#like i LITERALLY can't stop having these thoughts

[alexaloraetheris]

My dad is a bigshot IT guy at his company (they design the digital infrastructure for banks and stuff, afaik), he's the guy all the other bigshot bankers go to when they need to do programs.

And he loves ChatGpt. He said it's useful for writing short programs and checking for stuff he missed, basically like talking to another programmer. Even if it makes a mistake he knows enough to identify the mistake and fix it. But for him it shaves off a lot of time off his tasks.

I'm a biologist, and since I'm still in grad school hell I have to write a shitton of seminars. He keeps insisting ChatGpt is an excellent tool that could help me. I did try using it at the start, things like 'give a basic overview of this topic' and 'reccomend me some papers on this very niche topic'. I thought it might be worth it if it spared me clicking to the 20th page of Google Scholar just to find a paper that I need for one sentence.

But honestly? I found it pretty useless. The overview bit I could have done just by going down the Wikipedia rabbitholes, and actually had fun doing it. Not a single paper it suggested was real, just made up titles and authors and even doi. Thank fuck I always went to check the paper itself before citing. It was generally an exercise in frustration with nothing to show for it. I literally do not have any problems in my life that this thing would be capable of solving, let alone solving them better than I can by clicking keywords into Google Scholar.

Dad keeps saying give it time, it keeps getting better at a fast pace. But he freely admitted it will never stop hallucinating, so I can't ever be certain what it's telling me is the truth. Usually that is solved by checking multiple sources and their credibility, but with ChatGpt? There are no sources. It's not even quoting anything. It's just stringing words together in a manner that looks 'natural' to the reader.

Maybe it's useful to my dad, who asks it to spit out a skeleton of a program he only needs to adjust, and only needs to run it to confirm it works. But for me? The only thing it can do is teach me wrong stuff and get me kicked out of uni.

"use chatgpt" that's the devil talking. buy four caffeinated drinks and pull an all nighter. this is the way.

[lnfours]

i feel like youre the only one who could understand my thoughts rn, hear me out: uni student who is having a hard time being motivated and is justt feeling overall down about school and such. THEN, lando comfort, just being there and being so comforting (this is not at all inspired by my life or anything...truth, ive been having such a shit week and i just know that this week is going to be bad too and i really need comfort, but am lacking in the friend/boyfriend department and my phone calls with my mom are simply not doing it for me anymore. okay enough with the venting.)

i definitely, 100% understand your situation. school is stressful and hard, especially when you’re feeling unmotivated. remember to give yourself breaks as needed, and my messages are always open if you need anything ❤️

‘feeling 22’ birthday sleepover

the sound of the front door opening sounded through the apartment before his voice did, "hey, baby."

you looked up from your laptop, smiling softly at him from the spot on the couch that you had realized you'd been at all day. the sun was beginning to set, peaking in through the curtains in the living room. he walked up behind the couch, wrapping his arms around you, leaning down and pressing a kiss to your cheek.

"it's five already?" you asked, glancing up at the time in the corner of your screen. sure enough, it was a little after five. you had quite literally been working on this final project all day.

he hummed, resting his head on top of yours, "mmhm," his nose absentmindedly nuzzled into the hair ontop of your head, taking in the smell of your shampoo, "have you been working on this all day?"

you nodded, sighing before pulling off your glasses, rubbing your eyes, "yeah and i feel like i've barely made a dent in it. i feel like no matter what i put, my professor isn't going to be impressed."

"he'd be an idiot not to be impressed with anything you do."

"yeah, but it needs to be perfect if i want to land that internship," you said, "and it's nowhere near perfect. no matter how hard i work i feel like it's not good enough and i just... i don't know what to do."

"take a break, baby," he said, "you've been at this all day. rest the rest of the night and have another go at it tomorrow or the next day. little by little."

you knew he had a point, but you sat there defeated as you tried to get yourself to close your laptop, "okay, yeah, just let me read it over one last time and then i'll be done for the night."

he nodded, "okay, just once though," he said, standing up again, "i have an idea, actually. i'll be right back,"

you nodded, letting him venture down the hallway and into your bedroom. he made quick work with his actions, gathering candles from your bedroom before placing them on the bathroom counter and lighting them. he started the faucet for the bath, making it the temperature he knew you liked before adding some of your body wash to the water.

once it was set up to his liking, he made his way back to the living room and you were still invested in the project on your laptop. he stood in front of you. gently closing the lid, which made you stop reading as you let out a soft sigh of defeat. there was no getting around it with him.

"c'mon," he smiled softly, reaching out and offering his hand for you to take. you placed your hand in his, rising from the couch as he led you down the hallway and to your bedroom.

"what're you up to?"

"nothing in particular," he smiled, and when you saw the bathroom you immediately almost broke down into tears. the candles dimly lit the room and a bath was drawn.

"lando," you gasped softly, his thoughtfulness making your heart flutter against your chest and reminding you why you fell in love with him in the first place.

he smiled, "you relax, i'll order us some food. how's that sound?"

you nodded as wrapped your arms around his neck, "have i ever told you how much i love you?"

he smiled, "once or twice, i can't quite put my finger on it though."

you laughed softly, pressing a soft kiss to his lips, "i love you."

"i love you more," he smiled.

you nodded in the direction of the tub, "how about you join me and then we order dinner?"

"i like the way you think."

