#like god. i wish i could read it and be like yeah yeah that makes sense

[ultralightpoe]

JUNO - Bucky Barnes

Authors Note: Gah, here we go again with the bucky fics since he looked so damn good in that trailer! Enjoy!

Word Count: 4215

Warnings: SMUT SMUT SMUT.....and more smut.

Requests: OPEN

Main Masterlist ~ ~ Halloween 2024 Event

[Thank you for the gif @ayo-edebiri ]

Enjoy!

“Don't have to tell your hot ass a thing

Oh yeah, you just get it

Whole package, babe, I like the way you fit

God bless your dad's genetics, mm, uh”

-

You were a terrible terrible person, this was a fact. It would be put on whatever wikipedia page they made for villains as soon as people figured it out, which considering the rage building in your body would be any moment now. Why were you a terrible person? That’s easy to explain. 

There was a time where everyone avoided your boyfriend like the plague, when the Winter Soldier cliche had been stuck to his image like a nail in a tire and everyone treated him like crap. And who stayed by his side? You. Not that it was ever about keeping score because you just wanted what was best for him. But now that people are all about kissing his ass since he had some new found fame? You wished things would go back to the way they were. And that made you a terrible person. 

Who would want things to go back when your love was treated terribly?

But then you see girls like Montana clinging to his side and that little green monster in the pit of your stomach begins growing and growing until it leads to moments like now, with you standing at the bar clutching your glass like it was the only thing tethering you to this earth. 

Yet another gala was being thrown, this time it was ‘Rockstars for Schooling Funds’ and Bucky was required to attend for PR. And attend your man did. The jacket, the tie, the pushed back hair and the hot ass glare. 

From the second you saw him ready for tonight you were ready to pull him into the bedroom and never leave, your skin grew hot just remembering the feeling of his hands roaming your body as you tried to lead him into the bedroom. He obviously didn’t fall for it and now you were here watching Montana hold onto his arm as she laughed at something he said. 

As if sensing your glare he turns to catch your eye, and you know that he was surveying your safety by the sharp look in his eyes and all you can think was ‘God bless your dads genetics’.  But you refuse to break for him, so you shrug and turn back to the bar ready to order yourself another drink. 

Best thing about wearing a dress like the one you were wearing tonight? Attention.  Within seconds the men at the bar were clamoring to buy you a drink, crooked smiles and lame pick up lines. The prized contender? The southern man with kind eyes wearing his very own black cowboy hat. 

This could be fun. 

“What’ll it be?” He drawls and you have to fight off the blush filling your cheeks just at the sound of it. 

“Hmm, I haven't decided yet.” You flirt, batting your lashes for a second. “Think you can help a girl out?”

“There’s the ‘Save a Horse, Ride a Cowboy’.” He reads off the little menu, looking up to you from under his hat, giving a smooth wink and you huff out a small laugh. 

“Would it be worth my time?”

“It’s the best on the menu from what I can see.” As if on cue you both look out to the crowd around you at the gala, with loud music and cheesy rockstar costumes, and whilst he is trying to make a point your eyes roam for a familiar head of hair. But the group that Bucky had been sitting with for the past 30 minutes was now short a member, your man. “Who would want to waste time with any of these cruds when you could have a real drink sugar?”

But the words were lost on you as your eyes traced over the room in a hurried panic. Where did he go?

But then your nose fills with a familiar woodsy scent as a familiar arm wraps around your waist in a tight grip that has the cowboy standing straight up in his own panic. 

“Yeah Doll, how bout a real drink?”

-

“You make me wanna make you fall in love

Oh, late at night, I'm thinking 'bout you, ah-ah

Wanna try out my fuzzy pink handcuffs?

Oh, I hear you knockin', baby, come on up”

-

That little green monster building in your stomach? Now she had a fire pal burning straight through your skin at the image of the icy glare Bucky managed to send in the cowboys direction, the fingers on your waist tightening and digging into your skin. 

“I was just talking to my friend here about drinks.” You hum out, watching his jaw tighten as he continues to glare. “What do you know about drinks?”

The cowboy, who you now knew to be a foolish man since he still stood in that spot, lets out a smooth chuckle. “Considering he’s holding an old fashioned I would say not much, Sugar.”

“Really? I always thought that the old fashioned ways worked in seduction. At least they did for me.” Bucky all but growls out, pulling you closer to him. “Now how bout we ask the gal. Do my old fashioned ways work?” 

As if to prove his point he presses his thigh between your legs just a notch and squeezed at your waist, you were lost. 

“No words? Hmm? Interesting.” He smiles, “Think you need a break from the crowd?”

He doesn’t waste time waiting for an answer, rather he keeps his grip on your waist as he leads you through the large gala, keeping the glare on his features that has people backing away to avoid his anger. You however basked in it, and as he lead you into the bathroom with the slam of the door and an easy movement to lock the door. 

You got right to work, hopping onto the counter and wiggling a bit as he turns back to you. 

You look up at him through you lashes, kicking one foot out a bit to expose your leg to him. “I mean not that I don’t love this vibe, we didn’t pack the handcuffs baby.” 

“Oh so the pretty girl thinks she’s funny.” He chuckles, stepping forward and moving his hands to the top of your thighs to squeeze before pulling you forward harshly. “In case you haven’t realized it, this is the moment where you start giving me reasons to give you what you so badly want.” 

Words failed you as his palms roamed your skin, rubbing soft circles to begin pushing up your dress. 

“Oh, I’m the one in trouble here?” You huff, leaning back as he pushed his way in between your thighs. “Funny, here I was thinking of granting you mercy.”

“Oh that’s how we are playing it, huh?” And just like that he is pressing the pad of his flesh thumb right onto your core, pulling a sharp gasp from you as you tried to close your legs out of instinct only for him to press you down with his metal hand. “You were saying, sugar?”

“Oh…” You moan, back arching as he circles his thumb with a smug smile, leaning into you to pull your lips into a fervent kiss. It draws your breath until your gasping into him for air, your hands woven into his hair to keep him there and save you all in the same go while he teases at pulling your panties down only to pull back in a matter of seconds leaving you there to try and catch your breath. 

Seconds away from achieving your high only to be left stranded leaves you whining and leaning forward to get him back into your arms. 

He tsks at you, pushing you back gently as you continue whining. 

“What will you give me?”

“Anything.” You gasp out, kissing at the wrist of the hand holding you back, nipping at the flesh of it as you reach for him metal arm to pull you back in. He gives in a little, allowing you to press your hips into his so release some of the pressure. “Please baby.”

“Then how about you behave for the last hour, and we’ll go home and get you sorted. Yeah?”

“Fine,” You snip out, tracing your hand up his metal arm before making it to his collarbone and pressing your hips further into his. “I’ll be good. I promise.”

-

“I know you want my touch for life

If you love me right, then who knows?

I might let you make me Juno

You know I just might”

-

And you feel like a fool for making that promise as he leads you through the crowd once more, this time with a pressure begging to be released in your lower belly as he keeps his metal hand on your lower back. The chill of the metal while your body is ablaze has you reeling, reaching a hand back to keep a hold on him. 

You think of all the things he can do to you as he talks with the Galas president, digging your nails into the sleeve of his tux as you push your thighs together a bit, leaning your nose into him to inhale his scent as he talks with a bold presence. 

When that Montana girl comes back you learn that she is an assistant for the program and that little green monster leads you to nip at his ear in front of her before kissing at his neck to leave a lipstick mark. 

He looks at you for a moment, leaning in to give you a peck on the lips before turning to talk to her some more but it’s too late, you’re already in a haze. The green monster and the red flame have mixed to make their very own monster. 

So you pull him in by his tie, pressing your lips to his ear and whispering the words you knew would break him. “Gimme me a baby.”

-

“Let you lock me down tonight

One of me is cute, but two though?

Give it to me, baby

You make me wanna make you fall in love (Oh)”

-

It was the one secret weapon you’ve never used, but have always known about. 

Back in the beginning of the relationship while you were learning the ins and outs of eachother you noticed how much he loved the pill since it hadn’t been too popular back in his day. He loved the freedom it gave him to mark you as his, but you also noticed the lingering gaze on your stomach and or the intent look he gave when you took the pill. 

But you had never been ready for a kid, you wanted to save that for that someone special who you could raise them with. But you knew that Bucky was it, you knew that he was your touch for life. Why not give in?

And the thrill of giving in the second his eyes meet yours makes it worth it, seeing the heat as he pulls you in so tight you might as well be one person. 

