#like one friend is saying 'but did he actually say he doesn't like you' while another is all 'maybe you didn't time it right'

[the-gay-trashmouth]

I think something that's bothers me about how folks talk about mouthwashing is how they talk about Swansea. It's either "Swansea would have killed Jimmy immediately if Anya had told him" or "he knew and he did nothing just like curly." because, to me at least it leaves out a lot of nuance to his character and situation. Curly and Swansea are really good foils to each other, one who's got a reputation for being the kind and helpful captain but in the end does nothing to truly protect the crew from Jimmy, and one who's gruff, harsh, and cruel but genuinely tries to help in the background, the reliable mechanic.

(read more for a long Mouthwashing character ramble tw for unwanted pregnancy and SA)

Because Curly is the one with the power. He doesn't take what Jimmy did seriously enough. And you can say that he might not have known fully what Jimmy did, but I think the "I told you" pregnancy conversation and his reaction to Jimmy right before the crash ("come on we'll get through this together. We'll figure it out, you've had hard times before-") are indicators that he knew, but he still chose to stick by his friend and treat it like a "mistake" rather than what it really was.

Now that's my own personal speculation of course, there's no outright scene of her telling him "your best friend assaulted me", but I think there's enough evidence in game through Anya and Curlys interactions to say that he knew, and he knew before Anaya knew she was pregnant. He had a fully functioning ship and four fully functional cryo-pods. He could have at least given Anya more security, kept her far away from him, and at most forced him into the cryopod until they got back to earth. Jimmy STILL had full, uncontrolled access to the cockpit AFTER his freakout with curly. AFTER Anya tells curly she doesn't feel safe with him. AFTER Curly finds out he raped Anya. He's so focused on seeing the good in his friend that he does NOTHING to protect Anya, doesn't strip away not one of Jimmy powers as copilot and consequently endangers her and the rest of the crew.

Curly was the captain, he had the power to relegate Jimmy to the fucking storage closet if he really wanted, at least put him in the cryopod until they got back to earth. In fact, he was the only person above Jimmy in terms of rank on the ship, but he chose to do nothing. He chose to let Jimmy continue as acting co-pilot, chose to comfort him rather than actually confront him. Slides off his weird sexual comments as jokes "So what's this about horses?"

Now let's compare that to Swansea, the mechanic.

We don't have any evidence that Swansea knew about what Jimmy did until after the crash ("it's been her telling me things") where they were trapped with no captain, barely any rations, and a single cryopod that he kept hidden away in the one room he had the key too (and the only room that could lead into medbay). He didn't use it for himself, he makes it clear he didn't intend on getting off this hunk of metal in his last few conversations with Jimmy.

Swansea as the ship's mechanic, was used to fixing things in the background. He didn't need to get along with anyone to keep the ship running, he didn't need people to like him to keep them safe. We see that with Daisuke. He's harsh on him, for sure, but he leaves constant notes to help him learn. Genuinely tries to keep him out of harm's way when it comes to more dangerous jobs. We know Anya was scared of Jimmy getting a weapon, she hid the gun case in the medical bay even knowing she would never get it open. We can see Swansea and Anya off on their own towards the first days after the crash, and Swansea still has a tight grip of the axe weeks and months later.

I personally think that was him trying to keep Jimmy from having access to a weapon. The only time Jimmy gets the axe while Swansea is alive is when Anya Specifically asks him to use it to get medical supplies. I don't think that's a coincidence.

Swansea, like any good mechanic, was quietly trying to keep things running out of Jimmy's sight. It's not until everyone is dead or dying that he snaps, that he finally takes direct action. But it was too little too late.

Both Curly and Swansea thought they were doing the right thing, helping in their own way. Curly genuinely wanted to see the good in Jimmy, wanted it to just be some challenge they could overcome, but in doing so he failed to see the monster right in front of him. He had all the power (in context of the crew, the company is a whole other can of worms I have so many other thoughts on), but he was too afraid to use it. Hell, he was DISCOURAGED to use it if the memo about HR complaints are anything to go by. Swansea, on the other hand, never trusted Jimmy, never even really liked him, but he didn't want to make anything worse either. He didn't know what would actually set Jimmy off, or what he was capable of, and aside from just straight up killing him what else could he do that wouldn't just push Jimmy further off the edge? Like with the foam. "One wrong move and you'll rip this ship a new asshole", he worked carefully, hiding the last pod from Jimmy, keeping the only other weapon on himself, guarding the only other entrance into Medbay, but Jimmy was escalating quickly. He underestimated how far Jimmy was willing to go, just like Curly had, and in the end suffered the consequences.

The only character who actually understood how dangerous and unstable Jimmy was is Anya. She knew the moment she found out she was pregnant he would hurt her ("you won't let me protect myself"). He wouldn't be able to take it, he would do something drastic. She knew he was escalating the longer they were stranded. Anya is the only crew member who truly understood how dangerous Jimmy was and took direct action.

And interesting thing to me is that she doesn't just kill herself. She locks herself in the medbay. She could have waited for Jimmy to sleep, or locked herself in the cockpit, but she locked herself in the medbay with Curly. She knows that with her gone there would be no one left to take care of him, she knew Jimmy would continue to escalate his abuse, and with her gone all of his anger and fear and guilt would turn on Curly.

And wouldn't you know it? She was right. Without Anya to stop him, he takes curly out of the bed, forces him upright into the cryopod, and forces a man with no skin, no arms, no legs, and infected tissues to be frozen for 20 years while the rest of his crew Rot. And that's only what we know to be reality- if any of his delusions had some basis in reality he could have done so so much more. Anya is the Only one to take reasonable, direct action to keep herself, and then Curly, safe.

But she didn't have enough power over Jimmy to truly protect herself. She didn't have the code to the gun case, she didn't have a weapon or a rank to fall back on. She was outnumbered by men who she knew from experience either wouldn't or couldn't keep her safe, and she was heavily pregnant with a baby she didn't want and most likely couldn't even get enough nutrients to sustain either her or the fetus. She was physically weakened and trapped in a stranded ship with her abuser with no way home and a medical miracle (curse) in Curly.

This game is a really good reflection of reality, in my opinion as an abuse survivor. Some people will see them as "one of the boys" and constantly excuse or downplay their actions (Curly), some people will do small things in the background, recognize the abuse and disprove, but don't want to get in the way or make things worse (Swansea), and some people are just straight up oblivious/naive (Daisuke). But in the end, it's the system that allows abuse and incentives coverups to keep peace or save face that really allows abuse to fester and escalate.

Which is why I personally have a problem with the idea that Anya should have just Told A Different Man because it ignores the very real chain of power and her own agency in her story, AS WELL AS the idea that Swansea and Diasuke knew but didn't care because that's just not reflective of real life. Not every man is some rapist apologist who doesn't care what abusers do until it happens to them, some people just don't know what to do, or don't have any good options that wouldn't result in further abuse. Hell some people just don't even fucking notice! Not everyone has had exposure to the signs or knows what to look for.

It's easy when looking at fictional depictions of abuse to say "well if I was there I would have just punched him/killed him/called the police" but real life, in that moment, its never going to be clear cut. You can call out abuse, but that might just lead to that abuser taking it out on their abuse victim later. They could even start to target you for daring to speak out, or try to hurt you and cut you off from the person being abused. You can know all the right steps and the right programs, but in the moment, when faced with a real situation where someone could get hurt or even killed? You stumble. You think things over, you don't try and make any direct moves that would set their abusers off. Sometimes that's a good instinct, and sometimes that just lets abuse escalate. It's never a good situation, and it's never actually anyone's fault but the abusers. And this way of thinking also conveniently leaves out the survivor of this abuse, and portrays them as someone who needs to be saved, rather than someone who needs support and resources to save themselves. It also very conveniently lets the company that Put Anya in this situation in the first place get off Scott free.

