#lift things?

[tlacehualli]

[ SLEEVES ] : sender rolls up their sleeves to reveal their forearms. – forgive Dez, her arms are just about all she’s got going for her ahshd.

Armed with a soldering iron, safety glasses, a mask, and gloves, she's feeling and looking super professional. Maybe the gauges and the undercut and the brightly dyed hair took away from it somewhat but whatever, it wasn't as if she graduated primary school. Her tongue's sticking out underneath the mask as she cautiously leans in to get a better look at the exposed wire in the rubble.

Or, the reason why approximately a quarter of Junkertown didn't have lights right now. "SWA would have your ass if they could see this." She was half-joking, the other half had no idea how all of them hadn't been electrocuted by now. But she's working diligently regardless, replacing lengths of damaged cables, isolating different sections from the current so she wouldn't fry herself either.

"Tch. Think there's something fucky down that way..." Sombra reached purple hardlight into the exposed wire just to confirm her suspicions and then nodded. She got up from her half-kneeling position and patted the rubble in her way. "You mind, chica? Just did my nails, you know." As if fucking around with wires hadn't already messed them up, but still, Dez would get the job done faster.

She did feel privileged a queen (even a self-proclaimed one), was just going around lifting shit for her. It made her self-satisfied like a cat. Until Dez rolled up her sleeves so as to not get them torn while she eased rubble out of the way to further damaged sections. Overall, a very upsetting experience. It was a hot day and left a sheen of sweat on everybody, even Sombra, and her arms looked really nice. In that moment, she was thankful for the lab safety she'd drilled into her head long ago - her mask was hiding burning cheeks.

Blushing at arms (? since when was that a thing for her) at her big age is crazy.

"That should be fine, let me just - " She sends out a few hardlight threads. "Yep. Coolokaythankyou." It all comes out in one word and she moves in to kneel in front of the freshly exposed wires and begins working on them too. One of the greatest advantages of having a computer in your brain was the added RAM, kept her running even during unexpected gay panic. "Approximately how many times has this thing electrocuted people, I'm honestly dying to know."

[emperor-neo]

I sometimes wonder if Two-Face ever drops his coins when flipping it, sure he isn’t infallible especially with a effed up left side face. I bet when it does the batfamily helps him and treats him with patience after all that’s their father’s former bestfriend

Two-Face: Nightwing, your fate shall be decided by my coi— ah shit I dropped it.

Red Hood: for fucks sake, get on with it already!

Tied up Nightwing: …

Robin: it rolled over there *points at the couch*

Two-Face: *bending down and struggling to reach underneath the couch*

Red Robin: here let me help you harvey

Robin: here I found it *gives a cent*

Two-Face: No! That’s just a regular cent mine was customized I had to pay hundreds of dollars for it to have skulls and—

Red Robin: wait is it one of those coins from youtube that has like cool art that has secrets you can do like press small buttons and open up a compartment?

Spoiler: that’s awesome, does yours do that? then I’ll help look for it

Two-Face: No—

Red Hood: you got scammed dude

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[undertalethingems]

How do you think Sans reacts to Papyrus’s death during the runs?

If you mean in the base game, uh... we kinda already know? If Papyrus is killed, Sans doesn't show up again until the final corridor, where he'll ask "if you have some sort of special power, isn't it your responsibility to do the right thing?"

If you answer yes (that you do have that responsibility), then he responds, without eyelights or sound font, "Then why'd you kill my brother?"

And if you answer no (you aren't responsible), you get "well, that's your viewpoint. i won't judge you for it.... You dirty brother killer."

There's also the line of description you get if you go on to have a concert with Shyren after killing Papyrus: "A hooded figure watches the commotion from afar." It replaces the line that mentions Sans selling toilet paper tickets to your concert, and of course, of all the characters with hoods in the game, he's the one who would be most concerned with tracking your actions after killing Papyrus. So, it makes the most sense to infer that this hooded figure is Sans.

So his reactions, to me at least, suggest that not only is he heartbroken, he's furious with you. But Sans isn't one for direct confrontations and shouting like Undyne is, so he watches, and I think he still tries to understand why you'd do something so horrible. But that doesn't stop him from being angry because there's no excuse for killing his brother, but sparing other monsters, that he can fathom.