[genderqueerdykes]

i get a lot of "don't talk about bigender trans women who are also men because being a man means you can't be a woman and being a man cancels out womanhood and being a man means that they would be dysphoric and not feel like a girl so it would make the trans girls feel bad so never call them a man ever"

we're still collectively stuck on "man cancels out woman" that people literally plug their ears and call you transphobic when you talk about trans women who specifically also identify as men in their own words. people will piss and cry and say its transphobic to refer to this person as a man, ever, because they're a woman and being a man means they'll be dysphoric because it's cancelling out their womanhood. like this is the level of mental gymnastics we're performing at this stage

not all trans women are men. not every trans woman is also a man. most trans women do not want to be referred to or thought of as men. and that's important. but some trans women are also men and if you refuse to accept their male identity you are misgendering them. however you're not easing their dysphoria. you're not doing them any favors by aggressively acknowledging their womanhood and ignoring and even denying their manhood. you're not doing anyone any favors by saying that it will make other trans women dysphoric of a different trans woman also identifies as a man

people are doing a great job of speaking for transfemmes by telling us this is transphobic and dysphoric, instead of letting us speak to say that there are in fact bigender, multigender, genderfluid, non binary, genderqueer, intersex and two spirit trans women who do, in fact, identify as men and it's not a begrudging or painful thing, but another beautiful part of our identities that does not and will not ever cancel out our womanhood. sorry that bothers you, but its your own internal transphobia you must work past, because you are the one who is uncomfortable- not the trans woman who is also a man. they're only uncomfortable when you refuse to acknowledge both or all of their genders.

like can we all finally get on the same fucking page that forcefully only acknowledging a trans woman's identity if she's only a feminine woman and she only uses she/her pronouns isn't helping anyone. can we finally start acknowledging that denying the existence of bigender, multigender, genderfluid, non binary, genderqueer, two spirit and gender vast trans women isn't helping anyone and and that being non binary applies to all AGABs and genders

can we stop fucking telling trans women what to do and how to have a gender "correctly". let's all fucking do better.

[authorsofghosts]

Birthday Kiss | Nightcrawler x Reader | One Shot

Author's Note: I find out an hour after waking up at almost 3pm it's Kurt's birthday... had to write something for the blue lad... German translations at the bottom !!

Summery: It was known by everyone except you two that there was something... awkward between you and Kurt. The exchanges of glances when the other wasn't looking, the way your laughs trailed off... Nothing but tonight was the end of all that.

Themes: Birthday, First Kiss, Fluff OMG, so much Fluff, Mutual Crush, Open Ending, Alcohol/Drinking Mention, Awkwardness, Flirting, Guest Appearance of lots of characters, Kissing (duh), Kurt Has a Beard and Forked Tongue (because fuck you), His face is also skin (not fur), Shorter!R (<5'9), R is a mutant/x-man (No Powers Written).

Word Count: 1.4k

The X-Men knew that Kurt wasn't one to like big celebrations, but that didn't stop them from forcing him out of his comfort zone. They rented out a mutant friendly restaurant for the blue boy's birthday. He had to be quite literally dragged by the hair into Wolverine's jeep to go. It was a site to see, really.

But you were happy to see him warm up to the idea as you crawled into the backseat next to him, his tail stopping it's anxious swishing to wrap around you and bring you closer. This made the both of you blush, his cheeks a faint purple.

"So... you knew about all, uh...this?" He asks, voice barely above a whisper.

"Who do you think brought up having a party?" You laugh, smile beaming as you look up at him. His blush deepens at the thought.

"Was?? Since when?!" He laughs, shaking his head as he tried to hide behind his hands. You reach out and pull his hands away from his face, his yellow eyes widening at the sudden act.

"The first, duh. I knew your birthday was coming up, and I wanted to make sure you knew we cared for you, Blau." You say, quickly watching his reaction, which was much softer than you imagined it would me.

"Well, I should have excepted it from mein Freundchen, huh?" He laughs, wrapping an arm around you and pulling you flush against his side. If it weren't for the slight bumps of the road, your ear would be flat against his chest. He quickly puts his knuckles against your scalp and gives you a noogie.

"Keep it civil back there, kids." The gruff voice of the driver and owner of the jeep said, cigar smoke puffing out his mouth as he spoke.

"Sorry, Logan!" You respond, pushing Kurt off of you, your own cheeks hot with blush. You look over to Rogue, who sat on the other side of Kurt, watching the two of you with a small smirk on her face. "What're you looking at?"

"Oh, nothin', sugar." She says, eyes darting between you and your friend, before turning to look out the window. You weren't sure what she meant, but quickly turned your attention back to Kurt, who shrugs and laughs. You watch as he turns to his sister and gets her attention with his tail.

You watch the two siblings mingle, resulting in both of them laughing about some inside joke. It made your heart flutter to hear him laugh, a big change from the man that didn't even want to celebrate his birthday, having to be dragged out of his room by you and Rogue, forced to get dressed in something slightly fancy, and shoved into the car.

The rest of the trip into town was filled with Wolverine's radio blaring some classic rock, small talk and jokes from the back sit of probably the worst trio to get on Logan's nerves, and the wind blowing through the car from the windows. You all finally arrived at the restaurant, having to wait in the jeep for the others. You get out and stretch your legs, quickly followed by Kurt as he sits back against the jeep, arms stretched high into the air.

You can't help but watch the way his white shirt slightly raises, showing just a bit of the blue fur underneath. You blush once again, quickly looking away before he can see. He finishes stretching, holding the front closure of his leather jacket. "You alright, mein Schatz?" He asks, raising an eyebrow.

"Yeah, yeah, don't worry." You wave him off, seeing two more cars pull into the parking lot. You smile widely, grabbing his wrist, "Come on birthday boy."

Kurt's glowing yellow eyes widen as you pull him along towards the others, a humbled laugh leaving his throat as his tail swishes anxiously behind him. The two of you start a conversation with the others, Scott and Hank both giving Kurt a pat on the back as they greet him. You can't help but notice, even with all the people around, he's staring right at you majority of the time.

The party quickly moves inside, a slight rain picking up in the city. The restaurant was on the top floor of the building, high in the sky with a nice balcony. It wasn't that much a big room, the X-Men filling it up pretty well with the amounts of guests. You were quickly separated from Kurt as he was dragged to the bar by some of the guys. You watched from a distance as they all took a shot. You kind of wished you were there to see what they cheered to, but it was less important than the gossip that Warren was spilling to the small group you found yourself apart of.