The solution isn't "oh one of the men on board should have personally killed Jimbo and saved Anya all by himself" its "Anya deserved the support of her crewmates instead of being forced into close proximity with her rapist and also maybe Jimmy shouldn't have access to the fucking controls or medbay or any weapons- AND ALSO the crew shouldn't have financial incentives not to report things to HR"

[ceratedfish24]

Your takes on c!Scott and flower husbands have honestly been so refreshing that its reignited my old Hot Takes on c!Jimmy bc I detest the way people characterize him.

I feel like so many people portray Jimmy as this dejected downtrodden victim of bullying, which feeds into a narrative that Scott was cruel and abusive and awful or whatever, and tends to act like Jimmy doesn't have any agency ever. But IN REALITY??? Jimmy is not downtrodden and dejected and sad!!!!! In my opinion, Jimmy's defining character trait is his unshakable TENACITY! Ppl never want to admit that Jimmy is a little shit! That he acts out of spite, that his friends' teasing only tends to motivate him!! He *thrives* in environments that challenge him! AND to be so for real, he is a grown man with agency and decision-making skills and I'm tired of people acting like he isn't.

In general I feel like people just have the wrong outlook on him as a character. Maybe they've just collectively misunderstood him, or a Helpless Miserable Victim is easier to write about in fic, or they just want to project their own bullying-related trauma onto him or whatever. (People do similar things to Scar when talking about desert duo, which I understand even less). IDK. These are just my thoughtssssss sorry for rambling :P

No because you’re literally so real for this. Jimmy is SUCH a little shit. His response to Joel being mad at Jimmy for trying to kill him was to SHAKE HIS ASS AT JOEL. He taunted Joel because Jimmy successfully used Lizzie to bait Joel out. He tried to guilt trip Scott into giving him time. These aren’t negative qualities. This is a guy being silly with his friends. Embrace them when writing c!Jimmy. These are wonderful and realistic qualities.

Jimmy’s tenacity is so remarkable. He gets knocked down and all of his friends tease him about it, and he stands right back up with pep in his step. A lot of people treat Pearl the same way. Like, guys, these people are adults who make their own choices, and, often times, people who are given free will are not going to make the responsible choice most of the time when there are no real world consequences to their actions other than maybe “I might not get to be in the finale of this Minecraft series”.

There is SO much favoritism in the Life Series. Jimmy and Pearl are always reduced to their greatest tragedies, while Scott and Cleo are reduced to their most selfish moments, even though everyone else is equally selfish because IT IS A DEATH GAME. IT IS A COMPETITION. THAT IS THE POINT.

A lot of Jimmy’s deaths tend to be his own doing. Whether he unnecessarily made an enemy or just wasn’t being careful, a lot of Jimmy’s deaths are his fault, and that’s fine. He likes to play into bits. He’s not that serious about winning as opposed to making fun content. Pearl has made her fair share of mistakes and enemies, and that adds plot and drama to her content. That’s how she plays it, and it’s fine! Don’t infantilize them for dealing with the consequences of their actions just like everybody else!

Scott was widowed, and he had to watch his allies die before he did for seasons. Nobody ever comforts him about it. Nobody says “oh this man is so sad he’s just doing his best but he can’t keep his friends alive and it’s eating him up and everyone should baby him”.

Nobody even calls Joel toxic for constantly targeting Scott, but somehow Scott is toxic for teasing Jimmy now and then? (Which is not to say that Joel is toxic. He just finds it fun to target his good friend and knows where Scott’s limits are. It’s actually a sign of how close they are in real life). Nobody calls Etho and Bdubs toxic for being so mean to each other. Nobody calls Impulse manipulative when his whole thing in Third Life was betraying people. Nobody says Ren is controlling for taking the lead in Dogwarts or calling the Renwood Mound the Ren Mound. Scar is a liar and a scammer and no one thinks less of him for it.

Do you wanna know why? Because they’re friends having fun. Scott and Scott’s character should be treated with that same respect given to everyone else. Also, people need to keep in mind that Scott is not actively playing a character. Scott is just playing the game the way that cc!Scott wants to play the game, so any in depth analysis of Scott’s “character”? That’s an over analysis of cc!Scott in a competitive environment, and that man is literally on this site, people. He knows about Gaslight, Gatekeep, Girlboss, Girldad. I’ve seen him reply to analysis posts on why Scott is manipulative. He’s literally just a guy playing a game for fun.

Imagine if someone accused you of playing an evil and selfish character because you asked your friend to give you the monopoly money they owe you. Or, worse imagine if someone accused you of playing a manipulative character because you let your friend land on your monopoly property without paying you????? Because you love your friend??????? Like, excuse me????????

Thank you for the ask!!!!!! 🩵🩵🩵 It’s always flattering when someone calls my posts “refreshing”💕💕💕(also I see you all the time and I love seeing your additions to my posts💖)

[bonsai-babies]

Okay, it's the second time I see someone saying

"If Sam had seen Axel being BEATEN in the early seasons she would've called it a sob story and walked away"

Allow me to refresh people's biased minds with the two canon events that come to mind:

Sam immediately knew something was wrong with Robby's home life and immediately took action telling it to her parents.

Sam immediately broke up with a popular guy after seeing the way he treated Miguel and his friends.

Now, why did Sam take a different approach to Tory? CONTEXT. Sam and Tory had been antagonizing each other, and every mistake or absurd violent reaction that Tory ever had is always justified by "oh, but her tragic home life". Tragic past and home life doesn't give anybody a free pass to act like that. That's what she meant!

The fact that I have to explain it is pathetic. And of course people who dislike her won't care they just love to grasp at straws to attack her.

Sam is not a sociopath who ignores and doesn't care about suffering. In what UNIVERSE would that girl see that level of violence and be snob about it?!

You know who actually saw that level of violence AND CHEERED IT ON?? TORY NICHOLS.

Yeah, the same one you guys coddle. She cheered Hawk on while she broke an immobilized KID's arm while he BEGGED to be let go!!

She was there when the Cobra Kai's took Bert, one of the smallest kids, and beat him and throw him through a FUCKING WINDOW.

She attacked Sam while she was visibly distraught and NOT FIGHTING BACK. She just wanted to cause pain.

Now I don't see ANYBODY ever calling her on these acts of violence and ruthlessness. She didn't just WITNESSED those acts, she was the aggressor. But Sam is the villain?!!! Get a fucking grip or grow some sense while you're at it.

Sam would never be a snob about people's suffering, she only ever criticized people using it as an argument to excuse their behavior. She was ALWAYS empathetic and kind. Even when she wasn't brave enough to take a stand (which changed pretty fast).

Now please delete this take for the repertoire, it'll be less embarrassing for all of you who insist upon it.

[ruhua-langblr]

Language Apps Suck, Now What?: A Guide to Actually Becoming "Fluent"

The much requested sequel to my DL post that was promised almost a year ago.

I'm going to address all of the techniques that have helped me in my language learning journeys. Since 95% of these came from the fact that in a past language learning mistake, they are titled as my mistakes (and how I would/did things differently going forward). For those that read to the bottom there is a "best universal resources" list.

Disclaimers:

"Fluency" is hard to define and everyone has their own goals. So for the purpose of this post, "fluency" will be defined as "your personal mastery target of the language".

