#like i DO want to get stronger

[preciouslandmermaid]

yesterday i was doing archery for the first time and my co-worker was like "are you gonna come to the gym with (his friend) and me?" (after i mentioned how my arms are so weeeakkk) and i was like "oh idk if you could motivate me. i might be a lost cause." and he was like "i got (friends name) to go." (or something to that extent).

and like........i do not know if he was being serious and now im gonna wait until we see each other again at work to ask LMAO (like i could text him but...i don't...want to).

[agir1ukn0w]

sorry but snow is such a well written iconic villain and donald sutherland performs him so fucking good it's almost hilarious how i start practically foaming at the mouth every time the man opens his mouth to say something deplorable in those movies, like he's so utterly and despicably wrong about almost every crucial thing from katniss and peeta's relationship to human nature as a whole and yet the second he starts talking about how hope is the only thing stronger than fear and how you have to allow a little hope but control it so its spark doesn't grow into revolution and how it's the things we love the most that destroy us you bet your ass i am on the floor screaming crying throwing up because that is my psychotic mustache-twirling villain RIGHT THERE

[casualavocados]

You've never done that when I got close to you before. Why? None of your business. Tell me, or you can't leave.

KISEKI: DEAR TO ME Ep. 10

[34saveme34]

perfect together

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[ancha-aus]

RealAgeAU Drabble - The Tavern

*kicks in the door* HELLO! :D Guess three times who had an idea?! IT is me! Your homie!

First Drabble Prev Drabble Next Drabble

I am so excited because I finally got an idea on how I wanted to mention a few things! And It fits together! :D

Also, The mentioned OC is from @spotaus Who made a lovely drabble that I personally also consider canon for this AU <3 Give it some love and look at it okay? They are very talented!

*---------------------*

Dust looks up at the building as he tilts his skull. It looks nice enough and doesn't look like the general Grillby's building. It looks grander and like it has been expended a bunch. Dust can see some newer repairs around the fench and the walls and can only assume those had to be repaired.

Cross shuffles somewhere near him "Are we sure about this?"

Killer hums as he looks at the building himself "I mean. Dusty got that cash reward for that repair thing at the last market..." and he shrugs.

Dust nods "WAs a lot." and that is an understatement. When the mayor had said they would send a thank you for Dust repairing the generator and fridges he had figrued it would just be like some flowers.

That was usually with political people did. Send some weird present and a card about how good of a free service yoou did and all that crap.

Instead she just send a cash package that none of them had expected. As thank you for saving their market. Aparently it was the normal amount they payed for a emergancy service of this big with a nice tiny bonus. As a welcome to the community present!

It had been welcome mostly because it would help get them started after the winter and made sure they didn't need to keep getting by with tiny jobs here and there.

Horror nods in agreement "Crop said this would be a good way to get more friendly. Be seen less as hermits." Dust blinks back into the conversation and actually pays attention as he is suposed to be part of it.

Cross sounds deeply unhappy "I like being hermits..."

Dust hums as he keeps holding Nightmare. Nightmare stares slightly enchanted at the building before shaking his skull to snap himself out of it. Dust thinks they are doing a good job with helping him unlearn the bad and unhealthy habits he had from being forced into his guardian position.

But it will take more time, Nightmare still feels awkward and weird for being a child and childlike sometimes. They will eventually get that mindset out of his little skull.

More shuffles and Dust glances over. Yup. No Cross in sight. Dust doesn't point it out and just thrusts his elbow out into the general direction he last heard Cross. A groan and Cross sends him a glare as the weird invisibility starts to shift off of him.

That is another thing all four of them had silently decided to just... not talk about. Much like how he tended to now be more charged with actual electricity instead of just mana. How Killer's silver tongue has gone to the extreme and even the most stupid lies seem to be believed if he says it with enough confidence. How the very layout of their own farm shiftly slightly when Horror had been staring and nudging the area.

They just...

It is probably fine. Ngihtmare hadn't seemed alarmed by it and they just figure it is because of the apple situation. Nightmare is still slowly losing that old magic and they are nearby a lot. It would make sense they took it over slightly.

They hadn't been actively bothered by it yet and while annoying and something to keep in mind it didn't seem dangerous.

Dust nods to the door "Lets go." and he walks forwards wiht Ngihtmae in his arms.

The inside is nicely lit and warm. People are all around and Dust recognises quite a few people from all of his trips to town to repair things. he also sees some of the people who came to help them with their new house. Dust still doesnt'quite know the names of them all as he never was the best with names. That is more of a Killer and Cross thing.