The night continued on, food being brought and distributed among everyone. You heard a ring of glass being hit with something metal, getting everyone's attention as Scott stood in the middle of the room.

"Hello, everyone! Thank you all for coming out, truly. We're about to bring out the cake and play happy birthday, so if you'd all like to come over here," He gestured to the table next to him, a spot blank for the cake, "That'd be great, thanks!"

He quickly turned around and started talking with Jean and Logan. You looked around for Kurt, spotting him close to the table with a tail wrapped around his leg. You walked over to him, putting a hand around him in a side hug. "Hey, what's up?"

"Oh! Nothing, just... this is all wunderbar, liebe, I'm just a little... over stimulated?" He laughs out. You understand what he means, grabbing his wrist once more and pulling him towards the balcony.

"Then let's get some air, yeah?" You say, looking back at him and pausing before you step out the door. He nods, walking out with you into the cold air of the New York night. You both sigh, finally away from the loud party. You watch as Kurt walks to the balcony edge, leaning himself against the bars.

"Thank you," He grins, "for everything. I didn't think I'd want to be here, but it's very nice that you arranged this whole thing."

"Oh, it wasn't just me. We all pitched in. I just picked the music and decorations, really." You admit, trying to stay humble as your cheeks burned.

"Ja, but, you know," He turns back to you with a toothy grin, his fangs glinting in the moonlight, "it wouldn't have happened if you didn't ask to have a party."

You nod, understanding what he says but still not wanting to take all the credit. Before you can respond, he teleports behind you, the air around you surrounded with the familiar brimstone and ash smell. He places his hands on your shoulders, pressing a soft kiss on your cheek. The feeling of his goatee lingers on your skin as he pull back. "Danke, mein Fraund."

If your face didn't already feel hot, it now felt like it was on fire, your blush dripping to your neck and ears at the gesture. You look over at him, a genuine smile on your lips. "You're very welcome, Kurt." You say, turning around and wrapping your arms around his middle. You nuzzle against his chest.

You both stay there for a few moments, taking it in. You pull away first, heart pounding as the thought of your next action. Your hands travel up to Kurt's face, holding it in place as you stand on your tiptoes. "And... you're welcome for this." You say softly before pressing your lips flush against his own.

Kurt tenses up for a moment, the glow of his eyes disappearing as he closes his eyes, leaning further into the kiss. This shocked you, making you gasp, taken aback as his forked tongue licks across your bottom lip. He pulls you closer into him, a hand combing through your hair and holding your head in place.

You open your mouth, allowing him access into it. He chuckles softly, tail snaking around your hips. The kiss feels like it lasts forever, the two of you tangling in one another. When he finally pulls away, your eyes open to the sight of his cheeks a deep violet, feeling his breath pant against your lips as he presses your foreheads together.

"Did... that really just happen?" He asks, voice hoarse.

"Yeah, it did... It very much did, Kurt." You respond, pressing your lips against his again, but only for a moment. "Think of it as... a birthday gift, yeah?"

"I think a birthday kiss is the best thing you could have given me, Liebchen." Kurt laughs, capturing your lips once again.

"Was?" = What? "Blau" = Blue. "mein Freundchen" = My friend (in a condescending/playful way). "mein Schatz" = My treasure/My darling/My sweetheart. "Wunderbar" = Wonderful. "Liebe" = Love. "Ja" = Yes. "Danke, mein Fraund" = Thank you, my friend. "Liebchen" = Darling.

[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[ratcash-wasgud]

Lmao hey arcane fandom

I'm going to spew my two cents and try to get yall to see why I will defend Cait with my WHOLE LIFE IF NEEDED

I love Vi too btw, don't get me wrong, they both need their foreheads kissed

EDIT: Also, I'm gonna put this here since ppl thought othervise: This is not a post against Vi, she's my goat, she needs to retire from bad shit happening to her. This is a post defending Cait, since she's the character getting the most hate rn, and I will defend basically every arcane character with my whole chest (exepct Heimerdinger, fuck that hoe)

Spoilers

Ok, let me start with the whole breakup scene and the things that led to it, since that's basically one of the biggest points in this argument. I'm going to be honest, I kinda feel like Vi was a little af fault there. Because now, because Caitlyn couldn't kill Jinx, even when she could've, she will have to do the whole hunt again. AGAIN. And we know Cait is only hurting Zaun because she WILL comb through an entire city just to find Jinx, and nothing else. She doesn't hate the people of Zaun. And it could've stopped at that one incident with the grey IF she killed Jinx. But she didn't, because Vi stopped her. Again.

And let me tell you, if I went through all that shit, WITH the support of my bae, just to be stopped at the last moment I'd be pissed too.

"Oh, but Caitlyn didn't care if she accidentally killed the kid," let me remind yall of that moment when Jayce accidently killed a kid in season one with the hextech weapons, and wanted to stop using them, but Vi was like, "hey, it happens a bunch here, let's not stop using these things for fighting!" And literally said "He knew what he was signing up for." But now she suddenly cares about one kid? Plus what's the chance of Cait ACTUALLY missing? And even if she did, and killed Isha...Jinx killed multiple people yall, probably even kids (including her brothers) but yall love her (me too but that's besides the point).

Cait is now driven by revenge. And let's not pretend we didn't see this change coming. The whole bullet board thing she had on the floor in season one, the dedication to free a random prisoner just to get clues about Silco...she was always dedicated to her craft. And the raige started to appear in her even in the final episode, where she got KIDNAPPED BY JINX, let me remind yall, and she had to literally free herself. Just imagine how traumatic that shit was for her. Then, when she could've shot her abductor, her bae stops her, letting Jinx slip away and go on to kill her mother. But, she's still not blaming Vi, and wants her on her team, just to be stopped at the last moment again.