“Come on baby, one of me is cute but two though?” You whisper, leaning up to bite at his lip before his hands come up to pull you into a feral kiss as he begins to lead you out the doors. 

-

“I showed my friends, then we high-fived (Ah-ah)

Sorry if you feel objеctified (Ah-ah)

Can't help myself, hormonеs are high

Give me more than just some butterflies”

-

“Easy there.” He grunts out the second you press him into the seats of the limo, straddling him with ease as your nails rake down his chest to begin tracing the buttons of his shirt. “I might feel objectified.”

“I don’t give a shit,” You gasp, ripping his shirt open before attacking his chest with kisses. You take to kissing his chest, dragging your lips from spot to spot in order to mark him as much as you can as he pulls you down to move his hips into your with a groan. 

Your eyes flutter closed at the heat that crosses through your body at the sound, whining out a bit as he begins to grind into you, pulling you up from his chest with a swift pull to lock your lips together as the limo makes a turn. 

The kiss was feral, teeth gnashing, thigh clenching kiss that has you gripping his shoulders and pushing your hips into his a little quicker. Biting down onto his lip when he stills your hips with his hands before pulling back. 

“You gonna let me lock you down?” He whispers, rubbing your hip as he moves you with ease until your legs are splayed over his lap and he can reach between them to pull more moans from you. “Gonna let me keep you forever?”

“Yes….” You whine out the second he begins rubbing at your core once more, this time with the metal hand. The chill of the metal over the fabric is driving you crazy and you press your hips up for more pressure and as a sign you want the panties off. 

He is quick to oblige, pulling his hand to the waistband of them and ripping them off in one easy movement before pushing his fingers back to ease one into your center. “I’ll give you anything you want. But you already knew that when you said I could give you a baby. Didn’t you?”

And just like that he pushes two more fingers in, curling them in a fluid motion as his lips press into the pressure point of your throat. He works his fingers in a fast paced motion as you close your eyes and give into the feeling, letting him suck and bite at your neck as much as he wanted to. 

And once you reach your high he merely speeds up his movements until your shaking in his lap. 

“Atta girl.” He grunts, pulling his fingers up to suck on while you blink at him, still shaking from that orgasm. 

“I love you.” You murmur to him, leaning on for a gentle kiss. He laughs into it, rubbing at the back of your neck in a sweet gesture before putting your torn panties in his pocket and looking to see how close you are to home. 

-

“You make me wanna make you fall in love

Oh, late at night, I'm thinking 'bout you, ah-ah

Wanna try out some freaky positions?

Have you ever tried this one?”

-

The calm ease he had built up for the rest of the limo ride was quick to vanish the second the limo pulled up to the curb, pushing the door open and pulling you out so quickly your legs swing until he pulls you up so you can wrap them around his waist. “You okay?”

“I’m fine.” You giggle, letting him carry you inside until the front door closes and he can set you down to lock it. Even in the mix of all this he can never slack on your safety, and you were sure that once he spent all your energy he would come down here for one last safety check. 

You let him do what he needed to do, walking to the kitchen with a fleeting look to him before grabbing a glass of water to sip on while you waited, legs still a little shaky. But you don’t have much time since he comes around the corner into the kitchen, leaning on the fridge with a small smile as he watches you every movement. 

“Everything locked up and safe?” You ask, moving one step closer to him.

“Yes.” He responds, the deep voice causing a shiver to move down your spine as he takes a step similar to yours without taking his eyes off you. 

“I think it’s so hot you know.” One of his eyebrows raise at your words, the small smile turning into a smirk. “I don’t think I’ve ever met anyone in this world as protective as you.”

He merely hums back, taking another step closer as his eyes roam over your body. “Yeah?”

“Mmhmm. And I was thinking that you deserved an award.” 

“I do?” You almost laugh at how innocent the question comes out, but you don’t have time since your already turning to press yourself into the counter, pushing your hips out and pulling your dress up to expose yourself to him as he audibly growls. “Have we every tried this before?”

-

“I know you want my touch for life

If you love me right, then who knows?

I might let you make me Juno

You know I just might”

-

His hands are upon you in an instant, rubbing at your hips as his body presses into yours to kiss at the back of your neck, and you realize that he is still wearing his undershirt and pants. The metal of the belt buckle digs into your back as you reach back to undo his belt. 

You hear him undo it and get ready, pressing your forehead into the tile of the counter as he grabs your hands and begins wrapping your hands together with the leather belt. And you should be embarrassed at the moan that fills the air once you realize what he is doing before he undoes his pants and you feel him press at your center. 

He’s quick to press in, and you both your moans fill the air as he presses his forehead into the exposed skin of your back before beginning to rut himself up into you. With every aggressive push of his hips into yours the doors of the cabinet on the counter shake, the cold tile of the counter hitting your hip over and over and over as he claims you for his own. 

With one hand holding the belt that is biting into the flesh of your wrists and the other holding the counter to keep you both stable he stands straight and lets free. Every harsh threat is followed by his grunts and your moans, the sound of skin slapping filling the room before the hand from the counter comes to hold your hair. 

It’s feral, and hot. And the feeling of his flesh hand pulling at your hair has you tightening around him enough that he can’t fight his own moan. 

And the second you hear it you are coming undone around him, shaking harshly as he keeps you held up before you collapse, continuing his thrusts until you reach the peak of the high once more and spasm around him. 

Once you come down, panting heavily and keeping your forehead pressed into the cold tile, he works on undoing his belt to release you as he pulls himself out of you and pulls his pants up. 

You are quick to turn on him, tears in your eyes partly due to the intense orgasm and the fact that you still haven’t gotten what you wanted. “Baby please….”

“Easy doll.” He whispers, pulling you into his arms to wrap himself around you, picking you up easily. “You’ll get it. Don’t you fret.”

-

“Let you lock me down tonight

One of me is cute, but two though?

Give it to me, baby

You make me wanna make you fall in love”

-

He carries you into the bedroom bridal style, setting you down at the foot of the bed before leaning down to grab the end of your dress and pull it over your head, kissing his way up your body so slowly you feel like you might just die. By the time the fabric is over your head he throws it to the side, his gaze meeting yours in a tense blaze. 

You knew within an instant that he had gotten serious, and as you kept your gaze on his he let your hands roam until you begin pulling his undershirt off before you reach to undo his waistband. “What’s that look for?”

“Did you know….” He keeps his voice to a whisper as he kicks off his shoes and shucks off his pants, pulling off his socks and throwing everything to the side before moving his hands to either side of your cheeks. “That it’s not actually proven that the amount of orgasms a women has is connected to their ability to conceive.”

“Yeah?” You smile, waiting for him to get to the point 

“I did a lot of research.” He says proudly, “So though the amount of orgasms I give you don’t end up mattering in the end…..they sure are fun.”

And you can’t fight the loud laugh that escapes when he gently tackles you onto the bed, making it bounce a bit as he pushes your thighs open with his hands and pressing them into you by the backs of them. 

“You ready doll?”

“Always for you sergeant.”

-

“Adore me

Hold me and explore me

Mark your territory (Ah-ah)

Tell me I'm the only, only, only, only one (Ah-ah)”

-

He keeps the eye contact, soft and open, as he slides himself between your folds to use your past orgasms as his lubricant before pressing into your center and moaning a bit as he pushes himself in. Whereas the romp downstairs had been feral and fast this one started slow, allowing him to kiss at your face as you adjusted to his size this time. 

His weight presses you into the bed, and your hands find purchase at his back so he can pull himself back before pushing his hips back into yours. Slow and precise, every pull he left a kiss and every push has just enough friction on your core that has you arching your back. 

It had been years of him learning your body and by this point he knew how to play it like the back of his hand. It was his and he liked keeping what's his cared for. When you arched a little more he knew he should speed up, and when you closed your eyes he reached a hand down to grip at the fat of your ass, fingers digging in as he readjusted you both for more pleasure. 

And once you came around him, spasming and moaning loudly, all bets were off. 

-

“Adore me

Hold me and explore me (Ah-ah)

I'm so fuckin' horny

Tell me I'm the only, only, only, only one”

-

His entire weight comes down, crushing you beneath him not that your complaining. Between the warmth of his skin and the mix of your sweat with his you both have traction to move as his thrusts turn wild. 

Over and over at a speed he hadn’t reached with you before, his eyes are clenched shut as he ruts into you, overstimulating you as you begin to sob from the pleasure. Your entire body shakes with every intense hump. 

