#let that woman have a male friend who isn’t already married or gay or in love with her
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This pile of crap but let’s make it “heterophobic” instead (in quotes because heterophobia is not real)
I will have many more examples because rarely does queer friends to lovers happen AND all of them are actually canon
#my vote would be jolink#let that woman have a male friend who isn’t already married or gay or in love with her#also she needs to stop getting with men she’s said are ‘like her brother’#i need some wlw in here god#tv fanatic#article#friends to lovers#queer#911 abc#buddie#destiel#supernatural#spirk#johnlock#bbc sherlock#mondler#nick x jess#peraltiago#b99#japril#jim x pam#polin#bridgerton#luke x lorelai#swarkles#fitzsimmons#joey x pacey#jolink#grey's anatomy#tumblr polls
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how do you as a bisexual come to terms with the fact that the trans community has literally made homophobia much worse. ppl are proudly being openly homophobic and when you dig deeper it’s actually the “queers” and transgenders who think kids can transition who they have a problem with (not all of course but a good chunk) I believe ppl who wouldn’t otherwise be homophobic are being homophobic bc of the trans community. I use to really struggle w internalized homophobia, and still do, it was only this past year where I came to terms w it and told my sister/close friends. I wish it could be just a normal thing to be gay and you’d be left alone, I believe we were on a trajectory for that. But now things have gotten worse, and thanks to the gender nonsense, openly bigoted ppl (especially religious) are being praised and promoted. All this bc of trans activism. I don’t even care anymore about what they do to themselves, but the damage they’ve done to actual gay ppl is insane and we’re already facing the backlash. I’m not sure if we’ll ever live in a world where being lgb isn’t a big deal.
Honestly? I think the benefit of pushing 40 is that I have a wider lens through which to view activism. And I feel the same way about LGB rights as I do about women’s rights.
Which is to say, every time a big gain is won, there is backlash. There are parts of society that get worse as the culture tries desperately to adjust around the new changes.
Men today are more porn sick and sexually aggressive than 20 years ago. In some ways. People are polling less positively about the LGTBQI+ but how much of that backlash is really directed at the LGB? Are polling groups even bothering to distinguish between LGB and “queer” people?
Let me tell you what life was like as a bisexual teen in 2003. Let’s go back 20 years and I can tell you the world has changed so much for the better. 20 years ago gay rights activists started really making headway towards civil rights guarantees. Suddenly middle Americans had to confront that gay people were among them and not just haunting bars and bathhouses. I don’t think I’ve ever seen such rigid gender norm adherence as I did back then. Men couldn’t wear pastels or purple or pink. Guys got called gay for having a messenger bag. There is an entire episode of “Friends” about it. Sussing out the Gays Among Us became obsessive. Emo culture was a direct response to how frantic straight people were to appear duly heterosexual. TV shows still depicted us as degenerate freaks if they depicted us at all. A few HBO shows that were soft core porn more than anything and Will and Grace was all anybody had. Shows like Xena and Buffy got away with lesbians because men said out loud that hot women kissing was fine. These were the early days of straight men having open lesbian fetishizes. We couldn’t get married. We could get fired for being gay.
For women there was no movement to normalize our natural bodies. I’d spend hours shaving myself smooth. Not wearing makeup was unheard of. Cellulite wasn’t even a word I knew let alone knew was normal. There weren’t a million online resources teaching women that vaginal discharge is normal and I grew up thinking (as did many others) that it was a private shame.
And as far as MeToo stuff? It’s easy to feel defeated in the moment but nobody was using the word ‘consent’ in my day. Men getting women drunk was a joke. Men pushing for sex was a joke. Men calling a woman that had one too many dates or boyfriends a slut was normal. Three of my male friends pinned me down on several occasions and took turns rubbing their dicks on me to completion.
The therapist I told said I “needed to work on my boundaries”. The word rape never even entered my mind. Rape was something a stranger with a knife did. It wasn’t something your best friends did to you and then laughed about. It isn’t something you submitted to because fawn and freeze are real fear responses. No one told me my friend forcing my hand down his pants was abuse because I continued to go over his house, didn’t I? No one told me about red flags or cycles of abuse.
And the older women you told rolled their eyes. What I endured was so mild compared to many other women. Men forcing themselves onto women was just normal.
I can’t tell you what it means to me to see so many young women calling it out. Refusing to stay in a bad situation. Refusing to date entirely sometimes. Women sharing red flags and advice to stay not just safe but thriving.
Don’t get me wrong- the current gender movement is regressive and dangerous. I’m not saying it’ll all work itself out. Activism is constant work but things ARE getting better. They really are, even if sometimes it doesn’t feel like it. 💜
#radical feminism#radical feminist safe#radical feminist community#radical feminists do interact#radical feminists do touch#radblr#radical feminists please interact#radical feminists please touch
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All the morons trying to claim that Dean wasn't saying anything to Cas because he was holding back slurs or something equally ridiculous... what show have you been watching? Surely not Supernatural. Like, yeah, Dean had some internalized shit for a while (mostly cause of how he was raised, let's be real), but this isn't season fucking one. Dean's in his goddamn forties now guys.
But you still think Dean Winchester is homophobic? Let's examine the evidence then, shall we?
1. Aaron Bass: Dean was flustered because he's not used to being hit on by dudes, but he was completely respectful. And he was alone, too. It wasn't like he was trying to "hide his homophobia" from Sam. He could've said whatever he wanted in that moment without anyone ever knowing, and he chose to awkwardly walk backward and wish Aaron a nice day. Then later, when they're working with him, Dean says nothing about it (other than a quick "he was my gay thing" to Sam), doesn't make it weird, and talks to him exactly the same way he would talk to anyone else.
2. Jesse and Ceasar: Dean's surprised when he realizes that they're married, again because he's not really used to it and so he made the wrong assumptions (which I will point out is really really normal, it happens all the time even between queer people, because heteronormativity is very much a thing in real life). But what does he do when he finds out? He asks them about their marriage - with genuine curiosity. What's it like to be in a relationship with a hunter, is it hard, all that jazz. Never asks about the fact that they're both men, none of those gross "so who's the woman" questions, literally just. Talking to two married hunters. That's it. Then later, when they're working, he never once questions their capability as hunters or suggests that they're weak in any way. There's no "you're less 'manly' because you're gay" mindset at all. And at the end of the episode he's genuinely happy for them, two hunters who managed to get out of the life and retire together.
There's lots of other examples (several male cops have been obviously into him over the years, his reaction to Jody talking about Claire and Kaia, all the subtext surrounding Lee, etc.) but for my last one for now, let's not forget...
3. Charlie fucking Bradbury: Arguably Dean's best friend besides Cas (no I haven't forgotten about Benny, I love Benny, but he was part of a very specific chapter of Dean's life and that chapter is done). We've known she was a lesbian from the get-go, and Dean takes it in stride when he finds out, immediately improvising to coach her through some painfully awkward flirting so she can get into the office ("you've just come home, and Scarlett Johansson is waiting for you"). And yes, there's the whole "I feel dirty" "yeah so do I" bit there, but that's clearly established as a joke, plus the guy was gross - as someone who is attracted to both women and men, I would feel dirty after flirting with him too.
The next few times we see Charlie, she and Dean are geeks and dweebs together, Dean is having more fun than we've seen in years, and we see him be a really good friend - in some ways, a better friend than he is to Cas. Charlie talks to him a little bit about girls, they LARP, they go shopping together, Dean comforts her when she has to let go of her mom. When she's killed, he gets so upset he goes on a murderous rampage (maybe not the most healthy way to deal with greif, but nonetheless showing how much she mattered to him). When he sees an alternate version of her in trouble he's immediately ready to risk his own life to help her even though she doesn't know him. He loved her like a sister, and he never once expressed any issues with her sexuality.
So let's go back to Cas. Cas is in love with Dean. Not much of a surprise there, he's said it before. But this is the first time Dean understands that that's what he's saying. It makes sense that he's a little stunned, especially considering that Cas is also saying that he's about to die. I mean, if your best friend of twelve years told you one day that they've been in love with you all along, that just knowing you has irrevocably changed them for the better, and that also by the way telling you this means they're going to die, mightn't you be rendered a tad speechless?
Dean does not hate Cas for this. Not at all. Because whether or not Dean is bi, whether or not he reciprocates, Cas is still his best friend. We've seen how hard Dean grieves every time Cas dies. We know how much Cas matters to him. Of all the shit they've put each other through, there's absolutely no logical reason for this to be the thing that damages their friendship beyond repair. Not after everything. No fucking way.
Dean says nothing because he doesn't know what to say, because he's still processing Cas's confession but also already grieving and blaming himself for Cas's death. The way he breaks down at the very end of the episode? That's not a man who's disgusted. That's a man who's shattered.
How dare you try to simplify this incredibly complex and emotional moment into Dean being a dick. How dare you. It's positively insulting. The entire point of Cas's speech was that Dean is so much more than that. If you can't see that, than I'm sorry, but you're missing the whole message of the show.
Supernatural is about family and sacrifice. It's about free will, making your own choices. And it's about being more than just who you're supposed to be, going beyond what other people want or assume. All the depth beneath the surface. That's the show. That's why we're still watching after all this time. Because it means something important. Something relevant. Something real.
Don't you fucking discredit that.
(thank you for coming to my TED talk)
#sorry there's not a keep reading button I typed this on mobile#sidenote: lowkey cannot BELIEVE i typed this all out on mobile#analysis#spn 15x18#15x18#15x18 despair#supernatural#supernatural s15#supernatural fandom#spn#spn spoilers#s15 spoilers#supernatural spoilers#dean x castiel#cas x dean#destiel#cas loves dean#it's canon#episode analysis#castiel#dean winchester#dean is complex#complex characters#supernatural season fifteen#thank you for coming to my ted talk#charlie bradbury#charlie and dean#dean and charlie#that friendship is amazing
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When queen Tilda gave birth to male identical twins, she knew it could be a threat to her country's future stability. In order to avoid the brothers fighting for the throne, she decided to give one of them up. He would be raised by a maid and then imprisoned with an iron mask constantly covering his face.
She did it without telling her brother, cardinal Luther. She regretted it when her husband, the king died after two years, but she couldn't do anything there. She kept it a secret for the next 16 years. She didn't say it even in her last confession.
Aaron Minyard thought he was an only child his entire life. He'd never had a reason to doubt the fact. He was as sure in it, as in the fact that he loved Katelyn. Katelyn's father had been the royal doctor for decades. Being a doctor was outlawed for women, but Aaron let her sneak into the palace dressed as a man, in order to help her father and do the work she loved.
One day Katelyn told him that her father was the one who delivered Aaron, and he had secretly revealed to her that Aaron had a twin brother. The man didn't know anything about what happened to him. All he knew was the name, Andrew.
Aaron didn't know what his uncle would do, so he secretly ordered his chief of police, David Wymack, to search for Andrew. The search lasted for years. They didn't have much information and they weren't even sure that Andrew was alive.
At that time, It got time for Aaron to get married. Cardinal Luther's health was getting steadily worse and he wanted Aaron to have an heir in case something happened. He was set on marrying him to princess Renee of the palatinate for the alliance with Germany.
Aaron didn't even want to be the king, he wanted to become a doctor, and he couldn't even marry the woman he loved? His last hope was finding Andrew.
Just as they almost give up, seemingly an ordinary peasant named Neil found him in the Bastille. When Aaron offered Neil to be a musketeer, he couldn't resist it. It was his childhood dream. Plus, if he was under Wymack's protection, his father would have less of a chance of killing him.
So Neil joined the King's personal guards, a ragtag group of people who earned their positions because of hard work and talent, rather than their parents and money.
Meanwhile, Andrew got to see the outside world practically for the first time, since he'd been in prison for like 10 years (He also got to tan, because he was ridiculously light-skinned). Before that he was mostly kept in the house, so no one could see the resemblance. Andrew didn't even know why he was in prison and then they found out he was the king's twin brother and that he wanted Andrew to switch places with him.
Nobody told Luther about Andrew, he noticed that something was wrong but couldn't even imagine that he wasn't Aaron. Aaron and Katelyn got married in secret and Andrew married Renee. He didn't really want to, but who knew what they'd do if he refused, or if they found out that he was gay. He had heard about Nicky, Luther's son who got exiled by his father for being gay. Andrew didn't think they'd be that merciful to him.
Aaron's musketeers, with the exception of Wymack who was with Aaron every moment of the day, had to protect Andrew now, even though Andrew was stronger than most of them. There isn't much to do in prison other than working out.
Neil and Andrew already knew each other. Neil was a prisoner in Bastille too. His father, the cardinal's chief of police, put him there after he caught him. He had seen Andrew's face by accident and when he ran away, promised him he'd be back to break him out too.
Neil instantly became friends with the king's personal musketeers (not in a conventional way. He challenged three of the foxes to a duel in D'Artagnan style) and soon heard that they were searching for the king's twin brother. Neil didn't really know what the king looked like but he came up with a plan. Finding the twin would make the king owe him a favor and he would ask him to free Andrew. He really didn't expect things to go that easily.
Neil and Andrew get even closer and then get together. Renee understood it, and she and Andrew became good friends.
So they make do like that, with only Wymack and his crew knowing about Andrew (besides Aaron and Katelyn) until Luther dies. Then they tell the truth to people and make clear that they'll both be kings and have equal powers. Aaron studies to be a doctor, though, since Andrew is better at being the King and seemingly likes it more too.
Andrew orders to kill Nathan and all his inner circle. They allow Nicky to come home, and he does, just not alone, but with Erik. Aaron is okay with it, so Andrew lets go of the irrational fear. He and Neil stop sneaking around.
Riko is an arrogant aristocrat who tries going against the kings and even starting a revolution, but the musketeers are there every time to put him in his place.
Andrew gets him killed too :)
#this is a strange mixture of#aftg#the man in the iron mask#the three musketeers#and the versailles#Andrew and Renee's friendship would be exactly like Philippe and liselotte's#neil and renee would be friends like the chevalier and liselotte#i had a lot of cursed versions until i settled on this#aftg au#aftg fanfic#aftg royalty au
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Thank you for putting those psychotic Mary stans in their place. They are delusional. It’s mind boggling they keep insisting Freddie loved her above anyone else. Ummm, hello, the man confessed his sexuality to avoid being trapped in a marriage with her. I think he valued his own happiness more than he did hers, and I don’t fault him one bit for it. He could have carried on as a closeted bisexual man, but he chose to tell her “I DON’T LOVE YOU”. Love and affection are not the same thing. And what he felt for Mary was just affection. Tbh, I think she kind of manipulated him emotionally for leaving her and that’s why she stayed on as a friend and as an employee. Any woman that gets her heart broken like that breaks all contact and moves on. You learn to live without the person that caused you so much pain. It’s not like there were any children binding them together, she just couldn’t move on from the fairytale she wanted. Also, I am almost certain GL isn’t hers for life. I remember seeing a copy of his will somewhere and it states the house reverts back to his estate after 40 50? years. So it’s not like she can leave it to her children or anything. I’m trying to find a copy to verify.
I’m not really interested in putting anyone in their place. I have my own thoughts on the whole matter, is all.
I agree that it's pretty weird to insist Freddie loved Mary above everyone else. He had a lot of love for her, he did trust her, he also loved a lot of other people.
I don't, however, think it's as simple as "he confessed his sexuality to avoid being trapped in a marriage with her". First off, he had probably come to a point where he was forced to accept that he was gay. Yes, I'm aware he told her he was bisexual, but to me that really, really seems like him trying to spare her feelings and not make it seem as though their entire relationship had been a sham (because I don’t think it was, to either of them) or - we really can't know - perhaps even still hoping that it could be true. But I think it's the former, I think he was well aware that he was gay by then. He had, after all, been seeing a man behind her back for a year at that point.
And to his confession, Mary did not respond with shock or disbelief. She told him: Freddie, you're gay.
(This got really long, a lot of speculation and analysis under the cut.)
Mary knew, or as good as knew that he was gay. The confession was perhaps the final, definitive confirmation. And that leads me to think that, for one, their sexual relationship must have pretty much been non-existent for a long while at that point. This then begs the question, why didn’t she leave him? Now, anyone who hasn’t been in a long relationship might not be aware how common it is for two people, even without one person struggling with their sexuality, to end up in a sexless relationship. It’s actually really not uncommon. Sometimes, the physical attraction just fizzles out. I was in a relationship with a boy from when I was 16 to when I was 22, and in second half of that relationship we were pretty much down to being intimate every three to four months or so. He wasn’t gay, I was attracted to guys, we were just no longer really at all attracted to each other. But there are many other aspects to a relationship than just sex. I still felt that I was in love with him, I still had romantic feelings for him, even if the actual, sexual attraction was missing. I was the one to break up with him eventually and it broke my heart, too.
