#like WHAT A MOVE that's so genius
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vonlipvig · 2 months ago
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i love how rachel's play of using the shot in the dark to gauge the reaction of the other players to see if she should play her idol or not was so masterful, but it completely flew over my head because i just assumed you wouldn't be able to use your idol. for no reason at all. sorry rachel that was queen shit i am very aware now.
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idontmindifuforgetme · 7 months ago
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Just a girl who wants to be her mother’s daughter in the ways that matter
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wolfsteax · 3 months ago
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I always wondered if the Bishops of the Old Faith let dementia-riddled Shamura decide the best call was to execute Lamb.
These clowns really went "here's this Lamb's soul, brother. Now whatcha gonna do?" As if that wasn't the equivalent of handing Narinder a military assault rifle.
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workingforitallthetime · 4 days ago
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I am BEGGING you to say more about Will and Mack in silence on the other side!! on my KNEES!
conveniently, i have 3.5K of will/mack that i could not resist expelling from my brain at the end of the google doc. grab a marshmallow stick and let me tell you a campfire story.
(this is very much an epilogue and is not going to make sense unless you've read silence on the other side. if you want the reward of mack/will you have to suffer through the mortifying ordeal of will/gabe/leno.)
Will could wait for Gabe to ask, but she’s done letting things happen to her. She packs a suitcase. She sits on the couch and waits. When she hears the sound of Gabe’s key in the door, she slips off her ring and clenches her fingers around it. The diamond digs into her palm as she rehearses the words in her head. I can’t get married. I’m sorry.
She texts her sister on the way to the airport, after the angry red dent fades. The pale strip around her ring finger is going to take longer, just like the mark on her neck. Can I stay with you for a couple of days?
Of course. Grace answers quick. Are you in Boston? Is everything ok?
Will’s not going to cry in the back of an Uber. Flight gets in at 10:30. And no. 
As the plane pulls away from the gate, she texts Ryan. I’m moving back to Boston. She should switch into airplane mode. Instead, she waits as they taxi.
The reply comes as the plane rounds the turn onto the runway, bright rows of lights blazing the path ahead. Didn’t know you were from Boston.
Will’s swiping her thumb over the text thread to delete it when one last message pops up. Thought it was West Philadelphia. She snorts in spite of herself, and lowers her thumb onto the red trash can before she can second-guess it. She’s not going to cry on a plane, either.
The night air when she emerges from the sliding doors at arrivals is still late-summer muggy. Grace picks her up at the airport, and Will gives her the briefest version. I told Gabe we’re not getting married. No, it wasn’t a mutual decision. No, I don’t know what it’s going to cost. No, I haven’t told mom and dad yet, I’ll do it tomorrow. No, don’t say anything in the bridesmaid group chat, I’ll do it tomorrow. 
The wheels of her suitcase are gritty on the floor of Grace’s apartment. She changes into pajama pants and an old St. Catherine’s t-shirt. She drinks a glass of water and racks the glass in Grace’s dishwasher. She sinks onto the couch, tipping her head back on top of the cushions.
“Oh my god.” Grace stops short at the edge of the room, peering at Will over the armload of bedding she’s bearing. “Did you break up with Gabe because he’s a vampire?”
Will touches the mark on her neck. It doesn’t feel like anything. If she hadn’t seen it in the mirror, she wouldn’t know it was there. “Wasn’t Gabe.”
Grace’s eyes bug out. I don’t want to talk about it, Will says, it’s not a thing. It’s not, like, the reason. It’s just something that happened. She takes the sheets from Grace and shakes them out and tucks herself into the couch. The streetlights outside cast thin stripes through the blinds and across the floor. She’s not going to cry into Grace’s fleece Patriots blanket.
The feeling in her stomach, hollow and sick, that settled in while she waited for Gabe to come home hasn’t gone away. It won’t go away for many days yet. Terrible days. Days of overhearing her mother on the phone apologizing to relatives about their nonrefundable flights. Days of trying to cancel wedding registries before she gets any more notifications about purchased gifts. Days of ignoring the voice messages from her parish priest, the one who was supposed to officiate. The absolute last person Will wants to talk to is a priest.
She goes back to the Midwest, feeling like a burglar in her own apartment as she packs up her things while Gabe is pointedly not home, driving her car along ugly interstates back to Massachusetts with her dad. Somewhere in Pennsylvania, while the road is empty in the beam of their headlights and they’re between episodes of a podcast about white collar crime, he tells her he’s proud of her. He knows it must have been a difficult decision. He trusts her to make the right choices. All Will can say past the lump in her throat is thank you. The tears trickle down the sides of her face in the dark.