If you just want to pick up a bit of a language to not sound like a total foreigner on vacation or just exchange a few words in a friend's native language, feel free to ignore what doesn't apply, but maybe something here could help make it a little easier.

This is based on my own personal experience and (some) research.

Mistake 1: Asymmetrical Studying

Assuming you don't just want to do a single activity in a language, or are learning a language like ASL, a language requires 4 parts to be studied: Speaking, Listening, Writing, Reading. While these have overlap, you can't learn speaking from reading, or even learn speaking from just listening. One of my first Chinese teachers told me how he would listen to the textbook dialogues while he was biking to classes and it helped him. I took this information, thought "Yeah that's an idea, but sounds boring" and now regret not taking his advice nearly every day.

I think a lot of us find methods we enjoy to study (mine was reading) and assume that if we just do that method more ™ it will eventually help us in other areas (sometimes it does, but that's only sometimes). Find a method that works for you for each area of study, even better find more than one method since we use these skills in a variety of manners! I can understand a TV program pretty well since I have a lot of context clues and body language to fill in any gaps of understanding, but taking a phone call is much harder—the audio is rougher, there's no body language to read, and since most Chinese programs have hard coded subtitles, no subtitles to fall back on either. If I were to compare the number of hours I spent reading in Chinese to (actively) training my listening? Probably a ratio of 100 to 1. When I started to learn Korean, the first thing I did was find a variety of listening resources for my level.

Fix: Find a variety of study methods that challenge all aspects of the language in different ways.

A variety of methods will help you develop a more well-rounded level of mastery, and probably help you keep from getting bored. Which is important because...

Mistake 2: Inconsistent Studying

If there is one positive to a language app, it is the pressure it puts on keeping a streak. Making studying a part of your everyday routine is the best thing you can do. I benefited a lot from taking a college language course since I had a dedicated time to study and practice Chinese 5 days out of the week (and homework usually filled the other two). Memorization is a huge part of language learning, and stopping and starting is terrible for memorization. When I was in elementary school, we had Spanish maybe a couple times a month. Looking back, it seems like it was the first class to be cut if we needed to catch up on a more important course. Needless to say, I can't even speak Spanish at an elementary level.

However, I'm sure many people reading this don't have the time to do ultra-immersion 4-hour study sessions every day either. Find what days during the week you have time to focus on learning new vocab and grammar, and use the rest of the week to review. This can be done on your commute to school/work, while you do the dishes, or as a part of your morning/evening routine. Making this as realistic as possible will help you actually succeed in making this a habit. (Check this out for how to set realistic study goals)

Fix: Study regularly (ideally daily) by setting realistic goals. Avoid "binge" studying since remembering requires consistent repetition to be most effective.

Mistake 3: Resource Choice

This is really composed of two mistakes, but I have a good example that will cover them both.

First, finding resources that are at or slightly above your level is the most important thing. Easy resources will not challenge you enough and difficult resources will overwhelm you. The ideal is n+1, with n as what you know plus 1 new thing.

Second, getting distracted by fancy, new technology. Newer isn't always better, and there are often advantages that are lost when we've made technological developments. I often found myself wanting to try out new browser extensions or organizational methods and honestly I would've benefitted from just using that time to study. (Also, you're probably reading this because of my DL post so I don't think it has to be said that AI resources suck.)

A good example of this was my time using Clozemaster. I had actually recommended it when I first started using it since I thought the foundation was really solid. However, after long term use, I found that it just wasn't a good fit. The sentences were often too simple or too long and strange for memorization at higher levels or were too difficult at lower levels. I think that taking my textbook's example sentences from dialogues into something like Anki would've been a far better use of my time (and money) as they were already designed to be at that n+1 level.

Fix: "Vet" your resources—make sure they will actually help you. If something is working for you, then keep using it! You don't always have to upgrade to the newest tool/method.

Mistake 3.5: Classrooms and Textbooks

A .5 since it's not my mistake, but an addendum of caution. I think there is a significant part of the language learning community that views textbooks and classroom learning as the worst possible resource. They are "boring", "outdated", and "ineffective" (ironically one of the most interesting modern language learning methods, ALG, is only done in a classroom setting). Classrooms and textbooks bring back memories of being surrounded by mostly uninterested classmates, minimal priority, and a focus on grades rather than personal achievement (imagine the difference between a class of middle schoolers who were forced to choose a foreign language vs. adult learners who self-selected!) People have used these exact methods, or even "cruder" methods, to successfully learn a language. It all comes down to what works best for you. I specifically recommend textbooks for learning grammar and the plentiful number of dialogues and written passages that can function great as graded readers and listening resources. (Also the distinction made between "a youtube lesson on a grammatical principle" which is totally cool, and "a passage in a grammar textbook" is more one of tone and audio/written than efficacy).

Classrooms can be really great for speaking practice since they can be a lot less intimidating speaking to someone who is also learning while receiving corrections. Speech can be awkward to train on your own (not impossible if you're good at just talking aloud to yourself!), and classrooms can work nicely for this. Homework and class schedules also have built in accountability!

Fix: Explore resources available to you and try to think holistically about your approach. CI+Traditional Methods is my go to "Learning Cocktail"

Mistake 4: Yes, Immersion, But...

I realized this relatively quickly while learning Chinese, but immersion at a level much higher than your current level will do very little for you. What is sometimes left out of those "Just watch anime to learn Japanese" discussions is that you first need to have a chance at understanding what is being said. Choosing materials that are much higher than your level will not teach you the language. It doesn't matter how many times someone at HSK 1 hears “他是甘露之惠，我并无此水可还”, they will not get very far. Actual deduction and learning comes from having enough familiar components to be able to make deductions—something different than guessing. An HSK 1 learner, never having heard the word 老虎 will be able to understand "tiger" if someone says “这是我的老虎” while standing next to a tiger. This is not to say you can never try something more difficult—things should be challenging—but if you can't make heads or tails of what's being said, then it's time to find something a bit easier. If mistake 2 is about the type of method, this is about the level. If you wouldn't give a kindergartener The Great Gatsby to learn how to read, why would you watch Full Metal Alchemist to start learning a language?

Side note: Interesting video here on the Comprehensible Input hypothesis and how it relates to neurodivergence.

Fix: Immerse yourself in appropriate content for your level. It's called comprehensible input for a reason.

Mistake 5: On Translation

I work as a translator, so do you really think I'm going to say translation is all bad? Of course not. It's a separate skill that can be added on to the basic skills, but is really only required if you are A. someone who is an intermediary between two languages (say you have to translate for a spouse or family member) or B. It is your job/hobby. In the context of sitting down and learning, it can be harmful. I think my brain often goes to translation too often because that's how I used to learn. Trying to unlearn that is difficult because, well, what do people even mean when they say "don't translate"? They mean when someone says "thank you", you should not go to your primary language and translate "you're welcome" from that. You should train yourself to go to your target language first when you hear the word for "thank you". A very literally translated "thank you" in Chinese "谢谢你" can come off as cold and sarcastic. I don't tell my friends that, I say "谢啦～". Direct translation can take away the difference in culture, grammar, and politeness in a language. If there is a reason you sound awkward while writing and speaking, it's probably because you're imposing your primary language on your target language.

Fix: Try as hard as you can to not work from your primary language into the target language, but to work from the structures, set phrases, and grammar within the target language that you know first.

Mistake 6: The Secret Language Learners Don't Want You To Know...

