, but for real though. Draxum's former henchmen are still goofballs that know their way around the city. I'm pretty sure that Leo could get a couple of one liners and maybe from you as well."

Donnie

Almost went into a frenzy trying to child-proof the lair. (Especially the month before the kid's arrival changed the atmosphere) But eventually settled down.

- Realizing it would have stressed his kid out by any sudden new changes (and a bit of his family and your help explaining the reasoning as well)

Leo's showboating energy transferred to him but, in a way that, the softshell turtle is very grateful. That he has you as a spouse and both of you raising a kid along side his sentient inventions. And will try to bring it up in any conversation.

- The whole wallet photo gag of him showing family pictures. You love this silly turtle but, usually lightly pinch his face if its the wrong time for that.

He lights up whenever his kid goes to him for any sort of question.

- He slightly restrains himself to avoid going overboard with the answer. But, his kid is smart enough to know that and sometimes tells you that he's not being himself again.

Cannot force himself to sleep unless you're beside him. (or if you have to drag him to bed yourself)

- The few times where he woke up while you were still sleeping. He always gives you a light hug and a kiss on the forehead before getting out of bed.

He subtly took interest in one of your hobbies. (Either an ongoing or a new one) Just so he can step away from a tedious project that was going nowhere and not bother you with the boring details about it.

- Sometimes mentioning a fun fact to impress you.

You gave into his idea of letting your kid have a similar weapon like Casey Jr's.

- Only when they reached their 13th birthday and learning the basics of: constructing it and fixing parts along side their dad. How to use it defensively, offensively, and etc.

Mikey

Considering how his future self had some hair on his head, he kept it long so he can do a few matching embarrassing baby photos to his kid.

- Like giving the kid a tiny ponytail and etc. He definitely cried a bit while having his signature grin when the kid pulled too hard on his hair, laughing at one of his jokes. And you had to step in to help him.

He knows how to work around some of his kid's picky eating habits. Usually making sure his kid is having fun or decorating the plate in an artistic manner.

- However, there are times when the kid can hide the veggie or fruit out of plain sight. Or his kid asks his uncles for help when Mikey's focused on some other thing.

Absolutely does that peek-a-boo trick with hiding his face or whole body into his shell.

- He was nervous at first, if the trick might have scared his kid but, no the kid was giggling. Curiously crawling towards him in awe of it.

Will sometimes make meals ahead of time. (often being, if you returned from work, too exhausted to greet him)

- Either leaving a note on a plastic container in the fridge of: [(Y/N)'s breakfast: DO NOT EAT unless you want an surprise session with Dr Delicate Touch </3] (this also applies to lunch as well)

On very rare occasions, he will temporary wear a cloaking brooch. If you're at an area isn't very friendly towards mutants and/or yokai.

- The one time that happened, is when you forgot to bring your lunch at a job that barely lasted a week. (Stuff that was out of your control but, he was relieved that you got out of that place before your coworkers decided to physically fight back at the manager)

Spends at least one day in the week with you to do some light meditative exercises.

- On the really bad days, he doesn't mind letting you hold his hand as a stress ball or just have a quiet moment to relax while his brothers babysit your kid.

[genericpuff]

The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 1/2

Here we go, Part 3 of my analysis of the current FP episodes - a three-parter episode set leading up to the midseason finale of LO.

Part 1

Part 2

Truth is, I had actually forgotten a lot of the weird (and very stupid) shit that happened in this episode, that I thought Episodes 251 and 252 had already offered up the worst that this three parter set could dish out. Boy, was I wrong, because when I went back to check out Episode 253, I was reminded of a reality that my brain had wiped out in an attempt to protect my withering psyche-

I also forgot just how long this episode is. It's so long that I frankly can't even fit it all into this post, so this is gonna be part 3 1/2.

Anyways, let's just get on with it. This is the final stop on our trip into absolute nonsense.

CAUTION: THIS IS PART 3 OF A 3 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS WILL BE A LONG POST. BRACE YOURSELF.

Well, it's the midseason finale, and what better way to open it up than with the final title card-

Typo and all. It wouldn't be an LO episode without one. Granted, IIRC this typo has been edited out, but the version of the screenshots I have from it feature it in all its original unedited glory. So enjoy that.

And yes, just like the last two times, the title itself only applies to the final cliffhanger, which is an absolute doozy especially for those who were there to experience it in real time.

This is already a bit of a wild opening compared to the last two episodes, but it's quickly revealed that this is laying the foundation for the prophecy that Psyche gave to Apollo back in Episode 252. In true LO fashion, the story can't actually be linear in any regard, we're always segmented from pieces of information at a time. Loyal fans will call this a "writing style", I call it Rachel just trying to get another 70 cents out of me.

That said, I will say the art here is fairly decent, but I think that just goes to show that LO's one of worst features these days - ironically enough - is its coloring. What began as its strongest feature has now become one of its biggest weaknesses due to the sheer laziness in its rendering and the colors become more and more saturated into the grotesque over time. So at this point, you pretty much have to rob these characters of their colors to make them look decent, and of course at that point it just further highlights Rachel's same-face problems. She definitely tried to make them look distinguishable here, at least, with Hestia and Poseidon being the most unique.

Now, this isn't the first time that we've heard of this herb being referenced - it was stated by Hades that Hera was the one to originally poison Kronos with the herb after gaining his trust - but to see it suddenly just pop up and play a role again out of nowhere already gives me a bad feeling in my stomach. It feels like yet another plot device - especially when presented in this type of format - that Rachel is suddenly using to try and seem "unique" in her writing, much like the strange narration we got back during the "Run For Your Life" sequence. It's just once again LO lacking any specific identity, it's always trying to be a million other things at once.

I will say, much of this in and of itself is panel filler. Why? Because the location of the herb doesn't matter. You'll see what I mean in a moment, but the mentioning of Anthedon plays no role here, it's just yet another obligatory "see, I know how to Google things!" lip service moment from Rachel "self-proclaimed folklorist" Smythe.

Anyways, Eros is perplexed by this but Psyche immediately catches on, knowing right away that Apollo is going for Zeus. And this is where we get yet another one of the dumbest sequences in this comic.

(see what I mean that the location of the herb doesn't matter? Because Apollo already got it and laced it into the cupcake).

Now, first of all, the fact that Eros and Psyche believe Kassandra's prophecy is already hilarious in and of itself, because ... well, because it literally defeats the point of her establishing it as a curse in the previous episode. Unless it only works on mortals? It never stated as such, so we literally just have to go with it and pretend not to notice that.

But most of all, of course LO had to play this off as some joke. Like, "hahaha how awkward! I've already eaten the cupcake!" and he still doesn't seem to really be in shock. Zeus has seen what this herb has done to gods before him, and yet his reaction to this is akin to a dad getting upset that he stepped LEGO's that he asked his kid 20 times to pick up off the floor. The whole "record scratch" style formatting of this followed by Zeus' lack of reaction just really makes me not care about any of this, because clearly the story doesn't care either.

But we don't see who he makes these calls to because the comic, of course, can't spend any longer than 10 panels on a single scene, so we cut to Hades and Persephone.

Again, I don't know what the point was of having Hera relay this information to Persephone for her to relay to Hades, aside from the fact that Rachel needed to act smart with Therapy Speak that didn't even apply to Hera's situation (as we talked about in the last part). They gotta make Persephone the center of everyone's world though, so it's Persephone who's delivering this info and trying to come up with the solution.

Hades, though, wants to focus on his wife's birthday the commemoration of spring.

SIR. THE WOMAN YOU WERE IN AN AFFAIR WITH SINCE BEFORE YOUR WIFE WAS BORN IS CURRENTLY GRAPPLING WITH YOUR FATHER WHO ABUSED HER AND IS NOW HAUNTING HER. THIS IS NOT THE TIME FOR FLUFFY ROMANCE TIME. THERE IS A CHILD BEING HELD CAPTIVE IN TARTARUS AND LITERALLY NO ONE SEEMS TO CARE.

Anyways, apparently (for some reason) Hades is the one who has to go meet Demeter out front. Even though Hades has literally NOTHING to do with this ceremony, it's not his domain, but Persephone literally says "yep, that's correct" when he asks if he needs to go out to meet Demeter.

This just feels like such a pointless conversation and I don't get what the point of this exact exchange is. Again, this isn't Hades' domain, so I don't see why he needs to be the one to go meet with Demeter.

But then, of course, to make matters worse, this man has the absolute audacity to pretend like he's never done anything wrong to Demeter. As if she should be obligated to be cool with sharing a bench with this man who literally terrorized her for years and then essentially groomed her daughter.

I hate him so fucking much and I can't believe we're supposed to be rooting for him. He has not undergone ANY of the character development necessary for me to want to care about him.

Anyways, Hades has a seat with Demeter, and the conversation is very brief before Hades says that he has a gift for her. And what is it, exactly?

Oh great, Hades. Sure wish you would have had this consideration hundreds of years ago. I fail to see what good this does for her now because it doesn't change the fact that he still cost her the role of Queen of the Mortal Realm and treated her like shit for hundreds of years. This comes across as such a shallow and empty "apology" because it's barely even a "gift", rather something she was OWED back then that he didn't want to hand over for his own selfish reasons. He still comes out the winner here because he's gotten to spend thousands of years being a rich slave-driving oligarch while Demeter has had to maintain the Mortal Realm on her own even without the glory of having a title.

