#level 3+ body armor
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tacticalarmor · 20 days ago
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What Does a Body Armor Plate Do?
Body armor plates are critical components in personal protective gear designed to shield individuals from ballistic threats. These plates are used in various settings, from military operations to law enforcement and personal protection. Understanding the role of a body armor plate and its functionality can help in choosing the right protection for specific needs.
The Function of a Body Armor Plate
A body armor plate is designed to absorb and disperse the energy from bullets and other projectiles to prevent penetration and reduce injury. Typically made from materials such as ceramic, polyethylene or steel, these plates are inserted into a carrier vest to provide added protection. The primary function of the plate is to stop bullets from penetrating the armor and causing harm to the wearer.
Different levels of body armor are rated according to the types of threats they can withstand. For example, Level 3+ body armor offers a higher level of protection compared to standard Level 3 armor. Level III+ body armor is capable of stopping a wider range of ammunition, including high-velocity rifle rounds that might penetrate lower-level armor. This makes it an ideal choice for high-risk situations where additional protection is required.
Benefits of Level III+ Body Armor
Level III+ body armor is designed to provide enhanced protection against various ballistic threats. Its advanced materials and construction allow it to stop more powerful projectiles, making it suitable for use in situations where there is a higher likelihood of encountering such threats. By incorporating Level 3+ plates into their armor, individuals can increase their safety and effectiveness in dangerous environments.
In conclusion, body armor plates play a crucial role in protecting individuals from ballistic threats. By understanding the capabilities of different types, including Level 3+ body armor, you can select the appropriate level of protection for your needs, ensuring greater safety and peace of mind.
Read a similar article about level 3 armor plate here at this page.
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rookarmor · 7 months ago
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Level 4 Body Armor: Top 3 Protective Gear Options for Sale
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Discover the ultimate in personal protection with Level 4 body armor. Explore our top three options, designed to provide maximum defense against high-caliber threats. Perfect for law enforcement, military personnel, and security professionals, these body armor choices offer unparalleled safety and durability. Shop now and ensure your protection with the best in advanced protective gear.
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tony-hawks-underground · 8 months ago
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30-06 is sooo loudn
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caffeinewitchcraft · 7 months ago
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The Hero and Hope (5/5)
(Part 1) (Part 2) (part 3) (part 4)
Last Time
The crack under the door lights with a sickly purple. The smell of ozone seeps into the manor. For a moment there is a silence so complete you think you’ve been struck. What was that? Magic? You’ve never seen magic before--
Screams rocket across the field. The Blacksmith’s screams. The Baker’s screams. Marie’s rage-filled howls.
“DEMON KING!”
Your Destiny burns.
---.
You have dreams the closer you get to turning fifteen. Dreams of a kingdom in the sky, a kingdom heard in the roiling clouds and in the cracks of lightning that splinter through them. This kingdom howls and chatters and hungers.
You dream that you are under these clouds. Your necks aches from staring up into them. You’re alone in a field of dead wheat and the stalks whisper prophecies whenever the kingdom above falls silent. Rivers will run with blood, flesh will lay torn across the streets, no child can hide—
In these dreams, you aren’t afraid. There is an answering snarl in your chest for every howl and prophecy you hear.
You won’t have your way. You won’t win.
I’m the Hero.
When the storm sends down a funnel of demon bats (or horned rabbits or screaming goblins or demon wolves), you leap to meet them.
------.
This isn’t a dream.
Your hands slide down from the door. Hera and Josiah are frozen in place, eyes wide and unseeing as the demon king’s presence steals the oxygen from the room. You take a step back. Then another.
All doors and windows are blocked on this level. But this manor has more than one floor.
The fighting resumes outside before Sarah realizes what you’re doing.
“Isla!” She has the strength of a mother when she grabs you this time. Your nearly choke as your collar is pulled taught against your throat by her grip on your sleeve. “Where do you think you’re going?”
“To fight,” you wheeze before you can think better of it.
“Absolutely not.” Sarah attempts to pull you back, but you’re braced against her now. She grabs your sleeve with both hands. “The knights have it handled—”
“Not this—”
“—you’re to stay here.” Sarah’s lip trembles and she squares her jaw to hide it. The younger kids are holding onto her skirts, eyes wide as they stare up at you. “Understood?”
Afraid. She’s so afraid for you, so determined to keep you safe this time. You can see that winter seven years ago like you never have before; when you held the door and lost your hope in heroes, she never once looked away from your narrow back.
You have never been alone.
“Take care,” you say as gently as you can. Then, as she draws breath to speak, you rip yourself from her grasp. Your sleeve tears and Sarah’s eyes fall to your arm.
She gasps. “Isla—”
You shoulder your way through the villagers and thunder upstairs. The grand staircase leads to a hall of doors and you throw open the one at the end indiscriminately. You get the impression of books, leather furniture, a black feather quill, but it all blurs when your eyes fall on the door leading to the balcony.
That will do.
You burst out into unrelenting sunlight. Shouldn’t it be storming? In your dreams, it’s always storming. The garden is a mess of turned earth and splintered party tables. The knights’ armor flash rays of sun and the orcs – great, fleshy beasts with hardly any neck and black-sclera eyes – undulate like mountains below. You can see that some orcs are down, their giant bodies strewn across the ground, but it hardly seems to make a difference.
Not when there’s a Demon King.
You climb up onto the railing to get a better look. He’s half-hidden by the fighting, almost lounging against the treeline. He’s more human than you expected with dark, shaggy hair, and a bored look on his face. Canines the length of your index finger poke over his thin lower lip. Without the fangs, he’d be a traveling merchant, one of the ones who turned up their nose when they realized that the home they were visiting was an orphanage and not that of an affluent family.
As you watch, that sickly purple magic crackles at his fingertips. You follow his gaze to where Ivan and Marie are fighting back-to-back. The Lord is standing defiantly behind them, his horse slain mere yards away. The Lord is staring a challenge at the Demon King.
This is my land. You can see his mouth form the words, but can’t hear him over the clashing of swords and the twanging of Marie’s bow. Did he lose his voice? His exhaustion drags at his face, just visible under his fury. Green power seeps from him and into the ground as he emphasizes his Lord’s claim. You won’t have it.
The Demon King smirks. His hand twitches and purple magic soars into the sky. It arcs over the orcs’ heads, ten feet, fifteen feet, ten feet, five feet—
Ivan catches the bolt on his shield, a cry leaving his lips as the magic splashes around the edges and tears at his skin. You can smell burning flesh and ozone. Ivan falls to one knee and Marie snarls as she blocks an orc’s blow with the curve of her bow. She manages to kick the beast away, but her distraction costs her. This time Lord Brennan has to block the orc swinging a mace down upon their heads. His connection to the land wavers and the Demon King’s smirk widens into a smile.
Something in your chest cracks and you see gold.
Your destiny is like a flame on your shoulder. It drips down your arm and into your hand. Golden light is burning there and with a barely a thought, it takes the form of a spear. You hoist the spear over your shoulder and hurl it with your full strength at the ground between the orcs advancing on Marie, Ivan and Lord Brennan.
The ground shatters. The orcs are thrown back. Marie, already kneeling at Ivan’s side, jerks her gaze up to you. You see her mouth form your name.
The Demon King is as loud as he is in your dreams. “HERO!”
The word alone strikes fear in the orcs. Stupidly, a few look up at you and fail to block the next blows from the knights. One squeals and turns to the forest. You barely notice the knights chase after it.
“Isla?”
“Don’t—”
“Go back inside, his magic is too--!”
The Demon King hisses a spell. It’s fast, not the slow and contemptuous arc of power he’d thrown at the lord. Without thinking, you swipe your arm. It’s still drenched with the golden glow of your power and the air rings when the Demon King’s spell connects. You feel the blow vibrate through your bones. The magic crackles and your own power rises to meet it, filling your view with sun-bright light that washes over everything.
When the light clears, you’re still standing.
“Impossible,” the demon king says.
On instinct, you lift a hand above your head. Something presses against your palm and you grab it, drawing it down in front of you. A sword drenched in a golden haze follows. Hero’s sword. You point it at the demon king in a silent declaration. Your destiny is choking you, but your message is clear.
His lips curl in a snarl. “Attack!”
You leap down from the balcony as the demon king’s army surges. An orc charges you the moment you land, his eyes filled with the demon king’s command. He towers over you, but you’re strong enough to haul a half dozen fence posts on your own. You catch the club he swings at your head and launch him back in the same motion. He falls back a dozen steps and you follow him, slashing at his throat with your sword of light.
You’re on to the next monster before his body hits the ground.
You are new to your power, but you aren’t alone. Knights scream their second wind and fall on the monsters’ backs when their master’s command stupidly makes them turn away. A corner of your mind shrinks at the smell of blood and worse, at the sight of bodies under your feet, at the sound of armor crunching under heavy blows, but your power blocks it out. You move through the battlefield with an overwhelming, single-minded purpose.
Demon King.
“Don’t understand—”
Who is that? Your senses tell you it’s not an enemy. You duck when an orc swings a meaty fist at your head and then blink when someone severs its arm before you can.
“It’s okay, Isla,” someone says. “We’re here.”
“--she’s fourteen—”
“Argue about it later, protect her now.”
“Right.”
The Demon King isn’t relaxed when you see him next. His lips are pulled back so far you can see all his teeth. He’s commanding his monsters to stop you, to kill you, to put their bodies between you and him. One orc is bigger than the rest, a vibrant red instead of fleshy pink. It plants itself squarely in front of its master and raises a mace the length of your body.
Your power won’t let you falter, but your mind balks. Can you catch that? Block it? Those spikes are as long as your arm—
An arrow sprouts from the orc’s throat. It blinks stupidly and the purple haze clears from its eyes. Another arrow finds its mark in said eye and the beast steps back hesitantly as if unsure if its okay or not. The third arrow lets it know it’s not.
“Keep your sword tip up, Isla.”
“You’re training her now?”
“On your left, Marie!”
The Demon King must be cocky because he doesn’t try to run until it’s too late. The orc falls and his eyes widen in surprise to see you still coming for him. You’re close enough to see the color of them now, a red as deep and terrible as what’s drenching your hand.
Purple magic crackles. It’s not a spell – he’s too afraid for that – but the destructive power is unreal. The earth splinters to either side of you, causing your allies to falter for a moment. You deflect the bolt aimed for you and it explodes overhead like fireworks.