She stays at her parents’ house. She writes thank-you notes that are mostly apologies. She goes to brunch with the friends who were supposed to be her bridesmaids, tells them it just didn’t feel right, I knew I’d regret it. None of them mention the cost of the bachelorette weekend last spring, but Will knows they’re all thinking it. When her mom asks, Will tells her she can pick up the dress if she wants. Will doesn’t want to see it. Every time she drives past the country club, the sick feeling in her stomach twists into a hard knot of shame.
On the September Saturday when Will was supposed to get married, Grace makes her go for a hike in New Hampshire. Golden leaves drift over the top of the low stone wall along the trail. At the top of the mountain, granite hills and colorful trees spread out below them. The lake in the valley sparkles in the autumn sunshine. They eat burgers at a roadside diner afterwards and drive back into Massachusetts after dusk, and then the day is over. It’s over, it’s done, it’s finally behind her, and now everything else is ahead.
She starts commuting into the office again. When coworkers ask, she tells them the Midwest didn’t work out. The engagement didn’t work out. After that, there aren’t any conversations about how unreliable she was last summer. She stays on top of her inbox, meets her deadlines early. Never misses a meeting. 
Boston’s not the same. Her old places are all Gabe’s old places too. Her friends are all Gabe’s friends. Most of them aren’t reaching out. Even the ones who are on her side seem confused by her. They don’t understand, because Will can’t imagine telling anyone the real story.
She thinks about going out. Thinks about getting on the apps. Trying to figure out… whatever it is she has to figure out. She can’t manage to pull the trigger. Someone could see her, recognize her.
Losing Boston, or at least the version of Boston she used to love, feels like another breakup. A separate grief just as painful as her grief for Gabe and everything their life was supposed to be. But Will ends it just as unflinchingly as she did her engagement. She finds a new job, something in finance or business or law in New York City, because that’s the place you’re supposed to go to start over.
The details of the job aren’t important. All that’s important is that it’s a job where beauty and breeding and ruthlessness are assets, and Will’s able to leverage all three to the hilt. Oh, and also it’s in an established industry where Rick Celebrini is a known and feared figure.
Will makes the connection pretty quickly when she’s introduced to her coworker Macklin. Mack is a half-step ahead of her at all times and it would be infuriating for Will, if she didn’t like him so much. Or if he didn’t like her so much. Everyone tells them they’re such a great team, hitting all their metrics, seizing opportunities, climbing the ladder together. Will sees in Mack a kind of internal steeliness that matches her own, which isn’t that surprising from someone who was raised by Rick.
Will’s kept cautious by the pervasive sense that she would fuck up anything she started with Mack. That’s what she does. She ruins things. She ruined everything with Gabe, and she’ll ruin anything she starts with another guy. And she really can’t afford to ruin anything with Rick Celebrini’s son. She’s found her niche in this industry, and getting on the wrong side of Rick would mean starting over, again.
So Will remains just as impervious as she can be. Even as she and Mack get closer and closer, and everyone in the firm starts to talk about them as a dynamic duo, and their rising stars are more and more closely linked together, she keeps everything strictly professional. Sometimes her eyes follow the lines of Mack’s three-piece suits not just to appreciate the tailoring, and as soon as she catches herself she looks the other way.
(She’s scared. Scared that nothing’s ever going to feel like it did with Ryan. Scared that nobody else is ever going to love her as much as Gabe did. She’s scared she doesn’t understand what she wants and that she’ll never figure it out. She’s scared there’s something fundamentally wrong with her and that’s why she hurts people. She’s scared that how much she likes Mack means she’s going to hurt him too. She’s scared and nobody knows it, least of all Will.)
Mack’s fascinated by her, and all the more fascinated because of the total blank of her personal life. When he tries to draw her out, he learns about growing up in Lexington, prep school and field hockey, going to BC. They talk about Boston, joke about their BC/BU rivalry, threaten to bet on the Beanpot. Will goes to office happy hours, is clever and engaging at client dinners. But she dodges all questions about what her life is like outside of work. Mack doesn’t know anything about her friends, doesn’t know whether she’s dating anybody, doesn’t even know whether she’s straight.