I especially detest this "twist" because it's less of a twist and Rachel finally accepting the fact she couldn't come up with anything better than what her fans had to come up with for her. If this had been the fact the whole time, we would have seen it established back when we first got those flashbacks showing Hades being a total prick to her over the volcanoes. Instead, Rachel dragged it out for weeks and weeks until finally dumping this "twist" that her fans had been talking about all that time. This is yet another one of those "Rachel used her fanbase to come up with her ideas" moments. I know that that seems a little mean and presumptuous, but the fact of the matter is that the writing in this story is such an absolute mess that you just know Rachel's writing by the seat of her pants and has to rely on her audience's headcanons to actually fill in the gaps of her story. Most of the time when people commend her for the "great storytelling" in LO, what they're referring to are things they came up with entirely on their own because of how easy it is to just make assumptions about LO's storyline. Rachel benefits off the story being as vague as possible because then her fanbase will fill in the gaps with their own assumptions and give her all the credit for an idea they came up with.

By the way, to the "self-proclaimed folklorist" who wrote this, the volcanoes were really just entrances into the Underworld. Hades did not own them. They were owned by Hephaestus. And I would argue that the volcanoes were only seen as "entrances" into the Underworld because, fun fact - if you jump into a volcano, you die!

Hades frames his reasoning as feeling like Demeter was pushing him out of the Mortal Realm, but this makes no sense because none of that is on her. He claims that he felt like an "outsider" but the reality is that he made himself that way. He resigned himself to being King of the Underworld, he ate the pomegranate and made the deal with Erebus, and even he stated that he could still actually leave the Underworld, just not for long periods of time. So he was the only one keeping himself away from the Mortal Realm, not Demeter. We even see that in the VHS tape flashbacks where Hades stumbles onto Demeter's property and she lets him sleep it off in her home. So this whole sob story about how he felt "pushed out" by Demeter is such a bad take from someone who's routinely known to make himself out to be the victim. Because Hades can't have an actual reputation for a reason, no, this is a "retelling" told by someone who got all their Greek myth info off Tumblr circa 2016 and the front page of Google, so Hades has to be the misunderstood uwu sad underdog. Even though he routinely does things that reinforce the reputation he has within the comic, like being a slave driver, abusing lower class nymphs, and grooming teenagers.

Minthe showing up for a split second in the background is the best this comic has been since S2. We stan our girl Minthe, fucking run girl, do what Persephone couldn't do. She's the real hero of this story (｡･∀･)ﾉﾞ

And honestly, I'm sorry, but Demeter really SHOULDN'T be taking the high ground on this. She has more than enough reason to be upset. For a comic that tries to celebrate feminism and holding abusive men accountable, it sure is willing to make the women - often victims of the men - the real villains who have to "do better". Except for Persephone of course. Persephone is married into the system now, she doesn't have to "do better", she's a "boss babe" for being abusive and petty and undeserving of her status because she's the self-insert Y/N character.

So the ceremony for commencing Spring begins. I gotta say, for the final major scene of the mi(n)season finale, the art is severely underwhelming. You can really tell the difference between S3 and S1 art here, there's barely anything extra done to make this scene even half as impactful as the most basic of scenes from S1.

Like, it's fine, but it still feels so half-baked and rushed to attempt to replicate the kind of art that's been gone from the series for years now. The full sequence itself is actually quite lengthy, with a lot of nymph hands just moving around and playing instruments, but it's about as bland as any other panel, so it makes the sequence itself feel dragged out and boring.

This is about as pretty as the sequence gets and it's still not even as good as the original Dread Queen transformation. There's barely any rendering in the skin, and they couldn't even be bothered to make the hands look normal. It's like it's trying so hard to be "original LO" but is fundamentally missing the point of what made the original LO so captivating.

But oh noooo, looks like Persephone did a bad!

Are they actually gonna give her some kind of flaw? Are we gonna FINALLY gonna find out what she traded to Erebus?

No. We're just gonna make her the cause of winter.

Spaghettios.

And that's where I'm leaving this review for now because, as mentioned in the beginning, this episode is a LOT longer than I remember it being. There's still a whole ass segment with Apollo that we need to cover and I don't want to leave it out but I also don't want to do it entirely in text format and I've hit that pesky image limit. So I'll be posting that second part as soon as I can!

That said, I really can't stand this "subversion" by making Persephone the reason for winter.

First of all, because this is a common problem in a lot of H x P "retellings", as many of them fundamentally miss the point of why Persephone is the "Goddess of Spring".

Persephone was not born the "Goddess of Spring". She was born Kore (Κόρη), a maiden born from Demeter. It wasn't until after she was taken by Hades that Demeter, in her grief, took away the harvest and created winter. It was the return of Persephone every six months that brought about the spring, hence, she earned the name, "Goddess of Spring". What these retellings COMPLETELY MISUNDERSTAND is that the gods aren't 'born' with their titles, they're granted these titles by the mortals who comprehend them and write of them as harbingers of their respective elements, stories, and messages. Zeus wasn't "born" the God of the Sky and Heavens, he was granted that title after he overthrew Kronos and took the Heavens for himself. Hades wasn't "born" the God of the Underworld and the Dead, he was granted that title after he became the ruler of the domain of death.

Where these retellings really fuck up is constantly trying to "subvert" the H x P myth in an attempt to romanticize it, thus undoing the point of why Persephone is called "The Goddess of Spring". A Touch of Darkness also made this mistake by putting a "twist" on Persephone's character by having her start out as someone who couldn't make things grow. But if she sucks at making things grow, then why is she still referred to as The Goddess of Spring? In LO, Hades is referred to as "Grandpa Winter" and the seasons already seem to exist as we saw in this episode through the ceremony, so why has she been called "The Goddess of Spring" this whole time?

But I also can't stand this "subversion" because it fundamentally misunderstands the very myth it's trying to "retell". By giving Persephone the "curse" of creating winter, it further robs Demeter of her own agency in this story, more than it already has. It wasn't enough to make Demeter a helicopter mom, it wasn't enough to drive an actual rift between her and her daughter, they had to take away Demeter's entire role in the story and the creation of the seasons and give it to Persephone.

And this is, surprisingly enough, NOT the first time the comic has done this. There are many traits associated with different gods that have been given to Persephone and Hades. The volcanoes belong to Hades rather than Hephaestus, Persephone is "more beautiful than Aphrodite", Thanatos' and Psyche's butterfly symbolism is given to both Hades and Persephone, Aphrodite's symbolism of roses is given to Persephone, the list goes on. Every single plotline has to involve Persephone as the hero, and every single attribute that's commonly associated with other gods has to be granted to H x P in some way to make them better and more interesting than every other cast member in the comic, and yet they still come across as vapid and boring protagonists with nothing to show for themselves.

So to give the ONE thing from the source material that made LO what it is, it comes across as so unbearably cruel.

But then again, we should have seen this coming. After all, Rachel does not cite this as a retelling of The Hymn to Demeter. She simply refers to it as its more unofficial name: The Taking of Persephone.

Look, I get it, the story is meant to be told from Persephone's POV (or at least through the lens of her being the main character) so I can understand why Rachel may have chosen to reword this to make it more clear. But it's really depressing that she went to such an extent with making it about Persephone that she had to rob one of the most integral character of her moment and retribution. Especially when one of the only books in her cited "research" that's primarily about Persephone is, shocked, The Hymn to Demeter, which is listed at the very bottom of every "research" list you can find in LO's history.

LO should have just stayed as self-indulgent fluff. This isn't "subversion", this isn't a "twist", it's just yet another item on the list of making Persephone the most Important One of all. Even when it attempts to be a 'flaw', it fails tremendously by acting as yet another aspect of her being a Mary Sue, because her 'flaw' has come at the cost of another character's story, identity, and strengths. What was originally a tale of grief, retribution, and standing up against a patriarchal system, has now been warped into a consequence of a muddied plot that doesn't have anywhere left to go. For a story that claims to be "feminist", it has ironically missed the original point of its source material entirely, and completely robbed itself of the feminine strength it could have had if it hadn't tried to be "subversive".

I don't really have anything much more to say than that. I could leave it here for good, but we do still have that extra segment to talk about that covers the actual final cliffhanger in this episode, so... we'll see you on the other side.

[namedr]

What are your art inspirations?

Disclaimer: A LOT of RAMBLING

Honestly hard to answer, nowadays I don't really look at a lot of art anymore but mostly just movies.

Biggest inspiration over the years (from 2020 to 2022) would have to be Kan Liu. His painting style with mostly just the round brush and hard edges really spoke to me, especially when it came to lineart I was a massive fucking copycat lmao.

Around 2022 I also began falling in love with Sungmoo Heo. The perspectives and overall style just fucks so hard.

The most obvious inspo would have to be Seonhyeok Jeon though, who I still rip off blatantly.

In general I began taking art seriously around 2020, when I found Kan Liu, because I began training to compete in bodybuilding, which I did the next year. I began getting super interested in how the body and muscles work so I just drew those a fuck ton, and those anatomy studies ended up really helping my art skills in general.

Anyway! For animation... Hiroto Nagata and Q Kawa are big inspos.

This shit is so fucking RAW and HOLY SHIT when I look at how the perspective gets just in your face I always just think "what am I even doing man I have to PRACTICE". It's like watching a Zyzz or Ronny Coleman clip before doing a lift at the gym but for art, shit's motivational.

This cut in Ghost In the Shell as well is WOW, I think what speaks a lot to me is when an animation doesn't conform to what's standard in the medium and tries to push boundaries/be unique. Be it in this case through insane details, in the case of Mushoku Tensei through bg animation mixed with extreme foreshortening or just a crazy perspective and punchy movements in the Madoka clip.

Overall it's hard to say what else my inspirations are though. When it comes to manga and comics I can think of Batman Year One, The Climber by Shin-ichi Sakamoto, Ultra Heaven by Keichi Koike, Solo Leveling (big inspo in 2021) and Homunculus.

Also, even though everyone assumes it, I haven't played Cyberpunk 2077 or am that big a fan of the Blame! manga, I guess I just have a fairly similar artistic vision to both of those.

