#like illnesses abuse etc

[coulsonlives]

Unpopular opinion: people don't get to choose what kind of family they're born into, and this includes people whose families have more wealth. But people do choose whether or not to be assholes to those people, based on stereotypes and presumptions (about ego, attitude, etc) that may or may not actually be true for that person. And in those cases, the person with the wealth isn't the issue.

I know someone who got an inheritance and every time we talked about it, they started crying. They felt so guilty because they didn't "deserve the money" and they knew how hard it is for someone to get that amount, and they just wanted their parents back.

Don't be an asshole to someone based on the circumstances of their birth, period.

[samble-movedd]

"homura is an evil abuser who wants to control madoka and hates their friends" tired trope, canonically untrue, congrats on falling for the facade put up by a middle schooler.

"homura sees herself as inherently evil and abusive due to her upbringing, past actions, and status as a witch, which is still ongoing even at the end of rebellion" fresh, new, actually closer to canon, doesn't demonize a child for being mentally ill.

[mudstoneabyss]

actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)

[wraithdolll]

moonwatcher

[themyscirah]

But look at us Luke, we're the ones left alone, holding some rich monster's pain. All of existence, built on his violence. All of space-time, humming to life with a single inviolate rule. Give the hero something to punch.

[zooweemama143]

misc greaser backstory headcanons because i'm bored and it's time for this fandom to hear my lukewarm hot takes <ब₍₍( ˃̗εू˂ )₎₎<ब

johnny and lola's fatal relationship flaws are learned from their respective sets of parents.

johnny grew up witnessing his parents' tumultuous marriage and often felt like he was walking on eggshells due to his father's possessiveness and short fuse. mrs. vincent stayed, no matter how much her husband's fits of rage scared her because she felt she had a duty to her family. her one silver lining was that at least he never laid a hand on her (no, he'd only punch the walls near her or throw dinnerware– that's not abuse, is it? was just one of the numerous feeble defenses johnny would hear from his mom.) (the one time she DID defend herself, the situation escalated and eventually landed both of johnny's parents in prison. because he was already 18 when this happened, social services did not get involved.)

lola's father cheated on her mom and as a result, she's never had any stable relationships beyond short-lived flings. ms. lombardi consequently passed her bitterness about the affair and the divorce onto her daughter; it didn't help that lola's father stopped giving a shit about her after he married his affair partner and started a family with her. witnessing her family breaking apart, her mother wrecking her life with numerous toxic flings, and the father she used to love so dearly doting on his son with his new wife had not only resulted in non-committal tendencies, but also a dislike of men that borders on misandry.

(on that, i feel like a case can be made that lola's a closeted lesbian with MAD comphet, but that's a story for another time.)

peanut's home life is nearly similar to johnny's, but what sets them apart is the fact that peanut's father– alongside his verbal abuse– outright beats him; that's where his intense napoleon complex stems from. initially, his mother was the victim of his father's rage, but the older peanut grew, the more he fought back for her. consequently, at some point, he essentially became his father's outlet for his rage. he hates losing fights, being made to feel small and weak, because, well– if he can't fight back, who'll be there to protect his mom?

norton's family is relatively more normal and maybe even more stable than the rest of his clique's, but they're– unsurprisingly– not without their own issues. i feel like most of the conflict within the williams' family stems from the clashing ideals between norton and his dad; norton's a guy who was radicalized at a young age (since he's quite well-read), and his father– a police officer– represents the authority and the system he hates so much. becoming a greaser was not only teenage rebellion, but also a way to show that he outright rejects what his father believes in; he resents him for being a sellout. officer williams is aware of this.

vance is the only son among a brood of daughters. the second eldest child, he shares a close bond with his younger sisters, but a hesitant, nearly strained relationship with his older sister. their father is absent, and their mother overworked, so both of them are parentified– even if ms. medici didn't intend for that to happen. vance's never been shy about his bisexuality, and the unorthodox way he expresses his masculinity is a source of contention for his sister. she resents how carefree he is, how arbitrary his priorities are (like his obsession with his appearance, his social standing amongst the greasers, and his various romances in bullworth). their father couldn't be the man of the house, and now vance can't even fill in that role if he tried.

as implied by some of his voicelines, hal's fatness is (not so) secretly a major source of insecurities for him. his mother truly tries to be as supportive as she can be, but his father– perhaps another alumni of bullworth, maybe even a former jock?– is especially harsh on him, his "tough love" bordering on outright verbal abuse. hal was initially sent to bullworth in order to "whip him into shape" (both figuratively and literally), and his dad hit the roof when he found out that hal decided to join the greasers instead of getting into something "worthwhile". he tries to be as confident as he's making himself seem, though his dad's comments about his body and his hobbies and his friends cut deep.