...is that there is no one easy method. You are not going to learn French while you sleep, or master Korean by doing this one easy trick. Learning a language requires work and dedication, the people that succeed are those that push through the boredom of repetition and failure. The "I learned X in 1 year/month/week/day!" crowd is hiding large asterisks, be it their actual level, the assistance and free time available to them, "well actually I had already studied this for 4 years", or just straight-up lying. Our own journeys in our native tongue were not easy, they required years and years of constant immersion and instruction. While we are now older and wiser people that can make quick connections, we are also burdened with things like "jobs", "house work", "school work", and the digital black hole that is "social media" that take up our time and energy. Everything above is to help make this journey a little bit easier, quicker, and painless, but it will never be magic.

I find that language learning has a lot in common with the fitness community. People will talk about the workout that changed their life and how no other one will do the same—and it really can be the truth that it changed their life and that they feel it is the ultimate way. The real workout that will change your life is the one you're most consistent with, that you enjoy the most. Language learning is just trying to find the brain exercise that you can be the most consistent with.

Fix: Save your energy looking for shortcuts, and do the work, fail, and come back for more. If someone tells you that you can become fluent in a ridiculously short amount of time, they are selling you a fantasy (and likely a product). You get out what you put in.

For those that made it to the end, here are some of my "universal resources":

Refold Method: I don't agree with their actual method 100%, but they've collected a lot of great resources for learning languages. I've found their Chinese and Korean discords to also be really helpful and provided even more resources than what's given in their starter guides.

Language Reactor: Very useful, and have recently added podcasts as a material! The free version is honestly all you need.

Anki: If I do not mention it, the people with 4+ year streaks with a 5K word deck will not let me forget it. It can be used on desktop or on your phone as an app. If you need a replacement for a language learning app, this is one of them. Justin Sung has a lot of great info on how to best utilize Anki (as does Refold). It's not my favorite, but it could be yours!

LingQ: "But I thought you said language apps are bad!" In isolation, yes. Sorry for the clickbait. This one is pretty good, and more interested in immersing you in the language than selling a subscription to allow you to freeze your streak so the number goes up.

Grammar Textbooks: For self-taught learning, these are going to be the best resource since it's focused on the hardest part of the language, and only that. If you're tired of seeing group work activities, look for a textbook that is just on grammar (Modern Mandarin Chinese Grammar is my rec for Chinese, and A Guide to Japanese Grammar by Tae Kim is the most common/enthusiastic rec I've heard for Japanese).

Shadowing: Simply repeat what you hear. Matt vs Japan talks about his setup here for optimized shadowing (which you can probably build for a lot cheaper now), but it can also just be you watching a video and pausing to repeat after each sentence or near simultaneously if you're able.

Youtube: Be it "Short Story for Beginners", "How to use X", "250 Essential Phrases", or a GRWM in your target language, Youtube is the best. Sometimes you have to dig to find what works for you, but I imagine there is something for everyone at every level. (Pro tip: People upload textbook audio dialogues often, you don't even have to buy the textbook to be able to learn from it!)

A Friend: Be it a fellow learner, or someone who has already mastered the language, it is easier when you have someone, not only to speak to, but to remind you why you're doing this. I write far more in Chinese because I have friends I can text in Chinese.

Pen and Paper: Study after study, writing on paper continues to be the best method for memorization. Typing or using a pen and tablet still can't compare to traditional methods.

The Replies (Probably): Lots of people were happy to give alternatives for specific languages in the replies of my DL post. The community here is pretty active, so if this post blows up at least 20% of what the last one did, you might be able to find some great stuff in the replies and reblogs.

I wish you all the best~

[beevean]

I understand the miscommunication now. However, there is a difference between saying "I never played the 2000s games that gave closure to ShTH, and I like how SXSG handled things" and

I think what I appreciate most about Shadow Generations is just that it gives Shadow ACTUAL, CANON closure for his struggle between good and evil.

If you missed out on the games, fair enough, it happens. Personally, I played Heroes and ShTH some years before Adventure 2, and it shaped my perception of Shadow. But if you put it in an objective way, as in, "Shadow never got proper closure before", then I would say "no, he did, multiple times, here's proof - you may not like the writing, but it still happened".

I didn't even talk about '06 itself because I am not going to think about its place in the canon timeline lol. But in a meta sense, it counts for my point: we players experienced Shadow's story and how it precisely exists to show us "look, he has moved on, he can no longer be swayed or manipulated, he knows who he is and what he's fighting for". Sure, the events with Mephiles didn't happen or he forgot, but that game still counted as closure to us after playing ShTH.

I really like that Shadow Gens doesn't emphasize his promise to Maria - he's not doing this out of obligation, but because he chooses to.

It's true that Shadow doesn't talk about his old promise, it's good and shows that he has grown. To be fair, though, another reason for this could be that the story is much more focused on Shadow's biology and ties to Black Doom than his relationship with the world (plus, it wouldn't make sense for him to tell Maria he had promised her to make people happy when she hasn't died yet lol). And, this is an issue I have with the part where Shadow briefly contemplates to stop Rouge and use Chaos Control to freeze Maria and Gerald in White Space: the fact that he has to be told to let them go is still, conceptually, Shadow needing Maria as moral guidance.

As for the mandate bit, I'm aware Boom isn't canon and Forces shows Shadow cares about his team (shout out to their banter in Team Sonic Racing for backing it up as well); I was more referring to the general 2010's vibe. Once you get past 2010, Shadow appears in Generations, where he just wants to "finish" Sonic… And then nothing until Forces, with everything extracurricular from Boom and IDW (while not being strictly canon) pointing to Sega and the writers… not treating his character well.

I disagree. I don't think it makes sense to talk about "general vibe", when the list of Shadow's appearances in the 2010s is so small they can be dissected one by one. Once you remove Boom, which again doesn't count at all as Boom Shadow is a different character from main Shadow (or you might as well argue that the 2010s as a whole turned Knuckles into an illiterate Kronk-like idiot or Eggman into a softie who is frenemies with Sonic), his portrayals in the games are generally decent, with perhaps the one exception of Free Riders where everyone was a dick for no reason lol. Speaking of Gens, sure Shadow challenges Sonic out of nowhere, but then he cheers for him to defeat the Eggmen and then even sticks around for his birthday, so he's not just "the Vegeta" as he has been described since then.

We can argue that Shadow was used very sparingly in the 2010s, which is true. The 2010s were a response to the backlash of the 2000s, and one of the complaints was precisely that Shadow stole the spotlight, along with all the "shitty friends", so they all took several seats back. The reason I insisted that Boom and IDW don't count is that they aren't canon, they shouldn't be used as proof to talk about the character, and they aren't proof of how SEGA sees the character - although they certainly didn't have an iron grip on the external writers except for some basic guidelines, and maybe they should have. I think we are still feeling the consequences of the series stumbling 10 years ago (that 2013-2017 gap was painful), and the fandom growing sour because of it.

I don't think SXSG is a bad game. I have a couple of complaints with Shadow's writing, but they mostly stem with how the story uses him, other than that I can see they tried to make him sound like he did in '06 and he works. My issue is wider: I would like these characters to move on and stop clinging onto games that are by now older than the average fan. We had Frontiers which mostly retreaded character arcs that we have seen in Sonic Adventure, way back in 1998; and now we got SXSG, which was a long, long way to tell us "hey remember ShTH? Now Shadow is tired of BD's shit. Here's a reminder of that game's twist regarding Shadow's biology, but he doesn't care. Also he still misses Maria." So I'm here like... the older games are there. Shadow's multi-game arc is there. Couldn't you have just re-released them? Couldn't you have announced a sale for SA2 on Steam? Or ported Heroes and ShTH, which would have been appreciated by a good chunk of the fandom? SXSG may be fun to play and a testament of ST learning lessons on level design and gameplay style, but the game itself was not the point of the experience, right? It's for newcomers attracted by the incoming movie to get an idea of who Shadow is. I understand and respect that I am not the target audience here. But that doesn't mean the older games are suddenly invalid or should be forgotten.

i guess tl;dr please port shth and battle and then let's write new scenarios for the cast

(Spoilers for Shadow Generations)

I think what I appreciate most about Shadow Generations is just that it gives Shadow ACTUAL, CANON closure for his struggle between good and evil.