For animated fiction it'd be Spiderverse recently, Millennium Actress, Silent Voice and a million other anime I've forgotten the name of. Naoko Yamada's directing for Silent Voice or other anime like Hibike Euphonium and the Liz movie has always been amazing to me because she is able to express characters personalities through their body language, like they way they walk or stand, in a way I have never seen done before. Extremely recognizable and iconic style imo. A long time ago I used to be really into watching anime, but I don't care much for it anymore.

Other inspo would be this guy on twitter, his stuff is insanely cool https://twitter.com/be_myvu/status/1725069515107533178?s=46

It's like that Ralph Waldo Emerson quote - “I cannot remember the books I've read any more than the meals I have eaten; even so, they have made me.” I think throughout the years I've been so obsessed with all kinds of artists that I've taken in inspiration from everywhere. I cannot recall them all anymore, but they have made me the artist I am today.

Currently, like I said, I would consider movies to be my biggest inspiration because I find it interesting how cinematographers are able to stylize real life, which I'm trying to get closer to. If I could direct a movie, I would probably stop making art right then and there, but I'm not really working towards that goal anyway lmao. One day, being able to make a short film in animation would be something I would like to do though.

I'm not deep enough into the movie scene to get the street cred of being called an expert but I love them a lot. Fallen Angels made me fall in love with fisheye back then for example. Fight Club and The Batman have a grit to them visually that I find inspiring, and movies like Persona and Heat also come to mind when I think of movies I just love. I could look up my letterboxd for a more thorough answer but I feel I've already been writing way too long.

For video games, I guess you can imagine that I would say Signalis lmao. Besides that I can think of Subahibi (vn), Muramasa (vn), and Va-11 Hall-a for inspirations

Lastly, I guess huge inspirations are also a fuck ton of music. I mostly listen to either metal or hard techno, but I think I'll refrain from any more yapping.

I feel that this isn't really a great answer to the question, but it's the one I consider the most correct, because it's never as simple as just mentioning one artist. With a lot of these you wouldn't see a visual resemblence to my art, but in all of these I recognize a feeling that I also find in my own art.

Thank you for the question!

[hiso03]

what makes you ship halbarry, mine is the amount of symbolism and moments they manifest about them being compatible with each other and even the main lore knows theybare one😭😭

sometimes I wonder why these two aren't together yet since they are basically soulmates 😭😭

This is probably the question I have been waiting for the most and for which I have to have the longest possible answer. I will try not to go too far, but I will also try not to miss any points that I consider important.

I think I can start by saying that I love their dynamic, I've always liked it. To start Barry is a more serious guy, shy and introverted, always thinking about some situation and planning. And Hal is more outgoing, noisy and confident, he NEVER plans and is too impulsive.

They are opposing poles, not radically opposed as with other characters in the league, but they remain opposing enough to provide contrast to the relationship. There's also the fact that the two of them are fully aware of those differences, and even though they don't like some at all, they've never tried to change anything between them. Even when people constantly point out how different they are and how no one understands how they are friends. (Even they can't understand how they're so close if they don't resemble each other at all)

(Personally this panel is one of my favorites, as I love how Hal immediately jumps up to Barry's tastes, making it clear that while he doesn't like to do the same things Barry does, he doesn't find it as bad or boring as some might think.)

In general, the series of “The brave and the bold” I like because it allows you to take a close look at their relationship and give us lots of interactions of them, allows us to see a little more of their real character and their friendship.

There is also the fact that in that series they constantly show how well they know each other Hal and Barry manage to combine their skills to help each other. They always take advantage of each other's ability to resolve conflicts, and even when they fight or argue, they resolve them quickly. Another of my favorite numbers is the last volume of the series, when Barry falls into a terrible and painful depression and Hal is the only one who supports him.

Literally Hal tries to have some stability in his life to let Barry stay with him, helps him like Barry has always helped him and says one of the phrases I love the most.

“The poor man needs something to hold on to, so he will stay with me, maybe our friendship will be a comfort to him, he will always be able to count on that until the day we die.”

In this same comic is where Barry tries to sacrifice himself and Hal stops him, to that I add that in a previous issue we also show that one of Hal's biggest fears is losing Barry. The thought of seeing him die or get hurt is something that scares him.

Hal's not afraid to die, he's afraid that Barry will die and it's his fault, that I can't save him. And that point added to everything that's going on with Parallax and Crisis on Infinite Earths feels like a stab for both of them.

It's fucking tragic.

Generally in many moments of Hal as Parallax or The Wraith, Hal talks about Barry, continues to talk about how amazing he was as a person and a hero, talks about how he remains his best friend even though Barry is still dead. (That reminds me a lot of when I'm with my friends and some of them start talking about their boyfriends even though they're not there and we didn't talk about them originally)

And when they both revive, Barry constantly lets him know that everything that happened with Parallax wasn't him and tries to support him, try to be there for him for as long as he couldn't help him when his friend needed him the most.

We also have the fact that Barry has canonically been a blue lantern, and well, hope and willpower isn't exactly two opposing poles, on the contrary, it's likely that both entities are reciprocal forces. That they stick together and support each other, just like Hal and Barry do.

I also like to think that they had a somewhat similar childhood.

Both lost a father or mother, and that led to the loss of the rest of their family and childhood, they had to grow up faster than the other children, became more independent, and soon discovered that the world was cruel and unjust.

Although we also have other universes like:

The universe of Injustice where the two of them continue to support each other and remain together despite the mess that is around them, and there is even a panel where Hal as a yellow lantern is going to rescue Barry after Constantine abducted him.

Or we also have the fact that red and green in the chromatic circle are two opposite or complementary colors that are usually used when you want to create a harmony on a visual level. That is, from the choice of colors we can know perfectly well that they are opposite poles, but they complement each other so well that it creates a visual harmony when you see them together. (For some reason Christmas usually uses these two colors as its main ones).

There's also the fact that Hal and Barry met before the league was formed, and even when they met Batman and Superman, Hal wanted him and Barry to work it out on their own. (Barry refused because someone has to put prudence on their duo)

And we have the fact that in the story of how they met, Hal calls it his “first date”. (Let's pretend he didn't say that when he and Barry weren't literally on what looked like a date, where they went to dinner at a restaurant where there was live jazz music and Hal actually had a good time sitting on Barry's cell phone).

(Hal hates jazz, but he's still there with Barry at a dinner party while putting up with music he doesn't really like. That's pretty.)

I think it was also in this comic where Hal lets Barry use his ring to get you both out of there.

There's also universe 36 where we have two variants of Green Lantern and Flash that canonically speaking are couple. It is worth remembering that the two of them did not stay together, since in an event they participated in, the Flash of their universe dies. (It seems there can't be a crisis without a sprinter dying) Luckily at DC Pride they made the green lantern of their land look for their Flash, and they revived and were happy.

(They're supposed to be neither Hal nor Barry, but the truth, their designs and even their names feel like very inspired by them, so I scored it as a little extra point although I don't know if you can consider it).

We have DC vampires that although in that universe, Hal kills Barry because they won't let him turn him into a vampire because he would end up killing everybody. Hal finally gives us that line where he admits that he REALLY wanted to conquer the world with Barry, which kind of fuels his tragic gay romance.

Anyway, I would like to go longer, but I can't find some panels that I was looking for to explain me more, plus I feel that this is already long enough and meaningless to make it clear that I love them both. I just want to add that I think probably the thing I like most about them is that they both admire each other. Both their heroic parts and their civilian parts, and I think that's very sweet and nice, added to the fact that they're always there trying to support each other or show off parts of their personality that you can't appreciate with all their friends to the same extent. I like that they always have symbolism and like many times in the comics it refers to some moments that they have lived together. This makes me have the theory in my head that maybe some cartoonists and writers also like them in a sense beyond friendship, but since NOBODY dares to take the leap of faith and make them canon, they let us drop some crumbs so as not to lose faith.

(If anyone got here, thank you so much for reading all this even though it doesn't make much sense in some parts, I apologize for that and make up for it with some panels of them two)

[pianokantzart]

I always get a bad taste in my mouth whenever I see comics of ppl not only depicting Mario being a bad or inconsiderate supportive brother (though I mainly see that last one when it comes to ppl shipping Bowuigi) but that Luigi is unhappy being around his brother, is jealous of Mario, and worse wanting to abandon Mario. And I honestly dislike that theory/trope I see in certain fan comics. It makes me uncomfortable.

It’s why I love the movie so so much cuz it leaves no room for that. The movie point blank shows us that not to be the case. They support one another, Mario is literally always there for Luigi, protecting him and is there for him. He went through so much just to be reunited with his brother. And his reaction alone when they were reunited is enough to show how much Mario loves Luigi. Meanwhile there is not a ounce of jealousy, envy or a hint that Luigi is unhappy being with and around Mario, if anything he’s the one that’s the most supportive of his brothers dreams and aspirations cuz he also has the same dreams and aspirations himself.

He’s not jealous of Mario, he’s his brothers biggest fan and vice versa with Mario. They love and support each and I find that so beautiful and just a breathe of air considering that there were sooo many people saying that Mario was an awful brother and that Luigi was unhappy being around him. Because why would we want that? They are called the Mario Bros for a reason, why would we want them to hate and be inconsiderate and be unhappy around the other?

Sure they may have disagreements but I feel that even those wouldn’t be that serious and if they were they would be about the others safety/something they would talk about and that would develop in a fight. They love the other too much to ever actually fight and be verbally angry at each other.

If there was ever a point that they actually did have a real fight rather than a simple disagreement, then– like you said– it would stem from a life or death situation: Mario being worried for his brother... Luigi wanting to support and protect his sibling despite the danger... and a fear of losing one another. But even then I have trouble seeing an argument between them getting too serious. At the end of the day, Mario and Luigi seem to mutually understand that they are strongest when they are together. The writers of The Mario Movie really saw all the weird Matt Patt theories and "Luigi is jealous" speculation, and said "Not only are Mario and Luigi not at odds with one another, but they are each other's greatest source of peace and happiness."