“No,” the Demon King breathes. He stumbles back and tries to ward you off with hands drenched in power. “No, I do not fall here! I am King! I am ultimate! I am—”
You throw your sword. You never really learned how to use one and this motion is more natural. For a moment, you see your Hero’s sword like your sharpened stick, sailing into the throat of a horned rabbit. Then you blink and it’s the Demon King with your sword through his meck. Blood bubbles at the corners of his mouth. One of his long-nailed hands comes up to try and grab the hilt. You’ve pierced him through.
The Demon King falls like his orcs. Confused and unsure of his own demise.
You come back to yourself the moment you feel his power die. There’s crashing through the woods as the remaining four orcs turn to flee. Absently, you mark their paths.
If the knights don’t get them, you will.
The details of the battle filter back to you gradually, like the sound returning to a forest after a rockslide. The memories of each blow you dealt tremble up your arms and the smell of one orc’s fetid breath makes you suck in a breath. That of course drags new horrible smells into your lungs and you cough so hard you gag.
A warm hand pats your back. “There, there,” Ivan says. He sounds tired. “The first one is always rough. Vomiting is okay.”
Marie grabs your hand before you can rub your face. “Don’t touch your eyes. Orc blood is corrosive.”
You twist, blinking tears out of your vision. You tremble as the memory of battle becomes fresher and fresher. You croak, “I’m an orphan, you know.”
Ivan looks taken aback. Then understanding washes over his face. “We’re acting like your parents, aren’t we? We were going to ask you after the party.”
The nausea temporarily subsides. “What?”
“She’s in shock,” Marie scolds Ivan. She fishes a clean handkerchief out of her bodice and uses it to dab under your eyes. “We want to adopt you, Isla. If you’ll have us as parents?”
You stare at them. “I—” you clear your throat. “I just meant we don’t actually know when my birthday is. Because I’m an orphan. I might be fifteen after all.’
“Oh.” Ivan opens his mouth. Closes it. “Well, do you be our daughter anyway?”
“More than anything,” you say and then vomit right onto the demon king’s corpse.
---------.
Things are both complicated and not after that.
The questions you thought were coming never get asked. Sarah isn’t upset you hid your Destiny from her and neither are any of the kids. They’re just relieved you’re alive.
Hera buries her face in your stomach before dinner that night. The Bahrs have invited you all to stay over until the last of the orcs are caught. Hera smells like their bath oils when she says, “I held the door, Isla. Nobody got in.”
There’s a lump in your throat as you pet her damp hair. “You did. You were very brave.”
“I helped,” Josiah says. Unlike Hera, he eyes your arm from a distance. Your mark is covered in a fresh cotton shirt, but it’s like he can see it anyway. Finally he collapses into you. “It’s not fair. You’re our Hero. Now you’re going to have be everyone’s.”
You lean down to press a kiss into his hair. “I’m too mean to be everyone’s Hero. I’ll just be yours, okay?”
“Good,” Josiah says. Then, after a long moment. “Though you should be nicer to us now.”
“No,” you say fondly.
The complicated part comes when the Bahrs enter the dining room after Sarah has gotten you all seated.
Ivan’s arm is in a sling, but he smiles widely when he sees the spread Josiah, Annie and Sarah have cooked up. He compliments them on their efforts, thanks them, and takes a seat at the head of the table.
Marie pauses by you before she takes her seat. She lingers by your chair until you turn to look at her. “Isla.”
You swallow. “Marie.”
Is it just you or is Marie as nervous as you are?
“Would you…sit by me?” she asks. Her eyes flick to the seat just to the right of her side of the table. You may not be a noble, but you know what that seat means.
Your voice wavers. You’re suddenly very conscious of the kids looking at you, of the way Sarah’s pressed a hand to her mouth. In surprise? To hide her pleasure? “If—if I can?”
“Yes,” Marie says quickly. “Yes, if you don’t mind, I mean, if you’re able to be drawn away—”
Lord Brennan throws open the dining room doors with an astonishing crash. He isn’t dressed for company and his long sleeping robe is drenched with the water still dripping from his hair. “I am starving. Is there—” He catches sight of the table and his mouth drops open in surprise. “You were all about to have dinner? Without me?”
“You were in a coma, my lord,” Ivan says.
“I was taking a nap,” Lord Brennan corrects. His golden eyes catalogue the way Marie is standing over you, the three empty seats at the end of the table opposite Ivan. Rather than claiming the empty head of the table seat, he strides over to Ivan. “Up, up you get.”
“There’s another seat you can take!” Ivan complains. He guards his plate of food. “I just served myself.”
“Go sit with your wife and daughter,” Lord Brennan commands. He nearly sits on Ivan when the other man stands too slowly. He smiles charmingly at Sarah. “Director. Fancy seeing you here.”
Sarah flushes up to her ears.
“Daughter?” Hera asks.
Your stomach turns over. Oh god. It’s not fair that they asked you – you were too happy to think about it, but the other kids must be devastated—
But Hera doesn’t look sad. She’s staring at you for an answer, her eyes open and accepting.
“Y-yeah,” you say.
“Hell yeah,” Josiah says. “If the Bahrs adopt you that means I can read through their library right?”
Annie looks up at you. “And we can come visit?”
“Of course you all can,” Marie answers. Is her voice a little misty? “You all can stay here as long as you like.”
“Go sit with them,” Hera says. She smiles and pushes at you. “Go on.”
It’s the best meal you’ve ever had.
-----
(Part 1) (Part 2) (part 3) (part 4)
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i-starcreamed · 3 months ago
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Hi I heard you make transformers one oneshot umm I hope you won't mind, this actually a D-16 oneshot " what if his s/o get shoted instead of Orion" or " D - 16 meeting s/o for the first time"
D-16 / MEGATRON X READER
I combined both requests :3
cybertronian!reader SPOILERS FOR TF ONE Puree angst, character death, sadness :(
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You were also a miner, like Orion and D-16. You met in a similar way they did.
You grunted, your limbs aching from pushing around the minecart around all day. It was filled with raw energon rock at this point, so it was a lot heavier. Last night, you hadn’t recharged well, and now you felt like you were running on your last drop of consciousness... Your optics widened when you unexpectedly bumped into something in front of you, sending your minecart toppling over and spilling its contents.
“Oh, I’m so sorry—“ You hissed, watching all the progress of the day come crashing down onto the floor. You pursed your mouth in frustration; this really sucked.
“Hey, hey, it’s alright. Let me help you out, here.” A calm voice came from in front of you, prompting you to avert your optics toward the bot you had bumped into. You paused--hmmm, he was a handsome bot. You eyed his armor for a moment before realizing you were staring.
“Sorry! Uh, I’d appreciate that. I wasn’t looking where I was going.” You muttered, kneeling down to pick up your rocks, him beside you. He let out a small spurt of a gruff chuckle.
“No worries. Hey, I haven’t seen you around here. I’m D-16.” He introduced himself, you still remember the way he smiled at you. You nervously smiled back
“I’m Y/N. I was actually uh...promoted just recently. I’ve never mined energon before. It’s harder than I thought.”
“Oh, well, it gets easier. You get better at it too.” He said, tossing the last bit of rock back into your cart and helping you turn it upright.
“So where were you headed off to?” He asked, walking beside you now.
You took a deep breath. “To the trains? I was told to report to Elita-1 afterward.”
“Psh, really? That’s a coincidence, so am I.” He said lightly, grinning at you. You couldn’t help but chuckle.
It started as a friendship—you, Orion and D-16. You were a little trio. Despite this, Orion always noticed the particular… attention you paid specifically to D. When the three of you joked around, you would always look toward him to watch his reaction—or rather, his smile. You became bashful when he helped you with something, he, in turn, softened up around you. It didn’t take long for Orion to see right through you—meanwhile, D remained completely oblivious!! History says you were just friends
Eventually, you two started dating! You made a sweet couple, with Orion constantly third-wheeling. You can imagine everything you went through after kind of illegally participating in the race, getting thrown to Level 50 as a punishment, and uncovering the location of the Primes.
You watched as your lover changed, and it pained you. You saw his anger slowly shift and shift, first towards his best friend, then at everyone else. You watched as he became feverishly focused on killing Sentinel.
“D, don’t!”
Your yell went silent as you ran in front of sentinel, the blast from D’s cannon hitting you instead of him. The impact blasted through your chest, ripping through armor, your casing, and your wiring—until it struck your spark. This was the turning point when D-16 became.. Megatron. His optics widened, he stopped seeing red for a split second.
He watch as your body fell, the whole world seemed to come to a halt.
“Y/N!” He yelled and dived after your body, momentarily forgetting about his anger. Before you could fall into the depths of Iacon, he caught your arm. He didn’t waste a second as he desperately tried to pull you up. You had no strength left to help yourself--your body hung limp.
“Why! Why did you do that!?” He yelled at you, his voice shaking. As you slipped between consciousness, you realized you’d never heard your lover so emotional. Not like this.
“You can’t go, you can’t, you can’t you can’t—“
“D…”
Your arm started slipping from his digits. “I’m so sorry…you have to.. stop this. Please,” you whispered out, the light in your optics flickering.
Megatron stared at you, partly in disbelief at you and himself. “I’m sorry. I’m going to fix this, I-I promise,” He hissed, his servo desperately holding on. You knew you didn’t have much time left.
“D, please don’t this. I love you. I always will. No matter what I’ll always remember you as my D-16.” You whispered.
“I’m sorry,” he murmured, roaring in anguish as your body slipped from his grip. He watched as you descended into the depths of your planet. You were going to become a part of Cybertron again, just as they all started out as. He’s so sorry.
He’s sorry he’s not the D-16 you knew.
Despite this loss, he still became Megatron. Afterall, he had nothing to lose now.
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eddiediaaz · 1 year ago
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Hi! Can I ask how you did the double exposure gifs for your merlin set? They're beautiful btw!
heyy, thank you!! of course!
it's actually not very hard, the trick is to find the right shots for this. here's how i did it (reference gifset), under the cut.