I think leaving Mary broke Freddie’s heart as much as it broke Mary’s heart, even though he was also in love with David. I think it’s possible to be in love with more than one person at a time, because that has happened to me - not for everyone, but I think that there are people who are more inclined toward feeling that way. I think Freddie was one of those people, which is evidenced by his insistence that he had enough love for more than person, he expressed so himself. At that point love becomes a conscious choice, because you’ll find few partners who are willing to share. You have to decide who you will and want to stay in love with and simply stay with. And that will be the relationship which is more viable. Clearly, when Freddie left Mary, his relationship with David had become more viable and being a sexual, sensual person, he was not fulfilled living in a partnership that had stopped being a sexual relationship. Whereas Mary, it seems to me, was someone who (and I’ve said this before) very readily brushed things under the carpet and just carried on. And likely would have carried on as long as Freddie was willing to. Yes, I think she loved him a lot, I also think that having been as young as she was when she met him, she couldn’t fathom not being with him anymore. But I think, in a way, Freddie felt the same.
I disagree with what you say about any woman who has her heart broken removing herself from the situation after and moving on. That has not been my experienced and it is something that is highly individual and varies from person to person, from relationship to relationship, from situation to situation. I personally know more than one woman who has an ex who turned out to be gay and who is still very good friends with them.
I don’t agree that Mary staying in Freddie’s life was all Mary’s emotional manipulation. I would go so far as to say that she probably wanted to remove herself from the situation more than Freddie let her. Again, there is much evidence of Freddie not wanting to let go of people in his life. He had horrendous abandonment issues. In many ways, Freddie was needy. I think he would have been crushed and very distressed if she had broken off all contact with him. He would have found that very, very difficult to deal with. I think, rather, that Mary stayed in his life both because she loved him a lot and because he expressed his need for her to not abandon him completely.
What comes to mind here is the relationship Kenny Everett had with his wife, which was by no means the same, but strikes some similar chords. So let me go there briefly. When Kenny proposed to his wife, who was a good few years older than him just by the way, she was aware that he was gay. She said she used to think of him as her little gay friend and was shocked at the proposal. However, they had apparently managed to have sex under the influence of LSD (yay, drugs? :/) and so Kenny had got it in his mind that he could marry and be in love with this woman, and that all the right feelings would come with ‘practice’, so he said, more or less. Now, from her perspective, she had already had a failed marriage and probably already understood that often sex is not all, and decided the companionship with somebody who cared about her so much, who she liked being with so much, was worth it. Here is the interesting thing. They went on to have what they both insisted later on was absolutely a real marriage, in their eyes. However, Kenny became depressed because of course he hadn’t ‘cured’ himself of homosexuality by getting married and eventually it was his wife who set him up with a waiter (during a night out to dinner with Freddie, no less, who was already with David at the time) and that waiter became Kenny’s first boyfriend.
But, the story of Kenny and his wife, Lee, does not end there. Lee ended up getting married again, and it was a bit of a shock to her when Kenny not only became quite upset that she would no longer wear his ring but also started popping over to her and her husband’s house for breakfast and such. Inserting himself into their relationship almost as a third wheel to some degree. Kenny did not want her back, he was very, very gay and ended up living with his two (!) gay lovers. But he also refused to let her go for a very long time. It had much to do with the fact that Lee really had mothered him a lot and clearly that was something he couldn’t quite get the same way anywhere else.
Now, Kenny is not Freddie and Lee is not Mary. But I think there was a part of Freddie which was very reluctant to let go of the aspects of Mary which his male partners couldn’t provide for him the same way. The practical care-taking aspect, the mothering, if you will. We are also talking about a certain generation here, please keep in mind, where men were not raised to be and not likely to be of a care-taking nature. I think Freddie solved that problem for himself the absolute best way he could, by keeping her close in a professional sense too and literally assigning her a business-related care-taking role. I’m nowhere near done speculating about all this, by the way. There are so many nuances here.
I do think that Mary felt she was owed something for having given so much of her time/life/energy to him, and I also do think that subconsciously she probably did express what a shame it was that they couldn’t have been right for each other, which fed into Freddie’s guilt and made him feel that he had to always provide for her because it was ‘his fault’ they could not be a happily married couple with children, etc. I have sympathy for both of them, to be honest.
So those are my thoughts on that. The ownership of GL and whether it runs out is not something I know a lot about, I’m afraid.
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‘Comphet’ vs ‘OS attraction’ in IT (long)
Wow can’t believe I’m talking about this again but every so often someone floats into the Reddie tags or the IT tags trying to claim that they’ve read the book and Eddie is clearly bi but Richie is gay.
Reading comprehension is clearly poor if that’s the conclusion you’re coming to or maybe you already made up your mind from what the films decided was ok and just aren’t willing to move. For whatever reason, please read and please listen.
You’re probably wondering “But does it matter so long as they’re in love?”. Well yeah, it does. Our understanding of media and it’s messages can help shape our perceptions and understandings of the real world, first of all. Second of all, in terms of enjoyment and respect within fandom, we need to actually understand the characters.
Third of all, bi and gay are two different identities and deserve to be treated as such. Even in media. They’re not interchangeable. Erasing Richie’s bisexuality, but then throwing it onto Eddie who is clearly gay coded, really just shows no respect for either identity or the characters.
tl;dr: Eddie is gay, Richie is bi, even by accident, this is irrefutable and important and there is a lot of evidence for these from original canon, not the warped film canon which does not count. If you don’t understand it from reading it, then I can help.
So, let’s think.
Does Eddie Kaspbrak show sincere opposite sex attraction?
No. No he doesn’t. Getting married to a woman ≠ opposite sex attraction. Many gay men in real life marry a woman for comphet, and even father children with those women, and are still actually gay. To say that Eddie is bi because of MARRIAGE is to invalidate the reality of comphet and places way too much importance on marriage. Like, I’m sorry to break this to you but marriage isn’t all that sacred and isn’t always done because the people are in love and attracted to each other. It literally means all kinds of things and also nothing to many people.
Eddie didn’t even have a physical relationship with Myra, because he couldn’t bring himself to do so, partially because of the trauma of her being so like his mother and partially because he just didn’t have that attraction there. As an unreliable narrator, he gives himself permission to love her late into their marriage, right as he’s about to leave to fight IT, because the whole time he was married to her it was just for the comfort of the familiar and comphet. And that love isn’t stated as romantic, either.
His one other case of mentioning a girl is where he points out his awareness of a girls beauty, in a very bland kind of way. His poetic description of Belch Huggins comes off as more sincere that then, and Eddie attaches himself very closely to his male friends, whilst also having a clear fear of male/male sexual encounters that IT plays on when scaring him. We also know he grew up with a homophobic mother who would certainly have closeted him, and in text is directly compared to Adrian Mellon (who is openly gay) as his more confident opposite who gets killed by IT, and to Anthony Perkins (another man who married a woman but was into men).
Does Richie Tozier show sincere opposite sex attraction?
Yes. Yes he does. He has a crush on Bev that he speaks of clearly (as a narrator) when he’s a child, even (to be quite crude) wondering about the type of underwear she wears and observing her body. He gets sexually aroused when looking at a pornographic magazine of women. He has a long term loving, deeply connected and sexual relationship with a woman, whom he was prepared to get a vasectomy for because he wanted it to be forever and her comfort with their sexual relationship was important to him.
The werewolf baring his name and his worry about touching other boys is also really good, even if accidental, bisexual symbolism! Bisexuality wasn’t really talked about at the time Richie was a kid, maybe not in either timeframe (book or film) it was basically seen as not a thing. So Richie lives feeling like he has a double life. Like, he looks ‘normal’ aka straight on the outside because he does like girls, but at the same time there’s this ‘dangerous’ aka socially unacceptable aka same sex attracted side to him that he still has, even if he can pass as straight by trying to ignore it. Any bisexual person can tell you that trying to hide either side of our attraction is incredibly stress inducing and a huge source of depression and anxiety.
Whether you then believe he loves Eddie specifically is irrelevant and can be left to your personal taste if you so desire. This is REALLY not about Reddie specifically.
I can’t stress enough that it’s not about me defending the Reddie ship. Because either way the two of them are mlm and could be together, but whether one is bi or one is gay really changes them as an individual character, changes who they represent and how and changes how we relate to him. Also, as stated above, bi and gay are not the same thing and it’s just disrespectful to real people with those identities to throw the terms around like they both actually mean gay. Yes, even in a fictional setting. Once again, fiction is everywhere, media is everywhere, and it does influence and portray our opinions.
Follow Up
#reddie#eddie kaspbrak#richie tozier#it#stephen king it#it meta#eddie kaspbrak meta#richie tozier meta#eddiexrichie#richiexeddie#richie/eddie#r+e#long post
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do you really need to bring shipper wars in the Austen fandom too?
Full offense but people who deny Emma is in love with Mr Knightley and hate on him because they ship her with Harriet, and pretend she should’ve ended up with her, are bullshit. I’m tired of these posts (including the Harriet stans whom I saw bashing even in some emma/knightley posts when fans of the latter are the first to make cute posts about Harriet too), and honestly, you all just make me feel very negative about Harriet and unable to truly appreciate her scenes with Emma.
Maybe I just don’t care about being a bitch but here’s what an Emma fan who is just tired of the anti Emma/Knightley crap honestly thinks about your nonsense:
Hating on the last Emma adaptation because Emma is in love with Mr Knightley and marries him in the end is as disingenuos and idiotic as hating a Pride and Prejudice adaptation because Darcy and Elizabeth are in love. Le duh! You can ship him with Bingley and her with Charlotte (or Wickham, if that’s your mood I’m not judging shipping choices here) but if you watch a movie based on an Austen’s book you know what you are getting yourself into, especially when her canon romances tend to be very important plot elements for the protagonists and their character growth.
I get it’s 2021 and hating all het romance makes some people feel woke and edgy, and I totally get alternative readings and things like that, but out of ALL Austen ships and all her female heroines, Emma is the one female character who doesn’t even need, neither want, to get married and truly only does that in the end because she is in love. Emma is the LEAST Austen heroine whose romance you should even question because she honestly only married the guy because of love and no other reason. Furthermore, unlike most of romances from that time, the guy Emma marries isn’t just some random guy she has met two seconds ago, it actually is her best friend, someone she knows since years and the one person who knows her best and loves her in spite of her flaws. Austen was very forward for her time with their romance, especially given the fact her male love interest actually decides to live with Emma and her father in the end instead of doing what every married man had the right to do at the time (take his wife to his own home where she’d have little to no power). Knightley and Emma are the (original) best friends to lovers relationship. He’s the best friend Emma had loved from the beginning without realizing it. It’s one of the main points of her story and the great irony of the novel that she thinks love isn’t for her, and she had never been in love, but she already is in love with him without realizing it because of their friendship. I’m sorry bro but that had never been Harriet, and it seems hypocritical tbh for some of you to want to give Harriet the story that Mr Knightley has with Emma, all the while hating on him and the romance. Even with the last movie, you have people take quotes de Wilde said about Knightley and Emma (e.g., the one about the movie making you think about ‘the best friend you maybe should have kissed’) out of context to manipulate others into thinking she was talking about Harriet instead (and queer baiting, which would be homophobic)
On one hand, we really do need more stories that put an emphasis on female friendships too and on other relationships that aren’t just the romance. On the other hand, it’s completely useless for writers to try to give us that (e.g. de Wilde in the last Emma) if everytime two characters care about each other and share screentime together, people claim that relationship (and all scenes that make perfect sense with a normal platonic relationship) must be romance and romance only. It’s almost as if some of you never had a friend and therefore believe that everytime a character cares about another character they must be romantically in love with them. It also makes me believe, more than anything, that romance is the only kind of love that exists or is important for many of you. And if that is the truth, why even bother with fictional friendships then? Why even complain when writers don’t give us that if we are unable to appreciate those relationships as something of equal importance with romance?
I really can’t take people serioustly when they overinflate Harriet and her relationship with Emma all the while they minimize Emma/Knightley’s mutual feelings. I read people who apparently find it harder to erase Harriet’s baseless crushes on every guy who gives her attention, than erase the actual love story and feelings of the protagonist! Tbh, even if you wanted a gay adaptation of Emma (and not one that is that just for the sake of), it would make much more sense to simply turn Mr Knightley into a female character, therefore still respecting the canon couple and Emma’s character arc, than ship her with Harriet. The latter is a weak alternative and frankly baseless for me because the only things she and Emma have in common is the fact they are both girls and they have an ‘e’ in their name. Full stop. Intellectually, Harriet is no match for Emma and their ranks in society are so apart that their relationship could never ever be equal (and it never was). I don’t want to be harsh but tbh I was never convinced they are actually friends in the novel, and the last movie made it even worse for they emphasized Harriet’s blindness about Emma’s feelings, and how one sided that dynamic is for it’s just Emma who makes an effort to be a friend in the end. Let’s be real here, Harriet doesn’t even know Emma and never really acts as a friend to her, unless your definition of friendship is ‘someone who worships you, and pretends you are the best and right even when you aren’t, as long as they perceive you as a savior who can help them'. That’s not what being a friend means to me. It speaks volumes to me that the one and only time movie-Harriet actually notices that Emma is a human being with flaws and feelings too is when she gets angry because Emma wants the same guy she wants. I don’t know if Austen’s ‘naive and completely clueless Harriet’ is worse or better than de Wilde’s version but the latter really emphasizes one of the biggest issues of Emma/Harriet even more, to me. As a book Emma fan, before an adaptations fan, I read all kinds of comments about this novel and character but honestly, I never read any real convincing argument why Harriet and Emma should be a couple instead of her and Knightley. Most of what I read boils down to people taking things out of context and/or claims that Harriet is ‘better’ for Emma just because she’s a woman and she agrees with her all the time, while Mr Knightley is the bad guy because he’s older than her (he’s only 37, btw) and criticizes her ( as if Emma doesn’t need someone to criticize her, and her character growth isn’t dependent on precisely that). I get some people wouldn’t like to have someone who is criticizing them but worshiping someone is =/= being their friend or appreciating their real qualities. I also read people point up how much Emma praises Harriet in the book as proof that she’s in love with her, but the same ignore the many instances, especially after Harriet tells her that she loves Mr Knightley, that truly show Emma’s real colors and how much she still considers Harriet her, and especially Mr Knightley’s, inferior to the extent she regrets their friendship and thinks Harriet is ‘uppity’ for thinking Mr Knightley would ruin his reputation to marry someone like her. When I read those arguments it seems, if anything, that people want to have the cake and eat it by saying that Austen’s own story doesn’t matter (and she doesn’t understand her characters’ real feelings) when it comes to the things those people don’t like (eg the fact Knightley is the one Emma is in love with and all the explicit hints about that ), all the while still selectively using some of her writing to support their alternative version of the story. Now with the last movie adaptation, it’s even worse for me. It’s telling that the two scenes people romanticize as pro Emma/Harriet are two phrases/moments that actually emphasize the bad side of their relationship, and why their friendship isn’t good for either of them. The first is the scene when Emma says she ‘wants to keep Harriet for herself’: not only there is nothing romantic about that ( that line is in the book too as well as Knightley’s ‘your infatuation is blinding you’. You are reading a book written in 1800 with modern goggles though, and that alone doesn’t really work) but that phrase should actually make you cringe for it emphasizes how selfish and manipulative Emma is by treating Harriet like her new pet project just because she’s lonely. She doesn’t care about the girl’s feelings for Robert Martin, and what is truly the best for her due to her rank (and how dangerous it actually is for Harriet to not marry and find someone who can offer her protection), even if it’s what she tells herself, she only cares about her own desire to have a new female friend because she lost Mrs Weston and she feels lonely and bored. It’s also true, though, that she is still lying to Mr Knightley too because she does actually want to match Harriet with Mr Elton, that which is obvious in the other scenes, but even that is an expression of Emma’s selfishness and not really a hint of her caring, let alone loving, Harriet as a human at this point. If you read the book, it’s particularly obvious given the fact that Emma isn’t blind about Harriet’s feelings for Robert Martin for she knows that her behavior is bad and the girl actually cares about the guy, but she manipulates her into thinking Mr Elton is better because it’s her choice and she prefers him (until he proposes to her, of course. Then she thinks Mr Elton is trash for being so arrogant to believe someone of his rank could marry her) The second phrase people romanticize is only in the last movie and it’s that annoying ‘I refused Robert Martin because of you’ phrase by Harriet later in the movie. I hate that because, once again, that phrase has nothing ‘romantic’ about it unless you obviously ignore the context and what is actually happening there. Harriet is being passive aggressive with Emma there, gaslighting her and blaming her for the loss of her first suitor BECAUSE HARRIET WANTS MR KNIGHTLEY for herself. Harriet is angry with Emma there because she realizes she loves Mr Knightley TOO and Emma has more chances than her. The most likely sentiment behind that flippant phrase for me is something along the lines of Harriet impulsively telling Emma to move aside and let her have Mr Knightley because she made her lose Robert Martin already. She is trying to make Emma feel guilty, subconsciously or deliberately, but this surely is how Emma herself perceives Harriet’s words too for the poor girl really thinks it makes her a bad person to accept Knightley’s proposal in spite of loving him back. Harriet made her believe she was stealing her man and yet, AND YET, had Harriet been a real friend, to begin with, she should’ve realized Emma’s feelings for him way before she deluded herself into thinking the guy wanted her. But Harriet never cares about Emma’s feelings and even their reconciliation in the end is all, still, about what Emma needs to do for her. Not a word from Harriet about being happy for her friend too. Nothing.