But Mack knows the connection’s there, and he’s going to keep trying. Picture those gifs from the 49ers game: Mack’s trying to get Will’s attention, and Will’s ignoring him, and Mack doesn’t even care. He’s willing to work for it. He wants to work for it. That’s how Rick raised him: how hard you work is the measure of how much you care.
One day Will rounds the corner by the elevators and walks into a knot of coworkers talking about some smart maneuver Mack pulled, something he talked over with Will in advance so she immediately recognizes a reference to a client or a contract term. “No dick, but he’s got plenty of balls,” says someone with their back to Will, and everyone who saw her come around the corner gets an awkward expression on their faces.
Will gives them the same look of icy disdain she uses to shut down people who call her Mack’s work wife. Someone says loudly that they’ve got a conference call starting in a few and the group hurriedly dissolves, except one office gossip who caught Will’s momentary confusion and has been simply dying for an excuse to have a conversation with her on this topic. She follows Will into the elevator. “Didn’t you know he’s trans?” she says as soon as he doors close. “It’s all very hush-hush, nobody ever says anything because Rick’s bitten a few heads off about it. I was there at an off-site when he literally yelled at someone about pronouns.”
(Just imagine Rick Celebrini when his kid announces he’s a boy. Okay, says Rick, not in so many words, if you’re a boy you’d better be the most boy you can be. What are you doing today to be a better boy? Mack’s grown up with Rick micromanaging his medical care and tailoring his punishing workouts to achieve some not entirely defined standard of masculinity and generally making Mack feel like he’s not working hard enough if he’s not at all times trying to be The Most Boy. Rick does not react kindly to anyone who suggests that Mack is anything other than his son… including and especially Mack, who is immediately reminded that he is All Boy, Only Boy if there’s ever any suggestion he might stray from Rick’s expectations of masculinity. Mack knows better than to say yes when the menswear stores he frequents suggest a pink shirt or a floral tie to go with one of those three-piece suits.)
Not that Will knows any of that. She dials the iciness a few degrees colder and hums the most neutral hmmm in her vocabulary until her coworker blessedly exits the elevator, disappointed by Will’s unsatisfying reaction.
Will lets the doors close. She punches the button for a different floor without looking at the display, aiming generally for something a long way away.
It’s just a surprise, that’s all. That’s why her heart’s racing, the unexpectedness of it. A confounding variable in the already tangled mess of Will trying to sort out her own identity. It doesn’t matter. It doesn’t change anything on the long list of reasons why she needs to keep Mack firmly in valued colleague/work best friend territory.
It’s a chink in the wall, though. And a wall that’s already being subjected to Mack’s considerable efforts, as well as geologic forces beyond Will’s control, is going to crumble eventually.
It happens at the holiday party. Some swanky venue rented out for the night, marble pillars, parquet floors. Raw seafood on ice, top-shelf drinks. Towering centerpieces with pine boughs and crystals. Will, in her classy little black dress, doesn’t have a date, of course. Neither does Mack, in his black suit with some requisite element of lowkey corporate festive. A red plaid vest, a tie with tiny holly berries on it, something like that.
They circulate through cocktail hour like the pros they are, catching glimpses of each other through the crowd, always aware of where the other one is. Somebody’s seated them at the same table for dinner (Mack might have had something to do with this) and after a couple of glasses of champagne Will forgets that she ought to be making holiday-appropriate small talk with everyone else at the table and she starts doing what she actually wants to do, which is talk to Mack. Mack, with his blue eyes and soft hair and strong fingers tapping the base of his rocks glass, making Will feel like she’s at her witty, charming best. Basically, everyone else is Tyler Toffoli on the plane and Will and Mack are in their own little world.
They sneak sideways glances at each other during the speeches and toasts, silent acknowledgement of corporate inside jokes. Will doesn’t look at Mack when Rick’s got the spotlight, but she can feel him sitting up straighter next to her, a little bit of extra rigidity in his spine.
After dessert the table groups start to dissolve and word starts to spread among Mack and Will’s coworkers, the younger crowd, about where the afterparty’s headed. Mack catches Will at the edge of a conversation and says something low into her ear, just for her. Want to go someplace else?
Will does.
Mack takes her someplace loud and anonymous, with more drinks and a crowded dance floor. Will doesn’t shrug off Mack’s hand at the small of her back. They dance, closer and closer together, and Will’s eyes are shining, and when Mack finally kisses her Will kisses back like she’s drowning. 