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for this tutorial i will be: — using photoshop cs5 on windows — assuming you know how to make gifs using the timeline — have basic coloring, sharpening, groups, and layer masks knowledge
I. CHOOSING THE RIGHT SHOTS
the ultimate trick to pull this off is to choose the right image. in order to do the double exposure, you need a silhouette shot that has these:
a defined and dark silhouette with a background that is not too busy
enough contrast between the silhouette and the background
the silhouette should take at least 50% of the space
not too much movement
here are a few examples of why they work and why they won't:
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gwen: perfect example since this shot is already quite contrasted with a defined silhouette. there won't be a lot of work needed to make this one work.
merlin: not a great example because even tho there's a somewhat good contrast between him and the background, the silhouette is just too bright, not dark enough.
arthur: another good example, even if there are some bright spots on his face and armor. since he's not moving too much, you can definitely brush some black over him to make his silhouette darker (i'll explain/show later)
morgana: this one could work because the contrast is great, but of course her skintone is very bright against the black clothing. that being said, since the movement is not too bad, it could be possible to brush some black over her and move these layers with keyframes (as mentioned for arthur's example). i haven't tried it tho, but i think it would work well enough.
once you have your silhouette shot, you need another gif for the double exposure. what works best, in my opinion, are:
wide, large shots
shots with no to little camera movement (no pan, zoom, etc), but the subjects in the shot can have little movement of course
pretty cinematography/scenery shots
i find these are easier to find and make it work, it's not as "precise" as with silhouette shots. it's mostly just trial and error to see what works best with the silhouettes.
II. PREPPING THE SILHOUETTE
for the effect to work, we want a silhouette that's dark as possible. i'm gonna use the gwen and arthur shots as examples.
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for the gwen gif, i started by sharpening, and then upped the contrast by quite a lot so her silhouette is mostly black, while retaining some nice details. i've used only 3 layers here:
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selective color layer: in the blacks tab, playing with the black slider (value: +10)
brightness/contrast layer: added a lot of contrast (+61) and a bit of brightness (+10)
black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast
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then for the arthur example, i've also sharpened it first, and added contrast layers in this order (the skintone looks horrible, but it won't matter soon lol):
levels layer: black slider at 0, grey slider at 0.76, white slider at 104
selective color layer: in the blacks tab, black slider at +10
brightness/contrast layer: brightness at +1-, contrast at +47
black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast
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as you can see, half of his face is still quite bright. to correct that, create a new empty layer and put it between the gif and the coloring layers.
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using a really soft brush and the black color, brush some black over his face and body on that new empty layer. you can edit the layer's opacity if you want, i've set mine to 71%. since arthur doesn't move much here, there's no need to keyframe this layer's position. for the morgana example, this is where you'd need to play with keyframes to make it work. here's where i'm at now after this:
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you can always edit this layer later if you need, after doing the double exposure blending.
once the silhouette is all ready, you can put all layers in a group and rename it (i've renamed mine silhouette).
III. BLENDING
now the fun part! import the wide/scenery shot in photoshop, then resize it to the same height of your silhouette gif. make sure the gif is a smart object layer, and sharpen it. finally, bring this gif onto the silhouette canvas (by right clicking the smart object > duplicate layer). once you have both gifs onto your canvas, put the wide shot gif layer in a group, and set this group's blending option to screen.
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you can then position the wide/scenery gif the way you like it in the canvas. this is how it looks for both examples after i've done that:
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if the blending mode screen doesn't give you the best result, so you can play around with other blending modes (such as lighten and linear dodge in these particular cases), but generally speaking, screen is the real mvp here haha.
IV. COLORING
now that the double exposure effect is done, we need to color the gifs to bring them together. i went with simple coloring here, simply enhancing the colors that were already there. just make sure that the coloring layers for each gif are in their respective groups. here's how i've colored both examples:
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gwen silhouette group: i added a gradient map layer on top of the contrast layers in black to green and set the blending mode to color
scenery shot group: multiple coloring layers, with a green color fill layer (blending mode set to color), with a layer mask so it only affects the top half of the gif
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for the arthur gif, i did something very similar but with warmer colors. i didn't use a gradient map for arthur though:
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arthur silhouette group: i made the yellow warmer, closer to orange/red, with a hue/saturation layer, and added more vibrance. didn't feel like it needed a gradient map layer here though.
wide shot group: basic coloring layers to enhance colors from the merlin & daegal shot, and an orange color fill layer set to the color blending mode.
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at this point you're pretty much done. just need to add some final touches and typography (if you want).
V. FINAL TOUCHES
a small and completely optional detail, but i wanted to soften the edges of the wide gifs. to do so i've duplicated the smart object gif layer and removed the sharpening filters (right click on smart filter > clear smart filters). put this layer on top of the other smart object layers (but still below the coloring).
then with this same layer still selected, go to filter > blur > gaussian blur... > 10px. this will give you a very blurry gif, but we only want the edges of the canvas to be softer. so add a layer mask to this layer. with a very large and soft brush (mine was at 0% hardness and about 800px size), brush some black onto the layer mask to remove the blur in the middle of the gif.
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you can play with this layer's opacity or gaussian blur amount if you want (by double clicking on the gaussian blur smart layer filter). here how both examples look with this gaussian blur layer:
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you can also mask some of wide/scenery gifs if you'd prefer, so it shows less outside of the silhouette. just put a layer mask on that whole wide shot group and brush some black or grey on the layer mask. it's what i did for the gwen gif, with a very soft brush and i set the mask density to 72% (i kept the arthur one as is tho):
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and that's how i did it! hopefully that was clear enough :)
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squiddy-god · 4 months ago
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Hi!! I’m new so I’m not sure if there’s a character limit but could I get the baldurs gate 3 characters with a plus size gn reader?
(If there is a limit could I get Wyll, Karlach, and/or Astarion?)
Thank you!!
I added gale because i want that wizard SO BAD this is a super cute request just keep in mind that i haven't played a whole lot of baldur's gate- also there is no character limit but i think id cap it at like 7 for hcs. Maybe slight possible spoilers. Yall are so lucky i almost included karniss for funsies but held back my spider simping 
Cw : might have slightly suggestive bits but is sfw, gn reader, no pronouns, fluffy, mentions of past body shaming, 
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Wyll
He's so sweet- a real gentleman at heart
He loves to rest his head on your shoulder and wrap his arms rough your waist 
After the horns tho it makes it a bit harder so he settles for holding you and resting his head on your chest 
Kinda obsessed with your hands, always kisses the back of your hands or the inside of your wrist
Hes prone to stress, so when he’s feeling particularly stressed he gets kinda clingy- he will (wyll haha) never admit that he's being clingy tho
He hugs you, a deep sigh leaving his lips as he squeezes your sides and relaxes with exhale. 
Your soft and comforting and after all the things he's been through he is in desperate need of some comfort 
I think wyll enjoys being seen as more knightly, your knight in shining armor
That being said this man can and will defend your honor, people can be so cruel and he won't stand for it, he is absolutely going to defend you when people are talking shit because he will have none of it 
Wyll is a sweet man, he wants you to be comfortable and happy with him, so he does his best to reassure you about how he loves every bit of you and tries to ease your insecurities 
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Karlach 
Hrmmmmgghghggdgg love her,,,love her so much hehehehe
She loves cuddles so much and is so touch starved fight me on this 
She sees you and gets a sappy smile because she is just so mushy 
I think out of all the companions she is definitely one of the top chubby person lovers
Handsy, she loves to hold and squish every part of you, the way your chubby arms wrap around her waist and torso while she rubs your back is heaven actually
I think she would love tummy kisses, she loves them even more if you get flustered because you are cute<3 she really adores how soft you are
She likes picking you up and she absolutely can and will at every opportunity that presents itself 
She is throwing hands if someone body shames you
Like she gets the most aghast expression of “how dare they” 
Normally people just turn tail and run but she is so down to throw hands 
Being insecure with karlach is very hard because she has no issue telling you how much she loves you, and she is very honest, her words really show threw her actions 
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Astarion 
I feel like astarion is someone who understands insecurity on a deep level, there are many aspects of himself that make him insecure
You have been so warm to him, you love him so genuinely he wants to return the favor by also loving you so genuinely, size doesn't matter to this man 
Ignore that last part he loves feeding on you, so much to sink his teeth into ;) like eating something warm and comforting 
“Gorgeous as always” is a regular statement he makes whenever seeing you 
Loves to hold you before bed because he can just relax and feel himself melt into you.
Astarion is very fond of squishing your cheeks, if hes happy or mad at you your cheeks are getting squashed because this vampire has a bit of cuteness aggression 
King of talk shit get bit because he is kinda just looking for a reason to have a little murder as a treat
Like he hears someone body shame you and is like “can i pleaseeeeee stab them?just a little” 
He will find them 
He won't tolerate people adding to your self doubt because he thinks you are genuinely just the most beautiful creature and he WON >:3
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Gale
I WANT THIS WIZARD SO BAD 
I'm so incredibly down bad for gale he's such a dork i love him 
He's awkward honestly, he'd like to be all suave but when it comes to physical affection he is quite awkward. 
Eventually he finds peace in just being able to hold you close, he particularly enjoys being able to hold you against his chest while he reads to you
I think he would enjoy teaching you about magic (assuming you aren't also a wizard) and if you are a wizard he still enjoys reading you books about magic 
He's a sucker for just being sweet and domestic with you
Big fan of your thighs and if you are sitting in his vicinity his hand is always resting on your thigh occasionally giving it a gentle squeeze to calm you both down 
Big fan of shoulder kisses when you both first wake up
I love sassy kinda mean gale when he talks to rude people so i love the idea of him just verbally destroying someone who talks sit about you 
Hes actually pretty good about ginning you reassurance for your insecurities
He doesn't have the best way with words sometimes but he is just so flabbergasted at your thoughts because he personally wants to fuse souls lmao 
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dungeon-strugglers · 5 months ago
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Iron Maiden  Armor (plate), legendary (requires attunement) 
The interior of this suit of iron armor is lined with brutal spikes. Donning the armor is an excruciating procedure that binds it to your body by piercing your flesh. Your hit point maximum is reduced by a number equal to your character level. Roll a d100. If the number rolled is greater than your new hit point maximum, you immediately die and the attunement fails.
The armor suspends your lifeforce while you are imprisoned within it, and grows in power as your blood is spilled, feeding off of your agony to fuel its magic. While wearing the armor you gain the following benefits:
You have a +1 bonus to AC.
You are immune to exhaustion and the frightened condition.