Between his thrusts you meet your peak once more, screaming out as his own thrusts become erratic and harsher. 

By the time he finishes he leans down to your ear so you can hear the heavy moan that escapes him as he fills you to the brim, shaking and pinching you with his metal arm. And his release seems never ending as he continues to thrust, until you are both completely spent and collapse into the cool sheets. 

-

“(Oh, I) I know you want my touch for life

If you love me right, then who knows?

I might let you make me Juno

You know I just might (Might)”

-

You had managed to fall asleep and only woke up at the realization that he wasn’t near you, vision blurry as you looked around. He had cleaned you up and tucked you in with a glass of water on the nightstand, but his side of the bed was  empty. 

So you sit up, ready to go check on him, until you realize how sore you were and stay on the bed to listen for him. You hear the sound of him shuffling around downstairs to check all the locks before he begins climbing up the stairs. 

You know he makes the noise for you, otherwise he would be as stealthy as an assassin. 

By the time he enters the doorway there is a small smile playing at his lips while you open your arms and pull him in to lay with you. 

“Goodnight.” You whisper. 

“Goodnight, Doll.”

-

“Let you lock me down tonight

One of me is cute, but two though?

Give it to me, baby

You make me wanna make you fall in love”

-

The waiting was the most dreadful feeling. 

Sitting on the edge of the bathtub with the test sitting on the counter between where you sat and where your husband sat in the hallway with the back of his head laid against the door. 

It was silent but not in a malicious way, more of a calming way as his metal hand whirred before the alarm on your phone goes off and you both shoot up to look. 

“Is it…”

“I….”

And you both lean to look at the same time to see just how well those new positions took.

-

[rory-multifandom-mess]

i see you've gotten yourself into the rabbit hole that is the transformers franchise! So here's a simple question:

Out of all the iterations you've seen, who's your favorite Autobot and favorite Decepticon?

Oh my GOODDD. Give me a second to even remember all the iterations I’ve seen one second

Ok so MTMTE/LL, Prime, Rescue Bots and Rescue Bots Acadamy, Animated, and Armada. I’ll start with Animated because that was the first one I was introduced to.

~~~~

Tranformers: Animated - Favorite Autobot has definitely got to be Bumblebee, but Jazz is a close second. I see a lot of myself in that lil yellow guy— constantly being picked on for his height, self esteem issues that come off as over confidence, constantly wanting to prove himself— yeah that’s just me but in robot font. And much worse. Jazz being a close second is entirely because he was just really cool.

Now my favorite Decepticon from Animated is 1,000% Blitzwing. I fucking LOVED his german accent and his personality switch gimmick. I hope it’s not disrespectful to call it a gimmick, but like. If you watch the show it really is just a gimmick. You got the cold and calm one, usually the main face, the brute with all the anger in the world, and then the Batshit Crazy guy. He’s so incredibly silly. I love him.

(The rest under the cut, this is gonna get long)

~~~~

Tranformers: Prime - Favorite Autobot is EAAASILYY Smokescreen. How could you NOT like him??? His character arc is one of, if not THE, best in the whole series. He first joins the Autobots acting like a new cadet, arrogant and sloppy, but raring to fight and throw himself headfirst into battle. He was kind of rude to the others, but through experience and making mistakes, he begins to mature and apologizes when needed. He beats himself up when he makes mistakes, no matter how small (me too).

But then, at the end of season 2 and beginning of season 3 I think, he goes through something traumatic. Optimus, nearly dead, presents the matrix to him, saying that it was time for a new prime, and that prime was to be him. And like. You expect Smokescreen to take it. BUT HE DOESN’T. Instead he goes and brings the Forge of Solus Prime to Optimus and REVIVES HIM.

Smokescreen refuses the Matrix of Leadership, not because he was in denial about Optimus dying, but because he recognized that he wasn’t ready. He showed humility, something he hadn’t shown since he arrived, and he showed compassion. Like. Just. LOOK AT THIS CLIP FROM THE MOVIE.

Anyway. Smokescreen makes me ill. Moving on

My favorite Decepticon from Prime is Shockwave. For no good reason other than god he’s hot. His voice…. his walk….. he could eviscerate me and I’d thank him.

~~~~

MTMTE/LL - Now I would call this IDW but I don’t want to be misleading since I haven’t exactly read every single IDW comic in existence, so I’ll just stick to the story I read a lot. ANYWAY. Favorite autobot is Rung, obviously. Who do you think I am. Lovable psychiatrist who gets forgotten about a lot despite being these bots’ psychiatrist for like 6 centuries (RED ALERT). Anyway. And he has a ✨✨Dark Secret✨✨. Which is. The fact he is LITERALLY GOD. But it’s ok because he didn’t know it either. aND THEN HE DIES AND HIS FINAL WISH IS DON’T FORGET ME AND GUESS WHAT EVERYONE D- [gets shot]

Rung makes me ill.

First Aid is a close second. He also makes me ill. Lengthwise…… (<- obscure reference)

Favorite Decepticon… Is really hard to decide because there are so many good options in MTMTE/LL. I’ll pick two for this one, since they’re part of opposing groups within the Decepticons anyway. Those two are Fulcrum and Kaon.

Fulcrum is part of the Scavengers, along with Krok, Crankcase, Spinister, Misfire, and Flywheels. Though he like instantly dies. Anyway. I think I just really like his design and personality, since there really isn’t any arc with this guy. He’s just silly.

And then there’s Kaon, who is part of the D.J.D. (Decepticon Justice Division. To those who don’t know them, they’re a group of Decepticons lead by Tarn who go around the galaxy killing Decepticons who went rogue, awol, or just strayed up betrayed the Decepticon clause. And they don’t just. Bam dead, they torture their victims, killing them slowly and brutally.) He turns into an electric chair and I mostly like him because of his design and he seems like the silliest of the D.J.D. having that attachment with The Pet n’ all. No character arc to ramble about. I just like him.

~~~~

Transformers: Rescue Bots Academy - Favorite Autobot is Easy Peasy! That would be Hot Shot for mostly the same reasons as Animated Bee and Prime Smokescreen. I see A lot of myself in him, and his character arc is absolutely amazing. Basically the same as Smokescreen’s, except he doesn’t witness someone almost die LMAO

There aren't any Decepticons in RBA, but I will say my favorite of the teacher was Blades, which leads me to my next iteration!

~~~~

Transformers: Rescue Bots - Keep in mind, I'm still in the middle of watching this one, so I'm only up to season 2 episode... 4 or 5, I can't remember. Anyway. Favorite Autobot is Blades, as previously mentioned. He's just so silly, and I adore the fact he's such a huge Bumblebee fan. I love the idea of him, a helicopter, being scared of heights. Me too buddy, me too.

Again RB does not have any decepticons as far as I'm aware, and I hardly remember any of the villains.

~~~~

And lastly, Transformers: Armada - Much like RBA, my favorite Autobot in this whole 4 season long series was Hot Shot. I don't remember his exact character arc since it's been a year since I started watching the show, but I do remember I liked it a lot. He was silly and goofy and, much like Smokescreen, matured over time. Oh, and also GODDAMNIT HIS VOICE. It's so soft and adorable and everything but when he yells oh BOY does he YELL. That shit gets GRAVELLY and HOARSE. Oh and also he's voiced by Brent fuckign Miller, the same dude who voices Zane in Ninjago, so... You can say I'm biased because Zane is my favorite ninja.

And as for favorite Decepticon, though he doesn't end up actually being a Decepticon but he is still an antagonist so I'm counting it anyway, is Sideways. And it's entirely because of his voice because I don't remember what he was like before season 4. IT'S SO FUCKING HOT PLEASE HEAR ME OUT ON THIS.