I’m calling a car, Mack says, and Will doesn’t let go, too much adrenaline and champagne and desperation to think about whether this is theoretically a bad idea. It’s been so long since somebody she cares about has touched her. Mack’s apartment is quiet and tasteful and Will barely sees it. She doesn’t want Mack to be something that happens to her. If this is happening, she’s going to make it happen just as much as Mack is.
If I was going to write a sex scene here it would be about how the expectations of masculinity that Rick has imposed on Mack have taken root in Mack’s assumptions about how he ought to have sex, and how that does or doesn’t align with what Mack actually wants, and how all of that collides with what Will wants, which is to eat that boy’s pussy.
Will falls asleep with her head on Mack’s chest and wakes up with the enormity of it all setting in. This is big, this is huge, and nothing that happened last night alleviated the underlying fear that she’s going to fuck it all up.
Mack can practically feel the tension radiating across the sheets at him. He reaches for Will. “I don’t want this to be a one-off.”
This does not have the desired effect of Will relaxing into him. Heart sinking, Mack tries again. “It can be if you want, though.” The pinch in Will’s brows doesn’t go away. Mack scoots back so he’s not touching her. “Just so you know, that’s really not what I want.” In the absence of a response, Mack starts desperation-yapping. “I know there’s something here, and I think you do to, and last night felt…”
Will’s eyes are huge across the gap between their pillows. She has to say something. “I’m a bad bet,” is what comes out. “I break everything.”
“Are you saying that because you want me to walk away?” Mack’s hoping that’s a quick answer, but Will looks like she’s actually thinking about it, so he keeps talking. “Do you want me to walk away?”
Very quietly, against the pillow, Will admits it. No.
Mack exhales. “Like, I’m not gonna. It’ll have to be you.”
He grins, like this is a joke, and it infuriates Will because he doesn’t understand. It’s not funny. Will’s warning him that he’s going to get hurt and he’s laughing. “That’s what I’m worried about,” Will hisses through her gritted teeth.
“That you’ll break up with me?” Mack, incredulous. “I can take it. That’s not a reason not to, like, try.” He reaches for Will again and Will lets him. “I could change my mind and dump your ass too.”
Will gives him a scornful look at the suggestion that anyone could ever break up with her, and Mack cracks up because it’s such an extremely Will reaction. “Let’s just be good, okay?” Will lets herself be pulled into his arms. “Until you break up with me, and I’ll deal with it. We can be good for now, right?”
Will whispers it against his lips before she kisses him. So good.
Eventually they get up. Will picks through Mack’s collection of sweats and ends up in a Canucks hoodie and Lulu joggers because she refuses to wear anything that has BU on it. They get coffee, and while they’re drinking it at opposite ends of Mack’s couch with their feet tangled together in the middle, Mack says I think you should tell me more about what you said earlier. About breaking everything.
Will’s silent, turning the sleeve of her coffee around and around the cup. There’s no way to avoid it. Mack’s going to have to find out sometime, if they’re going to do this. And Will really, increasingly every second, wants them to do this. “I was engaged,” she says, watching Mack. She can practically see his mouth forming questions, but he waits. “Like two years… three years ago now. My college boyfriend. Gabe. We were together for seven years. We moved to [Midwest city].”
“You lived in [Midwest city]?” Macklin’s laughing. “I can’t even picture it.”
“I know, right?” Will briefly experiences the warm glow of being known before she gets back to business. “It didn’t work. I cheated on him.” Will takes a deep breath. “Like, a lot. Her name was Ryan.”
She watches for Mack’s reaction to the pronoun, but he just nods. When Will doesn’t say anything else, Mack asks, “What happened to her?”
“I don’t know.” Will used to think about googling, but there’s no place to start. Ryan. The dive bar. The city. That’s all she knows. “It wasn’t… like that.”
“What happened to Gabe?”
“I ended it.” Will doesn’t have to google Gabe. He pops up in suggested posts, in her friends’ tags. He has a new girlfriend. They got a puppy. “It was, like, not very long before the wedding,” she adds, just so Mack knows how awful she is. “It really, really sucked.” Will puts all of the anguish of that brutal September into each really.
Mack forms his next question carefully. “Did you break up with him because he was a guy, or because he wasn’t the right guy?” 
“I don’t know.” Will lifts her chin defiantly. It’s the most vulnerable thing she’s ever said. Here’s my fucked up situation. Here’s what you’re getting into. 
“What’s that mean for me?” Mack does not relate to identity crises, having had his own identity rigorously reinforced since adolescence (or so he thinks). “Being… the guy that I am.”