"We're going to make the first scene with them chock full of physical and verbal affection. We're going to hammer home just how much protecting his brother means to Mario, and how much Luigi supports his sibling to hell and back. We're going to make Mario's biggest point of upset come from being accused of bringing his brother down. We're going to make Luigi's greatest impulse amidst the fear and pain of an interrogation to hype his brother up. We're going to establish that Mario and Luigi have never been willingly parted for longer than a day. We're going to make the driving force of the story how much they want to be reunited. We're going to make 'nothing can hurt us as long as we're together' their motto. We're going to make their brotherhood the heart of this film" and by God it is glorious!

[i-trash-about-things]

a.n.: I can't believe this took me 6 freaking months to write. It definitely doesn't live up for the hype, but for some reason the words just wouldn't flow. In the mean time, I graduated! Actually went to prom! It kinda sucked, I really don't see the hype behind it!

Anyway, enjoy– and thank you for the patience to those that were interested in this story. If you're still interested by the end of this part– well, you'll know for yourself if there will be more lol ;)

Part 1!

Multiple perspectives (3rd and 1st person); Henderson!Reader; GN!Reader; use of Y/N; Billy Hargrove Survived (but he isn't a racist piece of shit); Everyone might be OOC, sorry lol; swearing; light violence; mostly fluff; English is not my first language! Sorry if something doesn’t make sense :p; no beta, we die like Vecna should’ve

4.5k words.

Third Time's The Charm.

Dustin’s day has been good, in his less than humble opinion.

School sucked the same as always, but hey! Everything other than that was actually pretty awesome!

His older sibling popping by on a whim wasn’t a rare occasion, far from it. When they first moved to college, he cried the whole day thinking he would only see them on Christmas, and now it’s like they never moved in the first place!

Well, maybe it’s because of the Upside Down thing and how they almost died about a million times in the last 4 years, but Dustin liked to believe it’s because they just love him very very much.

But, one thing actually did change.

Eddie.

“Dustin, my man, my favorite nerd, what a sight to the sore eye you are right now!”

Speak of the devil.

Him and Eddie have known each other for a while. I mean, how could he not when the metal-head has been his sibling's best friend for almost all his life?

And with the time to get used to each other, plus Dustin’s natural attentiveness and attention to detail, he can read this guy like the cheap rip-off comic of spider-man he is.

Eddie wants something.

“Is that a new upgrade to your walkie? Dude, that looks sick, what does it do?”

“Nothing, it’s just a normal radio actually.”

“Oh.”

A snort leaves his nose. Dustin shakes his head, setting the walkie talkie on the library table before looking up to his friend.

“You really aren’t subtle, my friend.”

“First things first: how dare you. Secondly-” Eddie pushes the nearest chair back, giving him enough space to sit on the old table. The notebook under him crinkles, but he just pushes it aside, clearly in too much of a rush to care about a random person’s notes. “I need your help.”

“If it’s about the whipped cream on Lucas’ backpack and his basketball shoes, it’s too late. The operation is already in motion.”

“Operation- wait, did you put whipped cream on Sinclair’s shoes?”

“What? No I didn’t. You didn’t hear that from me.”

“Mhm.” Eddie just sends Dustin a look, raising an eyebrow with just a very done expression on his eyes, before shaking his head. “You know what, I’m just going to pretend I didn’t hear anything.”

He leans closer, likes he’s about to tell the biggest secret of his life. The notes beneath his butt crumble further.

“It’s about your sibling.”

“Y/N? What they have to do with anything?”

“I’m gonna ask 'em to prom.”

If Dustin were drinking something, he would’ve done a spit take right now.

“WHAT?!”

“SHHHH!” The other school library attendees shush him, all glaring in their direction. Dustin flushes a little, curling into himself, but Eddie doesn’t even flinch.

“I want to take your older sibling to prom, Henderson. Like, real bad.”

“Dude!”

“What?!”

“That’s my sibling!”

“And my best friend! So??”

“So–” Dustin sputters. How does he even respond to that?!

Don’t get him wrong, of all the people he could’ve picked to compete for your hand, Eddie would always be his champion. His two favorite people??? Sign him up!

Doesn’t mean his into it, tho!

“Why?!”

“What do you mean ‘why’?! You’ve ever met ‘em?! They're the coolest most beautiful, and funniest person I’ve ever known! Why wouldn’t I want to take them to prom?”

“No, not that- why the change? I thought you wanted to go with Chrissy??”

That gets a reaction out of him.

Eddie flinches, looking away. He passes a hand through his hair, half hiding himself beneath the brown curls.

“Chrissy… She’s…”

Dustin does not like the hesitation. The kid crosses his arms over his chest, squinting up at Eddie with distrust.

“Look, I’m all for you going after my big sibling–”

“Really? That wasn’t what it looked like two seconds ago.”

Dustin squints further, frowning, and Eddie groans.

“Just keep going.”

“As I was saying, I don’t mind you taking my big sibling to prom… If you actually mean it.”

It’s his turn to frown, a mirror of Dustin’s expression, but in confusion and a little bit of offense.

“What? Why wouldn’t I mean it?”

“You were just drooling over Chrissy, like, two days ago! I get you getting rejected, but don’t use them as a rebound, dude!”

“What?!”

“SHHHHH!” Strike two, the people around them shush them both again. Dustin doesn’t flinch this time, both him and Eddie a bit too enthralled in the topic at hand.

“How could you say that?! You know how much I care about Y/N!”

“I know that, but I also know how much they cares about you.”

“What does that has to do with anything?”

“Uh- Literally everything? What, you think you can just go and ask them all willy nilly to go to prom with you like it’s no big deal, and they won’t feel like it’s a big deal? Thye care, dude! What you say matters to them!”

Something in that makes Eddie pause, breath hitching on the tip of his tongue. He knew that, of course… Didn’t he?

His mind flashes back to the three years ago, just in the middle of prom season.

“Y/N Henderson, you did not–”

“Oh but I did! I did, despite it all!”

Eddie feels the bright afternoon sun on his back, the ever warming spring air making his hair and their hair flutter in the wind.

Today has been a weird day. His friends all seemed either jittery or smug, like they know something he doesn’t, a joke he didn’t get the punchline yet.

But the weirdest thing? His best friend wasn’t waiting for him by his parking spot.

At the end of class, he found a pretty envelope on his locker, attached to it a blue little flower– one of the few he recognizes. Forget-me-not’s.

“6 years sure go by fast. We’ve been through a lot in that time, didn’t we? And we will go through a lot more shit, knowing us like I do.

I was hoping you’d indulge me on a little game, just for old times sake.

Check the supply closet closest to you.”

From then on, he went on a surprisingly elaborate scavenger hunt. Passing through closets, to bathrooms, even checking in with his friends when the little clues told him to. Surely enough, each one handed him a new letter, and each one had a soft and excited smile on their lips.

After a good half hour of running around the school like a headless chicken, Eddie had accumulated enough clues to fill both his pockets and enough flowers for a small bouquet. The last letter sits on his hand as he dashes around the halls, a big smile on his lips.

“Ok, I promise this is the last one– for real this time, I swear.

This had been a rough year on you, but I was hoping to send it off with a bang. One last middle finger to the world before I have to leave you behind to fend for yourself in the lion’s den.

So, Edward Munson, meet me by the woods, in our usual spot.”

“Henderson, you absolute maniac!” Eddie all but jumps over the picnic table, practically throwing himself on his best friends arms. They don't even blink, only opening up and holding him. Firm, steady and warm. Their laughter feels like electricity and care all at once over his skin, and he breaks into goosebumps.

“Did you like it? Had any fun?”

“Hell yeah I did! How long have you been planning this, dude?!”

“Ah, who cares about that?” They flick their wrist, like trying to get rid of an annoying fly. Eddie’s way too used to their dismissive and nonchalant nature at this point, so he just laughs and hugs them close again.

“Jesus Christ, Henderson, what did I ever do to deserve you?”

He can’t see, but their smile softens. The hold on him tightens, and they buries their face into the mess of his hair.

“You’re you. That’s more than enough.”

After a beat, they finally pull away from the other. Eddie doesn’t even questions at their dazed gaze, used to it at this point, even if he never truly knew the reason behind it. He squeezes their shoulders, still a little incredulous at the situation. Taking his little moment of silence as an opportunity, Y/N steps back and takes one last flower from their pocket. It’s a little bit beaten up after being squashed in the hug, but it makes Eddie’s heart feel tight anyway.

“Look, I know this hasn’t been an easy year for you. You’ve been through a lot of shit, dealing with shitheads like Carver and Hagan, and that you didn’t graduate, but… But I wanted to make the end a good memory, you know? Eat junk food, dress fancy for once in our lives, pretend that we’re the protagonists for once, you know?”

They take a deep breath, eyes locked on the little flower on their hand. It’s impossible to lift their head and finally gaze into the eyes of their best friend. The love of their life.

Bah, call 'em dramatic. They're already way too deep into this cheesy bullshit to care.

“So. Eddie. Eds. Angel. Would… You, maybe… Like to… Gotopromwithme??”

Well that was smooth.

Still, it doesn’t seem like he cares about their awkward stumbling.

Instead, he just pulls them into one more hug, laughing like a maniac.

“Yes! Of course I’d like to, you dumbass! You’re my best friend!”

And those words make their heart races and breaks, all at once.

They let the little blue flower fall to the ground, unbothered by the numbness on their fingertips.

“I know. You’re my best friend too, Eds.”