By the end of Adventure 2, he remembered his promise to Maria and made his choice to save the world, but then he "dies".

When Heroes revives him, he doesn't remember any of that.

His namesake game (and I say this as gently as possible), as cool as the multiple endings were, feels so unsatisfying. We get to see Shadow's potential for good and evil, sure, but then the true canon ending comes, and it doesn't specify what he did (or even what exactly he remembered about his past) to get there, and then he just decides not to let his past control him. Which isn't a terrible direction on paper, but the symbolism of him literally throwing away a picture of his family just seems... Like the opposite of what made this character appealing in the first place?

And from there, the games kept giving mixed signals. Sonic '06 shows how deeply he and Team Dark come to care for each other, but then its events get literally removed from the timeline. Sega begins to pretend that Team Dark aren't even friends in their mandates for a while (despite the fact they clearly care for each others' wellbeing before anybody else's). Shadow becomes practically a popsicle stick puppet for "angry, serious, violent rival", and they never feel a need to explain his motivations or reactions beyond waving at that four word character description again.

Shadow's appeal (at least to me) was never that he was a character who didn't care about anything - it was that he cared very deeply, actually. (Someone who nearly lets the world be destroyed as revenge for losing his family is the exact opposite of someone who doesn't care!) He may not be cheerful, he may be quiet and stern, he may have a temper and be capable of terrible things if he isn't careful, but he isn't heartless.

And Shadow Generations FINALLY got it right, I feel.

There's now no doubt that he remembers his past, and that it did matter to him. It still does, in fact, and we're dropping the idea that he'll move on from it like it never happened. That's not how tragedy works.

But he will be able to move forward.

He has finally, WITHOUT GETTING AMNESIA, IN THE CANON TIMELINE, gotten to become the hero Maria wanted him to be.

That doesn't mean his story's over: I'm sure they can still find adventures to send him on. And that doesn't mean he needs any kind of complete personality overhaul, either. He can still be more aggressive than Team Sonic, and more stern, and maybe even more willing to resort to questionable methods to fight next week's bad guy.

But all of Team Dark has gotten to acknowledge that they do, in fact, care for each other, even if their attitudes aren't as chummy as Team Sonic.

Shadow has gotten to hear from his family that they are proud of him, weird alien DNA and all, and that even though he will have to go the rest of his long life without them, their love will always go with him, and give him the strength he needs to overcome any of his darker parts.

Shadow having a darker edge than Sonic and Shadow being a hero are things that can and SHOULD coexist, and I'm so glad we finally got to see it for him without it getting wiped from canon or his own memories again.

[chaoortu]

listen i know i yap a lot about nick and neurodiversity in my fics but it's like. every time i reread heartstopper it really jumps out at me and i'll probably reblog this again with more thoughts as i continue my reread but like.

it strikes me as interesting that despite the fact that nick gets called a chav pretty early on by tao, we never actually see nick acting that way on page. i think the show does a good job at showing how nick has sort of chameleoned himself and stuffed his real personality down but the show is a topic for a different post. in the webcomic we see it once when charlie is teasing him about being laddish and nick decides to act that way for a laugh. on one hand, i chalk this up to most of the early webcomic/heartstopper in general being in Charlie's pov. he wouldn't have noticed these things about Nick because they didn't really notice each other until their meet cute, which is realistic. I think it also speaks well to Charlie's character that he takes who Nick is at face value and challenges Tao's opinion of him. but what jumps out at me is that in harry's birthday party we sort of see the first instance of nick's "meaner" side and it's in the context of defending Charlie. Still! The first instance of this really sunshiney character taking quite a big turn!

But notice how the dig isn't personal? These are all observations about Harry that can be deduced in the context of the material before it. That is to say, despite being friends with Harry since he was like 11, Nick keeps it simple. It reminds me a lot of how you correct a dog's behavior in the moment and I can go on for ages about Nick and dogs but again-- that'll be another post. What follows this really intense moment is another really intense moment when he and Charlie are alone and like yeah, they're teenagers, being teenaged is intense enough. But after their kiss, we have this panel and my God is it one of my favs:

I really love how Nick is framed with flowers in this scene because it really feels like it's him blossoming into himself in this moment where it's just him and Charlie. Charlie is shown over and over again to be Nick's safe person in comic and while they are obviously falling in love way before this, I still feel like this is the moment where Nick decides it's safe to love Charlie (I mean duh, they kiss a LOT in this episode), or rather, to hand Charlie his emotions and feel like they won't be fucked with or used against him. And that's huge! Nick wears all his feelings on his sleeves, he's not even slick about it either-- the fact that Christian, Sai, and Otis pick up on the fact that Nick has a thing for Charlie before he does speaks a lot to the fact that Nick doesn't seem very aware of how much of himself he gives away on the regular. Which again, in juxtaposition with the fact that he's perceived as a judgmental rugby lad by Tao (which, grain of salt here. I love Tao a lot but he's also quite judgmental in his own ways so this is a pot and kettle situation), and the fact that his own mother comments on the fact that he's much more himself since befriending Charlie? That's MASSIVE. I dunno. I could be projecting here but as an autistic teenager who did everything in my power to be like my peers and lowkey hated myself for it, I find this incredibly relatable. We see Nick starting to realize that a lot of his friends are dicks several times before he and Charlie kiss for the first time, and that's also relatable. It took me so long and still takes me so long to realize that people I thought were friends are actually quite shit. Again, I could be projecting but it reads very neurodivergent to me that it takes Nick being exposed to someone who is actually kind to him (Charlie) to realize that his friends aren't kind people. Insane tbh! Something else that got me is that we see Nick struggle with the fact that he really likes Charlie and wants to stay with him vs. the responsibility he feels to regroup with his friends. I don't actually think it's responsibility. I read it as Nick putting his mask back on and resuming the expectations he's been bearing since before he met Charlie and it's a visible struggle for him.

Nick, while pretty unaware of the fact that he can be read like a book, is also incredibly aware of the role he plays in his own friend group and the ways in which he has to perform. But he doesn't like it now. His early love for Charlie really puts things in perspective for him that he doesn't have to accept where he's at currently if he's unhappy and we get that moment of regret where we see that he knows he fucked up by leaving Charlie.

It looks like he's disassociating here. That, or his mind is still in that room with Charlie. It's a battle of expectations vs. what Nick wants. And Nick's wants are never Nick's first priority. He's a pathological people pleaser after all. And despite the fact that he just fully made out with another boy despite barely having figured out that he likes guys and the ethics on Charlie kissing him without asking (teenage stuff, I'm not arguing about it rn especially because this doesn't bother Nick in canon. idk why this discourse exists but maybe i was just making out too much as a teenager) The next day, Nick clears the air. Literally runs to Charlie's in the rain so they can talk it out and so he can be understood properly. He's desperate to make things right with him because 1) he's in love and 2) he cares a lot about Charlie's feelings to the point of putting them above his own later in the story. But the way he does it and the way he sort of overexplains his feelings almost constantly really strike me as neurodivergent. Nick goes above and beyond explaining how he feels to make sure nothing can be misconstrued and that really gives me the sense that Nick is... somewhat aware of the fact that people assume how he feels? Granted, this is coming off the heels of everyone saying he was in love with Tara, so maybe he felt the need to explain himself more since some people think one pre-teen kiss = fairytale love. (ignore the fact that Nick's fairytale kiss with the flowers totally equaled fairytale levels of love for him, lol.)