Next thing is the fact that she becomes a dictator...well, she could've said no when Ambessa said her name, right? Yeah, no. That's not how it works. She couldn't have been like "yeah, no, I don't wanna do allat, I'm still kinda liking the enemy after they keep attacking us, so ima pass on this one", for some reason. Ambessa literally made sure that she can't pass this up. Plus she caught her almost right after she returned from Zaun, and leaving Vi. She was in a vulnerable, revenge hungry state.

Ok, yap session over, I'm writing this at 1 am, and I have work tomorrow at 6, so I'm cooked, but Cait Cait Cait Cait Cait Cait Cait

[nov4-rocket5]

You didn’t actually read Watchmen at all if you think that’s the conclusion he “wanted” readers to come to. The final words of it are, “I leave it entirely in your hands.” Literally telling the reader to come to their own conclusions on what happens next, who was right, and what it all meant. The outcome Moore thought would be best and what other readers thought would be best and how they all differ is a feature, not a bug.

He doesn’t even “side” with Veidt. The guy’s Superhero persona is literally named after a poem about all a man’s accomplishments crumbling to dust in the wind. Suppose there might have been a reason Moore picked that name in particular for a character?

Moore may be more blunt in his disliking of Rorschach now, but he’s also the only person who’s really worth liking, and the character who’s mindset and psychology are dug into the most out of Watchmen’s cast. And while Rorschach is indeed a very sympathetic and pitiable character, he’s also heavily flawed. FFS, the dude brushes off his idol sexually assaulting someone as a “moral lapse” because Rorschach projects his need for a strong father figure onto people like The Comedian or President Truman.

Speaking of Truman, Rorschach spends a lot of his journal praising the guy, particularly for dropping the atomic bombs for the greater good. But when Ozymandias makes a big convoluted space squid and drops it on a city for the same reason, Rorschach very quickly changes his tune. When Rorschach’s own logic and morality plays out in front of him and in his city, he can’t stand it and changes his tune.

Now, Truman and Veidt’s actions and circumstances aren’t exactly the same, but the comparison between Ozy and Truman is about the public moral argument from the government that people like Rorshach believes, which is that is was a bad thing that had to be done to prevent even more bloodshed. In the much more intense Cold War of Watchmen, Ozy's logic is exactly the same as Truman's, he killed some to save a lot more. Circumstances are different but the moral argument is the same.

But for all of Rorschach’s flaws and hypocrisy, it just makes him and his actions all the more interesting to dissect compared to the other characters Watchmen follows.

Daniel is a superhero because birds and airplanes are neat. Laurie's there because her mom said so. Jon's there because of the government. Eddie wants to kill minorities for the epic win lolz. Rorschach's there because he has been the victim and no one helped him. It's why he does what he does even when there seems little point and the act is ultimately futile.

And that status as a victim is why he's the only one with the guts to tell Adrian to piss off. Jon, Dan, and Laurie can dismiss the deaths of millions in the name of the greater good, but Walter Kovacs can't, because he is those people.

Consider who dies in the blast. It's the Bernies. The lesbian couple. The shitty part of New York where Walter lives. Mrs. Sharip (who reminded Walter of his mother) and her children are very likely killed by Adrian's actions. These are people that Walter Kovacs saw every single day and now they're dismissed as suitable foundations for Adrian's plans.

And hey, once the Cold War is over and the Russians back off, what's the stop Veidt Industries from going global?

Walter is different from all the other characters because he's not a "hero". He's the victim. Being a working class, illegitimate abuse survivor in instrumental to his every action as Rorschach.

TL;DR: No, Moore didn’t side with Ozymandias or Rorschach, he just told a story and left it up to the readers on what it all meant.

[raointean]

I actually love the idea that Billy and William fused instead of just body-hoping. William would have died if Billy didn't come in and they fused! I love him saying that he has a mom because adoption right 🎉

Yes! The alternative is just too sad for me. As for the adoption thing, it's NOT just this fandom that struggles to understand bio vs. adoptive parents. I'm in the Star Wars fandom and there are SO MANY PEOPLE that refer to Anakin and Padmé as Luke and Leia’s "real" parents. Meanwhile, Owen, Beru, Bail, and Breha are called kidnappers or just ignored entirely (yes, I loved the Obi-Wan show. Why do you ask?)

I think the same problem is sometimes happening in this fandom too. We know Wanda and Vision as characters and we want them to be a happy family. We do NOT know Rebecca and Jeff Kaplan nearly as well, so there's a tendency to want to take the child from the characters we don't know as well and give him to the characters we know, like, and want to be happy.

On a slightly happier note, here's all my headcanons about Billy Kaplan's life (not Billy Maximoff or William Kaplan, but the entity that is both of them)

As William's heart stopped, his soul separated from his body and was on its way to wherever Jewish people go when they die

Billy M's soul, at the same time, was fleeing because it didn't have a body to support it

He found William's body easy enough to get into (because a soul had just left it) and close enough to alive to be fixed

However, William's soul was in between Billy M and the body

Billy M could have gone around and been the only soul in the body, but he was scared, okay?

Poor guy was only a couple days old, alone for the first time ever, and his mom had just kinda killed him and the rest of his family

Long story short, Billy M crashes into William and drags them both into the body

Billy M fixes the body just enough to keep living, but doesn't bother too much about the head injury

Meanwhile, William is stuck to Billy M like silly putty when you have two different colors and, by the time they get to the hospital, the two colors have blended entirely to form a new color

There's no way to differentiate one from the other

Billy Kaplan is born!

Because Billy M didn't fix the head injury, they both have amnesia

Billy K wakes up and it's literally "no thoughts, head empty"

(Except for some lingering sensation of loneliness... like there should be something someone? else there)

But not for long because he soon discovers he can hear other people's thoughts!