Death Howl. When damage drops you to 0 hit points, you can emanate a psychic wail of agony and drop to 1 hit point instead. Each creature of your choice within 60 feet of you that can hear you must succeed on a DC 17 Wisdom saving throw or take psychic damage equal to the damage you took. Once this property has been used, it can’t be used again until the next dawn.
While wearing the armor and you have fewer than half of your maximum hit points (rounded down), you gain the following benefits:
The AC bonus increases to +2.
Bloody Vigor. Once on each of your turns, when you hit with an attack or deal damage with a spell, you can deal an extra 2d8 damage to one of the targets. If the target is a creature, you gain temporary hit points equal to the extra damage dealt.
While wearing the armor and you have fewer than one quarter of your maximum hit points (rounded down), you gain the following benefits:
The AC bonus increases to +3.
The extra damage from Bloody Vigor increases to 4d8.
Curse. The armor cannot be removed unless this curse is broken via the remove curse or wish spell. If the armor is removed, the magic that sustained your mangled body ends. You immediately drop to 0 hit points and you have disadvantage on death saving throws for the next 1d6 days.
For the Knights of The Crimson Tears, being elected Warden is no privilege. It is a duty-bound service on their honor that, one day, they may be called upon to don the Iron Maiden. If duty calls for the Warden to fulfill their agonizing promise, no evil may escape once the armor weeps for its wielder. - 🖌🎨 Like our work? Consider supporting us on Patreon and gain access to the hi-resolution art for almost 200 magic items (wow!), printable item cards and card packs, beautiful creature art and stat blocks, and setting pdfs with narrative hooks and unique lore!🧙‍♂️ Thank you so much for your support! 💖
📜 Credit. Art and design by us: the Dungeon Strugglers. Please credit us if you repost elsewhere.
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felassan · 7 months ago
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Dragon Age: The Veilguard info compilation Post 5
[Part 1] [Part 2] [Part 3] [Part 4]
[There are also a series of 'lil snippets' posts where I was just chucking together bits and pieces that I saw at other times: one, two, three, four, five, six]
Post is under a cut due to length.
There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and/or played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a ‘regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.
For notes in here on community council things in particular, I recommend to listen to the vid directly, it's always better hearing things first-hand ^^
Character Creation
"The diverse body and gender options make it an industry leader by a signifcant margin" [source]
"BioWare was keen to highlight the hair strand technology that looked very similar to that seen in FIFA and EA FC, also made under EA's roof" [source]
"Fine tuning sliders that allowed for microscopic adjustments of nose angles, it was clear that a lot of options exist to get the smallest possible body parts exactly right" [source]
"There's no specific genital customisation to be oversold as CDPR did but, much like Saints Row, there is an option for bulge customisation" [source]
Pronoun choice, gender identity, body type, and voice choice are 4 separate options, not tied together [source]
Height is customised on a slider [source]
Size is customized on a triangle like in Saints Row: the 'points' are fat, slim and muscular [source]
The different lighting options are 4 different settings: clean, bright, dim, sunset [source]
In CC you can also try out what Rook looks like in their starting rags, in typical mid-game armor, and some level 50 gear (class appropriate for each one) [source]
There's a way for you to modify your character's look once the game has started if you want to make some tweaks [source: the official Discord]
You can be any class and choose any backstory/faction, any race, any gender [source]
Story and lore
On meeting Neve in the opening, if Rook chooses to say the positive dialogue option (I think this is the thumbs up one, "You rescued yourself, I see") they say something like, "It looks like you're doing pretty well by yourself huh?" [source]
According to someone who played the game at SGF, the game has a Mass Effect 2 Suicide Mission feel to it [source]
The Shadow Dragons are kind of an anti-Venatori faction, sort of. [source] A freedom force. [source]
The Mourn Watch are kind of like the police for the Grand Necropolis [source]
The Veil Jumpers are kind of like weird magical investigators, weird magical nerds [source]
The moment right after the gameplay video ends is 👀❗❗...? [source]
On the timeskip, the Community Council were told that they were going to make it about the same amount of time in-game as the amount of time that passed in real life from the time most people would have last played DA:I [source]
Rook's faction is also referenced outside of the intro segment of the game [source]
In the gameplay reveal video that we saw, some of the Evanuris statue assets at Solas' ritual site are doubled up in error, i.e. some of them have the wrong heads. This is not supposed to be the case, they are supposed to each have a different head (bear in mind this was an early build and isn't the final build of the game) [source]
Characters, companions, romance
Go [here] to see some DA:TV doodles of the characters that a dev drew this year and last year. :> the hidden doodle is a version of Rook, hidden as they have not yet shown any of the possible hairstyles for Rook outside of the gameplay reveal video. [source]
It is Lucanis who has the purple wings [source]
His name is pronounced "Loo-khan-ess Day-ah-MORT-ey" [source]
Lucanis is hands-down "the sole dumpster fire of the crew". Mary "wrote him specifically to be a bisexual disaster of a human. You're welcome." [source]
As a name 'Rook' is closer to 'Inquisitor' than 'Hawke' [source]
The Community Council highly requested there to be 4 voices for Rook. They kept bringing it up [source] (there are 4 voices for Rook)
The Solas face model has been tweaked "a hundred times" [source]
Gameplay, presentation, performance etc
Rook can jump [source: the official Discord]
Rook can sprint [source: the official Discord]
Warrior gameplay (or at least one build of this) involves doing the right parry timing to lead to a certain attack [source]
Warriors have a dropkick ability, enemies can be dropkicked off cliffs using this [source]
According to someone who played the game at SGF said that the game ran smoothly and didn't have any bugs [source]
Companions can have an ability that heals Rook even when they are not mages [source]
Sword and shield warrior's ranged skill is like, boomeranging their shield over there [source]
In terms of the 'the game isn't open world, it's mission-based' stuff, it could be likened to Trespasser in this regard [source]
The first time the Community Council played, they asked if there is a photomode. BioWare said no, and the Council were like 'aw that really sucks, we really wanted one'. The next time that they went to play it, BioWare introduced them to a dev and said "Okay, we have photo mode, all thanks to this guy". "So there is one particular dev we all need to be kissing the feet of" because he figured out photo mode. [source] [nb, more on the Photo Mode situation here]
The current build of the game is not the final build of the game. A few things are currently being vigorously worked on [source]
Other
Someone who played the game at SGF was told that all of the choices and consequences were in the game, and that basically the team are just polishing things up right now [source]
The number of community members on the Community Council is in the double digits and they are from all walks of life. They don't have any contracts which say that they can only say positive things; they can be as negative as they want about DA media. Not every member of the council has said publicly that they were part of the group, there is nothing mandating them to do so [source]. They have not played the full game [source] and they tested it on consoles [source]. A lot of them ended up liking the gameplay [source]. They played some of the main story but they don't know how it ends. At one point they did three days of playtesting from like 9am-4pm daily. "I liked the quality, I liked what was going on, I was very invested. I did have some worries from the first playtest that were completely resolved in the second". "If you are someone who is into the story, I think we're safe, in the clear, I think we're okay. What I saw, I was really enjoying, I'm really excited about" [source]
The name change also surprised the community council. They aren't keen on the 'the'. There are a lot of things that they said to BioWare which, sometimes things just cannot change as it's too late. [source]
They did not see the finished game trailer before it released, and at that time it might have had a different song in it. They fed back that the version of the trailer that they saw was fine (what they saw was a bit different) [source]
BioWare have data on the percentage of people who used tactical view in DA:I and it's in the single digits [source]
Upkeep of the The Keep is a lot and it goes down like once a month. There have been times when it was down for weeks at a time [source]
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justpoliteconversations · 9 months ago
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Apple Merchant [BOTW!Link x Isekai!Reader] (Part 4)
Link learns some things. And so do you.
Yet another for the ever growing pile of self-indulgent garbage refuse. Enjoy the process of decomposition with me for a while.
Part 1 / 2 / 3 / 4 / 5 / 6
Alternate Extras: Embrace
Masterlist
TW: Choosing not to display warnings. Read at your own discretion.
Disclaimer: Don't own The Legend of Zelda franchise.
---
The yiga. A faction of Ganon worshipping traitors formerly of the Sheikah clan, whose main objective is to kill the Hero known as Link (in other words, himself). Known for their distinctive red body suits and white masks. And, strangely enough, their love of bananas.
They were also currently at the very top of Link's (until recently non-existent) shit list, because AM had deemed their threat level too great to allow them to meet each other freely. As Blue had told him, AM's profession placed them at greater danger than the average citizen to the assassins' blades. What that profession was, Link was not told (despite his pleading and intense stares and even one memorable attempt to bargain for the information), but it was deemed necessary to maintain distance because of this.
There were plenty of other useful things in the book too. Not a letter or a note or even a small bundle of documents. A book. An honest to Goddess book. Because there was nothing else the ridiculously thick, neatly piled collection of leather bound miscellaneous papers, maps, diagrams, notes and documents could be. It was the thickness of Link's hand for goodness sakes.
Thankfully, Blue had taken mercy on him (and his desire to get moving as soon as possible) and bookmarked the pages and maps that would be most useful to him. All while giving him that bland, graceful smile of hers and explaining that AM was a very proactive information gatherer, but that they didn't always consider that not everyone wanted to know the exact region Sneaky snails bred in or where the highest priced wheat could be found.
Link very deliberately didn't tell her that he did, in fact, find those very interesting topics to learn about (and that he would be reading through the entire book when he got the chance. later). Because he was still stung that she'd given him a condescending little smile (smirk, it was a damned smirk and Link knew it) when he'd tried to bargain with her for more information on AM.
In total, he'd spent three days in Hateno, gathering information (as though the book wasn't enough), gathering supplies (because as many as were in the slate, it didn't have everything a warrior would need to maintain his gear. Blue's words, not his) and getting to know the people around the area.
Also, armor. Costume fitted (Link didn't think too hard about how Blue had gotten his measurements) as to AM's specifications before they'd left town. The order arrived a little later due to his (apparently) small size causing complications with some of the straps.
Honestly, it felt good. It felt familiar with a hazy kind of comfort that spoke of his body's remembrance of such armor resting upon it often. And suddenly, in that moment, the thought that he had once been a knight didn't feel so far off, despite having no memory of it and very little desire to become as such again.
Ready to go (finally) he put on his boots, tightened the straps of his new (fitted. maybe he'd see about getting his Sheikah armor fitted as well if he was in the area) hyrulian armor set, and took one last shot before departing.