I'm personally not a fan of depictions of Sans sobbing over Papyrus' dusty scarf--he just doesn't strike me as a guy whose first reaction is to cry. For my understanding of him, it makes more sense for him to go numb, initially, then save his anger for his parting shot in the last corridor. No matter what you answer, Sans gets the last word in, and it's always to remind you that you did not have to kill his brother.

So uh, yeah. that's what I think.

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[galactic-rhea]

More silly Luke Skysilverfoxwalker doodles

in my mind, almost nothing of the sequels is canon, but Luke is still grumpy and somewhat depressed, his dad tries to help tho

[anniebass]

old man fics

[hinamie]

dropped everything because i had to do a proper tribute :( have an updated redraw of my very first yoi piece

2016 - 2017 - 2024

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬

[solarmorrigan]

Silly idea I talked about ages ago with @azure7539arts, inspired by a similar event my workplace hosts every year. Would minors be allowed to participate in such an event? Probably not! But then again, it was the 80s, who can say for sure. Anyway, it's my birthday and I'll post nonsense if I want to <3

-

“I need you to buy me.”

Eddie looks up from his notebook, effectively jarred from his campaign-plotting fugue state by Steve’s declaration.

Steve is standing at the other end of the dining table, staring at him expectantly.

“Y’know, this is the part where someone usually follows up their completely bonkers demand with an explanation,” Eddie says slowly.

“At the charity auction,” Steve clarifies. “I need you to bid on me, and I need you to win.”

Ah, yes, that weird Rent-an-Athlete charity auction the school runs every year; anyone on any Hawkins High sports team could volunteer to be “auctioned” off in order to raise money for said sports team, to spend a day at the beck and call of the highest bidder (within reason, supposedly). It’s generally restricted to students, but occasionally, prominent alumni are invited to participate – and Steve certainly fits the bill, especially after the story the government spun about his heroism in the face of “serial killer” Henry Creel last spring.

“And what, deny all those pretty girls a chance to get at you?” Eddie asks drily (he’d never turned up at previous auctions himself, but you could hardly avoid gossip in a school their size; it had usually been some cheerleader bidding with daddy’s money who won a date– that is, a day with Steve Harrington).

“It wasn’t always a girl who won,” Steve says, crossing his arms over his chest. “One time it was Mrs. Dalton – you know, the lady on the school board who lives on my block? I just spent the day doing yard work for her. She gave me lemonade. That was pretty cool.”

“Right,” Eddie drawls. “And I’m sure she definitely didn’t sit outside and stare at your ass while you were working.”

“She did not– she– I mean she was on the porch, but, like– she wouldn’t have– she’s, like, seventy, Eddie,” Steve splutters, and it’s all Eddie can do not to laugh.

“Older gals have needs, too, Steve,” Eddie says, giving in to a smirk. “So she was checking you out from the porch, huh?”

Steve goes red. “Shut up, that isn’t the point. I’m trying to ask for your help.”

“Right, right, your absolutely reasonable request for me to buy you at market. Why, again?” Eddie asks.

“The kids are planning to bid on me,” Steve says gravely.

Eddie blinks at him. “Okay?” he says, when no further explanation is forthcoming. “You basically do most of what they ask, anyway, so…?”

“Okay, believe it or not, I actually say no to at least half of what they ask me to do. I would literally never get anything done if I gave in to all their demands.” Steve jabs a finger at Eddie, who holds up his hands in mock surrender. “Anyway, this is all Henderson’s fault.”

“It usually is,” Eddie agrees, nodding sagely.

“He decided that he was going to bid on me and then use that day to finally make me play your nerd game with you–” Eddie snorts, and Steve shoots him a look, “but Wheeler doesn’t want me to play, so he said he was going to bid against Dustin and make me do anything but sit in on a session with you guys.”

“So let Wheeler win.” Eddie shrugs.

“No! I can’t let fuckin’ Mike win, he’ll probably make me do something even more ridiculous!” Steve exclaims. "He’ll make me play chauffeur for him and El on a date, or something, and he’ll probably include the stupid hat.”

“Wait, I thought El broke up with him,” Eddie breaks in.

“No, they’re on again,” Steve says absently, shaking his head. “Which is why Max has been in a bad mood lately.”

Eddie bites back the reflexive need to ask “How can you tell?”, going instead with, “I thought she and Sinclair were on again.”

