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allgirlsareprincesses · 1 year ago

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Love At First Sight (2023)

Okay, we’re going to talk about the new Netflix romance directed by Vanessa Caswill, Love At First Sight, because I’m seeing almost no chatter about it and that cannot stand. Full disclosure, I’ve never read the book on which this movie is based, The Statistical Probability of Love at First Sight, so I’m reacting only to the film (which I’ve now seen 4.5 times in 2 days).

The Surface Reading

It’s a perfect, tight, adorable little RomCom that’s heavy on the Rom and light on the Com, with a wrenching dash of angst and the most hair-twirling chemistry between two leads that has graced our screens in years. Truly, if all you want is 90 minutes of two actors being saccharine precious cinnamon rolls, look no further!

There are simple takeaways here, like that chance can only take you so far, but in the end you have to choose to love. Or that change and loss are part of life and you can’t run from them. Or that London is a massive labyrinth of eccentric people that probably looks 400% cooler onscreen than it is in reality (I wouldn’t know, I’ve never visited, so this and the 90s Parent Trap are the extent of my knowledge about the city, sorry).

Anyway, I adored how straightforward the story was - that the narrator (played brilliantly by Jameela Jamil) tells you directly in the first two minutes that it’s a story about love, fate, and statistics. She then repeatedly describes every development as it is happening, the characters’ histories and internal monologues, and all the context you need to follow the thin but fast-paced plot. The writing, performances, and production design are all solid, allowing the audience to get lost in the romance as it unfolds.

BUT if you’re slightly unhinged like I am and you’re always looking for more layers in your media, HAVE NO FEAR! There is in fact more going on in this little movie than you might expect.

Color Theory

For starters, the use of red and green in the film is fascinating. Yes, I realize the action of the story takes place a few days before Christmas, so you might assume it was just a seasonal aesthetic choice, but if you look closer, you can see very carefully selected shades of red and green repeating throughout the film. The red is a cool, deep rose color, sometimes pink, while the green is cool and dark, like oxidized bronze rather than emerald. Further, while they appear over and over, these hues are rarely used in a purely decorative or festive way. Instead, they play a role in the separation and coming together of the couple. On a color wheel, red and green are complements, perfect opposites that are never adjacent but always joined in the middle.

The title card during Hadley’s introduction is literally a green stripe over a red stripe, then the hallways of the airport are green, and of course Hadley’s ever-important backpack is a rosy red. As the couple grow closer on their flight, the light turns pink. Once in London, a green van takes Oliver one way while a red taxi takes Hadley the other. At her father’s wedding, Hadley is dressed in red (“the color of a bruise” she calls it), contrasting beautifully against her green jacket. Upon realizing Oliver’s true purpose, she chases after him on an iconic red double-decker bus. Meanwhile at the living memorial, Oliver’s father is dressed in red while his mother wears a faded green, as if to say she is already beginning to fade away. The event is decorated with green drapery and streamers, and there are even stacks of red and green chairs in the stairwell where Oliver begs his mother to receive treatment.

Hadley gifts her red and green bouquet to Tessa, and when she is driven away, a green-clad narrator returns the red backpack to Oliver. Wandering London alone, Hadley exchanges her painful red heels for a pair of green trainers (“sneakers!” she insists), and tries to call her dad first in a red phone booth and then on a phone from a stranger sitting in a cluster of red chairs. Finally, Oliver chooses to pursue Hadley to the wedding reception which is lit in pink, and where they finally share the long-awaited kiss.

There are many more examples, but in general we see that green indicates separation and loss, while red symbolizes joining, intimacy, and (what else?) love! It lends the film a gorgeous, subtle aesthetic without being garishly festive, and shows the lovers’ emotional journey from lonely childhood to vulnerable, loving adulthood.

Death and Rebirth

Speaking of which, there’s plenty of rebirth imagery too! When Hadley and Oliver meet, they are both still children, struggling with the impending loss of parental security through divorce and death. Thus, when they board the plane, it is as if they enter an underworld or womb, separated from their families and remade as new adults. They emerge on the other side into a hallway (read: birth canal), as each must still confront their own dying childhood before they can join as full and equal partners. Hadley journeys to a bright, red-strewn celebration of life, while Oliver must enter a dark green commemoration of death, his fear driving him deeper to hide in another hallway. Here his mother comes to find him, begging him to emerge into life, but Ollie still can’t confront her death alone.

Thankfully, Hadley travels to this underworld to find him, bursting into the memorial like a bright red flower. Even the bruise metaphor works, acknowledging the pain they are both experiencing at the changes in their lives. But Oliver still refuses to face his fears, trying to take a shortcut around death to life with Hadley. Still, she knows he’s not ready (likely because she’s not yet, either), and gently pushes back. And so, Oliver returns to the underworld, and Hadley walks off alone until she descends barefoot through a soggy riverside tunnel (birth canal again!). Finally, she calls her father and admits she is “lost.” When he arrives, Hadley at last gathers the courage to ask why he ended their old life, and to tell him how much it hurt her. But as Oliver predicted, she forgives her dad and even begins to accept his new bride.

Back at the memorial, Oliver is reminded by Hadley’s red backpack - his unaddressed emotional baggage - to be honest about his pain. In at last openly mourning his mother and his own childhood, Ollie takes a step into adulthood, just enough for his family to nudge him that extra bit to go after Hadley. And so, the family delivers him to his bride, who has meanwhile learned to dance again, even through her heartbreak. With one last confession, the two consummate their love with a kiss, bathed in pink light before an open door.

Happily Ever After

There’s so much more, with the hand-holding, numbers, Shakespeare, Dickens, the music, and beyond, but the point is that this cute, charming little romance is actually very deliberately constructed. It follows timeless patterns and motifs which we instinctively understand through visual and auditory language. And the narration plays a huge role in this as well, not unlike the prologues and epilogues of the Bard’s plays in that they state the story’s lessons plainly: that we cannot always be prepared for unwelcome surprises, but that we can make the choice to love every day.

Anyway, Vanessa Caswill deserves all the flowers and if you haven’t seen her gorgeous adaptation of Little Women (with all due respect to the marvelous Greta Gerwig and Gillian Armstrong), please do yourself a favor and watch that after you finish this!

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13thdoctorposts · 10 months ago

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has anyone else noticed how reactions and consensus on 13 has been RETROACTIVELY negative? I know there's been an intensely misogynistic hate campaign since Jodie was announced but I also noticed that when you look at old posts from when s11 especially was freshly aired, there was a lot more good faith engagement with the show and genuine excitement in fandom. It seems like covid gave the bad faith actors the opportunity to take over fandom and force their narratives on everyone.

Yeah a really great example of this is if you look back to tweets from the night Rosa aired the praise was very very high, now if you bring it up in the fandom you would think it was terrible and racist.

On YouTube I was told the writers, both of them Chibs and Malorie Blackman were incompetent because they doesn’t show how bad the racism really was, yet the episode starts with one of our companions being physically assaulted and told to be careful so not to end up like Emmett Till, some one who had just been murdered acting as if the show was sugar coating what life was like back then. Oh and of course with the Chibs slander that he’s racist because he may have hired a woman of colour to write the script, but she is English not American and he should have made sure it was an American or not done the episode at all

Malorie Blackman is an award winning author claiming she’s an incompetent writer is pretty incredible accusation.

Here’s some of the tweets from articles praising the episode.

I think 2 things hurt 13 era who and they weren’t Chibs and Jodie. It was the unhinged toxicity the fandom constantly spewed and then even after things got praised as you said people would go back and nitpick to a level they never ever do with any other era and 2nd not having a big enough marketing budget and brand manger series 12 and 13 suffered most from this because the BBC did put the marketing money into series 11 even if they didn’t have a brand manager, and Chibs mentions this in the Radio Free Skaro podcast from last year that the BBC put a huge marking budget into series 11 but series 12 and 13 basically the budget was… you can only advertise on the BBC because there’s no money for anything else.

Rosa is just one example but there was a lot of praise for the work at the time of release and it’s quite possible general public viewers may have just stoped engaging on social after series 11 because they would then be piled on, and people in the online fandom knew they couldn’t go to social saying they loved an episode so they started picking it apart before putting their thoughts out there so they could be on trend with the haters who were gonna pile on if they didn’t fall in line.