"Where can I get more bananas?" Link tried, going for casual but coming off far too intense for it to be anything but prying. "For the Yiga problem."
Blue just smiled (small and condescending, and so frustrating) before replying evenly. "AM has that well in hand I'd imagine." The knowing glint in Blue's eyes put a pout on Link's face. "It's best you focus on your mission, Courageous One." Then she smiled genuinely. Just a bit, but enough to ease Link's heart as she continued. "Fear naught for your beloved AM. No harm shall befall them while my sister haunts their shadow."
Link believed her. And with that little bit of reassurance, the Hero of Hyrule set out into the world once more. With courage in his heart and his goal ever at the forefront of his mind.
Defeat the Calamity guy. Meet AM. Travel this vast, wondrous world with them for the rest of their days. Or, maybe one day settle down more permanently in Hateno and open a food stand.
Anywhere life took them. Whatever you wanted. This was the beginning of his new life after all, and he was so eager to spend it with you.
---
You stared up at the quickly growing pile of bright yellow fruit with something like regret stabbing at your heart. Just thinking about how much rupees you were about to drop on this one purchase alone was enough to put a hitch in your throat. It was enough to have you contemplating a long walk off that equally long (absurdly long) wooden bridge just next to the stable.
When you'd stopped at Lakeside Stable for the night and told Adino you'd pay him market price for any bananas he brought back to you before you left. You hadn't expected him to take that as a challenge. You hadn't expected Skims to get involved in it as well. And you most certainly had not expected Red to show up out of nowhere with a pile rivaling (and maybe even surpassing) Adino's.
And thus, within the span of a few short hours, you were suddenly several thousand rupees poorer (not that that pantry amount even scratched the surface of your accumulated wealth, but you digress) and many, many bananas richer.
At least they tasted good.
"Not that I'm against your presence. But why are you here, Red?" You asked the red clad woman after (with a heavy heart) passing out everyone's pay for the bananas they'd brought you. (Skims and Red didn't even have the grace to look ashamed for muscling in on the quick profit either, the jerks.)
She didn't even pause from where she'd been fingering through her newly acquired (ill gotten) gains when she hummed playfully. "Oh. Gran thought it'd be wise to send along a little extra protection to ensure The Hero's benefactor remained unmolested during these most crucial of times."
The look on your face must have been confused enough to spur Red to explain. "Gran told us to keep you in the dark about our motivations, but I like you. So I'll tell you the truth, since you seem like the reasonable sort." She finally put the rupees down and turned to face you, eyes hardening into a serious shade of near black as she explained.
"The Hero is without his memory, and until recently, was without motivation to see his mission through with the urgency it requires. Had he been as he was before, just the mention of the Princess would have been enough to send the guy running, if you believe the rambling of nostalgic old gossip crows." Her lips twisted into something too complicated to decipher before it was neutral again.
"But he's not the man he used to be. He's not the princess's knight anymore for all his destiny would push him to be. And so, he needed a new motivation to get him moving." She gave you a smile, but it wasn't a nice one (it was one full of spite and pity, though only the pitying part was directed at you). "That's you. The guy loves you already. Call it situational stockholm or just that damned knightly instincts of his, but you are the apple of his eye." She tried to soften her smile into something humorous, but it fell short.
"Bottom line. You're the replacement motivation. Just until he gets enough of his memories back to get invested in the Princess' wellbeing." She flicked a rupee off the stump she'd gathered them on, expression very closed off as she continued.
"Whenever Mr. hero gets a little too comfortable playing house, we're supposed to dangle you in his face and get him interested again. That you seem invested in his success was just a bonus. Be it the Will of Hylia or just simple coincidence, doesn't matter. You're useful, and if it gets the Princess out of that Hell, we're willing to use that."
Another smile, sharp but honest. "It's our duty after all, to serve the royal family. I'm sure you understand." Despite the way the information settled sourly in your stomach you nodded, keeping your expression as even as possible.
She noticed though, and suddenly her hand was on yours (you hadn't noticed it tightening into a fist). "Don't fret, Apples." She smiled again, softer this time. Eyes lighted with a compassion that held such raw honesty despite her earlier words. "My sister and I are not going to let the elders use you like that. You might have asked yourself why Bluey isn't here instead, since, you know-" She smirked, side-eyeing Adino who'd gone some distance off to try to find more bananas (to take more of your rupees, the little bastard).
"We will fulfill our duties. For the protection of Hyrule and everything we love. But not at your's or your dear Hero's expense. At least, not like that. You see, Bluey has something I do not, and that is a gentle touch. She'll take care of the Hero in the way he needs, not the way that'll get the fastest results." Her smirk widened. "And she's got more of a rebellious streak than me too. Trust in her. She'll protect your dear Hero. Even if she has to spit in the elders' eyes to do it. She never could put her heart aside for the sake of duty."
You were silent for a time, digesting her words with the weight and attention they deserved, before looking back to her. A smile on your lips, and your hand out before her in the gesture of a shake.
"I look forward to doing business with you then, Red." You began, letting the edge of your resolve sharpen your eyes and embolden your words. "Let's do our best to protect Link and save Zelda. We'll give it everything we've got."
Red grinned, full and bright and smug (so unbearably smug, like she had won the lottery. which they didn't have here, and you were not interested in introducing any time soon either). "I knew you were gonna understand. The Goddess wouldn't choose just anyone to guard her chosen's heart."
You blinked. "What?"
Red picked up another rupee, flicking it at you. "What~?"
---
Now, off to work! And then the shadows to rest.
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bikiniarmorbattledamage · 6 months ago
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Baldur's Gate 3 (Part 1 - Introduction)
It's a great time to be an old school Dungeons & Dragons player, you get to smugly observe millions of people realizing the game is good actually... or at least that the game can facilitate heart touching romances with imaginary, terrible people.
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(To be clear, I'm not judging you - these two are, but I'm not)
As one of the biggest AAA games of 2023, it's unsurprising that it's big and complicated - and there's a lot that can be talked about with many aspects of it - including female armor and costumes. Indeed, there's already a lot of commentary on it and community activity, from the confusing, to the life affirming.
It has also been the topic of how corporate practices continually reward those who participate in the creation successful art with notice of dismissal.
And of course, both Dungeons & Dragons and Larian Studios have histories that we've touched on before - and I can confidently say it represents a huge improvement in quality, style and attitudes. Plus sometimes their advertising is just gay.
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There's good, there's bad, there's inspired and there's missed opportunities - so it'd be impossible to sum it all up in one post.
Also, now it's finished... I can feel safe commenting on it and not being told "that's changing next week" - that's the excuse I'm using for being so late to the party on this one.
It'll also be impossible to avoid talking about it without some spoilers. So I'll try to cover as much as possible spoiler-free, then put spoilers below a read-more break.
-wincenworks
In General
It's pretty good. Most of the costumes and armors are essentially gender neutral and the ones that do change seem to do so in response to social conventions, rather than a desire to sex shit up sexy - but where you can sex shit up sexy, it applies equally across genders. (Seriously, Lae'zel's lingerie looks amazing on Gale (nsfw 🖼️) and he's not the sort you'd think could rock it).
Looking at the artbook that I have because I'm one of those people who buys deluxe editions - it looks like there might have been a few early stumbles in concept but these were smoothed out before release.
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There are some amazing examples (Minthara), and some baffling designs (all Githyanki armor), some interesting (Orin's) and some that are complicated (Dame Aylin's).
But overall it's pretty good and I would certainly like to see more fantasy media take it's lead from these sorts of designs.
So let's start with a few examples of how everything is complicated.
Why goblins have sexy armor?
The goblins in Baldur's Gate 3 are disgusting, sadistic raiders who are primarily interested in killing, torturing and enslaving all other races. They don't seem to have any crafts people of their own, preferring to steal and adapt.
So it's puzzling that, statistically, when most players encounter them they get this cutscene to showcase a goblin in sexy leathers.
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Now, these goblins don't have a sense of shame - or at least not one related to things like nudity taboos. They're not exactly tactical masterminds or great crafts people.
So there's no reason for her to have masterwork armor, or hide her body... but this particular piece looks like pretty lovingly crafted lingerie made specifically to be sexy and flaunt as much skin as possible.
And the couple of goblins that have this, stand out among the rest of the goblins... who are mostly wearing scraps and bits and pieces they've cobbled together with nowhere near this level of craftsmanship.
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Obviously, this outfit is not ideal with the sharp bits poking out... but it's pretty intimidating and it'd make it things more difficult for an enemy trying to stop Zurga from killing them so it works.
The end result is weird… but also oddly foretold.
Great armor, terrible disguise
Now, this is great armor - a little flashy with a lot of extra doodads - but from a fantasy perspective, it conveys the message and that the wearer is a pragmatic person prioritizing their own self-preservation.
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Honestly this is one of the best examples of armor that is designed to be fancy without becoming completely unworkable, like it is real armor that's been adapted for ceremony. It has layers and while you would expect it to quickly become damaged beyond recognition, if you needed to be ready for a surprise scrap - it'd do the job and do it well enough (a cosplayer friend advised the breastplate is a little prone to being bumped but otherwise she didn't bump into anything)
(Though as a random reminder, if you're going for the very realistic approach - helmets should be a top priority. We accept that doesn't happen in video games like this though because we want to see those emotive, sexy faces - judging us for loving them.)
But Shadowheart is a priestess of Shar, and if you accept her as a companion she will happily tell you all about that and how an important part of being a priestess of Shar is secrets and concealing your faith from the masses...
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There is also an explanation for why she happened to be in her ceremonial attire... but for most of the game, she demonstrates no awareness that she was in vestments when you met.
Now I understand that a lot of these choices are due to various experiments, iterations, etc. Shadowheart being an "authentic" priestess of Shar is not as important as her being an interesting companion in a fun game.
And now that I've definitely made sure nobody is going to "well actually" about the armor design or Forgotten Realms lore... a conspiracy theory:
Karlach's outfit (#freethenipple)
So when you meet the tiefling muscle-mommy known as Karlach, her default outfit indicates that she does not partake in bras. (She's barbarian which is a class in D&D that protects themselves not with armor, but by getting so angry weapons do less damage to them... just go with it...) and despite the forced sexiness of this design - it kinda fits her backstory:
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So, she has a definite look, and apparently does not partake the wearing of bras... good for her! She's literally so hot that fire flickers off her, the boob sweat has got to be epic.