Which is really funny because he doesn't know that other people can't hear his thoughts

Poor guy genuinely thinks that humans communicate via telepathy for a solid 24 hours before he gets enough weird looks that he puts two and two together

(His parents are totally aware of this

There's only so many times your kid can answer exactly the thought going through your head without you catching on

Also, this is the Marvel universe!

Shit like this just... happens sometimes

They figure he'll come to them when he's ready, and until then they'll think nice thoughts and be supportive)

Billy K spends a solid four months trying to remember who he was before, stealing memories from his parents' heads, and pretending to recover from the amnesia

(Rebecca and Jeff try so hard not to make him feel like they're just waiting for their old son to come back but...)

Four months in, Billy's at the mall with his mom on some errands and that's where he sees it

Hot Topic

He begs his mom to go in there, and it's the first really normal teenage thing he's done since the car crash so she lets him

For the first time in four months, Billy forgets all about car crashes, and memories, and hospitals, and expectations

All that exists is spiky jewelry, ripped black skinny jeans, and a million of those cheap and hilarious pins

Over time, the family settles into his "new normal" and chalk most of it up to teenage experimentation

In that three year period though, Billy can't shake the feeling that something's still missing

He feels out of place in his body, even with the new aesthetic

(He sees that one tumblr comic about the coocoo bird and cries-- a lot. It's the closest he ever gets to telling his parents about his out-of-place feeling)

He doesn't tell them though

Instead, he digs and digs into the weirdest, darkest, most demented corner of the internet

Reddit

[newtkelly]

Not to word vomit on you but I can't stop thinking about Oliver wanting a love story like Tarlos and how it all accidentally lined up.

Knowing that Carlos and TK were about to move in, and then Carlos made that romantic gesture and TK got scared because it was, "too good to be true."

Carlos is left, confused, puzzled and nursing a broken-heart but still just as in love. What do you mean that TK and Carlos saw a future together, one got scared at that prospect and left before Carlos was the one to leave??

What do you mean that happened after Oliver said he wanted Bucktommy to have a love story like Tarlos; where it was always going to be them?

Then you consider Oliver saying that we might see Tommy and Buck interact during a call and it'll be awkward and who can't help but think of TK and Carlos running into the furniture store and seeing each other for the first time in weeks.

Anyways, sorry to be delusional in your ask box. I'm deep within the Tarlos trenches so this is all starting to look eerily familiar lmao (it could also be Tim is out of ideas, which is most likely the case)

Please feel free to word vomit on me always, I live for it.

Receiving this ask has actually prompted me to share some thoughts that I’ve held back from sharing, just because I wasn’t sure if it was worth it to throw more speculation into the void. But this message is so lovely, and I agree with it so much and so… okay I will share some of my mixed bag of thoughts about this whole situation.

Firstly, I adore Tarlos and LS (even if I don’t post about either much), TK is my baby, and the interesting thing about them for me is that I wound up caring for them more AFTER they broke up and got back together. If Buck and Tommy’s story is formatted as a rom-com, TK and Carlos are a tragicomedy. TK, the heartbroken recovering addict thrust into an entirely new city, a new career, who doesn’t want to let himself get too close to something good because he is misery incarnate. Carlos, the hopeful hopeless romantic who sees TK and doesn’t see something that needs fixing, but someone who his love could help heal. It’s such a gorgeous story, and the symmetry of both characters shockingly losing a parent in a tragic way is painfully beautiful. I LOVE their love story.

That brings me to Oliver and Tim’s comments. Throughout the Buck and Tommy relationship, my belief that this would be Buck’s final relationship only ever wavered twice. The first time was in the immediate aftermath of their first date (I spent the whole episode thinking that Tommy was actually reintroduced to kick off the bi awakening plotline and Buck was not acquiring a boyfriend) and the second time was towards the tail end of the summer hiatus when I legitimately began to doubt Lou would want to come back given everything that transpired. Other than that, I had full faith that this was it, this was Buck getting off the “hamster wheel”—Tim’s words, not mine.

I had confidence for a few reasons. 1 – the story was always handled with care onscreen and gave us no reason to think they weren’t going to work out. 2 – the chemistry was insane, and I knew it couldn’t just be me because an entire fandom was born. Tim and tptb must have seen what we saw. 3 – the supplementary information funneled to us through articles and Tim’s social media, literally up until post-8x06 never seemed to indicate that their relationship was headed in this direction. A big part of that was the comparison to Tarlos.

In order to protect myself (should I name the list of shows, movies, couples that I’ve fixated on that wound up playing out in dissatisfying ways?), I am awfully pessimistic. The post-episode interviews, articles, + hearing a bit from LFJ and OS has me wondering if this was some mass hallucination. Did we truly cling to something good and blow it up, run with it? Was this always the plan? I’ve wondered if because S7 was so short and S8 required that other characters get the spotlight first/other stories needed to be told and wrapped, and if because of production and scheduling and whatever external reasons, did their relationship wind up having a longer life than was ever intended. Were they ever supposed to make it to six months? Were they ever supposed to make it past the fucking wedding? I have been asking myself this stuff a lot. Alternatively, did something happen that made them want to or have to part ways with LFJ? So many questions, and I’m not sure we’ll ever know.

But… then there’s the delusional side of me, and the reason I haven’t totally abandoned hope is because when I was watching 8x06 live, EVERYTHING in me told me that this is a necessary section of the rom-com formula. Even the call-backs throughout the episode made me feel like the writers are so painfully aware, and that the narrative wants these characters to be together (Miceli’s, Abby, basketball, going to the movies, calling an uber, the loft kitchen, “you’re not ready”)—the motifs were absolutely popping off. I did not think it was the end when the episode ended. I wondered when and how they would find their way back to each other to fulfill the rom-com genre, but what I did NOT expect was to open social media and see articles framing this as the end. I wasn’t surprised when I found out who wrote the articles, and listen—if they bait one side of the fandom, can’t they bait the other? I still have some hope, because at the end of the day, anything can happen with network television. Maybe this is all part of the plan, and the interviews should be taken with a grain of salt. I just don’t know.