He literally explodes! Charlie is physically taken aback by his words. This happens right after Charlie has his big "I shouldn't have kissed you this was all my fault" etc. explosion. Which! The fact that Charlie explains how he feels down to feeling at fault and sharing that with Nick, who is very much like no.. no nO WAIT. I LIKED IT. (so much that he kisses Charlie to get him to understand that pre-explosion). And again, we sort of see Nick trying to bottle and be a bit more normal about it immediately before when Charlie tells him he's getting mixed-signals. Nick's response was to unmix the signal and then cry about it because THIS. IS. A . LOT.

For a cis-male character who is involved in a very masculine sport, surrounded by masculine people who are not nearly as emotional as he is(on page at least) the fact that Nick goes above and beyond in this moment where he's so vulnerable to ensure Charlie understands him is hugely neurodivergent to me. He's making sure Charlie gets that Nick loves him, he's making sure he gets that he's not mad about the kiss, and he makes sure Charlie knows he feels bad for leaving him behind. His bases are covered! There's no room to make assumptions about how he feels and I imagine for Charlie, a chronic overthinker, the fact that Nick is so blunt about his feelings all the time must be fucking incredible. He can actually take Nick at face value (at least at this point in the story ). But especially after Ben's gaslighting shit? Like fuck! I'd want to jump into a relationship too if the guy I've been crushing on for like two months ran to me house in the rain, kissed me, cleared the air, and then cried in my arms. I love emotional honesty! It's also interesting to me that it seems like his confusion towards his sexuality bothers him a LOT more than his feelings for Charlie do. He likes being in love with Charlie, that much obvious, but it's this conflict within himself that bugs him. And idk, I could be projecting again but I just can't see a neurotypical teenager reacting like that. To me, it really reads as Nick going. "Okay, I like kissing Charlie and being around Charlie. I'm in love, this is good. Check." but then his sexuality is a huge gray area until he does more research on bisexuality and decides that's the label he wants to use and I think the not knowing is what really bothers him. There's a lot of pressure in queer spaces especially nowadays to be labeled and for Nick, a character who buried his personality to be accepted by others, to specifically be upset at being confused about his identity reads as neurodivergent to me. Nick, by all accounts, doesn't seem to really care about his sexuality except for the way it challenges who he believed himself to be up until this point and what that means to the people around him who think he's just some straight laddish dude, you know? Largely, he also seems rather apathetic towards sexuality and gender in general except when he has to confront his sexuality and how other people will perceive him if they knew what his sexuality is-- hence keeping things between him and Charlie a secret despite the fact that he's never ever been shown to be ashamed of the fact that he loves Charlie.

Anyway, this post got way too long. Enjoy one of my favorite OCD/AUDHD moments between Nick and Charlie. THEY LITERALLY KISSED LIKE TEN MINUTES BEFORE THIS MOMENT... INSANE BEHAVIOR... I love them. The sillies.

[acourtofthought]

After reading the series for the second time, I've come to really dislike the narrative that Feyre is a better friend to Lucien than he is to her. When that's just not the case.

He's helped her or tried to help her on multiple occasions, throughout the books. UTM, him trying to get Tamlin to let her train and be a part of things(which I honestly feels like it gets so overlooked because he was fighting with Tam using his words, instead of physically). Even when they left the Spring Court.

Meanwhile, Feyre used him in her plot to get back at Tamlin and with Ianthe. With no care at what would happen to him afterwards. The way she acts with him when it came to Elain(i mean I get it she wants to protect her sister. But Lucien has never once gave any reason to believe he would harm her or anyone else). And then in acofas, after the war was over and everyone was recovering and dealing with trauma, including Lucien, she makes fun of the one good he has in his life at the moment, the band of exiles.

I'm sorry but Lucien is a way better to Feyre than she is to him.

Ps. Sorry for my random rant/ask lol

I also do not agree with the narrative that Feyre was a better friend to Lucien than he was to her. I see so many people say, "but Lucien even admitted it!!" Lucien is a martyr. He literally feels responsible for Jesminda's death and doesn't blame the lesser fae in the Autumn Court for blaming him for Jesminda's death. We as the reader know there was nothing he could have done to stop Jesminda's death and he should not be carrying that guilt around though he does it anyway. Likewise, just because Lucien said what he did to Feyre it doesn't mean she was actually a better friend. If you really think over the series, when was Feyre ever a truly good friend to Lucien? She didn't bother going back to the room to check on him when she knew Tamlin used a pulse of power against him. She never bothered to ask him how HE was after what happened UTM. Feyre only focused on her trauma and while I can completely understand that, it's very one-sided for her to believe Lucien should have been responsible for helping her after UTM (more-so than he did) while she didn't bother helping him after UTM. They both experienced horrible things and I'd go as far to say that Lucien experienced horrible things for much longer than Feyre had. For all the times someone debates whether Lucien could have done more for Feyre, at the end of the day he never sought out to use Feyre. But at the end of the day Feyre did set out to use Lucien even knowing how abusive / dangerous Tamlin could be, even knowing that Ianthe had SA Lucien previously. At the end of the day Feyre and Rhys used Elain, his own mate, as a pawn to manipulate Lucien. I do think that as of SF they've begun rebuilding their friendship but I will never be convinced that throughout the series Feyre was a better friend to Lucien than he was to her.

[wannaeatramyeon]

Meeting Olly Wang for the First Time: Influence

G/N. Sort of soft. I did it anon!! Masterlists

In hindsight you could have been considered a bad influence except you felt bad for him. You like to think that you showed Olly Wang there was more to life than studying, there are some things that can't be taught through textbooks.

You taught him how to live, you gave him room to breathe.

But sometimes, when the nights are too silent and your brain is too loud, when you miss him so much it hurts, you would think that it was all your fault. You set him on this path.

It's stupid, of course. Your minor risk-taking and vices are nothing compared to what has happened since.

Still, it eats away at you.

.

.

It's entirely by chance that you meet.

You're not particularly studious, but empty pockets and a meagre allowance accompanied with bad weather means your options are limited.

In the library, tucked away in the corner is a boy.

Trying his best to read and study yet annoying teenagers continue to heckle him. Throwing balled up pieces of paper and calling out derisive comments.

"Fuck off," you snap, feeling kind hearted today and storming over. You drag one of them away by the hair.

"Hey! Get off-" He tries to wiggle out of your grasp.

"Leave him alone, assholes," you snarl, shoving him away.

The commotion is finally enough to draw the attention of the staff.

The teens are shooed out, throwing angry daggers your way.

"You're welcome by the way," You tell the boy in the corner and you think he mutters something about being able to take them on himself.

Narrowing your eyes, you yank his ear, "What did you just say?"

When he doesn't react, you let go. Huh?

He doesn't feel pain, he tells you, or to be honest, anything. And then when you continue glaring at him thinking that that's bullshit, he introduces himself as Olly Wang.

.

.

The first time he ditches class, as a middle-schooler, is with you. Just two kids wandering the streets of Gangdong. You, used to skipping the occasional days and class, and embracing freedom, while Olly fidgets next you.

His mouth, usually stretched too wide in a grin, is pulled down at the corners today. Tense eyes behind glasses anxiously flickers from side to side.

"You think your parents are going to catch you?" You tease, slinging an arm around his shoulders.