Seriously if there’s ever a down fall to doctor who the ‘fans’ will be it because they would rather hate on the thing they supposedly love than love it. And ever era has its super questionable moments but if you bring them up for any other era you just being petty, or it isn’t that big of a deal, or ‘it’s of the time’ it’s just excuse after excuse.

I’ve seen people upset about the fact that RTD dead named Rose in the star beast, something very legitimate because now all the right wing idiots of the fandom use that name and the people who were upset get piled on if they say anything because they should be happy that RTD is trying to give them representation… but these same people when Chibs tried to give rep though a female doctor, or an episode like Rosa or Ryans disability, say Chibs is a right wing capitalist, sexist, racist, ablest, you don’t hear them saying hey he was really trying by getting people of colour to write their stories, by getting directors with the same heritage to direct episodes, he work with a dyspraxia organisation to help write Ryan, brought in the first 2 female Doctors and the 1st Doctor of colour who was also a woman, the 1st master of colour, the first Doctor who admitted to having feeling for a companion of the same sex and the episode where the doctor admits those feeling is co written with a queer woman, oh no Chibs gets no grace for tryi neg he did everything wrong but RTD everyone should be thankful for.

I don’t understand the level of hate. Not liking something is one thing but a part of this fandom has made 13 era who seem like the anti christ of Doctor Who, when really it tried a lot harder to involve more people in it then ever before.

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wouldntyou-liketoknow · 5 months ago

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Comparing Killers

I sent an ask to my buddy @insane4fandoms a few days ago, and in their reply, they mentioned potentially doing a character analysis for both MadPat and my very own fanmade cannibal EgoPat Caliban in the future.

(This stemmed from one of their latest drawings. Again, thanks so much for remembering my scrunglies, friendo ❤️)

SO, being the way I am, I took some random inspiration and now I'm going through with that exact analysis myself! Just following my instincts as a writer and all that stuff.

___

MadPat:

Now, just to get this out of the way because I have a sneaking suspicion that someone’s gonna read this and automatically assume I’m being stuck-up: I really like Mad as a character. Matt has done an amazing job portraying him. . .though, Matt just has a knack for unhinged characters in general, lol.

And thanks to Matt's acting skills, Mad is an enjoyable villain. He’s cluster of chaotic problems shaped like a man in his thirties, and we all love him for it. (Honestly, I kinda see Mad’s behavior as similar to that of The Actor from all of Mark’s projects. Comedically evil with a tendency to throw tantrums when things don’t go his way.)

The FNAF Musicals have made many slight tweaks to the lore of the games to not completely plagiarize the story. So, of course, Mad is a slightly-tweaked version of William Afton: it’s made very clear that his crimes include murdering kids. On top of that, he has no problem playing long-cons with pizzeria employees before eventually killing them, too.

We’ve seen plenty of times that Mad is pretty much never afraid to get violent. Oh sure, he tries to put a mask on when he needs to, but it’s easy to see all his urges beneath that mask. (And again, much like Actor!Mark, Mad ain’t too shy about being callous and hostile to almost everyone around him.) He’s very quick to anger. To make things worse, he’s also quick to desperation.

While Mad is too smart for everyone else’s good, he’s still pretty damn impulsive/irresponsible. His crimes were all concentrated on the pizzeria; it didn’t take very long at all for the disappearances to pile up and gain unwanted attention. Now, a bunch of missing-person-cases are one thing, but leaving evidence is quite another.

Hell, in the beginning scene of Web of Lies, the wacko-in-a-bearsuit himself literally said, “Every INCH of this place is INCRIMINATING! Ten minutes of poking around this place and they’ll discover what I did. . !”

If Mad were to hear of Caliban's work, he'd probably be impressed at first and automatically assume that Caliban is just like him, just with more people-eating. However, if Mad were to actually meet Caliban and get a better read on his personality, Mad would likely end up insulting him one way or another. He'd see Caliban's professionalism as tedious.

___

Caliban Crawford:

Though I've made it pretty obvious that he's my special boi, Caliban is an objectively bad person. He may be insane, but he’s not delusional enough to deny that. Whenever his and/or Murdock's targets happen to be alive when they’re dragged to his den, he can be very, VERY sadistic throughout the butchering process. (Especially if the target has done something to personally affect him, Azalea, or any of his other peers.)

Sure, he doesn’t complain about working with dead bodies, but having a live meal is quite a special occasion. In such cases, he enjoys watching the unfortunate soul in question squirm and listening to them scream/beg. Taunting, dragging things out, making morbid puns all over the place, the works.

Despite all this, I’ve specifically crafted Caliban to be an extremely morally-gray character. (To be honest, the only fanmade ego of mine who’s full-on evil is LeviathanPat.) He’s still able to be logical/rational when he needs to. He takes pride in his self-control; yes, he has cravings for human flesh, but he knows he can’t afford to just attack any person he sees whenever he gets hungry. He knows he has to be EXTREMELY CAREFUL in order to keep his business away from the authorities. So, he only eats those he and his peers (Murdock, Azalea, etc.) are hired/paid to bump off.

On top of that, Caliban still has some humanity left. While he’s obviously nowhere close to a perfect angel, he’s still able to form genuine relationships and treat those in his circle with kindness/respect. Get on his good side, and you'll have quite a strong ally.

Though his morals are limited, one of the biggest differences between him and Mad is the fact that Caliban would never, NEVER stoop so low as to harm a child. In fact, he tends to avoid children altogether due to his own childhood trauma. (Totally not me projecting because I grew up in a dysfunctional family with verbal/emotional/psychological abuse.)

Getting back to the juicy stuff: Caliban is smart and efficient with his work. He prides himself on not leaving any evidence behind. (Yes, he still makes occasional mistakes, but even then, the aforementioned evidence still comes in very tiny amounts.) That's why he and Murdock became friends and started working together in the first place: since Caliban divides up which parts can be cooked/eaten and which parts can be sold on the Black Market, it really is easy for targets to just seemingly vanish into thin air.

Though my stories involving Caliban probably show him acting calm (despite his pun-addiction, lol), please, PLEASE don't be fooled. He's got just as much unhinged energy as Mad. He just happens to hide it a bit more often. But he definitely has his chaotic moments; half of the time it's out of unhinged joy, and the other half of the time it's because an enemy pissed him off enough to get their skin privileges revoked. (Basically, it's not that much of a stretch to see Caliban as a combination of The Hermit and Mack.)

Now, if you've seen @insane4fandoms artwork of him, then it's pretty clear that some inspiration was taken from Hannibal Lecter. And while I definitely appreciate references like that. . .well, that inspiration is mainly just for Caliban's appearance. I've said before that Caliban is nowhere near as arrogant as Hannibal. Even so, if Caliban were to see/hear about all of Mad's shenanigans, he'd write Mad off as being sloppy and unimpressive. If he were to actually meet Mad, his opinion would just get worse; he'd see Mad as a fair bit annoying and bratty.

___

@sammys-magical-au @b-is-in-the-closet @im-a-weird0 @themarpsimp @lexusinsannus @crazy-obsessed-enby @rozeliyawashereyall @gaymingintrovert @lampsforsocks @forestcouncil @x-hotrose-x @v1rus-seal

#my writing #insane4fandoms #friendship #my fanegos #fanmade egos #caliban #caliban the cannibal #madpat #aftonpat #matpat #egopats #matthew patrick

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candymay · 4 months ago

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Happy Armie bd week! My favorite Armie movie has also got to be The Man from UNCLE. His dramatic-comedic balance was top notch! I am so bummed I never saw him in the Straight White Men and I would definitely love to see him in more of these clever comedic roles. I have to say, Armie's one of a handful of actors whose performances I've consistently enjoyed, regardless of whether I liked the film itself or not. Can't wait to see what his scriptwriting skills will bring us in the (hopefully not too distant) future!

absolutely! I really wish they had recorded the play for a digital release. from the clips I’ve seen, it looks super fun and unhinged lol.

he’s amazing at comedy; even in CMBYNl, he nails those cheeky moments as Oliver. he’s just a naturally funny guy. I’m hoping his script has some comedic elements, whether it’s dark comedy or just any kind of humor, he'll lowkey eat it up

Thank you! And happy Armie bday week to ya!

idk why but this is so funny lol. the fucking accent!