Interviews with Tim and Oliver from day one positioned the Buck and Tommy relationship as a queer love story devoid of trauma. Okay, well… huh. From where I was sitting, there was A TON of explicitly queer trauma exposed in 8x06. Their “hurdle” is tied utterly and completely to queerness. Tommy runs because he is a gay man who doesn’t trust that his bisexual boyfriend should “settle” for him, and who would rather be alone than heartbroken, and if that truly is the last of Tommy, it has to be one of the coldest and cruelest exits we’ve ever seen on this show. Do they simply not realize how deeply traumatized both characters come off in that episode, or is it all part of the plan? If the interviews positioning this as the permanent end of bucktommy should be taken at face value, shouldn’t the other interviews that position them as a rom-com (with the formulaic third act breakup, boils and all) be taken as the truth as well? If there was some misinterpretation, why hasn’t Tim said anything—he clearly knows a lot of fans were hurt by what they watched. He must have seen the outrage—why radio silence? Did we truly blow this out of proportion? Are the wheels coming off behind the scenes? I need a tell-all at this point lol

Thank you for the lovely ask, I’ve been sitting with these thoughts all week so this was a good excuse to finally articulate them. <3

[casses-trenchcoat]

I literally just woke up in a cold sweat my first thought being spn. Actually i was thinking abt it in my sleep. Nothing specific just. Like all the characters were racing through my mind and then when i started doing things and even half an hour later theyre still constantly in the back of my head LEAVE ME ALONE!! WHEN A HYPERFIXATION GETS SO BAD I LITERALLY CAN'T STOP THINKING ABT THEM NO LEAVENME AOOEN NO

often when i hyperfixate on smthn enough i will genuinely. Have sleepless nights bc I won't be fully sleeping bc my subconscious is thinking abt that thing constantly and i either have like a million dreams about it or none but that media like plays in my head all damn night LEIKEKDIDKDJSISJKFMSALDNJDDND this happened with umbrella academy when i was 9 and it was the worst a hyperfixation obsession got NOW IT'S JUST AS BAD BUT SPN NOOOOSKENSKSSKSNJS

[dreamofcamelot]

here's my list!!!

Is It Any Wonder? by Keane

this song. god. like I said before, to me this is Arthur after discovering Merlin's magic

I, I always thought that I knew I'd always have the right to Be living in the kingdom of the good and true

And so on, but now I think I was wrong And you were laughing along And now I look a fool for thinking you were on my side

·Kohaku to Ruri no Rondo - Mika Kagehira

This solo was early Valkyrie so, lots of devotion, a good deal of codependence and some toxic loyalty, basically a life lived with the sole purpose of being worthy of staying by someone's side

The fairy tale woven by these golden puppet strings is the only truthI discard everything other than that Both the amber dyed in admiration,and the lapis lazuli dyed in despair*

*here he's talking about his eyes, Mika has heterochromia. It works for Merlin beautifully

·Eternal Weaving by Valkyrie

Giving merthur valkyrie songs is so easy, the master-servant undertones, specially at the beginning, the constant use of sovereignty and nobility themes. too good. too easy

Singing glories of a king carved out of stone [...] your eyes that are painted with delight now please, show me

In this eternity that never ends the dreaming that the gods wanted now we can give it some shape

To me this song is golden age merthur.

·Somewhere Only We Know by Keane

this is my fav song, like, this to me is peak 2009-2011. this song gives me the same vibes of my fav modern AUs. Every song from Hopes and Fears gives me merthur modern AU vibes.

Also it makes me feel like it's Saturday afternoon and I'm getting ready to watch merlin on TV. idk. no more comments.

·Stippling by Double Face (rip)

this one..... this one is merwaine idc (works for mercelot too)

And yet, in your eyeseach color may just blend together into one

As long as you're next to me, while we're concealed by this spring storm Everyone wishes to leave a legacy They'll surely realise that the countless pieces of amber [...] can only draw in sepia color

this world may just be a stippling of solitude and instants but still, your eyes are seeking maybe, like a spring storm, the multitudes of colors will blend all into one

go listen to this one. please.

·Gaisenka by Valkyrie

Golden age merthur???? is this you???? again??? yeah.

Even the darkness known as hell is a mere pigment used to paint our path We will bring forth a light matched by none,

Behold, the beginning of the new Sovereign’s tale We offer up our very souls and raise up our noble will Now, resound the Song of our Triumphant Return

again, go listen to it and you'll understand.

·Tightrope from The Greatest Showman

c'mon.......

You pulled me in and together we're lost in a dream Always in motion So I risk it all just to be with you And I risk it all for this life we chose

To me that's literally merlin speaking about their relationship!!!!!!

·Ultimate Deception from Journey to Bethlehem

I've talked about this song before here, I see this as Arthur's internal conflict between the side of him that was raised to fear and punish magic and the side of him that loves Merlin and want to be on his side against everything

Don't make concessions for her transgressions She's made a mess, a fool of you I don't see deception in her confession I just see the truth

I will not stop talking about this song!!!!! it works too perfect!!!!!

Honorable mentions; or lyrics that are just too good

·Lie by JIMIN

Let's read the lyrics together and see who comes to mind:

it's endless, even if i try to run i've fallen into a lie

Caught in a lie Please find the me who was innocent I can't escape from inside this lie Please return my smile

[...]please save me who is being punished I am still the same me I always was the same me from before is here

Want me The me who is lost and astray

A lie that grows bigger and bigger Is threatening to swallow me up I can't escape from inside this lie Please return my smile

Your honor, I rest my case. (Merlin, this is about Merlin)

·This one is instrumental but Love Waltz from The secret of Moonacre?? I love this movie and this song makes me think about them idk

·Breathing by Ariana Grande

YES. breathing by Ariana Grande

Just keep breathin' and breathin' and breathin' and breathin' And oh, I gotta keep, keep on breathin'

Sometimes it's hard to find, find my way up into the clouds Tune it out, they can be so loud You remind me of a time when things weren't so complicated All I need is to see your face

I love this part, my biggest honor is offering this song to the current blorbo I'm enjoying. So here you go Merlin, enjoy.