Eddie shakes his head, locks brushing against his nose at the intensity. This is a crisis for another time.

“I know, believe me. But I’m telling the truth! I don’t care about Chrissy, I legitimately want them to be my date!”

Dustin raises an eyebrow, feeling the genuine longing in Eddie’s tone. It’s a surprising match to his siblings, every time they talks about Eddie. That lingering bitter-sweetness in the end of the sentence, the longing in each and every word. He’s heard them rant and ramble, on and on, about the metal-head more time than Dustin feels like counting, he knows that tone. It’s a perfect match.

So, he sighs, leaning his head back against the library’s chair to the point his cap almost falls off.

“Fine, I’ll help.”

“Yes!”

“SHHHHH!”

…

Today was… Weird.

Maybe it was the way the sun was beating down my face, too hot for a spring day, maybe it was the fact that the 7-11 I passed by didn’t have my favorite slushy flavor, but something just seemed… A little off today. Like someone just tilted the world a little bit to the left.

I take a long drag from the cigarette between my lips, watching the shining sun from my spot by my car. Sitting beside me is none other than Billy Hargrove, the same glare up at the sky as mine.

It’s always funny hanging out with Billy by the school’s grounds. We used to beat each other up in this same parking lot, about two years ago! And now look at us, sharing a can of coke beneath the spring sky like two dads waiting for their kids after football practice.

“I can hear your brain about to cook up some weird shit to say, Henderson. Please keep it to yourself.”

I don’t even blink at his harsh tone, putting a sugary sweet expression and leaning to lay my head on his shoulder.

“Awn, I know you love my commentary.”

He’s quick to brush me off, with not nearly as much strength as he used to a few years ago.

“I’d rather hear the screams of children.”

All I can do is snort, laughing slightly before taking a sip of the can between us.

Billy is one of the only people acting somewhat normal today, same snarky responses that once made me lunge for his throat and same pissed off frown.

He’s also one of the few people I trust the most, funnily enough. What can I say, he’s seen the worst in me and somehow still sticks around- probably because I’ve seen the worst in him too, but still. Maybe that trust is what made me press the halfway burnt cigarette into the ground and turn to look back at him.

“Hey, dude?”

“Hm.”

“Is it just me or is everyone kinda off today?”

And to my surprise, he doesn’t immediately respond. Instead, he raised his own cigarette to his lips, taking a long and deep drag.

“Nope, just you.”

“Pfft, weird, something tells me your lying?”

“Something? What, like voices in your head? Damn, I knew you were crazy, Henderson, but this is new ground.”

“Billy.”

“… Hmph.”

He stuffs his hands in his jeans pockets, sunglasses tilting down just enough to see the look he sends me. I shake my head and he relaxes. There’s a small pause after that. He flicks the cigarette ash off, before glancing to me again.

“Look, it’s nothing you have to worry about, ok?”

I can’t help but chuckle at his words, crossing my arms over my chest.

“Last time you said that, you were possessed by a god damned spider monster thing.”

“Yeah, but this time I’m not. So chill out.”

Isn’t he sweet?

I chew on the inside of my cheek, breathing in slowly before letting out a long long sigh.

“Fine.” A pause. But then I turn to look at him again, with the most serious expression I can. “But if you are possessed again-”

“Fuck off.”

“Pfft-”

The loud ringing of the school bell quickly brings our attention back to the front doors of Hawkins High. Like clockwork, they open and the sea of teenagers roll out, flooding the parking lot. My eyes drift between faces, looking for any sign of my favorite club, but the first thing I catch is a familiar cap and a mess of red hair.

Dustin immediately runs up to me, his cap hitting me on his attempt at a dive hug. Max is not so far from him, but instead of the affection attack she just flips Billy the bird… which he quickly reciprocates, smirking.

The two types of siblings.

“Hey, Junior.” The sarcastic and rougher edge to my voice quickly melts off, turning to the normally sweeter and more relaxed tone reserved only for my little brother. Dustin immediately turns to me, smiling like he always does- but, of course, there’s something off.

“Hello there, older sibling figure.”

… ok.

I just let out a chuckle, a little weirded out. See? It can’t be just me, everyone’s acting all skittish for some reason. Did I miss the memo?

Max pushes Dustin’s cap over his eyes before he has the chance open his mouth again, her eyes literally screaming for him to shut up. Then, she turns to me.

“If he hurts you, tell me. I’ll kick his ass.”

“… What???”

The hell’s going on?

Dustin clears his throat, pushing his hat back and sending Max a half hearted glare.

“As I was about to say- Eddie told me to give you this.”

From the depths of his many pockets, he pulls a… letter? A note, better said, scribbled in a chicken scratch of a writing I know way too well.

Before I can open it, he quickly pulls me so I look at him again.

“I’m gonna catch a ride with Max today I’ll see you later ok bye-”

And he practically drags Max to Billy’s car… which she weirdly let’s him do. I look back at the blonde next to me… and he doesn’t even blink at the interaction, stepping on the rests of his cigarette before turning away from me without a word.

What…. the hell.

As the familiar camaro drives off the parking lot, leaving me to my lonesome by my truck, I glance down at the note in my hands. Crumpled notebook paper, with the little bits used to wrap around the spiral still attached, and that familiar handwriting.

After a huff of amusement, I open up the letter.

“Greetings, dear adventurer! It is I, Eddie the Pardoned (we really need to workshop that title).

This is your formal request to join in on an adventure through the ever changing land of Hawkins High school. Walk across the mighty and dangerous hallways where jocks once slammed our faces into lockers, or traverse into the terrifying lands we call the gym showers!

Follow the riddles and clues, and if you’re lucky, the gates of a whole new adventure shall open to those with brave and worthy hearts.

Good luck.”

“Dramatic dork.” I mumble beneath my breath, but the smile on my lips can only be described as disgustingly smitten.

I look over the note again, flipping it between my fingers. Surely enough, more writing in the back.

“Those who trail my path are the best liars, but also the most emotional of artists. The many nights you’ve spent between my walls, you were never quite yourself. Oh, wow, he really wasn’t kidding on making riddles, huh?”

I can’t help but let out a chuckle, raising my eyes from the paper in my hands and looking around the parking lot. There’s a lot of people walking around right now, most speeding to get home after a long long Friday, but my eyes don’t catch a single hint of anyone using the familiar Hellfire shirt. Which is definitely weird, they’re normally the first ones to leave the school. Still, no sign of Jeff, or Bryan, or Gareth, much less Ed.

I look back down to the riddle.

“The many nights you’ve spent between my walls” So it’s a place, then? One I’ve been before, if Eddie isn’t being a little shit and using “you” because he thinks it sounds better.

“Those who trail my path are the greatest liars, but most emotional of artists.” Greatest liars? And most emotional of artists. Well, if it’s a place, related to art, then the art room? But then why the lying?

“You weren’t quite yourself.” Wasn’t… quite myself. Hm.

A place, probably one at school since I doubt he would’ve gone so extra as to go around the entire city, related to art and lying. “Wasn’t quite yourself.”

…

Wait, the drama club?

Art of lying- could he mean acting? A room related to acting in which I’ve been to before.

The drama club, at D&D nights!

My feet are moving before my brain is, crumpled up note being carefully stuffed into my pants pockets.

…

Not far…

“The bird has taken flight, over.”

“Dustin, will you stop with the codenames?! Just- Just get into position! Over!”

…

How many damn riddles can this man write??? I must’ve collected more than twelve by now!

There’s a small collection of notes in my left hand, my pockets too filled up to stuff any more of them without damaging. My shoes squeak against the floors of the mostly empty school, echoing in my ears as I run from room to room, classroom to classroom.

I swear, If this is some sort of elaborate prank, I’m going to kick Eddie’s ass until Halloween comes.

I let out a groan leaning down to reach another, stuck beneath my– well, not mine, it hasn’t been mine since I graduated– seat at the iconic Hellfire Club lunch table. When I turn to the back, I’m surprised to see there isn’t a riddle this time, no little set of verses to greet me. So, after a small hum of interest, I fold it open.

“If you’ve reached this point of your quest, fair knight, I’m proud to tell you your prize awaits you! (Because I’m not like SOME people who do FAKE OUTS THREE TIMES IN A ROLL)

All that’s left is for you to come and get it. Your king awaits in our usual spot.”

-E.M.

“Pfft– my king?” I can barely pay attention to the soft laugh that leaves my lips, chest too warm and filled with cotton to notice. Dork.

Still, I just set the note with the rest, walking to the nearest exit with a smile on my lips.

I’m still have no idea what Eddie is planning with all of this. Despite the dozen plus notes, he hasn’t gave me a single of hint for the reason of this scavenger… Hunt.

…wait.

I mean, it’s not– it’s not possible, right?

He was talking about inviting Chrissy less than a week ago!

Nah, nah, yeah, it’s not… He wouldn’t. Not me, anyway.

…

Well I just made myself sad.

A groan leaves my lips as I shake my head, hair flowing around with the motion before bouncing and stopping, strands sticking to my eyelashes. Enough with the self pity. I’m better than this. Whatever it is that Eddie has planned to me is going to be awesome.

The hallways echoes with my steps, the sound of my combat boots squeaking in the shiny tile flooring being the only sound as I leave the school. It’s late afternoon at this point, the sun starting to set as everything is painted golden. The walk through the woods is longer than I remember, the late spring wind ruffling through my clothes. After a while, I’m reaching the clearing…

And there’s no one here…?

“Eddie?” I spin in place, looking in between the trees for any sign of the silhouette I know better than my own. It’s quiet here, with the exception of the singing birds and early crickets. I stuff my hands in my pockets, and my brows twitch in worry. “Did I take too long…?”