Dust looks around and spots a table which is empty and marches over there. By this point easily ignoring the curious glances. He also knows that Killer is shadowing him with most likely that same stupid challenging and charming grin on his stupid charming face.

Dust takes a seat and looks at the chairs around him. He ends up pulling one near and putting Nightmare in it. Nightmare manages to look over the edge but it is a near thing. Dust tilts his skull "That good?"

Nightmare thinks it over before nodding. Then he looks to the side as he takes in someone playing the guitar and singing live music. huh. Dust wonders if that is a regular thing.

The others join them and they all take a moment to really familiarise themselves with the area. It is different but small details are the same. The shade of the lighting. The colour of the shelves. Tiny things that make the scene more familiar.

Dust used to get disbalanced and well, fucked in the head by seeing things that reminded him of his own universe. He still gets missed up if it is too much alike but he likes to think he got a bit better at handling it all.

They look up when Light walks over to them. Their flames bright as they carry menu's in their multitude of arms. They greet them and gives everyone a menu before getting a small notepad out "Any ideas for drinks?"

Dust shrugs as he lokos at Ngihtmare. Nightmare reads the drink part of the menu wiht a serious and thoughtful look before looking up at the fire elemental. he pauses for a moment before speaking "Can I have a root beer float?"

Light's flames flicker happily as they note it down "One root beer float for the very polite skeleton." they looks at them and wait.

Dust hums and mutters "Same." Light nods nad notes it down.

Killer looks at the different drinks and settles for some latte coffee which he will probably put an unholy amount of sugar into. DUst would be worried about the caffeine if he didn't already know that caffeine just didn't affect Killer.

Horror ends up asking for some fresh mint tea and Cross just asks for sparkling water.

With those orders out of the way Light lets them be to look at the menu. Some items hit the guilt filled part of his soul as it reminds him of things of the past but he shakes it off. Those are normal menu items. Even so Dust decides to take the chicken and egg dish. Mostly because it seems like a this universe thing.

Horror ends up picking the same as Killer ends up going for an unholy amount of fries. Nightmare ends up picking pumpkin soup and Cross joins Nightmare with his order.

Light brings them their drinks, which honestly? Rather brave of the fire elemental to bring them liquids. They take their order and leave for a short while to get everything ready.

Nightmare goes back to listening to the live music as Dust and the other three make light conversation. They keep their conversation vague as they talk abotu old missions and stupid stuff that happened. They share chuckles and it is honestly nice to relax.

Their food is brought over and Light looks at them nervously "So... How is the flower doing?"

Horror looks up before answering "It is well. It stands in the window near the fire place."

They had ended up moving the burning flower there as it served as a nice night light for Nightmare. Nightmare denied being uncomfortable in the dark but Dust thinks the darkness still freaks him out a bit now that he lost his nightvision after becoming little again.

Dust can only imagine the panic he feels if he thinks he was left alone agian. Abandoned again.

It is also why Cross invested some of the hard earned cash into fairy lights and strung those up all along and above the nest. Light it up better.

Nightmare slept much more soundly and woke up less int he middle of the night now and for them it hardly mattered if it was dark out or not.

Light, heh, lights up as they say they are happy to hear that before happily skipping off.

Dust snorts and shoots Cross an amused grin "they are enchanted by you." and he snorts again when Cross sputters.

"Hardly!" Cross glares as he blushes and his arm disappears out of view again. Luckily Killer sees and nudges where the arm used to be, bringing it back into view.

Cross crosses his arms and huffs.

Killer grins and winks at Cross "I can see why. soldier boy is so strong and reliable and a true knight in shining armour." and he winks again.

Cross sputters and his blush grows even darker as he looks away from Killer "Stop being weird..." Killer laughs and hugs Cross.

Horror watches them with a fond look before turning his focus on Ngihtmare and getting him to eat his soup. Something about little babybones needing energy to heal and grow.

Dust gets to work on his own meal as he watches the others. Soul feeling warm and content to see them all here. He really likes not being alone anymore.

*---------------------*

First Drabble Prev Drabble Next Drabble

And if you haven't check out Spotaus's lovely drabble !!

[i-really-like-phrogs]

When someone else’s art is so good you physically can’t look at it because of artistic jealousy

[chirpsythismorning]

The way fans on the st sub are almost all in agreement Nancy ending up with neither Jon nor Steve wouldn’t be the worst thing in the world, and how they can even come up with a sleuth of reasons as to why, honestly pretty valid and fair reasons, but then are absolutely gobsmacked when fans merely speculate something along those lines for El is, quite something.