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yourartmatters-itswhatgotmehere · 2 years ago

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after s2/THOUGHTS-instagram post BELOW:(later on my ig post after s1 +my grishaverse show 1 year anniversary ig post with lots of edits♥)

https://www.instagram.com/p/Cp7oZkRIbVL/

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View this post on Instagram

A post shared by 𝑠𝑎𝑔𝑒| a&f 2️⃣3️⃣ (@gretasag)

! afterS/(*spoilers)/

#grishaverse #ShadowAndBone #ShadowAndBoneSeason2 #ShadowAndBone2 #SixOfCrows @ shadowandbone @ netflix @ netflixgeeked #MALINA #WESPER #HELNIK #KANEJ #GENYADAVID #GENYALINA

♥no words,no edits,no pictures will express my feelings right. I'm just so grateful and i can't believe it's truly real&i don't take any of this for granted/it means more than any of us will ever be able to say/all queer ppl,the lgbtq+ ppl,the neurodivergent ppl,ADHD&Dyslexia+so many many more ppl,the survivors of SA/of abuse of any kind. people who KNOW how important the found family is. people who know grief&loss. ppl who found comfort&safe home&so much love with/in this universe/these books/these characters/this fandom/this cast/THIS found fam/ppl who see themselves in these fictional ppl, fictional ppl who're holding our hands like real friends would/AND THEY ARE ALL FINALLY HERE.on our screens-netflix show/teenage me would NEVER think that the very first queer couple i've ever read about thinking 'wow,they're so cool,why MORE books can't be like this?'AND one of my most beloved YA bookseries could truly *really* be here-it means THE WORLD. it means EVERYTHING to have my favorite ppl on screen now as a young adult brought to life by this INCREDIBLE actors who CARE SO MUCH abt the books&characters they play. We're all so lucky to have them in our grishaverse fam. We're so lucky to have THIS SHOW to help us walk through so much of very dark and hard things in our lives.+pandemic?lockdown? another war-this time in Europe? I feel BEYOND grateful to be here will all of you, through every social app we can reach one another, from so many places all around the world and to KNOW this show and these people-fictional/real mean just as much to you♥

our queen @ lbardugo so many of us and so much of everything wouldn't be here without you. We love you forever.

some of us waited for MALINA winning against TheDarkling since2012. For our crows together as a group since2015. We have SO MUCH with s2. All book quotes&scenes that make us feel so much. none of that would be possible without our WONDERFUL cast(+everyone behind the camera from the crew)

our favorite sunshine+most badass grisha sun queen @ jessie_mei_li our THE BEST tracker @ archierenaux3 our shadow man who is nothing irl like the character he plays @ benbarnes our AMAZING #DaisyHead @ daisymayhead have you seen s2? Where is her EMMY? our queen in blue the one and only @ sujaya_dasgupta our unhinged crows leader @ freddycarter1 our THE BEST+most stylish sharpshooter @ kittheyounger AND our-or maybe just mine-favorite favorite favorite crow forever my underestimated badass demolitions expert @ jacktwolfe +our entire fandom parents and the only jack&rose TITANIC we know-our HELNIK @ daniellegalligan_ @ calahan.skogman +our queen of KetterDAMN the best Wraith forever @ amitasuman_

i missed Fedyor&Ivan this season @ juliankostov @ simonsears and Mal's pals @ anguscastledoughty @ andyburse1 but i LOVED more of my beloved David @ lucapasqualino + so badass and yet so full of heart our twins duo @ lewistanofficial @ longbrophy and our Sturmhond/King Nikolai @ paddygibson so much love for Nadia&Adrik @ missjoanna_rose @ alistair.nwachukwu +Dominik @ louisboyer

!! LINKS and CREDITS for this post:

after s1: https://instagram.com/p/CODgAnQr2XZ/

one year annivers: https://instagram.com/p/Cb7CdmfI-W1/

1. Grishaverse-CAST-my whole heart-twt messrxmoony

2. cast sings every time we touch+crows dancing+THIS CAST s2 wrapped- ig gossamer x

3. CHARACTERS-soldier poet -king -ig wespcr

4. no not just girls early March2023 wesper edit tiktok COME AND GET UR LOVE+ x2 FIRST WESPER edits i saw in Jan2022 after W casting ig wespcr + FIRST WESPER EDIT i've ever seen ig mrsblakex

5. Wesper-heart-eyes + about you twt edits x2

6. Malina- out of the woods + kiss it better baby x2 twt edits

7. SAB posts Feb21-2023-meet Wylan vid + GRISHA WOMEN ig wespcr +Helnik-Dani-Cal-tt dailywesper-in another life/ our parents, our jack/rose titanic we know/our fav enemiestolovers /happy edit bc helnik is still alive and fighting in the show

8. HELNIK treacherous twt -elizaxonly + enemy twt loveforcaptnswn

9. s1 edit genyakostyk--we re gonna need a miracle or two (Alina,Mal,Jes this vid really shows)

10. thanks NetflixGeeked-if SAB was a 90s show makes me laugh always.

honorable mentions of s2 really quick(not in any order)

-longer episodes

-all book quotes/scenes(fav quotes listed down somewhere)

-malina being malina

-5/6 crows is a BIG WIN anyway

-ep7, Freddy what is this fun surprise for book fans-it can be so MANY things!

-showing WYLAN's relationship with his father without actually showing it/his relationship with piano!/+how they handled showing he can't read./+his wonder and his awe and his chaotic and his talking back and-just his whole character and personality. So well done.(also when Kaz says 'Any questions?' Wylan wanted to ask 'What am I doing here?' but thought better of it.)

-ruthless Kaz winning The Dregs and Per Haskell over

- Kaz's past+trauma

-Jes's past+trauma

-Jesper in kilt throughout ep5,6,7,8-through ShuHan, saying something stupid, the fight with real Sankta N, then becoming THE ONE she chose to give the blade to, hallucination of his Mom, that little fight with Wylan, the deeper conversation with Wylan, running our of Sankta N place and giving Inej the blade, chasing after Wylan, kissing Wylan, getting back to save Ravka's king's life and fighting with that scary grisha while also making full realization that being a durast is a blessing not a curse, while also realizing Wylan helped him to understand that, through almost dying(again), going into the fold, reuniting with everyone and yeah basically saving the world. I guess everyone had the same clothes but Jes was in kilt in SO MANY PLACES like the weather? Wasn't he cold? What if he had to go to Fjerda as well? ALL IN KILT? Jesper Fahey, we love you.

- WESPER truly one of the best this season, because they were so safe while everything else was well.. scary or terrifying or heartbreaking or triggering or else. Darkling's grisha army? Scary. Rollins basically becoming the ruler of Hellgate? Terrifying. So many of my beloved people dying or almost dying? And then there's WESPER just being Wesper and my queer heart loved that. I've waited for so long to see them on screen. And as i think every other book reader i was.. SURPRISED no SHOCKED because i knew Wylan won't be 16 but somehow in my brain i didn't think adult wesper will be really well adult wesper. So i had to pause MANY TIMES bc wait they did what.. wait they kissed?.. wait they kissed again?.. after i saw them in bed together waking up and Kaz being Kaz i think i stopped pausing BECAUSE this is WESPER. and i can see how so many of you friends dont know how to feel with crooked kingdom parts in this season or Kanej getting closer or Wesper being this close already or the way Wesper met and all i can is that.. we want the crows yes? We want Kaz's past? Well then these characters are who we know-they just GET MORE AND MORE CLOSE every time they can, they are together so they grow closer. Both Kanej and Wesper. Because if they didn't-they wouldnt really be our kanej and wesper.. also truly Kaz's trauma and past haunts him and you really think he can somehow NOT decide to get revenge on Pekka right away? Brick by Brick, no matter the cost? We have the crows and they have each other and they feel things and there's no way they couldn't. That being said quickly abt Wesper.. i guess personally i need more teasing and the banter and the flirting and the slowburn just all that book wesper had before they got THERE where in so many ways show Wesper already is. They met they got to know each other went through some horrible adventures together discovered they like one another and then decided to move together after like weeks?months? of knowing each other? That's book wesper. But NO i dont think show Wesper is that different the core of Wesper is there(and for all upset people the 'Do the Shu not kiss before noon?' can still happen because even if Jes will know Wylan better he could so easily get overwhelmed by the world and do stupid things you know?-I'm not sure if this is a joke or not but yup) Because i had DAYS to think about it and this is exactly how more adult Wesper could act. How Kaz would act around them. I understand some of you may be not so happy with the beginning since there was no "You can't kiss me from down there, Wylan" before Jes understood Wy is an epic demolitions man and no "No. Not just girls" scene before they even kissed (so grateful Jack and Kit did that for us in that interview and SO GRATEFUL that Kit said Jes is bi-because there're still people out there who don't acknowledge that and it hurts. But that interview means THE WORLD to me.) But yes, so many book quotes that now won't work. For both Wesper and Kanej i believe. EVERYONE it's a tv show. They can make so much work in some impossible way still. And some just won't work and that's okay(?) because no matter if it's a fight between malinas or darklinas or sab and soc we are ALL grateful for this show and this cast and WE WILL BE STREAMING NON-STOP for the first 28 days at least so netflix would see we NEED more of this world on our screens. So, last thing about Wesper, maybe they can pull them apart and then together again? Since there's so much stuff Jes doesn't know about Wylan(also is Jesper the only one who knows W can't read or Kaz noticed?/also how long ago Wylan was *forced* to leave his house and for how long Kaz knows him? Does he knows KNOWS him, tho?) There's also Jesper's gambling addiction and his past and his dad and him fighting more and more with Kaz and it's not like he will just accept being a grisha and boom done. It will take time to learn to feel about it differently. So yes, i am hoping for even more deep wesper talks in the future and time alone on their own when they grow and learn and truly understand that they need each other.