Interesting, Karlach is one two female characters who's "camp clothes" are listed specifically as "trousers".
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The other one is always in pants and bra on female characters (but not male), but for some reason Karlach's trousers include this top that... just doesn't match the rest of her style and is nothing like her underwear (which also doesn't match her style):
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So it seems this seems to be an odd case where in a game where you can access full nudity easily, and they gave her sexy armor... they did a last minute cover up to prevent the woman who would have the epic boobsweat imaginable walking around camp topless... and her model has a lot of detail that gets hidden by that top and her armor. (nsfw 🖼️)
And I know I am not the only one (nsfw link) who has had this idea.
Unless you just go into inventory and take her clothes off..., then toggle so she's always in "camp clothes" and always nude. It's just weird that the players are fully able to make her a nudist, but the game seems to have stopped at the last minute at making her go casually topless.
-wincenworks
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jaybug-jabbers · 1 year ago
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Gelatopod - Ice/Fairy
(Vanilla-Caramel Flavor is normal, Mint-Choco is shiny)
Artist - I adopted this wonderful fakemon from xeeble! So I decided to make up a full list of game data, moves, lore, etc. for it. Enjoy! :D
Abilities - Sticky Hold/Ice Body/Weak Armor (Hidden)
Pokedex Entries
Scarlet: Gelatopod leaves behind a sticky trail when it moves. A rich, creamy ice cream can be made from the collected slime.
Violet: At night, it uses the spike on its shell to dig into the ground, anchoring itself into place. Then it withdraws into its shell to sleep in safety.
Stats & Moves
BST - 485
HP - 73
Attack - 56
Defense - 100
Special Attack - 90
Special Defense - 126
Speed - 40
Learnset
Lvl 1: Sweet Scent, Sweet Kiss, Aromatherapy, Disarming Voice
Lvl 4: Defense Curl
Lvl 8: Baby Doll Eyes
Lvl 12: Draining Kiss
Lvl 16: Ice Ball
Lvl 21: Covet
Lvl 24: Icy Wind
Lvl 28: Sticky Web
Lvl 32: Dazzling Gleam
Lvl 36: Snowscape
Lvl 40: Ice Beam
Lvl 44: Misty Terrain
Lvl 48: Moonblast
Lvl 52: Shell Smash
Friendship Level Raised to 160: Love Dart (Signature Move)
Egg Moves
Mirror Coat, Acid Armor, Fake Tears, Aurora Veil
Signature Move - Love Dart
Learned when Gelatopod's friendship level reaches 160 and then the player completes a battle with it
Type - Fairy, Physical, Non-Contact
Damage Power - 20 PP - 10 (max 16) Accuracy - 75%
Secondary Effect - Causes Infatuation in both male and female pokemon. Infatuation ends in 1-4 turns.
Flavor Text - The user fires a dart made of hardened slime at the target. Foes of both the opposite and same gender will become infatuated with the user.
TM Moves
Take Down, Protect, Facade, Endure, Sleep Talk, Rest, Substitute, Giga Impact, Hyper Beam, Helping Hand, Icy Wind, Avalanche, Snowscape, Ice Beam, Blizzard, Charm, Dazzling Gleam, Disarming Voice, Draining Kiss, Misty Terrain, Play Rough, Struggle Bug, U-Turn, Mud Shot, Mud-Slap, Dig, Weather Ball, Bullet Seed, Giga Drain, Power Gem, Tera Blast
Other Game Data
Gender Ratio - 50/50
Catch Rate - 75
Egg Groups - Fairy & Amorphous
Hatch Time - 20 Cycles
Height/Weight - 1'0''/1.3 lbs
Base Experience Yield - 170
Leveling Rate - Medium Fast
EV Yield - 2 (Defense & Special Defense)
Body Shape - Serpentine
Pokedex Color - White
Base Friendship - 70
Game Locations - Glaseado Mountain, plus a 3% chance of encountering Gelatopod when the player buys Ice Cream from any of the Ice Cream stands
Notes
I'm not a competitive player, but I did my best to balance this fakemon fairly and not make it too broken. Feel free to give feedback if you have any thoughts!
I have a huge bias for Bug Pokemon since they're my favorite type, and at first I wanted to make it Bug/Ice, since any intervebrate could be tossed into the 'Bug' typing. But ultimately I decided to keep xeeble's original idea of Ice/Fairy. There's precedent of food-themed pokemon being Fairy type, and Ice/Fairy would be very interesting due to its rarity (only Alolan Ninetails has it). Its type weaknesses are also slightly easier to handle than Bug/Ice imo
The signature move is indeed based on real love darts, I could not resist something that fascinating being made into a Pokemon move, even if the real games may possibly shy away from the idea. (Honestly it could be argued "Love Dart" is based on Cupid's arrow so Gamefreak might actually get away with making a move like this though.) Its effectiveness on both males and females is a nod to snails/slugs being biological hermaphrodites. I can see this move also being learned by Gastrodon and Magcargo in Scarlet/Violet
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megtrns · 23 days ago
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nsfw! drabbles based on lyrics from my spotify wrapped, 2024 (afab!reader) (minors dni!) ft. mtmte megatron, fortress maximus, tarn
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open your hands// take a glass
In the beginning, he blamed his hunger on the fool’s energon. Having been tampered with, the chemo-sedatives were never meant to fulfill him. The rations were meant to keep him in line, and if the constant, dull, pang of hunger was a side effect, then Megatron’s put up with worse. 
Until he sees you underneath him, back arched and body flushed against his frame: skin to metal, chest to chassis.
He has never felt this starved in millenniums. 
You made a breathless, begging sound, fingers trembling against his shoulders as if attempting to squeeze — nails barely denting the surface of his armor. For a fraction of a second, his appetite was sated, curbed by the sight of your bodies intertwined against the sheets. But with the air growing taut and heavy, he suddenly finds himself acting out of blind desire, seized by a new kind of want. 
Dentae licking the column of your neck, he ignores the strain in his wires from being mass displaced for so long, choosing to taste you on his tongue instead.
He tastes the sea and hears you moan, ecstasy gripping his spark. Holding your body with a new kind of vigor, Megatron stared down at you as if he was a desert on the brink of drought. And he knew that for him, you would be his river, endless and giving, already spreading your legs to pull him closer to drink.
2. I must be dreaming // they don’t hear me 
The vastness of space had always made the Lost Light eerily quiet. Well, maybe that was courtesy to the absence of Rodimus and Co, who are currently indulging in the bars of Hedonia and have left the ship in the hands of bots who have no interest in going anywhere near the hab-suite of the mech who had taken Rung hostage and threatened to kill everyone else. So now, in the privacy of his room, you could only hear your breathing mixing with the faint, mechanical whirring of Fort Max’s cooling fans. 
Here, sprawled across his palm with the buttons of your shirt undone and everything beneath the waist removed, you braced yourself on your elbows to catch his optics. 
“ Do you still want to continue?” You whispered, afraid that anything louder would startle him away like a skittish animal. But any apprehension on your part was quickly dismissed when he nudged your knees apart with his nose, eyes red like rubies, gleaming under the silhouette. 
When he pressed his dentae flat against your cunt, heavy and warm and so wet, you were glad that the entire level was quiet. Because it meant the floor was empty, and Fort Max could indulge in the sounds you make all he wants, undisturbed and uninterrupted by the stillness of space outside.
3. If it hurts to breathe // open a window 
Tarn was never cruel to you. It sounded like a lie, but he has done nothing but treat you like you were made of glass: too precious to drop and even more inconvenient to replace. So you do your best to perform. Until the line between reality and pretence starts to blur, the same way the minutes begin to melt into months, and you find yourself no longer sure of where you stand.
Somewhere along the way, your arms are shaking, trembling under the weight of your body as it spasms in anticipation. It feels like you’ve been here for hours, thighs slick with sweat as they struggle to properly wrap themselves around Tarn’s waist.
You can see his eyes narrow in amusement behind the mask, enthralled if not obsessive, servos sure to leave marks against the right side of your hips. You had his spike halfway inside of you, and even with his mass displaced, you had a feeling this was as far you could go. But every time your body clenches down to reach its peak, he abruptly stops you, and you don’t understand what you did to warrant this kind of torture.
But then you catch him staring, unable to peel his optics away from the mess between your bodies. Tarn wants to see you like this — pleading and wet, helpless in his grip. Tarn was never cruel to you, so when you finally cave in and beg for him to give you what you want — what you need — he doesn’t hesitate to press you down the metal slab of his berth.
This time, when you pressed your face against the wiring of his neck, you didn't have to perform. All you needed to do was sing. Because there was nothing more beautiful to Tarn than the sound of you wanting.
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icanhearcolors · 1 year ago
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Close Encounter
Summary: A conversation between my Tav and Astarion inspired me to write a short one-shot (I lied it's a series) reader insert about what I think would happen if they met before they were taken by the mind flayers
pt 2 | pt 3
This is pretty much my first attempt at reader insert so be nice to me pls ;-;
Lemme know if I made any grammar or spelling errors
Word count: 2.9k
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“I’ll take the most you can give me of whatever has the most alcohol in it” 
You announce, slapping some gold coins down on the scuffed wooden bar. The barkeep who probably hasn’t had any business for the past hour startles out of his daydream and glances at you in surprise. He’s a dwarf, with a braided beard and kind eyes, and if it weren’t for the creaky wooden step stool he climbs up on to take orders he would barely be able to see over the bar top.
“Bit early in the night for that wouldn’t you say?” He asks as he climbs a ladder to retrieve a glass from the shelf above his head. You glance out the window as the last few rays of the setting sun color the night a deep reddish purple before it fades into a comforting black. 
You slide another gold coin across the bar. The barkeep smiles,
“Perfect time for some chultun fireswill if I say so myself miss.” He winks, slides the hefty glass full of orange liquid your way, and swipes up the coins before turning to another customer making their way into the tavern. You hold the glass up to your nose and sniff its contents. The fumes coming off the heavily spiced spirit has your nose burning and your eyes watering- perfect. 
You tap the glass on the counter and knock it back. You manage to get a few swallows in before your brain catches up to you and the fireswill burns a searing path from your throat into your stomach, settling there and warming you from the inside out. You slam the glass down and cover your mouth with your hand, trying and failing to hold in a fit of coughs. 
“Easy now.”