When I pull them back, one of them holds the last hint. It’s impossible to be anywhere else– he literally said our usual spot, and this is it, isn’t it? Unless my first suspicion was right, and he really meant to spread these around the town– wait, no, then why would he set them up around school? What am I m–

“BOO– OW!”

“EDDIE?!”

My knuckles sting, heart beating louder than a drum as I stare at my fallen best friend, cradling his own face. Immediately I reach for him, falling to my knees by his side.

“Jesus Christ, Munson, you scared the shit out of me! I’m so sorry– Oh, god dammit, sweetheart, c’mere, c'mere… Let me see…” I gently tug his hands from his face, touches practically feather light and with as much care as I can channel. He laughs all the while, completely unbothered by the forming bruise on his cheek.

“Jesus Christ, Henderson– You pack quite the punch! Holy crap, I think you dislocated my jaw–”

“Stop saying shit like that, you’ll manifest it.” I chuckle under my breath (but do check his jaw, making sure everything is in place and I didn’t punch one of his teeth in.). “Why the hell you sneaked up on me like that? What thought process made you think that was a good idea??”

“I don’t know!” He laughs, falling limp on the grass while looking up at me. His smile is almost dopey, and I wouldn’t be surprised if he said he just got baked. He doesn’t smell like weed, tho. Just smoke and cologne, the one that makes me wish I could bury my nose into his neck and just live there. “I thought it’d be a good idea? All I needed to do was distract you for a little while!”

“Distract me?” I snort, brows tilting in a playful frown. “From what?”

“Shit–” And at the sound of my brother’s cursing, I lift my eyes from my best friend’s face.

What do I find if not the rest of the Hellfire club, haphazardly stacked on each other’s shoulders putting up a huge banner on the branches of the nearest threes. Jeff has Mike on his shoulders, while Bryan has Justin– and Lucas and Gareth watch a few steps away, clearly trying to not bring attention to themselves as I turn to them.

“Michael, if you ruin my jacket with your dirty ass shoes–”

“I’m trying not to! Stop moving!”

“Guys! Guys, I’m gonna fall! BRYAN–”

“You’re not gonna fall, Dustbin– stop being a pussy and just tie the goddamn thing.”

“What the hell…?” I mumble, even more confused than when I found the kids sneaking Eleven into Mike’s basement.

Eddie doesn’t answer me with anything but a cackle, getting up to his feet and jogging up to the rest of the club. His grin is so wide his dimples are lost between smile lines, brown eyes shining in the late afternoon sun that warms my skin and cheeks. He skids to a stop under the banner, not even waiting to check if it’s tied up properly before tugging the bottom and unrolling it.

‘COME DITCH PROM WITH THIS FREAK?’

And the arrows badly painted on the bottom point directly at him, that turns around to beam my way with his smile brighter than the sun.

…

I don’t know if the guys have fallen silent or if I just gone deaf, but I don’t have the mental power to look. It’s like the whole world turned… quiet.

My heart can’t seem to choose between skipping beats or skidding to stop. I can feel my skin tingling, my knuckles going from stinging to burning. As does the back of my neck and the bottom of my gut.

I read the words, over and over again, shocked…

“Is this…” My tongue feels like it’s knotted, tied and shipped to the other side of the country. No words could ever describe– whatever the hell I’m feeling right now. “Are you… Is– Are you for real??”

“Yeah.” He chuckles, the warm orange lighting almost making it look like his cheeks are dyed a soft red. His smile is confident, almost cocky and playful as he looks down at me. “As real as a I can be.”

My mouth feels drier than a desert, and I swallow harshly. I can’t turn my eyes from him, like I’m transfixed… which, in someways, I am.

He has hypnotized me, a puppet on his strings.

I feel starstruck.

Eddie takes my silent as a go ahead, because after standing under the banner for a second, he slowly walks to me again. For some reason, I don’t even think to get back on my feet until he’s almost right in front of me, his head obscuring the sun as if he’s the only star I need.

“Henderson,” He says, the smirk on his lips almost sheepish. “I’ve got to apologize. I’ve been… kind of a shit best friend for the last couple years. You’ve been my paladin, my white knight, the voice of reason when I wasn’t thinking and I didn’t even thank you properly.”

He extends his hand, the black stone in his ring finger catching the sunlight from his smile.

“So let me make it up to you… Will you let me take you with me to not-prom?”

My throat closes up, my eyes sting, but my smile is as bright as the moon.

“Yeah, I will.”

And I take his hand, letting him pull me to my feet.

taglist! @eddiesgirlforever @plk-18 thx for the support and the patience!! :D

[remylebeaugambit]

So, I decided to wait a little to think this show over. As a Gambit fan I’m still pretty much bitter about it all. However, as an X-Men fan, I can say I understand why people love the show. But I also believe there’s an exaggerated amount of praise due to the fact that we’ve been starving for good X-Men content. 

I was going to write a much angrier version of this text (I actually outlined an angry rant but there were too many fuck yous), however I’m trying to be reasonable here. The animation is mostly impeccable (don’t like the way the women are drawn, but that’s a minor complaint), it’s colorful and vivid and fluid. The action scenes are mostly awesome too. So, yeah, there’s a lot of good in it. Having said that, there’s tons of problems as well and the great majority of fans are willingly blind to them because of, you know, the good and the lack of content for years. 

I want to be bluntly honest and say I’m glad that the showrunner had been fired. I wholeheartedly don’t believe he is deserving of all the praise he’s been getting because my biggest issues with this show come from the writing. It’s amazing and exciting to see scenes from the comics being brought to life in beautiful animation? Yes, definitely. But it’s not enough when the writing is rushed and lacking.

First, I thought I was biased because I hated what they were doing to Gambit, but now I really, truly don’t think this show that amazing. The first half of the season was mostly decent, there were things I didn’t like but that wasn’t enough to called it bad. Episode 5 was when the show peaked (although to be fair Gambit wasn’t in it much, it was the way he went down that made it memorable) but after that it just went downhill.   

All the plot holes, the playing favorites, the inconsistencies, the rushing through storylines, the terrible pacing, the loose ends, the weak motivations, the terrible character development, the retcon to characters’ relationships (so Ororo and Jean are sisters now? Ororo was way closer to Rogue in the original cartoon, but, you know, Rogue had to be isolated for her disgusting retcon and inconsistencies of character and decisions to work out. Newsflash asshole: they didn’t. Rogue was character assassinated. And though I love her in the original show, I wouldn’t be this angry if it hadn’t directly affected Gambit the way it did), and, of course, all the foreshadowing of Gambit becoming Death left to be (hopefully) resolved in the second season. That means there was no payoff. I repeat: the show was mostly curveballs and no real payoff. With a cast that big, you don’t expect all the characters to have satisfying character arcs but in this case if you aren’t a Jean, Scott or Magneto fans you’re left hanging. 

Storm, who has been friends with Gambit, simply didn’t even mention his death. The excuse was that ended up on the cutting room floor, but don’t be fooled, there was enough time for Ororo to smile and hug Jean and later tell her platitudes (what a boring, cheesy speech!). There was also plenty of time for all those insufferable Magneto moments. “You killed more people than the Nazis? Awwww that’s fine, cause you’re family.” 😉 None of it was cut, right? That leads me to my biggest gripe with his show: fucking Magneto. I hate that took so much space and was unironically written as an old man who groomed a teenage girl (they can lie all they want and say she was an adult. She WASN’T. She was a teenager with serious emotional issues), manipulated her, gaslighted her, isolated her and told her pretty things to bang her. I guess that’s what’s called romance nowadays. I mean, the show runner didn’t even try to hide his fetiches for the old creep. All those plot contrivances and conveniences to accommodate someone’s wet dream. 

Ok, so, I don’t want to go ad hominem on the show runner here, but to be fair, he’s been dishonest with us fans this whole time, he’s lied straight-faced, said a lot of stuff that hasn’t panned out, given dubious answers, manipulative and evasive comments, asked for our trust, even though he’d been lying and giving us false hope (trust is earned, dude; I stopped trusting him after the first lie, if ever), and there are people, Gambit fans, still being hopeful and taking his words at face value. Fucking seriously? THAT dress was just another spit in our collective faces. Wake up!), also he’s self-indulgent, and pathetic in his comments about being the master of magnetism (ok, I lied. So what?).        

All in all, I don’t think that show is as good as so many people are making it out to be and I’m way too happy about the firing of the show runner. To him, I say, thank you for tainting the legacy of something dear and pure from my childhood. Good riddance, please, don’t ever come back, sink into oblivion and go fuck yourself (ok, I needed at least one fuck you, he’s had it coming). 

Ps. Romy fans, mark my words, the old creep will be making passes at Rogue and since she has no personality in this, we can expect the worse, like little Charles next season or anything else that is just as irreversible. I’m mean, an old man fucking a teenager is already irreversible to me. But that’s me. 

[miraculouslbcnreactions]

Hello! I've been reading through all your posts so far and even though I am personally an ML fan and not a salter, I love media analysis and I'm sad that there isn't much of them in the fandom. There are directions in the show that I'm not satisfied with and I'm currently working on a rewrite for a future comic.

I'm curious about your ideas and takes on how you would personally rewrite ML, right now one of my issues is figuring out how the Peacock Miraculous works bcuz of sentimonsters. How would you write them?

I'm glad that you're enjoying my stuff! I label it all as salt because - as best I can tell - this fandom defines that as anything even slightly negative, but my goal is more analysis and discussion than angry ranting. Talking about what a piece of media did wrong and how you would improve it is a fantastic way to improve your own writing. It's why I got into media analysis in the first place!

Funnily enough, I do have a massive rewrite out there somewhere on AO3, so I DO have thought about how to handle sentimonsters. Or, more specifically, I've thought about how to handle the peacock. I'll give those first, then circle back to sentis.