Also, he's voiced by the same guy who voices Sensei Wu also in Ninjago. Take that as you will.

~~~~

I LOVE RAMBLING!!! WOOOO. Anyway uuh. Here's a long answer to a simple question. Enjoy.

[goldenpinof]

when was the last time we analysed something to this extent? it feels like years ago. dnpcrafts is truly the return of the century.

[antigonick]

BLUE EYED SAMURAI IS SO GOOD I FREAKED WHEN I SAW YOUR PFP SJFJDJJRF

I KNOW IT FUCKS TO THE MOON AND BACK it's been AGES since I've had such a raw and active watching experience I was on the edge of my seat for the entire time. The writing? Incredible. The animation? The music? The geopolitical commentary? The gender? The physicality? The details? INCREDIBLE. Mizu has never been wrong ONE minute in their life and I personally think unhinged revenge is both normal and stunning behaviour. Next question

[goldentigerfestival]

Part 4 of the Vesperia differences between JP and the dub!

Part 1.

Part 2.

Part 3.

(Other) GTF Favorites.

As a heads up, I had to piece several images here as "one" image to circumvent the image limit because I was not about to make a part five by the time I got toward the end LOL.

For some reason the dub completely removed Alexei jokingly/sarcastically saying it makes his heart hurt (brings him down in this tl) how Estelle will come to her senses and see what she's done to her friends. As usual, the dub has a very weird habit of adding sentences where they never existed and completely removing sentences for no literally no reason.

I feel that "set you free" can also have the implication of saving her alive (which the dub heavily seems to lean toward versus wording that really shows Yuri's resolve here, the latter of which fits right in with Flynn and Ioder's acceptance that he may have to kill her), so I included this one to go with the previous case of Flynn mentioning that Yuri's group was going to "save" Estelle. The original is more ambiguous about her possible survival, but the dub leans more into being ambiguous in a way that doesn't lean toward her dying.

The dub changed this to nothing but literally "aye" so... do with that what you will.

Another case of them randomly wiping out an entire sentence (the last one).

As with other cases, there are some slight changes I don't feel are worth mentioning and often tend to be just slight changes in word choice that ultimately mean close to the same thing. This is generally the case for most of the spirit gathering arc. The overall tl of this arc is pretty much accurate, just with some odd cases like the above.

I really don't wanna say like, it's because Flynn's not around for a chunk of the plot in arc 3, but uh... let's be honest, it's once again as soon as Flynn gets back into the picture that the tl starts to go haywire again - especially where Yuri is concerned. Like. Literally. As usual.

In the dub, this was "but Duke isn't". Just putting this one here because I feel like this gives more of a sense how the characters are feeling about it, more than just him not working out in their favor.

This one was calling Ba'ul "weak" in the dub, but here Yuri is just asking if he's that stubborn about changing his form to a spirit. Putting this here because I feel using "weak" is a lot more harsh and has negative connotations on it compared to a more ignorant "stubborn" before Yuri understands.

Yuri mentions here that Duke seems to have thought a lot about what he's doing. In the dub, this was "he seems totally obsessed". Not sure what the reason for that change was.

Raven makes this more of a question in the dub, but here is more of him realizing it and putting the pieces together, so I figured I'd include this one since it's a slight change in a character's perception of something.

The first line was changed to "could you be any more worthless" (I guess because they thought the "boring" line was weird? idk lol). The second and third line got swapped for some reason, even though it does kind of change the general meaning behind what's being said.

Yuri says first that Sodia gave up, only to tell her she has no right to say it was all for Flynn (thus saying it's because of giving up). At least imo, in the dub it comes across as "you say it's for him but you gave up thus it's an excuse", versus "you have no right to say it's for him".

I'm trying not to say it again, y'all.

Karol says that Yuri going off alone is a bad habit. The dub changed this to "you keep forgetting us", which I'm kind of confused by because he's not forgetting them and literally told them to get ready to go to Tarqaron. Not really sure why they'd change this line since like yeah, it is a bad habit of his lol.

Another translation error in the dub, so this one's here for clarification. The dub says Astal "lost control", but Astal by this point is dead (and he never "lost control"). Judith also says in the dub that it made all the monsters gather here, rather than saying they've gone savage. It seems like they misunderstood something thinking Astal losing control brought all the monsters here, but obviously we know that can't be the case because Astal is dead.

This was changed in the dub to "it's our turn to do Yuri a favor", when he's actually supposed to be teasing him, which Yuri directly replies to.

Still trying not to say it.

Dub Karol sounds more like he's prepared to go in, but in the original audio, Karol sounds nervous about the hoard they're about to have to get involved with. Raven's line was changed to Flynn looking like he needs help and not that so much that he's cornered, and the original audio has him sounding more urgent about it. Minor changes here, but tonally I think they impact the scene differently (and definitely give more of a "this is really fuckin' dangerous" vibe in the original audio).

Another slight change and not an important one, but figured I'd include this since it has a slightly different meaning/vibe to it.

Including this just for Yuri's little laugh when he shows up (I love him! A Yuri Lowell!) and Flynn's shocked response. More tonal in change, but definitely worth a listen and will be linked below with Flynn's laugh!

This can also be translated as "it's simple/it will be simple", because it's "me and you" doing it. Imo this makes it more clear he's referring to just them (i.e. the upcoming fight) and not the entire group, but Yuri also specifically specifies "you and me", so it's much more clear that he's referring only to them (which I think, also given Yuri's levity in this situation despite the danger, shows how much they've completely come back from and recovered from the Nordopolica/Alexei stuff). Shoutout to Yuri deciding this on the spot and totally not even planning it though.

Again, there are some wording choice changes littered around, but nothing really significant (when I say small things, I mean things like Rita saying it's reckless for just the two of them to deal with this, versus the dub using "are you stupid?!". It basically changes nothing even if it is technically a difference, but I usually skip things like that because these posts would be even longer for changes that don't have a large impact).

As for the Yuri-Flynn-Repede battle, there were some... choice dialogue changes here.

Firstly, Yuri actually tells Flynn to be careful (rare carefulness from him, especially in regard to someone he knows can handle fighting).

Second, Flynn telling him not to worry was removed entirely.

Third, (this one is more difficult for me to completely discern because of the lack of text) Flynn mentions (you too, i.e. you be careful too) if Yuri keeps looking over (at him), that he won't be able to run to save Yuri fast enough (i.e. he'll get into trouble if he keeps staring at him).

Fourth, the dub changed Yuri saying he's just captivated by how handsome/good looking Flynn is (and I shit you not if Judith said that to Yuri people would call it flirting so yes, I am going to tell you that the dub censored men flirting here). The original wording used is "ii otoko", i.e. good/nice looking man, which in translation could come across a bit awkwardly and would be more likely to officially be translated to "handsome"... if they weren't so spooked at the idea of it and had to wipe it for "the great Flynn Scifo" which is not actually what was said. Personally I'd say "nice looking man" has a very specific ring to it versus handsome, but again, obviously that might sound a bit odd in translation without really specific wording (as in, it's possible to be used in a way that doesn't sound awkward but the wording leading up to it would probably have to be changed a little, or some words simply added in to make it flow more native-sounding).

Fifth, Flynn said it's not the time to be making jokes (the dub changed this to just "sh-shut up!").

Sixth, the goofy, playful tone Yuri carries when he says "I am being serious" was changed (very typical of the dub at this point though to remove his playfulness and I'm literally saying that objectively). Similarly, his following line's tone was also changed.

Seventh, "so we're kind of stuck". Yuri says he can't concentrate without talking, then ends (the battle conversation) with a following sentence of "it can't be helped!".

This could be translated in a few ways just to make it more clear what he's referring to (because a plain ol' "it can't be helped" is a bit too vague here), but you could translate that to something like "guess we can't help it", yadda yadda. My guess is that's where "we're kind of stuck" came from, but given the blatant trajectory change of the entire conversation, I'm not surprised I'm left feeling like the meaning of that line is just weird (primarily because he says that and the conversation abruptly ends, so they're not very stuck if Flynn won that one!) Something like "guess we can't help it/that's just how we are" etc imo would have done the job for translating that.

Flynn just sounds so, so happy and soft and my heart is full. Same dialogue in the dub, but the original audio was (imo much?) more lighthearted and so sweet and soft.

Made a clip of both their laughs because they're adorable and I love them.