“Oh, are you trans? I hadn’t noticed,” Will says, like she didn’t have her tongue in his pussy ten hours earlier.
Mack laughs, and that’s enough vulnerability for two people who don’t like it and are going to have to figure that part out later. “We should have dinner next weekend, if you don’t break up with me before then.”
If I was not inherently resistant to established relationship fic, there would be a lot to explore here. Chiefly, I’m intrigued by what happens when Rick’s singleminded focus on Mack’s masculinity (and the not-necessarily-positive ways that Mack has internalized that), collide with Will’s attraction to Mack, which is not premised on masculinity. Will’s got to figure her own shit out somewhere along the way, but she’s at least pretty sure that 100 percent masculinity is not on her list of priorities in a partner. I think that Rick is immediately welcoming to Will, to a degree that’s almost curious, and Will and Mack slowly realize that in Rick’s eyes Mack’s earned some kind of manhood badge by bringing home a hot girlfriend. Also, as ever, there’s a plot to be made out of Rick treating Will like another Celebrini child who warrants Rick’s micromanaging, and Will figuring out how to resist that without alienating Rick, and along the way prompting some realizations for Mack about the ways in which his Sheriff Rick upbringing was maybe a little bit fucked up.
Anyway. Here’s how the story would end. Mack makes it a running joke about Will breaking up with him. What do you want to do for Valentines’ Day, if you don’t break up with me before then? At first it’s jarring, and then it’s a comfort, a little reassurance that Mack still likes her enough that he’s willing to risk it all going wrong. Yeah, I could do Thanksgiving in Lexington if you’re not going to break up with me… Do you want to come to Whistler with us this year, if you haven’t dumped me by then?... I’m going to book our flight for R.J.’s graduation weekend unless you want to break up first. And then, over time, it starts to become jarring again. We should move in together when your lease is up if you’re not going to break up with me.
“Stop saying that,” Will finally says. “I’m not going to.”
“You’re not going to break up with me?” Mack’s about to fist-pump over his long game paying off. “Like ever?”
“Like ever,” Will confirms, and Mack can’t get down on one knee fast enough.
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anxiously-sidequesting · 1 year ago
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This is a weird useless post but if wizard101 was ever officially animated by experienced animators well versed in body language, symbolism, and design I would be dead. Impactful animation and movement and dynamics between characters and the plot itself IS my hyperfixation
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valkyurii · 2 months ago
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it’s funny how things have gone full circle with malenia. she was so hated when the game first came out, but then people grew to like her. then the dlc came out and now people hate her again lmao
#i mean it’s hardly surprising given what we now know#she did all that awful shit and wasn’t even charmed#like i see people talk about how stupid miquella is because of this plan to essentially trap radahn#but that also makes malenia look stupid af too#‘go to caelid and kill radahn so i can marry him’ ans she was like sure#miquella wanted the one guy in the lands between who loves war and fighting to be his consort for his age of peace and compassion…#what a genius he is.#makes me wonder why he even needs some heavy weight to keep order for him when he can just charm people into submission#was radahn just there as a ceremonial position?#oh wait i forgot miquella thinks he’s super kind so that’s why he wants him#miq learnt about the gravity magic horse thing and swooned#honestly still can’t get over how incredibly stupid the twins look after the dlc#i think people like to imagine malenia was charmed just because it makes it all look slightly better on her part#like they are just making excuses for her#but holy shit the fact she was all but willing to fucking die so miquella could bag radahn..#what a thing to die for lmao#and he was apparently present after the battle? but didn’t do anything to help either radahn nor malenia?#instead he was helping a random redmane?#he obviously knew malenia had bloomed but ultimately didn’t care i guess#kind of like ‘oh well if she’s still alive when I get back i’ll deal with it then’#honestly wish miquella had just died in that cocoon at this point#tbh he doesn’t really do much in the dlc anyway they could have made it more about messmer and marika#hell bring melina into it please that would have been more interesting at this point#we didn’t need the dubcon incest plot micheal you could have left that one in the drafts#i gotta get this out of my head it’s driving me nuts#seriously need to move on from this game for my own sanity
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mellotronmkll · 2 months ago
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I have so many thoughts about john linnell as a composer of melodies SPECIFICALLY divorced from all other aspects of his songwriting there's so much to talk about with everything the band does but I literally spend like an embarrassing amount of time just sitting and playing linnell's vocal melodies on piano and analyzing them I'm just so so so obsessed with the way that man constructs melodies it's really special .
