#like it’s not a historical event it’s a process

[communistkenobi]

tw antisemitism, racism, colonialism

Frequently our high-scoring [ie, prejudiced] subjects complain that they never get their full share, that they are being exploited by everybody. This sense of victimisation goes hand in hand with very strong underlying possessive and appropriative desires. Accordingly, when the subjects speak about the “justice” to be meted out to the Jews they express their own desire for an unjust state of affairs in which the exchange of equivalents has been replaced by distribution according to unmediated and irrational power relationships. (emphasis mine)

I think this diagnosis of fascistic beliefs (which is correct, imo) requires a companion diagnosis of this as an overt expression of white supremacy, ie the ideological support system for settler colonialism. Because while I’ve found that Adorno is very good at breaking down fascistic beliefs into these little component parts, and identifying how absurd antisemitism is in a very precise way, there isn’t really a discussion of whiteness as a historical force included in here. Which is crazy right! Whiteness undergirds modern fascist movements and it’s impossible to understand them without it. Why are these people so obsessed with hierarchy and feelings of entitlement? The answer is that like, the very concept of whiteness only works in relation to domination and dispossession. You do not define a portion of humanity as the supreme race if not for the purpose of dominating “subordinate” groups. The invention of that hierarchy is itself violent because it requires violence to be meaningful in the world.

So who is a fascist? Someone who takes the concept of whiteness seriously, not just in the sense that they believe white people are superior to everyone else, but in its totality; as something that has a geographic element to it, that requires both blood and soil to be realised in society. American patriotism is the celebration of this exact conquering of both people and place. This is why the modern right whines so much about affirmative action programs, political demands for reparations to black and indigenous communities, and various minorities filling positions of power. Territory, even as minuscule as more racial minorities being given the opportunity to go to university, is being “given back” to the people they stole it from, or in their view, being “stolen back.” And if it’s being given back then whiteness is becoming less powerful in the world, which means they themselves are becoming less powerful. But because this view of the world forecloses the possibility of them wondering if maybe racism is wrong, the only explanation fascists can muster is that they are being victimised by people they view as subordinate, and they feel as though they are being exploited, and that justice can only be served when their property, both material and political, is returned to them.

So like yes I think this quote above is correct, but a big missing component of this research is looking at white supremacy. Adorno talks a lot about fascists being a product of mass capitalist society, but capitalism is itself rooted in white supremacy and colonialism. And I know fascists movements around the globe are not all strictly white (Japan, for example), but white supremacy is the dominant expression of racial supremacist ideology in the world, and the reason for that is, again, European colonialism

[skitskatdacat63]

Hey do you remember all those videos of Fernando smelling flowers? Haha yeah....

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[sacramentohistorymuseum]

On July 20, 1969, the spacecraft Apollo 11 commanded by Neil Armstrong, Michael Collins, and Buzz Aldrin landed on the Moon. Neil Armstrong became the first person to step onto the Moon's surface almost 7 hours after the landing.

This day will forever live on in history and our print shop contains a halftone to remember that historic event. In this video, Howard letterpress printed an image from a halftone depicting a commemorative tumbler (or small cup) for the Moon landing.

This cut was likely used to advertise the cup in a newspaper or magazine 55 years ago. The halftone process is a way to have photography in printing starting in the late 1880s. This was printed with purple oil base ink using our Washington hand press. At the end of the video, Jared shows how the tumbler looks thanks to one of our viewers who gifted us several of these tumblers.

[theplotmage]

How to Get Started with Worldbuilding for Fantasy Writers

Hey fellow writers!

Worldbuilding can feel like a Herculean task, but it’s one of the most rewarding parts of creating a fantasy novel. If you're getting stuck, Here are some tips that have helped me, and I hope they’ll help you too!

Start with the Basics

Geography

- Map out the physical layout of your world. Think about continents, countries, cities, and natural features like mountains, rivers, and forests.

Climate and Ecosystems

- What are the climate zones and ecosystems like? How do they shape the lives of your inhabitants?

Create a History

Origins

- Dive into how your world came into existence. Are there creation myths or ancient civilizations that set the stage?

Major Events

- Outline key historical events. Wars, alliances, discoveries, and disasters can add so much depth.

Develop Cultures and Societies

Cultures

- Craft diverse cultures with unique customs, traditions, and values. What do they wear? What do they eat? How do they express themselves through art?

Social Structure

- Define the social hierarchy. Who holds power? What are the roles of different classes or groups?

Establish Magic and Technology

Magic System

- Set the rules and limitations of magic. Who can use it? How does it work? What are its costs and consequences?

Technology

- Decide on the level of technological advancement. Is your world medieval with swords and castles, or does it have steampunk elements?

Design Political and Economic Systems

Governments

- Create various forms of government. Are there kingdoms, republics, or empires? How do they interact?

Economy

- Define the economic systems. What are the main industries and trade routes? How do people earn a living?

Build Religions and Beliefs

Religions

- Develop religions and belief systems. Who are the gods or deities? What are the rituals and holy sites?

Myths and Legends

- Craft myths and legends that influence the culture and behavior of your characters.

Craft Unique Flora and Fauna

Creatures

- Invent unique creatures that inhabit your world. Consider their habitats, behaviors, and interactions with humans.

Plants

- Design plants with special properties. Are there magical herbs or dangerous plants?

Incorporate Conflict and Tension

Internal Conflicts

- Think about internal conflicts within societies, such as class struggles, political intrigue, or religious disputes.

External Conflicts

- Consider external threats like invading armies, natural disasters, or magical catastrophes.

Use Maps and Visual Aids

Maps

- Create maps to visualize your world. This helps you keep track of locations and distances.

Visual References

- Use images or sketches to inspire and flesh out your world.

Stay Consistent

Consistency

- Keep track of the details to maintain consistency. Use a worldbuilding bible or document to record important information.

Feedback

- Share your world with others and get feedback. Sometimes fresh eyes can spot inconsistencies or offer new ideas.

Let Your Characters Explore

Character Perspective

- Develop your world through the eyes of your characters. How do they interact with their environment? What do they know or believe about their world?

Be Flexible

Adapt and Evolve

- Be open to changing aspects of your world as your story develops. Sometimes the best ideas come during the writing process.

Worldbuilding is an ongoing journey, and it’s okay to refine and expand your world as you go. If you’re stuck or need specific advice, drop a comment or message me. Happy worldbuilding! 🌍✨

Feel free to share your own tips and experiences below. Let’s build some amazing worlds together! 💫

By the way, if you’re looking for a tool to help you keep track of all your worldbuilding details, check out my worldbuilding bible on Etsy! It’s designed to help you organize every aspect of your world, from geography and cultures to magic systems and conflicts.

I poured my heart into creating this, and I hope it inspires you as much as it has inspired me. Writing is such a beautiful journey, and having a structured way to keep your ideas organized can make all the difference. So go ahead, dive deep into your imagination, and let your creativity flow. You’ve got this! 💖📝

Happy writing, friends!

[simpxxstan]

HELLOOO!!! CONGRATS FOR THE 550 FOLLOWERS ON TUMBLR I HOPE U GET MORE FOLLOWERS BC UR WRITTING?? DELICIOUS 💗💗

But I would like to request seungcheol + dilfism ?? Like have u SEEN that man??

Thank you!! Have a good day!

HAPPY BIRTHDAY TO MY FAVOURITE MAN <333 thank you for sending this in! LOVED writing dilf cheol. i swear this man and his sexiness of 30s will be the death of me. inspired completely by his new glasses look at caratland 2024.

this is a part of my 550 followers event, but requests are now CLOSED.

genre: smut, enemies to lovers, age gap, dilf!seungcheol, lawyer au.

word count: 13k words.

warnings: MINORS DO NOT INTERACT 18+ nsfw content. 13 YEAR AGE GAP, mention of suicide, single dad!seungcheol, a ton of legal terms (not vouching to be accurate because i am neither a lawyer nor a law student nor is my research perfect), seungcheol is a bit selfish and toxic (but there's a redemption arc), ANGSTY angst, but A LOT OF FLUFF TO COMPENSATE. smut warnings: protected sex, oral receiving (f and m), mild dirty talk, implicit size kink, implicit spit kink.

"it's my first case!" you whine in surrender, slumping on the shoulder of your friend, as you both re-read the case file in front of you for the n-th time this morning. yoona pats your head, but she knows even she can say nothing to console you. it must be either sheer bad luck or some unknown person's vengeance, that you're against choi seungcheol in the very first case of your life.

y/l/n y/n: the lawyer of the plaintiff, hwang seola.

choi seungcheol: the lawyer of the defendant, KNT enterprises pvt. ltd.

nothing can save you from losing your first case in the worst way possible. not even the stellar letters of recommendation from your professors. not even your exceptional performance in the national lawyers examination process. not even your diligence during your interning years that's earned you the title of golden rookie. everyone expects you to make it big, including yourself- but that's clearly not going to happen if you lose the very first actual case you have to face in your life.

"at least no one will mock you for losing," yoona says in a meek voice. you scoff indignantly, "as if that's any comfort. still doesn't change the fact that i'm going to start off my career on the worst foot possible. why does my luck have to be so shitty?"

"hey, think about the positives. imagine how much of a learning experience it'll be. i know best how much you consider seungcheol as your idol."

you sigh. five years ago, when seungcheol had blown up across the country because of his historic debut in the court of corporate law, winning case after case and setting precedents that were welcomed with open arms, you'd looked up to him. five years ago, he'd walked into your college for an invited seminar during your first semester and blown your mind away. five years ago, you would cry in joy at the opportunity to even spend a minute in the same courtroom as seungcheol and see him in action. five years ago, he'd been the ideal man of your dreams- perfect in every damn way possible.

the only issue with that is that he's still the ideal man in your eyes. even if losing the case against him won't make your nervous, just being in close quarters with him for long hours will make you infinitely nervous.

"maybe i should recommend boss to let you take up the ca-" you tease yoona, and she squeals, whining protests instantly. "no thank you!" you laugh, hoping to lighten the tension of the moment. but the relief is only temporary, and the weight of the upcoming case lingers in your mind for hours later.

_

the first trial of the case is a week later. before that, you decide to change your mindset to a better thought process- even if you simply assume that you're going to lose this case, you're still going to give in your 100% so that you can step away with no regrets and only more knowledge gained. the first step to that, of course, is speak to your client personally, without the intermediation of the firm you work at.

mrs hwang turns out to be a woman just a few years older than you. the primary reason why she's suing the company her husband used to work at is because her husband had been driven to suicide by the constant pressure in his workplace to keep some illegal activities and fraud under the covers, which had not only harmed his mental health and morals but also affected the way his superiors judged his work performance. she may be young, but she's lost her husband merely three years after their marriage, and just one look at her face makes your heart ache in sympathy.

this isn't the first time you've seen such a case. during your years of study, you've studied plenty of cases involving companies ill-treating their workers and leading them to take up drastic steps in desperation. not only does this case come under a serious mistreatment of employees under labour laws, but also violates laws governing corporations which demand them to steer off illegal activities and maintain integrity. it's a very interesting case, and you're highly intrigued and instantly drawn into the case. there are several nuances that you know you may miss out by a hair's breadth if you're not careful. but you cannot take chances. if you have to even put up a fair fight against choi seungcheol, you're going to have to leave no stone unturned.

at the end of your discussions with mrs hwang, you're fully convinced that the company is indeed at fault here. however, you're going to have to prove it in court with the meagre evidence you have- which is low anyway, considering how big companies use their financial and social capital to turn such cases remarkably in their favour. the primary example of that being them getting seungcheol, the country's top corporate lawyer, to represent them, while mrs hwang can only hire you, a rookie lawyer at a lesser reputed firm.

however, as you walk into the courtroom, you convince yourself to not think about how the odds are against your favour from the first moment itself, to calm your nerves. you're here to debut with a bang, and you will fake it till you make it.

_

it doesn't work.

it doesn't work because the moment you enter the courtroom, you see choi seungcheol sitting next to the defendant's CEO on the other side of the room, dressed in the most immaculate suit, his glasses perched on his nose as he inspects the documents you've submitted in court prior to the trial as preliminary evidence. when you walk towards the bench you're going to sit at, he looks up at you.

it's a careful, measured glance. a glance of confidence, a glance of self-awareness. he knows he's going to win. and yet, he smiles at you indulgently.

moments later, he meets you halfway across the room.

"good morning. i'm seungcheol," he extends his hand for a shake, his nose upturned as he looks down at you with an aura that nearly blows you away. you wish that you hadn't worn heels tonight- because if he keeps looking at you like that, your knees are going to give up.

"of course, who wouldn't know you?" you steady your voice mustering a smile.

seungcheol's smile does not change. "it's nice to meet the golden rookie finally."

his words send shivers down your spine. there's just something about meeting your idol from so up-close that you want to submit instantly to his infinitely higher knowledge and experience to you. there's also something particular to him that's affecting your mind and body- because if seungcheol at thirty-one was handsome, he's absolutely godly at thirty-six. he's aged like fine wine- the rimless glasses sitting firmly on his nose, tiny wrinkles around his eyes, and a few graying hairs around his sideburns.

you don't get a chance to respond as the judge enters the court and you're pulled away to your bench, sitting next to a very nervous-looking mrs hwang. you forcefully drag your eyes away from seungcheol, who still has that tiny smile on his face as he talks to his client, and focus on your client, giving her much-needed confidence boosts (needed both by her and by you).

_

as anticipated, the first trial does not go well. it's just your fucking luck that the judge knows seungcheol already- but then, it was wrong of you to not consider that already, knowing how famous he is. on top of it all, mrs hwang breaks down in the middle of seungcheol's questioning, shaken completely by his straightforward questions and uncaring gaze, and the court gets adjourned, leaving you stranded without any proper progress against seungcheol's stronger case. the next trial is scheduled for a week later. you wish you could think that your work has been cut out for you, but it's far from that.

the second trial comes quickly- but it doesn't let you progress much further. seungcheol looks even more nonchalant on the second trial- dressed in another suit, he's less fierce today during his questioning. you don't notice it, because you're too flustered with your own work, but his eyes stray towards you more often. his eyes glaze over with something soft every time you make eye contact, and you immediately look away, like you've been caught in the act. but seungcheol doesn't let it slip- he keeps up his passive aggression when he's shaking hands with you before exiting the courtroom.