Listen, I really appreciate de Wilde’s attempt to make the Harriet/Emma dynamic better than it is in either the novel or other adaptations, even if it personally doesn’t convince me it’s friendship. But I get it. Like I said at the beginning, it’s important that movies display different kinds of love too beside romance and if you can’t do that with characters like Emma who are the protagonist then when you can even do that? I think it was valid for her and Catton to want to emphasize the fact that Emma, at her core, is truly young and lonely and she doesn’t have friends in the truest sense of the word (Mr Knightley is one, of course, but their point is more about her having a female companion too whom Emma could do more ‘girl’ things she can’t do with her husband or father) but, honestly, I maintain no adaptation ever truly got their relationship right. No one. Overrating them and pretending that they are best friends forever when there is no substance for that is as incorrect as an interpretation of Austen’s writing as it is treating Harriet as a silly girl Emma barely tolerates. I appreciate the movie shows Emma’s conflict about Harriet when Knightley proposes to her because most of adaptations don’t do that: in the book she really, for a moment, feels so bad for Harriet and feels simultanously happy Mr Knightley loves her but also bad for taking the guy Harriet wants. She is no hero who wants to give up about him to let Harriet have the guy instead, though, but it isn’t like she doesn’t care either. She does and it’s a source of anguish for Emma and part of her character growth that she actually cares and feels empathy for Harriet.
However, if you want Emma to have a real female friend that’s not Harriet and that’s not really the story Austen wrote and the role she gave to Harriet. Like many academics pointed up, like many of Emma’s ‘mirrors’ in the story, Harriet is put there by Austen to emphasize Emma’s immaturity at the beginning and the fact she deliberately doesn’t choose her equals as friends and picks Harriet, instead, as her new pet project because her inferiority makes her easier to manipulate and, like Mr Knightley very eloquently points up, she makes Emma feel superior and more accomplished than she is. Emma doesn’t want to be friends with Jane, for example, because not only she could be more her equal but she actually does see her as superior in the aspects that make Emma the most vulnerable and insecure.
It’s great the movie gave more space to Emma’s relationship with Harriet, and I get that if you want to put the spotlight on female friendship too it’s either Harriet or Mrs Weston but also, let’s not pretend the movie wasn’t focused very much on her romance with Mr Knightley too, perhaps more than other adaptations did. People commend this adaptation for showing his feelings for her more and it’s true, but I will also argue that this movie does emphasize her feelings for him more than adaptations usually do for you really see Emma’s feelings and jealousy towards him before she even realizes her feelings. It’s obvious since their first scene when she’s waiting for him and runs to her piano because she wants to get noticed by him. Her breath constantly hitches when he’s close to her or because of her feelings for him, and she definitely reacts to dancing with him. She may not know her feelings from the start, she might be in her own ‘work in progress’ to figure everything out, but the movie makes it obvious to me that she loves him. If there is any adaptation where you want to be disingenuos about their chemistry and deny their romance, this really isn’t the one tbh. Look, if you want to headcanon Emma as bisexual you’ll find me agreeing with you, but pro LGBT readings and actual representation doesn’t mean, for me, shipping two characters together just because they are the same gender and the writers make them care about each other a bit, or give them screentime. Like I said at the beginning, if I wanted a gay adaptation of Emma I’d rather make Mr Knightley a woman than ship Emma with Harriet or Mrs Weston or Jane. Because regardless their genders, it’s the Knightley character the one Emma loves and wants to be with, and it’s this character who truly represents her best friend and the person who knows her best. It’s Knightley the only one who cares about her well being so much that when she is being the worst version of herself and no one cares, he is the one willing to tell her even if he hates doing that and he feels he’s destroying every chance he has to make her love him back. It’s the Knightley character who ultimately inspires her to be a better person and loves her in spite of her flaws.
#emma 2020#emma woodhouse#emma#harriet smith#mr knightley#emma x knightley#may delete later but I needed to rant because some of you are getting old
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so idk if requests are still open for wyliwf but i’m a sucker for dee in aus and it seems like he gets a bit of redemption before the most recent oneshot. If you feel up to it, i’d love to read something on that
debutante
part of the wyliwf verse.
chapter one | next chapter
notes: this ask was sent right after odds are! look, i know i’m overlooking several of the rules of the debutante ball, but honestly, so did gilmore girls, so. source material, here. i hope this can serve as a distraction for some of you today—please go out and vote if you are able and if you haven’t already! also happy birthday logan!!!
A debutante or deb (from French: débutante, “female beginner”) is a young woman of aristocratic or upper-class family background who has reached maturity and, as a new adult, comes out into society at a formal “debut” or possibly debutante ball. Originally, the term meant the woman was old enough to be married, and part of the purpose of her coming out was to display her to eligible bachelors and their families with a view to marriage within a select circle.
or: logan wants to dismantle the cis-heteronormative patriarchy with his bare hands and teeth if necessary, roman delights in dresses, virgil fucking hates tuxedos, patton’s really proud of his son, and dee thinks those sanders’ might not be so terrible after all.
⁂
“i need a dress.”
patton blinks, glancing up from the kitchen table where he’s organizing his notes for midterms for his business degree. bright side, last set of midterms patton would ever have to take! dark side, midterms. “just, like, generally, or…?”
the slight attempt at a joke dies when he catches the look on logan’s face—clenched jaw, eyes flashing—and he sets down his papers.
“i’m coming out,” logan continues.
“kiddo, you did that when you were about eight,” patton points out. “remember? i said i loved you and i was proud of you and i’m so glad that you trusted me enough to share that moment with you and thank you for telling me, and we went and got ice cream at lucy’s, and then you tried to use the whole sentimental thing to get me to ask out virgil because you were supposed to have a positive gay role model in your life, as if us being separately gay wasn’t enough in this town whose main tourist attraction is its rich history, from the times of our founding fathers to the times of pride.”
patton’s quoting the most recent town brochure, here.
“no, dad,” logan says, and arches his eyebrows significantly. “i’m coming out.”
the double-meaning clicks in his head.
“no,” patton says, hushed—he isn’t sure if it’s in awe or horror. “like—like, debutante coming out? or, um, wait, like—like—?”
“the male equivalent is a beautillion, and no, i mean like debutante coming out,” logan says.
patton pauses, waiting, but logan says nothing, until patton says, “kiddo, either your attempts at trying to push this information into my brain via telepathy aren’t working or my brain’s too fried from midterms to catch the implications of what you’re saying, i’m gonna need more details than that.”
logan drops into the other seat at the kitchen table, huffing out a slow breath.
“you remember dee.”
“your former rival turned weird allies that are still sometimes rivals, yes,” patton says.
“who came over to our house once.”
“for the gsa poster-making thing?” patton says.
“right,” logan says, and arches his brows, waiting for patton to catch on.
“when… he mentioned he was also trans?” patton elaborates.
“right,” logan says. “i think dee’s parents are trying to out him, because they informed him of their intentions to sign him up for the daughters of the american revolution debutante ball.”
a cold feeling crawls uncomfortably in his stomach.
presenting him to society. a debutante ball. undeniably, harshly female. one of the main benefits of the timing of patton’s coming out had been so he wouldn’t have been a debutante—the very concept of doing that had given him this exact same cold, crawling feeling.
“dee gave me about five separate explanations as to why, of course, so i don’t particularly know why they’re choosing to out him now,” logan says briskly, “but i have a plan as to how that’s not going to happen.”
“you’re… going to be a debutante,” patton says slowly.
“well,” logan says, and fishes out a piece of paper from his backpack. “hopefully, not just me.”
FIGHT THE PATRIARCHY, the title screams in huge letters, then subtitled with Become a debutante or an escort today! Why should women be the only ones who have to go through this? Be a better feminist and put on a dress, if you’re a boy, or a tux, if you’re a girl, and if you fall outside of the gender binary, the choice of debutante or escort is up to you. Contact Logan Sanders for more details. there’s two copies—one blank, and one with an already modest list of names. which is probably to be expected, debutante balls were a big deal at chilton, except the usual names that would be listed under escorts are listed under debutantes, and vice versa.
“dermot, tristan, brad, henry, roger,” patton reads off, slow, and then he looks up at logan. “and madeline, lem, lisa, summer, and ivy.”
“well, it’s hardly fair that girls have to go through all this primping and glamming up just to be seen as presentable to society,” logan says briskly. “boys should come out into society, too.”
“which is your cover story,” patton says slowly, putting it together. that cold, uncomfortable feeling is turning into a warm glow that’s turning up the corners of his mouth.
“right,” logan says. “if a group of boys will show up in pretty white dresses, all very serious about their intentions of being presented to society, with their escorts of girls in tuxes, then—”
“then everyone will think dee is part of the ploy.”
“exactly,” logan says. “his secret is kept under wraps and no one has to know.”
patton leans abruptly over the table to wrap logan up in a hug.
“hey,” logan complains, but patton just squeezes a little tighter.
“you are,” he says, choked up, “such an amazing friend, kiddo.”
it sounds like something he and christopher might have done as a prank back in the day—christopher in the dress, patton in the tux—but this—this—
patton lets go of him, grinning hugely. “i am so proud of you.”
“so you’re okay with it?”
“okay with it?!” patton laughs. “you’re protecting your friend from getting outed in a way that would be very embarrassing and schooling high society about how weird it is that they still present their daughters like they’re cattle for purchase! of course i’m okay with it!”
“so, dress?” logan asks, and honestly, patton’s just about ready to grab his wallet and haul logan to the finest dress store he can find, before logan continues, “if grandma still has it, we could probably steal the one she was intending to use for you from the cellar.”
that cold feeling is back. “ah.”
logan blinks. “what?”
patton sits back down. “i forgot about your grandparents.”
“what about—?”
patton chews at his lip. “mom’s a part of the daughters of the american revolution.”
“why does that matter?” logan says, and patton sighs.
“oh, you know by now that things work differently in grandma’s world than ours,” patton says. “just—i definitely support your right to do this, but just… know that if a fight comes out of this, i will not regret it or back down, okay? i’m always on your team.”
“well, i know that,” logan says, like it’s obvious, which, fair, it probably is, or at least patton hopes so, it’s his job as a dad to be on his kid’s side. “i’ll bring it up at dinner on friday, we’ll see how it goes over then. they’re less likely to yell at me.”
“it’ll just be us and grandma, your grandpa’s in… i think copenhagen?” patton says, considering, and waves a hand. “some historical city across an ocean, anyway, and virgil’s working.”
virgil is almost always working on friday nights. it’s only partly because he owns the diner, but it’s also because, well. friday night dinners. patton doesn’t blame him for avoiding them—even with the buffer of a couple months, it’s not exactly an easy relationship between him and patton’s parents.
“well, that’ll be something,” logan says briskly, then stands. “i’m going to go put one of these sheets on sideshire high’s bulletin board.”
“good call, a ton of kids here would want to crush heteronormativity and an excuse to wear a pretty dress slash tux,” patton says. “i’m betting you’re gonna ask roman?”
logan looks like he’s trying not to flush, and he adjusts his chilton jacket. “he’s the one letting me in. he’s still there for cheer practice.”
“ahhh,” patton says, only a little teasing. “well, let me know what your plans for the afternoon are, it’ll probably be virgil’s for dinner tonight, ‘cause,” and he lifts up a sheaf of his papers for emphasis.
“isn’t it always?” logan points out, and, with that, he departs.
“my little baby, off to destroy people!” patton calls teasingly after him, grinning, so proud he feels like he’s about to burst.
“i’m destroying the cis-heteronormative patriarchy!” logan calls, and then there’s the sound of the front door opening and slamming shut.
patton’s going to take him on a trip to bookstore and he’s buying him everything he wants.
⁂
“granmè, i’m home!” dee calls, dropping his backpack at the door and hanging his bowler hat on the coat rack.
“hello, mister slange.”
“nanny,” dee acknowledges. he’d address her by her first name, if he knew it. he admires that about her; it’s something they share.
nanny soledad used to be his nanny, back when he’d needed such things; she’s from the dominican republic, which his parents thought was “close enough” to being haitian that it would be enough to help him adjust. which is accurate enough geographically, but not culturally. honestly, he’s surprised his parents even bothered to look as far as geographically.
but now he is too old for such things, and his grandmother’s memory problems are growing more and more apparent by the day, so nanny had made the transition from the ancestral slange manor to the slange family townhome, where his grandmother evelyn lives.
the townhome is a bit run-down, in comparison with the manor; no multiple wings, no murals on the ceilings, no precisely selected statues in the alcoves. instead, the townhome is a conglomeration of furniture collected by the family over the years; all of it high-quality, expensive, but almost none of it matching, with persian rugs thrown down over almost every hardwood surface, armchairs cluttering the spare corners, paintings hanging dilapidated with no rhyme or reason to their collection. it feels a bit squashed and claustrophobic, sometimes, with its dark woods and narrow hallways and secluded rooms, in comparison to the aggressively, purposefully airy nature of the manor with its open floor plan and silver accents and crisp, neutral colors.
the townhome is closer to chilton, so dee had reasoned to his parents that there was no reason to keep using too much gas to have him make the commute home every night. his parents, frankly just happy to have him out of their hair, had acquiesced swiftly.
well. they tended to like him out of their lives, until they needed him for something. until he needed to act like a doll. dee pushes those thoughts away; he’s thought about it quite enough today.
so dee and his snakes and his clothes were stationed in one guest bedroom, nanny and martha in the others, and dee would return to the ancestral home on weekends and long breaks. it would stay that way for as long as he and nanny could get away with it.
especially with the latest developments. dee suppresses a shudder at the way he’d handled himself earlier in the day, and instead turns his attention to nanny.
“where is she?”
“your grandmother’s in the greenhouse,” nanny says, then, seeing the look on his face, “not gardening, you know i would be supervising if she were.”
“the azaleas are in bloom,” dee acknowledges. “she does like the azaleas.”
“that she does,” nanny says, and falls into step beside him. “i’ve had martha gather some cuttings sent up to her room. bertie is out running errands, but he should be back in time for supper. ingrid will be in later for dinner and should be sticking to the menu, unless you have other requests. it’s lobster linguine tonight.”
“all fine,” dee says, and winces to himself at how distracted he sounds. he needs to stop thinking about it. he needs to focus on the now. the present. thinking about his parents’ ultimatum looming over his head would do no good right now.
“now, she’s taken her medicine for the afternoon and requested some tea. would you like some as well, perhaps a snack?”
“whatever she’s requested will suffice,” dee says. “thank you, nanny.”
nanny nods, and departs for the kitchen. dee continues through the house, to the backdoor, and into the greenhouse.
greenhouse is a bit of an exaggeration. it’s really more of a solarium that’s been overcrowded with pots and planters, in addition to the gardens outside. there’s floor-to-ceiling windows, and the room is overwhelmed with wicker furniture. it’s calming, in here; to say that there’s a lot of earth tones would be an understatement, and the light filters in gold and tangibly warm.
it’s the most open-air part of the house, but less like the manor; if the manor was like some renaissance painter’s imagination of heaven, all pearly white clouds and soft pastels, this was an impressionist painting’s portrait of a landscape—plants and woods and life, verdant and vibrant and vivid.
the greenhouse is also the warmest room in the house, which he’s sure is part of why it’s his grandmother’s favorite. dee’s already moving to shed his capelet and gloves; if he doesn’t, he’ll get disgustingly sweaty.
his grandmother is sitting in her favored rocking chair, seemingly not having heard him open the door. her reading glasses are perched on her nose, about to slip off, and she’s deeply absorbed in her book.
“hello, granmè,” he says in french.
that makes her look up, and she smiles at him, reaching out her hand.
“hello, my sweet,” she says warmly, and he reaches out and squeezes her hand carefully—he has an irrational fear that one day, if he forgets his strength, if he squeezes too hard, he’ll snap the delicate little bones in her frail hand easier than blinking. she switches to french. “did you have fun at school?”
he scowls, settling in the rocking chair beside hers, separate by an end table that’s teeming with books. “it’s school, grand-mère.”
“that doesn’t mean you can’t have fun,” she says. “did you learn anything interesting, at least?”
that logan sanders is just as unsurprisingly terrible at comfort that one would expect?
instead, he says, “we’re supposed to start reading sula for homework today.”
she brightens, as he knew she would—his grandmother adores all things toni morrison—and they begin talking about books, and other works by toni morrison, and their favorite parts of said books, which eats up the better part of the fifteen minutes it takes nanny to deliver the tea tray to the greenhouse.
“thank you, nanny,” evelyn says, still in french. nanny nods—she’s fluent in spanish and portuguese and english, not quite in french, but she knows enough to get by in a conversation—and withdraws from the room without a word.
dee swiftly takes the teapot before his grandmother can attempt to pour it herself—her plus a heavy pot of near-boiling water was a hospital visit waiting to happen—and switches to english, saying, “would you mind plating some of the battenburg for me, granmè?”
“as long as you have a crumpet,” she says. “you’re a growing boy, noodle.”