In my humble opinion, the idea of sentimonsters should be scrapped for the following reasons, all of which existed long before the sentitheory was even on my radar:

Sentimonsters are too derivative. They feel like akuma clones and not a unique power. You can tell that the power was only created because they wanted/needed a power that would let the peacock be used at a distance the same way the butterfly is even though no other miraculous works this way.

If you want to do a slavery plot, the kwamis are right there being enslaved. You don't need to add human-looking slaves to the mix. Especially given that many of those human-looking slaves are apparently fine to kill off? Just, the ethics around the way the show does sentimonsters will always make me feel icky. Meanwhile the kwamis don't have the awkward element of being magical constructs that were made to serve. They were a free people before the miraculous. The one way I've played with using Felix is as a kwamis freedom fighter instead of a senti one.

Sentimonsters have too nebulous of a lore. In what way are they emotions brought to life? Outside of Feast, emotions don't seem to effect them at all. Nooroo's powers feel far more emotion based than Dusuu's and it bothers me.

There's also the fact that one of the show's biggest problems is character bloat. No writer alive can write a satisfying story that features a team of 36 characters! (18 humans + 18 kwamis) This is why the kwamis act as a hive mind once Marinette becomes the Guardian. You just can't write that many characters into a scene and keep their personalities straight, so they're now a single unit even though it makes Sass and Wayzz feel out of character.

Give all of that and the way the miracle box is kinda... well, it feels a little too cultural appropriation-ish for my tastes. I won't go on a full rant here, but to give two highlights: the zodiac miraculous don't seem to have a thing to do with the real Chinese zodiac and a box based on Chinese lore would NOT use a black cat for the symbol of bad luck. Black cats being bad luck is relatively modern European lore. In other words, the Chinese stuff is just there for ascetics and not actually representative of Chinese culture, so I had no moral issues scrapping the miracle box and making a much smaller version and neither should you if you're so inclined!

The thing about lore is that it only matters as much as the show makes it matter and, outside of a few key miraculous, I really do think you can change them without most readers caring because of how little the powers actually matter to the show's lore. Like they have completely scrapped the idea of making a person match their miraculous even though that was supposedly a big thing back in season two. This is extra true because it took us so long to learn all the powers in canon, so there are a lot of fics that pre-date the canon reveal and do different things.

But if you want to keep sentimonsters to be more canon accurate, I would consider all of the following as options or things to keep in mind. Feel free to use all or none of them as I'm probably never touching this plot and, if I do, it will doubtless be different from whatever you do:

Doing something to make the difference between valid and non-valid sentimonsters abundantly clear and not just "the creator decides who is valid" OR just don't make any sentimonster valid and have Emilie have used the miraculous out of a desire to help people because she didn't know it would kill her

Have Gabriel be more conflicted about the use of sentimonsters since, you know, his kid is one and Adrien, Felix, and Kagami are the only sentimonsters he dealt with for many, many years

Consider having Nathalie make one sentimonster (maybe even present it as her own child) in order to help Gabriel so it's not a slew of akuma 2.0 on the battlefield. Instead its someone at the school looking for Ladybug and Chat Noir after the villains realize that they're teenagers. (This could be a good way to use Lila and make her powers make sense)

Redo Dusuu's Force or make the tie between sentimonsters and emotions more clear. Like Felix is made from jealousy and Adrien is made from love so that's the source of their conflict

Use Felix as a third, morally neutral party who only cares about sentimonsters and have him act toward those goals like we all thought he was going to after season five. Magneto from X-men should be your template for him not whatever canon did.

Consider letting Kagami know from the start and let her know that she and Adrien are meant to be, but she's not allowed to tell him the truth or something. If you don't go that route then, at the very least, have her finding out be a big deal for her relationship with her mother.

Go all in with Adrien's commands. Gabriel wants Adrien to date Kagami? He's going to date Kagami. None of this Y-7 undo button BS. Go big or go home.

Give the sentimonsters a way to break free. That's what the power of love is supposed to be about. You could go super cheesy with this if you combined it with Adrien's source emotion being love. The literal love child using the thing that made him to overcome what he was made to be to be what he wants to be sounds very fun to me.

Consider giving the senti kids superpowers. It's honestly kinda weird how relatively normal they are. Like, sure, Felix is supposed to be super smart, but we only know that from his Wikipedia and that's about it.

I could go on, but that's a lot, so we'll stop here. Feel free to send additional asks or message me. I have many, many thoughts about how to fix canon while trying to stay true to the core ideas of the story. Or, at least, the things I consider to be the core. I legitimately enjoy the adaption process and think the fun of fanfiction is largely trying to fit alternate takes on canon into the base framework so it still appeals to fans of the source.

[chameleoncharm]

Aug 2024 News!

Hello hello! Meant to get this up a bit sooner, but had some family things come up and I've been down with Covid the last bit of time. If you're a paid member, this will sound like a repeat of things I said a little earlier this month, but please bear with me, as I try and get everyone caught up with my plans. First off, major apologies again for falling off the face of the Earth the last... bit of time. Life has been hectic, but in between the crazy, I've managed to catch a few moments to come up with game plans for the comic. I won't go over everything right now, but just cover the up and coming things on the docket. The biggest thing to note coming up in the next month though is the relaunch of the comic.

I've been putting together a new home for Chameleon Charm over on ComicFury. You can actually view it here: https://chameleoncharm.thecomicseries.com/

There's no pages up yet and the extra pages - like the Cast and Fan Art pages and the like - aren't fully functional yet. I'm not actually very good at coding, or rather no good at all, cause I know nothing about code, so it's been a struggle getting the page to look the way I want it. It looks pretty good now though, so hopefully nothing breaks going forward, hahah. If it does, it because of my spaghetti coding and I apologize. Anyway, the plan is that starting Sept 18 - the comic's 12th year anniversary - I will be re-releasing the comic over on the new ComicFury page. I hope to get my custom domain to point to the ComicFury soon, though the Tumblr will remain up, for archival reasons/purposes. What I mean by a re-release is that I will be trickling out all the past pages over the next bit of time; all five chapters. There will be minor differences, as I'm doing some editing on the pages to readability and consistency, will some minor art edits.

The release schedule will be Tuesday, Wednesday, and Friday and once I get everything posted, will revert to the Tuesday and Friday release schedule I had back in the old days when I was hosted on Cup of Comics.

With what I have in terms of page count, for Chapters 1-5, it should neatly gets us to September of 2025, where then, I will finally start getting into Chapter 6, for real. I know that's still a long time, but this way, I have a built in buffer and time frame in which to work. Since I've gone on hiatus because of life and writer's block, I had not solid time frame in which to get back on the horse, so I'm setting one with the relaunch. So, short form, the plan is this: - Starting Sept 18, 2024, I will release Chapters 1-5 on the new ComicFury webpage, with a "new" page released on Tuesdays, Wednesdays, and Fridays - By Sept 18, 2025, I should have things all set to roll smoothly into the long awaited Chapter 6

I've alluded to this before, but really, the time to think things through as really actually helped when it's come to story developments. Handing things on a page-by-page basis really wasn't a good idea, but hey, when I started the comic, I was young, dumb, and stupid and didn't know better. I'm older now so like to think I've learned some kind of lesson, lol. Anyway, the rest of the month is dedicated to the aforementioned edits so I can get pages queued up. I hope you'll enjoy revisiting the series through this relaunch and maybe have fun playing a game of Find the Difference on what I change. Again, they won't be big changes, but you know; for those people who like to keep track of such things (one reason why the Tumblr will remain). All I ask (aside from beseeching more of your continued patience and support, which I am eternally grateful for) is for you guys to help spread the word of the comic's release. I'll be putting up posts on the social media pages whenever a page goes live on the ComicFury (see here for all the official Chameleon Charm social media pages) and if you could like and share them around to get the comic in front of fresh, new eyes, that would be extremely helpful. But that's all for me for right now! I'll check in with everyone next month when the relaunch finally happens and to celebrate the 12th Year Anniversary. I'm sorry again for the absence, but I hope the stuff I have planned for the future will be worth it. I've been doing a lot in terms of world building and story development and I can't wait to share it all with you. Thank you again for your continued patience and support. For advanced news and behind the scenes, consider joining the Patreon! Take care now! - Fil

[positivelybeastly]

To the Mod: I know Cat! Hank is your number one version of the character, now I'm curious of how you rank the other encarnations from least favorite to favorite...

Ha, so, funnily enough, this reminds me of an old meme I made, which is horrifically low quality, but eh, it makes me laugh.

Pretty much all versions of Hank, I can find at least something to love about them, even if it's just something visual or something small, one little scene that works for me, so, with that in mind, let's begin our ranking! I hope you don't mind, but I went from favourite to least favourite, just because that's the way my brain works. :)

Platinum Medal - Feline Beast (2000-2012)

As you mentioned, in my opinion, absolutely the best version of our man. When drawn well, he has the best design, the best look, the best storylines, the best everything. He's still eloquent, he's still hilarious, he's still bipolar, he's still ridiculous, he's still so aggressively unhappy and doing his best to make it through, he's still the biggest bleeding heart you'll ever see. He's my guy.

Gold Medal - Classic Beast (1974-2000)

The boy! The bouncing, bludgeoning, bountifully blue Beast himself! Honestly, I used to be a little down on him, I used to think he lacked complexity and was just kind of a weird 'diversion' on the path to cat Hank, but reading New Defenders completely changed that opinion, and now he's firmly second place. He's just such a goofy goober!

Silver Medal - Dark Beast (1994-Current)

Honestly, one of the better evil twin/counterparts I've seen in media, mostly on account of some very subtle characterisation tweaks that make him fascinating. His strange, borderline narcissistic-but-also-self-worth-affirming fascination with 616 Hank, his inability to hurt Hank's parents because the idea of being loved makes him weak, his absolutely incredible sense of humour . . . like, I dislike what he's done to the discourse about Hank, since people will trumpet the idea that Dark Beast 'proves' that Hank always goes evil, but as a character, I really am just happy any time he's on panel.