"tough luck, rookie. focus between the lines more."

his words make you even more nervous than before, but you put on a brave face for seola's sake. this motivates you to change your gameplan, and you decide to stop focusing on existing evidence, which is scarce, and use more verbal reports of other employees who have willingly stepped up to speak the truth after the suicide of their friend and colleague. by the time you're just three days before the third trial date, you have a solid set of verbal witnesses who will provide evidence on your side, but every time you feel slightly more confident than earlier, seungcheol's voice rings in your ears and you lose all hope.

on the morning of the fourth day, you receive an email from your boss.

y/n, please attend a lunch meeting on my behalf with some of our older clients (whose list i have attached below) today.

you jump to the opportunity- being provided a chance to interact with the old clients of the firm is a lucrative opportunity to impress those who've stayed with the firm from the beginning (and naturally, have graduated into stakeholders at the firm).

so it's safe to say you're in for a rude shock when you reach the lunch spot at a five-star restaurant along the banks of the han river, and find none of your clients but instead you find seungcheol waiting for you.

_

"close your mouth and stop drooling," jeonghan's voice somehow appears in his mind when he sees you enter the restaurant. "you make it obvious how hot you find women in suits."

but seungcheol cannot take his eyes off you. hasn't been able to for the last two times he's seen you. even if the courtroom is no place for indecency, he's had plenty of indecent thoughts whenever he's seen you, dressed in your suits and blazers, your curves prominent and your hair tied up in a practical ponytail. he should not think like this about you- he knows it. you both are set up at natural odds because of the case- but somehow, that makes him more interested in you. and seungcheol would not have it any other way. he looks forward to each trial of an otherwise boring case just to see you- the passion on your face whenever you're arguing your case, the way your mouth opens in shock whenever seungcheol casually dismisses a piece of information you've clearly worked hard on, the way you stare in exasperation at the witnesses when they speak against your stance, the hunger in your eyes whenever you're questioning his client, and the fire in you that burns you to work harder before each trial. seungcheol hasn't seen a lawyer as passionate as you in many years- most would have given up even before starting just due to his formidable reputation, but you're not even intimidated by his on-brand dead stare that works on everyone.

"i was told i'm here to meet clients of my firm. i didn't know you hired our firm for your personal needs," you cock an eyebrow as you stand in front of him, and seungcheol smirks. that attitude does nothing to filter his thoughts.

"would you have come if i'd invited you personally?"

you open your mouth to say something but he beats you to it. "have a seat, please. let's enjoy lunch."

you do so immediately. submissive. "but i still don't understand why i'm here." bratty.

he places a finger on his lips as the food he's pre-ordered arrives. the smell of the delicious food breaks your frigid attitude, it obviously helps that seungcheol's ordered your self-proclaimed favourite dish on your public instagram account. "i'm sure you must be hungry." seungcheol digs in himself, his eyes on yours as he carefully licks the spoon clean. your eyes flicker to his lips instantly before you're staring back into his eyes, defiance laced in your gaze. you pick up the spoon and start eating as well. seungcheol smiles.

i'm a dad to two daughters. i know how to tame brats.

after a few minutes, he finally speaks. "do you know the first step to winning a battle, rookie?"

you look up and tilt your head slightly in question.

"knowing your opponent."

"i already know you."

"that's what you think. that's why you're not going to win."

your eyes flash with anger. "are you just going to rub that into my face? is that why i'm here?"

"so what? you don't want to win? isn't the most loved story of human history the tale of the underdog?"

"frankly, my opponent isn't even you. it's your client, who isn't even here. so i don't understand the point of this meeting."

"so much can be learnt merely through observation, rookie. you can't know someone by looking at their annual reports and how much money they pay their employees."

"i don't need to know anything more than that! unlike you, i don't wish to meddle in people's personal lives to win cases. i don't need your brain games."

seungcheol chuckles. "the courtroom is nothing but brain games, rookie. think how far facts can take you, and then think how much further imagination can take you."

you gasp, pinching your nose. "i'm sorry, what? imagination? i'll win on evidence and evidence only. i used to admire you as an icon of law. but now, when i see you defend an obvious criminal with such blatant stubbornness, i'm having second thoughts."

"obvious criminal? are you telling me you've obtained the evidence you need to prove my client guilty in court?"

"and what if i do?"

seungcheol sits back, squaring his shoulders to his full stature. "you shouldn't tell me about it then, rookie."

"when you'd walked into my law school five years ago for a seminar, this wasn't the choi seungcheol i'd grown to love as an icon."

fuck. five years ago? just how young were you?

"i'd advise you not to get emotional about the case. the courtroom is no place for admiration or lov- or any other emotions."

"and yet, you have no desire to live up to the expectations of hundreds of law students like me who look up to you? you don't care about the youth you're letting down with this attitude?"

"why should i? i'm surviving just fine, aren't i?"

by this point, seungcheol can see the way your nails dig into your own palms in frustration. it's so amusing, how emotionally you're dealing with this. in a world of black and white, seeing you behave gray in every scenario makes seungcheol think he's lived thirty-six years of his life incorrectly.

finally when you cannot come up with any rebuttal, you stand up, dragging your chair on purpose to make noise. "there's absolutely nothing more for me to talk to you about. i hope you've learnt about me today, choi seungcheol. i've certainly learnt a lot too." and you walk away before he has the opportunity to say anything.

_

lunch with seungcheol leaves you shaken and stuttering. even as you open the door of the cab outside and ask the driver to take you to the office without a second thought, you spend the entire journey lost in your own thoughts. every little moment of the meeting lingers in your mind, unsettling your confidence. from the way he calls you rookie to his quiet arrogance and confidence, everything about him is so frustrating and yet... he draws you in. your perception about him has definitely changed after today, but even with the added understanding of just how selfish choi seungcheol can be, you can't ignore the sheer attraction you feel towards him.

it stays on your mind through the next three days. and on the morning of the third trial, you're stuck with two different thoughts plaguing your mind.

the first: a genuine concern about how the third trial is going to pan out. it's likely to be your last chance to even bring the judge's opinion to your side, because if you can't present good enough evidence today, there's no way to sway the jury to your side.

the second: choi seungcheol is a man who annoys you but you also have this innate craving to impress him. your respect for him hasn't changed, but your conversation with him has revealed to you just how cutthroat the world of law really is. and his suave attitude, the confidence with which he's so sure he's going to win, and his infinitely superior experience to you makes some part of you so desperate to seek his attention and impress him. show him that you can do well too. show him that you're not going to make beginner's mistakes. show him that you're more than a mere rookie.

but when you walk into the courtroom, seola next to you, your sunglasses perched on your head, you stare at the empty bench behind you. it was supposed to be full with the four witnesses you'd invited today and were relying on to sail through the the third trial. frantically, you ask your colleague who's assisting you in the trial, "where are the witnesses? are they running late? can you ple-"

"they're not going to come today, y/n."

seungcheol's icy voice cuts through the chaos and reaches you sharply. you spin around to find him dressed immaculately in a midnight blue turtleneck that shows off the stubble growing down his jaw.

"sorry, what?"

"you heard me the first time. none of them are going to come today."

"and how do you know?"

seungcheol smirks as he shrugs and takes a step closer towards you. "i have my ways, rookie."

you're fuming at this point, but you really can't speak your mind because seola breaks down in tears right next to you and you can't help but shift away your focus from seungcheol's dangerous eyes and take care of her.

it's honestly a miracle that after the complete sweep that seungcheol presents in the third trial, with no new evidence nor substantial evidence from your end, you still get another chance at a fourth trial, scheduled two weeks from now, in a pitiful announcement from the judge, imploring you to use this final chance to collect as much as evidence as you can.

_

when the trial ends, you ask seola to go home, and you lock yourself up in a bathroom stall in the court building, trying to come to terms with everything that's come to pass today. it's been an overwhelming morning and you're still shaken badly by it all. every moment you spend in this world with seungcheol, he seems to make it his personal mission to show you that there's no place for softness or emotions in this cut-throat world.

when you exit the washroom, you find seungcheol standing outside, an unlit cigarette between his lips.

"did you bribe them?"

he turns to look at you, his eyes clearly wide in surprise. "what are you saying?"

you take a step closer to him, your entire body shaking with fury. "did you bribe the fucking witnesses?"

"we're in public, woman, control your tongue."

"i'm not ashamed of anything i'm saying though, are you?"

seungcheol's lips twist in distaste and he drags you away from the public place to a quieter spot secluded near the parking lot. "i understand you're frustrated because of that no-show today, but you're speaking nonsense-"

"i'm speaking perfect sense, seungcheol! only you knew that i was going to bring in witnesses today."

"only me?"

"except two people at my firm, one of who is my best friend, and the other is a colleague who's assisting me in the case."

"who knows? maybe your friend's the snitch-"

you step closer to him, seething in anger. "don't you fucking make false allegations, choi seungcheol!"

"you're the one making false allegations here, really."

"you'll have to admit it, seungcheol. someday. if all your fame and reputation has been through such cheap tricks and under-the-table dirty business, you'll have to pay for it-"

"or what?" seungcheol puts back the cigarette between his lips, and lights it with a lighter. he takes in a big puff, and exhales right into your face. "or what, y/n? maybe you should take my advice instead. and stop making rookie mistakes."

as he walks away from you, you shout behind him, "i'm going to expose you, seungcheol!"

"empty threats, la la la." his voice trails back, sending shivers down your spine, as you're left alone in the dark parking lot, wallowing in your own pathetic helplessness.

_

your search for further evidence has led you to a complete dead-end. the most important thing that you need, the one that will clinch the case for you absolutely, is any - even one- document directly coming from KNT to seola's husband. unfortunately, you've gone through his emails and fax multiple times, but found nothing. nothing on his laptop, no hard drives, no soft drives, no external devices, nothing on his mobile phone or other such devices either. today you're searching all his belongings again and again, but it's still the dead-end. you realise that there's no point looking for more witnesses because seungcheol's just going to drive them away by whatever tricks he's using. and you're confident that seungcheol's thinking a step ahead of you- so any new evidence sources that you might come up with now might have already been dismissed by seungcheol through some back-up plan of his.

"seola, i need you to think once more, please. did he use any other device apart from the one at his office and the one at home? any laptop or any other mobile phone?"

"no... i can't remember anything else, really. we couldn't afford anything more too..."

you grimace. "i hope you don't get offended, but i'm sure he received quite a bit of money from whatever services he was providing KNT. enough to motivate him to keep quiet and hold on for so long. otherwise an honest man like him wouldn't want to get into this mess, would he?"

seola doesn't reply immediately, tears silently dropping down his cheeks.

you sigh and place a hand on her shoulders, rubbing softly as she breaks down into more tears. in the last few weeks, you've become surprisingly quite close. you've comforted her through her worst moments, feeling compassionate both as a woman and as a lawyer. and she, in turn, has helped you without any qualms, in not just the case but also lent a patient ear to you whenever you've wanted to rant, made ramen for you whenever you've worked till late, and let you stay over at her place whenever the rain outside's become too torrential for you to take the bus back home.

after a few long moments, seola is finally able to gain back her composure. "y/n.... he did mention something about an outstation office... towards the outskirts of the city. he used to go there twice a month. he told me it was for sending out packages to the other branches of the company... but maybe you could see there once?" your eyes light up with excitement as you hear seola's words. is this finally the breakthrough you'd been looking for through high and low? is this finally going to be your trump card to win the case? your rational side tells you to not become overjoyed immediately, but something in you is desperate to see that cockiness wiped off seungcheol's face, and bring him down to earth from whatever higher place his arrogance has placed himself at.

"seola, can you give me any tentative location for it? i'm going to go check it now."

"now? but the forecast is showing there's going to be thunderstorms tonight! there's so much thunder grumbling out there-"

"it doesn't matter, seola. i can't afford to lose any more time."

_

seungcheol's been stuck in traffic for almost an hour now, and the windshield wiper is absolutely useless in preventing the rain from cascading on his front window. the rain is relentless- just like the thoughts tormenting his heart. the reason he's returning home so late is because there had been a dinner party at the workplace cafeteria, hosted by his colleagues and closest friends, jeonghan, joshua, wonwoo and minghao. they're all lawyers with their own reputations, and the only friends they all have now. the point of the dinner? celebrating seungcheol's (upcoming) win in the KNT vs mrs hwang case. (and also to get seungcheol's mind off y/n, who's distracted him from his work all week, ever since their encounter at the parking lot of the courthouse.)

it'd been a mistake to stay out for so long. a sheer lapse of judgement, and seungcheol has not choice but to curse at himself right now. his daughters have called him already, their voices sleepy as they stay up for their father to return home to eat ice cream with them, before they fall into bed.

"and yet, you have no desire to live up to the expectations of hundreds of law students like me who look up to you? you don't care about the youth you're letting down with this attitude?"

y/n's words ring in his mind.

as the rain pours down cruelly, seungcheol's heart lets out silent cries.

he's a failure.

he's failed his family. thirteen years ago, when his parents had cast him out of their house after he'd failed to get a job at a good law firm.

that attitude's gonna get you nowhere, kid! stop running your mouth and focus on your work!

he's failed his first love. nine years ago, four years before he'd finally made his mark in the country's law scene, his wife had divorced him and left their children with him, because he'd not been able to earn enough for her.

stop being such a social activist, seungcheol! the world isn't soft like you. stop being so stuck up and emotional!

and now he's failing his daughters. day after day, they'd stay up late, waiting to spend some quality time with their father. night after night, they'd end up sleeping alone because seungcheol's insomnia didn't let him sleep with them. month after month, he'd promise to take them to their long-due vacation, but he was always too busy to take leave for two weeks at once. year after year, they'd wait for him to come to sports' day but seungcheol could never make it.

appa, if you can't take us to jeju... can we go for the school trip this year to jeju? all our friends are going to go for it...

all these painful thoughts triggered simply by one person- you. you're an unprecedented variable in his life, someone he couldn't even imagine to be a part of his life even a month ago. and yet, you've made him feel so many emotions, that had become dormant for years, in such a short span of time.

he's disappointing you too.

he doesn't know why it hurts what you think of him. seungcheol had thought that at thirty-six, he's finally ascended from these petty thoughts. but somehow your judgemental gaze, your innocent words and your fresh perspectives have shaken him to the core.

or perhaps he does know why, and he doesn't want to acknowledge it.

you remind him of himself.

but you're far better than he was. he'd been a coward, a loser, too quick to give up, and too hasty to drown in his own pity party. you're a fighter, a challenger, not accepting the cruelties of status quo, and too passionate to give up your sense of justice just to fit in with the cut-throat dirty reality.

you're 10 times the lawyer than he could ever be, and something about that makes him so inexplicably drawn to you.

because you're the person he's always wanted to idolised.

no wonder that when you'd told him that you'd looked up to him as an idol, he'd laughed at himself.

the traffic jam disperses slowly, and seungcheol breaks out of his daze. the clock shows 10.30 pm, and the rain shows no sign of stopping. thankfully, the traffic is now moving smoothly.