No idea why the dub actually dropped her giving Yuri a whole ass honorific. Yeah, you can't always use JP suffixes in a dubbed game, but you can translate some of them to the closest thing they mean. Sodia here calls him "Yuri-...dono...", so rather than just dropping his last name in her accusatory tone, she calls him by only his first name and attaches a respectful term to his name.

Technically "dono" would mean "lord" or "master" in a non nobility manner, and is more of a formality than if she were to use, say, -san, which would have her referring to him as more of a regular/casual equal (-san is a suffix that often gets lost in translation, whereas dono can actually be roughly translated like it is here from this translator. Someone of her rank would still refer to others even equal to her rank as "sir" in translation, while people who use "dono" may also still use that term for people of their rank. Remember, at this point she's the second in command to the Commandant himself, so that's an awfully high bar for Yuri to have jumped in her eyes). Sodia has realized his actions have been just and honest and that she was very wrong about him, so as an indicator that she's changing her stance on him, she refers to him this way instead.

Basically, coming from someone of her rank, it's a very respectful term and is not used casually/in a casual relationship, much less to someone one dislikes or even hates (which she previously did, so this by itself is a massive step up in her view of him just from her suffix usage alone).

Honestly a huge shame that they didn't even translate this to "sir" in the dub when there was no reason not to. Just using that alone would have indicated a much higher level of respect from her toward him, and unfortunately that open respect is completely lost to dub only players (she only expresses her guilt, whereas in the original, just by using "dono" alone, she's indicated respect and not just guilt. In a way you could even argue that she's approaching him, someone she gives her respect to now, for advice and not just out of guilt alone).

In the dub this is only "it would have been easier if you'd blame me for this..." Here she's admitting she wants some form of punishment by way of saying she didn't receive it (which she could have from Yuri himself if he told Flynn what she did), but if she can't even have that, she at least would rather be hated. Basically, she's saying she wants to be hated if she can't at least be punished for her crime (and I believe you could also translate this to wishing she could be hated if she wasn't blamed for it, so basically they removed half the statement).

Also, in general, Sodia sounds very distraught.

Here Yuri admits he does have a grudge against her (you could translate this to something like "it's not like I don't hold a grudge against you"). The dub changed this to "don't think I'm doing this for your own good". Basically the dub is having him say he's making her live with her regret without mentioning that yes, he does in fact have a grudge against her for what she did.

The translation here is essentially the same (think about it for yourself. The dub just uses "go figure it out yourself").

The important part here comes in the form of how he refers to her. This is something he's done since he survived her stabbing him - not using a neutral form of "you" but instead openly using a rude form (in JP there are several ways of referring to oneself and others, similar to how Flynn alternates between boku and watashi when referring to himself).

In other words, Yuri is openly expressing disdain for her by using "teme". At this point he's been using it for a little while now (he also talks to her this way back in Nor at the inn as well. Worth noting that he starts out by using "omae" (neutral), but as soon as she drops the "I did it for Captain Flynn's sake", he hops to "teme" in a heartbeat, because of saying it was for Flynn but having just given up on him. Yuri continues using "teme" from that point on), but since here it's with very other little dialogue and also because she just recently referred to him as "Yuri-dono", I think it's a perfect time to point it out, as they've openly, verbally switched how they treat each other.

Sodia, wracked with guilt and left unresolved, has a newfound respect for Yuri after their interaction at Nor (and presumably everything he's done for Flynn). Yuri, still angry at her for what she did and holding a grudge (a fact lost in the dub that he mentions in this scene as mentioned above, adding to this role reversal), now openly chastises her and expresses his contempt by changing how he refers to her.

NEXT!

Not gonna put a picture here for it, but when Rita asks Witcher where his notes are, she gets super excited and it's just cute and funny.

Also not putting a picture here for this one, but Flynn sounds extremely relaxed/calm/casual in JP when he asks if Yuri is all set/ready to talk. Something worth noting is that even at this point, the dub keeps Flynn sounding very uptight and serious where he otherwise is relaxed, calm or even emotional. I get the feeling the dub kind of missed the mark with Flynn's soft gentle side. I don't know how or why, but it's more absent in the dub where he's otherwise much more soft.

Similarly, not pictured because this isn't about the translation, Flynn trying to convince Yuri to tell everyone what he's done is given in a more angry-upset tone, versus the original's (super!) soft and sad tone. Again, I think they had a different perception of Flynn in mind when it comes to audio (particularly in arc 3 here because the other arcs are... again, their own whole can of worms), because here he's speaking sadly that Yuri won't take credit, whereas in the dub it's more energy-fueled and comes off much harsher. I have a video clip of that scene here. I felt like mentioning it here because overall Flynn can be extremely soft and gentle in tone and it got lost in the dub for whatever the reason was.

Still on that train of thought, while the translation itself is still pretty accurate, Flynn says "I'll just yell at you again" but in JP says that he'll just say unnecessary words. Earlier, in the dub Yuri asks why he's so serious when he doesn't actually mention that he's being serious in the original (because honestly, he wasn't. He was very calm when they set out). In this case it's not really negative (the way Yuri yelling at people in the dub is portrayed negatively on their end), it's just... a change that I can only guess they had the wrong idea about with him? Previously the changes with Flynn were treating him negatively, but here it's more just... a notable but narratively generally neutral tone difference.

Not making a clip just for this unless it's requested, but when Yuri wins the solo fight against Flynn, in the original, Yuri says it with actual shock but awareness/clarity that it actually happened (with a sort of underlying excited vibe to it). In the dub Yuri says it with more of a laugh and disbelief.

As for this point onward, since the subbed playthrough ended before this point, I'll be using another playthrough for images, though I'll be translating them here instead since they won't be pre-translated.

Sliiightly different vibe here so I figured I'd include it (doesn't really change anything): Here Flynn says "Even with a sword... I lost." The reason I'm including it is because "I can't even win with a sword anymore" makes it sound like Flynn has been losing again and again to Yuri in various ways when it's always been the opposite. Using a sword has always been one of his highest selling points, so to lose in that area comes across more as, even with my best asset I still lost to you.

Yuri's line is more like, "(laughs) Serves you right."

Running out of images I can use for this post here but I really don't want to make another part at this point in the game, but Flynn's following line is more along the lines of "be proud of yourself" (literally "raise your arms (in victory/pride)"), to which Yuri says the same thing in both versions (Flynn's dub line is "you've gotten better"). Including this because "you've gotten better" to me isn't really the same as telling Yuri to be proud of himself for the victory (something he'd never been able to do before). Since the dub came across as much more casual, I figured I'd add this part here too.

During Flynn and Patty's conversation, Flynn says "it's true there is no end to my worries." In the dub this was, "I have no want for trouble". This was probably a mix up of terms/intended meaning honestly, because Patty was basically saying he has a lot of burdens for being so young. It's not about trouble so much as he just has a lot on his mind and a lot to worry about in his current position.

Flynn proceeds to say he's made up his mind, basically saying he's made up his mind to accept those worries. In the dub, he says he's prepared to face it (the troubles), versus that he's made up his mind in accepting these new worries.

Patty's response is "made up your mind?" In the dub it's just "is that right?"

Flynn continues by saying in the end he'll have to worry a lot (more literally with all his might, so basically he'll be experiencing a whole lot of worries in the future) and that it will be a tough road, but he won't run away anymore.

I'm not sure why the dub used "path full of pain" since that sounds a lot more dramatic than "it will be a tough road". I imagine yeah, there will be pain in the future, but full of pain just sounds a bit... much? The dub also removed "anymore" from "won't run away anymore". Not sure what the idea behind that was.

Patty follows up saying it's admirable but that's no good, which the dub changed to a fish pun.

I'd also like to mention at this point, Flynn has completely dropped his use of "watashi" in favor of "boku" (he uses boku normally, but typically switched to watashi for formality/his status as a knight, which indicates he no longer feels the need to do this around Yuri's friends, and possibly does not feel the same level of distance he used to. At the very least it means he's allowing himself to be more of himself/more familiar and not viewing his position as a knight so formally).