What are your BBC Merlin songs?

I’m making the ultimate Merlin playlist and I need songs! I already have some of the classics*, but I would love some input, and also some deeper cuts! No song is too obscure or too cliché. The playlist tends to skew towards Merthur, but I want to expand it, so drop as many as you want, for any of the characters!

*the classics I have right now include King and Lionheart, A Thousand Years, Carry On My Wayward Son, Soldier Poet King, and The Night We Met.

[kallietell]

I Made You Too Fat

*Gender neutral weight gain POV*

Hey babe, I've got to talk to you about something. And please don't say anything, I know you're gonna try and comfort me and make me feel better and stuff, but just let me get through this. 

You know how much I love your body. I never thought I would meet someone who would let me do this to them, who would let me put all this weight on them, but you’re getting bigger than I ever thought you would. I mean I love it, I literally can’t look at you without wanting to tear your clothes off, but when you first agreed to gain weight for me you only had a little potbelly. You still ate normal-sized meals, you wore a medium. Then you saw what your overeating did to me and it was like flipping a switch. You started to get so fat so fast you could barely keep up. You started eating whatever I brought you and asking for more, started lounging around the apartment in all of your old skin-tight clothes because you knew it drove me crazy. 

Your delivery orders kept getting bigger and bigger until even I couldn't believe it. Remember when you ordered so much pizza that the Doordash driver asked if we were having a party? But it was all for you. And you're so constantly stuffed and bloated with all the greasy fast food I buy you that it's hard to even tell how fat you're actually getting. Your belly is never empty, so I never know if all of this is you or if your tubby gut is just distended from the family-sized meals you let me force down your throat. 

You know how much I want you bigger and fatter, you know how much watching you pile on mounds of blubber turns me on, but at this point, I feel like I'm taking advantage of you. I feel like I'm taking this too far just for my own sick pleasure. I’m porking you up like a prize-winning pig and you’re just letting me, you keep opening your mouth for more like you're completely under my control. Even when you're so full you're panting and gasping because your stomach is too tight and swollen, even when you think you can't force down another bite, you still open up for me and let me feed you till I'm satisfied. It's so hot while I'm doing it, but I always have this tiny little glimmer of guilt because I know you like it too much to make me stop. 

Watching you waddle around with your belly hang wobbling out of the bottom of your shirt and your chunky thighs packed in those tight workout shorts that are ripping at the seams makes me lose it, but also makes me think of when your clothes actually used to fit you. I mean, babe you actually used to workout in those shorts, and now if you bend over too far you can hear the seams pop. 

You've just gotten so lazy and so greedy and it's all my fault. You can't even get on top anymore cause all your jiggling blubber has made you too massive for that much of a workout. I wasn't sure how to bring this up to you, I don't even want to bring this up to you, but after what happened yesterday, I just had to start this conversation. I can't believe you actually got big enough to get stuck in the living room chair. That chair could fit two of me, but you gorged yourself so full that your rounded hips were completely wedged between the arms… 

*I hope you enjoyed this preview of my weight gain POV! You can find the full story on my Patreon. I love writing stories were I can directly tease and praise the reader, and I have a growing library of POV work available (I write at least one new POV story per week, sign up for the Avid Readers+ tier for immediate early access). This story is not EA and is currently posted for all tiers except Basic. Other than that, I have tons of wg fiction available including my most popular continuing series. Thanks so much for reading!*

patreon.com/KallieTell

[ryllen]

something i promised on my kofi 6 months ago... 🫠

[archive-of-wax]

I don't even know where to start with my love for this post, I've literally been rereading it over and over all day. This is by far the best interpretation of Trudy's parenting I've ever seen. It really captures the complex family dynamic we see onscreen with the twins, both with their mother and each other.

It's easy to focus on Trudy's evident abuse of Bo in the opening scene, but I think this is the first time I've seen anyone really analyse her interaction with Vincent. It's also one of the few times I've seen anyone speculate about his perspective or thoughts regarding his mother and her parenting, and I think you're spot on. Vincent wasn't showered with unconditional love while Bo got constant abuse. He was smothered with overbearing attentiveness that probably caused more issues than it fixed. Helicopter parenting certainly lines up with many traits fans have inferred from Vincent's portrayal, such as perfectionism, overdependence, and an anxious disposition.

I also felt that his perception of their mother wasn't as idolised as Bo's, and would go as far as to say that during his and Bo's kitchen convo I felt a hint of...exhasperation? Even weariness. At Trudy, at Bo's idolised view of her that he seemingly can't reject out loud, maybe even the purpose of their murderplot. I always imagined his feelings towards her to be something like 'I love you but please stop I'm begging you, why are you like this, why can't you be better for us', and I feel like part of that frustration came from knowing that none of the hovering and fussing was ever really for him as much as it was for her to feel better about herself, so any conversation about his feelings on the matter would have been pointless. If not immediately dismissed it would have just caused an argument, and this family has enough of those already, right? No need to rock the boat.

I have also never seen that newspaper clipping about Victor?! Could I ask where you found it? It completely throws loads of backstory theories out the window. Your version makes the lead-up to the murderplot make so much sense too. Bo and Vincent didn't just wake up one day and choose violence for no reason, but rather the pressure slowly built up: their father passing, the mill shutting down and all the jobs disappearing, then the town's inhabitants leaving, and lastly their mother's death. I imagine they found themselves alone in their now dead hometown, feeling washed up, lacking the practical and social skills to set off on their own (Vincent in particular), grieving the most pivotal person in their lives, and fit to burst with rage at the world. With their minds already cracked from their upbringing, and nothing to lose, it's easy to imagine how one thing led to another...Maybe some lost jackass gets a little too cocky with Bo at his mechanic shop, a fight ensues, Bo doesn't quite pull his punches like he knows he should and accidentally kills him. And then all it takes is a 'Yes, I know this is bad, Vince, but listen. You know how you've been having trouble sculpting like mama used to...?'