"No." Olly doesn't sound convinced and you sigh.

"So what do you want to do?"

"Me?" he asks, blinking owlishly as if that's the first time someone has ever asked him that question.

You shrug off his weird response. "We can go the park. Shopping. Not that I have any money. Arcade-"

"Arcade!" he pipes up, then cowering and furtively glancing around him in case his parents are actually around.

Nevertheless, he spends hours and hours by your side; fighting each other, killing zombies, and racing cars. The sound of 8-bit music and bright flashing lights soon drown out his fears.

That day, Olly smiles genuinely along with you.

.

.

You first hear about Eli Jang a few weeks later.

Apparently he's fallen in with a new group of friends and this guy is the coolest person he has ever seen.

He's an orphan, he does whatever he want.

"Ok," you deadpan to each fact about this Eli Jang, growing more bored by the second.

Olly, oblivious to your reaction, continues fawning over him.

.

.

"Here, try it,"

You only offered the cigarette to stop him talking about Eli Jang. You've lost count of the times you've rolled your eyes.

Olly pauses, torn between wanting to impress you and not wanting to inhale the nasty smoke.

He gives in when he sees the playful glint in your eyes. His finger brushes yours as you pass it to him, and he places his lips where yours were just mere seconds ago.

"ACK!"

You giggle to yourself watching Olly hacking and sputtering.

You reach out to ruffle his hair once he calms and he peeks at you feeling his cheeks burn.

.

.

"Why do you want to be like Eli?" you side-eye Olly, interrupting his ranting.

"I-" Olly starts, and then finds he can't say the words in your presence. He thinks Eli is the only one that makes him feel something but-

Deep down, when he's with you, he's not sure that's entirely true.

You misread his pause for something else.

You shrug, "I like you as you are."

.

.

"Want some?" you ask, shaking the bottle of soju at him.

Olly bites his lip, "Eli wouldn't-"

"Ugh!" You cut in rudely. "I've never met the guy and I feel like I know everything about him. Will you shut up about Eli?"

"But Eli-"

"I said shut up," you pull him by his stupid collar and yank his stupid lips to yours.

You consider blaming your actions on the alcohol even though you've barely taken a sip.

Olly stares at you, dazed, but there's a fire in his eyes.

"Ok." He agrees, then adds as he adjusts his glasses. "Only if you'll do that again."

You raise your eyebrows at his audacity. At this strange boy who was tucked away in the corner of the library.

"I thought you said you couldn't feel anything?"

Olly gives you a grin, different from his trademark open-mouthed one. It's almost a smirk. His gaze meets yours, determined and unwavering.

"I think I might have felt something then."

You lean in, at the same time as he does, meeting him halfway and kissing him again.

[queenhallebe]

Let's Set the record Straight: Respecting Jungkook's Personality!

Facts about Jungkook that tend to lead people into thinking he is a playboy or what we all know as a f🔞ckboy.

Charismatic personality

Jungkook's charm, confidence and flirtatious nature DURING performances, and read that again please, DURING, not after, and before... performances and interactions with fans might be interpreted as some playboy behavior . He's often affectionate , playful and comfortable with fans that often goes misinterpreted as fckboy behavior.

Appeal to fans

As one of the most beloved members of BTS, Jungkook has one of the largest, if not the largest and most diverse fan base. His good looks, talent and confidence attract a wide range of admirers, and some people have read this kind of admiration as indicative of his personal romantic life, even though there's no public evidence to support such assumptions.

Public image, media and the love for drama

The media sometimes portrays K-pop idols in exaggerated or hyperbolic ways, especially when it comes to their personal lives, and Jungkook is no exception.And I think this is the part where we bring the famous Dispatch. Well, doesn't everyone just want to know who Jungkook's having s€x with? And isn't the media keen on chasing after a person for the clout they have?? Imagine how powerful it would be to have his image tainted; the headlines, the hashtag trends...and many more.

Now that we're done done with the first three reasons why, there's this other one, last but not least, but a very problematic take;

He's a man!!

And I know where most of this comes from. Men know what they're like. Women have been hurt by men. And 70 % of women out there don't know atleast 2 men who aren't “ran through” , except those ones who can't actually pull. Even the men themselves can't even bring themselves to believe that such men do exist, that's why the projection; because they know themselves too well, and will tell on themselves through talking about other successful men. And you also know why?? Feigning of innocence!! And I think with this one y'all can definitely tell, that I'm talking about our dear “friend” , Taeil...and his “innocent” twins.

But let's set the record straight here, Jungkook has always claimed himself as an adult the moment he became one. As as a teenager, he couldn't wait to become an adult. This was mainly because adulthood is freedom. And that's what he wanted, freedom! Freedom from being told what to do, not so he could go and fck someone's daughter, or son. Freedom to dress edgy, to get a tattoo, to drink his alcohol and get his piercings. That's all, and if you're gonna say he didn't, sorry to let you know my dear, you're just a follower, not a fan! Go looks at his most recent interactions with fans, on weverse especially. He did say, he's an adult, doing adult things, and talked about his song seven. He got stalked when he was smoking privately, and the world got to see that, but he never once, denied the thing, he actually continued. He drank almost every live, he showed us his fridge, full of nothing but alcoholic beverages. He once did share a story of his gf as a teenager. So I think we've gotten that out of the way. Jungkook was never keen on showing anyone how “innocent” he is, so he's not a man hiding behind any innocence. He's innocent because he looks like that, not because he is conniving.

This man has been a victim of many things, namely hate trains, sexualization, stalking, death threats, smear campaigns, boycotts and many more.

While it's an understandable thing to not like someone, find someone good looking, and even boycott for reasons known to you... there's nothing that can justify why he was to go through hate trains and being stalked, and swearing on your cat's life that he's a s|ut just because you see him playfully interacting with Armys, or because he just looks like he could be one.

“Well he knew what he was getting himself into being a kpop idol”

No!!! Absolutely no one deserves to be hated just because they're public figures. Being a public figure does expose you to a lot of criticism and scrutiny,but it's NOT for people to stalk you, to want to take your life, and to play around with your sexuality, assuming how gay or straight you are!! It's not a good thing just because people have normalized doing nothing about it. And those who try to defend him are gaslighted into thinking they're wrong for simply wanting that he should atleast have his privacy. People just want to justify blind idiots confusing his playful attitude with hoe-ology, they want to justify the people who confuse his welcoming nature for “do-whatever-you-want,come-into-my-house,-cook-for-me-and-when-you're-done,-come-jump-straight-into-my-arms” !

Like I said, there's nothing wrong with the fantasies people have in their heads, and maybe even assuming things, coz that's human. But while doing so, it's important to keep remembering that the “vibe” you're getting from him, is all in your and your friends' head. The so called evidences, those blurry photos and videos have nothing to do with him, and if it's so true, it should have been captured clearly for people to see!! Yes he's not a kid, but who told you he sleeps around?

People are entitled to their opinions, but it's best they remain only as opinions.

[charlidos]

Surfing is another intergral part of the tales from the set of LotR. It was mostly the hobbits and Orlando learning to surf, but apparently "everyone else" was also dragged into it...

Orlando on surfing in NZ:

"When I arrived in Wellington I wanted to find some sort of extracurricular activity we could do outside Lord of the Rings, just to keep us sane. Mountainbiking, fly by wire, anything. Everyone was going 'I don't know', so I said 'How about surfing?' Billy Boyd was into it so that day we bought boards and went down to Lyall Bay, and the guys there were like 'All right lads, nice boards', because we had pristine wetsuits and new boards that were nicely waxed, then getting into the sea and falling off, but it was great and we eventually dragged everyone else in."'