FAVORITE SEASON2 QUOTES:

'What?We just got back in town'

'Never thought I'd miss the Fold'

'You were with the funny guns and the angry hat'

'Careful is something you learn from losing your fingers'

'Can I get anyone some tea?'

'It's because you're a symbol. You're not just a sunshine, sunshine.'

'And you trust Kaz?'

'You remember that NOW?'

'You've been on safari when?'

'What you did tonight made you a crow'

'Yeah, of course.. We don't'

'I'm here for the killers. People like me.'

'Wait this is a 'proposal' proposal'

'All that matters is that we know what's real'

'We can't tell Kaz about Alby'

'Jesper Fahey, are you worried about me?'

'Well, I know now. And I'm not going anywhere'

'Kaz, Alby Rollins can't help who his father is. And you.. you can't punish him for that. I won't help with that'

'You came here for Ravka. I came here for you. You're my flag,Alina,you're my nation'

'Danger-fun'

'I kinda like your face'

'No mourners.. No funerals'

'I want you to remember'

'I might very well have left you first. But that was before I got to know you'

'That was even better than the last time'

'This is never going to happen. I'll destroy the only thing you have left'

'Look what he did to her!'

'Your beauty is your armor. It's fragile stuff,all show,really. But what's inside you,that's steel. It's brave and unbreakable and it doesn't need fixing. You don't need fixing'

'I said something stupid'

'Brekker..Just breathe'

'Of course it hurts!'

'You're trying to tell me how to feel about my shame! When you're hiding the very thing that makes you special.. I'm talking about the fact that you're Grisha'

'Because it's not a blessing, it's a curse'

'This is how we die!'

'I cannot believe that I get to see this in my lifetime'

'I was just a kid. I needed you too'

'I need YOU'

'And you,Malyen Oretsev,are the firebird'

'She's not sacrificing herself for me!'

'He's not my weakness. He's my universe'

'That sounds like Ravka's problem'

'Except for you,in the hat'

'When I saw it,all I wanted in the world was just to tell you about it and squeeze your hand'

'Everyone's lost their minds'

'No.-I'm it'

'No.Out!'

'We're both running out of time'

'I will not kill you!I won't do it!'

'I could process a fragment of Mal's bone and fuse it with your.. well,fuse it with you. Like we did with the Stag. Rember?.. Of course you remember'

'An ordinary life full of ordinary things'-'If love can ever be called that'

'How they are so powerful?!'

'Nina Zenik. Heartender. Big fan'

'I mean,yes,Expert'

'If you die we don't get paid'

'I'm sorry.. did you say Mal is a bird?'

'Yes!My Man!'

'I love you'-'You know where to find me'

'Mal and I changed the world'

'I will save myself'

'There's five of us'

"I can't feel his heartbeat'

'Choice. Not destiny. Choice. That's the real true north'

'My brother is never coming back. Yours still can'

'Stay in Ketterdam. Stay with me'

“And how will you have me? Gloves on? Fully clothed? And your head turned, so our lips never touch?(..) I will have you without your armor,Kaz Brekker,or I will not have you at all'

'Djel will absolve me. I am clean'

'Of course she is. We're fantastic.'

'But I look amazing in blue'

'Any questions?'

and finally s2 - in my opinion:

-Fedyor-ok Ivan is dead and F/in the books/as well but not even one scene with him/even scene where he dies fighting on Alina's side/not even mention of him?//and SOMEONE had to let other grisha and Zoya know about Nina and M, yes? So where's F? What's up with that?

-you have Jack playing the piano and you don't have him also SING as Wylan? are you SERIOUS?

- The change in Malina's ending(not sure how i feel about that truly) how they aren't 'dead' to the world and not together together, leaving everything behind like 'ok,we're out now it's YOUR turn bye. We retire to be happy and at peace and in love' bc it was SO malina of them AND also they were both kinda reborn like phoenixes-getting a second life, second chance. And i loved the idea of it but now.. there's so many possibilities and i have absolutely no doubt they will reunite since they are each other's home and endgame but yeah just not sure how i feel about the change in the ending. Nina not Twins? Ok. Alina using Merzost just by saying PLEASE i guess that's ok, too. But was it necessary? After all Mal is our grishaverse very own Jesus figure-he just came back faster..without merzost but the price she paid is her light, correct? Since that cut was pure shadow? So she goes to Shu Han to return the blade, obviously doesn't turn evil. She reunites with Mal and before they both have some freedom and just a break a moment for themselves and then they can return and help king Nik or decide not to? I loved for Mal to do something on his own so quickly after. At least he escaped this whole mess. But twins go back to N and Inej takes a break or just returnd fully to the crows bc JURDA PAREM??

-WESPER 1st meeting, like i NEED it okay? I just waited for that flashback so much. I NEED it. That's all. Even if it's dark and messy and quick and whatever i just ALWAYS need more wesper content. It's a rule for me. My yt most searched for YEARS is "Jesper and Wylan" for a reason! *they are just THE BEST* also wait THE NIGHT WE MET song was Wesper song after all or not?

-is Demon Nikolai in deleted scenes bc I want this

-as a HUGE malina fan i don't care about the lack of white hair or no tattoo we all so love or even not THAT MUCH about how different Baghra's death scene was BUT GenyaDavid DavidGenya .. she wasn't even happy and safe FOR A MOMENT there was war and shadow monsters and the Fold..and they did not get married-like i have read ROW only once bc as much as i loved return of my 2 fav grishaverse couples MALINA and WESPER, and Kaz(?) I just.. i'm still not over it. That certain death. So i dont remember the details but.. i want a funeral, there should be one. If you go THERE go there fully so i could sob even more. But yes, the ruby, the plan of the ring-it showed like.. those compliments-the list. It showed how David always thought about Genya,how hard he was trying for her. And the moment he protected her? The line 'i can't feel his heartbeat' is like 'i can't find David' in another universe my heart is so broken for G and i don't think i will ever be able to rewatch s2 and not sob.

So YEAH, CONGRATS S2-you delivered 2 deaths of grishaverse that hurt me the most(out of 3) only that I still did NOT recover from THAT one. So it hurts. D and Nik will never become friends in the show now never create and invent together-

WHICH IS WHY I LOVED WESPER SO MUCH. my joy this season among all the crying.

Fav episodes-2x06,07,08 (YES i love 2x01-how come it is barely first ep of s2? And yes 2x02 WESPER fighting scene, plus 2x04 KAZ and WESPER)

And yes s2 was so much greater than s1. I don't know where we go from here and if THAT will happen(SixOfCrows here comes trouble trouble..) but for now i'm just so grateful for being HERE.