_

after almost half an hour of standing at the bus stop, waiting for something to pass by, there's finally a car with a very bright beam slowing down in front of you. it's a private car, but you hope it can give you a l-

"what are you doing here?!" the words escape your mouth as soon as you notice who's in the driver as the car window rolls down.

"get in, rookie."

you consider hesitating, but seungcheol's car looks warm... and safe. so you do get in, hating how there's water everywhere you're touching, spoiling the clearly expensive leather of the seats. but seungcheol doesn't say anything even as you shuffle in and finally settle on the passenger seat.

he thankfully doesn't ask you anything as he lets you take a breath and get warm enough. so about five minutes pass before he asks you, "what were you thinking, standing out there in this rain?" his voice is low, almost cracked, but laced with serious concern. you notice that he's still dressed in his typical suits. is he returning from work so late?

"i had work here," you say carefully avoiding the connection about the case.

"so late at night?"

"it was important."

"that it couldn't wait till the morning?"

"no."

you're aware by the way his jaw is clenched that he's getting annoyed by your short answers. but you have no option except to be as vague as possible- his mind works too fast for you.

"where's your home?"

you tell him the locality, and he sighs. "that's on the opposite side of town."

"i know, just... maybe you can drop me at a more crowded bus stop? the one where i was waiting was a bit remote, but a more crowded one will definitely have more frequent buses-"

"you're out of your mind."

"huh?"

"just because you're irresponsible doesn't mean i will be too. i cannot and will not leave you in the middle of the road in this rain so late at night."

"seungcheol, i don't want to barge-"

"you're not barging into anything. you'll come home with me, change into drier clothes and sleep in for the night so that you don't fall sick."

"y-your home?"

"yes. do you have a better idea?"

you gulp, his gaze stern. you don't have a better idea, in fact getting to change into warm clothes and get into someone's house sounds divine right now. the only problem is that it's.... seungcheol's home. if you can't handle him in his everyday suits, you wonder what thoughts seungcheol in his natural abode will spark in you.

"i'll always be grateful to you."

seungcheol nods, and the rest of the journey is silent.

_

seungcheol doesn't know yet if it's a good or a bad idea. he did it as an impulse- perhaps some part of him hopes he's still redeemable in your eyes, so he wants to do the right thing for once. but he won't know if it's the right think for everyone until he reaches home.

when he parks the car and takes you up to his flat, he can hear the television blaring harry potter from outside the flat, and he can see the way your eyebrows furrow at the sound. so he slowly unlocks the door, to reveal his two daughters sitting on the couch, undoubtedly watching their favourite harry potter movies again, wearing identical pyjamas specially designed for the identical twins.

he can hear you gasp as you step into the house, and the girls come into your view.

there's an awkward moment of silence and staring, before sol comes running to him and wraps herself around his waist. "appa! we're right at the last scene of prisoner of azkaban, your favourite part!"

seungcheol almost tears up. how can they welcome him so warmly every night even though he's come home so late?

he clears his throat. "sounds like you've been having fun, girls. but first, say hello to y/n unnie-"

"imo," you whisper next to him, your figure shrunk with the cold.

"no unnie," he whispers back. "this is choi sol, our maknae, and that's choi byul, my eldest." the girls wave and shyly say hello, their dimpled smiles flashing politely as they bow. you bow back, "hi sol and byul! sorry you're meeting unnie in this state~"

"are you also a lawyer?"

"did you get caught in the rain?"

"do you work with appa in his office?"

"do you want fresh clothes?"

you giggle at the contrasting questions from the two girls, their starkly different personalities evident. "yes, yes, no, and yes please, if you could be so kind," you smile back, your dainty lips curving into a pretty bow that takes his breath away. sollie shifts from where she'd been wrapped around seungcheol to take your hand gently. "do you think my clothes will fit you? i think byul's clothes will. she has a very warm nightdress..." and she drags you away to her room, welcoming you in without even a single moment's hesitation. byul is more reserved in her welcome, but still warm. she follows the two of you shortly, and seungcheol is left at his doorstep alone, but filled with such a flurry of emotions in his heart that leaves his soul warmed unlike he's felt in years.

about twenty minutes later, he comes out of his bathroom after a refreshing warm shower, his hair soft after the shampoo. he can hear voices from the kitchen, loud-pitched voices of his daughters and the softer, lower voice that he recognises as you.

"unnie, do you want to have ramen?" byul's voice rings out. "we were going to have ice cream but you might feel too cold for that." sol adds, "did you eat dinner, unnie? didn't appa eat dinner with you?" "no, w- we- he picked me on the way when he saw me stranded in the rain. we didn't have dinner... together."

seungcheol's heart breaks and heals a little at the same time. he's taken the right step for now... but seeing his little girls like this have generated images and thoughts in his mind that he had shelved away forever.

the idea of a family.

the idea of giving them a new mother figure.

as he walks towards the kitchen, he can see the way sol and byul cling to you although they've met you barely half an hour ago. perhaps it's because they don't have any cousins and you feel like a sister? perhaps it's because they like bossing over adults, especially since they boss over him so much? perhaps it's because they've already been charmed by your magnetic appeal- your softness and your innocence, mingled with an intelligence that lets you befriend everyone.

"are y'all annoying y/n already?" byul immediately faux pouts, and he can see your eyes light up. "seungcheol, she looks exactly like you," your voice whispers with the revelation. "yes, she's my daughter. kinda expected, don't you think?" he laughs. it's sarcastic of course, because sol and byul actually resemble him more than any other father-daughter pair he's seen in his life. it's almost like they haven't gotten any of their mother's genes. and seungcheol doesn't really regret it. it's been nine years, he's gotten over that pain. his only regret is to not be able to provide a second parent to his children, who'd grown up in spite of being cut off completely by their mother. and his busy life has left him with no space to date or even think of marriage...

except right now.

right now, when he sees you wearing byul's nightdress that barely reaches your knees, cooking ramen with sol sitting on the kitchen counter next to you, chatting away about harry potter, and byul carefully carving out ice cream into bowls for the four of them, seungcheol thinks maybe it's time.

maybe he's found the one.

and maybe, he's already fallen beyond scope to return.

_

you didn't get much chance to talk to seungcheol last night, but when you wake up on the guest bed the next morning, you can see him as soon as you open the door. he's sitting in the balcony, sipping a cup of tea, reading a newspaper, his glasses sitting prettily on his nose.

"morning," your voice is still raspy in spite of your sleep being perfectly fulfilling.

he turns to look at you, his gaze uncharacteristically soft, much different from how he sees you at court.

"hi. tea?"

you nod, and wobble over to sit next to him. the tea clears your throat a lot, and you can finally open your eyes wide enough to see the glorious view from his balcony. so you soak in the nature for some time, while seungcheol buries his nose into the newspaper again.

"i didn't know you were a father."

seungcheol hums. "did you like them? my girls? they liked you a lot."

"can't help but not like them. they balance each other so perfectly- as if they're your twin personas."

"that's deep."

"but it's true."

seungcheol chuckles and goes back to his newspaper. the morning air hits your face and you feel so much more alive than you'd normally do on a thursday morning. "when do you have to get to work?" he asks you.

"i still have about an hour and half left."

"will you go home and then-"

"yeah. the office is really close to my place, like a minute's walk. so i'll leave soon, don't worry-"

"you'll stay for breakfast." seungcheol says firmly. "the girls will want to see you before you leave."

and you can't turn that down. so you simply nod in agreement, carefully taking a look at the man sitting across you. seungcheol at home is so unimaginably different from seungcheol at court. if he's fire in the courtroom, then he's water at home. he's cold and practical in the real world, but with his daughters, he's the most gentle person you've met. something about the soft smile he gives when he indulges his girls. something about the way his eyes light up whenever they talk to him about anything, even if it's trivial. something about the way he's taken care of you since last night, not just giving you a shelter during a terrible night but also giving you so much warmth from his personal life. it's all made you see a completely different side to seungcheol than you'd met at the courtroom, and it's changed the way you've grown to see him completely.

now you know that seungcheol was not harsh to you that day at lunch, he was simply being realistic. his cockiness and arrogance is just self-confidence, it doesn't define who he is as a person. and he's still a man you can look up to and admit, without shame, to yourself that this is the ideal man in your eyes.

your phone pings right then, and you open it to see the mail that's arrived.

the cup of tea almost slips and falls from your hands as you jump up in your seat in joy. seungcheol looks up at you in alarm, "what happened?" your smile is bright, just like the sun this morning. "i have an emergency at work, i'll have to leave now! please say goodbye to sol and byul from my side!" and you rush into your room to change into your clothes from last night, still damp but at least cleaner, and you literally run out of the house, waving and thanking seungcheol again and again, leaving him very very confused indeed.

_

seungcheol feels incredibly at peace the next day when he walks into the courtroom. even though you'd disappeared suddenly like that without any explanation, he's quite sure that he's back in your good books. not that it matters much- because what really counts is how he's feeling about himself. and after many years, he's feeling good. the usual guilt that engulfs him as a whole every day as he wakes up to face a new morning, isn't bothering him. he feels like he's achieved something, he's done something right, and he's going to get better from now on.

but as soon as he pushes open the doors of the courtroom, he feels like he's missing something out. everyone on his side of the bench seems flustered as hell, papers rumpled and expressions distraught. but he doesn't get an opportunity to ask what's going on because you catch his attention first.

"seungcheol, can we talk for a second?"

"not right now, i have to talk to my team-"

"this is urgent. you'll want to hear this, i promise."

seungcheol lets out a long sigh as he takes in your words. there's a crisp confidence in your words today that intrigue him. "okay go ahead," he finally replies.

"in private, if you please." he follows you wordlessly out of the room, and you lead him out towards a small isolated office in the corner of the building, that's totally deserted. seungcheol leans back against the closed door, completely silent as he waits for you to settle your papers and finally look up at him.

"so what's this about? you wanna kiss me or someth-"

"you're going to lose the case today. i've found enough evidence to prove the absolute guilt of KNT, and the ceo will go to jail by the end of the court session today."

"you're bluffing me."

"i can show you the evidence, but i'd rather you'd see it in court."

"then why are you telling me this now? to pity me?" seungcheol's mouth fills with bile as a dread settles over him. the tables are turned- now he feels as rattled as he had seen you feel that day at lunch. what if you're being serious right now? what if you've actually found incriminating evidence? but he's gone through all potential sources of evidence with his client, left no stone unturned to hide all tracks-

"so that maybe you can step off the case in time. do you really want your daughters to find out you've been defending your client for so long knowing you're defending a criminal?"

seungcheol's heart skips a beat.

"do not bring them into this."

"i'm not bringing anyone into anything. this is just me being nice to you because i know what it feels like to be disappointed by someone you look up to."

"do you hear what you're saying, y/n?" he takes two steps closer to you. "this is borderline blackmail. i don't even know if you're bluffing or not, and you're already blackmailing me using my daughters. have you fallen to the same crude level i'm in? are you going to disappoint me like this?"

his words have the expected effect on you. he can see your cheeks flush pink. "seu-seungcheol, don't twist my words." you take a step back, your back straightening as he sees confidence seep back into your face.

"and maybe you should stop worrying about my morals and worry more about how badly you're going to lose the case. from next time, don't make rookie mistakes." your finals words, before you leave the room, ring in his ears and cause goosebumps to erupt all over his skin.

as soon as you're gone, seungcheol slams the desk in front of him, his brain running at a hundred miles an hour. what might have slipped from his sight? what might he have missed? he immediately calls the ceo of KNT enterprises.

"what have you been hiding from me?"

"oh? mr choi, what happened to greetings? good morning to yo-"

"nothing's good about today morning, mr kim. what have you been hiding from me? i'm not going to ask you again."

"nothing! i've bared my entire soul to you for the case."

"mr kim, there's a fresh piece of incriminating evidence that's been found, and i cannot do anything to stop mrs hwang's lawyer from submitting it to the court unless you tell me what it is exactly."

"mr choi, you're mistaken, there's nothing left to be wiped-"

"the first rule of a client and lawyer relationship," his voice is seething and snarky, volume rising with each word, "is that you should never lie to your lawyer." seungcheol knows if mr kim was in front of him right now, he'd be quaking in his shoes. he can imagine a similar situation on the other side of the phone too. he knows he's intimidating enough when he wants to be.

"i didn't think it would be important-"

"you're not the person to judge what's important and what's not, mr kim."

there's a sigh and the voice becomes shaky.

"there's an outstation branch..."

_

the case ends unceremoniously. there are no paparazzi waiting for you outside the courtroom, ready to capture your life's first win. there are no cameras flashing on you, no historic moments being documented, no crowds gathering to celebrate this win for the masses.

there's just seola's happy tears and a wildly beautiful feeling of victory in your heart as realisation ultimately sinks in for you. it's a clean win- the evidence showing unmatched proof of orders coming from KNT to mr hwang, detailing all sorts of illegal activities and even records of payments being made to mr hwang. it's really crazy how it's not been eradicated cleanly already by seungcheol. clearly, either he or his client had underestimated you.

but you'd proven them wrong.

yoona's the only who comes to see you outside the courtroom after the win. there's a bright smile on her face as she hugs you and congratulates you. seola promises that she's going to take you out on a treat right now. other colleagues from your workplace call you to congratulate you on the win.

and yet you feel empty.

seungcheol's gone. he hadn't come for the trial. he'd not been in the courtroom for the final statements, his aide quoting something about a family emergency. he'd run with his tail between his legs, ashamed of his failure and finally realising his stupidity. this thought should be giving you satisfaction, but surprisingly, it doesn't. it leaves you feeling empty, still wanting something even though you've won the case just now.

but there's no way to reach out to him. you don't even have his number for god's sake, and it would be awfully awkward to go to his house. and what would you say? that you missed seeing his sad face in court when the verdict was announced? that you wanted to see if he'd be proud of you for winning the case? that you wanted to impress him by beating him in the case cleanly without any dirty tricks? so you go to eat out with yoona and seola, and decide to stop thinking about seungcheol any further.