A cold hand lands on your shoulder, cooling your heated skin, and you turn, bleary eyed, unprepared for what you find.
He’s an elf, a very very pale elf- but not sickly pale. He just looks like he hasn’t seen the sun in a century or two. His hair catches your eye, a shocking shade of pure white that makes his skin seem tan in comparison. It’s shorter than most elves keep their hair, and it curls in every direction, framing his face beautifully. Once you recover from your initial dazed attraction to him you attempt to level him with your meanest glare that you hope says piss off. He raises his hands in playful surrender and smiles disarmingly at you.
“Rough day?” He asks in a drawling voice. You take him in. He’s wearing a clean white shirt under a set of padded leather armor, and spotless black leather boots. He looks every bit a spoiled noble that has never seen a day of work in his life, but his hands are calloused, and his eyes look haunted. Speaking of his eyes, they’re quite an alluring shade of red. What an odd color for an elf-
His eyes narrow perceptively, as if he’s reading your thoughts as they flit across your face. He turns away, gesturing at your drink and turning your gaze away from his unique appearance.
“Most Baldurians don’t even touch that stuff until well past midnight, are we celebrating or forgetting?”
You turn your body away from the charming elf and stare into the last few sips of your drink. 
“We aren’t doing anything. I’m here to drink, not to talk.”
“Forgetting it is then. Excellent.”
From the corner of his eye you see him grin roguishly, the flash of his white teeth sending a curious spark of adrenaline through your system. Before you can discern why you suddenly went from warm and buzzed to fight or flight, he turns away, tossing a blue coin purse onto the bar and calling for the barkeep, allowing the alcohol to calm your frazzled nerves once more.
“Excuse me Lydon, I’d like to buy our grumpy friend here a drink that won’t burn a hole through her stomach,” He leans over the bar and drops his voice to a low murmur as if he were sharing a secret, “got anything good for me?” he practically purrs.
The dwarf, Lydon, flushes a deep red and grins coyly at the mysterious patron, “Maybe. But I don’t have enough for everyone Astarion, what if someone comes asking me how she got the good stuff and all I’m willing to sell them is stale ale and swill?”
Astarion’s answering grin is downright lethal. 
“It’ll be our little secret,” He winks. “I’ll take it to my grave.”
Lydon blushes even darker if that were possible and mumbles something about having a type before trodding off toward the old wooden door behind the bar. You’d never related to anything more. Astarion turns toward you and raises an expectant eyebrow.
“Waiting for a thank you?” You ask, wrestling with the instinct ingrained in you to be polite. Your tendency to people please is what landed you in this run down tavern in the first place. You don’t know this elf, and you don’t owe him anything.
“Well I wouldn’t say no to a little gratitude darling- especially not from you” his eyes trace a path from the top of your head to your scuffed leather boots and back up again, stopping at the blush on your cheeks, he smirks, and meets your eyes again. He steps closer to bump your shoulder with his teasingly, and stays there, close enough that your arm brushes his.
“But no my dear, I’m not waiting for a thank you. I’m waiting for a story.” 
“Oh yeah? Keep waiting.” You growl, and he tosses his head back, a genuine laugh bursting out of him. The sound of it is contagious, and you fight the urge to grin yourself. You nearly manage it, save for a slight twitch of your lips that he of course notices.
He tsks, shaking his head at you “I saw that. No use hiding that smile from me, love. The damage is already done.” 
You glare, this time with much less hostility. 
“Who are you? I’m morose and drunk on purpose, elf, and I will not let you wrestle me from it.”
“My name is Astarion” he says with a wink and a mock bow before he leans in, so close you can feel his breath on your skin, “and I’ll wager you’ll let me do a lot worse than that before the end of the night.”
Your breath catches, your pulse picks up, and you’re about to lose yourself in those strange eyes of his when a loud creeeeeaaak and a crash causes both of you to leap away from one another. The dwarven barkeep’s old step stool seems to have finally given in. He lay sprawled on the floor behind the bar, his foot caught in between the split wood.
“GODS DAMMIT” He howls, kicking off the stool. He sighs and hobbles up to you and your new… companion. You can see nothing but his angry eyes and the flushed red tips of his ears as he pours your drink and reaches up to hand it to you. When you grab for it he pulls it out of your grasp and stares at you with a threat in his eyes.
“You didn’t see that.” He snarls at both of you.
“See what?” Astarion feigns ignorance, looking around the room dramatically for whatever the dwarf could possibly be talking about. The barkeep rolls his eyes and hands the drink to you before limping off to find a chair to stand on.
You breathe slowly through your nose.
In.
Out.
In.
You will not laugh.
You have self control.
You take one glance at the pinched “I’m trying not to laugh” look on Astarions face, one that probably mirrors your own, and you explode in a fit of giggles so intense they make your stomach ache.
Astarion can’t hold it in either and slaps the table in his silent gasping laughter, the two of you making quite a scene, but somehow you really don’t care. 
You wipe tears from your eyes and sigh once your laughing fit subsides, your sour mood a distant memory despite your best efforts to cling to it.
“How dare you,” You whine half-heartedly. “I was so committed to my bad mood and you had to go and ruin it.”
Astarion’s eyebrows lower in confused amusement.
“Awww you poor sad little thing. I’d apologize, really I would, but unfortunately for you I’m not sorry.”
You take a swig of the drink he bought for you. It tastes of cherry and currant, and you have never had something so delicious from such a tiny little tavern.
“You should be” you murmur, hanging your head, the humor fading as you’re reminded of why you’re here in the first place.
Astarion notices your shift in demeanor and reaches down, lifting your chin with a cool finger and bringing your gaze to his.
“About that story,” He smiles encouragingly, and you give in.
The alcohol must really be getting to you now, there was no other explanation for the warm, safe feeling that hummed under your skin. Astarion was sweet, and attractive. His attention felt good, and before you could even make the decision to trust him you were already talking. You told him how you were a magistrate in the lower city, complained how the court system was broken and corrupt, and how the judge only appoints magistrates that unthinkingly obey his preferences, never allowing them to make their own judgements. You had tried for months to get on his good side but you think all you did was obliterate any meager scrap of respect he did have for you, and now every interaction you have with him he barks orders at you like you’re his dog and then dismisses you. You were thinking of finding a new profession altogether, but the lower city was plagued with crime, good people died every day because of it, and you had the power to help at least a little if only your boss wasn’t such an asshole. To your embarrassment you began to tear up as you finished your story.
Astarion for his part never interrupts you. He listens with rapt attention to your woeful tale, an indiscernible look on his handsome face. You try to turn your head away as a tear escapes your eye but his grip on your chin tightens, forcing you to stay right where you are. He wipes it away with his other hand and stares at you for a moment, seemingly deciding something.
He reaches up and drags a hand through his hair, releases a held breath, and plucks the glass from your hand, drinking what was left of its contents in two gulps. He brings the glass back down to the counter, a drop of the crimson wine dripping down his chin. The image gives you an odd feeling, like you’re missing a revelation that is only just out of your grasp. He glances behind you, and you turn and follow his gaze to another rather pale looking elf, this one with darker hair but similarly colored eyes watching the two of you with rapt attention. Goosebumps rise on your skin and that fight or flight instinct is back in full force. Your heart begins to pound against your chest, understanding the danger that you’re in even if you do not. 
“Smart girl” Astarion murmurs, and you whip back around to face him.
He wipes his face with his sleeve and grabs you by the hand, pulling you off the bar stool.
“W-what are you-” He places a hand on your lower back and begins deftly guiding you through the raucous crowd of drunk Baldurians. One stumbling wizard in the crowd pats his pockets down and cries,
“Has anyone seen my coin purse? It’s blue!”
“Walk faster” Astarion says into your ear, his warm breath whispering across your neck. You do as he says.
After what feels like a lifetime of dodging drunk elbows and slipping through temporary openings in the crowd you reach the exit, and Astarion rushes you soberingly into the cold night air. 
“You stole that guy's money didn’t you?” You accuse.
He doesn’t even have the decency to deny it,
“What are you going to do darling? Arrest me?” is his reply.
He doesn’t slow down for a single second, ushering you into a dark alley near the tavern.
“Astarion what are we doing? You can’t just wander into abandoned alleyways at night! This is how people get kidnapped.”
His startled gaze clashes with yours in the dim light for a moment before he laughs. Not an amused genuine laugh, but a pained, choked sound that claws its way out of his throat involuntarily. He runs a hand through his hair once again and then turns away from you, shaking his head in disbelief. 
“It is indeed, darling,” He whispers so quietly you have to lean towards him to hear it. 
“You have no idea.”
You don’t have time to react, the alcohol slowing your reflexes, before his hand is around your throat and your back is against the brick wall of whatever building is behind you. You reach up and grab his wrist, eyes widening in panic. For a flash you see in your mind your body lying asphyxiated in the revealing light of morning, another victim to the merciless city of Baldur’s gate, and you prepare to fight like hell, when Astarion lunges for you and…
Kisses you?
Your brain short circuits, all thoughts drifting away with the sensation of Astarion’s mouth on yours. His hand around your throat gentles, his long fingers drifting over your skin until they press into your pulse point, feeling your racing heartbeat. 
You fist his shirt sleeve in your hand. Maybe it's because you’re smashed, maybe it’s because you can’t remember the last time someone kissed you, maybe it’s because you know no one that’s ever kissed you has been as good at it as this man- whatever the reason may be, you kiss him back. 
He tilts his head and deepens the kiss, stepping closer until his body is pressed against yours. You reach up to do what you’ve been dying to do since you first saw him and feel the soft strands of his hair.
He leans into your touch and it emboldens you to kiss him deeper, your tongue scraping against something… sharp?
He gasps and pulls back, just a few inches, staring into your eyes. He seems to be searching for something, almost desperately.
You stare back, equal parts terrified of and enraptured by this beautiful stranger.
Finally, he drops his hand from your neck and steps back, the cold air assaulting you once more as you crash back down to reality. You gaze at Astarion, confusion written all over your features.
“I can’t do this” He laughs. It sounds just as pained as the last one.
“Can’t do what?”
“I can’t bring you to him”
His head snaps up to the sky, studying the stars.
“I still have time to find another. Petras saw me with you, he’ll tell Cazador if I come back with someone else. But I can lie. I can say you knew what I was, escaped before I could lure you back. Maybe he won't question it. I’d spend a few weeks in the kennels but it could be worse. I can’t tell him I changed my mind, I can’t spend another year in that tomb.” He’s rambling now, not to you but to himself. 