For seeing Jes and Nina my bi duo just sitting there and watching unhinged Kaz. For Wylan who can admire butterflies and then feed them to his friends if that's what's needed. For Malina just being young and feeling the pressure. For seeing our Fjerdan in Hellgate. For Wylan playing flute and piano. For Inej and Jesper talking about Kaz. For all Genyalina hugs. For crows on THE cemetery. For Baghra's stories. For Wylan asking why NMNF. For another living Saint. For adult Wesper. For all the tiniest book scenes there-when N realized V is an idiot and they can all die, when Mal is being chased for being a deserter, and when V tried proposing to Alina. And "i love it when you quote me" and Zoya checking N out and Kaz telling her "your prince" bc Brekker is always the matchmaker. Genya and Kaz scenes this season. Tolya and Jes becoming besties. Zoya being "already a queen" for the scene when Inej cuts all the shadow monsters like a machine and Nina just slowly wakes up to see The Fold gone. For Kaz telling THOSE THREE about a new job.

NMNF

in pics:

on TWT:

https://twitter.com/ThisIsGSage23/status/1637402649904513024?s=20

and AFTER S1 IG POST:

https://www.instagram.com/p/CODgAnQr2XZ/

body > iframe { min-width: auto !important }

View this post on Instagram

A post shared by 𝑠𝑎𝑔𝑒| a&f 2️⃣3️⃣ (@gretasag)

in pics:

and here my show 1 year anniversary ig post:

https://www.instagram.com/p/Cb7CdmfI-W1/

body > iframe { min-width: auto !important }

View this post on Instagram

A post shared by 𝑠𝑎𝑔𝑒| a&f 2️⃣3️⃣ (@gretasag)

+edit after Nov16,2023(8 months..)

https://twitter.com/ThisIsGSage23/status/1725060609929003041

https://twitter.com/ThisIsGSage23/status/1725048509936685230

https://twitter.com/ThisIsGSage23/status/1725047970708492741

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noahschnappinfs · 5 months ago

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I somewhat relate to your journey as a Noah fan. I've always liked him, but I got this invested only after he was cancelled. I just got so protective of him. And seeing the way he handled this whole situation made me appreciate him even more. I rarely "stan" actors or actresses, but Noah is definitely one of those actors I care about the most.

On another note, this whole situation also was such a wake up call for me. I've always despised the ST fandom but I realized that you can't trust anyone in this fandom, even those people who I thought were smart and decent human beings.

we need to start a club with the post-cancelled noah stans because i’ve seen multiple people saying the exact same thing lol

to me the ST fandom is insane because i’ve never seen so much infighting, why are people always threatening each other and are always trying to doxx people? i feel like maybe it’s because there’s a big part of the fandom that is very young and aren’t prepared for this level of social interactions but i’ve also seen grown adults act really childish so at this point, i don’t know what’s with this show that makes people act unhinged. the good thing is that shortly after the show actually ends, the fandom as we know will change a lot and maybe we’ll finally know peace. i’d imagine the process will be very similar to when 1d disbanded that after a year or two, everybody picked their fav member and left to start individual fandoms which to me is something i’m looking forward to. that way we can enjoy our own thing without having to deal with the show’s fandom.

#answered #ns

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matan4il · 2 years ago

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Hi, I’ve seen some gifs of that Thai show, but are those two actors together in real life too?

Hi lovely Nonnie!

Oh wow, I did not expect an ask about Kinnporsche The Series / Mileapo, but I probably should have since I went off a bit in the tags of that gifset reblog, didn't I? XD Please never take me too seriously whenever I claim two specific individuals have invented love, I'm just joking around. Unless I'm talking about David and Jonathan, because they totally did. ;p

But if I'm to try and answer seriously, I would say that officially, the last time either Mile or Apo have addressed the issue of their romantic status, they both said they're single (Mile in Aug 2022, Apo in July 2021 if I'm not mistaken). Of course, that's also the response I would expect from them if they were together. Because just like there are opposite sex couples who meet on the sets of movies and TV shows, and fall in love or just have an affair, there are same sex couples who go through the same thing. The difference is that society (and the entertainment business even more so) is still so homophobic, that these same sex couples often can't come out. I mean, if opposite sex couples sometimes feel they need to keep it to themselves, and we only find out about their romances decades later, like in the case of Jane Seymour and Christopher Reeve (if we find out about them at all), then imagine how much harder it is for same sex couples who fall in love as co-stars... (or even when there's a same sex celebrity couple, period)

Other than Mile, Apo and the people they trust, no one really knows if Mileapo actually are a couple and have to be closeted, or if they're just truly the best of friends who bonded so much as co-stars on the set of KPTS that their behavior is hard to distinguish from the way lovers act towards each other. We also have to take into account that they're from Thailand, and the cultural norms for how men are allowed to interact can be very different. Especially when we remember that they starred in a BL (gay themed show) together, and the norm for that is heavy fan service. I AM convinced that even then, their bond runs deeper than fan service, especially since the original production of KPTS was canceled, and the production company that was set up instead explicitly said it would not require fan service. Plus, this company was co-founded by Mile to save KPTS and give Apo his second chance to shine as an actor, after he had been previously bullied by homophobes into leaving the acting world. So yeah, I have every reason to believe their connection is real.

And the fact that this is a part of their unhinged story (that they met briefly as models 7 years before they auditioned for KPTS, that they obviously thought the other one is an attractive man and remembered each other all of these years, that Mile watched Apo's shows, that they re-connected at the auditions and seem to have been inseparable since, for over 2.5 years now, that they fought together for KPTS to be made and then gave us on screen an astounding love story, that they chose to go on working together on their next projects, including the upcoming queer film Man Suang, and continue to hang out even outside of their busy schedule together) brings us to what is most meaningful to me about them. Whether their bond is romantic or platonic, it's clearly so deep that I wouldn't hesitate to call them soulmates. They love and care for each other, support one another, and I think they healed each other in ways that make me feel soft and happy to know that such love exists in the world. So I'm going to continue rooting for them, and possibly joke about it like I know that they're a couple, because in a very profound sense of the word, even if it's not romantic, they are.

This was probably way too long, my apologies. Okay, have a Mileapo being in sync gif just to make it a bit better...

Have a good day! As always, my ask tag. xoxox

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crystallizedday · 2 years ago

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Aight.

I’m feeling silly today, so imma do something that may or may not make me look like the craziest person on this platform.

As some other @the-ooftroop fans may already know, Springtrap & Dr. Hare have a striking amount of similarities, such as… *proceeds to take out & unfold a comically long piece of paper*:

•Both have a history of kidnapping various children

•Both have used “mind control” to create followers

•Both are fused with a rabbit or rabbit-like object (with Harvey’s mind being fused with an actual rabbit’s while Springtrap was just physically “fused” with the suit)

•Both of them have a tendency of never permanently kicking the bucket against all odds & “always coming back” one way or another

•Both come back alongside other iconic antagonists in the series at one point (referring to Super Villain Island & Pizzeria Simulator respectively)

•Both have an interesting connection with vents being used as a way to easily get from one area of a building to the other (referring to the vent system the player uses to traverse the factory in 24 Carrot Island & the vent system Springtrap uses to traverse the horror attraction in FNaF 3)

•Both are “mad scientists” (which… I mean, William is practically messing with fucking soul energy or whatever the fuck remnant’s supposed to be, so sure, I’ll take it)

•Both are pretty much the faces of their respective franchises

&, according to Ooftroop…

•Both have “baby forms”… that are the most “what the fuck” things from both franchises that I’ve ever seen, just on two COMPLETELY different levels…

& I don’t even KNOW if this is all of them, there are a SCARY number of similarities.

But then I realized something this morning.

The Binary Bard, the OTHER mad scientist from Poptropica, shares some of these similarities as well, namely being:

•Both of them have a tendency of never permanently kicking the bucket against all odds & “always coming back” one way or another

•Both come back alongside other iconic antagonists in the series at one point

•Both are “mad scientists” (even if Bard is more so a mad engineer… but even so, that only fits William more cause… I mean, remember fucking Afton Robotics??)

But all those similarities are just things Bard already has in common with Harvey, so that doesn’t say much (& my old psych-statistics professor would kick my ass if I didn’t acknowledge this overlap).

You wanna know what DOES say a lot though?

How both this funny little jester & the smelly rabbit man

•Are a “fusion” of man & machine

•Have been horribly disfigured in an accident by their own machinery (or, assuming William didn’t design the springlock suit, machinery they used to aid their goals at least)

•Are considered to be the most deranged &/or unhinged but also the most threatening character in their respective franchises

•Have purple & yellow as their prime color motifs (mainly when William was alive & using the not-rotting Spring Bonnie suit)

&, most importantly of all…

•They’re both British… probably. Bard doesn’t have a canon voice actor, so I’m just going off of how they were at least European considering their medieval hometown.