_

it's about seven in the evening when you make it back to your tiny flat in a shabby part of town, the house dark as you'd left it in the morning after rushing home from seungcheol's place. you smile to yourself when you unlock your home using the password on the door, thinking of how you'd been with seungcheol's adorable daughters last night, and how much fun you'd had with them.

your bag falls from your hand as you open the door.

"seungcheol?!" your voice is a shaky whisper, shocked to see him inside your house. "how the fuck did you get in?"

he's still wearing the suit he'd worn in the morning, and yet he looks divine in the dim reflection of lights from the world outside the window.

"your password's your birthday. got it on my first try."

"and how do you know my birthday?"

he takes a step closer, his body towering over yours. "shhh. it's called knowing your opponent."

there's something so oddly intimate about seeing him in your flat, in the shadows of your home. the street light illuminates one side of his face, and you can't breathe because of how gorgeous he looks.

"why do you know my birthday, seungcheol? really it's not going to help you in any way-"

"it did help me get into your house."

you lightly pick up the bag from on the floor next to you, and you walk past him. "which brings me back to the first question. why are you here?"

you're purposely avoiding his gaze, the intensity making you feel things. there's a plethora of emotions in your heart right now- finally the emptiness in your heart dissipates as you can feel yourself surrounded by seungcheol. you're taking off your blazer, untying your hair, walking over to the sink to wash your face... but you can't ignore the way you can feel seungcheol's eyes on your back. his heady scent clouds your senses, and you feel weak in your limbs. first he's intruding your house, and now your heart too?

"i have a question to ask you." he speaks after a long time, when you've finally cleaned up and taken out a cup of strawberry yoghurt from the refridgerator.

"you could've asked me on the phone." you lean back on a wall, putting yourself as far away from seungcheol as possible in your tiny flat. he's in the darkness, you're in the light, but you're still feeling small and vulnerable under his gaze.

"i couldn't. it's serious." he starts walking towards you.

"seungcheol, if this is about me trying to expose your shit, i'm not going t-" seungcheol puts his hand on your lips, pushing you against the wall.

"fuck that. this isn't about that."

you cock your eyebrow, mumbling against his hand, "then what is it about?"

seungcheol doesn't answer at once, his gaze continuing to pin you against the wall, and a hand comes around you to trap you between his bigger body and the wall. "seungcheol?"

"answer me honestly, okay?" his voice is raw, slightly wobbly, and you're getting more and more curious. you nod slowly, encouraging him to say whatever's on his mind. but he doesn't say anything. a few minutes pass just like that- or maybe an hour. his scent makes you dizzy, you can't think of anything but how his big figure is over you totally.

"when you said you looked up to me in college... i know i ruined that image. b- but... can you... fuck. wait. canyoueverforgiveme?"

"what?" you ask, confused at what he just said. he removes the hand from your mouth, standing even closer than before.

"can you ever forgive me? will you let me show you a better side of me? can i ever get in your good books again?"

your breath stops for a second. why does this matter for him? doesn't he already know the state he's left your heart in since last night- ever since he'd brought you into his car, he's already been promoted to your ideal man again.

"show me a better side of you? what do you mean, seungcheol?"

he sighs for a second, before straightening his posture, becoming impossibly even bigger.

"will you ever see me as a man, y/n?"

your knees almost give in. the fuck is his implying? are you dreaming this? is this a fever drea-

seungcheol leans in and kisses your cheek, close enough to your lips, his breath falling on your skin, and making your body tingle. "will you let me show you myself to you like this?" on instinct, you tilt your head away to give him more access, your body shivering with the intimacy. so he kisses your cheek again, closer yet to your lips, and you turn your head slightly to capture his lips, but he moves away.

"y/n, don't leave me hanging please. i know you might find this odd... but i've come to feel things for you that i didn't even know remained in me. you're an extraordinary woman, one of a kind. in all my life, i haven't met anyone like you. not even my ex-wife. you don't know this yet but you're the ideal image of perfection i've always thought of."

then he stops talking for a second, clearly expecting an answer from you. but your mind can't form words, not with the way you have tunnel vision on his face right now, your eyes drifting to his pretty cherry lips, to his long eyelashes, to the beautifully expressive eyes you've fantasised about since your college days.

"y/n, say something please." his voice is desperate, and you break out of your daze.

"you're my ideal man too, seungcheol. you have no idea for how long." there's a blush creeping on your cheeks, but in the dim yellow lighting, you can see an identical blush rise on his cheeks too. so you lean in and finally kiss his elusive lips, feeling the taste of his chapped but pretty lips on yours, feeling the way his body steps even closer to yours, one arm wrapping around your waist, pulling you to him, and your body melts as you feel the warmth from his body. the kisses slowly grow in pace, the momentum rising, as he kisses you more and more hungrily, his tongue entering your mouth too, as he begins to bite your lips and leaves you breathless and moaning just from a few kisses.

"god, rookie. you sure know how to kiss."

"i know how to do a lot of things, seungcheol." you know you're bad at dirty talk, you've never really succeeded at it during your few college experiences of sex. but somehow, seungcheol's eyes roll back at your words and you feel his heartbeat quicken up too. maybe it's working on him?

you try to test your hypothesis by gently wrapping your hands around his neck, slowly untying his tie, slipping it to the floor. once it's off, you rub your hands all over his chest, feeling the pure hard muscle flex under your muscles. his breathing is as hot and heavy as yours, and you slowly untuck his shirt from his pants, unbuttoning it carefully.

"must you torture me like this, y/n?" his eyes are glazed over, but you look up at him innocently. "what, seungcheol?" "fuck it, you're such a tease, princess." princess. he pushes you against the wall and kisses you again, one hand wrapped around your hair as he pulls you in, and another hand helping you unbutton his shirt and get it out of the way. seungcheol doesn't stop kissing you even when he begins to unbutton your own shirt, but his hands wander all over the skin he slowly unravels. it's like his own adventure mission, the gentle but urgent way he touches your skin, almost worshipping.

"you're so perfect, y/n." you whimper when he cups your breasts from over your simple black bra that does nothing to flaunt your tits, but somehow seungcheol's appreciating it all. are you really his perfect woman?

"do you mean it, seungcheol?" your voice is so weak, but it takes seungcheol aback. "what do you mean, y/n? you don't think i find you beautiful? is that why i've been dreaming about you every night these days? is that why you're always on my mind? is that why i died and came back from heaven last night when i saw you with my kids?" your breath hitches as he tilts your face to look at him. "you're the most perfect woman i've ever met, i told you. you've gotta believe me, y/n. or do i have to show you?"

"maybe, yes?"

he groans at your words, and his eyes become darker. "fuck, where's your bedroom, babe?"

_

seungcheol's touch is like moonlight caressing the ripples of a pond at midnight. a soft, gentle touch that lights up every inch of your skin that he touches. as the moonlight kisses the water and makes it ebb and flow with it, seungcheol's movements guide your body too. he's laying you out on a bed, his hands wandering all over your skin. as he takes in your figure, you let him, because he's making you feel so good. he kisses all over your body, your limbs tangling as you can't get enough of each other. seungcheol is all muscle, his hard planes flexing against your supple skin. he pins you against the headpost of your small double size bed, one hand wrapped around your waist, and the other caressing your breasts, making sure there's not even a single inch of your skin that's left untouched.

"did i tell you i think you're perfect?" his words are feverish, and leave you lost for words. so you can't reply to him, hoping he gets the way you feel about him too through your desperate whines and moans, pulling him closer if he puts even a hair's distance between your bodies. something about him being so big and engulfing your smaller stature is so hot, you can feel yourself getting aroused by the minute.

"seungcheol, i w- want to... touch you," you finally whisper out, and he pulls away from where he's been kissing your neck. "but you are?"

you shake your head and shove him lightly until he's on his back, and you're hovering above him. he's still wearing his pants while he's stripped you naked, so you do the honours for him. "what are you doing," his voice is strained. "want to touch you there," you focus on taking his trousers off until he's just in his underwear under you- his bulge quite obvious to you. if you weren't wet enough earlier, seeing the massive wet patch on his grey boxers leaves your own underwear soaked. is he this aroused because of you?

seungcheol seems to read your mind as he brings your face towards his own, whispering with hot breath, "do you see what you do to me, princess? got me wrecked and ruined." his confession is so raw, you lean in to kiss him again. as you do, your hand wraps around his clothed dick, and he groans into your mouth. "fuck fuck fuck," he curses as you begin to rub it softly. "i'm going to cum right now if you do that- babe, p-please!" he finally gets your hand off his dick, eyes large.

and then you giggle. something about seeing seungcheol so desperate triggers something off in you, makes you more determined to ruin him. so you pull off his boxers and take his erect, red cock straight into your mouth. seungcheol's body trembles with surprise, your name leaving his mouth in broken moans as he cannot take the pleasure of your mouth sucking him off in an excruciatingly slow speed. and you don't stop, even when his hand comes around the nape of your neck to keep you in place, even when you feel his entire body tense up with the imminent orgasm. you don't stop until he comes inside your mouth, spewing string after string of his hot seed, and you swallow it all. his breathing is laboured as he watches you lick off the last bits of the orgasm from his dick.

but your self-satisfaction of having the upper hand only lasts for so long. seungcheol's competitive side kicks in soon and he quickly flips over to pin you under him on the bed, his teeth nibbling at your chest, leaving pretty hickeys all over.

"let me return the favour, darling."

you don't know what he means right then by return the favour, but never in your wildest dreams, did you think it would include seungcheol burying his face into your cunt, his nose rubbing against your clit as his tongue laps up your wetness.

"fuck! no- seungcheol- pl-please, cheol!"

"do you want me to stop?" he asks you, his face barely moving up inches from your pussy to look into your eyes.

you hesitate before answering, so he softly kisses your stomach. "tell me, princess."

"i've never done this before..."

"what? sex?"

"no. oral. like no one's ever gone down on me before..."

and seungcheol doesn't waste another minute. he uses his teeth to push aside your panties and inserts his tongue right into your sloppy cunt, and you scream out his name. he doesn't go slow, and you don't want him to go slow. he's showing you all the stars in the sky, so you grab onto his hair to move his head back to a particularly good spot, and he moans incoherently when you tug at his locks. and within minutes, you're reaching your high, your screams getting stuck in your throat as you close your eyes and arch your back off the bed.

thankfully, seungcheol gets his face out of your cunt and hovers over you to take in your writhing figure under the impact of the orgasm.

"so how was your first experience?" he asks you when you finally open your eyes and look at him, his lips smeared with your essence and his body.

"heavenly," you whisper, before pulling him into you, and kissing him again. you can get drunk on his kisses. he's leaving your lips abused and raw, but when he's spitting into your mouth, you wrap your legs around his waist to pull him closer, feeling the toughness of his back muscles shift under your touch. this position ends up making his cock graze against your clit, and you jerk in overstimulation. but you can feel how hard he's getting with the kissing and the way your hands are tugging his hair. the heavy length rests on your stomach, and seungcheol pulls away.

"need to be inside you now, princess." his words have this rawness to them- long gone is the smooth-talker lawyer choi seungcheol. it takes several moments for you to process that you've caused him to descend to this desperation.

"do you have a condom?" he asks you.

"hmm, i do." you point towards the dresser next to your bed, and he casually bends away to take it out from the dresser. you're getting more turned on by his easy flexibility, and as soon as he's got the condom rolled on to his dick, you pull him for kisses again.

"patience, baby," he laughs, as he pulls away again after kissing you, to nudge the tip of his dick on your folds. "nooo, need you now. need your lips." "did my kisses break you?" "i think so," your voice is a whisper and he leans in to kiss you again, a beautiful smile showing off his dimples.

and then he's slowly pushing inside you, making you whine out his name as you feel him stretch you. it's not an easy fit, but his kisses make the pain easier to bear. when a tear escapes your eyes, he asks you, his eyebrows furrowed in concern, "is it very painful?" "not very but it's been a while." he leaves kisses on your hairline. "i'll be gentle, princess."

you grip his locks tighter, pulling his face away to make eye contact.

"you better not dare, choi seungcheol."

something breaks in him. his hips begin to move faster, as he pushes your hands above your head, holding them as if handcuffed, and he's biting hickeys all over your neck. he's thrusting harder now, and your second-hand bed is already making noises. but it seems to arouse you more for some reason. something about him shaking everything around you and moulding you and everything about you to him makes you want him more.

you can't stop moaning his name, as he whispers into your ear, "i can feel how close you are baby. can feel your cunt clenching around me." "pl-please, cheol. need you more, please!" "more? faster?" you nod feverishly, and he pulls away, biting his bottom lip in concentration, one hand gripping the bed, and the other your leg around his waist, as he fucks into you.

you take in his full form, towering over you like adonis. beads of sweat falling down his pecs and his hair falling into his eyes. the sight is so beautiful that you cum right then, even as seungcheol fucks you through the orgasm.

you can feel that he's close, his dick twitching inside you, as he's making your eyes roll back. even after one orgasm, he keeps fucking you. "give me one more, baby. cum with me." and then he shifts one hand to rub your clit, and you moan under the additional touch. the last straw is when you clench around him so hard that he lets out a strangled moan and reaches his climax too. you can feel the condom become warmer, and you tremble all over as you cum again because of that sensation.

when your eyes open again, seungcheol's pulled out from you, but he sneakily lets in a finger in between your folds and licks it clean.

"seungcheol?" your broken whisper makes him look up at you.

he smirks. "you taste like nectar, baby."

_

seungcheol's insomnia doesn't let him get a full night's sleep on most nights. if he's lucky, he'll sleep for four hours at once, dreamless rest that leaves him fully charged for the next day. on other days, he'll stare into the night sky for hours, sleep eluding him. some nights he'll go to his daughters' room, and watch them sleep, his heart filling up with a warmth that's comforting like chicken soup. on other nights, he'll open his laptop, put on his glasses and finish his case files.

everyone wonders how seungcheol is so efficient at his profession. only he knows why.

but ever since you've come into his life, everything's changed.

he can no longer focus on work. he's distracted, making silly typing errors and forgetting details. but he's sleeping the best ever in a long time. he doesn't remember when was the last time he'd slept this well. it must've been before the fights had started with his ex-wife.

today, seungcheol sleeps for eight hours straight.

and he knows why.

it's because he's wrapped around you, your body melting into his under the duvet. your head's resting on his arm, but his arm doesn't hurt at all. your hair shines with the sunlight streaming in through the gaps between the curtains, but you sleep through the slight pouring into your eyes. you look particularly angelic today morning, and he feels his entire being shiver with the new-found affection for you.

you're his.

finally.

well, hopefully.

jeonghan had told him yesterday when he'd told him about his feelings for you, you've not been turned down until you've been turned down. so shoot your shot.

and oh, he had shot his shot. shot it too fast in fact. the clarity of the morning makes him suddenly worry if going straight into your bed last night had been too quick and you'll think poorly of him now. then there's the worry about you going to sleep without eating dinner last night- what if you wake up angry? another worry crops in his head as he realises it's a saturday. he doesn't have to go to work today, but you might have to. what if you get upset at him for not waking you up on time? the warm, glorious light in seungcheol's heart dims slightly as he realises you have so many reasons to turn him down.

so he lightly shakes you, whispering your name in your ear, until he feels you whisper out a soft five minutes. it makes his heart melt again, but he's more worried about you missing a work day.