Bronze Medal - Modern Beast (2012-2019)

You'll note that I cut this off before 2019 for obvious reasons. Honestly, this version of Hank is saved primarily by a few key stories that actually bother to examine his actions and ongoing personality crisis in more than surface level detail, and I do really like this design, even if I wish people could be more consistent with it (seriously, he's not a hard character to draw, can we please establish if he's as big as the Hulk or not?). Forever tarnished by being written by Bendis, but I do like him when he's written well.

Runner-Up - TAS/'97 Beast (1992-1997, 2024-Current)

I love this boy, but he hasn't gotten quite enough stories of real import and character development for me to say I like him as much as the comics versions of Hank. I'm optimistic that season 2 of X-Men '97 will rectify that, given some key scenes in episodes 5 and 7, but until then, I just like him. I think he's neat. Definitely has one of the best voices of all the Hanks.

Runner-Up - Grey Beast (1974-1975)

I used to regard this guy as just a transition from human to blue Hank, but going back and reading those issues of Amazing Adventures and the tie-in issue of X-Men Unlimited, I actually kind of adore this brief but meaningful period of Hank's life immensely. When I started writing my big X-Force fix-it fic, the idea of regressing Hank back to this colour and something like this state of mind was key to my vision of the character, because it's so under-explored and so fascinating to me.

Runner-Up - Sublime Beast (2004)

The best of the villain turns Hank has ever had, because it's not really Hank, and yet, the manner in which he turns is so achingly Beast - he burned himself out trying to keep everything afloat, and in his desperation, he made a stupid mistake that ended up hurting him most of all. Also, 11/10 character design. White fur and purple leather? Fucking god damn what a daddy.

Runner-Up - X-Men 3: The Last Stand, The Marvels (2006, 2023)

Honestly, good version of the character, even if I don't love Kelsey Grammer's politics. Great voice, good design, good integration into the storyline, interesting place for Hank to end up after leaving the X-Men, good use of his acrobatics. I was very pleased to see him crop up again in the Marvels.

Runner-Up - X-Men: Evolution, Wolverine & the X-Men, Marvel Anime (2000-2003, 2009, 2011)

Throwing these all into their own little space because I do love them, but they were very much just supporting characters who didn't get a real chance to shine outside of one or two funny moments, and one or two episodes (the Beast of Bayville from Evolution is the standout here). Great designs on these three fellas.

Runner-Up - Human Beast (1963-1974, 1986-9, 2013-2018)

Honestly, not my favourite version of the boy. He's fine, but he's not done yet, he hasn't finished baking. I appreciate a lot of the stories that come from this era, but I always regard this version of Hank as fundamentally unfinished and incomplete. The magic stuff with time displaced Hank was interesting, the Jean love triangle and the conga line of humiliation Bendis was intent on putting him through was. Less so. Still. Good lad.

DNF (Did Not Finish) - X-Men: First Class, Days of Future Past, Apocalypse, Dark Phoenix (2011-2019)

Just not really the same character, tbh. See me after class for notes.

An Affront to Me, Personally - X-Force Beast (2019-2024)

If I could fill your bed with thumbtacks, Ben Percy, I would. You have poisoned the earth for this character for decades to come, if not forever, and I regard you as a blight upon his legacy. The fact that you were allowed to do this with the character is all the confirmation I needed for my theory that the X-office, and Marvel at large, does not give a single solitary fuck about the integrity of this character, will not protect him, and does not hold any regard for his history or meaning.

Beast in name only. Shame on you.

Bonus: Lives In My Head Rent Free - Gay Exiles Beast (2009)

It's canon.

This list isn't entirely exhaustive, there are a billion other versions of Hank out there, like Brute from Mutant X, Manga Beast who looks like a teddy bear, Marvel: Ultimate Alliance 3 Beast, Ultimate-1610 Beast, etc, etc, but these are my 'core' Beasts, and as such, this is my ranking.

[sharonisthebettercarter]

we need to talk about common comic opinion for the boys

so i read the comics.

was curious for a while, buddies wanted to do it, finally bit the bullet and MAN OH MAN~<3

there's common opinion that swirls around from people who *have not read the comics* need i remind, an opinion that they are merely *meaningless edgelord drivel* or the like.

i'm here to bust that misconception, smack it upside the head and drag it around the fuckin' town and kick it till it's caved in because it couldn't be more *wrong* if it tried.

first thing i'll say is that the comics *don't* compare in what you'd call 'gratuitous edginess' to the show. while they have their 'bit on the nose moments', they're drawings that go panel by panel. even what they *could* show wouldn't compare, and it honestly doesn't. (coming from someone who's also watched the show too many times over now and got a nice fresh read in)

robin's death is more brutal *in the show*. there is more blood and gore. *in the show*. the arguably edgiest thing between both of them is a guy exploding another guy from inside his urethra, which *only happens in the show*

and for those that have no clue about the big twist or comics homie and try to make blocks of analysis for a character they have zero actual information or decent research on.

homelander is worse. *in the SHOW*.

granted, both have similar enough structure with reversed character development/reveal, but i digress

butcher is just THE biggest fucking bottom by the way, lord satan i CAN NOT with that boi--

anywho~<3

the 'meaningless' part? well that's just a big fat lie and i'll say it up front. that shit needs to stop. this thing was definitely an emotional rollercoaster, and while it may be true that it's not for everyone, it was far from meaningless and actually brilliantly written and even researched.

it's raw, it feels real half the time, it teaches valuable lessons, and even when you're in the notion of 'okay, where is this going, it's sus', when you stick with it? you get rewarded fucking beautifully.

there are moments you'd disagree with the characters actions in a way that makes them feel humanly flawed. of course they might do the wrong thing or say the wrong thing, so do real life humans?? there are cross cultural miscommunication references and conversations that show ennis knew what he was doing and why he did it a certain way. and yeah, it can be too much to handle for some,

*but if you honestly feel that way you shouldn't be watching the show either*

and here's what it's not.

meaningless, ill-thought, pointless, edgelord drivel.

it *is* an intricate and well done, brutally *honest* creative critique of the *military industrial complex*, *corporate capitalism*, and a couple other things expertly squeezed in. even touching on *abuse* and hitting all the right spots for how it can psychologically fuck with people. the ending punches you in the fucking feels as you could appropriately expect it to with a hard side of begrudged satisfaction.

good fucking satan these things were an excellent read that compelled me to want moar from start to finish, and yeah, if you have watched the show then i *highly* recommend them because the important topics and themes touched on are presented much better in the comic, even with the sometimes wonky ass art in place of hawt actors to distract you, lmao

but seriously? the lot of you that keep spouting nonsense from your clenched up assholes without actually bothering to look at the source material need to stop. all you're doin' is actin' damn fools and showing off high and mighty opinions based on complete mis-education if not un-education.

and f.y.i.... also being the damn fools both the comics AND show make fun of.

so remember that line billy says?

'but the main reason you don't hear about it is cause the public don't want to know about it.'

that's y'all. legit, at this point. more specifically, y'all would be the 'public' that wants to live with rose tinted glasses instead of acknowledging that reality is more brutal than we often want to see or admit.

why else would you keep denouncing and dismissing the comics and source material of something you allegedly love?

because some other schmuck on the internet said a lie, gave you hearsay, or a rumor they heard through a grapevine on a game of telephone that said it wasn't worth looking into yourself?

well i'll call bullshit on that straight up but what are y'all so afraid of??

couple other things i will say, if you hate butcher for being the biggest worldclass cunt, you will absolutely feel vindicated and have your feelings or possibly lovehate boner (like mine~) completely validated with what happens in these comics (and if i'm being honest about the direction of the show, weeeeelllll...~<3 lemme not tho lmao<3 still def the biggest bottom, out bottoms hughie by far, i wanna see him get railed by vas/love sausage)

i will also say, billy is 100% wrong in the comic and the show is slowly but surely unraveling that truth there as well, if it's not clear enough by now. what he does isn't for becky/becca, and definitely not for ryan either. it never was.

it's for his father, no i will not elaborate cause read the damn comics. (but also, people need to stop fucking forgetting that HUGHIE is the *actual* good guy here, not billy... billy is a bad guy... billy is objectively worse than homelander in many MANY canon ways and remember that reverse character development i mentioned--.)

contrast, if you *love* butcher, you will likely be disappointed in the show, but the comics will help prepare you for it (they also make too many things CLEAR)

unfortunately, you do not get sweetheart noir in this and while i love his show counterpart, bearing with cunt 9000 noir is worth it. (it also sparked fic ideas for me cause why not both~<3)

LOVE SAUSAGE IS UNREAL AND PERFECT~<3<3<3 if nothing else, comics love sausage at least deserves your full attention.

homelander's as always is a fun boi, show homelander by comparison is basically *final stage* comics homie (full throttle evil berserk type shit/just before it hits) take everything you thought you knew about (comics) him, and throw it out the fuckin' window.

boi does some fucked up shit... and ALSO has fucking mental breakdowns and visceral reactions like throwing up to doing evil shit because he literally can't stomach it and is trying to convince himself that he is the bad guy because he's been gaslit--.

and i'ma stop there. read the fuckin' comic if you actually wanna know just how deep that homie rabbit hole goes.

and i will absolutely use the idea of him having legit *adverse reactions to doing evil shit* in a fic because FUCK. YES. that was a sad but lovely detail and would make for a perfect fuckin'a alibi<3

anywho~<3, if you recognize he's a victim in the show? the comics. read them cause OOOOOHHHH--.