“yes, yes, fine,” he sighs, pretending to be put-upon at both the pet name and the insistence of somewhat healthy eating. “a crumpet too, then.”
he fixes her cup as she likes it—two sugars, a splash of cream—and trades her teacup and saucer for a plate of snacks before he works on making his own tea and she arranges her own plate. he notices that she has reached for none of the savory options, instead opting entirely for sweets.
dee hides his smirk in his tea.
they continue chit-chatting about all kinds of things as they work their way slowly through tea, a holdover from his english grandfather. even though grand-mère’s french, she’s too fond of teacakes and snacking in general to really do away with it, even nearly two decades after his passing. they talk about the azaleas (yes, they look exceptional this year) running the household (bertie was going to visit his grandchildren next week, yes he’d make sure bertie would pass on her hellos, yes he’ll manage fine without him, it’s not like nanny and martha and ingrid won’t be here) and his academics (yes, he thinks the semester’s going well.)
they talk about everything except the thing that’s weighing most heavily on his mind.
she might not know. she might not even remember.
dee pushes that thought away. once they’ve finished their tea, he excuses himself to do his homework, leaving her to her book and her admiration of the lilies, and nanny smoothly institutes herself in his chair, with the guise of a magazine to make it seem like she wasn’t supervising his grandmother.
dee picks up his capelet, gloves, and backpack on his way up to his room. back at the manor, he has a whole wing, but here he just has his room. it suffices.
he sits on the bed, briefly, in sight of the full-length, gilt-edged mirror, to sweep the capelet back around his shoulders and ensure that it’s sitting on him properly; he could probably get away with taking off his binder, as he’s home and they aren’t expecting visitors, except he very much does not want to do that right now. he pulls on his gloves, covering his vitiligo-ridden left hand first; his dermatologist swears his particular case is segmental, which typically doesn’t expand with time, but it feels like it has been.
but then again, it is just his left side affected. so. perhaps the woman who’d been to school for twelve years and was a specialist in his particular condition was right.
dee toes off his loafers, debating crossing the room and entering his walk-in closet to store them properly on the shoe rack, but decides against it—the singular item of clutter makes his room seem a little more lived-in.
it’s not that he doesn’t like his room here; they hired decorators to redo it back when his grandmother moved in and he started spending more time here, years ago, so the walls are a subtle shade of gold, with an accent wall plastered with an art-deco black-and-gold theme was behind his bed. his bed is massive and plush. everywhere he looks, things are black, gold, and white, in that order of frequency.
it’s just not very… well. lived-in.
his room at the manor house is worse, though. just about the only thing he likes there is the aesthetic of the gold. the chandelier and tufted wall and personal tv and absurdist decor that screamed “this is too expensive for you to even look at!” he could do without.
he might have to look at it all the more, soon. he’s dreading it.
“homework,” he reminds himself, “homework.”
he makes a beeline for his desk, where his snakes are settled in their vivarium, all lazily sunning themselves under the heat lamp, tangled together in a loose pile.
“layabouts, the lot of you,” dee informs them. luke, leia, and han do not seem to care.
dee settles at his desk, getting out his agenda, his books, and his notebooks. he gets out his favorite pen and sits, ready to get started on his to-do list for the day.
and that’s where his brain stops focusing on school, and starts focusing on what happened at school.
there are several locations in chilton that seem like they were designed specifically for crying.
the most popular ones are the almost-always abandoned bathrooms near the journalism lab were a good bet for most, with the stress of deadlines; and, considering they tended to share with the chemistry and biology labs, that was tripled, and therefore the most commonly-used choice. it wasn’t uncommon for med-school-aiming seniors to duck out around finals week and return after a carefully scheduled five-minute crying break, red-rimmed around the eyes. most were polite enough not to mention it to their faces.
then there was the kiln room; considering it was mostly empty, all bare walls and concrete, excepting for the periods of time where there were ceramics classes or art club, of course, it went mostly empty, and tended to be the discerning choice for arts-inclined students.
and then there was the option that he had opted for today; steal into the senior’s lounge, near the rear exit of the school, and hunker up into the most hidden corner, giving himself until the bell for the next class bell rings to have his breakdown where no one, not nanny or ingrid or bertie or martha or god forbid granmè would be able to hear him, the urge he’s been holding in since he descended from a lie-in yesterday morning to see his parents both sitting at the table. at granmè’s house. to speak to him.
which, really, was never a good sign in the first place, but even for his parents it was a particularly fucking terrible—
the exit door opens.
shit. shit.
dee hastily uses the ends of his capelet to wipe at his eyes and then rummages in his backpack, yanking out the first book he lays hands on, hoping against hope that he can pass it off as skipping class, he can manage that, his reputation wouldn’t even take a hit for that, whereas if someone like louise fucking grant caught him crying—
“are you skipping class?”
dee makes a show of glancing up, nonchalant, at the person who’s spoken.
“are you?” dee contests. logan sanders shakes his head, his hands braced on his backpack straps.
“no,” he says, then, “the bus popped a tire on the way to school.”
“another count against the bus,” dee murmurs, and he turns his attention back to the book, feigning a loss of interest.
logan has not walked away. in fact, he’s walking closer. dee clears his throat, hoping that he won’t get close enough to see his puffy, red-rimmed eyes. he’d specifically planned this particular crying jag so no one would see his puffy, red-rimmed eyes.
“are you skipping class?” logan repeats. dee stifles a curse. damn journalist.
“so what if i am?” dee says, and he might have pulled off his airy tone, if his voice hadn’t cracked on the last word. dee coughs, to cover it, but now logan is walking closer.
“were you… crying?” logan says uncertainly.
“no,” dee lies. and honestly, getting caught might be worth it for the expressions that wars across logan’s face—pained awkwardness overwhelms it, but there’s concern, and discomfort, and a sense of do i have to, and honestly, if dee wasn’t in such a shitty mood it would be pretty funny.
“may i sit?”
“will you listen if i say no?”
“probably not,” logan admits. “even if you weren’t crying, which i’m pretty sure you were—”
“—i wasn’t—”
“—your attendance is as good as mine, i’d still want to know why you were skipping class.”
dee makes a show of sighing, but shoves his backpack a little further away and scoots further into the corner. logan nods, settling his backpack beside dee’s, and sits close to dee. not quite side-by-side, but just far enough away that it’s clear he’s offering dee the choice to lean closer. it’s strangely thoughtful. he remembers, distantly, logan at his birthday party; he’d ducked hugs a lot of the time, only accepting it when he couldn’t substitute a handshake. he wonders if logan doesn’t like physical contact, and tucks away the idea of investigating that for potential use later.
logan pauses, before he says, almost kindly, “the book’s giving you away. you’re reading the scarlet letter. we read that last quarter. i highly doubt you’d be rereading it. you made your dislike known enough as we were reading it, not that i blame you for finding it dull and archaic. it is dull and archaic.”
dee bites back a curse as he makes a show of glancing at the book. he knew he should have cleaned out his backpack after midterms, but no, he’d been too busy—
“i like the scarlet letter,” dee lies, and logan looks at him, arching an eyebrow.
“try again.”
“what?” dee says. “i could.”
“you literally overrode class one day to complain, at length, about how stupid the plot is, how overblown and over-long the prose is, and that hawthorne desperately needed an editor. which i agree with, by the way.”
“well,” dee says. “i could still like it.”
“please,” logan scoffs.
he turns the book in his hands and reduces a shudder. god, what a terrible book. he’ll toss it as soon as he gets home.
“well, i like sleep,” dee says lightly, “and one should always have sleep-inducing material on hand. it’s remarkably effective. i like it for that reason, how about that?”
logan smiles, with a little hum of acknowledgement. a i don’t believe you but i think your excuse is funny enough that i won’t press you on it hum. dee’s heard it many times.
they sit in silence for a couple minutes. long enough that dee thinks that he’s going to get away with it—if they’re quiet until second period, then dee can steal away and have an excuse ready by lunch, if need be.
except logan clears his throat, and dee braces himself.
“if you’d like to… talk,” he says stiffly, and he coughs again. “i am—here. clearly. not just physically, as i am now, but as a means of support. i suppose.”
dee rolls his eyes. “how convincing,” he says, and ignored how clogged-up his voice sounds, all of a sudden.
“yes, well,” logan says. “of the many things my father’s taught me, one thing he apparently hasn’t been able to pass down is being particularly good at navigating these… emotional kinds of conversations is not one of them.”
dee would laugh at the look on logan’s face when he says emotional, if his brain wasn’t stuck on my father.
“your dad,” dee says, a strange tone in his voice, before he can stop himself.
logan’s dad, who was raised in this environment, in this world, and, somehow, had managed to be openly, proudly trans.
logan’s dad, who had been trans, without his parents attempting to publicly interfere with the way he presented himself.
must be nice.
“yes,” logan says cautiously. “what about my dad?”
dee takes a deep breath, and, immediately, two concepts begin to war in his mind.
don’t tell him, one side screams. the whole reason you’re out here is because you don’t want people to see weakness!
he has access to a unique perspective that, to your knowledge, is only shared by yourself and that other person, he argues with himself. and the largest part of this that would be kept secret, he already knows. and you have blackmail in hand if he were to suddenly confess with this additional quest for information.
dee lets out his breath. he says, “does your dad talk about the way it was for him? back then.”
logan stiffens, ever so slightly, in surprise.
“not often,” he says, the cautiousness still lingering in his tone. “he’s only ever really told me a little; bits and pieces. not details, you understand, but…”
logan pauses, collecting his thoughts. dee almost snaps at him to hurry up; usually, logan’s a decent enough public speaker, but the whole dramatic pause thing he did sometimes was really quite annoying.
“i know that it wasn’t easy, for him,” logan says. “that in part, the reaction helped fuel his desire to run away, in addition to my existence and the further stigma that’s associated with that. there are likely old issues of the jefferson that could provide the nastier details; i’ve given him my word i wouldn’t seek them out. i don’t particularly want to. in addition to the writing skills of the jefferson being terrible, i am not particularly inclined to read transphobia and terrible rumors about anyone, much less my father.”
another pause. then, “he had a bonfire for all his dresses and skirts.”
dee turns to him, startled. logan’s dad? that soft little puffball?
“i know,” logan says, seemingly agreeing with how out-of-character it seemed. “my other father—christopher—helped. he’s been saving stories of his various teenage rebellions, too. he used to be rather…” a brief hesitation. “a rabble-rouser.”
dee snorts. it sounds very snotty and terrible and he immediately wishes he hadn’t.
(also—well, dee had known that logan was technically a hayden, it was just he hadn’t really heard logan outwardly express it, ever. he knows that christopher is located in california, somewhere. he wonders how logan handles that. something to look into.)
“why do you ask?” logan says.
“you know why.”
“all right, that was poorly phrased,” logan says. “why ask about this now?”
dee hesitates. logan adds, awkwardly, “if you don’t want to answer—”
“it’s… fine,” dee says stiffly. he clears his throat. he looks at his shoes.
logan is one of the smartest people you know, he reminds himself. he wouldn’t tell. he knows you’d immediately move to destroy him if he told.
keeping his eyes on his toes, he says, forcefully light, “my parents have entered me into the daughters of the american revolution debutante ball. apparently, they’ve decided to stop humoring this phase i am going through, as i am now sixteen, it is time to cease such childish rebellion and enter society properly, as a—” dee stops, abruptly.
“as a gender which you are not,” logan finishes for him. his voice is very, very quiet.
dee clears his throat, and redirects his gaze from his shoes to the wall across from them. he’s very conscious of logan’s eyes on him, examining him, staring at his face for any sign of weakness.
“dee,” he begins, haltingly.
“it doesn’t matter,” dee says, except for the fact that it very much does matter.
“that’s not,” logan begins, then, “i don’t,” and then, a frustrated sigh, before he says, “i’m sorry.”
“don’t,” dee snaps. “i don’t want your pity.”
“the definition of pity is the feeling of sorrow and compassion caused by the suffering and misfortunes of others,” logan snaps back. “as a fellow member of the lgbtq community, of course i feel sorrow and compassion at the information that someone does not have the support of their parents, and that lack of support will cause that someone will be outed publicly without their consent.”
dee doesn’t say anything, instead choosing to stare at the wall. his jaw is clenched so tightly he thinks his teeth might break from the pressure.
“is there anything i can do?” logan says stiffly.
dee keeps his eyes on the wall. “no,” he bites out.
they sit in awkward silence for a few more seconds. it feels like an hour. then:
“what if i stopped it?”
dee scoffs.
“what?” logan says.
“please,” dee says. “it’s the dar debutante ball.”
“we can get you out of it.”
“the bill’s already paid,” dee says.
“then we’ll stop the ball,” logan says.
“i’m sorry, have you met the ilk of your grandmother and her friends?” dee says pointedly. “you think you’re going to rob them of the chance to trot their precious little darlings around in a circle for all the men to drool over?”
logan’s back straightens. dee, finally, turns to look at him.
it’s like dee can see the lightbulb go off over his head.
“what?” dee says.
“nothing,” logan says, except he’s smiling.
“what,” dee snaps.
“nothing,” logan repeats. “it’s just—i might have an idea.”
“might,” dee repeats.
“might,” logan agrees. he’s clearly about to say more, but the bell rings, and there’s the beginning of shuffling steps that means people will emerge into the hallways. logan scrambles to his feet, swinging his backpack over his shoulder, before, belatedly, offering a hand to dee.
dee considers it. he accepts. logan helps haul him to his feet.
“your idea,” dee says, picking up his own backpack.
“you’ll see,” logan says, and dee huffs at him, before beginning to head off to his next class—
“dee?”
dee turns, and logan offers an awkward little facial expression that might be a smile.
“if you want to talk about it—”
“we aren’t friends,” dee says, cutting off whatever platitude that he’s clearly building up to. an idea. probably a lie to try and make dee feel better.
“i know that,” logan says, firmly. “but if you ever do… want to talk about it.”
“i will,” dee says, and tacks on, “if i want to.”
“okay.”
“but i probably won’t.”
“that’s fine.”
dee hesitates. “but if i do—”
“i’m around,” logan says simply.
“i doubt i will,” dee says, attempting to resume his haughty expression.
“you know where to find me, if you do,” logan says.
dee rolls his eyes, as if that conversation was very trying and not something that threatens to create an even bigger lump in his throat, and resumes his route to his science class.
“mister slange, dinner!” nanny calls, and dee startles. he clears his throat and puts down his pen, rising to his feet.
“coming, nanny!” he calls down the stairs.
find him. right. like the idea of talking to logan sanders about anything else in his life is even slightly appealing.
no, he tells himself. the idea of getting to know logan sanders? maybe even becoming something other than rivals? not even a little bit nice.
⁂
as soon as virgil comes out of the kitchen, roman has this Look on his face that makes virgil immediately say “no.”
“you don’t even know what i’m asking yet!” roman protests.
“i can tell you’re plotting something just by the look on your face,” virgil says.
“ah, but technically i’m not the one plotting, logan is,” roman says, and, well. that’s outside the norm. roman tends to be the plotter of the things that give roman That Look on his face, the one that reminds virgil only a little painfully of remus.
“okay, why am i involved in the thing that logan’s plotting?”
“patton’s in on it too,” roman points out. “and, uh, my mom.”
virgil pauses, contemplates, and says, “i don’t know if that’s a warning sign or not.”
“well, logan and i can explain when patton and him get here for dinner,” roman says. “in the meantime—”
“please don’t order something that will make your mom kill me for violating your meal plan too terribly, i don’t think i’ve recovered from last friday,” virgil says wearily.
“ugh, fine,” roman says, and orders something that is at least passably healthy, which he could really teach to his boyfriend and—and virgil’s boyfriend.
virgil’s boyfriend, patton. nope, even after two and a half months, it’s still bizarre in the best possible way.
by the time virgil puts roman’s order in, and carries out about three more, he’s carting a tray across the diner as the bell jangles and two familiar faces walk in.
“hey,” patton says, and leans in to give him a brief, welcoming kiss. habit. routine. thrilling. patton runs a thumb along virgil’s stubble, grinning at him.
“hey yourself,” virgil says, and jerks his head. “roman’s in a booth over there, and apparently i have a plot to be brought in on?”
and then patton… puffs up with pride? literally, puffs up. whenever he’s proud of logan, his posture gets better and he puffs his chest out a little and his chin tilts up, like logan achieving something is an achievement for patton, makes him more confident in himself. virgil guesses a lot of logan’s achievements owe at least a little credit to patton’s parenting, though, so it’s a fair trade. logan doesn’t seem to be complaining.
“that you do,” patton says, a little smug.
“okay then,” virgil says. “brainstorm your pitch and i’ll be right over.”
he drops off dinner orders—mrs. torres and a gaggle of other older ladies who coo and giggle and wave to roman, who blows kisses back, because he’s the default adopted son/grandson for any active older woman in town—before he sidles up to the sanders/prince booth.
“right, okay, orders, then plot,” virgil says, flipping to a new page in his notepad and clicking his pen.
patton and logan put in their orders—virgil successfully convinces them both to trade in something unhealthy for either a salad (patton) or a side of vegetables (logan)—which he notes dutifully, before he slides in beside patton in the booth.
“okay,” virgil says, and he nudges patton. “pitch.”
“my idea, actually,” logan pipes up, and virgil obligingly turns his attention to the younger sanders.
“so,” logan says, folding his hands. “i am coming out.”
“um,” virgil says, dropping his gaze pointedly to where roman’s resting his hand on logan’s wrist. “you did that. like, eight years ago.”
“that’s what i said,” patton says, pleased.