So where am I getting at with this?

… I dunno.

I just thought it would be funny to point it out & joke about how Scott “copied Poptropica” or something ridiculous like that.

Or give you all this absolutely disgusting visual.

Because I despise myself (/j). WJWODKWODOKWODKSKEOKEOWJDWIIR

#I am so sorry ahead of time #but if I have to live with this knowledge #so do all of you #because I’m evil & cringe like that #Poptropica #FNaF #five nights at freddy's #Springtrap #William Afton #binary bard #mordred #poptropica mordred #dr hare #Harvey hare #insert the obligatory malhare joke here #day’s afternoon rambles #cause it isn’t morning nor is it night #I made a new breed of the fuckin ramble tags just for this glorious post #I don’t know how to feel about it honestly

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howifeltabouthim · 1 year ago

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Saltburn: Bonkers, Balls-to-the-Wall Brilliance

It would be no exaggeration to say that Saltburn is the craziest film of the year. I've never seen anything quite like it; it's distinctive in the best possible way, even while being rich with references to other iconic works. Emerald Fennell's sophomore feature is an exploration of class differences and a comedy of wickedly bad manners. It also morphs into a surprising, devilish thriller. It's the kind of film where you can’t look away, even when (perhaps especially when) you can’t believe what you’re seeing onscreen.

Saltburn begins with Oliver Quick newly arrived at Oxford. He's a fish out of water on campus as a scholarship student. He comes from the wrong background, he doesn't wear the right clothes, and he doesn't possess the right affect to fit in with the posh students that surround him. When he does a kind turn for Felix Catton, the popular student he's admired from afar, things start looking up and he's ushered into a world of partying and camaraderie. That summer, Felix invites Oliver back to his family estate, Saltburn, and things escalate amid decadence, debauchery, and class tensions.

Saltburn is a lush cinematic experience, composed of fresh, original, shocking images. So many shots feel like discrete works of art, the kind that wouldn't seem out of place in a gilt frame on some illustrious wall, reminiscent of the artistry of Kubrick's Barry Lyndon. At the same time, they all meld together to comprise a masterpiece. The startlingly potent sensuality practically drips from the screen, catching one up in a fever dream of desire and deviancy.

Barry Keoghan plays Oliver, and really proves himself as a leading man. I’ve been following Keoghan’s career with intense interest since his one-two punch of Dunkirk and The Killing of a Sacred Deer in 2017. And boy, is he realizing his potential. He blew me away with his heartrending performance in last year’s The Banshees of Inisherin. He excels at the humorous and the harrowing, sometimes in the same scene. He’s the kind of actor who can genuinely make you laugh and break your heart. He goes all in. You feel his pain, and I know I find myself rooting for his characters even when I probably shouldn’t.

My favorite kind of performance is an unhinged performance, and Keoghan delivers an all-timer in that category. His Oliver is comparable to Mia Goth’s turn in last year’s Pearl, for sheer emotional and eccentric abandon. The extreme emotion and behavior Keoghan exhibits as Oliver is thrilling to watch. Saltburn is such a great star vehicle star for this highly unique, unusual performer who has really been given his time to shine. He commands attention and the camera captures him perfectly here: his intensity and subtlety and those arresting blue eyes. Keoghan is a truly fearless performer. If there's any justice, he'll be nominated for an Oscar for this incredible performance.

This is a great ensemble cast, which includes Jacob Elordi as Felix and Alison Oliver as Venetia, Felix's sister. Carey Mulligan provides a disarmingly sweet and funny turn in a small role. Paul Rhys is chilling as Saltburn's imperious butler. Archie Madekwe is deliciously vicious as Felix's snobby cousin, Farleigh. Richard E. Grant is on point and hilarious as the Catton patriarch. Besides Keoghan, I felt Rosamund Pike was the standout and that this was her best role to date. The part of Elspeth Catton, lady of the manor, seemed tailor-made for her. Saltburn definitely deserves to be nominated for a SAG for Outstanding Performance by a Cast in a Motion Picture. The actors all play off each other beautifully.

I’m in awe of writer/director Emerald Fennell’s artistry and uncompromising vision. I love how she lets scenes go on uncomfortably long sometimes (like in the infamous climax of Promising Young Woman) to get her point across. She’s not hemmed in by conventions of how long a disquieting scene “should” go on. She doesn’t compromise for anyone or adhere to conventional tastes.

Saltburn is told through a great framing device of Oliver recounting the events of his pivotal year at Oxford and Saltburn to an unknown listener. It keeps you guessing as to who he's relaying this tale to. There are echoes of Wuthering Heights, Brideshead Revisited, The Go-Between, and Call Me by Your Name. In other words, timeless stories that will always resonate in the culture for good reason: they’re primal and get to the heart of the human experience. Yet Fennell's narrative veers in wholly unexpected directions. To watch her pull off the trick of this narrative is a privilege indeed.

Saltburn is a sterling example of bold, unapologetic filmmaking. Emerald Fennell is a cinematic visionary and a canny provocateur. And in case all this rhapsodizing wasn't enough, just know that this movie is HOT. It's fierce and feral and it demands to be seen. Viewers are in for a sick and sexy thrill ride. It's disturbing, deliciously demented, devious, nasty, and wonderfully messed up. Please go see it in theaters: let’s help wild, invigorating, conversation-starting cinema continue to get made and theatrically released.

#saltburn #barry keoghan #movie review #emerald fennell #jacob elordi #rosamund pike #alison oliver #archie madekwe #richard e. grant #recommendation #film #movie #oscars #oscar buzz #review #writing #my writing #recommended

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sparkles-rule-4eva · 1 year ago

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I’ve officially been a Sonic fan for a year!

And to celebrate, since my bestie @thewritingautisticat and I were first properly introduced to said fandom via the movies, I decided to post a big fat rant about how much I absolutely ADORE the movie universe. Right alongside every other aspect of this amazing franchise.

Here’s the thing. I’ve seen people claim to be the #1 SCU defenders/lovers/etc., and then I’d explore their blog and still find them complaining about the human characters, and still imply that the movie universe isn’t as good as the games because it’s different.

Me? Dudes and dudettes, I think I’m one of the only people who can truly claim to be the #1 SCU defender. Because I love the movies in ALL their differences and wackiness. I don’t just tolerate the presence of the human characters, I love them. Right alongside Sonic and the original cast. During those wedding scenes in the second movie, the parts where everyone seemed to complain that they were bored and just waiting for it to get back to Sonic? I was loving every second of it. I see the human characters to be just as much Sonic characters as Sonic himself, Knuckles, Tails, etc.

I love scenes with Tom because he’s Sonic’s adoptive father. I love scenes with Maddie because she’s Sonic’s adoptive mother. Rachel is his crazy, unhinged aunt. Jojo is his chill cousin. That’s his family right there. Right alongside Knuckles and Tails, his adoptive brothers in the cinematic universe. I love and accept them just as much. I’ve barely seen anyone else do the same.

I love that the movies give Sonic (and the others) the ability to do something that the games can never do: be a kid. They show him to be kind, compassionate, empathetic, energetic, fun-loving, adventurous, sassy, and heroic, just like his game counterpart. And then they give him more: they give him parents who love and support him. Who cheer him on from the sidelines as he’s off fighting giant robots. Who will give their lives for him without a second thought.

People complain that the first movie isn’t a good “Sonic” movie? I disagree there, too. Because it’s missing the other characters and the lore and all that? Is Sonic not Sonic if he’s separated from his friends and original home? No. The first movie didn’t focus on the lore. The first movie focused on Sonic, him as a character. They established the settings of this new, alternate world for Sonic. Gave him a backstory because the games never do. They let him be a hero and a kid at the same time.

Guys. Paramount found themselves with rights to make a Sonic movie. A movie with a version of Sonic who had zero mandates hanging over his head. Did you really think they were just going to make a story that we’d probably see as a game someday? No, they were not going to miss this opportunity. They rewrote his story in this alternate version. They let him be a few years younger. They let him be emotional. They even gave him extra epic powers linked to said emotions, and those powers have even impacted the games.

I love the voice actor they chose for Sonic. People complain he doesn’t sound like he does in the games. So? The people who casted the voices weren’t looking for a soundalike voice actor. They were looking for an energetic, optimistic voice. Because that’s how they saw Sonic. Is he not? He feels like the very embodiment of energy and optimism a lot of the time. So I love the choice of Ben Schwartz. He does amazingly.