Here Flynn says "thinking together, worrying together, and then one day realizing the world we dreamed of". Adding this since Flynn in the dub says "if we all work through our troubles together". It's kind of the same thing and kind of not, since in the original Flynn isn't mentioning "troubles" between anyone - simply the idea of everyone doing this together (the rest is basically the same in the dub).

Another change I'm not sure what it was for, but Ioder never mentions the Entelexeia specifically. He says this (what he's about to say) concerns the empire, guilds and everyone who lives in the world (which would include the Entelexeia by default, but literally everyone else too, which is the point because he's about to tell them about the blastia to start making plans). The dub never mentions about this affecting everyone in the world despite that being the whole reason he wants to talk to everyone about this.

Yuri calls Duke an "ignorant fool" here, rather than a "stubborn bastard", which I'm including because "ignorant" and "stubborn" aren't the same thing. Yes, Duke is stubborn about it, but in Yuri's eyes he's also being very ignorant of everything they're trying to tell him.

Not grabbing an image for this, but at the end of the game when Yuri is talking to Duke right after the battle, he's completely out of breath before and when he starts talking (the first line). Just a very nice touch!

In the dub Duke says Eluficer's wish was simply to protect the world and all living things. Here Duke says his wish is to protect the world and all living things with a good heart.

Also don't want to use an image here because of the image limit per post (especially because it's already tight even with me putting what images I can into "one" image as it is), but Yuri says "yeah, let's do it" (including the others), versus "I'm on it" in the dub at Flynn's prompting. Not a big change, but he does treat it as the whole group doing it together, which I find to be a nice touch for his character development.

Patty actually says "it- it stopped?!" The dub goofed and wrote "it's- it's over?!". The power of the blastia wasn't enough and its power was weakening.

Estelle says "No way, after we've come this far!". The dub changed this for some reason to "but how? There isn't any more!" in response to Rita instead of leaving it as it was.

Judith says "Please!" The dub used "It's gotta work!"

Flynn says "It's not over yet!" For some reason the dub used "This can't be how it ends!", which... idk, I feel like original Flynn has much more faith in it LOL.

Yuri says "Is it no good...?" Dub Yuri says "Dammit... come on!"

For the most part the rest is the same.

Adding this in because the old cutscene in the 360 version had to get changed to accommodate where Flynn was. Somewhat different than what we see with the other characters, you can see the power shoot out and push Flynn back as if it was grabbing the blastia itself, and you can see it pulled away from him (with everyone else we just see the blastia head toward the rest!).

Aside from that, Flynn says "you are my pride, dear friend" (the dub changed this to "I am so proud to call you my friend, Yuri Lowell").

The voice acting took me out with the happiness portrayed in Flynn's voice. (For just the Flynn part of the ending, I have a clip of that too, unsurprisingly.)

----------

Personal ending notes:

To sum it up briefly: I personally see a strong inserted bias put into the localization instead of just keeping things the way they were (i.e. changing context/character behavior to fit their bias despite that not being what the original context was, and inserting this into an official release). I say this because there are times when the translation is basically perfect, but there are very specific characters and instances where this suddenly changes, and unfortunately, there's a repetitive pattern that to me reads as intentional. Otherwise, I see no need for that to continuously happen only when select characters are involved.

As for the not so short version, y'all might be wondering why I mention things like it seems like they changed Yuri and berated Flynn so much on purpose. This is because the translation of this game sometimes can be astoundingly spot on. Perfect in some cases, even. There are times when the largest difference is just the wording itself and is simply given flavor, or uses a variety of wording so that sentences don't sound repetitive.

Yet when it comes to those two (individually but also between the two of them), the context quickly devolves into being either completely changed, the tones used are completely changed, and/or there's a slight alteration in the text that ends up giving a very particular notion that was not otherwise there (ex. "like a good knight" was added into Flynn's dialogue in a situation where he's being berated and yelled at, and it completely comes across as putting Flynn down the entire way through the conversation, versus him coming around and taking responsibility and that being accepted. In the original he simply mentions following his orders as a knight. There's no attempt to sound like the narrative itself is trying to insult him or bring him down).

I made these posts precisely because a heavy majority of the changed context involved them, and a lot of it either portrays Flynn in a negative light for the vast majority of the game which was not originally present, or it made Yuri come across as a much darker, scarier, "cool" type, which is a pretty stark contrast to his original personality/behavior.

Other things:

Yuri:

A lot of his lines come out neutral/flat, and that got even worse, like a hundred times worse, in his new DE lines. Yuri is pretty peppy in JP, and as a reference I would say his victory quotes are a big indicator of the personality shift ("cool" guy versus "silly" guy would be a big one for me). Other than that, Yuri is more silly and almost childish, sometimes even pretty pouty, and it shows blatantly right in his voice. He's also extremely not threatening to people who are not his enemy (liiike threatening Ioder with a real weapon with a serious voice).

I think the easiest way to explain this from my own perspective is that I adore JP Yuri completely. Dub Yuri I often find myself wanting to punch in the face for how he treats Flynn, Ioder and the one time, Leblanc. He lacks compassion in the dub where he otherwise does have it (even if it's not him being rude vocally/tonally, the dub dropped a load of emotional nuance in his voice). He's not a rough, overly cool edgy man (I hate people saying Yuri is an edgelord because damn if that ain't the farthest thing from the truth in JP, but it also shows how much they really leaned into that trope in the dub if people actually walked out of the game feeling that way about Yuri). He's a silly, goofy, caring man who is very gentle with people when they need a boost. That doesn't mean he doesn't have his "scary" dark moments, but the dub obviously leaned super far into it - enough that they would change Yuri mentioning punching someone to outright threatening to use a weapon against an unarmed man who is actually being quite polite.

Basically, he has a range of emotions and he has a lot of emotional intelligence. As one example, when he sees Karol down and sad when they first meet, he changes his tone to a combination of how you'd talk to a child with that child-y tone (he does this at the base of Halure's tree when he's asking Karol how to heal the tree), but then sometimes he shifts to actual gentle and soft to let Karol know he's there for him (when he's heading out to the woods to find the eggbear).

Ultimately, my point is that they took a perfectly well rounded character and changed him to, what? Fit their own bias/agenda/whatever? Because I can't look at both Yuris and be like "same person". I've never wanted to punch JP Yuri in the face. Only hugs here. What I'm saying is that I came out of both versions with two very different opinions on Yuri.

Next, Flynn (and Ioder and Leblanc).

Starting with Flynn, I get a very strong mindset of anti government shoved into the dub with these characters (i.e. not just the unnamed bad people in the government and the few named bad ones, but also directed toward the good ones, making it a more black and white approach). The dub makes Yuri out to be aggressive toward Flynn on the spot when they see each other again despite that in the original audio, he's not at all actually upset. He understands why Flynn is upset and that he's stressed out with his current mission. And no, the whole "Flynn swung a sword at him!" doesn't work here. Yuri knows Flynn. Very, very well. He reeeeally was not mad about that... especially if, you know, his tone in JP was anything to go by during and after. Flynn was the more upset one between the two, and Yuri remains calm - again, indicating his emotional intelligence and, most likely as it's not directly said, determining that being worked up about it would only cause Flynn more aggravation/stress. Thus, he doesn't press any buttons and remains calm. It makes his smile to Flynn later at Torim make that much more sense.

The thing is, I get the impression the dub wanted us rooting for Yuri and cheering for him digging into Flynn, when that was literally not the point of their interactions. We're not supposed to always blindly follow Yuri. Sometimes he is right, but sometimes Flynn is right. Like. That's it. That's the game. Not everything is simple or black and white. There's nuance.

That and/or like, someone in the loc team really hated Flynn. Based on everything, I'm... not against believing that at this point. Basically, the dub portrays Flynn in a negative light at most (arguably all) possible opportunities around every turn, even though the context/tone for that did not originally exist, until it couldn't anymore (i.e. he was past his character arc).

Ioder and Leblanc.

Ioder never does anything except keep Yuri in the loop, tell him important information and be genuinely happy to see him. There was never any vitriol between them. The way dub Yuri gives him an attitude just comes out of nowhere. Their relationship is pretty casual, which is pretty meaningful given that Ioder is on track to be on the emperor and Yuri is, plain and simple, a commoner. One who rescued Ioder, yes, but if Ioder was a "typical" noble in this game, he might have just brushed that off as "to be expected", even if Yuri didn't know he was saving a noble at first. Point being, Ioder is nothing but pleasant toward Yuri. Yuri has no reason to be rude, much less threaten him.