“let me rephrase,” logan says, and his nose wrinkles. “i am coming out in the sense of the viennese waltz, i will be deemed of good breeding and marriageable age, must have dowry, seeking males with a trust fund, fluffy white dresses, et cetera.”
“oh, jesus christ,” virgil says. “what friend roped you into being an escort for this thing? because that is not a friend.”
“keep listening,” patton chides, a laugh in his tone.
“well, that’s the thing,” logan says. “i’m not going to be an escort.”
virgil considers this for a moment. “i’m not following.”
“logan’s creating an army to charge upon the daughters of the american revolution so we can destroy the patriarchy,” roman says, bright and perky.
“i’m recruiting like-minded members of the next generation to make a statement about gender equality,” logan corrects. “in other words: i shall be the one with a dowry, seeking males with a trust fund, in a fluffy white dress.”
“uh.”
“me too,” roman says sunnily. “i’m going to be wearing a fluffy white dress, too. plus a ton of other kids in our grade—the idea’s really caught on. ooh, logan, we can recruit some of the dance girls as escorts!”
virgil tries to picture it: a group of boys in dresses, girls in tuxes, gasping, scandalized rich people. the idea brings a smile to his face.
“oh, good idea, we should send put a sign-up sheet in the studio,” logan says.
“wait, you said i was going to be involved,” virgil says, his brain catching up with him. “where do i fit into all that?”
“well,” patton says. “isadora and i decided to set up a kind of etiquette-and-dance crash-course day for all the kids involved, because despite my best efforts i have not purged the viennese waltz or my numerous etiquette lessons from my mind—”
“you, cultured?” virgil teases, and patton smacks virgil’s arm playfully.
“with no help from you, thank you very much,” patton says. “anyway. since isadora and i are teaching the kids, and there will be an influx of fluffy white dresses and tuxes…”
it clicks. “alterations.”
“got it in one,” patton says cheerfully.
virgil’s a pretty decent tailor, for an amateur—he’s done his fair share of hemming dance costumes, or fixing suits, even some emergency repairs for some wedding dresses, over the years. he’s about to say something along the line of are you sure i should do this, i don’t think i’m qualified for something so fancy but then he catches the hopeful look on logan and roman’s faces, and—
“all right, fine,” virgil says, and he stands. “just let me know when and where, yeah?”
logan grins at him, and roman chirps a thank you, and patton giggles, soft, as virgil makes his way back for the kitchen.
fancy debutante tailor. he guesses he can handle that. it’s not really a step outside of the norm, so it’s not like he’s doing anything super out there, like the kids are.
virgil thought too soon.
by the time he re-emerges from the kitchen, ready to wipe down the counters, patton and logan are at the table finishing up the last of their meals, and roman’s at the counter, shifting his weight from foot to foot, eyes snapping to him.
“hey,” virgil says. “you need a refill of water? because i’m telling you now, if you’re going to try for dessert, you may as well give up now—”
roman rolls his eyes. “no. it’s about the debutante ball.”
“okay,” virgil says, and tosses his towel over his shoulder. “what about it?”
“it, um,” roman says, and clears his throat. “ugh. apparently, your father’s supposed to present you at the ceremony.”
“oh,” virgil says.
“and, um, since i don’t really have a dad,” roman begins.
“i could alter a tux for your mom?” virgil suggests. “since everyone’s already doing the whole ‘screw gender’ thing anyway.”
“i—no, no, she’s probably going to do backstage stuff to make sure that the sideshire kids aren’t spooked by the rich people,” roman says. “plus, she’d hate wearing a tux.”
“yeah, fair enough,” virgil says. he thinks the only time he’s really seen her dressed up is when she has to, during a recital or performance or something. “okay. i could help with the tux of… i forget his name, what’s that guy who was your one-on-one instructor during the nutcracker? sergio, right? i could drive you to visit sergio—“
“sergio is in portugal,” roman says, looking an odd mixture of helpless, amused, and frustrated. “y’know. where he’s from?”
“oh,” virgil says. “um, there’s always taylor? you know he’d be super into the whole pomp and circumstance thing.”
“taylor,” roman says. “virgil. you of all people. recommend taylor.”
“i know, okay, i know, but i’m kind of coming up blank here,” virgil says.
“coming up blank?” roman repeats, the frustrated part becoming more clear.
“i’m trying here,” virgil says. “you could—”
“oh, for god’s sake, dumb-utante, i’m trying to ask you to escort me,” roman snaps.
virgil’s jaw drops. just a little.
“oh,” he says.
roman flushes a brilliantly bright red, and looks down at his shoes.
“i—just, whatever, okay, you don’t have to,” he mutters, and scuffs the toe of his shoe over the diner floor. he needs new ones—the white, rubbery part of his converse is overrun with mud and sharpie doodles, the aglets frayed, part of the high-top worn from where roman grabs it to shove his foot into it every morning discolored.
remus used to wear green converse, sometimes, the most casual in his extensive collection of costume-style clothes. he remembers telling roman this, when roman was pretty little and ms. prince had enlisted virgil to take roman out for back-to-school shopping, and virgil had bought roman his first pair. he’d been little, then. six, he thinks. maybe seven. they’d gotten ice cream after. roman had gotten rum raisin, and virgil ended up having to eat the rest of it when roman pronounced it “ucky” and roman had ended up getting his usual chocolate-cherry. virgil had made roman pinky-promise that he would get a small one, so he wouldn’t spoil his dinner.
but roman prefers high-tops, and remus had always gotten classic chucks. roman loves red, and remus loved green.
they’re different, remus and roman. like night and day. it still makes virgil feel a little strange whenever he thinks about how much longer he’s known roman than he’d known remus—really, it had topped out a few years ago, much longer if virgil was just considering how long he and remus had been friends. so much of his relationship with roman was built on the basis of being the last of remus’ friends still in sideshire, other than ms. prince, and so he was one of the only ones who could tell roman about his dad. do what his dad would have done.
remus probably would have bought roman his first pair of chucks when roman was a baby, those little tiny shoes that can sit comfortably in the palm of virgil’s hand with plenty of space to spare.
but remus is dead, and so buying roman his first pair of signature red shoes had fallen to virgil.
basically everything remus would have loved to do with his son had fallen to virgil, really, if ms. prince hadn’t taken care of it first.
apparently, your father’s supposed to present you at the ceremony.
“no,” virgil says, strangely choked up. “that’s—that’s a good idea. cool. i can, um. i can do that.”
“really?” roman asked, eyes snapping up from his shoes. he smiles like remus when he’s plotting, that much is true, but when he smiles when he’s just happy—all virgil can see is roman.
“yeah, sure,” virgil says, and then he coughs into his elbow to clear whatever’s lodged in his throat. “just, uh. just keep me updated on, y’know. details.”
roman’s grin grows a bit more delighted, a bit more remus-like. “are you crying?”
“what? no,” virgil scoffs.
“because you sound like you’re about to start crying.”
“i was chopping onions,” virgil says lamely. “this has nothing to do with you.”
“oh, i better check my calendar again, i didn’t realize it was opposite day,” roman says gleefully.
“you’re the most obnoxious teenager i’ve ever met,” virgil says, and roman laughs, even as he’s backing away, slowly, toward the door. virgil rolls his eyes, and moves to wipe down the counters.
“and you have to wear a tux!” roman calls, and virgil’s head snaps up.
“wait, what, no way—“
“shave off the five o’clock shadow, too, i won’t be looking scruffy by comparison!” roman calls, opening the door. virgil scowls, rubbing a hand along his face—yes, he goes stubbly sometimes, especially during winters or when he’s busy, but he doesn’t look bad with facial hair, he just looks a bit off today because he woke up late—and the reality hits him. a tux. dressing fancy. being involved in a high society ceremony.
“the tux is bad enough!”
“you’re forgetting the tails, the cumberbun, plus white gloves!“ roman says, ticking it off on his fingers.
“i take it back!” virgil calls. “i’m not doing this anymore!”
“too late, i already signed you up!” roman shouts, and disappears from the diner before virgil can yell at him anymore.
a tux. tails. white gloves.
a cumberbun.
dammit, of course roman would manage to net him into some kind of makeover.
⁂
it’s been a shitty day so far.
something kept interrupting his sleep last night, so when he finally managed to get to sleep, he slept through his alarm. granmè was already having a bad memory day, repeatedly calling out for her dead husband and not recognizing nanny, which means she probably won’t recognize him, so he had to keep out of their way, and as he was walking out the door he saw bertie holding up something ensconced in a garment bag, lips pursed in disapproval, whose length could only mean the arrival of a fluffy white dress, a nice reminder of the thing that dee was dreading.
and it isn’t even eight yet.
“move,” dee snarls to the particularly amorous couple blocking the path to his locker—really, people, it was seven forty-five in the morning, did they always have to start the day attempting to tie their tongues together?—and they shuffle aside, to a vacant stretch of wall, presumably to resume their excessive pda.
dee rolls his eyes. typical.
except—
“slange,” one of the makeout participants says. dee ignores him, placing the books he’d had to bring home for homework in and pulling out the books he’d need for his morning classes.
“hey, slange, i’m talking to you,” he repeats.
dee rolls his eyes with all the sarcasm he can muster, and directs his gaze to them; summer, absently wiping some stray lipgloss off with her finger, and tristan, leaning over.
“what,” dee says, in the crispest tone he possibly can.
“didn’t take you for a troublemaker,” tristan says, grinning still; dee notes, sourly, that summer could probably spare some energy to wipe off the sticky lip gloss on tristan’s chin, too.
“excuse me.”
“oh, right, right,” tristan says, and rolls his eyes. “fighting the patriarchy, excuse me. hey, if that excuse is enough to make it look good on your college resume, you wouldn’t happen to know how to—”
“you already know all the people in our grade who write papers for a fee, dugray,” dee says, already exhausted and snippy and—he hates to even admit it to himself—confused. “take it up with henry, if you must. and wipe off your face before you go to class, you have holographic glossier smeared everywhere. it’ll give you away to julia, she doesn’t wear lipgloss.”
summer gapes at him, and immediately begins to screech something along the lines of “what is that supposed to mean, i knew you didn’t block her like i told you to!” but dee’s already tuning it out, slamming the locker door shut and making his way to homeroom. frankly, summer should have dumped tristan the second he told her that she wasn’t allowed to talk to other boys. the pair of them were toxic together—half the material he had on tristan were things that he wouldn’t want summer to know.
the other half would, if it made its way to the right hands, get him sent off to military school.
dee’s saving most of the rest of that for when he gets really annoyed with tristan.
he might be there in ten minutes if he didn’t get an answer—what did tristan mean, trouble-making? and tristan dugray, fighting the patriarchy. please. tristan’s as emblematic of a toxic, rich, straight white boy that there could be. tristan adores all the trappings of the patriarchy; it better allows him to pursue whatever girl he wanted into being his girl of the week, despite the fact that they weren’t particularly wanting to be his girl of the week, whenever he and summer were on a break (and, most of the time, when they weren’t.)
except that isn’t even the only time.
henry, dermot, lem—even shy little brad, who usually breaks out into cold sweats at the sight of him since the whole theater incident in sixth grade, seem to be attempting to make eye contact with him as he walks down the hall, like they were in with him, or something. like they were suddenly friends.
dee stews, furious, at the very idea they could know something about him that he doesn’t know—until he sees lisa approaching logan sanders, who seems to be loading up his backpack.
dee frowns. logan wouldn’t like lisa—well, obviously, he’s gay, but also, lisa subscribes to her parents’ politics, including the epithets of “fake news,” and he’s pretty sure that alone would spring logan into a furious tirade like little else could.
dee pauses.
fight the patriarchy, tristan had said. trouble making.
“what if i stopped it?”
and then he moves immediately toward the locker.
“—long as you don’t say why, then yes, of course,” logan says.
“duh!” lisa chirps. “hilarious, lo-lo, seriously.”
logan’s face twists up as politely as he can manage at the sound of a cutesy nickname, but he can’t really say anything, since lisa’s already flouncing off to be discriminatory and heartless on her parents’ orders.
presumably.
“what,” dee says, “was that.”
“i know,” logan says, turning back to his locker. “lo-lo. what am i, a puppy?”
“not that,” dee says. “you know she’s—”
“a terrible person who stands against everything i am, yes,” logan says mildly. “but she’s wealthy and has a fair amount of—” a near-sneaky glance at a notecard in his hand— “clout, amongst the puffs.”
“the puffs?” dee repeats, his voice already sounding strange.
“you know, the secret sorority,” he says nonchalantly. “one of them, at least, and certainly the most desired to join—”
“i know who the puffs are,” dee says, in a tone that clearly denotes do you think i’m stupid, i’ve gone to this school for longer than you have.
“ah,” logan says. “right. well, i would have gone through francie jarvis, who is less diametrically opposed to—” he makes a sweeping gesture up and down his body, “but she was absent yesterday, so. lisa was the obvious in.”
“why do you need an in with the puffs?” dee says.
logan glances up and down the hall—god, way to show off you’re discussing something sensitive—before he pulls a leaflet out of his backpack, handing it to dee.
FIGHT THE PATRIARCHY!
dee skims it, and feels his eyebrows rise higher and higher, even as his throat gets disturbingly closed up.
“i noticed that a lot of the puffs are due for their debutante ball,” logan explains, even as dee stares at the—the excuse, the excuse that logan’s pulling for this elaborate ruse, that, if it works—
i won’t be outed.
dee swallows, hard. he folds the leaflet back up, and clears his throat.
“the puffs are a decent enough start,” he says, voice perhaps a bit thicker than normal. “as they’re the most socially prized secret society at chilton, it was a good place to begin—people will want to emulate them, especially those who are attempting to get puffed. mostly freshmen, but there are a few sophomores who are sixteen that’ll join. but you need to pivot your focus—the old crows and the skull and dagger would probably gain more participants per club capita.”
“old crows?” logan says uncertainly.
“the secret society for a select few seniors,” dee says. “who have likely already had a coming out, but it’s not uncommon to do multiple. skull and dagger would probably love an excuse to cause chaos, but that’s sorted, so long as you bother tristan some more. and if you’re going to come at it from the fight patriarchy angle, you’re going to need to get the clairosophic society involved.”
“the…?”
“another secret sorority,” dee says. “do you only know the puffs?”
logan abruptly looks sheepish, and dee sighs, put-upon.
“well,” he says. “clearly, you need my help pulling this off. of all the secret societies at this school, only ten are worth mentioning—”
“only ten?!”
“—so we can get people through those,” dee says, “and yes, ten, i thought you were a journalist, aren’t you supposed to know how to research these sorts of things?”
“well,” logan says. “i’ve already gotten a group of kids from sideshire, but clearly, i’ll need your help on the social side at chilton.”
a beat, and then, uncertain, “if you’re okay with this.”
dee stares at him for a long few seconds.
“if this works,” dee says carefully, trying to directly telepathically communicate i am okay with you attempting to cover for me like this, please count me in, “you’re going to have a hell of a college essay on your hands.”
a grin breaks out on logan’s face.
“as if i don’t have three drafts written already,” he says, and dee allows himself to grin back at him.
“now,” he says. “the clairs,” and logan readies a notebook, and, if dee were at all prone to clichés, he might say something like, this is the start to a beautiful partnership.
but he isn’t. obviously.
⁂
logan has his game face on.
patton’s seen this face countless times before; before he walks into mayor porter’s office to demand answers beyond pr statements, before they entered charleston’s office his first day at chilton, when coming face-to-face taylor after his latest piece that critiqued the way he handles town government.
he’s seen it while they were driving to the exact same place, too; before holiday parties, before birthday dinners, before the first-ever friday night dinner. but he hasn’t pulled up to the sanders’ mansion looking like that in months.
patton puts the car in park, removes the keys, and wipes his sweaty hands on his trousers for what must be the dozenth time that night.
“i’m on your side,” patton reminds him.
“i know,” logan says and opens the car door, ready to storm up to the door and… well. tell emily that he was going to join the debutante ball.
which she’d probably be thrilled with, if he was the one escorting a girl in a white dress.
it would almost be a little funny to think about, if he wasn’t so nervous—emily expecting patton to go through a debutante ball in a fluffy dress, only to be derailed by the fact that he wasn’t a girl and, you know, the teen pregnancy; emily then expecting logan to escort a lovely young lady on his arm only to be turned around by logan doing it in a fluffy dress.
patton wipes his hands off on his pants again before he rings the doorbell.
he has never seen the woman who answers the door before.
which isn’t surprising; new maids crop up at his parents’ house like weeds. he’s really hoping that therapy would help make a dent in that habit of his mother’s, but no dice yet.
“hi,” patton says, as kindly as possible—he always tries to be as kind as possible to the maids, just to make up for whatever future tiny offense that they might get fired for. one time he got grounded for two weeks for helping esperanza polish silver and practice his spanish. poor esperanza, he’d liked her.
plus, ever since the whole “being a homeless housekeeper” thing, his sympathy had really only escalated for them—he feels a level of solidarity, even if he’s not a housekeeper anymore.
“hello,” the maid says; she has an accent, patton thinks probably german. she’s blonde, and patton can see only half her face from the way she’s practically hiding behind the door.
“you’re new?” patton asks, and she nods.
“okay, well, hi,” patton says, offering a hand to shake. “i’m patton—”
she shakes his hand hurriedly, before pulling back further into the house.