And about him getting adopted by humans? Found family is not a new trope in the Sonic franchise. In the games, we have Sonic raising Tails as his little brother. We have the Chaotix, a team consisting of a grown dude, an angsty teenager, and a literal child who see each other as family. We have Amy being a big sister to Cream and Tails. We have Vanilla being a mother figure to half the cast. We have the ARK siblings. The list goes on. Is it really so “cringey” to let Sonic himself get adopted? Especially when he’s younger than the game version, and was properly given the chance to be a kid? To have fun with his brothers and parents outside of fighting Eggman? And by parents who accept him wholly for who he is, strive to take care of him where they can, and allow him to relax and enjoy the remainder of his childhood??

Not to mention, Tom and Maddie are literally the perfect parents for Sonic (and later Knuckles and Tails). For one, they’re a very healthy couple. They’ve loved and supported each other for years even before their marriage and before meeting Sonic. Green flag number one. For two, they understand Sonic, they see that he’s still a kid and they want to help him, they try to “steer him in the right direction,” and they don’t try to stifle him and his love of running and adventure. Tom is a cop, a very good cop I might add (I absolutely refuse to listen to any of the crappy hate I’ve seen towards Tom just because he’s a police officer), and he’s inclined to help people just like Sonic is. Maddie is a vet, she loves animals. Sonic is literally an anthropomorphic hedgehog. She knows better on how to take care of him; and even before she got to know him, she still tended to his needs when he was out of it, even being cautious in doing so because she didn’t yet know his physiology.

So yes, I love the SCU. I love seeing the Wachowski family doing mundane, everyday things just as much as I love seeing the boys in epic battle scenes. I loved watching Sonic and Tom have a father-son bonding moment on a fishing trip. I loved watching them play along with his airport setup the same way parents play along with their child’s imagination. I loved watching them ask for a hug goodbye, make sure he knew how to contact them in case of an emergency, blow him kisses as the ring closed. I loved that Tom kept calling and texting Sonic to check in on him just like any parent would while they were away. I loved seeing Tom express wishing that Sonic could have buddies like him. I loved seeing Maddie call him “their kid.” I most especially loved seeing Sonic finally call Tom “Dad.”

I loved seeing my favorite trio of alien boys ride in the back of a truck, even though none of them needed the transportation, bickering about the baseball game they just played as their parents drive them out for ice cream.

Does this mean I prefer the SCU over the games? No. I love the games just as much, and I could easily rant on everything I love about them as well. I’m just not planning to because it’s not necessary. They’re the mainline thing.

Even though I’m disappointed to have missed so many years in this amazing fandom, I think I like being a fresh fan. I constantly see people griping and complaining about this or that in some area of the franchise, and tbh it annoys me. I’ve been ruined for reading reviews because I find people hating on things I liked. I introduce “NO-HATE REVIEW!” Not complaining about what I didn’t like, because there’s not much. Just loving on what I loved. Sharing my excitement with others.

As a result, I’ll later post similar rambles about other parts of the franchise I want to defend. Such as the IDW comics. Sonic Prime. Sonic Frontiers. All the parts people are far too quick to judge.

Replies that are hateful or irrelevant will be deleted. 👌

(A little later I’m also going to make a celebratory post about how this franchise literally changed my life in a good way XD)

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no-where-new-hero · 17 days ago

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Blake Wrapped #1: K-Dramas 2024

'Tis once more Blake Wrapped season. I watched nearly all of these dramas in the first half of the year, so it was fun to revisit them all and my opinions for this wrap-up! Reviews and pictures under the cut.

Cheese in the Trap (2016)

Would be my favorite drama of all time if it weren’t for the plot/character nosedive around 2/3 of the way in, which destroyed the delicate psychological rendering of the main characters. TBH this drama gives me pain, but in a way that's also kind of enjoyable to tear apart. Aside its faults, it's beautifully filmed, perfectly cast, and did introduce me to Park Hae Jin (belovedest). 8.5/10 for the costuming, music, Kim Go-Eun's curly hair, and the first 10 eps.

Man to Man (2017)

Saw this one purely because it starred Park Hae Jin, Park Sung Woong, and Chae Jung An, and they were the only good things about it. The plot volleyballed among different genres (action, comedy, thriller, romance) in a way that felt almost like a pastiche, but which never committed to the bit enough to bring it all into a satisfying whole. A star-studded and talented cast let down by poor direction/writing. 6.5/10 for the fun of shipping the wrong people.

Who Are You: School 2015 (2015)

Yook Seung-jae gave me a SEVERE taste of second lead syndrome and carried the last few episodes. One of the best kdrama performances I’ve ever seen. The whole cast was exceptional and held together the many mini-plots, which nicely dealt with real and relevant themes. Some later scenes felt unnecessarily drawn out to fill 16 eps, but at least every story and character arc felt complete. 8.5/10 for Kim So-hyun’s eyeliner being a paid actor.

The Killing Vote (2023)

I had my eye on this one ever since I saw that Park Sung Woong won an award for his performance and then after getting to know PHJ, I put it to the top of my watch list. It absolutely delivered in terms of symbolism and suspense and had relatively few plot holes considering all its twists and reveals. The 12 ep structure worked well, though I hated the obvious season 2 setup in place of a proper finale. 8/10 for Seo Young-joon’s character stealing the heart of the show.

My Love from the Star (2013)

This felt like the K-dramaest kdrama I’ve seen so far in terms of tropes: philosophical dialogue about fate and humanity, (literal) time-stopping romance, murders, chaebol family tensions, a scene-stealing second lead, homoerotic hyung-dongsaeng friendships, non-existent female relationships, turtleneck sweaters, first snows, and hospital/police station scenes galore. Jun Ji Hyun is perfect and adorable and my wife. 8/10 for Kim Soo-hyun and Mr. Jang’s farewell.

Bad Guys (2014)

It’s clearly become a thing for me to watch a crime show because of my man of the moment and it ends up being underrated cinematic excellence. Gripping pace, sharp cinematography, and great characters are just the tip of the iceberg: everyone talks in poetic metaphor! Rachmaninoff’s “Vocalise” is a central haunting leitmotif! Jo Dong-hyuk (in the middle there) looks personally and lovingly sculpted by God Himself! PHJ plays a tormented emo babygirl! 9/10 for everyone being unhinged.

Moon Lovers: Scarlet Heart Ryeo (2016)

Satisfyingly lived up to its reputation. Despite the emotional heartache, I did appreciate that the overarching theme was “love pushes you to make tons of bad decisions.” And the ending wasn’t horrible, as I had been led to believe! Biggest gripe was Kang Ha-neul’s lifeless stare, but otherwise the whole supporting cast was fabulous. 9/10 for this iconic scene and the Death Song.

Winter Sonata (2002)

This drama has been a classic in my family since I was young, though this was the first time I watched it through. Bae Yong-joon and Choi Ji-woo are lovable and brilliant in their leading roles with fantastic chemistry and an absolutely perfect ending scene. I find it hard to review it, because it's basically an emotion in and of itself. 9/10 for the OST to end all OSTs.

Again My Life (2022)

This one had all the right elements—atmospheric music, aesthetic direction, fascinating premise, good cast—but the delivery just…plodded a bit? I skipped five episodes in the middle and didn’t miss a substantial amount of plot, so this really should have been a 12-episoder. Also had the same downer “efforts toward good are ultimately useless because evil is regenerative and eternal” message from Killing Vote that I didn’t love. 7/10 for a strong start.

From Now On, Showtime! (2022)

A refreshingly fun and humorous take on magic, past lifetimes and ghosts. Started it for PHJ, finished it for the found family of ghosts and spirits, who captured the heart of the show and gave it necessary energy. Solid chemistry among all the actors, and I enjoyed the Easter eggs for other shows of this type, like TOTNT and Goblin. 8/10 for incredibly funny writing and a fabulous emotional ending.

Forest (2020)

There’s a great drama in here somewhere, but the writer never exactly finds it. Jo Bo Ah and PHJ are fantastic (and their chemistry is off the charts) with some great set-piece scenes to develop their connection. Unfortunately, no rhythm or satisfying through-line was able to hold it together from a plot (or even a character) perspective, especially with the short-episode structure. 6.5/10 for the hand-touching scene and the kiss-under-the-bridge (that no one has gifed whyyy).