“No, they are. That’s why no one’s been actively murdered,” Steve says.

“How do you keep track of all of this?” Eddie asks, squinting at Steve.

“It’s a natural skill. And we’re getting off track,” Steve says quickly. “Normally, I wouldn’t be that worried, because Dustin regularly blows his savings on weird science gadgets or whatever, but then Lucas and Will started taking sides.”

“This is getting very involved,” Eddie says.

“So you see why I’m stressed!” Steve insists, smacking a hand to his forehead (personally, Eddie thinks Steve is stressed for many other reasons, but he figures pointing that out just now won’t be appreciated). “Lucas is on Dustin’s side, and that kid does odd jobs like nobody’s goddamn business; he actually has shit saved up. And usually I’d have faith in him being more, like, sensible than to spend it all on this, but the little shit is really fucking competitive.”

“Wonder who he got that from?” Eddie mutters.

“Okay, we do remember that I’m not actually biologically related to any of these idiots, right?” Steve snaps.

“Well now we’re just getting into nature versus nurture–”

“Eddie.”

“Right, sorry, continue.”

“Well, Will took Mike’s side–”

“Shocking.”

“Right? But anyway, I don’t know if the kid has much saved up, but between him and Wheeler, they might be able to win.” Steve sighs, looking far more world-weary than Eddie feels the situation really warrants.

“You know you don’t actually have to do what they ask you to, right?” Eddie points out.

Steve rolls his eyes. “If an auction winner complains to the school that the person they bid on didn’t fulfill their end of the bargain, they can get their money back. It’s a whole…” he waves his hand vaguely, “thing. Happened once when I was a sophomore; Deacon McNab. Lost a good chunk of change for the football team, and they vandalized the shit out of his car.”

“Ah, right. Forgot we went to school with literal psychopaths,” Eddie hums.

“So, I just need you to bid on me and win, so I’m not stuck wasting a Saturday on whatever the hell the kids are going to try to make me do. Or not do. Or– whatever,” Steve says.

“Okay, not that I don’t understand your predicament here, but I think you’re forgetting something kind of important, Steve,” Eddie drawls.

Steve’s brows draw together in question. “What?”

“I’m fucking poor.”

“Oh.” Steve shakes his head. “I didn’t mean– no, I will give you the money, you don’t have to spend a dime, man, I just need you to get me out of this.”

“Why not have Buckley do it?” Eddie asks.

“That was Plan A, but she actually has a date that night, and it’s kind of a big deal, so I don’t want her to cancel,” Steve says. “But I assumed you wouldn’t be busy.”

“Wow, rude,” Eddie scoffs, and Steve sighs.

“Fine, sorry, I just really hoped you wouldn’t be busy.” Steve gives him the most lethal set of puppy dog eyes Eddie has ever seen, as if there had been any chance from the beginning that he’d be able to say no. “Please?”

Just for show, Eddie lets out a long sigh, falling against his chair and letting his head flop over the backrest like he’s deflating.

“Fine.”

“Thank you,” Steve groans, sounding so genuinely relieved that Eddie almost feels bad about how quickly his thoughts dip into the realms of the inappropriate. “Oh my god, I owe you.”

Eddie glances back up at Steve, tongue darting out to wet his lips almost unconsciously. “You know I’m not as easy to appease as a couple of fifteen-year-olds, right?”

Steve’s eyes drop for just a second—maybe down to Eddie’s lips, maybe not; who can say?—before he looks back up, cocking an eyebrow at Eddie. “I think I can handle it.”

Slowly, Eddie grins. “We’ll see.”

[r-o-s-e-f-i-r-e]

idk i’ve been thinking for the last day about modern day corroded coffin, semi-successful in the local music scene, did a self-funded tour through six states last fall where they all lived in the van together and didn’t shower for four weeks, has a standing gig at the dive bar next to the highway and the strip club, they’re established, they have a small but dedicated local following, they —

“can’t play a WEDDING, are you fucking with me?” eddie says, when gareth shows him the text from his cousin who’s getting married in two weeks and who, as of last night, has no wedding band because they accidentally double booked themselves and gareth’s cousin had sent the deposit in late.