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francisforever2014 · 4 months ago
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most of the time i feel like it really just Is Not That Serious and really truly believe that everything just works out and sometimes i’ll be hit by a fear of the future so debilitating i actually wanna throw up
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orcelito · 2 months ago
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I've been working on Finally finishing Naruto Shippuden (after being a Naruto fan for nearly 15 years), & I just finished episode 420. And I have some THOUGHTS about the "Naruto is the reincarnation of Ashura" thing. This started as just me rambling for my normal liveblog posting, but I had a LOT of thoughts about this actually, so I am presenting them to u all Now.
So. Naruto meeting the Sage of Six Paths! Cool!!! I'm finally learning about Naruto being the reincarnation of Ashura, which... honestly is not a choice that I like very much. Narratively speaking, I mean. The Point of Naruto's journey was that he was the underdog, the bottom of his class, the orphan that everyone hated and made fun of. Through hard work and perseverance, he managed to drag himself from being a complete social outcast to someone generally really loved and respected. That's compelling!!! It means a lot!!!
But then the show is like. "Oh...actually, he's the son of the fourth hokage. And Also, he's the reincarnation of the son of the literal creator of ninshuu aka the precursor of modern ninjutsu." I mind him being Minato's son less as a narrative choice (for reasons I will get into shortly), but making him Ashura's reincarnation?? I've got Several things that bug me about that.
So First, for him being Minato's son. It's not like that's ever Actually given him any sort of status (since most people don't know), & Minato was also kind of just a random guy?? Just incredibly skilled, enough so to become the 4th hokage. And then there's also Kushina, descended from a very successful and very Feared clan that ended up almost entirely killed bc of that fear. Naruto being an Uzumaki means great power, huge chakra reserves (not even including the extra chakra he gets from Kurama), & some innate skills (that Naruto mostly didn't inherit, but one can play pretend sometimes). BUT ALSO, they were almost entirely killed off. He's a survivor of his clan's genocide that happened well before he was even born, and he doesn't even REALIZE it yet. So even though being Minato's son means he's the son of a very influential person, it doesn't give him the same leverage as being a Senju or Uchiha would. And the clan he Does belong to bc of Kushina does not give him status either, bc they're almost all fuckin Dead. And we know that Minato is a Namikaze, but as for what that actually *means*.... it's basically nonexistent. There is no mention of a Namikaze clan. Minato was just a prodigy in his own right.
SO.... All that is to say that while appending Naruto's orphan story with a "well, Actually, his parents were very powerful and well respected" does discount it a little bit, it's still not Especially unique in terms of what other people in their world may experience (there are other descendants of current and/or former kage + Many other powerful clans running around) OR in the benefits that it gives him (essentially nothing, outside of his physical strength and the inheritance of Kurama himself)(which inheriting Kurama did grant him access to IMMENSE power, but it also was the source of So Much of his suffering growing up, so I think it balances out).
The "reincarnation of Ashura, son of the Sage of Six Paths" thing tho... that one really kinda does. At that point, Naruto is no longer just the orphaned son of two respected shinobi & the current jinchuuriki of the Kyuubi (something special, but not entirely original, given that there are Other jinchuuriki who are descendants of powerful shinobi). He is now something that NO ONE ELSE ALIVE can be. It is saying that He, above Everyone Else, is special in this way. Outside of Sasuke lol, but I'll touch on that in a moment.
It just feels kinda cheap. It's cool I guess, but at this point it feels like we've completely lost the Plucky Orphan who works hard to overcome his circumstances plot. It's saying that he was Always one of a kind, he was Always destined to become Someone Special (or that he was, in fact, special the whole time). It removes the importance of his hard work in the equation. It makes it so that this is no longer something he earned for himself, but rather something that was a Given, since he is, of course, Ashura's reincarnation.
Cheap. It's cheap. And I don't like it.