“—and that’s my son, logan. what’s your name?”
“liesl.”
“hi, liesl,” he says warmly. “i’m emily and richard’s son, she’s expecting us for dinner?”
“oh! please, come in,” she says, flustered, opening the door further.
“i, uh,” she says, “can i, um. get you a drink?”
“you know what, that’s okay!” patton says brightly. “we can handle it.”
a pause, before patton says in an undertone, “if you’d like to hide in the kitchen before my mother gets down here, please go for it.”
a look of relief breaks out on her face. “really?”
patton nods.
“thank you,” she exhales, and scuttles off to relative safety.
logan waits until she rounds the corner, before he says, “she won’t last another day.”
patton sighs, moving to hang his coat on the rack. he would tell logan that’s not a very nice thing to say, if he wasn’t right about it. “i know, poor thing.”
as they continued into the living room, patton could hear his mother coming down the stairs; less than a few seconds later, she rounded the corner, landline phone firmly affixed to her ear.
“—don’t forget that the dar meeting’s on tuesday, it’s at three o’clock and all the women are extremely punctual…”
emily makes eye contact with patton to roll her eyes, as if to curse the entire customer service industry; patton shrugs at her, just a little, before he lightly bumps logan’s shoulder and murmurs “soda?”
logan nods, drifting off to investigate the latest influx of tiny figurines that definitely weren’t there last week, and patton goes to the drinks cart to prep their drinks for the evening.
her mother’s talking about heddy cubbington—ah, so she’s talking to a caterer, then—and patton leans into her line of vision just enough to wiggle a bottle of gin at her, mouthing “martini?”
okay, he might try and make it a smidge stronger than usual. honestly, if she’s a bit off her game from more gin than usual, then maybe she won’t freak out as badly as patton is kind of expecting her to!
but regardless, his mother nods, even as she’s telling the caterer about her very precise tasting methods that they’ll have to follow to a t, and patton reacquaints himself with the process of preparing a martini exactly as his mother likes it—there was a stint of about a month or so when the hotel’s bar staff was incredibly short, way back in the day, so he picked up a few cocktail tricks here and there.
he wonders if he could still manage to do a lidless shaker flip without spilling anything.
before he can try, though—and probably hear his mother’s outcry about trying his absolute hardest to stain her rug—his mother hangs up on the phone with a fervor, rolling her eyes as she did so.
“honestly, sometimes it’s like the only person with any sense,” she huffs.
patton hums, carefully straining the martini into one of the coupes. he would do a martini glass, but those tend to spill more, the coupes hold more liquid, and she prefers the material of the coupes anyway—less likely to have fingerprint smudges, which also means one less thing to use to potentially snap at poor liesl. “troubles with the dar, mom?”
(okay, so maybe he’s busting out his old tricks to put his mother in a good mood—there’s almost nothing his mother likes more than gossiping and snipping at the members of the dar that aren’t pulling their weight, and once she’s expelled a bit of energy ranting like that, it usually meant less energy could be spent ranting at him.)
she sighs, settling on her usual spot on the couch. “constance betterton is running this event into the ground—” patton presses the martini into her hand, and she looks startled, momentarily, before thanks him briefly and continues on her tirade, including the perils of unsold tables and constance’s absolute inability to plan a function.
patton hands over logan’s soda and directs him to the couch before he can crack open any books of interest, because logan will probably spend most of the dinner ignoring them if that happens, and since richard is on a business trip again that means it will be just him and his mom, and with how nervous he is over logan’s upcoming proposal he absolutely cannot do that, and then he goes and makes himself a plain club soda because him drinking sounds like a not-great idea right now.
by the time that particular train of conversation runs out of steam, it’s enough to carry them to the dining room.
“so, logan,” emily says, as liesl attempts to set a land speed record for serving salads in her quest to get back to the kitchen, “is there anything new in your life?”
patton’s pretty sure that it would be impossible to pick up on who’s more nervous, him or liesl.
“there is, actually,” logan says, somehow entirely unfazed. “dee slange—you remember, you took me out to lunch with him and his grandmother evelyn—”
“oh, yes,” emily says, “wonderful woman, incredibly talented gardener. she’s coming out less and less lately, it’s been a while since we’ve had a good, long chat.”
“—we’re arranging a bit of an extracurricular project,” logan continues.
“oh?” emily says, sounding interested. she picks up her fork and begins to eat her salad. “you two are getting along, then?”
“we’ve come to an understanding,” logan says coolly, and even as nervous as patton is, he can’t but grin a bit at his son. we’ve come to an understanding. really, logan, it wouldn’t hurt to say that you’re friends now.
“wonderful,” emily says briskly. “good that you’ve put that petty rivalry behind you.”
patton bites his tongue rather than start on a rant about the seriousness of physical assault.
“quite,” logan says.
“so, what’s this project?” she asks, with a slight gesture of her fork. “you two are interested in journalism, from what i hear, is it something like that?”
logan sets his fork down. “actually, grandma, it has to do with you, tangentially. mrs. slange is a member of the daughters of the american revolution. like you.”
“a research project, then?” she says. “richard will probably have some books for—”
“not really,” logan says. “we’re both arranging for greater participation in the debutante ball. i’m coming out.”
patton holds his breath. here we go.
emily chuckles. “the correct term for the young gentlemen is escorting, logan. are you both escorting young ladies, then? anyone i know?”
“oh, i used the correct term,” logan says mildly. “i’m coming up with a partner later, but i was actually going to ask if you ever bought a dress for dad to use before he came out.”
emily lowers her fork.
patton’s pretty sure that even if he was about to breathe, he wouldn’t be able to.
“i’m going to be a debutante,” he says, very slowly, as if explaining something he thought to be obvious.
“you’re not serious,” she says disbelievingly.
“i am,” logan says. “we have approximately twenty-five participants so far, and we’re recruiting more. so. do you have a dress or not?”
“that’s absurd,” emily says. “i mean—my grandson, gallivanting about in a dress, how will that look?!”
“you were going to let dad do it,” logan points out, and before patton can say hey, nice point! emily swivels to face patton, piercing him through with a glare. “did you put him up to this?!”
before patton can squeak out anything, logan putting down his fork with a clang louder than necessary, and she turns to face her grandson.
“i was simply asking if you had a dress,” logan says. his voice is very, very even. the game face has reappeared. “i can ask again, if you’d like. do you have a dress suitable for this occasion, or should i shop for my own?”
emily and logan stare each other down. patton’s eyes dart between them both.
his mother has a variety of nicknames: the cobra, from her antiquing friends, because she’d squeeze and squeeze at you until you complied. wicked witch of the west, by some of her shopping friends, over the levels she’d go to over something as simple as a pair of shoes.
christopher had joked once that “people considered what patton’s mother would do in a given situation, dialed it back, and they’d have what mussolini would do, then they’d dial it back, and they’d have what stalin would do, and then they’d dial that back and then it starts approaching what a sane person would do.”
she’d once forced an ex-president out of a hotel room because theirs had been bigger than theirs. a president. of the whole united states.
patton’s gearing himself up to provide as much supportive parent backup to logan that he possibly can, and also cursing himself for taking the time to hang up his coat, because if he hadn’t and just kept it with him they could make a quicker escape, and palming the car keys in his pocket. he puts together comebacks for my friends will be at this event and undignified and what will people say?!
and then patton takes a closer look at his mother’s face. it’s not her version of the game face, patton notices.
and then patton puts together what that expression is, with no small amount of surprise.
she’s calculating.
she’s calculating, patton realizes with no small amount of shock, if it’s worth it to go up against logan.
because logan is definitely wearing his game face, coupled with a defiant, angry look that, with another shock, it reminds him of him. it reminds him of him when he was a bit younger than logan is now—and, he realizes, his mother must be recalling those hellion days too.
at last, his mother sighs, wipes her mouth a napkin, and stands. “i might have something suitable.”
patton’s left sitting there, gaping. his mother. his mother backed down. his mother. did not fight with logan when it was clear what he was doing would interfere with her social status.
his mother!
“well?!” emily snaps. “do you want to see it or not?!”
he and logan exchange a look before they scramble out of their seats, heading after her as quick as they can.
they’re going down to the basement, which holds a conglomeration of things and also patton’s second-most-frequently-used sneak-out route. the wine cellar’s down here, along with his parents’ collections of luggage, and matching white wardrobes filled with all kind of things, and gifts from granny trix that his mother has refused to display over the years, and art and furniture deemed out-of-fashion but were still held fondly enough to be stored in the house—it was, by far, the most disorganized segment of the sanders’ mansion.
of course, there were still clear paths to each segment of the basement, so it wasn’t as disorganized as, say, patton’s garage, but still. disorganized by his parents’ standards.
so patton follows logan who follows emily, past life-sized dog statues, past a stack of steamer trunks and matching carry-on luggage, past framed paintings of some of patton’s old family members, past the rows of old wines stored for an occasion fancy enough for them, past candlesticks and antique tables, past crates and cardboard boxes filled with, patton’s sure, more of the same, until they get back to yet another white wardrobe.
“it’s in here somewhere,” his mother says, already flipping her way through rows and rows of hanging garment bags, before she makes an “aha!” sound and plucks free a garment bag that looks identical to all the rest, before sparing it a fond glance.
“we got it in london,” she says fondly, “never actually worn, of course, but goodness, the plans i had for the seamstresses…” and patton feels a squirming sensation in his stomach that he hasn’t felt in a very long time; the same one he’d get every time he was dragged into a department store, the same one he’d get every time he knew he had to wear whatever was laid out on the bed for whatever party or get-together his mother was having, the same one he’d get when his mother’s friends, over for tea, would croon, my goodness, how pretty you are!
patton clears his throat before his mother can start reminiscing on the times of dresses and skirts past, and says, “maybe show logan the dress, mom?”
“oh,” she says, seemingly successfully jolted out of whatever fashion-induced daydreaming session she’d fallen into, “yes” and unzips the garment bag, to reveal—
well, patton doesn’t know what he’d expected, really. all he can see is a lot of white, puffy tulle.
“can i try it on?” logan says. “just to see it.”
emily hesitates, clutching the delicate fabric, before she hands him the garment bag with no small amount of reluctance.
“we’ll be upstairs when you want to give us a little fashion show,” patton says, carefully catching his mother’s elbow before she can rethink any of this. “let us know if you need help zipping it up or anything?”
logan nods, and begins the process of carefully unearthing the dress as patton steers his mother back up the stairs.
“he’ll need help getting into the dress,” emily protests.
“if he needs help, he’ll ask,” patton counters, firmly. “he’s sixteen, he’s helped roman with a lot of elaborate costumes like that before. he’ll manage. let’s give him a bit of privacy.”
patton glances back in enough time to see logan shooting him a grateful look, and patton shoots him a thumbs-up—he’d always hated it whenever his mother barged into a dressing room to “help,” so he’d always tried his best to let logan have his privacy when it came to this kind of thing.
also, okay, maybe the weirdness of having his pre-selected debutante dress he’d never worn or even really known about coming back to haunt him in some way is getting to him, just a little bit.
“how did this idea get into his head?” she asks suspiciously, as soon as they’ve cleared the last of the steps and relocate to the living room; patton crosses to sit on the couch, and maybe walks a little slower than usual to get an answer straight in his head.
“i don’t… exactly know, why this, i mean,” patton says slowly—which is a little true, he doesn’t know exactly why logan chose this course of action over anything else—and fiddles with his suit jacket. “um, but i know it’s important to him. and dee,” he tacks on unnecessarily. “so, i’m all for it. a thousand percent.”
she surveys him, before she says, “you know more than you’re letting on, though.”
“not my story to tell,” patton says, and it surprises him, how firm his tone is. “but i am really behind logan doing this.”
she sighs, as if he’s a child all over again. “you would be behind logan doing anything. will you keep that attitude if he decided to drop out of school tomorrow?”
“okay, first of all, that sounds more like me,” patton points out. “in fact, that was me. logan is at least channeling any trouble-making tendencies toward something productive.”
“productive,” she says. “the daughters of the american revolution debutante ball—”
“—is an outdated, sexist ‘tradition,’” patton says, using finger quotes, “that will, at worst, turn out to be a college entry essay for logan, and at best be a nice, eye-opening event to some of your friends, who, if i recall, were not particularly enthusiastic about that whole upholding,” time for finger quotes again, “‘the promise of equality for all, and we share an obligation to help our nation fulfill that founding promise.’”
emily’s eyes widen, and oh boy, patton sure said a lot more than he meant to there, so he braces himself for what might be a fight, but luck happens to be on patton’s side tonight.
“dad?” logan calls.
“yeah, kiddo?”
“i need help with the buttons,” logan says, voice distinctly closer than before; like he’s hiding around the corner.
“okay, well,” patton says, about to get to his feet to go and help, but then logan turns the corner.
the dress, patton sees, is… surprisingly simple, for his mother’s taste. there’s delicate, appliqué straps, with a modest scoop neckline. the bodice is delicately embroidered, and the skirt is unadorned tulle.
the dress is simple, he realizes, a little startled, because even before his mother was shopping for it, he had made his distaste for elaborate dresses and gowns clear. she must have picked this out for him in an attempt to garner his good graces with this dress; this was what she must have thought his tastes would have looked like.
he still would have hated it.
it twists up his stomach a bit more, thinking about what would have been, what his mother probably thinks should have been, but patton plasters a smile on his face, rising to his feet, pushing that out of his mind and trying to focus on how logan looks in the dress, not on the fight that would have happened if patton had seen this dress, if he’d had to wear it, before he’d come out.
it’s a little bit short on logan, but that’s to be expected—patton had been a pretty short teenager, and logan’s taller than patton is even now, after a half-foot testosterone-induced growth spurt. the skirt would have swept along the ground if patton was wearing it, if he’s calculating right; as it is, it hits logan somewhere above the ankles, giving it a “fifties flare skirt” kind of vibe. the bodice isn’t really thought out for someone with as flat a chest as logan’s, either, but at least it follows the path of his torso—no need to try and lengthen that.
“very handsome,” he says, before he rounds to logan’s back to examine—ah, yes, as he expected, the buttons up the back are all delicate and tiny and fiddly, and almost impossible for logan to fasten on his own, because he’d never had practice with things like this before. “yeah, okay, let’s see how you fit into it—gosh, i must have been almost a foot shorter than you are now when mom ordered this dress. we’ll definitely have to alter it—”
“do you have a tailor in mind?” emily says.
“virgil’ll do it,” patton says absently, as he’s a little surprised at how easily his fingers remember to maneuver the little pearly buttons—muscle memory, he guesses—and glances up to see his mother arching her eyebrows disbelievingly.
“i know he sews,” she says, voice clearly tinged with doubt, clearly about to say but.
“uh-huh,” patton says, turning his attention back to the buttons. “he’s really good at it, too. he’s done some emergency fixes on wedding dresses and stuff, so he knows how to work with gowns.”
there’s a soft hmph.
“he’s going to be altering dresses and tuxes for the sideshire kids involved in this,” patton continues, then, “all right, hon, that’s the last one. is it too tight, too loose…?”
“fine, i think,” logan says. “tight, but i think i can manage for now.”
patton flips a strap of the dress that’s gotten all twisted around, before sidestepping the skirt—they’ll need to get a crinoline so that it puffs out properly, patton can tell—and observing the entire look, how it seems now that logan’s fully dressed.
it’s a bit odd, definitely. logan’s only ever really worn dresses when he was roped into it as a kid, mostly while playing dress-up with roman—logan’s always been pretty attached to jeans or slacks to pair with his ties or bowties—so seeing logan in a dress is an unusual enough occurrence that it strikes patton’s brain as something completely new.
the dress, as delicate-looking as it is, combines with logan in a strange contrast that works; he looks nice in white, and all the delicate details seem to change what they emphasize—the scoop neck makes his collarbone look graceful, demure, but the thin straps emphasize the broadness of logan’s shoulders, the muscle there. the dress is all soft, sweet femininity, a look that logan doesn’t rock very often, because all the rest of it is logan—who usually favors a straight-forward, business-like, traditionally masculine look.
he looks good.
“give us a twirl, kiddo,” patton says, mostly teasing, but logan obliges, lifting himself onto his tiptoes to spin himself around, the skirt flaring and settling. patton applauds.
and then he smiles, because logan is kind of smiling, but also kind of trying to hide that he’s smiling, because it’s probably the first time in about ten years that logan’s spun around in a long skirt, and hey, skirts of any kind might mess with patton’s gender dysphoria, but he also remembers how satisfying it is to spin around in a really long skirt.
logan plucks lightly at the skirt to make sure it’s all hanging straight, before he glances over and says, and patton only knows it’s tinged with slight nervousness because of how well he knows him, “what do you think, grandma?”
patton turns to look at his mother for the first time since he’d started fastening logan’s buttons.
emily’s staring at the pair of them. and staring. and staring. patton’s about to prod logan to maybe ask again, before—
“heels,” she says.
“what?” logan says, glancing up from the skirt.
“that dress will never work if you don’t wear heels,” she says, a glint in her eyes.
logan says, “heels are scientifically proven to cause foot, ankle, knee, and back problems. also, they are a tool of the patriarchy, designed to slow a woman down.”