"wake up, princess, you're going to be late."

as if hearing a magic word, you jolt awake, staring right into his eyes.

"late?! what's the time? fuck, it's nine-thirty!"

"it's saturday though. do you have work today?"

and then you fall back on his arm with a huff.

"saturday! of course i don't have work today. why did you wake me up!" you whine and turn around so that you're now snuggled into seungcheol's bare chest, your hair only slightly tickling him. the warm light in his heart shines bright again as he feels you cling to him.

"i didn't know if you work on saturday or not." seungcheol leaves a kiss in your hair, and you let out a satisfied sigh.

"now you know. never forget, okay? never wake me up on weekends."

never forget.

"i won't." another kiss in your hair. another sigh that makes his chest buzz. another kiss. and then you open one eye to peer at him, and he smiles at your cuteness. so there's another kiss, and then another, and then-

"stop!" you move out of his arms, giggling, your eyes finally open.

"i can't. you're too cute."

"shhhh!" you lean in to kiss him on the mouth, a gentle peck, and seungcheol takes the opportunity to wrap you in his arms again. "don't go far away." he's more serious that his tone implies, but somehow you realise that too. so you snuggle in closer, your head almost on his chest now. "i won't."

after a few long minutes of you being still in his arms, and him smelling your scent through your hair, you finally shuffle and pull him down so that his head is now resting on the pillow and you're resting your head on your palm, perched on the pillow using your elbow as support, looking down at him with clear fondness in your eyes.

"you're very romantic today, mr choi."

"do you not like it?"

"no. on the contrary, i love it."

at your words, he smiles, and you let out a fake gasp. "the rabbit has dimples!" and you attack his face with kisses, leaving him giggly and blushing as you smother him with love.

when you're finally done, he pulls your face in for a kiss and then you go back to your position to look at him from above.

"come lie down next to me."

"no this view is prettier."

seungcheol scoffs, hiding the way his heart is racing with your words. it's been years since anything barely romantic- a few dates here and there. but this is teenage seungcheol again, falling head over heels for a girl with a pretty smile and a cute way of speaking her mind.

"this view is the prettiest," he says and he's rewarded with your pretty smile again. so he spends a minute staring at the view, taking in your beauty.

you've not been turned down until you've been turned down. so shoot your shot. somehow jeonghan's nagging voice comes up in his head again and makes him remember that he's yet to ask you properly.

so he counts to three and says it.

"i like you, y/n. a lot. as i told you last night."

a strawberry latte blush taints your cheeks.

"and as i told you last night, you're pretty much my dream man, seungcheol. i've been crushing on you since my freshman year."

well that was easy.

"that long?" seungcheol feels his confidence cruise back, a smirk on his lips.

"don't laugh at me."

"i'm not. it's just unbelievable that you liked me back then. i wasn't even well off back then."

"who even cares about that! you were confident, manly, intelligent and passionate about your work. and so, so handsome. how could anyone not like you?"

"am i not handsome now?"

"of course you are, silly. that's why i still like you." you roll your eyes, as if it's so obvious. "i couldn't even date guys for a long time because i kept comparing them to you in my mind."

seungcheol's eyes go wide. "wait, really? that's kinda sad."

you laugh. "maybe, but who cares? none of them were nice in the end. that's why i kept going back to crushing on you." you lean in to kiss the mole on his cheek.

"how long has it been since your last relationship?"

"hmmm, about seven months? broke up before i graduated."

"and sex?" he hopes you can't see the way he's holding back his breath as you answer. "about a year."

and then he lets out his breath.

"and you?" you ask him, running your fingers through his hair.

he hesitates before replying. "nine years," his voice is weak.

and then you do what he's been fearing for so long.

you laugh.

"wow. that's like... that is long." but your expression changes into a serious one soon. "but you haven't lost any of your technique yet. so it's a win in my books. i don't even have to be jealous of anyone else. who was your last lucky lady?"

"my ex-wife." seungcheol winces as he mentally prepares himself for all the reasons you might turn him down.

but you don't. your serious expression remains even as you're surprised. "you were married? is she the mother of sol and byul?"

"yeah."

you nod your head slowly, digesting the information. after a second you say, "i can't fathom why anyone would leave you and your two perfect little girls."

seungcheol's smile turns bitter. "she did. but it doesn't matter. she's found a better life now, after moving away to the US with her new husband. and i've found a better life too, moving away from her."

you nod again. "you're very brave, cheol." and you kiss his cheek again, and seungcheol's heart swells at how maturely you've handled this conversation. but there's yet more reasons for you to reject him.

when you pull away to look at him again, you softly ask him, "are your daughters okay with the idea of you dating again?" dating. there are tingles all over seungcheol's body as you finally quash all worries from his mind. "i haven't explicitly discussed this with them," he says with some hesitation. "that being said, i think they like you a lot. you made a very strong first impression. and trust me, for ten year olds as stubborn as mine, a first impression is all that matters."

"they're just like you," you giggle, your hand fondly cupping his cheek. "but seriously. they like me as a friend... as your colleague. what if they don't like me as your... girlfriend?"

girlfriend. seungcheol wants to flip you down on the bed and make love to you all over again, but he resists his urge. he settles for wrapping his hand around your hips and caressing them. "they'll love you, princess. they've longed for a mother figure for long enough." after a pause he says, "i'm worried they'll not see you as a mother figure but as a sister."

you burst out laughing. "what?!"

"i'm much older than you, y/n."

"so?"

"i'm thirty-six, y/n."

"that's not old. i'm twenty-three."

seungcheol chokes on his own words. "exactly. i'm literally old enough to be your father, y/n."

"well, you'd have to become a father really really early then," you say, laughing.

"y/n, be serious."

"i am being serious. i've met men who're twenty but act like they're forty. what really matters is what you've got here-" and you poke at his chest where his heart's supposed to be.

"i'm going to die thirteen years before you!"

"darling, i don't think that's how death works."

darling. seungcheol's heart hammers against his chest as he pulls you in for a deep kiss. and then you pull away from him. "you're a dilf, seungcheol. that's like 80% of why i'm attracted to you. bet i wouldn't be attracted to twenty-three year old you." there's a teasing glint in your eyes, but seungcheol still whines as he feels upset at your teasing words. "babyyyy!" you laugh at his deepening pout, and lean in to kiss his pout in a peck, before getting out of bed.

seungcheol's mouth falls open as he takes in your soft curves which look even more alluring in the daylight. something about the way your ass sways as you walk makes his dick twitch in interest, but seungcheol curses himself. he can't be thirty-six and this hormonal, for fucks' sake.

you open the closet door to pull out a loose t-shirt and shorts, wearing them without any underwear. "do you want to stay for breakfast?"

a lazy grin spreads on seungcheol's face as he stretches his body in bed, relishing the way you ogle his stretching biceps, and he casually pushes the blanket away from his hips to reveal his toned stomach to you too.

"i want to stay for the rest of my life, rookie."

he's left with no doubt of reciprocation of his feeling as he sees the blush on your face as you hide and run from him at his cheesy words.

[call-me-strega]

Dc x Dp Prompt #3: Of Apples and Academic Frenemies

Au where Jason and Danny are attending the same college course on mythology and classical literature and they are always getting into debates about the depictions of the characters and the historical context of stories and stuff bc the both have a different exposure to the myths. Like Jason knows literal demigods and Amazons but Danny knows Pandora and the Greek myth related ghosts plus time travel from Clockwork and the infi-map. The debates can get heated at times but the respect each others intellectual takes.

This creates a peculiar situation where everyone in the class thinks they are academic rivals who hate each other (except for the few with their shipping goggles on and sense the homoerotic tension underlying their debates) and are deeply invested in watching them interact like their own personal drama even thought at this point in time they are at best friendly acquaintances and at worst annoying classmates.

Jason rants to his family about his debate partner/rival bc he’s happy to have some who will talk to him ad-nauseam abt this stuff but also bc he wants to complain about how Danny's a “smart but annoying little twink who’s got some real audacity”. And while the batfam is happy that Jason is experiencing some normal life things like an academic frenemy they’d love to stop hearing about this guy's “smug fucking smirk” and the “annoying gleam in his eyes". They are worried that Jason will snap and beat this guy up for being too annoying. Well, except Tim who thinks Jason would rather make out with this guy than debate with him.

One day the course decides to do a big themed party/fundraiser to save up for a class trip to an excavation site of some temple ruins or something. Both of them volunteer for the organizing committee bc of the offered extra credit. This encourages the two of them to start seeing each other more and to hang out outside of their classes so the can work on event planning. Over time they actually become pretty good friends (Danny's presence filters Jason's toxic ecto and cures pit rage due to increased exposure. It was happening anyways as classmates but the close proximity sped up the process) and Jason and Danny develop mutual crushes on each other.

For the event they do, like an Olympic games style format and have people sign up in teams for events a couple of weeks beforehand. Anyone in any sort of classical/mythology related course can join and they opened the event for public spectating. They have a few traditional events like a foot race, long jump and chariot race. But the also have some silly ones like Medusa's Snakes, where they shove their faces into bowls of whipped cream and fish out gummy worms, Pandora's Amphora, where they stick there hands into a box/jar of mystery contents (grapes, slime, a live animal like rats or kittens, a bunch of glitter, soda, etc.) and whoever keeps their hand in the longest wins, and Gladiator Fights, where they try to knock each other into a foam pit with those foam and rubber jousting sticks and the such.

Neither Danny, nor Jason want to participate for fear of their physical/supernatural abilities being discovered so the both get talked into doing the emceeing and commentary for the events. They make a really good duo, snarking and bantering with each other, playing off each other's energy and providing fun commentary to the events. Everyone, including the batfam who came to spectate, is a bit baffled by how well they are getting along bc last they checked these two were rivals of a sort, mildly annoying at best and actively antagonistic at worst. However, they really seem to be enjoying themselves.

The last event of the day is a trivia contest, which they both decide to take part in and let someone else take over the emceeing. The final winning trivia question is "what trope was falsely understood as a marriage proposal or declaration of love by misinformed media, that was actually closer to a ploy of seduction and indication of sexual desire according to Greek texts" and the both ring in at the same time to say "tossing an apple to someone" and an tie for the win. They both go up on stage to receive the prize (idk a gift card or smth) and shake hands before walking away in opposite directions.

Then suddenly Danny calls out to Jason just before he leaves the stage and chucks an apple he seemingly produced out of nowhere at him. The apple has a note with the time and date of a dinner reservation on it and when Jason looks back up at Danny he see the slightly flushed boy tentatively smiling at him.

" What do ya say Jase? Will you go out with me?"

And instead of replying Jason just straight up kisses him in front of everyone. Everyone else is gobsmacked by this whole turn of events except Tim who's cackling his head off, screaming "I FUCKING KNEW IT". When the two of them break apart they grin at each other widely and Jason drags Danny of the stage presumably to go make out somewhere.

[schneiderenjoyer]

While it's already confirmed by ch5 that reversing forward to time is possible, the reason the concept of the Storm potentially having a range of effect being possible is exactly because of what the Uluru Games and the Green Lake event provides.

Both of them are from the era of the 90s, yet if by the logic of all areas being reverse and not just a specific range, then even if we place the Green Lake event to be somewhere after ch5, the state of America's era should be 1913, not in the 1990's. (Since that would also reverse the Xeno campsite as it's not categorized as a place immune by the Storm since it's not a building structure but an entire forest area with a cloaking arcane tool surrounding it nor is it an area like Apeiron that has that immunity) And that's also another thing that's interesting about the Uluru Games since the Greenlake event provided no specific year (it can only be gleaned from the UTTU profiles for characters like Blonney and Jessica, but that doesn't necessarily dictate the era currently), but this Uluru event provided a year.

It's set in between 1900-1991 as the event of Uluru Games spans all the way to the Australian summer, which is between December-February. (Information taken from Spathodea's dialogue of the process of getting the Stadium ready already taking 2 months by the time she mentions the extra time for renovation will overshoot their desired schedule of the event to happen during Summer as well as the confiscation of fake Uluru tickets being January 1991)

And while the Greenlake event still is ambiguous where it's placed chronologically (unless you're in the belief it's set between ch4 and ch5 from that 2 month gap after the end of ch4 and the beginning of ch5 into the new year to perfectly set that "Halloween" event theme), Uluru Games gave us a deciding factor that it at least happened after their trip to Apeiron from Regulus' dialogue. Now, you can also argue that another Storm could've happened during that time and I can agree it could've reversed them far into the future at that point, but I'd also like you to entertain this idea as well.

There's never been another Storm, so far, that has reversed them to the 1990s, much less to 1990-1991 specifically. The last time it did was during the first Storm where it went from 1999 to 1996. Here's why I think the Storm having a radius could explain time discrepancies and even be possible to explaining why Australia is in the era of 1991 despite the knowledge we have so far about the Storm's reversing not having any more 1990s era documented.

Australia was hit by the second Storm and never again after that.

The second Storm took them from 1996 to 1985 on the era calendar. If we are to believe that the Storm's radius prevents specific areas from reversing and that Australia has been safe because of this fact, how many years has it been since the second Storm? 5 years. (Counting the passing of the new year in ch5 which adds an additional year.)

Which sets Uluru Games perfectly into its current era of recently entering 1991 of the new year.

So, even if I'm wrong about the Storm having a radius, it's not an impossibility. It could definitely also explain how the Foundation and Laplace can still keep up with their technology despite the rapid degradation of eras. If certain parts are still left in tact, they still have a chance to collect and preserve the future better.

So from this note alone in the event, this sets the Uluru Games event is around 1991. Which also confirms another thing about the Storm.

It has a radius.

It's already been stated how certain shelters protect them from the Storm, but another way is to predict the impact radius and make it a safe amount of distance to avoid the torrential rain like how Apeiron tried to do with their expeditioners.