Anyway yes all this is to say this was a fantastic read! Thank you for sharing your thoughts, hope you don't mind me going on a mad ramble on your post haha. (Also could I ask you to link that study of a similar conjoined case? I've been looking for a real life counterpart to the twins' condition and could not find one for the life of me!)

Trudy refills Vincent’s cereal. He’s 2-3 years old and blind in one eye. He doesn’t need more cereal, he just needs his bowl rotated so he can see the cereal that was left over on his blind side. Not that we necessarily know how Vincent communicates without speech, but she hardly gives him time to answer her question about more before she’s refilling the bowl anyways. This is her approach to parenting her boys in general.

There’s no interest in fixing their actual issues. Rather than help Vincent to see what he already has in front of him, she’d rather add more, inadvertently also adding more onto the side he can’t see. At some point, this would just add to the issue. Overcompensation into overwhelm. Bo is brought in for breakfast kicking and screaming and it’s sort of evident why Trudy puts all her love into Vincent to the point of it being suffocating and unhelpful. Sure it could be a simple case of favoritism, but with the aspect of overcompensation specifically, it seems that she wants to balance her guilt over failing to parent one of her sons by pouring more effort than necessary into Vincent. Rather than giving the extra attention to Bo, it’s refilling a non-empty bowl of cereal.

I don’t think that necessarily mean she loves Vincent more. She finds him easier to parent. Fill the bowl whether or not he needs it because that’s easier than unpacking where Bo’s massive emotional outbursts are coming from. It seems more like love-bombing than genuine kindness. He’s “being such a good boy today,” but the implied part is an unsaid comparison to Bo. As twins, and conjoined twins at that, they’re not independent of each other. Vincent’s behavior exists only to contrast Bo’s, from her perspective. “Fix” his needs, and she can fix them both. Hence, preferring just to duct tape Bo to a chair than help him any.

Then Vincent grows up to become her protege, starting in his childhood but lasting until even after Trudy’s death. Over thirty years have passed since they were toddlers in those high chairs, but Bo gives a hint about why Vince got that ‘special privilege’ to not be as physically abused. “She always said that your talent would make up for what God took away from you.” Only, God didn’t take anything. Victor Sinclair doing illegal, unqualified surgery on his babies is why Vincent lost half of his face. Trudy only uses God’s name and religion as a shield for her own guilt about how her boys turned out. But it’s more likely she included Vincent in the wax business because she again, was dumping affection onto him over and over as her strategy.

Otherwise there isn’t as much favoritism between the boys. In their childhood photos, they both play piano, both play pool and baseball, both get to sit at the table with their birthday cake (without highchairs or bindings) and they play on the floor together. It's not entirely divisive between them, though it’s still obvious from which brother she’s slapping across his face and which brother she’s love-bombing which she’d prefer to deal with. Just not which she actually cares for more. Vincent wasn’t somehow spared from abuse in a house like the Sinclair household.

Interestingly, when Bo tells the story of Trudy and Victor, he mentions that once the Doc died, they were alone. Except, there’s at least one version of a prop newspaper stating that Trudy created a wax memorial for Victor. So this is just a false version of events most likely. Sure it could be that a decision changed, but there’s also the fact that, in the guns and ammo store, there’s a sign that says “Trudy’s Town or Wax.” And Bo tells Vincent, “We almost finished what mama started.” She’s also much older than the Trudy we see in the family photos and articles (even with the amount of cigarettes that woman smoked.) Ambrose is confirmed to have been abandoned for a decade, but to be turned into wax, Trudy would’ve had to die sometime between the abandonment of Ambrose and the present. Else she would’ve been properly buried most likely. The plan to fill Ambrose was hers, it’s just Bo that suggests using real humans (according to his apology to Vincent, he takes credit for the idea anyhow.)

Which makes her boys at least in their mid twenties when she died. In an older version of the script, Bo had killed her and Victor, but knowing it would put them all in foster care, that doesn’t quite make sense unless they were older. So the order of events is, Doc dying, the sugar mill closing, Trudy planning to reimagine Ambrose, and then dying herself.

The reason that’s important is because it’s emblematic of just how much pressure she was putting on both of her boys. And that’s not love. With two mentally ill, abused sons, (maybe three, since Lord only knows how they treated Lester once he came along,) that’s just manipulation. Victor and Trudy aren’t cartoon super villains for being bad to their boys. But when you can’t even just rotate a bowl slightly for your half blind little one, it’s shallow. Trudy has her cigarettes right in the boys faces in the opening and in most of the photos. Smoking was in one study linked to about 1/3rd of conjoined pregnancies, and in a similar case of conjoinment to the boys, one of the twins had lost an eye and had a prosthetic, but with minimal scarring because of the surgery being done in an actual legal hospital. It’s not about God taking anything, or about which is a little monsted and which is a very good boy- it’s about Trudy and Victor both messing up from the very beginning and causing the boys losses, then refusing to take accountability for it. Or, in the symbolic sense, to just do the right thing and turn a damn bowl of cheerios towards your blind kid.

[starscreamingg]

Honestly transformers one deserves a medal for being the first transformers. Thing. In like five years to make me actually like and want to see bumblebee

[uwudonoodle]

Writeblr: "NoNoWriMo are sell outs. Let's cancel them!"

Me, who is brand new to writing, thinking it was just an activity people chose to do, much like making a New Year's Resolution: "It's an organization...? With like money and stuff???"