“oh, it’ll be required,” she says. “as well as elbow-length kidskin gloves, pantyhose, a crinoline—”
“that’s ridiculous,” logan huffs.
“uh-huh,” patton says absently, recalling his own experiences with heels. “that’s a debutante ball, kiddo.”
“and if you’re going to do the thing, you may as well do it properly,” emily says decisively, standing up. “i might have a pair of heels that will fit you, just so we can see the amount of height you’ll need—”
and she’s off, heading straight for her closet. in retrospect, patton thinks, he probably should have expected his mom being more on board when it came to clothes.
“help,” logan says, looking at patton pleadingly.
“hey,” patton says, holding up his hands with half a laugh, “this was your idea.”
logan looks like he’s sincerely regretting it.
⁂
virgil’s putting away the last of the dishes he’d washed (patton would probably get on him, later, for doing chores that patton was going to do later, and how you don’t have to do that, honey!! but he was bored, he did some dishes, sue him, also patton always gives him this smile whenever he does things like this, so it is for slightly selfish reasons) when he hears patton’s car pull into the driveway, and the motor cuts off.
virgil smiles to himself, and makes sure that he’s put everything away properly, before he meanders over to the couch and tries to make it seem like he hasn’t been cleaning patton’s kitchen. he’s obviously going to get found out as soon as patton notices his sink is empty, but.
he can hear logan’s voice floating through the door, “—glad she took it okay, but dad, you had to stop at that store right then—?”
“i probably should have warned you,” patton, a laugh in his voice, “but honestly, well. you are gonna have to wear the gloves and crinoline at least, and since you’ve never—”
the door opens, logan carrying a garment bag, patton carrying a shopping bag, “—walked in a pair before, it’s probably smart that you—virgil, hi, honey!”
virgil rises automatically to his feet as patton’s face brightens, and patton rocks up on his toes to give him a greeting kiss.
“i thought you were working?” patton says.
virgil shrugs, and sticks his hands in his pockets. “things were slow enough, i figured i could let jean close. hey, l, is that the dress?”
“it is,” logan says.
“so that went okay?” virgil says, and logan scowls, ever so slightly.
“virgil’ll need to see you in the heels you’re intending to wear to get the hemming right,” patton says. “won’t you, virgil?”
“yeah, i’ll have to use it to see if the skirt needs more length—and heels, huh?” virgil says, glancing at logan.
logan scowls even deeper. “grandma seems to be under the influence that if i’m going to be a debutante, i’m going to have to do it properly. therefore, heels.”
“and elbow length kidskin gloves, and a crinoline,” patton says, ticking them off on his fingers. “i have a list.”
“should probably wait until you get the petticoat to tailor the dress,” virgil says. “could i see it, though? you don’t have to put it on or anything. i brought a—”
“oh!” patton says, catching sigh of the torso-only mannequin sitting in the corner of the room.
“i’ll just keep it here for logan’s dress,” virgil says. “i figured a headless one would be less… creepy.”
“it’s appreciated,” logan says, before he hands over the garment bag, and virgil unzips it, starting to unbunch the skirt and wrestle it onto the mannequin.
“i hate heels,” logan grumbles. “have you seen the studies on what wearing these things on a regular basis will do to your spine?”
“uh-huh,” patton says.
“not to mention your feet,” logan says, scowling at the shoebox like it’s morally offended him.
“also,” logan continues, “heels are an invention of the patriarchy! they were originally meant to help men secure their feet in stirrups, and then it became a symbol of nobility and class, so they’re inherently classist, too!”
“oh, absolutely agreed,” patton says.
“i can’t believe grandma insisted on heels,” logan says. “flats would be fine.”
“yeah, i probably should have guessed she wouldn’t let that part go, given the lessons,” patton says.
logan glances up, frowning. “lessons?”
virgil glances away from where he’s fluffing out the skirt of the dress, too, to see patton with a strange look on his face; half nostalgia, half regret. it’s a look he usually gets when he’s talking about growing up in the sanders house.
“oh, yeah,” patton says, reminiscent. “as soon as i was deemed old enough, we had walking practice lessons, me and your grandma.”
“…what,” virgil says. because. what?
patton laughs, just a little. “yeah, every day for half an hour a day, one summer! she’d make sure i had proper posture in heels. i had to balance a book on my head, too, to make it even more cliché.”
logan looks, perhaps, a little cowed. virgil, on the other hand, is just—
sometimes, it knocks him totally off-guard, whenever patton talks about the various absurd things he had to do, pre-transition, as the sole scion of a rich family. etiquette lessons and country clubs and going to the opera and flower arranging and walking lessons. patton remembers a lot of it, clearly—of course he does, for so long it had been deemed that patton would be a house spouse who raised kids for a similarly wealthy scion of an esteemed family—but it always throws virgil off, just a little.
he briefly pictures patton—long-haired, in the admittedly few pictures patton has shown virgil of himself at that age—chin tilted carefully up, but not too far up, one of the too-big grimoires from richard’s library wobbling on his head, eyes fixed on one of the portraits emily has dotting the house, walking loops around the living room as emily critiqued his posture and stance with a hawkish eye, the click-click-click of heels on hardwood the only thing to break up her commentary.
“i mean,” patton says, breaking that particular mental image. “you know. at least you’ve only gotta wear heels for this one thing. women are expected to wear heels all the time. and since you’re selling this to a lot of chilton students as experiencing what women experience for a day…”
“…i will shut up about the heels,” logan mumbles.
patton ruffles his hair, and, seemingly detecting the mood that’s dropped over logan and virgil—thinking about what it would be like, to be raised like that—and says, in a gentle tone, brushing logan’s hair back into place, “heels really aren’t so bad, once you get used to them. it does just take a bit of practice, i promise.”
logan sighs, and looks at the box a smidge less distastefully than before. “i suppose i’ll have to try it to see.”
“that’s the spirit,” patton says brightly, and virgil shakes himself and refocuses on fastening the buttons of the dress, before stepping out from behind it to get the full effect.
“it’s a bit short on you, huh?” virgil comments, already digging around in his breast pocket for the notepad he usually uses to take orders.
“i think it’ll look very audrey hepburn once we get the crinoline,” patton offers. “the flare skirt thing, y’know.”
virgil nods, jotting this down; as he is, he asks, absently, “logan, was it tight, loose, itchy, anything like that?”
“tight,” logan says immediately, “and a bit itchy.”
virgil’s brow furrows thoughtfully as he considers what to do about that—brick davis had already stopped by the diner to tell him their nickname they were going to use while they were considering other names to eventually adopt and show off their dress, and they had some sensory issues and had already told him that they loved the shape of the dress, but they already knew that if they could feel the itchy gemstones it would be enough to make them have sensory overload, so he was already brainstorming fixes for that—but he jots it down all the same, before reaching out to pinch at the skirt and lift it, then let it go, just to get a sense of how it moved.
“i mentioned earlier that it makes sense, since i was probably a foot shorter than he was when mom ordered that dress,” patton says. “but if there’s a way to just loosen it a bit, maybe, and make the flare skirt thing look more intentional?”
“that’ll all be in the,” he gestures, “crinoline, petticoat, whichever you get. a crinoline would probably be the better choice, if you really want the fifties vibe—logan, you’re cool with the fifties vibe?”
“fine by me,” logan’s voice floats from the couch, then, “how is this supposed to work?”
both patton and virgil glanced over in enough time to see logan holding up a high heel—white, of course, and very sensible-looking and, if virgil had to guess, three inches tall, maybe four, at the highest.
patton blinks. “putting them on already?”
logan shrugs, and says, intentionally casual, “if they take practice, why not start now?”
patton pauses, before he clears his throat and crosses the room, and says, “yeah, okay. do you need help?”
virgil crosses the room, too, if only to get a look at the dress from a full-view angle, and he hears a ka-CLUNK as logan staggers to his feet. he turns in enough time to see logan pinwheeling his arms wildly, and patton reaching out to balance him.
“whoa, easy,” patton says. “let’s not walk yet—”
“not that i didn’t before, but i now, truly, know that i never would have been cut out to do pointe with roman,” logan announces, arms stilling, but still held out for balance.
patton laughs. “there’s a bit of a difference there—he’s been on tip-toe since he was learning to walk, honey.”
“you wouldn’t let patton set you down on wet grass until you were three,” virgil points out, which is true—he and patton had laughed a lot back then as logan had avoided bare feet on grass at all costs, doing some interesting baby gymnastics in his attempts to avoid it.
“i hardly see what that has to do with my balancing capabilities,” logan mutters, a little embarrassed, the way a teenager always is whenever someone brings up baby stories.
“okay, speaking of tip-toe,” patton says, “you’re putting all your weight on your toes, you gotta let the heel touch the ground.”
virgil leans a little to see—and indeed, logan is balancing on his tiptoes, as high as he can, the white heel hovering off the ground. logan, slowly, lowers and lowers until the heel thumps as it hits the ground.
“good,” patton says, hand still on logan’s shoulder. “let’s just get used to how that feels, yeah?”
logan frowns. “the weight distribution is different than i expected. i thought it would all be in the toes, not in the—” he cuts himself off.
“heels?” patton finishes for him. “that’s all okay, just—i’ll let you know how to walk. but you’re kinda getting the feel for it? is it okay if i let you go now?”
logan nods his assent, so patton takes a step back—not far enough that he wouldn’t be able to lunge for logan if logan fell—and logan wobbles, just a little, but he manages to regain his balance quickly enough.
“they hurt,” logan says, frowning.
“toe-pinching like it’s too small, hurt, or—?”
“i think it’s my feet aren’t used to it hurt,” logan admits.
“that’s perfectly normal,” patton says. “your grandma used to tell me to throw on shoes super early so that my feet would get all nice and numb.”
“that’s sick,” logan says. “the patriarchy is evil.���
“amen, brother,” virgil says dryly.
logan preoccupies himself with shifting his bodyweight this way and that, trying to grow accustomed to it, so virgil goes over to inspect the dress a bit more—this dress, honestly, will probably be the most adjustment-intensive, so it’s probably good that it’s logan’s dress—half-listening to patton and logan discuss how logan should distribute his weight and any adjustments he might need to make to his posture and on and on.
considering patton was incredibly short, back then, it’s honestly probably a miracle that this dress even slightly fits logan well enough—and honestly, the fifties skirt effect would probably save virgil a lot of work, rather than spend any time on figuring out how exactly the lengthen the skirt to brush the floor. it’s not like virgil can really start any work right now, considering he really does need to have logan in the heels and crinoline to really get a feel for how the dress looks, but he can gather a few ideas on supplies he might need, fixes he could use for any potential problems.
it looks like his days are going to be filled with those kinds of questions for a while. brick davis wasn’t the only sideshire high student asking virgil to help with their dress; a large chunk of roman’s class had followed his lead, since, to virgil’s everlasting amusement while comparing him and remus, roman was a popular kid that people wanted to emulate, and roman’s friendship slash tutorship of all the students of isadora prince’s dance studio meant that there would also be an influx of tuxes—which, fortunately, were probably going to be way less labor-intensive than any of the dresses.
virgil’s busy jotting down things he might need to bring over or buy, not just for logan’s dress, but for all the dresses and tuxes of the sideshire kids, when patton says, “all right. walking time, do you think?”
“walking time,” logan agrees, with the grim, matter-of-fact determination of someone about to start to climb everest.
“okay. now, remember, let’s start with half-steps, slowly, we can work your way up to your usual walk slash pace,” patton says, and virgil glances up in enough time to see logan cautiously put a foot forward.
he wobbles, and patton lunges forward, catching his hands—”i gotcha, i gotcha,” patton says, a bit of a laugh in his voice, as logan sways his way back to a balanced stance. a stray thought tickles the back of virgil’s brain, but he can’t quite identify what it is before patton starts talking again.
“don’t walk heel-toe, i’m sorry, i should have mentioned that—try putting weight on your toes first.”
“okay,” logan says, and renews his grip on patton’s hands, before carefully stepping forward once again. the thought pings at virgil again, and his brow furrows, ever so slightly, trying to identify what it might be.
“that’s it,” patton says, encouragingly. “just like that! you’ll get the hang of it in no time.”
and that’s when the thought clicks into place—it’s déjà vu.
virgil’s brain flashes—logan, all of sixteen, not quite secure on his feet, but nevertheless trying to walk forward, patton moving backward with him, their hands clasped together.
it reminds virgil of logan learning how to walk.
and the mental image blooms into his mind, crystal clear, like it was yesterday; logan, all of ten months old, wearing his tiny overalls and his tiny t-shirt and his tiny little tennis shoes, mouth open and showing off all of his newly-grown baby teeth, tongue sticking out as he’d take one toddling step forward, two, patton kneeling on the black-and-white diner tile and saying in the exact same, near-laughing tone, that’s it, honey, that’s it! papa’s gotcha! c’mon, lo-lo, you got this! the sight of logan walking new enough that it was enough to stop twenty-three year old virgil in his tracks, watching eagle-eyed as patton shuffled backwards on his knees, eyes wide, encouraging and watchful, and so thrilled as logan babbled a stream of nonsense at him, stamping his way forward, hands wrapped around patton’s fingers.
and a laugh breaks through the memory, and suddenly he’s back in the present; virgil, all of thirty-nine, watching a nearly-full-grown logan, in his officious suit jacket and tie, struggling to take a few steps forward in his new high heels, brow furrowed still, but no childish urge to stick out his tongue; patton, taller, healthier, happier, overall, voice deeper but the tone’s still the same—absolutely thrilled at the concept of logan learning how to do anything, another milestone for logan to succeed in, another instance to celebrate.
virgil remembers, too, logan’s soft, chubby little baby hands, wrapped around virgil’s fingers, staggering toward him, the way virgil’s voice would get softer and how quickly it became second-nature to catch logan if he fell. logan’s shrieking laughs, logan’s babbling in his ear, logan’s cries going quiet when virgil shushed and rocked him. the sweet, babyish sigh logan would let out whenever he fell asleep against virgil’s chest; his head resting against virgil’s shoulder, his weight and warmth in virgil’s arms.
logan’s far too big for that now.
virgil’s heart pangs—when did they all get so old?—but especially at the sight of logan, almost an adult, taller than patton, nearly as tall as virgil, and almost as old as patton had been that day he’d crashed into the diner for the first time.
and now here he was; in high school, and preparing to be presented to society as an adult. granted, as somewhat of a prank. but the idea’s still there; logan is almost an adult. soon, logan would be making his way in the world.
soon, he wouldn’t need them to hold his hands.
“you got this!” patton cheers, as logan slowly, gradually, walks a lap of half-steps around the room without wobbling too much, without the fear of falling down. “you’re gonna be a heels-walking professional by the time of the debutante ball!”
virgil swallows, and echoes patton, voice perhaps a bit thicker than usual, “yeah, kid, you definitely got this.”
logan glances up from the ground to flash a quick smile in virgil’s direction, and virgil takes a deep breath before he crosses the room to take a look at how logan’s handling it; sure, patton had had walking-in-heels lessons, but virgil had definitely worn heels more recently than patton had.
and logan still needs them to hold his hands, for now. just a little while longer.
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(I’m so sorry, I accidentally deleted this ask when I was trying to fix where I put the cut but here’s the image of it because I still had it open in another tab and I’ll just answer like normal. Sorry!!)
This is a great question! There are several reasons why some historians, most notably Gregory Massey, author of John Laurens and the American Revolution tend to paint the Laurens-Hamilton relationship in a more platonic light.
One of the main reasons is that in the 18th century, letters were simply much more romantic and poetic, even to close friends. Phrases and sentiments that now would be read as pretty darn romantic (Like “I love you”) were seen as acceptably platonic back then. So some of the letters between Laurens and Hamilton, particularly Laurens’s, would’ve been seen as acceptable and even normal for very close friends.
HOWEVER, there is a big problem with this argument of “it was just the language of the time” when it comes to Laurens and Hamilton.
While some of their correspondence would have been seen as reasonable for friends back then, some would NOT have been. And don’t just take that from me. Take it from John Church Hamilton. If you look at his biography of his father, you will see that much of the April 1779 letter is not included. Here’s a great rule of thumb: if someone from that time period saw it as sexual enough omit from a giant biography, that’s not “just how people wrote back then.”
The second main argument is an understandable one: Laurens had a wife when he met Hamilton, and Hamilton married Eliza while he and Laurens were still in their relationship. Which, if you don’t look closely at the circumstances around the marriages seems like a pretty good argument.
But let’s take a look at those circumstances, shall we?
John Laurens received a letter from Francis Kinloch (a probable male lover) around early May 1776, which happens to be nearly nine months before John’s child, Frances, was born. So his relations with Martha Manning, John’s eventual wife, could have possibly been to make John feel better about the break-up.
And it is extremely important to note the social pressure going on. Being openly gay was not an option. So courting Martha (they were friends/possibly courting before the baby,) could easily have been just trying to conform to social standards.
The marriage was also not about love, really. And John pretty much admitted this in a letter to his uncle. He wrote, “Pity has obliged me to marry.” This was because Martha was pregnant, and having a baby out of wedlock was extremely taboo. (I mean look at Hamilton, he had to deal with that stigma his whole life.)