Meaning certain parts of the world has been reversed to a certain era, but could remain that era for a longer time in comparison to other places that the Storm has touched often. And if the Storm behaves like actual weather, it's unsurprising that a place like Australia has lesser exposure while areas like Europe is struggling to get through the Storm.

[deception-united]

Let's talk about worldbuilding.

Worldbuilding is a crucial aspect of writing fiction, particularly in genres like fantasy and science fiction.

Remember that worldbuilding is a dynamic process that evolves as you write. Don't be afraid to experiment and make changes to your world as needed to serve the story.

Here are some tips to help you build a rich and immersive world:

Start with a Core Concept: Every world begins with an idea. Whether it's a magic system, a futuristic society, or an alternate history, have a clear concept that serves as the foundation for your world.

Define the Rules: Establish the rules that govern your world, including its physical laws, magic systems, societal norms, and cultural practices. Consistency is key to creating a believable world.

Create a Detailed Map: Optional, but helpful. Develop a map of your world to visualise its geography, including continents, countries, cities, and landmarks. Consider factors like climate, terrain, and natural resources to make your world feel authentic.

Build a History: Develop a rich history for your world, including key events, conflicts, and historical figures. Consider how past events have shaped the present and influenced the cultures and societies within your world.

Develop Cultures and Societies: Create diverse cultures and societies within your world, each with its own beliefs, traditions, languages, and social structures. Explore how different cultures interact and conflict with one another.

Flesh Out Characters: Populate your world with memorable characters who reflect its diversity and complexity. Consider how their backgrounds, motivations, and personalities are shaped by the world around them. (See my post on character development for more!)

Consider Technology and Magic: Determine the level of technology and the presence of magic in your world, and how they impact daily life, society, and the overall narrative.

Think about Economics and Politics: Consider the economic systems, political structures, and power dynamics within your world. Explore issues like inequality, governance, and social justice to add depth to your worldbuilding.

Show, Don't Tell: Instead of dumping information on readers, reveal details about your world gradually through storytelling. Show how characters interact with their environment and incorporate worldbuilding seamlessly into the narrative.

Stay Consistent: Maintain consistency in your worldbuilding to ensure coherence and believability. Keep track of details like character names, historical events, and geographic locations to avoid contradictions.

Leave Room for Exploration: While it's essential to have a solid foundation for your world, leave room for discovery and exploration as you write. Allow your world to evolve organically and be open to new ideas and possibilities.

Revise and Edit: Carefully review your worldbuilding to identify any inconsistencies, plot holes, or contradictory elements. Pay attention to details such as character backgrounds, historical events, and the rules of your world's magic or technology. Make necessary revisions to resolve any issues and maintain the integrity of your worldbuilding.

Happy writing!

Previous | Next

[mesetacadre]

hi, i hope you dont mind me asking this question! i often come across lists of reading recommendations for communists, and they are usually focused entirely on communist theory. which is important and im already on that, but i wonder if you also have recs for learning about history? especially the history of the soviet union, but also other past and present socialist states. i sometimes find myself reading theory and understanding the concepts in a vacuum, but with very little understanding of the historical context they were written in, if that makes any sense. and id like to get a basic grasp of the history of various socialist projects that isnt just the typical western "the ussr was evil!!!!" thing

Hi, historical context is indeed very important for works of theory, especially if it's more than a hundred years old. Lenin's What is to be Done, for example, is very conditioned by its historical context of Russia still being predominantly feudal, with only a timid appearance of the proletariat in St. Petersburg and Moscow, and therefore the very first trade unions, which he talks about. The understanding of these texts is amplified, and quite often enabled by knowing at least the basic historical context. Below I'll list the historical works I've read (and others) with some commentary, but I encourage anyone who has something to add to do so, since I am as of only recently getting more into historiography.

Anything by Anna Louise Strong (I've read The Soviets Expected it (1941) and In North Korea (1941), there's also The New Lithuania (1941), The Stalin Era (1956) and When Serfs Stood Up in Tibet (1959) for example). Her works, which I'd consider primary sources since they are written from her own experience witnessing events and talking to a lot of people, are extremely useful if you wish to form an idea about how some aspects of socialist states worked. The limitation of her works also resides in this specificity and closeness, these are not works that present a broad view of long processes, but a slice of the present with the sufficient historical context. They are still very, very good.

The Open Veins of Latin America (Spanish versrion), by Eduardo Galeno (1971). This one is focused on the history of imperialism in Latin America, how it evolved from the moment the first Spanish foot touched ground to the time it was written in (It talks about Allende before he was assassinated but after achieving power, for example). Perhaps it's not exactly what you're looking for, but it contains very important general context for any social movement that has happened since 1492 to 1971

The Triumph of Evil, by Austin Murphy (2002). I have mixed feelings about this book. While it insists on this weird narrative of absolute evil, which IMO takes away a lot of value from the overall points made, it is an astonishingly in-depth analysis of the economic performance and general merit of socialist systems against their capitalist counterparts. Most of the book is dedicated to comparing the GDR to the FRG, and both the economic and social data it exposes was very eye-opening to me when I read it about 2 years ago. If you can wade through the moralism (especially the beginning of the introduction), it's a gem. I've posted pictures of its very detailed index under the cut :)

Blackshirts and Reds, Michael Parenti (1997). Despite the very real criticisms levied against this book, like its mischaracterization of China, it is still a landmark work. Synthetically, it exposes the relationship between fascism, capitalism and communism.

Red Star Over the Third World, Vijay Prashad (2019); The Russian Revolution: A View from the Third World, Walter Rodney (2018). I'm lumping these two together (full disclosure, as of writing I'm about four fifths of the way through RSOtTW) because they deal with the same topic, Prashad being influenced by Rodney as well. Like both titles imply, they deal with the effects the October revolution had on the exploited peoples of the world, which is a perspective that's often lost. Through this, they (at least Prashad) also talk about the early USSR and how it functioned. For example, up until reading Red Star, I hadn't even heard of the 1920 Congress of The Toilers of the East in Baku, or the Congress of the Women of the East.

From here on I'll link works that I haven't (yet) read, but I have seen enough trusted people talk about them to include them

How to Cast a God into Hell: The Khrushchev Report, by Domenico Losurdo (2008). This one talks about how the period of Stalin was twisted and exaggerated through destalinization.

Devils in Amber, by Philips Bonoski (1992). This is about the Baltics and their historical trajectory from before WW1 to the destruction of the USSR (I'm not very sure on those two limits, perhaps they fluctuate a bit, but it definitely covers from WW1 to the 60s)

Socialism Betrayed, by Roger Keeran and Thomas Kenny (2004). This one deals with the process leading up to and the destruction of the USSR itself.

The Jakarta Method, Vincent Bevins (2020). This is about the methods the US used in the second half of the 20th century to stamp out, prevent, or otherwise sabotage communist movements and other democratic anti-imperialist movements.

I know some of these aren't specifically about socialist states, which is what you asked, but the history of its opposition is just as important to understand because it always exists as a condition to these countries' development and policies chosen.

[elliespectacular]

Do you still have that Jellicle name generator saved anywhere? Some friends and I used it for our OCs and it was an absolute blast!

The name I got was Callio the convivial cat, which is short for Calliope, who I played in Xanadu. She has a whole costume and everything now!

Even if you don't have it anymore, tysm for making it ;-;

Xanadu mention! Also I do still have it saved! This one is revised a little and I might make more changes later, but here it is in text form:

Jellicle Name Generator

This will give you a name that is relatively in-line with the naming conventions seen in Old Possum's Book of Practical Cats by T.S. Eliot and later adapted into the musical Cats by Andrew Lloyd Webber - and unlike those shitty "last name and your birth month" name generators, this one won't doxx you in the process.

Before we begin, a bit of terminology we'll be using: - Portmanteau: Turning multiple words into one word linked by a sound or letter. Compelling Television = Compellevision. Punk Squid = Squnk - Smoosh: Combine words by simply removing the space and (optionally) changing the word positions. Country Jester = countryjester - Prefix: Goes before the name, like Mr. or Captain - Suffix: Goes after the name, like Jr. or The Great - Cat-like term: Something associated with cats. Meow, Whisker, Bell, Claw, Scratch, etc.

FIRST: Roll a D20 to determine your base name

An uncommon person’s first name

First syllable of a common last name + a unit of measurement. Portmanteau 'em.

Short, dangerous noun + a non-dangerous profession. Smoosh 'em.

Two Latin words. Portmanteau 'em.

A simple present-tense verb + sophisticated person's first name. Smoosh 'em.

Cat-like term + sophisticated person's first name. Smoosh 'em.

Combine two short nouns, then add "-er" "-ie" or "-est" to the end.

Think of an actor you like. Shorten their first name to its shortest nickname.

A medical term spelled incorrectly.

A food you liked as a kid + a pretentious word. Smoosh 'em.

A figure of legend/myth. Remove one syllable and any spaces.

An older person's first name that isn't common today.

Last name of a historical figure + a silly word. Portmanteau 'em.

A kids' name with 2 or more syllables + that name again without the first syllable + an onomatopoeia. Portmanteau 'em if you can.

A silly word + the first name of a former coworker. Portmanteau 'em.

A kind of public event + a cat-like term. Smoosh 'em.

Something from ancient history. Shorten what you came up with into a single word.

Something you do when you're nervous. Take that verb and add "-er" to the end to make it a noun.

Silly word + hostile-sounding verb. Portmanteau 'em.

Two silly words with 2+ syllables each. Smoosh 'em.

SECOND: Roll another D20 for flavor

Before you roll, consider how your name sounds without any additional flavor. If it's fine on its own, feel free to leave it as-is. Otherwise, roll on!

Suffix - An upsettingly average last name

Suffix - Think of a hobby. Your suffix is "The _____ Cat"

Prefix - A short adjective

Suffix - Think of an adjective. Your suffix is "The _____ Cat"

Prefix - Choose Mr. Mrs. Ms. Mx. or something similar

Suffix - Think of a color. Your suffix is "The _____ Cat"

Prefix - Any one-syllable word. Repeat the word a second time, adding or replacing the first consonant with that of your base name.

Suffix - Think of any non-proper noun. Your suffix is "The _____ Cat"

Suffix - it's the word Cat

Suffix - it's the word Kitty

Suffix - it's the word Kitten

Prefix - Choose "Sir" "Madam" "Captain" or something similar

Prefix - Choose "Lord" "Lady" "Noble" or something similar

Prefix - His/Her/Their Majesty (or any pronoun you prefer)

Prefix - His/Her/Their Grace (or any pronoun you prefer)

Prefix - Mc

Prefix - Van

Prefix - Von

Prefix - De

Suffix - Any cat-like term

And you're done!*

*This is as much a creative exercise as it is a "generator" so feel free to mess with the formula and/or let your result inspire something more original. Add multiple layers of flavor if you want. The rules are not rigid. I recommend generating a few names and picking your favorite!

[histrionics-and-haloperidol]

My hottest hot take is that George R R Martin has no obligation to finish the Song of Ice and Fire series.

Bro let his whole adult life be consumed by SEVEN thousand-page semi-historical-fiction books with a cast of near thirty well-developed, well set-up, well-characterized characters, and a complex and realistic geopolitical enviroment just because he thought a specific historical event should be better known. He deserves to enjoy the money he made in peace, and a lot of people (hell, a lot of WRITERS) whose only knowledge of writing is barely thought-out fanfiction populated by characters whose whole personality is to be horny for the character the author thirsts over, will jump at his throat and scream about how selfish he is just because he is taking time to develop HIS OWN GODDAMN NOVEL????????????

I know its frustrating. Believe me, I have no life, my only reason to wake up in the morning is that George MIGHT finish the series. But it's HIS intellectual property. HIS book. HIS characters. It came from HIS mind. If he wants to chill and just maladaptive daydream about it for the next decade than that is his right and he doesn't deserve the hate he gets just because ya'll can't accept the fact your favorite fictional war criminal who already has seven novels worth of content isn't getting an end? Well, welcome the plights of fiction fandoms. Sometimes, it's good enough just to not fix what isn't broken.

I'm sure plenty of writers here in tumblr can sympathise with the hope to not be harassed over when the next chapter for your story is coming. Sometimes we don't know. People have lives. Struggles. Health issues. Other interests. THEY ARE NOT YOUR FAITHFUL AI SERVANT. THEY DON’T PULL STORIES OUT OF THEIR ARSES. THEY HAVE TO THINK IT, THEN MAKE IT, THE EDIT IT, THEN SEE IF THEY LIKE IT. ITS A WHOLE PROCESS.

We are so used to immediate consuption that we cannot concieve of people taking time to perfect a craft that's meant to be enjoyable to them. And if we're honest, Martin has weathered a lot of fucking bullshit in silence. From fans, to editors, to bosses, to showmakers, he has had his fair share. Much more than its ok to take in silence. Please realize that just because something is out for the public to consume it doesn’t mean that it belongs to you.

[high-priestess-house]

𝖀𝖓𝖉𝖊𝖗𝖘𝖙𝖆𝖓𝖉𝖎𝖓𝖌 & 𝖀𝖘𝖎𝖓𝖌 𝕸𝖆𝖌𝖎𝖈𝖆𝖑 𝕮𝖔𝖗𝖗𝖊𝖘𝖕𝖔𝖓𝖉𝖊𝖓𝖈𝖊𝖘

Witchcraft magical correspondences refer to the associations made between various objects, substances, times, and events with specific magical effects or purposes. These correspondences have deep historical roots and derive from a blend of multiple sources, including ancient alchemy, early science, cultural symbolism, religious beliefs, and intentionality.

Ancient Alchemy

Alchemy, the precursor to modern chemistry, played a significant role in shaping magical correspondences. Alchemists sought to understand the mysteries of matter and the transformation of substances, often imbuing their experiments with spiritual and mystical significance. For example, the seven classical planets (Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn) were associated with specific metals (gold, silver, mercury, copper, iron, tin, and lead, respectively). These associations were believed to reflect the planets’ influences on earthly matters and human affairs. Alchemical texts also explored the relationships between colors, elements, and spiritual principles, influencing the development of magical correspondences in witchcraft.

Ancient alchemy holds a significant place in the history of science, philosophy, and mystical traditions, influencing various fields and practices, including witchcraft. The importance of ancient alchemy can be understood through its contributions to the development of modern science, its philosophical and spiritual dimensions, and its enduring influence on magical and esoteric traditions.