“i’ve explained to him so many times,” gareth says, furiously texting his cousin back, “we’re not that kind of band—”

except gareth’s cousin, instead of responding directly to gareth’s text outlining the musical thesis of corroded coffin or watching the youtube link gareth sends to the show last month where eddie got a black eye in the pit from someone in an inflatable garfield costume, just sends back —

“holy shit,” eddie croaks, looking at the string of zeros on the end of the number gareth’s cousin offers me to pay them in exchange for saving his ass and his wedding and his marriage, since his fiancé was demanding a live band. “that’s—”

“three months of rent for each of us,” gareth says, awed. “that’s buy actual fresh vegetables money. that’s go to the dentist money—”

“yeah, okay, give him my number,” eddie says.

so they spend the next two weeks practicing every white people wedding song they can think of. there’s no way they’ll be able to do, like, get low, tragically, but they can pull off the classics, especially after they bring chrissy onboard for vocals and keyboard. there are places where eddie draws the line — no fucking journey or especially insipid top 40 — but they can do some whitney. abba. fucking — mr. brightside. a lot of it is pretty simple, when you get down to it, “and people will be wasted anyway,” jeff reminds them. there’s an open bar at the six figure venue gareth’s cousin booked. hopefully everyone will be too hyped just hearing the opening baseline to i want you back to notice if they fumble anything hard.

rehearsal montage, chrissy takes the boys to the mall to buy suits montage (except for gareth who, like most transmasc dudes, already has a custom fitted and tailored suit ready to go in his closet; instead he makes catty remarks about brian’s tie choices.) chrissy makes eddie put his hair up and eddie makes jeff shave the experimental mustache he’s been growing and eventually the day of the wedding arrives and they load up the van and drive 45 minutes to the six figure waterfront reception venue.

they riff for about ten minutes while the whole wedding party makes their grand entrance into the massive tent set up on the lawn, ending with gareth’s cousin and his new wife dancing in, the whole crowd screaming and clapping. it’s cute, eddie thinks, vamping as long as he can while gareth’s cousin’s best man takes the mic and introduces the new couple and directs everyone to their seats for dinner.

and meanwhile: best man is frankly one of the hottest dudes eddie’s ever seen. he’s got longish brown hair that he keeps pushing out of his eyes, full lips, an insane shoulder to waist ratio, big hands. eddie sneak looks at him while they play a bunch of low key jazzy standards for people to eat their expensive dinner to. he’s sitting with his arm around the shoulders of a girl with shaggy auburn hair, and they keep leaning in to whisper to each other and giggle, so. oh well. but it doesn’t hurt to look, eddie thinks, watching the guy take his suit jacket off and roll up his sleeves and make a toast to gareth’s cousin and his new wife’s long and joyful marriage.

once most people have had their plates cleared away jeff turns to eddie and the rest of the band and nods, once, and while chrissy plays the opening synth chords to i wanna dance with somebody, jeff turns his front man showmanship deal all the way up.

it’s good. people are fucking hyped, so they throw themselves into it, feeding off the crowd’s energy, and almost no one is more hyped than mr. best man. he’s jumping up and down, his arms around gareth’s cousin and his wife. he knows every word to dancing in the dark (hot). when they transition into robyn’s dancing on my own he turns to the girl with auburn hair and points at her and screams. cute, eddie thinks, watching best man pick her up and spin her around while she downs her wine and shouts along. okay, really fucking hot, eddie thinks, when he finally pulls his loosened tie all the way off and unbuttons the top two buttons of his shirt and eddie can see a hint of chest hair peeking out.

they slow it down for the first dance. it’s the leon bridges one everyone always does, but it’s perfect in jeff’s range, and there is not a single dry motherfucking eye in the audience. they do a couple more slow ones, throughout the night. best man dances with his girlfriend and then gareth’s grandmother and then with every child under the age of 10, letting them stand on his shoes while he twirls them around. how is this guy fucking real, eddie thinks, which of course is when best man notices eddie looking right at him and their eyes meet. best man looks a little flustered, at first, and then grins at eddie, right at him, before spinning the flower girl around in dizzying circles.

jesus christ, eddie thinks.