At Baction, JP Yuri is understanding that Leblanc needs to grieve and is in disbelief. He doesn't know if Leblanc will try to stop them, but he does offer his condolences with the tone of his voice, i.e. again: emotional intelligence. Something they changed in the dub to be nothing but rudeness and anger. Yuri made a statement to him at that moment, i.e. not to get in their way (mind you, again, he's polite about it given the situation), but not without understanding in his tone, which is a very common aspect of Yuri in his entirety. His wording (in general, not strictly with this specific scene) comes out rough and lacks politeness, but that's made up for in how he speaks to people (either relaxed, casual, gentle, etc).

In other words, the dub pretty much always slaps a point of view bias against these characters and uses Yuri as their proxy for it. Yuri, normally, in the original context, just treats them as human beings with ebb and flow in all of their emotions and situations. Things aren't black and white - humans are complex - and that is not the point of view that I feel we're given by way of dub Yuri. We're given a man who is constantly using anger in his voice toward imperial figures even when it's completely unwarranted, and even when he knows the people in question.

Other Stuff:

Assorted things are different mainly because of the acting, but Raven's goofiness got toned way down and Karol screams much... quieter, I guess you could say. They're both more lively in general though than how they were in the dub, so that's a plus from me too.

Rita is significantly softer with Estelle in JP, and she also is much more noticeably devastated about Raven's "death" and more panicked for Karol at Zopheir. I do love Michelle Ruff's portrayal and don't know that I truly have a preference, but I think a lot of Rita's emotional barrier breaking is truly expressed more in JP.

You know I gotta bring it up: Yuri and Flynn's relationship was kind of a mess in the dub. It gives the impression of Yuri being angry a lot more often than he ever actually is, and gives off the impression that we're supposed to dislike Flynn more than we're supposed to like him. Flynn isn't someone we're supposed to actively dislike, but the portrayal of him as expressed through dub Yuri does not come off as "we're supposed to like or root for this guy", when they're much closer than that in JP.

So yeah. The bulk of this is that Yuri is just not the same person to me between versions. Also, Vesperia has way more content in Japan (drama CDs galore frankly, and Yuri is still insanely popular in Japan and is thus a frequent character alt release in the gacha games and so has tons of voice lines and general story content, there's new merch of him every year because they make merch for the characters that have their voice actors showing up to TalesFes, etc).

There's much more ease in seeing JP Yuri's personality through all of it. I think it may be more difficult for people who don't understand Japanese or any Japanese at all, and that's such a shame to me because all those people get otherwise, without anyone posting about JP Yuri, is this... weird shell of Yuri that I sometimes even hesitate to call a shell because he just feels completely different to me.

Anyway uh I love Yuri (and Flynn) and that was the point of all this, but uh... if you made it this far thank you bunches and I hope people who maybe didn't like Yuri and/or Flynn who only knew the dub will change their perspectives. 🙇‍♀️

[l0rd-0f-c0ws]

I frequently feel completely isolated no matter how much I talk to people. So that's fun

[skitskatdacat63]

Sometimes reading reviews of shows/movies with complicated/controversial characters makes me concerned at other people's lack of empathy. Or maybe I'm too empathetic 🤔

[yardsards]

tfw one of your fav fics got added to a private/unrevealed collection so you can't view it anymore and you forgot to download it so you might never get to reread it again :(((

[xnervouscircus]

oh

that's

oh

i'm

i am legitimately tearing up oh wow

[running-in-the-dark]

a super fun thing that my brain is really good at is hearing a random fact and remembering it forever. but only if it's bad :)

[m0e-ru]

annual realization where this gas station’s operations and my life owe it all to visualive i’m serious

[todayisafridaynight]

Right??? Thanks so much! I actually first fell in love with Jo's character when RGGJo's voice lines came out haha, so it's super fun to be able to share them.

But I can think of a couple of reasons for the wild personality gap, and for me it starts at their respective roles. Obviously main antagonist and major supporting character are going to draw different levels of attention to themselves, but I think it's chiefly that RGGJo is not just Jo, but he's both Jo and Masato as one character.

RGGJo is much, much closer in age to Ichi, and though they're not "twins" like Ichi and Masato are (RGGJo is a little more than 2 years older), it's thematically there I think. The whole "twin dragonfish," dark and light, two sides of the same coin kind of thing.

And just as Ichi was initially conceptualized as a sort of "greatest hits compilation" of the previous protagonists' most compelling traits, I think there's a strong case for RGGJo being the same for the previous antagonists--specifically Nishiki, Ryuji, and Mine, who are pretty clearly Yokoyama's favorites anyway lol.

I have a feeling casting has something to do with it as well. RGGJo's actor, Hiroki Takahashi, is actually the exact same age as he is, and he's voiced his fair share of fun, flamboyant villains. If I wanted to speculate, he's also voiced his fair share of BL, so that may be why RGGJo's voice lines have a Certain Slant to them; directing his delivery to capitalize on his established appeal (although he has quite a range) makes sense.

Tsutsumi is also only a few years off from Y7Jo, and he was cast for having the dignity and screen presence to "make every word feel like it might have a deeper meaning." Yokoyama (and Takeuchi) wrote the games, he and Nagoshi handled the casting, and Yokoyama generally handles the voice direction for the main story, so a lot of it's specific to his vision.

Within that context I think it's relevant that he wrote Y7Jo while picturing Tsutsumi specifically. RGGJo was more malleable and less "consequential" in terms of the franchise, so, y'know, why not have a little fun with it? I think that's reflected in their designs as well. RGGJo's is larger-than-life while Y7Jo's is relatively subdued.

Overall, I get the sense RGGJo's role is more akin to "son" and "brother," (aniki, if you will), like Masato, whereas Y7Jo's role is more akin to "co-parent" and "father" and I guess "Evil Stepdad" in a Cinderella kind of way. It's not exact across the board, it's not literal across the board, but it's the archetype, right? And I think that does, exactly like you said, have far-reaching consequences for their backgrounds and who they've become as a result.

BTW, you actually are up to speed on Ichi's story, because uh… that's where it stops lol. It was discontinued at roughly the equivalent of the start of Chapter 12 in 7; the rest of the story was written, but not published. It Kills Me.

But I think, despite any concrete backstory, the implication for RGGJo is that (if I assume he joined earlier than Ichi, which would make sense given he's captain), he was at most 18 or 19 when he joined, and he's exactly the same kind of Arakawa fanboy Ichi is. The 15th anniversary book goes on to say he "was purely in love with [Arakawa]'s greatness" and so cannot tolerate the idea of allowing him to live and die in obscurity at the bottom rungs, of Arakawa being in a position not equivalent to his "greatness" in his eyes.

But Ichi thinks that's regardless of what Arakawa himself may want, since RGGJo is apparently not going to stop until he makes him chairman, which the Arakawa Ichi knows wouldn't really care about. I think there's an interesting mix of selflessness and selfishness in his desires that reminds me of Mine.

And that's explicitly as opposed to Y7Jo, whose loyalty remains the same, but whose feelings and motivations are complicated by the existence of Masato; the usage of "purely" before is notable here, as another suitable translation would be "uncomplicatedly," which to me would suggest that degree of admiration is a component of his loyalty in 7 as well.

So I think you're absolutely right the circumstances with Masato are a major aspect of what's going on with Y7Jo. It's inextricable because he's got this immense gratitude towards Arakawa for raising his son and also a need, a primary driving force, to be a part of his son's life at (almost) all costs. The natural result of that is going to be reluctance to do anything that tips the balance.

I think that's one of the things that make him so compelling, he's forced to make a lot of tough, meaningful decisions and there's often (but not always) no right answer. And that's really clear to see with Aoki, as you say.

(Kind of a side note, but somewhat contrary to the above, Masato may actually have existed in RGGO's timeline. There was a comment from Yokoyama or Takeuchi suggesting he's not in RGGO not because he simply "doesn't exist, but specifically because Arakawa may not have opened the right locker or may not have made it to the lockers in time. I guess the other implication would be that Masato would've been Arakawa's biological son in RGGO instead, since RGGJo would've been too young and there was no need for a switcheroo? It was just an off-hand comment, but it's interesting to think about.)

Also, loved your tags haha. It's SO funny you start off like you're going to say something crazy and then it turns out to actually be something I wanted to write about in the previous ask, but that I cut out because I couldn't make it flow. I guess it might just be the case that I'm crazy on the same wavelength?