ricky was essentially raised by his older brother (a former greaser himself). their parents have never been in the picture, and they were initially raised by their hyperreligious, paranoid grandmother before ricky's brother had enough– he moved out at 18 and took ricky with him. he had to take numerous odd jobs just to support them, ultimately dropping out of his last year in bullworth and forgoing college in favor of working. despite their similar personalities and interests, this is why they often clash– ricky's brother had to sacrifice his schooling for him, and he wants nothing more than for ricky to be responsible and successful. to be the opposite of who he was.

on the other hand, lucky essentially raised his younger siblings (a sister and a brother). his mom walked out on his family when he was still a kid; consequently, his dad fell into a deep depression, was laid off from his job, and turned to alcohol and gambling. lucky had to step up to the plate and be the man of the house in his stead. he's not quite sure who he resents more: his mom, for walking out; his dad, for taking away his remaining childhood; or the system, for fucking them all up in the first place.

lefty is a latch-key kid. both of his parents may be present in his life, but it's as if they're not all that interested in their son– he doesn't quite know why, but there's the implication that he's an accident; one that forced them to have a shotgun marriage despite not being in love anymore. they provide the bare minimum for him, but not much beyond that; whether its gifts or affection. he'll claim he's given up on trying to win their love a long time ago, but he can't deny that with every new scar he earns, he wishes they'd notice. at least once. (with concern or anger, it doesn't matter anymore.)

[ickypuppi3]

so i was thinking about billy having a phone in his room

and then i started thinking about how billy constantly has the illusion of choice & how he has a completely false sense of how much control he has over his own life because-

he has his car

he has a job in season three

he has a phone in his room

and i just feel like all of that goes to show how much control neil has over him

because sure he could up and leave

sure he could call someone

but he won’t

and neil clearly knows he won’t

for whatever reason - whether it’s because billy doesn’t consider neil abusive or he’s that scared of him or he’s that scared of making his own decisions or whatever else - he just won’t

and while people could read it as a ‘he just trusts his son’ thing, i really don’t think it’s that - i mean we’ve seen how neil acts with billy & what his opinion of him is - i just think it’s all about how much control neil knows he has over billy

and that’s extra sad because it’s like it’s all there for billy - his own life etc - but it’s something he still can’t have, it’s just out of reach, you know?

[dreamspring]

as i said. nico robin could do hannibal and sanji could maybe do will graham but i don't think he'd survive it. i think he'd crumple so fast

[burningarchitecture]

Still haven't processed the book of bill tbh

[merrysithmas]

it cracks me up when ppl saying "yoko wasnt disruptive in get back!" first of all, she approved the film personally and she has a stranglehold over her and john's image and thus the Beatles image itself (to the point where her obsessive narcissism over her own image eclipses john's memory and the truth of his life- see: Beatles Sirius XM Radio's John content or lack thereof). so no, she was never ever ever going to approve a cut of that film unless she looked like a blameless angel. she wants revision of her image and to be known as a pioneering feminist - and while you can argue her presence on the world stage was feminist in its surface presentation (I would argue that & even argue it was good to a degree), that doesn't excuse the fact that she is a downright horrible human being and manipulator

every single person who has ever personally known her has had plain frightening things to say about her, and EVERY SINGLE PERSON would not unanimously say that, it would be statistically impossible, unless she really was that awful.

not to mention the hundreds of documented horrible things she did, factually. and her clear financial & emotional abuse/isolation of john (and Julian)

[apileofmoss]

i bet ill like it solely because i have never heard a bad word spoken about brokeback mountain. people act like god herself spoke to them through the screen when they watched it its crazy

NO CUZ YEAH IT IS . one of my lockscreens is a page from the book .im crazy its ooooouuuuguggg

[thethingything]

I just realised that since my fursona is an insect and those have to be filtered on Art Fight, I can't actually put him on our team card if I want to then put the card on our profile which like, I get it, but it is kinda frustrating.

it's also frustrating that for the set of phobias that need to be filtered, you can't specify which one you're filtering for and it all just gets put under "sensitive content" which isn't really helpful because like, there is stuff in that category that I want a warning for (like needles) but also stuff in that category that I'm totally fine with (like insects) and there's no way to tell which one it'll actually be without just clicking the image. it's not super helpful as an actual warning because I have no idea what it's warning for

[cicidraws]

so i watched i saw the tv glow

it hit me a lot heavier and alot more personal than i thought it would.

[elliesbelle]

lol

[agayconcept]

.

[tankgotstuckinthecircusgate]

dear god why isle of dogs x mitski hits so hard