#george r r martin

[bellemorte79]

If you aren't being paid it's a passion or a hobby.

Tyrion's intrusive thoughts 😂

[visenya-targarye]

it's always a lannister beefing with a child

(honorable mention)

[neil-gaiman]

I'm in Santa Fe so of course I went down to the picket line outside a local studio. George RR Martin was there too, and I got to see Paris, George's better half, as well. So was incredible author Nnedi Okorafor who had driven in from Arizona to be on the picket line.

[the-songs-we-knew]

When they’re deciding who to make regent and you’re right there

[bellemorte79]

Revisiting this as I work on an idea. Currently reading "methodology" for my critique.

Siebers, T. (2008). Disability Theory. University of Michigan Press. https://doi.org/10.3998/mpub.309723

Disabled people are not often allowed to have agency, sexual or otherwise. Rather, they are pictured as abject beings, close to nothing, empty husks (Siebers, 2008).

The Abject in A Song of Ice and Fire and Game of Thrones.

The abject status of Tyrion Lannister in his relationship with his father and sister (Cersei and Tywin).

His physical appearance is frequently used by his family to belittle and humiliate him. Tywin, in particular, is disdainful of Tyrion’s physical disability and sees him as a stain on the Lannister family’s reputation and his own personal curse.  He blames him for the death of his mother in childbirth, even though Tyrion is the only one that is completely blameless.  He did not ask to be brought into the world.  In one scene in A Clash of Kings, Tywin tells Tyrion, “You are an ill-made, spiteful little creature full of envy, lust, and low cunning.” This shows how Tyrion’s abject status is linked to his physical deformity, as well as his position within the Lannister family.

Cersei also uses Tyrion’s abject status to undermine him, portraying him as weak and powerless. In A Storm of Swords, Cersei says of Tyrion, “He is a dwarf, a stunted twisted little monkey who’s no fit consort for a queen.” Cersei’s use of animalistic language here further emphasizes Tyrion’s abject status, as she portrays him as subhuman and less than fully human by representing him as a monkey.  This is similar to her father’s treatment of Tyrion in calling him a “creature.”  

Despite his family’s efforts to marginalize and exclude him, Tyrion is a character who refuses to be defined by his abject status. He is highly intelligent and resourceful, and often uses his wit and cunning to outmaneuver his enemies. In A Clash of Kings, and on the show Game of Thrones in the Battle of the Blackwater, for example, he manages to repel an attack on King’s Landing by using a hidden cache of wildfire to destroy a large portion of Stannis Baratheon’s fleet.

By representing Tyrion as abject, Martin is able to highlight the often cruel and arbitrary nature of social hierarchies. Tyrion’s exclusion from society is not based on anything he has done, but rather on factors outside of his control, such as his physical appearance and his family background. This serves as a critique of the unjust nature of social systems and the way in which they marginalize and exclude certain groups of people.

By portraying Tyrion as both abject and heroic, Martin is able to challenge the dominant narratives of heroism and villainy in fantasy literature. Instead of being a typical hero who embodies strength and perfection, Tyrion is a flawed and vulnerable character who is forced to navigate a hostile world in order to survive. Through his character, Martin is able to explore the complexities of power, politics, and identity, and to challenge readers’ assumptions about what it means to be a hero or a villain.

Further Reading:

Young, J. R. (2021). Useful little men: George R. R. Martin’s dwarfs as grotesque realists. Mythlore, 39(137), 77-95,77A

Felluga, D. (2011) “Modules on Kristeva: On the Abject.” Introductory Guide to Critical Theory.  Purdue U.

[buildoblivion]

silver queen

[witchlingcirce]

Ik someone always says this: but I genuinely think that Catelyn Stark is one of the best characters GRRM has written.

Her chapters are genuinely so interesting, seeing a rise of the king through his MOTHER is such an interesting idea and I love it so much. Catelyns motherhood both being her downfall and her best strength??? Yeah don’t even talk to me

[franzkafkagf]

THE ONLY THING MY FATHER GAVE ME THAT WAS OF ANY VALUE IS PAIN

honey boy / catherine lacey, cut / house of the dragon s01e07 / sophokles, elektra (tr. anne carson) / george r. r. martin, fire and blood / house of the dragon s02e02 / frank bidart, golden state / house of the dragon s01e03 / the front bottoms, father / house of the dragon s02e02 / schuyler peck, unnamed / marina, the family jewels / amatullah bourdon, and my father's love was nothing next to god's will / house of the dragon s01e03 / ashe vernon, not a girl / bruce springsteen, adam raised a cain

[junewild]

new asoiaf/got worldbuilding discourse just dropped! check out the author’s blog for more thoughts on asoiaf, lotr, and more.

[adalindofcabinsix]

“an eye for an eye, a son for a son,” prince daemon wrote. “lucerys shall be avenged.”

[jackoshadows]

Brandon Sanderson on why TV adaptations of fantasy works end up being so different to the source material:

I have a fun story here. Early in my career, someone optioned the rights to make one of my stories (the Emperor's Soul) into a film. I was ecstatic, as it's not a story that at the time had gotten a lot of attention from Hollywood. I met with the writer, who had a good pedigree, and who seemed extremely excited about the project; turned out, he'd been the one to persuade the production company to go for the option. All seemed really promising. A year or so later, I read his script and it was one of the most bizarre experiences of my life. The character names were, largely, the same, though nothing that happened to them was remotely similar to the story. Emperor's Soul is a small-scale character drama that takes place largely in one room, with discussions of the nature of art between two characters who approach the idea differently. The screenplay detailed an expansive fantasy epic with a new love interest for the main character (a pirate captain.) They globe-trotted, they fought monsters, they explored a world largely unrelated to mine, save for a few words here and there. It was then that I realized what was going on. Hollywood doesn't buy spec scripts (original ideas) from screenwriters very often, and they NEVER buy spec scripts that are epic fantasy. Those are too big, too expensive, and too daunting: they are the sorts of stories where the producers and executives need the proof of an established book series to justify the production. So this writer never had a chance to tell his own epic fantasy story, though he wanted to. Instead, he found a popularish story that nobody had snatched up, and used it as a means to tell the story he'd always wanted to tell, because he'd never otherwise have a chance of getting it made. I'm convinced this is part of the issue with some of these adaptations; screenwriters and directors are creative, and want to tell their own stories, but it's almost impossible to get those made in things like the fantasy genre unless you're a huge established name like Cameron. I'm not saying they all do this deliberately, as that screenwriter did for my work, but I think it's an unconscious influence. They want to tell their stories, and this is the allowed method, so when given the chance at freedom they go off the rails, and the execs don't know the genre or property well enough to understand why this can lead to disaster. Anyway, sorry for the novel length post in a meme thread. I just find the entire situation to be fascinating.

[my-deer-legolas]

[bestofgrrm]

Grrm watching the barbie movie, sourced from his instagram

[ldy-lilith]

A small sketch of my boy, Jon Snow.

I'm loving the first book and I really would like to have more time to sketch them properly, on digital. But until then, this is what you can have: Small doodles on the bus

[theflorasdiary]

keep this man away from all the asoiaf things out there!