Then we get into Sasuke being the reincarnation of Indra. Which I haven't gotten to that yet in the show, but I know from seeing it around. I do enjoy the sun and moon aesthetic between Naruto and Sasuke (so SO much, in fact), but. Making Sasuke the reincarnation of the Other son of the Sage of Six Paths is... frustrating? In several ways. There is of course the fact that Naruto and Sasuke have such extremely gay vibes (and Always Have), so making them the reincarnations of brothers so late in the story feels like an insult to anyone who reads their relationship in that way. Which to be fair, we do see Naruto mention at a few points that he thinks of Sasuke like a brother, but it's only a few points + feels like a kind of narrative cop-out. Sasuke himself said he doesn't think of Naruto in that way (though that could also be his self-denial speaking & it could change. Haven't gotten that far yet.), & I think there are much better choices for Naruto's "brother" figure (primarily Iruka, but people like Killer Bee and any of the other konoha 12 would be fitting too). Personally, it feels like Naruto was trying to put a name to his very strong feelings for Sasuke, & since he doesn't realize being gay is an option (since Kishimoto is clearly homophobic & made this ninja society to reflect that), he settled on Brother. But Sasuke is like "what the fuck? No, my only brother is Itachi." Instead, Sasuke has called Naruto his best friend. Which also doesn't fully encompass their relationship, but it's still closer than Brother.
So here we are, Kishimoto saying around 555 episodes into the plot (only 80 more to go) that they're actually the reincarnations of brothers. And not just any brothers. THE sons of the Sage of Six Paths. Incredibly influential, incredibly powerful, two sides of the same coin and very historically significant figures. Sasuke always had the "descended from an elite, yet disgraced clan" thing going for him, so in my opinion it doesn't hold the same kind of insult to his story that it does for Naruto. But it still feels like an insult to THEIR story.
Naruto and Sasuke were just two orphan boys. Their moms were best friends, but they didn't know that. They died when they were too young. But Naruto and Sasuke still gravitated towards one another. Understood each other like no one else. And got on each other's nerves like no one else. But that irritation stemmed from their genuine admiration of each other. They wanted to be able to beat each other. They became Rivals. And it was on their own terms. No one else pushed them together. Outside of them ending up on the same team, their entire relationship was fueled by their recognition of one another, Jealousy of one another, and the simple enjoyment of being around one another. They were the ones to decide the importance of their relationship. Sasuke recognizing Naruto as his closest friend & thus thinking he was the one he had to cut off to achieve power, and Naruto recognizing Sasuke as his first peer that acknowledged him, a precious bond he finally made, and thus someone he had to cling to FIERCELY. That was all them.
But here we are. They're a reincarnated set. The sun and the moon, but Officially. One could say soulmates in a way, in a non-romantic kind of context (considering the first iteration was a pair of brothers). While this is cool from a story standpoint, it really takes some significance away from their relationship to me. It makes it less of something they chose for themselves and more of a given. Pretty much just like Naruto being Ashura's reincarnation cheapens his own story, it cheapens their relationship too.
I dont want a story about two boys who were destined to be important to each other!!!! I want a story about two orphans who just happened to become important to one another thru a series of coincidences and personal choices. In that way, their relationship gains greater gravity bc it's born from their own hearts Alone. It's Naruto moving mountains for the sake of this boy he loves, and it's Sasuke finally coming back around bc of the force of Naruto's dedication. It means so much more than the implication that they were always meant to be a pair. So I really don't like this narrative choice.
#speculation nation#fanny watches naruto#naruto#narusasu#sasunaru#(i talk about how the reincarnation thing affects the context of their relationship lower down in the post)#naruto spoilers#if anyone still cares about those lol#anyways it's been really cool to finally see all this late-show stuff for myself after being in the fandom for so long#(i was caught up once upon a time. but that was around episode 200 or so lol)#but as much as im enjoying some things in the show. there are other things that i just... dont like.#part of that is nearly Half the entirety of shippuden being the fucking war arc. it's precisely what's kept me from catching up until now#but then theres the loss of the story's original Feeling. the anti-war and anti-child soldiers sentiment.#Naruto being an absolute nobody and watching Haku and Zabuza's ending & being so moved by it that it informs his entire ninja way#but Kishimoto is turning around and saying 'he was actually destined for this the whole time'. which just... i just really don't like it.#this + Neji's death feels like it's discounting their fight's entire point. Neji's entire character arc.#the fact that fate doesnt matter as much as dedication. being a 'genius' doesnt matter as much as effort.#but Neji. the caged bird. dies to protect the main line. driving home that it was pointless for him to resist it the whole time.#and Naruto. the one who worked tirelessly to become hokage against all odds and adversity. turns out it was Meant To Be after all.#sigh... i really do love this anime so much. ive loved it for most of my memory and its characters are so so dear to me.#but i also. really. REAAAAAAAAALLY hate this anime sometimes. damned anime discounting its own points...#alas. i shall continue to watch. because i do want to finally finish it.#i shall simply. probably not watch Boruto afterwards lol