they’re closing out the night on the only other request gareth's cousin gave them: the one from the end of dirty dancing. jeff thanks the crowd, offers his congratulations to gareth’s cousin, and then goes right into it. except as jeff sings the first line everyone absolutely loses their shit, turning to best man and jumping around him and one of the bridesmaids. what the fucking hell, eddie thinks, keeping one ear on jeff and chrissy’s duet and one ear on the crowd piling around best man “—you guys HAVE to, dude, you’ve GOT to—“ but whatever it is he has to do is not immediately apparent to eddie. best man dances in a circle with the rest of the wedding party and auburn hair and the bride and groom, shout-singing along, and then during the build up to the second prechorus gareth’s cousin’s wife and her bridesmaids start pushing everyone to the sides of the dance floor, so there’s a long space in the middle, so the bridesmaid with curly dark hair is at one end and best man is at the other end and oh my god is he actually going to —

the bridesmaid runs and then launches herself at best man, who lifts her perfectly, right on cue at the peak of the second chorus, his hands steady on her hips while she floats her arms out in front of her just like jennifer grey. they hold it for a few moments while everyone loses their fucking minds and takes a thousand pictures. eddie actually takes his hand off his guitar for a minute. he thinks his mouth is open. he can see the muscles in best man’s arms flexing under his white button up shirt as he carefully lowers the bridesmaid back to the ground, laughing, his eyes scrunched up in joy.

eddie is maybe a little bit in love.

they close it out. the whole crowd whistles and stomps and applauds for them, which feels pretty good, eddie’s not gonna lie. as they start packing it up and high fiving each other and a couple people come over to ask if they have a card, if they’re still booking for next year or the year after (what?) gareth’s cousin comes over and hugs every single one of them, almost in tears, and then adds another 2k to the check he writes for them. eddie pulls out his cigarettes right then and there.

“steve, come meet the band,” he yells, when steve and auburn hair walk past. “gareth saved my whole ass, oh my god —“

“you guys were fucking incredible,” steve says, grinning, shaking gareth’s hand. “best wedding band i’ve heard in years —“

“they’re not even a wedding band!” gareth’s cousin shouts. “they’re like metal — moshing — thrash, i don’t know, LOUD—“

“whoa,” steve says. he pushes his hair out of his eyes and then turns that blinding smile right on eddie. eddie feels struck by it, wants to stagger back like he’s taken an actual blow. “cool, so you guys — play locally, or —?”

“oh my god,” his girlfriend says, rolling her eyes; steve elbows her in the side.

“i like your guitar,” steve says, gesturing at the warlock eddie’s still holding in his non-cigarettes hand.

“oh, uh, thanks,” eddie says.

“it’s a cool shape,” steve says, stepping closer, flicking his eyes down and then back up to meet eddie’s. there’s sweat gathered along his hairline, dampening the ends of his hair. behind him, his girlfriend coughs something loudly that sounds vaguely like slut.

eddie feels his eyebrows go way up.

“uh, thanks, shapes are. you know. shapes are great,” eddie says, nonsensical. he sees gareth shoot him an incredulous look out of the corner of his eye.

“can i bum one?” steve says, looking down to the cigarettes in eddie’s hand.

“totally,” eddie says. “let me just—“ he holds the warlock aloft and gestures to the open guitar case.

“sure,” steve says. he waits around while eddie hustles through getting his shit sorted out and then turns away politely while eddie has a silent desperate telepathic conversation with the rest of the boys, who roll their eyes and make their way over to the still open, still free bar.

where auburn hair is standing and talking to chrissy, putting a hand on chrissy’s arm while she laughs at something chrissy says.

hm, eddie thinks.

“so,” eddie says, walking out from under the tent with steve, down towards the water, awash in the moonlight. he holds out his cigarettes. “you like springsteen?”

[humans-are-tasty]

crochawk exchange for a crochawker

[aerequets]

trying to erase the trace of...

[crabsnpersimmons]

Happy Moon Festival! 🌕

there's a bunch of holidays today, Mid-Autumn Festival, Tsukimi, Chuseok and more! all dated on the day of the brightest full moon!

and since i had some time, i thought i'd draw all my moons and some yummy festival sweets (all prepared by chef Moon of course!)

some intros to all the moons and the dishes below the cut

some intros:

Moonie's from my chibi AU, "Rain or Shine". a rambunctious little guy who loves playing with his Sunny

Moondrop's from my hairdresser AU, "New 'Do, Same You". a Moon in a glamrock-style casing, who's pretty chill but insecure

Mooncake's from my restaurant AU, "Have You Eaten?" a hopeless romantic chef who loves cooking yummy foods!