The Great Work (Magnum Opus): Central to alchemy is the concept of the Great Work, which symbolizes the alchemist’s quest for spiritual and material transformation. This process involves the purification and perfection of substances, often mirroring the alchemist’s inner spiritual journey toward enlightenment and self-realization.

Symbolism and Allegory: Alchemical texts are rich in symbolism and allegory, using metaphors to convey complex philosophical and spiritual concepts. Symbols such as the philosopher’s stone, the ouroboros (a serpent eating its own tail), and the four elements (earth, air, fire, water) encapsulate profound ideas about the nature of reality, transformation, and the interconnectedness of all things.

Hermetic Tradition: Alchemy is closely associated with Hermeticism, a philosophical and spiritual tradition based on the writings attributed to Hermes Trismegistus. Hermetic principles, such as “As above, so below” and the unity of opposites, permeate alchemical thought and emphasize the correspondence between the macrocosm (the universe) and the microcosm (the individual).

Magical Correspondences: Alchemical principles and symbols have been integrated into various magical and esoteric traditions. The associations between planets, metals, and elements in alchemy have become foundational correspondences in many forms of magic and witchcraft.

Transmutation and Transformation: The alchemical goal of transmutation, particularly the transformation of base metals into gold, has a symbolic counterpart in magical practices. This idea of transformation is applied to personal growth, healing, and the manifestation of desires through magical means.

Ritual and Practice: Alchemical rituals, with their focus on purification, transformation, and the attainment of higher states of being, have influenced the structure and content of magical rituals. The use of specific substances, tools, and processes in alchemy has parallels in magical workings, emphasizing the transformation of both the practitioner and the environment.

Alchemy in the Renaissance: During the Renaissance, alchemy experienced a revival as scholars and practitioners sought to integrate ancient wisdom with emerging scientific knowledge. Figures like Paracelsus and John Dee contributed to the development of alchemical thought, blending it with medicine, astrology, and early chemistry.

Psychological Alchemy: In the 20th century, Carl Jung, a prominent psychologist, explored alchemy as a metaphor for psychological processes. Jung’s interpretation of alchemical symbolism as representing the individuation process—the integration of the conscious and unconscious mind—brought new insights into the relevance of alchemy for personal development and psychotherapy.

Contemporary Practice: Today, alchemy continues to inspire both scientific inquiry and spiritual exploration. Modern alchemists, both literal and symbolic, seek to uncover the hidden principles of transformation in nature and the self. The enduring appeal of alchemy lies in its holistic approach, integrating material, psychological, and spiritual dimensions of existence.

Early Science and Natural Philosophy

Early scientific observations and natural philosophy also contributed to the development of magical correspondences. Ancient and medieval scholars often categorized the natural world into elements (earth, air, fire, and water) and humors (blood, phlegm, yellow bile, and black bile), each with specific qualities and effects. These classifications were used to explain natural phenomena and human health, and they found their way into magical practices. For instance, herbs and stones were categorized based on their perceived elemental qualities, and their uses in magic were aligned with these characteristics.

Cultural Symbolism and Mythology

Cultural symbolism and mythology provided another rich source of correspondences. Different cultures imbued animals, plants, colors, and objects with symbolic meanings based on their myths, legends, and folklore. For instance, the oak tree was sacred to many ancient European cultures and associated with strength and protection, while the owl, often seen as a symbol of wisdom in Greek mythology, became associated with knowledge and divination in magical practices. These symbolic associations were passed down through generations and integrated into the magical correspondences of witchcraft.

Religious Beliefs and Practices

Religious beliefs and practices also shaped magical correspondences. Many magical traditions borrowed from the rituals and symbols of dominant religious practices in their regions. In Western Europe, for instance, Christian symbols and saints were often syncretized with older pagan deities and symbols. The use of incense, candles, and specific prayers or chants in magic often mirrors religious rituals, emphasizing the importance of intentionality and spiritual alignment in magical workings.

Intentionality and Personal Experience

The role of intention and personal experience cannot be overlooked in the development of magical correspondences. Practitioners of witchcraft often develop their own associations based on personal experiences, intuition, and the results of their magical workings. This process of individual experimentation and reflection allows for a dynamic and evolving system of correspondences that can vary between different traditions and practitioners. The intention behind the use of a correspondence is believed to be a critical factor in its effectiveness, highlighting the importance of the practitioner’s focus and purpose.

Synthesis and Evolution

Over time, these diverse influences have synthesized into the rich tapestry of magical correspondences used in witchcraft today. Texts such as the “Key of Solomon,” “The Picatrix,” and various grimoires have codified many of these correspondences, while modern practitioners continue to adapt and expand them based on contemporary understanding and practice. The integration of psychological insights, ecological awareness, and cross-cultural exchanges in the modern era further enriches the system of correspondences, making it a living and evolving aspect of witchcraft.

No single person or group decided these correspondences; rather, they evolved organically through the accumulated wisdom and practices of different cultures. Here are some key influences and sources:

Ancient Civilizations

Egyptians: Ancient Egyptian priests and magicians developed extensive knowledge of correspondences. They believed that everything in nature was interconnected and that specific plants, stones, and symbols held particular powers. Their practices were recorded in texts like the Ebers Papyrus and various temple inscriptions.

Greeks and Romans: The Greeks and Romans contributed significantly to the development of correspondences, particularly through the work of philosophers and physicians like Hippocrates, Theophrastus, and Pliny the Elder. Their writings on herbalism, astrology, and natural philosophy helped establish connections between natural elements and their supposed properties.

Celts: The Druids of the Celtic world had a deep understanding of nature and used various plants, trees, and natural phenomena in their spiritual and magical practices. Their knowledge was passed down orally and later recorded by Christian monks.

Medieval and Renaissance Europe

Medieval Herbalists and Alchemists: During the Middle Ages, herbalists and alchemists in Europe studied ancient texts and conducted their own experiments. They documented the properties of plants, minerals, and metals in texts like the “Materia Medica” and various grimoires. Alchemical traditions, which sought to transform base materials into higher forms, also contributed to the understanding of correspondences.

Astrology: Medieval and Renaissance astrologers played a significant role in establishing correspondences, particularly through the association of planets with specific days of the week, metals, and plants. The writings of figures like Ptolemy and later Renaissance magicians like Cornelius Agrippa and Paracelsus were influential in this regard.

Eastern Traditions

Chinese Medicine and Taoism: Traditional Chinese medicine and Taoist practices developed a system of correspondences based on the Five Elements (Wood, Fire, Earth, Metal, Water). These elements were connected to various aspects of life, including organs, emotions, seasons, and directions. The “Huangdi Neijing,” an ancient Chinese medical text, is a key source of this knowledge.

Indian Ayurveda and Hinduism: Ayurvedic medicine and Hindu spiritual practices established correspondences between herbs, gems, times of day, and deities. Texts like the “Atharva Veda” and various Ayurvedic treatises documented these associations.

Modern Influences

Grimoires and Occult Literature: From the Renaissance onward, numerous grimoires (books of magic) compiled and expanded upon earlier correspondences. Notable examples include the “Key of Solomon,” “The Lesser Key of Solomon,” and “The Picatrix.” These texts were influential in shaping modern Western magical practices.

The Golden Dawn and Modern Witchcraft: In the late 19th and early 20th centuries, the Hermetic Order of the Golden Dawn and similar occult organizations synthesized various magical traditions, creating detailed systems of correspondences. Influential figures like Aleister Crowley and Dion Fortune contributed to this synthesis. In the mid-20th century, Gerald Gardner and others who founded modern Wicca drew upon these traditions, further popularizing and systematizing magical correspondences.

Conclusion

Magical correspondences are the result of centuries of observation, experimentation, and synthesis by various cultures and traditions. They were not decided by any single individual or group but evolved over time through the collective wisdom of countless practitioners. Today, they continue to be an essential part of many magical and spiritual practices, providing a framework for understanding and working with the interconnectedness of the natural and spiritual worlds.

[georgescitadel]

1st year of George's Citadel - a compilation of quotes from George R.R. Martin

House Targaryen

On the construction of Daenerys and the decision to include dragons in ASOIAF

On Daenerys’ thought process in Lhazarene

On Daenerys’ struggle with rule (1)

On future revelations about the house with the red door

On what led to Robert’s rebellion

On the difference between Daenerys and Aegon’s (I) approach to the throne

On Daenerys subverting gender roles

On the information provided about Rhaegar and Lyanna in ASOIAF

On the “White Saviour” complaints over Daenerys’ storyline

On Daenerys’ future return to Westeros

On Daenerys’ struggle with rule (2)

House Stark

On Sansa’s manipulation at the hands of the Small Council

On Arya and Sansa’s desire to save Ned

On what led Sandor to seek out Sansa during the Battle of Blackwater

On his regret over not further developing Sansa and Arya’s relationships with Catelyn

On what character he’d want to be like

On Ned's inadequacy in King's Landing

House Lannister

On Jaime, Tyrion and loss

On Jaime’s decision to kill Bran

On feeling conflicted over the writing of Tyrion in A Dance With Dragons

On Robert being unsuspicious of the paternity of Joffrey, Myrcella and Tommen

On the key event that led Roose to align with the Lannisters

On his intention writing the Lannister POV’s

On similarities between Tywin Lannister and Walter White

House Greyjoy

On the character of Reek

Game Of Thrones

On GOT’s decision to kill off Silver

On GOT’s decision to pair Arya and Tywin up

Miscellaneous

On writing outcasts

On nihilism in ASOIAF

On unfairly hated characters

On the title of A Game Of Thrones

On Epic Fantasy

On his favourite characters in ASOIAF

On the greyest characters in ASOIAF

On unlikable protagonists

On the historical figures that inspired the women of ASOIAF

On father issues in ASOIAF

On the religions in ASOIAF

On creating foils

[justruse]

Blood touched your lips.

One moment you were walking home, and the next you were waking up in a hospital room with a searing pain in your neck and an insatiable hunger lingering in your belly. The events of the previous night were a blurry and chaotic mess of fear, panic, and blood.

Your blood...

ONCE BITTEN is a dark romance interactive fiction game set in a vampire-infested 1990s New York City. Navigate the city as you try to regain your footing and find your place as a recently-turned vampire. Being a vampire isn't as glamorous as the stories make it out to be, especially when you have a group of Hunters that want you dead.

Content Warnings: suggestive themes, violence, gore, blood, body horror, drug use, death, animal cruelty, homophobia, and transphobia

* Note: Content warnings, with the option to disable them, will appear before each chapter.

DEMO ✦ PINTEREST ✦ SPOTIFY

Play as a customizable protagonist, with the ability to choose your name (including nicknames), gender, pronouns, and appearance.

Befriend a cast of characters and pursue one of five romance options.

Explore New York City and its vampiric nightlife as a newly-turned vampire. Experience what it truly means to be a creature of the night.

Adopt a dog, or don’t. Be warned, it will come back to bite you.

A focus on choices, rather than stats, that will alter your relationships with the cast as well as the narrative moving forward. Will you choose to embrace your new existence?

Dr. Joseph Levi (he/him)

A seemingly quiet, albeit quite sarcastic, professor at first glance, Dr. Joseph Levi is more than what meets the eye. In reality, he is a type of vampire hunter known as a Keeper—and he also happens to save your life and doom it too.

Vanya Kreisky (she/her)

Beautiful, cunning, and deceptive, Miss Vanya Kreisky is the queen of the Scarlet Palace, a historic hotel and casino nestled in the heart of Manhattan. She much older, and more powerful, than she first lets on, and seems to have an odd interest in you.

Rana Ayari (she/her)

Rana Ayari is the owner of Lilith's Lounge, a small bar near West Village. She's a welcoming face to strangers with an easy-going attitude. Unless you're stirring up trouble, you'll be welcome at Lilith's.

Addison Reyes (he/him | she/her)

Only turned about fifteen years ago, Addison is probably the youngest vampire you'll meet, and because of that, they have a sense of optimism and adventure many older vampires lack. They like to have fun and they'll share it with you—well, whenever they're not stuck working a shift at Lilith's, of course.

Dr. Michael "Ellie" Elliot (he/they)

Dr. Michael Elliot is a doctor working at the hospital you wake up in after being turned. They're quite zany, in a way you can't quite place, and it's obvious they've seen some things in their centuries long existence that they quite haven't processed yet.

[fl100r]

♡JEALOUS KING♡

Katsuki 𝖡𝖺𝗄𝗎𝗀𝗈𝗎 𝗑 Top! 𝗆𝖺𝗅𝖾 𝗋𝖾𝖺𝖽𝖾𝗋

WARNINGS: SMUT with plot, Bakugou teasing u, cream pie, male orgasm, blowjob, standing sex, public sex, degrading Bakugou.

-King Bakugou x Butler! reader.. world in a historical fantasy setting, being gay is a scandal might get killed if u gex say, so Bakugou want to suck M/N's cock but gets cock blocked. ages: Bakugou (25), M/N (27)

"I love you.."

"my apology dawg, the world kinda homophobic rn."

"so what? I'm gay for you."

"were gonna get cancelled no cap lil bro."

"Just put ur cock in my mouth bro."

︶꒷꒦︶ ๋࣭ ⭑︶꒷꒦︶ ๋࣭ ⭑︶꒷꒦︶ ๋࣭ ⭑︶꒷꒦︶ ๋࣭ ⭑︶꒷꒦︶ ๋࣭

You and Prince Bakugou have been childhood friends for as long as you can remember. His mother visits your orphanage often, donating funds to support your education. Bakugou noticed you immediately when you first met. You were the quietest person he had ever encountered, rarely showing any emotions, even to him. One day, during an event his mother was hosting, where orphans and other children from the kingdom competed in fun challenges, there was a two-person team competition. Without hesitation, Bakugou grabbed your arm. You had been standing by the food table, quietly enjoying your favorite snacks.

"Old hag! I want to team up with him!" Bakugou shouted, raising your hand as he held it up. "But I don’t want to join," you mumbled, confused.

"Too bad! You're joining anyway!" Bakugou glared at you, leaving no room for argument. He didn’t even know why he wanted to team up with you—he just felt some strange connection, like there was something about you that intrigued him. The competition turned out to be a boat race. Bakugou sat in front, his expression irritated as usual, while you were seated at the back. Your stomach grumbled, still craving more food. You absentmindedly grabbed the paddles on either side of you, glancing back toward the food table one last time. Before you could dwell on it, the horn blared, signaling the start of the race. Bakugou surged forward, paddling furiously, far outpacing you. It was clear he was practically carrying the team through the competition, while you struggled to keep up.