But yes! I think a lot of the time, impressions of that aspect Jo's backstory sort of begin and end at Evil Stepdad Perpetuates Cycle Of Abuse, perhaps understandably, but there's genuinely so much that's established in both his and Arakawa's backstories that have clearly stayed with them that I'm positive your take on it is at the very least least true to the character, whether or not it's intentional.

Because like, Arakawa and Jo both came from abusive households. And they're both affected by Aoki's "parental abuse" (although Aoki doesn't know it himself, I guess he doesn't need to). But the way Arakawa has always dealt with abuse is defiance; I think the implication of one of the first scenes is that that's how he got his scar. Jo, on the other hand, has always dealt with abuse with avoidance. Running away. Brushing it under the rug, like he says he and Ikumi had done all their lives; I think that statement's fairly clearly linked to abuse and neglect.

And I think that shows both in Arakawa and Jo's respective responses to traditional authority figures and in how they choose to handle things with Aoki. Arakawa defies Aoki's plans in his own way at every turn, and he ends up getting killed for it. Jo, on the other hand, ignores it until there's nothing left to do but sever himself completely, in the same way there was nothing left to do back then but run. IT'S SO. Ugh.

Each Jo's respective role in the overall plot of their stories definitely plays a part in why they turn out different from each other the way they do; it's interesting to see how RGG decided to handle Jo's character to sort of 'adjust him' to fit better as more of a background figure than The Big Bad, and to especially see how his relationships end up is spectacular. Choosing to divide that devotion between his son and his boss in Y7 is something I'm just positively obsessed with: it's clear he joined the yakuza predominantly for Masato's sake, but the concept of Jo gradually coming to genuinely respect Arakawa as an individual opposed to someone that he just happens to have to follow after because his son's involved heightens him as a character for me (I might have to write a side piece on the psyche of Jo- there's just a bunch of aspects to him that I want to explore better and really intrigue me, but I refuse to try and squeeze any of that into this long-as-is answer lmao).

I definitely recognize Ryuji and Mine the easiest in RGGJo (Mine's influence still persists a bit in Y7 to me, if not solely for his devotion and his own version of The Knife Scene existing as The Eye Scene; though Jo's anger wasn't purely due to Arakawa's death in that scene like Mine's was due to Daigo's 'death', it was clear Arakawa's passing was a sore subject). Jo's dedication to Arakawa in RGGO really is totally reminiscent of Mine's devotion to Daigo: both willing to take drastic measures to secure the ones they idolize the spot they feel they deserve and to exterminate any opposition to that dream (if I'm remembering Mine's RGGO story right wherein he partakes in the Okinawa deal as a HUGE ploy just to secure Daigo remains chairman should he wake up, but I don't have to clarify how that didn't go as planned).

As for Nishiki, it's clear Jo borrows his 'position' in the story, just as Ichi obviously takes Kiryu's. To yoink a phrasing from another ask I got, they're 'dark parallels': though they both clearly want the best for Arakawa, they're going about it in different ways (in that sense, Y7Arakawa's line about him seeing the Arakawa Family as his 'sons' makes this situation a little funny: just two kids fighting each other for what's best for their dad lmao). It's a shame the story didn't go on any more after the Millenium fight, but I'm a little happy knowing in that I'm not missing anything (what I will scratch my head over is what RGGOMasato would've been like. I guess it's not exactly certain whether or not he survived The Locker Incident or he was just so considerably normal he wasn't worth bringing up, but regardless I'll have a ponder about it..). It'd be rad if RGG ever decided to release at least the drafts of the rest of the story one day, but I won't hold my breath.

I've peaked over at Takahashi's past roles (I didn't realize he's voiced so many characters I know omg), and I think that's a fair conclusion to come to: he repertoire combines characters with sort of 'harsh' tones to their voices/dialogue, but as you said he does benefit from having voiced some 'lighter' characters! As for Tsutsumi, I think I've made it a little clear on my blog that I've taken time to look at his past projects, and though I haven't seen all of his roles, Jo's an interesting inclusion to his list (but by no means an inappropriate fit. If I were to compare him to one of Tsutsumi's past roles, Nobunaga Oda from Honnouji Hotel is similar in being an intimidating man with a violent reputation but still having a 'soft'/deeper side). It gets more fun when I think of it: Tsutsumi, from what I can gather, is a tad renowned for playing loving fathers (whether they're perfect fathers depends on the character, but they all absolutely adore their kid/family- this might be the only time I've seen him play a father and he isn't doting on his kid, lmao). Yokoyama and Nagoshi are definitely masters at deciding who should play who and how to utilize their talents efficiently, and having prior knowledge to Tsutsumi's roles, I feel as though audience members would have been able to get a hint at Jo's whole character early on (just as RGG had capitalized on Takahashi's reputation) which I personally find to be a fun tidbit, if not just grateful that they chose such an excellent actor to play such an intricate character. Ergo, his ability to give 'deep' performances and have that sort of presence and give his character that type of atmosphere definitely helps enhance the human aspect of Jo's character.

It's a great blend into Jo's otherwise cold demeanor, and going off the idea that RGGJo was a combination of Masato and Jo, the decision to have Jo be a committed father to Masato (as much as he's allowed to be, anyhow) while Masato became the power-hungry villain (even if RGGJo's motivations were ironically centered around Arakawa succeeding moreover himself), it's somewhat of a roundabout way to have them still be connected: though they're not the same character anymore, there's that bond that keeps them stitched together that I find neat.

AND THANK YOU ABOUT MY TAGS I can't sugarcoat it, I'm not a very confident person, so I'm glad you've gleamed there's some validity to what I'm saying. And I'm glad you've expanded on not just Jo, but Arakawa's upbringing as well: though they both come from abusive homes, they do handle it differently, and I feel so blind for not even having wholly noticed it in how they react to Aoki- it's so brilliant I almost want to scream. It's a tragic irony that despite Jo resolving to not 'half-ass' things anymore and to face things head-on, to 'take responsibility', he incidentally falls back into trying to avoid the problem for as long as he can. It's poetic really, and I'm positively going to go insane over the fact.

[manwithoutaspleen]

had two days off in a row so now i have the energy to be dysphoric again lmao

[watercolor-hearts]

.

[seakraitmessages]

ramble in the tags 🙈

[hurtspideyparker]

In a timeline where Civil War didn't end in divorce and everyone lives in the compound:

Steve, walking into the living room: Don't worry Buck I think you'll really fit in around here. Everyone is super nice

Peter: Oh my god you're living here too?! Can I please look at your arm? Please please please please please-

Bucky: *turns around and leaves*

-

Clint: So... wanna test if your spider-sense defeats my perfect aim?

Peter: Oh my god do I ever

Tony & Steve: NO.

-

Peter: Hi. Big fan. Y'know we're like a spider duo. Crime fighting spiders. Arachnid pals

Natasha, staring blankly:

Peter: Web friends? SPY-ders?

Natasha:

Peter: Spinneret associates?

Natasha: Leave.

Peter: Yes okay sorry ma'am

-

During a meal:

Bucky: *glaring at Sam*

Sam: Ay Rogers come get your dog

Steve: Bucky, leave it

Bucky: *glares down at soup instead*

-

Peter: Mr. Rogers could you help me with my homework?

Tony: What the hell kid, I'm right here

Bruce: I have... so many degrees

Steve: Hey I know a thing or two myself. Sure Queens, what do you got?

Peter: Great! I'm just gonna ask some questions for my essay. What would you say the role of war propaganda was in your decision to enroll in the military? Was being poor a factor? Actually, how was the Great Depression for you?

Steve: Less depressing than this conversation.

-

Steve: Take a jacket, it's chilly

Wanda: Okay thanks dad

Steve:

Wanda:

Peter: Ha! That's so embarrassing, it's like calling your teacher dad

Wanda: Shut up Peter, you call Tony dad all the time

Peter: Yeah but I do it on purpose so it's not embarrassing. I'm very open about my daddy issues

-

Tony: I wanna punch you in your perfect teeth

Steve:

Tony: Looking at me with your angelic blue eyes, like a freak

Steve:

Tony: Stupid Dorito ass build. Making me wanna take a bite

Steve: I feel harassed but I'm not sure what kind

-

Natasha: Hey bird brain!

Clint and Sam both turn:

Natasha: Hm, that's a problem. You have thirty seconds to decide who gets bird brain. The other will be feather head

Clint and Sam: *start arguing*

Tony: I can't believe they're fighting to be called an insult

Steve: She has that effect on people

Peter: Aw man, I wish the Black Widow gave me a nickname :(

-

Peter: Hey old man

Bucky:

Peter: I'M SO SORRY SIR MR. WILSON MADE ME DO IT PLEASE DONT KILL ME

Sam: *cackling in the background*

Bucky: *stands up and turns to Sam*

Sam: Oh shit- kid you're not getting the money if you're gonna snitch!

Peter: That's okay, I'd like to think my life is worth more than twenty bucks

-

Bucky: I need your... help

Tony: Sure, what's up?

Bucky: *glances back at Steve who stands in the doorway and nods approvingly*

Bucky: Arm.

Tony: Ok... this conversation is killing you isn't it?

Bucky:

Tony: Say please

Bucky: Nope can't do it-

Steve: Do I need to get out the get-along shirt?

*Bucky and Tony share a look of alarm*

Bucky: Please fix my arm

Tony: Yep of course no problem buddy

-

Read Part 2 and Part 3