DNF: Death’s Game (2023)

I like to think I’ve gotten pretty chill about violence in shows, but this one had what felt like an undercurrent of glee in its depictions of the series of deaths that was so at odds with the message it was purporting to convey, to the point where I no longer believed in the message at all. Good premise, decent performances, tone just wasn’t for me.

Movies: Snow Is on the Sea/Snow in the Sea Breeze (2015)

I watched this one for the plot, and the plot really was PHJ being sweet and cuddly and husband material and showing far more skin than I had seen in the 50 or so hours of his drama episodes combined. It makes cleaning a penguin enclosure the height of romance. Corny, tragic, melodramatic mush, 10/10.

The Beauty Inside (2015)

Unexpectedly poignant with a lovely hook and great performances, grounded by the adorable Han Hyo-joo. I love ensemble cast concepts like this (imagine Doctor Who except for a daily regeneration) and the gender play conferred a sweet queer touch. Love wins, 10/10.

The Great Battle (2018)

The battles were lifted almost verbatim from LOTR and some of the quieter plot beats were completely predictable but it still delivered a great visual spectacle. I have no idea why I watched this but it compelled me though. Gorgeous cinematography, 7/10.

#cheese in the trap #man to man #school 2015 #the killing vote #my love from the star #bad guys #moon lovers: scarlet heart ryeo #from now on showtime #forest #winter sonata #kinema #blake's last braincell #blake wrapped

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sailorgundam308 · 10 months ago

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Long ranting post about unhinged bg3 fans harassing other fans. Skip if you don’t care.

Second post I see today of other people targeted by some unhinged people in bg3 fandom with a moral superiority complex.

Dude. This is not a crusade. We’re in tumblr. Let’s get over ourselves a bit, shall we.

And, so far, aside from some backlash to problematic and shitty mods in Nexus, I’ve only seen people being harassed by frothing “fans” for things that are project onto them - not for things that were truly said and done. It’s been wild.

Some in this fandom need to learn how to read, how to contextualize and most of all, learn that the shit they wanna use to propel themselves onto their high horses is coming from inside the house. You’re projecting too much? Maybe it’s time to take a look at where that’s coming from.

Also, to these harassers: grow the fuck up. It’s a videogame and the characters are pixels. If someone doesn’t like a character, it doesn’t mean they hate the voice actor, what that character said, their gender, sexuality or whatever. It means they don’t like- guess what - the character. Period. Read what’s written, is my advice, and not more.

People have the right to care less or even straight up hate fictional characters. It doesn’t concern anyone but them. I f they wanna say so in a personal blog, it’s also fine. If it makes you MAD, there’s an unfollow and block buttons on this platform, and they’re free to be used.

The amount of utter shit I got from people straight up LYING about what I said is nuts. What I say in MY blog, about what I think, and towards no one in particular. About a videogame. From people sending me unsolicited screenshots of decapitated Karlach, to unhinged flooding calling me a cunt over and over because I have my own opinions about what kind of character looks good with Astarion. It’s my blog, my opinion, my prerogative. Astarion is not a real person and not your boyfriend - and I’m not talking to you if you think he is.

I’m starting to think there’s a mob with a flag of moral superiority loose on tumblr looking for shit they can twist and flip to fit their angry narrative. Like a fake morality locust plague.

Let us remember we know nothing about who’s behind most blogs here, and sometimes we need to take a chill pill, then use the block button.

I know I do it. A LOT. It works. I never had to badmouth people because we disagree on a videogame, nor did I ever went to someone’s inbox to harass them.

You know the same shit we do with fake news and those moral panics of the 80s and shit? That we go after the source and figure what’s all about before raging wrong? Maybe it’s time we do the same with the shit being dropped by some people on others in this fandom. All times I’ve checked, people here or on twitter were being targeted FOR PETTY BS that someone else projected onto them, their work, their words.

Now, to my plague of locusts, who apparently still keeps tabs on me: I never deleted a post here, you morons. Go look for it if you’re so serious about this. Then read it again. If you knew how to fucking read you’d understand what words mean and what they don’t. You might not like me, or my taste, or me shipping Astarion with Karlach. But it doesn’t give you the right to lie about my views and values, to actively try to “sabotage” my work or whatever shit you thought you were doing. As someone else who was harassed here has said, I bet you’re all whiny white bitches who know shit about real struggle and prejudice, who need to push people down to feel good. Be better. Cause the way you’re acting, you’re no better than “even” me.

#baldur's gate 3 #bg3 #bg3 fandom #ranting #personal #venting #online harassment

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twistedtummies2 · 2 years ago

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The Price May Be Right - Number 2

Welcome to “The Price May Be Right!” I’ve been counting down My Top 31 Favorite Vincent Price Performances & Appearances! The countdown will cover movies, TV productions, and many more forms of media. It’s time for our penultimate pick! Today we focus on Number 2: Professor Ratigan, from The Great Mouse Detective.

If you know me very well, this choice and its ranking will not be even a remote surprise. If you don’t me as well…it probably still won’t be a remote surprise. Partially due to the fact it’s a Disney film, and partially due to the time when this film was released (it’s one of the more recent entries on the list), AND partially due to its family film status, this is quite likely the introduction most people my age had to Vincent Price, and it’s very likely how most people younger than me will often be introduced to the long-departed actor’s work in times to come. “The Great Mouse Detective” is also, I would imagine, how many young people end up being introduced to Sherlock Holmes. Because, in essence, that is what this movie is: it’s Sherlock Holmes, but with rodents in the roles. The story focuses on the madcap genius detective, Basil of Baker Street (voiced by Barrie Ingham), on his first case with his future partner, Dr. Dawson. The two have to work together to save a young mouse girl and her father, when they are kidnapped by Basil’s nemesis: the unhinged criminal mastermind, Professor Ratigan, Price’s role in the story. Ratigan plans to use the father’s special skills to help him assassinate the Queen of Mousedom, and then – you guessed it – take over the kingdom. It’s a race against time to stop Ratigan’s evil plan, save the victims, and spare the Queen and the kingdom alike from a hideous fate. This role came fairly late in Vincent’s career, and perhaps that’s what made it so special to him. He said more than once, in his waning years, that Ratigan had become his all-time favorite part…and considering all the incredible movies and characters he played before this slimy, contemptible sewer rat, that’s got to be saying a lot! Price described Ratigan as someone “playing the Great Villain, while also BEING the Great Villain.” There’s a sort of self-awareness to Ratigan and his melodramatic evil that I think makes him so fun to watch: he just so utterly ENJOYS all of his own wicked ways, and seems to self-consciously do things with the intent of making them as nasty and as grand as he possibly can. Intriguingly, there’s a hint of empathy to Ratigan, however: it’s hinted that the reason he’s become so evil is because he’s been prejudiced by society, since rats are seen as scummy, dirty, verminous things. He dresses himself in the finest clothes and puts on foppish manners in an attempt to seem more debonair and sophisticated…but ironically, his twisted nature only furthers the very stereotype he despises. Vincent’s voicework is a huge part of what makes Ratigan so wonderful. You can tell the man was having an absolute ball with every SYLLABLE he utters, and the animation and his voice blend together so seamlessly it’s impossible to imagine him in the booth whenever you watch the character. That’s something that’s difficult for even the very best celebrity voice artists, but the combination of Vincent’s dedicated performance and the artful animation makes it work brilliantly. His Ratigan is the Joker of Disney: a character who can flip on a dime from humorously evil and infectiously gleeful in his villainy…to a genuinely menacing, threatening, and thoroughly despicable character. He’s one of the finest portrayals of the character of Professor Moriarty ever put to the screen; I’m honestly surprised Vincent never played the character in live-action, especially considering both Peter Cushing and Christopher Lee played Holmes himself at different points in their own careers. Maybe somewhere in that big movie studio in the sky, the three of them are putting on the greatest Sherlock Holmes film ever made. Here's hoping a lot of us down here get to see it someday. One last thing: a funny story about Price in this movie. Apparently, when Price found out about the film, he outright called up the management and Disney and asked if he could take part in it. They responded by saying he would have to audition. “If anyone but Disney had asked me to do that,” Vincent said, “I would have been insulted!” Tomorrow, the countdown concludes with my Number One! Who will it be? What will it be? Stay tuned to find out!

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