One of these "everyone else" is Viggo. Any other time, Orlando thinks Viggo can basically do anything. But apparently, he can't surf.

According to Orlando, Viggo was so disastrously bad at it, they were all banned from doing it.

Coming to New Zealand was like a rebirth. After living in London for so long, I connected with nature again. I even learned to surf there. After Viggo Mortensen injured his head while surfing one day, they banned it. But halfway through filming, I thought: "I've shot too much film for them to fire me", and I started again.

So were they really banned from surfing for a while? I never heard that before. But seems the wild boys just needed to surf anyway!

The tale doesn't really specify if Viggo only tried surfing this once, when he happened to get injured. But Peter Jackson calls him a "non-surfer" and that he was "lured" into it. How did they actually do the luring? By the promise of a too pretty, shirtless elf, I bet.

Peter Jackson told the story of how Bloom and some of the hobbit actors had lured non-surfer Viggo Mortensen into action. Mortensen had shown up for work ready for shooting in the mines of Moria with "a huge swollen face, his right eye closed like a boxer", after a knock from his surf board. "For the scene we had to always shoot from the left-hand side," Jackson said. "We had no choice."

Orlando definitely looks ready to lure filthy humans into action here. He looks positively evil right there. Up to bad things, for sure.

Billy:

“He had the biggest black eye you’ve ever seen. Initially the hobbits were worried their friend had more than a bruise. When I asked if he was alright, he said, ‘I don’t know, am I?’ And when Viggo says that, you know something’s wrong.”

I never realised until this very moment, that the two pics of Viggo with the surfing magazine weren't actually taken in sequence; in one his hair is dry, in the other wet, and he's wearing a cardigan or something in one and not in the other. It's funny to think someone - possibly Orlando, since it looks like it's from inside the Cuntebago - made the effort to make Viggo pose with the magazine twice.

[pushspacetocontinue]

"I can understand that," Leofric said, "But you have us on your side. You have our support no matter what. Never be worried to ask for our assistance. We've got you, as William would say."

Russell felt a brief jolt of anxiety when he realised Rook seemed to be looking for something or someone. Had they been pursued by someone wanting to finish the job while they were here and vulnerable?

"Oh, that's, that's fair," Russell said, "Hopefully he'll stay safe."

"Well, if he doesn't, it's his choice," Bill said, as he walked over and gave Rook a small smile, "Grown ups will always make their own choices, even if they might be daft ones. It's part of life after all. I'm glad you're okay, Rook, and that you're awake, Russell."

"I'm glad you're all okay," Russell agreed, before he then thought about the question, "I, I think it was. He, he was, he was using poisons or, or at least chemicals..."

Russell thought, doing his best to summon the memories through the painful fog in his brain.

"He, he was, he was like, putting them into himself to, to use them. Like when, when one of those frogs eats, eats a poisonous bug to, to get it themselves. They, they changing like, his hair and, and eyes, I think it was those," Russell added then, "He, he was gonna touch me to, to do something, he, he had taken off his gloves... I, I don't know what it, what it was going to do, and, and I don't really wanna know. Maybe a, a truth serum or, or something..."

He shook his head.

"Said it, it would, it would jog my memory," Russell added, "And I wouldn't be, I wouldn't be able to protect, to protect my friends."

"Well, it clearly didn't work if you managed to escape," Bill said, although more as a speculation than anything, "Unless he actually did use it on you and you did spill things before you escaped."

"No, I'm, I'm very sure I, I didn't let him," Russell said, "I... I, I managed to get the drop on him before he, he could. Pure, pure fucking luck. He, he won't fall for it again. I'm, I'm sure of it."

"I know, I know… I just wish we weren't all going through this mess."

But they were going to pull through this one too and hopefully get closer to solving this mystery. Rook made it a big show of checking the floor and their surroundings.

"Sorry, I’m just checking for the mist. If you see any fog all of a sudden, it won't be the Hat man, but just Lucien who found his way here."

Hopefully, the fae's ears were tingling because of this. He was still recovering, regardless of how bored, or worried about his friends, he got.

"Looks like you got off somewhat easy this time. No getting smacked off buildings and all that." Rook added, before her expression grew serious, "So who did it? Was it the same guy who hurt Lucien?"

[nemesis-is-my-middle-name]

i know i've posted abt this before also but i did not have screenshots to demonstrate just HOW gently passive aggressive ingo is to volo when they talk. i have no idea if they intended it this way but he sounds so "sadly my strict standard of conduct will not let me tell you to fuck off for asking weirdly personal questions just so you can share your theories but with the subtext toolkit available to me i am VERY much shooing you out of the way so i can get back to what i was actually trying to do."

[blujayonthewing]

well I just spent an hour digging through my own dnd notes and social media and also almost cried because I mentioned, in passing, something justin had said about one of his NPCs and he, completely lightheartedly, was like '?? I don't remember that at all. [I mean I'm not making it up?] I think you might be making it up 😏'

[chasedeys]

aaaaaaaa exactlyyyyyyyyy 😭 god this is so,,, reading the context it's genuinely kind of insane

just the entirely new thing of joe saying that he sometimes learns what jamarr wants through the media while ja'marr is completely unaware of this ('sometimes through you guys (media)' -> 'i didn't know i did it through media??') is sooo ?????

like ja'marr talks so many crazy shit about joe and how he feels about joe as his friend and quarterback while joe keeps it short and neat but just as real and raw and ja'marr sweet darling unsure ja'marr can maybe feel like joe doesn't really feel the same mostly because joe doesn't talk as crazy about him (see his actions babe what kind of person wears your game worn unwashed jersey to a game. that's just as crazy.) or anything really at him (ah the ripe fields of miscommunication trope because they think 'nonverbal looks' are enough) and the whirlwind of the media always running with whatever he says (he's said this before right? like a little call out saying the media always takes things out of proportion) and joe maybe never actually talking about the shit ja'marr says with him and ja'marr sure as hell won't be the one to bring up the convo with joe so it all piles up as this unsure-of-his-place thing that he lashes out defensively saying he doesn't hang out with joe at all outside of football.

joe, who cares for him deeply but doesn't really speak about it because he's not a big talker he just shows it in his own ways, finding this out through ja'marr's interviews and being soooo confused but he's the kind of person to grip friendship tight so he immediately rights the entire thing. slowly connecting the dots that ja'marr blabs a lot to the media, easily navigating through the lies (😭), and realizes that his interviews are definitely something he should start paying closer attention to because ja'marr doesn't really always say the full truth to him or just keeps it at 'looks' that joe should get apparently and making this extra bit of effort is absolutely not a problem for him gauhaghguhghh somebody stop me

(like ja'marr doesn't know!!! that joe pays attention to what he says through the media!!!!!!! what he never actually says straight at joe!!!!!!!!! like does he start noticing past events where joe suddenly does something for him that he never actually verbalized before? does he realize that the someee of the 'unspoken communication' he and joe have actually stems from joe paying closer attention to him in ways he never realized before?????? what does that mean for the future. idk man i should just shut up and protect my peace)

the thing is like. joe is stoic and reserved and private, but he's actually very Uncomplicated in his love for ja'marr. the amount of times he's come straight out and said ja'marr is one of his best friends over the years... meanwhile ja'marr will say ten thousand conflicting things about if they talk, if they hang out, etc. but joe's just out here like, yeah that's my best friend 😌

[rainbluealoekitten]

wish my friends would stop acting as if there is still hope. i cannot let myself imagine that please

[chuuyanaurkahara]

thinking about god fucking dammit again