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pathetic-gamer · 1 year ago
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WAIT WAIT WAIT CONSIDER THIS: TOM AND BARBARA AS ORPHEUS AND EURYDICE, ALAN AND ALICE AS A DOOMED RETELLING
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rubber-glovs · 2 months ago
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SCIENCE HOMEWORK I HATE YOU WHY😭😭💔💔💔
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macbethz · 1 year ago
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Images that aged like a fine wine
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aerithisms · 9 months ago
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i just can't believe they made me cry so much over the most inevitable character death ever like this is a character death i knew about before i knew literally anything else about final fantasy and they still made me bawl like a small child
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urbanfiltered · 2 years ago
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feeling overwhelmed with gratitude that i am so sweet and whimsical and charming
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sortarapunzel · 2 years ago
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absolutely incorrigible behavior in this house tonight <- watching the voltron german dub and enjoying it
#if me from 10 years ago could see me now she'd be so confused#all she knew of german dubs was that they turned benjamin coddersnatchs voice into a normalman tenor in sherlock#but also... voltron... whew its bringing back memories#the english dub... its Such a kids show oh my god how did we ever think it was going to go where we thought it would#the animation does slay though. when the characters move it slays#the german dub sort of smooths out the kids show vibes#it also smooths out keith which is really funny#og keith is so like. im punk. im gruff. im voiced by steven yeun. meanwhile german keith is just kind of tired?#german keith has been through some shit and you can hear it. hes no longer a weirdly deepvoiced teenager hes now a weirdly worldly teenager#(and a tenor. of course. bc no german dub is complete without a complete swap of vocal range for the men) (I've honestly gotten used to it)#(highpitched sam winchester is the superior sam winchester and you can fight me on this)#already growing so attached to the german voices that the og english sounds weird to me. i am 10 minutes into the first episode#german dubs are superior!! i can't explain it!! even though the acting is so dry in comparison to the og...#idk what it is i just like how they interpret the characters#og hunk is hard to beat tho ill give him that. german hunk is good but og hunk is great#german lance is WAYYY less cocky lmao he sounds way more unsure of himself when he's delivering those bravado-ass lines#pidge is just. a woman though. it's kind of offputting#you literally cant beat bex taylor klaus at voicing pidge like. they were practically Made for the role#but to have just a normalvoice woman voice pidge is so odd#anyway the translation is also great. lance calls hunk a genius giantfart (genialer riesenfurz) instead of a gassy genius#instead of 'well‚ congratulations'‚ keith tells lance 'welp‚ congrats‚ dude' (Tja‚ Glückwunsch‚ man)#at hearing he got his place in the pilot class#which is such a small change but im obsessed with it#anyway. back to the incorrigible behavior#voltron#junos
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mxdotpng · 2 years ago
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trying to figure out the best way to intricately mold a graces roleswap au just for me
#.text#my go to currently is asbel -> sophie -> richard#so that asbel is protos heis. sophie is the princess. and richard is from lhant.#because i think the idea of a 13yo asbel being the Famed Weapon of Fodra Fame is really. really funny.#and also because i like the parallels between richard and sophie. so sophie is the antagonist now.#sorry i only swap the protagonists its all in good fun and character dynamics i dont get to see because of Circumstances#but also because the side characters in this game revolve around who and what they are so intricately that i think trying to#swap them around would actually just end up losing their character.#like i think you COULD swap malik with say pascal but you cant swap pascal with anyone and have the same character#since her involvement with the plot is Because of her character#i could attempt to switch hubert with pascal as the local genius for example but what would then become of pascal#because ultimately the only reason hubert ended up with the party is because he was ordered to. and realized he wanted to stay.#and he is a logical person who does not consider his feelings much save for his pride and trust. so if you took away him being ordered#around. i do not see him staying.#though i could switch hubert with cheria. because i think even if asbel wasn't the Older brother i think they would still be Brothers#so he would become the healer and stay out of what he feels is obligation to asbel.#but then my original intent was to switch cheria and hubert so then itd look like im just playing favorites....#WHICH I AM. so who cares actually. cheria the childhood friend who was forced to move away as a child#but then pascal is NOT an easy person to swap with which is the problem !!#if i swapped her and malik those two would end up in the same position but with like slightly different entrances#whatever. WHATEVER. ill think about it later#graces
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