You ended up doing nothing during the race, leaving Bakugou to handle everything on his own. Naturally, he won, and he jumped up in excitement, shouting about how he was the best.

As you tried to head back to the food area, Bakugou grabbed the collar of your shirt, pulling you back to his side. He threw an arm around your neck, holding you in a loose headlock. "Ahaha! You're all just extras compared to me and my sidekick!" he boasted, grinning widely. Irritated, you sighed. "Erm... can you please let me go?" you asked, turning your head toward him. Bakugou looked down at you, only to freeze when he realized how close your face was to his. His cheeks flushed slightly as he stared at you.

You managed to slip away from Bakugou’s hold, leaving him behind in the boat, still a bit flustered. Without saying a word, you casually walked over to the food table, grabbing a plate and piling it with your favorite snacks. As Bakugou stood there, frozen and flushed, still processing the moment, you made your way back to the orphanage, seemingly unfazed by the entire ordeal.

✦───── ❝ Years Later ❞ ─────✦

"Your Majesty, please wake up. You still have paperwork from last night," you said as you opened the curtains, letting the morning sunlight flood into Bakugou's room.

"Son of a bitch..." Bakugou grumbled, turning away from the sunlight and refusing to face the open curtains. The insult was clearly aimed at you. "I don’t have a mother, so I wouldn’t know if she is a bitch or not, sir," you replied calmly. "Anyway, sir, please get up." Before you could finish, Bakugou reached out and grabbed your collar, still lying down as he pulled you closer. "Listen here, you tea towel tyrant! I don’t care about the paperwork from last night—it’s already irritating me! Now leave me alone before I have your head chopped off!" Bakugou growled, his face now uncomfortably close to yours. You wrinkled your nose and muttered, "Ugh… sir, your morning breath… I’m sorry." Bakugou’s face flushed in embarrassment, and he swung a punch in frustration. You quickly backed away, dodging just in time.

"Sorry, sir, for stating a simple fact, but you really do need to get ready," you said. "I’ll start your bath." You walked into his bathroom, turning on the golden faucet and letting the tub fill with water. While the tub filled, you went into his bedroom and sorted through his closet, picking out clothes for him. After selecting his outfit, Bakugou entered the bathroom, closing the door behind him. "I'll prepare breakfast, sir!" you called out as you made your way down the gorgeous hallway. Statues of Bakugou’s ancestors lined the walls, and you passed by them on your way to the kitchen.

As you chatted with the chef, who was busy preparing Bakugou’s excellent breakfast, you busied yourself in the kitchen, making tea for him. Once the meal was ready, you carried it to the long dining table where Bakugou had already seated himself in the far chair. You placed his meal in front of him and poured a cup of tea, setting it down beside his plate.

You motioned to the other servants to assist Bakugou while you began to walk away. However, as you started to leave, Bakugou tugged on the black suit you were wearing from behind his chair, where he was eating his breakfast. "No, you stay here," he said firmly. You tried to protest, but Bakugou was insistent. As you waited for Bakugou to finish his breakfast, you motioned to the other servants to take over your chores. You knew that since you became his butler, Bakugou didn’t want you to leave his side, so you had to find ways to manage your tasks while remaining close to him.

One of the butlers handed you a stack of envelopes, which you took and began to read aloud for Bakugou while he continued eating his breakfast. "Sir, there’s an invitation from the Todoroki royal family. They’re hosting a celebration ball for the crowning of Shoto Todoroki, the youngest sibling of the Todoroki family. You should consider going—" Bakugou cut you off, his eyebrows furrowing as he sipped his tea. "No. I’m not going to some stupid coronation."

You tried to convince him, but Bakugou wouldn’t budge. His temper was well-known, and despite your efforts, he remained adamant. You knew that aligning with the Todoroki family or showing them some respect could be beneficial, especially given his many enemies. Ever since his parents had died a few years ago, Bakugou’s demeanor had only worsened, making him even more difficult to manage.

You rubbed your temples in frustration. "Maybe… sigh, I could come with you, sir. The ball is tonight. I can clear my schedule if that’s fine with you—"Bakugou cut you off but, of course, he agreed. He then went about his daily routine, snapping his fingers to motion you to follow him. You sighed, following him like an irritated dog.

One of Bakugou's routines was horse racing in the woods near his castle. As he mounted his usual horse, you sat at a nearby table, lost in your thoughts while watching him. Suddenly, Bakugou’s voice cut through your reverie. "Hey, peasant! Come over here!" Bakugou yelled, summoning you to join him. As you approached, he handed you some gear that looked like it was meant for horseback riding. "Sir, I can’t ride a horse," you said, holding up the gear. Bakugou climbed onto his horse and replied, "You’re riding with me. Put on the gear and get back behind me." He looked at you with his usual furrowed eyebrows, always seeming annoyed.

You sighed again and put on the gear. As you tried to climb onto the horse, you managed to successfully get on and position yourself behind Bakugou. However, just as you settled in, Bakugou grabbed your shirt and pulled you closer to him, forcing you into close contact with him.

You tried to get comfortable, but before you could, Bakugou kicked the horse into motion. The sudden movement shocked you, and you instinctively looked for something to hold onto—anything other than Bakugou. But as you started to slip, you had no choice.

You quickly wrapped one arm around Bakugou’s waist, your face pressed against his left shoulder. Glancing to Bakugou, you noticed him smirking, as if he knew this was going to happen all along. You glanced around and realized just how deep into the forest you were. The horse started to slow down, eventually coming to a stop. You tried to remove your arm from around Bakugou’s waist, but before you could, he grabbed it, pulling you closer as he leaned back into you. His head was now resting against your chest, making the situation even more awkward at least for you.

You both sat there in silence, Bakugou cuddling against your chest while you looked around, trying to avoid the awkwardness. Bakugou kept squirming, shifting around until he reached for your other arm, wrapping it around himself, pulling you even closer.

For you, it was an incredibly awkward position, but Bakugou seemed unfazed. You kept your gaze fixed on the forest, not wanting to face him. As you noticed the sky deepening into a rich orange, you remembered the ball. "Oh, right, we must get ready for the ba—" you started to say, but before you could finish, you felt something rubbing against your crotch. Your face flushed in embarrassment as you realized it was Bakugou, his body the closest to you. He was rubbing his backside against you, seemingly unaware—or perhaps he just didn’t care. He didn’t say a word, continuing his subtle movements.

"Sir, ugh... stop, you know this is forbidden... ergh," you panted, trying to keep your composure. Bakugou didn’t miss a beat. "What’s forbidden? I’m just sitting, M/N," he said with a smug tone, clearly enjoying the situation. You gritted your teeth. This royal bastard—he knew exactly what he was doing, As you tried to keep your composure, Bakugou reached his hand onto your crotch, rubbing even harder.

You panted softly, trying to regain your breath when you heard a distant voice.

"Your Majesty! Where are you? You need to get ready for the ball!" one of the maids called out, her voice echoing through the forest.

Bakugou immediately stopped and, with a quick motion, urged his horse to head back toward the castle. Once you reached the stables, Bakugou dismounted with ease.

"Get M/N ready too. He’s coming with me," Bakugou commanded, still smirking as he walked off.

"Sir, M/N, can you get off the horse?" the maid asked hesitantly.

You cut her off, "Go inside. I’ll go in when I’m ready," you said, still sitting on the horse. This bastard got you hard. Embarrassed, you hesitated to get off, not wanting the maids or other servants to notice your situation—especially since they loved to gossip.

He’s going to get you killed someday.

✦───── ❝At The Ball ❞ ─────✦

“Presenting the new king of the Frostflame Empire! Shoto Todoroki!”

The ball was in full swing, with everyone dancing and chatting. Bakugou was mingling with his friends, while you stood in the corner with the other servants.

“M/N!” a familiar voice called out. It was Midoriya.

“Hello, Sir Midoriya—” you began, but Midoriya cut you off with a nervous laugh. “Oh, come on... you don’t need to call me that, ahah.”

Even though you and Midoriya had been childhood friends and remained close, his status as a hero made you feel compelled to address him formally. To this day, you still considered him a friend.

“Midoriya, how’ve you been lately?” you asked.

Izuku was momentarily surprised by the change of subject but quickly responded with enthusiasm. “Great! I recently got engaged to Uraraka!”

As you continued talking, you found yourself smiling at one of Izuku’s funny jokes. You missed your friends from the orphanage and felt a pinch of nostalgia. However, you couldn't shake the feeling that someone was watching you intensely. You tried to brush it off, but before you could think much of it.

Bakugou suddenly stepped between you and Midoriya. “What the hell are you doing, Deku!” he shouted.

Izuku looked surprised. “W-What?? I was just talking to—”

Bakugou cut him off, continuing to argue and insult the nervous hero despite Midoriya’s attempts to defuse the situation.

Seeing the commotion, you quickly intervened, pulling Bakugou away from the scene and guiding him into a large, empty hallway. “Sir! What are you doing?! You know people are going to gossip about this—especially talking like that to everyone’s favorite hero! Have you lost your mind?!” you yelled at him quietly, trying to keep the confrontation discreet.

"I've been trying to keep your image from getting destroyed! You seriously can't just calm down for one second, sir? Fucking hell..." you said, frustration evident as you covered your face with both palms. You didn't notice Bakugou had already dropped to his knees and was trying to get your belt off. "Sir, what the fuck are you doing now?" you demanded, bewildered by his sudden action. "What does it look like, dumbass?" Bakugou retorted, successfully removing your belt and now zipping down your zipper. pulling out your cock out, started to lick it up and down. You panted in frustration, at the same time feeling aroused.

As you looked around your surroundings, trying to see if anyone was watching this scene, you turned around until— Bakugou took your cock fully into his mouth, him gagging on it. This made you even more frustrated. "You fucking bastard—" you said, grabbing Bakugou’s blonde hair and pulling him closer to your cock, God his mouth is warm. You thought as he sucked your cock faster, holding your hips as you put your hand onto a wall to support you as Bakugou went faster.

"Augh.. goddamn it, you're gonna get me killed.." you said to him as he sucks your cock faster, basically begging you to cum inside his mouth. "Augh!- Fuck.." as you climax filling Bakugou's mouth with your semen. You panted, sweat already beading on your forehead.

As you look at Bakugou, he has your semen on his cheeks as he tries to get all of it into his mouth don't wanting it to be wasted, "Get up…" you said to Bakugou. He stood up, but before he could say anything, you grabbed his neck and pinned him to the wall beside you, pressing your lips against his. He struggled a bit, but eventually, he calmed down, his hands resting on your shoulders. You pulled away, panting. "Pant… Is this what you want..?" you asked, before kissing him again, but this time more roughly.

You pulled away again, your face now against the side of his neck. You kissed and bit it as you spoke, "I've been trying to survive and not get killed because of your reckless actions, rubbing against me, grabbing my cock without my permission, even sneaking into my room at night just to relieve yourself."

Bakugou’s face blushed the moment you said that last part, clearly embarrassed. He looked away from your eyes, but you grabbed his face, making him look at you. With his eyes watering, he gazed at you. “You seriously frustrate me Sir.." you began to unbuckle his pants, still pinning him onto the wall. as Bakugou's pants dropped on the marbled floor, You turned him around, so now his back was facing you. you put your tip onto his hole, rubbing on it, teasing him as he whimper. "you son of bitch.. please.. eurgh.."You grabbed his neck, pulling his arched back against you. "Come on, sir, that’s not my name. You know it…" rubbing you cock onto Bakugou's hole, teasing him even more as your tip closer to get inside him, "Argh... P-Please M/N.. Sir, please just..- Agh!-" you put your cock inside him. you didn't let him take adjust of your size as you quickly slamming your hips into him. "Argh! Argh! Haah.. M/N-" you covered his mouth with your hand, mumbling him.

“Shut the fuck up, would ya?.. I don’t want both of us to get beheaded because of your moaning, F-Fuck.." As you rested your head on his left shoulder, you look down to his harden cock seeing already white liquid out of his cock. "Did you already fucking cum?.. Goddamn, are you really That pent up? Eheh.. S-Shit.. I'm close.." you grabbed Bakugou's cock, started stroking it fast. You looked at Bakugou’s face, his eyes rolling back and drool already dripping onto your hand. "Disgusting.. you should really see yourself right now.. Sir.." You slightly giggled, "Insulting Midoriya, Argh.. Making a scene, Damaging your already broken Image, for just my cock.." you felt wet in your hand, it's Bakugou's semen, he came again. "Cumming again sir.. F-Fuck.. Get ready for my mine then.." As you pin Bakugou onto the wall harder, you slamming your hips again and again onto him. you feel your climax close, "Argh!...Stand still.. ergh.. G-Goddamn it you're shaking.." you slammed your hips onto Bakugou releasing your semen into him.

Both of you were panting and sweating as you zipped your pants up cleaning yourself up. “Shit… we gotta go, sir, Before someone finds you like this.." You grabbed Bakugou's pants from the floor and put them on him, Bakugou went limp against your chest. “Sir, come on, wake up from your fantasies. We’ve got to go.” He tried to walk but failed, falling into your arms. You sighed. “We’re not doing this again. Ever." you said, "Hey! Not my fault you went rough on me! you Tea Towel Tyrant.. Tch." You grabbed Bakugou and carried him as if he were a damsel in distress. You headed in the direction outside, making your way to the carriage driver. You avoided the ball entrance, where many people were gathered, and took the long way instead.

Don't want any one to know that you just Slammed your hips and Came into your King, "Tch.." you rolled your eyes, avoiding eye contact with Bakugou, just focus on going Home instead.

✦───── ❝In the Carriage ❞ ─────✦

You closed the door behind you and sat beside Bakugou. "Urgh your semen is dripping out of me.." Bakugou said, Looking out the window of the carriage, you were lost in thought. You had just done something so sinful and unforgivable that you were sure you’d be killed if anyone found out about the scene you and your king had just made in that hallway, You kept thinking about it over and over. until Bakugou Touching your clothed cock. You sighed. "Seriously..?" you said, looking at him with disappointment. He avoided eye contact with you, instead staring out the other side of the window where he was sitting.

you rubbed your temples, but didn't move his hand away instead let him be. you get closer to him, and whispered "if you keep doing that, I might just fuck you in front of a mirror." You knew your king very well. You knew he hated seeing his vulnerable self in the mirror. But that didn’t stop him. Instead, he brought himself closer to you, essentially cuddling you.

You sighed, the threat failed at your favor. "What am I gonna do with you Sir.."

✦𓆩♡𓆪Thank you for Reading! 𓆩♡𓆪✦