He rubs his face in his hands and takes another stumbling step back.
“Go” Is all he says.
“Go? Go where?” You mumble, feeling cold and strangely a little hurt by his retreat into the shadows.
You don’t have dark vision, in the dim torch light much of his face is now hidden from you, but his eerily red eyes seem to glow like a cat’s now in the dark. The sight fills you with dread. Pieces begin to connect, the hundreds of unsolved missing person cases, the handful of eyewitness accounts claiming they saw the missing leave with someone. The descriptions varied, but a few details remained constant. The unknown person was always charming, flirtatious even, they tried to get their victims intoxicated in some way, and they always had a pallid complexion, red eyes, and sharp canines. Sifting sluggishly through your muddled memories you can even recall a couple of accounts of victims leaving taverns on the arm of a white haired pale elven man.
Astarion was a vampire.
“Go back to the courts,” He begins, “and never apologize to Judge Eruien. Stand up to him when he’s being an ass, he’ll never respect you otherwise. Go back home and lock your doors safely behind you. Never invite anyone in unless you trust them implicitly. Go back to your life in the sun, make Baldur’s gate a little better just by being in it, and if you ever-” He leans toward you, his face inches from yours once more. Now that you know what to look for, you catch glimpses of his uncomfortably long canines with every word that he speaks. 
“See anyone with eyes like mine again… run.”
With that he steps back into the shadows. They seem to swallow him whole, and you do run, a small voice in the back of your mind reminding you that you never told Astarion the name of that judge you were lamenting about.
In the years that follow you take his advice, and your work life drastically improves. Enough so that you feel comfortable asking the old elven judge about his former magistrates, a tear dripping down your cheek as he tells you what he can recall about a white haired elf with golden eyes and a promising future that was ripped away when he was murdered almost two centuries ago by a gang of Gur that didn’t appreciate his final ruling.
A month later you wake up in a nautiloid.
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tofu83 · 4 months ago
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What men bred for.
3. Hunters and Preys
Alien Masters’ Earthling ethologist have discovered that Earthlings aka humans, especially males, like to connect beasts or raptors with themselves, such as covering their bodies with the furs of wild beasts, using the remains of wild beasts as body decorations, and even directly refers to himself as a beast, as if he wishes he was a beast. This is very strange behavior in their eyes. They were unable to determine why humans, who had developed a low level of civilization, would aspire to be equal to lower animals.
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They also discovered that in addition to raising hounds, humans also raise cheetahs and falcons to assist in hunting, or keep lions and tigers as pets. Besides, another behavior is even more jaw-dropping to scholars: releasing wild beasts in a place called an "artificial hunting ground", and then hunting them for entertainment.
In the end, scientists put forward hypotheses:
1. Male humans desire to degenerate into lower-level beasts that obey wild instincts.
2. Beasts can assist in hunting or be hunted.
3. To summarize the above two points, it is a man’s nature to desire to be a hunter or a prey.
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Behaviorists shared this theory with breeders, who randomly applied it to the development of new breeds of humans.
They replaced part of human genes with some genes from carnivorous beasts and developed several varieties. The genes of the selected beasts include lions, cheetahs, tigers, as well as eagles, vultures and other raptors. As for herbivorous beasts such as rhinos, elephants, bison, etc., we have yet to study how to apply it to humans.
These varieties of humans are very obedient to their wild nature and have more fighting and mating instincts than other species, but they are also more difficult to control and are difficult to apply in military applications. However, they are very suitable as hunting partners of their alien masters. They enjoy their inherited beast power and take pleasure in hunting prey.
Through modification helmet training, they can accurately stun their prey when they catch it. Even if the alien creatures are several times stronger than them, they will still achieve their mission, and even if they die as a result, they will be in a high degree of joy. It is understood that this is due to the positive effect of the dual bonus of the pleasure brought by obeying their master and the display of masculinity.
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Due to the high casualty rate, upgraded hunter products like guards covered in latex and alloy armor have also been put into production. The orders are now full. As expected, as long as robots are made based on male humans, they will be very popular.
Not only that, alien masters think that raising animals for themselves to hunt is a good sport, so they also create species that can be used as prey based on the theories of behavioral scientists.
This type of breed is controversial because their genes for obedience to their masters have been "turned off" in a special way. When they see alien masters, they will resist or run away, which means they will be in danger if they escape into the wild. However, because now only males are produced, so there will be no problem of natural reproduction.
Some of these prey humans only maintain their original genetic makeup, while others add genes such as antelopes to make them more difficult to hunt. They were put into a "hunting ground" specially set up by alien masters to live freely. Those wealthy alien owners will take the hunter humans they raise to hunting grounds to hunt prey humans.
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They may not necessarily kill these prey. Of course, it is legal to display them as specimens or cook and eat them. But they are more willing to personally tame these "wild" humans who don't know what obedience is into their own pets, just like how humans tamed wild horses in the past.
If the masters simply want to enjoy hunting humans, it is okay to return the prey to the hunting ground, or they can sell the prey. All-purpose livestock like wild earthlings are hot commodities whether purchased through normal channels or traded on the black market.
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acaptainbyanyothername · 7 months ago
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It is so important the Weepe and Saskia episode came directly after the Jonas and Phineas episode, because it really drove home how similar these dynamics are and where they fundamentally diverge.
First of all, Saskia and Jonas got their origins in very similar ways. According to Third Person’s Midst Messages series, beta Phineas (then called “Puck”) was originally a much more self-assured knight-in-shining-armor type, and Weepe was a showbiz guy that actually performed on stage and could command a crowd. Later, when fleshing out the story and characters further, Third Person essentially shaved those parts off of them to make the characters of Jonas Spahr and Saskia del Norma.
On a meta level then— of COURSE Phineas and Weepe are so obsessed with Jonas and Saskia! They are literally looking at their better half, the part of them that was stripped away to increase their flaws. Out of meta and in the context of the story, Phineas and Weepe both put Jonas and Saskia on pedestals. They then deal with these pedestals in interesting and horrific ways.
The pedestals exist because Jonas and Saskia saved them in some regard—Jonas by pulling Phineas out of the Delta, and Saskia through her kindness to Weepe when he came to Midst. This results in Phineas and Weepe primarily seeing Jonas and Saskia as the symbols they represent: heroic Prime Consector and the kind, too pure for this world pillar of the community respectively. These pedestals superimpose a fundamental power imbalance in the dynamics: Phineas feeling inadequate compared to Jonas’ Valor and charm, and Weepe thinking his awfulness will eventually twist Saskia away from him, Then, all of the problems with these relationships come to a tumultuous head when the moon fell on Midst, and it’s interesting to note that both Weepe and Phineas both partially did the terrible things they did to save face for themselves to their counterpart: Weepe specifically wanted to not be there or mentioned during the Cabaret bust, and Phineas went so violent over Sherman in an act of desperation partially to prove to Spahr he was worth something. Both of these attempts end up failing and fracturing their relationships, and Weepe abandons and Phineas is abandoned. These relationships then do not see each other until close to the end of season 3.
One of the major themes of Midst is change and metamorphosis, both on a physical and a mental level. All of the four characters go through a high level of change during their time apart, but Saskia and Weepe’s change is purely physical, while Phineas and Jonas’ is purely mental (save some beard shenanigans). Weepe’s entire body transforms into the clear skeleton man we know and love, and Saskia literally gains another body from the tearror. However, even after these drastic physical alterations, they remain fundamentally the same person. Saskia is still kind and community-focused, and Weepe is still the same diabolical bastard. Conversely, Jonas and Phineas had their worldviews so rocked (Jonas a little slower than Phineas, but Phineas got to smoke a moth about it) they individually decided to renounce the cult and value system that provided structure to their lives. They both interact with others and the world around them differently because of the mental changes they have undergone (seen in Phineas attempting to take greater responsibility for his actions and make choices for himself instead of just following orders, and Jonas learning to take agency and grow a backbone).
This is why Jonas and Phineas manage to reconcile and Saskia and Weepe don’t. For as different as their reunion scenes are, there’s a striking commonality: Saskia and Phineas both express the sentiment “I’m angry at you and I don’t know if I can forgive you” and Weepe and Jonas both respond with “Good, you should be.” It’s why they say those things that matters though. Jonas and Phineas have internally changed since their last meeting. Saskia and Weepe have not. Jonas has reached a point where he’s no longer asking anything of Phineas or placing undue pressure on him, and so he accepts Phineas’ negative emotions and imperfections for the first time in their relationship. Weepe just accepts no forgiveness because he thinks he deserves it, because he’s the same terrible person he’s always been and internal change is impossible. Or so he thinks, at least. Phineas changed and Jonas changed to match him. Saskia and Weepe were incompatible with their polar opposite values, and stayed that way permanently. To tie it back to the idea of pedestals, Jonas happily stepped off the pedestal he was on and Phineas let him—they’re both at zero. Weepe couldn’t take Saskia off her pedestal or view himself as anything less than lower than her, to the detrimental point of denying himself the chance to grow from his mistakes.
These relationships could have easily ended up very differently. In an alternate version of Midst, Jonas and Phineas could have decided to kill each other and Saskia and Weepe could have survived and attempted to try again with each other. It end up happening the way it did because Phineas and Weepe had very different facilitators of their respective metamorphosis. Phineas was guided by the Mothers Merciful to come to a new self-understanding. Weepe had Imelda fucking Goldfinch. Change doesn’t happen in an isolated chamber, it’s influenced by the people around us. Phineas was guided into change. Weepe was tortured into it. If Phineas was not treated with the kindness he was, or Weepe was treated with a little more, there’s a chance the story could have unraveled very differently.
In conclusion (this post ran away from me a bit haha) the codependent relationships of Phineas and Jonas, and Weepe and Saskia heavily parallel each other but reach different conclusions in the key places they diverge, i.e. the internal versus external change the characters went through and the type of support they received. These relationships are mirrors of each other—I think Saskia and Weepe represent the worst possible road it could have went down and Jonas and Phineas represent the best, and the key was a successful metamorphosis and accepting the other as a person as they are, off a pedestal.
They all love each other to a frankly obsessive degree. Sometimes love isn’t enough though. Sometimes it’s just circumstance and a willingness to change that ends up being the determining factor.
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