13's from my dystopian AU. he's a sheltered, naive little Moon bot who is curious to learn about the world outside the palace

Miel is from my idol AU. she's an ex-Moon bot, turned nanny bot, turned rapper of an idol duo (she sings too tho!)

and the menu:

tsukimi dango are plain Japanese dumplings made of rice flour and glutinous rice flour, resembling the full moon

mooncakes are Chinese treat with various skins and fillings, but traditionally they are a pastry filled with lotus seed paste and a salted duck egg yolk to resemble the full moon

songpyeon are a Korean rice cake with various types of fillings—red beans, dates, sesame seeds, honey, and more!

[jetpackgeneratedcat]

It took literal months, but I finished it!!

Top left: linked universe logo

The jojo's lu logo is sooooo detailed. It is one of the things I love about Jojo's asethetic with linked universe. The detail she adds brings so much life and information about the world of Linked Universe. Great example is all the embroidery on the chain's clothing. Let's you know about civilization, that an item may be magical, etc. It is difficult to keep small details in watercolor, but I think I caught most of the main details in the painting.

Middle left: Soulful legend

This was the fourth of the images I did for the painting, and the first image I really started to get into the painting. I think legend is my favorite to paint because he makes composition so easy. The red tunic adds an easy focal point. I did learn from this that I do not like masking fluid and likely won't use it again. It added to many hard edges that I wasn't intending. Very happy with the sky!

Bottom left: Evening snack

In this image, I liked the idea that wind and sky don't know what Ramen is because their worlds don't have enough space to produce wheat. So sky and wind are super excited about this new food, while legend has no idea why they are so hyped for noodles. I also liked the idea that four found a green pepper in the ramen as a topping and is a hater (this is from a note that jojo left somewhere saying that the chain will eat anything but four in the Manga does not like green peppers, idk where this note is to link it though....). I didn't end up drawing the Ramen noodles as it was just getting too small of a scale for me to be comfortable drawing the thin lines for the noodles in.

Bottom right: Testudo

I am very hyped in the future when we see more collaborative fighting with the chain and them working together effectively. I absolutely love the scene in shifting shadows part 3 where lenged and hyrule work together with the beam and hookshot.

Middle: Legends storage

This is a reference to one of jojo's earliest works where the chain goes to legends storage for him to pick up some gear. I love that scene and I tried to put as many references as I could. The one thing I need to figure out is how I want twilight to look. I can't wrap my head around it. Need to sit down and just try out a bunch of different faces for him. My Pinterest inspo for twilight is all over the place. I want twilight to look different from time because when Malon was trying to guess who was the descendent, she did not consider twilight (she looked at wars and wind (so I typically draw time, wind, and wars looking similar). For my own personal headcannon, twilight and time are very similar in their manner (the way the walk, stand, etc) and personality (their stubbornness (as seen in sunset pt3)) but not necessarily in looks.

Middle right: Boat boys

The first image I did. I like how the water turned out, but I will not be using masking fluid for the same reasons I noted earlier. I did trace the boat (i think this is the reference [L240632 Hornet Class. J. Arthur Dixon Ltd. Beken and Son]). I do regret not doing anything creative with the boat, but I just wanted to get into painting and needed some confidence by working directly from a reference. I also forgot that legend might not be so keen to be on a boat again based on a comment jojo left in 2022 or something. I think she mentioned something in a discord event back then about legend not too willing to be on a boat again. But that doesn't really matter, I put that boy in a boat whether he likes it or not lol.

Top right: Winter storm

Second image I did for this painting. I did trace most of the horse because I do not care to learn horse anatomy (ref. [Winter Save By David Stoecklein]) Favorite part about this is the lighting on the rope from the lantern. I think it turn out well.

Top middle: Heavy armour

Third image I did for the painting and the one I realized I need to spend more time painting people in neutral or back lite lighting. But for my first time I think it is good. I really want to see what jojo does with the armour sets! I like the idea that war's armour is clean and pristine while wild's armour is rusted and beaten from the calamity. In this painting I played with adding pink to the golden armour and I liked it. In the middle picture of the collage (legends storage), you can see i added pink to time's armour.

That's everything! ❤️

[cynomain69]

i cant believe sethos is debuting on a haitham banner!!