#like WHAT THE FUCK GET OUT OF MY HOUSe

[handern]

marathoning TMA when you're sleep deprived will have you absolutely convinced that you're haunted by Jane Prentiss

[justaz]

merlin told arthur his favorite color was the color of the sky during sunset when it shifted into a deep violet. arthur gets a tunic made in that exact shade. its the best thing merlin owns. arthur was hoping that would mean he’d wear it almost everyday but merlin almost never wears it. the only time he does wear it is when royals come to visit (which isn’t all that often). arthur “subtly” asks about it and merlin is like “it’s the best thing i own. i’m not gonna dirty it mucking out the stables or serving rowdy knights wine while they splatter food on it” and arthur is like “why not wear it when nobles come to visit? look at least a little presentable for them” (cough nice save). merlin doesn’t see the point in it bc nobles don’t care about him at best, view him as less than human at worst.

arthur really just wants to see his boyfriend servant in the tunic he had made for him (bonus points for sending a message that merlin is his. not that merlin seems to notice. man is too much of an idiot). merlin wants to preserve his favorite tunic and gift from his boyfriend king.

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[iknowicanbutwhy]

Tfw you (currently obsessed with ISAT who never plays pokemon) play a soul-link nuzlocke with a friend (in for a world of torment) and you can't pay attention to a health bar for the life of you nor remember what types are weak to what.

Spoiler under the cut :)

Guy how did you manage to un-evolve yourself

[334iwatchshit]

what the fuck are these gay doctors doing on my screen

WHY ARE THEY DOOMED I CANT

[epiphainie]

this is one of those fic ideas i wanted to write for every ship i've ever been into so it will probably never happen but i'd like to have a silly story with 40 yo, single, lonely tommy kinard who's been down on his luck all his life - like i'm talking ridiculous levels of mom dying at childbirth, dad being terrible, horrifically unfortunate experience of the military, a series of failed jobs, a series of failed relationships, friendships never sticking for long, risks he takes always going south, somehow getting paper cuts through chainmail gloves, missing the bus while trying to avoid his daily encounter with the neighbor's dog etc. - one day opening the door of his downtrodden studio apartment to this beautiful man who stands there like a fucking angel. who looks at tommy with big apologetic eyes, red cheeks of shame, and twiddling thumbs of guilt and stutters, "so, uhm, i wish you didn't have to learn it this way but hi, i'm the guardian angel who, as it turns out, misplaced your files about four decades ago, and so uhm it just resurfaced, haha, and like yeah, i've been banished here for penance. i'll take the couch, it's fine."

[chronologically-challenged]

I think that the party's communication issues can be summed up as "man, is it awkward to tell someone that you want to spend the rest of your life with them if you've only know them for a few months? Probably."

[demadogs]

some of you need to hate ai way more than you currently do

[astranauticus]

this isnt the kind of stuff i'd usually post but im fuckin losing my mind. ive been watching through the bilibili livestream vods of like this arknights lore creator reading through and commentating on like the game stories and right now im watching the vod from his main story chapter 11 stream and his reaction to logos' sprite reveal is so fucking funny i had to clip it. man is really having a crisis on stream

[introspectivememories]

[mamawasatesttube]

kon sweetie im so fucking sorry that someone would even say something stupid like that oh my god.

[liauditore]

BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY!

[worshipfulmercy]

princess

[fraternum-momentum]

WE'RE GETTING EVICTED FROM OUR APARTMENT.

[beargregor]

Chef greg delivery just for you. it's a wonder I hadn't bearified him yet, he's my fave greg too 🔪

gays literally only want one thing (to be chopped up and eaten by a depressed man) and it's fucking disgusting

[hawnks]

Everyone thinks they can write a romance novel. Scratch that. They think they can write a romance novel better than all the other romance novels. Because of course they can. Romance is trite. It’s trashy. It’s simple.

Everyone thinks they can write a romance novel until they actually sit down to write one.

Because the people who disparage the genre are too embarrassed to engage deeply with the ideas that build the work, to make any meaningful commentary on anything, to add to any on-going conversations. They’re hovering above it all, too precious to land. Instead of writing a romance novel, they’re writing a novel that insists they’re beyond all of this, that says romance is beneath them, it’s not worthy of them.

So they end up with a parody of what they think romance is. I.e. they have written a bad romance novel.

I think it’s true that anyone can write romance. Anyone can do any of the cringey, heart-on-your-sleeve art. In fact, the hardest part is beginning.

Step one: You have to love the thing you’re making.