[bugflies00]

you know what i really hate. when people try to pretend that the reason they don’t want fat people in ballet is anything other than preference.

it’s one thing to have people describe in great detail how ungraceful and ‘heavy’ fat people dancing ballet would be (and they’re always so adamant on the fact that this is an objective judgment and beauty standards have ‘nothing to do with it’ its just ‘obvious’), its another to have some fuckass default-icon user explain why it’s actually a health risk. how ‘pointes arent made to withstand that much weight’. how ‘their ankles would snap’.

YOU MASSIVE FUCKING MORON ANYONE WITH INSUFFICIENT ANKLE STRENGTH WOULD GET HURT. thats WHY kids need years of training before going on pointe!!!

fat people already carry around more weight than a skinny person and thus often have stronger muscles!! if a fat person is trained well enough so their ankles are strong enough to withstand their weight there is no fucking reason they would be more at risk than a skinny dancer!!!

you are all just hypocrites who like to pretend that a fat person on pointe is the biggest health risk the ballet community needs to be worried about than, oh, i don’t know, the rampant eating disorder culture for example! no but see thats fine and not a risk because they dont do that anymore and also theyre skinny so like clearly it’s not a health risk ^_^

[pyrosomatic-metamorphosis]

uhhhh i think they were kinda fucked

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,

[amarimeta]

actually so crazy when you think about it like. random scientists came to her saying “hey we think your entire family was raptured because of the location they were in” and she’s like “i was in the kitchen with them” and the scientists are like “well you were at the sink! they were at the table!” oh ok. we’re getting departed based off our longitude and latitude now. okay.

so where is she meant to feel safe in the world. because it’s not like “departure hot spots” were identified BEFORE. the idea that these hot spots exists only comes afterwards. so where are you meant to feel safe. well maybe if it happens again the same “hot spots” will be relevant. so you have to go somewhere without any “hot spots”. a place where the location guarantees your safety.

except you get there and the next night three girls disappear. and you keep telling everyone it wasn’t a second departure (because the idea that the sudden departure could happen again terrifies you. but the idea that it could happen again at any moment is also motivating every choice you make.) and no one’s listening. and then scientists start talking about a new theory. what if the departure wasn’t location based. what if certain people acted as lenses magnifying the likeness of someone departing?

what if your entire family got taken from you so you ran away hoping to feel safe and now people are hypothesizing that the common variable causing these departures is you :) you’re the danger!! :)

[miusato]

This is why I shouldn't be near any media because I will find a way to put my ship into different clothes and possibly in different au 😤😤😤

[twpsyn-who]

No way people are actually complaining about Billy trying to find his twin brother rather than go after his mom 💀

Tell me you're an only child without telling me you're an only child fr

[roseyswords]

Vengeance saga Thoughts/ more specifically 600 Strike thoughts

SPOILERS BELOW

So I like many others have a bit more complicated thoughts about the ending of the vengeance saga. But I come out of it with ultimately one feeling on top of the others which is respect. I have a lot of respect for this ending as an artist.

Sure there are parts of it that I find a little ridiculous (ie.the jet pack fight), but there are other parts of it that I love so much ( ie. The stabbing scene).

Because at the end of the line it was a choice that stands where it is even if it might be divisive or not quite what everyone wants from it. Which is fine honestly, it is more than fair that not every fan is on board with its decision. Because art isn't supposed to make everybody like it, it's supposed to make the people that like it love it.

Jorge has been very open about his anime inspirations for the musical, and it's written all over it. And here is where it makes itself known the strongest in an unmistakeably strong way. It wears its inspirations and heart on its sleeve and basked in it.He invoked the rule of cool so hard this saga. And as an artist, as someone who loves making stories and loves the art of storytelling itself it makes me really inspired. I love and respect the hell out of seeing an artist go this is how I'm going to make my story go, because this is how I'm going to be happiest about it.

And it is perfectly fine for people to see that and say that they did not like where that decision went. To say this isn't for them. The people that don't like it won't like it and the people that do will love it.

[thecommunityoftrustworthysinks]

i really can't recommend watching torchwood enough to doctor who fans, i watched it for the first time only recently and it's REALLY good and just the right sort of different from doctor who that it doesn't feel weird to see doctor who without the doctor, and it also gives you new perspectives on the world of doctor who, like it's just so interesting i feel like i see the show setting differently now