If John really did love his wife, I also would think that he would have wanted to stay for his daughter’s birth. He left shortly before she was born, and once he was in America, put them pretty much out of his mind. There were plans to bring them to America, but it never worked out. And John seemed pretty content to just have them be in England. “The wife and child left behind in England seemingly occupied little space in John’s thoughts.” says John Laurens and the American Revolution by Gregory Massey.
But what about Hamilton? Didn’t he love Eliza Schuyler?
Yes. But just because Hamilton loved Eliza does not mean he didn’t love Laurens as well. And this is because of the simple fact that gay and straight are not the only sexualities. Hamilton loved a woman. Using this to argue he couldn’t have loved and been in a relationship with a man is both offensive and illogical.
But a more solid argument that historians use is that Hamilton did marry Eliza during his ‘friendship’ with Laurens. Why would he pursue Eliza if he loved Laurens in the same way?
Why, I am delighted you asked!
Firstly, Hamilton was probably polyamorus, meaning that he wanted and had no trouble having relationships with multiple people. In other words, marrying Eliza did not mean that he would stop loving Laurens. He had room in his heart to love both in a romantic/sexual way.
The way Hamilton writes to Laurens about his engagement and marriage is also indicative of his trying to make clear to Laurens that even though he was getting married, he and Laurens could continue to be lovers. He told Laurens, “In spite of Schuyler’s black eyes, I have still a part for the public and another for you.” That Hamilton is stating that his love for his soon-to-be-wife would not interfere with the bond he and Laurens shared seems to be a pretty clear “I’m not going to break up with you because of my wife don’t worry.” He also talks of Eliza in a slightly cold way at first, saying that, “She is a good hearted girl who I am sure will never play the termagant; though not a genius she has good sense enough to be agreeable, and though not a beauty, she has fine black eyes—is rather handsome and has every other requisite of the exterior to make a lover happy. And believe me, I am lover in earnest, though I do not speak of the perfections of my Mistress in the enthusiasm of Chivalry.”
This is in quite a contrast to his gushy letter to Eliza about how “Neither time distance nor any other circumstance can abate that pure that holy that ardent flame which burns in my bosom for the best and sweetest of her sex.”
And then there is the next letter where Hamilton mentions his upcoming marriage.
The threesome letter.
So. Hamilton writes to Laurens on Sep. 16, 1780, “I would invite you after the fall to Albany to be witness to the final consummation. My Mistress is a good girl, and already loves you because I have told her you are a clever fellow and my friend; but mind, she loves you a l’americaine not a la françoise.”
The final consummation refers to the first time having sex after marriage. Hamilton is inviting Laurens to this event.
Anyway, this again reads to me like Hamilton saying to Laurens that the two relationships, (him and Eliza, and him and Laurens) were not exclusive. Even maybe that he believed they would work together well.
And then of course there is the truth that having a same-sex relationship in the 18th century was simply a very difficult thing to do. Hamilton and Laurens either had to keep it an absolute secret, or blindly trust that the people who did know would keep it secret. And it would have been emotionally tolling to keep this huge part of their lives a secret.
And that is all true. But that also doesn’t erase the evidence of their romance. It was hard to be in a same-sex relationship in the 18th century, but that doesn’t mean Hamilton didn’t write the April 1779 letter. That doesn’t mean Laurens didn’t tell Hamilton about his wife... ever! (Hamilton did find out, though. But not for more than a year.) That doesn’t mean that Hamilton didn’t invite Laurens to “the final consummation.”
Then there’s the problem that queer history just wasn’t written about in older biographies, which are sources usually used by current biographers. So you have to go to the primary sources, like the letters. And once you find the primary sources, you have to do extra analysis, because in the 18th century Hamilton couldn’t have just said, “John Laurens, I love you so much. I love you like I love my wife, and do you remember how awesome the nights we spent in the same bed were?” It was all carefully disguised, under the pretense of “brawdy humor” and “sentimental language.” Plus, letters that may have contained more explicit things are missing/destroyed. Many argue that “it was the language of the time” without considering that it was extremely dangerous to write things unacceptable for the language of the time.
But also there is a sort of double standard that is used. And I’m going to use the example of Angelica Schuyler and Hamilton here. Angelica and Hamilton definitely had a flirtatious relationship, but I find it hard to imagine Angelica seriously going after him, since she and her sister had a close bond. And yet many people accept that they loved each other romantically— emphasized in the musical Hamilton, wherein a lot of time is spent on an errant comma in a letter, and no time is spent on Hamilton bragging about his ‘nose’ in a letter to John Laurens. (I know I defend the musical a lot, but this is something that bugs me.) So the point is, it takes very little evidence to be able to claim “love” for possible straight relationships but takes nearly absolute confirmation for a queer relationship to be considered at all.
There’s also possible homophobia from the writer of the history. This isn’t to say everyone who thinks Hamilton/Laurens were straight is a homophobe, not at all. But if someone has prejudices against LGBTQ+ people, they might just not consider the the relationship could have been romantic... it might not be something they’re tuned into as a valid part of history.
There are others I’m probably forgetting so if anyone wants to add please do. But I think this covers most of the main reasons.
Thank you for the great question, it is always important to look at the other side of the issue! I hope this helped you.
(And no, no one’s asked this before!)
#ask#not anon#John Laurens#Alexander Hamilton#Martha Manning#Francis Kinloch#I guess I mention him#history#queer history#I'm sorry about accidentally deleting the ask#Angelica Schuyler#letters#Eliza Hamilton
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I love fics in which they think they are straight af but have conflicts when seeing the other male 😍😍😍
Hey! Here are some of the new straight to gay fics:
Kyungsoo … Give me your hand! by Saritababo - a nice 36k angsty friends to lovers where jongin has a crush on kyungsoo and kyungsoo is teasing him.
Why won’t you tell me by Drawingfishes - 11k Kyungsoo believes that Jongin is straight. Non au, they do their daily band stuff and Kyungsoo is attracted to Jongin
You make me want to love you - jongin has always liked kyungsoo since childhood but ksoo is straight and has a girlfriend. while ksoo likes jongin but thought it was weird at first. 1st pov from both KD oops but not that bad :D
The Lines and Spaces Between Us - Jongin is not gay in the first place (or that is what he thinks so); but Kyungsoo is a confusion, and he lets himself be confused. angst angst angst, 18k
the perfect pour - 20k, it’s not finished yet. it’s angsty, romantic, dramatic, you know all the good stuff. kim jongin is dry wine to do kyungsoo’s bitter dreams.
talk nice - Top-idol Kai doesn’t know what to expect when he gets a new manager, but it certainly isn’t Do Kyungsoo. Maybe by accident, maybe by fate, Kim Jongin unlearns what it means to be Kai, and wonders if what he really wants most is to live life in colour. 40k and finished
you look like a movie, you sound like a song - to all the boys I’ve loved before au. It’s not just the letters that got out. this is for all the readers that love the long fics, this one has around 70k and it’s completed too
A Controlled Life - the government controls every part of their lives, even choosing who marries who. when Jongin finds out he has to marry kyungsoo, he freaks out, saying he asked to get paired with a woman.
To Nights Like These - They haven’t seen each other since graduation, but an impromptu business trip brings Jongin to Busan and back into Kyungsoo’s life, if only just for one night. This is a goldie, 10k of goodness
Not like I faint every time we touch - Between second and third period, Kyungsoo hears the (apparently) widespread rumor that Kim Jongin is gay. By fifth period, the rumor mill has spread to how Kim Hyuna and Kim Hyojong are looking for a third for their secret relationship. Before the last bell of the day rings, there is already talk going around of how some kid, probably also a Kim, was growing weed in the school community garden. Not finished yet, it has around 4k
Check out the tag for more fics!
- Admin Moon + Admin R
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across the sea | a bokuaka fanfic (act. III)
inspired by the movie ‘portrait of a lady on fire’ by celine sciamma which is sad and lesbian
pairing: bokuto koutarou x akaashi keiji
word count: 21.8k words
contains: historical setting (actually the setting is vague bec if i tried to describe it more it would take 5 extra pages), heavy angst, slight fluff, greek mythology references, implied smut
summary: when Bokuto accepted a portrait commission for the young, engaged Akaashi Keiji, he never expected him to be so beautiful. he knows it's a mistake to be attached, a mistake for them to fall in love in a time when they know it's impossible for them to be together.
a/n: i’m a sad gay who loves sad lesbian movies and portait of a lady on fire is peak film. a lot of the things here are based on the film so i suggest you check out this beautiful movie, but i added a few tweaks here and there to make it my own.
chapters: act. I, act. II., act. III
Bokuto only saw Akaashi two more times since he last left the Elysium Manor. The first time was three years after that unforgettable summer in a secluded house. Thanks to finishing the portrait commission that pleased Mikoto, a woman of relatively high social standing, Bokuto gained a bit more status within the artist circles. Rich nobles commissioned him for portraits, scholars and other writers and artists commissioned him to create paintings of fantastical scenes, and almost any painting that he made was guaranteed a spot in a museum. Bokuto was invited to join the upper social circles at their dinners and luncheons or visits to the opera, but he would politely decline. He couldn’t imagine himself being a part of that social circle and let them paint a picture of mystery around him.
Instead, he decided to teach. He used his money to open a studio for young artists and taught them the basics of sketching and painting with different mediums, instructing them the way his master did. Bokuto had his own studio situated on the floor above where he would teach that came with a bedroom. At night, he’d open the windows for the smell of turpentine and oil to air out, but he’d keep the windows closed, the lights off, and the backdoor open for Kuroo to come in.
He was a male model, one quite famous with fellow artists for being a good one. There were probably a number of sculptures in the nearby museum, Asphodel, based on his physique. He didn’t discriminate when it came to preferring the company of men and women and hit his preferences just as well as Bokuto did. Kuroo was a nice man, a kind one, and Bokuto knew that maybe the dark-haired model had feelings for him. And yet, he never crossed that line. Most likely, Kuroo could see that faraway look in Bokuto’s eyes when he woke up in the morning, his eyes searching for the sea and whatever was across it.
The first time he saw Akaashi was in Asphodel. Bokuto had recently finished a painting that was going to be a centerpiece in their main gallery. On that day, he wore his best shirt and tried to wet his hair and comb it down but to no avail. ‘It’s alright. You’re known for your skills. Not your looks,’ he told himself before putting on a coat and heading out to leave.
The museum was already packed when he arrived with a good number of people circled around his painting. Bokuto pushed his way through the crowd, muttering ‘Excuse me’ along the way, until he was standing near it with his back to the wall. He was aware that he was drawing attention to himself looking like a sentinel instead of the painter but he couldn’t help but wonder about the things people would say. One of the viewers, a young couple, were in conversation as they scanned the painting.
“It’s that Greek legend, isn’t it? The one with Orpheus.”
“Yes. And his wife Eurydice. He traveled to the Underworld after she died with the hope of being able to bring her to life again.”
“I remember! But then there was a condition, right? He couldn’t turn around.”
“That’s right. Although… most painters and writers depict Eurydice already just as Orpheus turned around. In this one, it’s as if he turned around just in time to see her fall.”
“Kind of like he expected it?”
“Maybe. It’s quite an interesting take, if you ask me.”
“Indeed, it is.”
Bokuto smiled to himself, satisfied at the exchange generated by his painting. It was all about the exchanges, the different conversations that his art generated. He stayed by his painting for a few more minutes, listening to conversations, before deciding to stroll through the museum and peruse the other collections. His best sources of inspiration were other artists, but during this visit, it wasn’t just inspiration he found.
It was another portrait of Akaashi Keiji.
It hung in one of the museum wings that they dedicated to portraits. Bokuto rarely needed inspiration for those but something about that day pulled him into the wing to view the collections until he caught a familiar painted face. ‘Is it really him?’ he wondered, eyes flying to the placard to the right that confirmed his suspicions: Portrait of Akaashi Keiji, oil on canvas. It was him. In the portrait, Akaashi was sitting on a chair, elbows on a desk, hands holding up a book. His posture was impeccable as always but his face was completely absorbed in what he was reading. But it was him: same high cheekbones, same curly brown hair, same delicate fingers, same emerald eyes.
Bokuto didn’t know how long he stood there just drinking in the portrait and attempted to memorize every detail when he came to the book in Akaashi’s hands. The worn spine, the burgundy leather jacket, even the size of it: it was his book on Greek Mythology. The book was angled just so, enough for the viewer to see the top corner of the righthand page. “Page 57,” Bokuto whispered, overcome with sheer sadness and joy at the encounter, “You remember.”
The second and last time Bokuto saw Akaashi happened two years later at the Museum Greek History, this time in a different city. Bokuto was there working on a commission for a noblewoman who wanted portraits of each of her children. It was a lot of work, but the money was good and he got to see much of the city. Bokuto decided to explore the museum during a day off. His favorite part was the collection of ancient texts and scrolls that were each displayed in a glass case. He couldn’t read anything that was written, but he liked knowing that they had such a collection. ‘Maybe this time they won’t keep the homosexual subtext out of translation,’ he thought with a smile. He still held out hope that maybe someday, people would accept that Achilles and Patroclus were lovers.
With that thought in mind, Bokuto decided he was done looking around for the day and get ready for the amount of work he would have to do on the way back home. He was walking down the flights of stairs, deep in thought, when a voice shook him out of his thoughts.
“Bokuto-san.”
He had to hold onto the railing to keep himself from falling. It was just like that time he saw Akaashi’s portrait two years ago. Nobody else said his name like that: all crisp syllables and with more than a little warmth in the tone. Bokuto remembered the last time he actually saw Akaashi back at Elysium Manor, and turned around.
There he was, standing at the top of the staircase. He looked as if five years had barely laid a finger on him and looked just as surprised as Bokuto did. Akaashi took a hesitant step forward and walked down two steps. Bokuto felt as if he was back in Elysium Manor as their surroundings fell away.
“It’s you.”
“It’s me.”
“H-how… how have you been?” Bokuto stammered. So many questions overwhelmed his mind and yet he could only pick out that one. An inkling of a smile appeared on Akaashi’s face as he nodded his head in understanding. ‘Even now, we still have this connection,’ Bokuto thought.
“I’m alright. Married. We live in a nice house. My wife is kind, beautiful, friendly. Sometimes we play card games at night,” he enumerated, tapping absentmindedly at the railing of the stairway. “A good life actually.” He looked back at Bokuto. ‘But you’re not in it,’ he seemed to say. “How about you?”
“I could say the same,” Bokuto managed a smile. “My paintings have been pretty famous. I get commissioned often. I teach young artists. I make enough to keep my studio and do some traveling here and there.”
“Sounds like a good life.”
“It does.” But it was just that: good. Bokuto opened his mouth to say something when a child came running down the staircase from above.
“Father!” he exclaimed, barreling into Akaashi’s side. ‘Father,’ Bokuto echoed in his mind. The little boy looked to be about five or four years old. He mostly took after his mother as he had fair hair and fair skins, but when Bokuto looked at closer, he could tell that the boy had his father’s eyes.
“Hiro. Please don’t run down the stairs, you could slip,” Akaashi gently scolded him, leaning down a bit to fix his tie. It was such a small gesture but it made Bokuto’s heart ache just to watch.
“I saw this really cool looking spear in the Weapons Wing. It looked just like the one in the book you read to me!” the young boy exclaimed excitedly.
“Is that so? I hope you remember it well then,” Akaashi fondly patted his son’s head before turning to Bokuto. “Hiro, this is one of my… good friends, Bokuto. Bokuto, this is Hiro. My son.”
“Nice to meet you,” Bokuto smiled down at him. Hiro cocked his head and waved shyly, making Bokuto chuckle. “He has your eyes, Akaashi.” During the past five years, Bokuto had held out hope that maybe he and Akaashi would cross paths again, that maybe they could run away like what Akaashi dreamed of. But now, he knew that he was too late. Ever since he left Elysium Manor, it was all too late for that.
“It was great seeing you again, Akaashi,” Bokuto cleared his throat and feigned a smile. “I… I have to take my leave now.” He didn’t want to leave. With every fiber of his being, he didn’t want to leave. He would hold this encounter in his heart for the rest of his life but nothing good would come out of him speaking his mind.
“Alright, say goodbye, Hiro,” Akaashi said, tight-lipped. ‘You know it too,’ Bokuto thought.
“Bye,” Hiro waved shyly. Just as Bokuto was about to turn and leave, Akaashi quickly ran down the rest of the steps and wrapped both of his arms around him before he could say anything. Bokuto held his arms awkwardly at his sides before wrapping them around Akaashi’s waist. He wondered how much Akaashi had tried to hold himself back from doing this.
“Koutarou,” he whispered. “Until now, do you…?”
“I do. I think of you every single day,” Bokuto whispered back. “I still love you, Keiji.”
“I’m glad,” Akaashi swallowed and pulled back, leaving the feeling of that loss of warmth that Bokuto would carry with him for the rest of his life. And with that, he nodded once, and left.
Five more years passed. Bokuto had begun to grow tired of the fame and attention and decided to move to a provincial town along the coast. He left his studio to one of his young apprentices, packed up his materials, and bought a small house with a garden that sat near a cliff, overlooking the sea. He still painted, it was something he never grew tired of, but he chose to paint nature or the people at the countryside instead of the portraits of noblemen and fantastical scenes. He liked getting to know his neighbors, going to the festivals held at the town square, and looking out of his window to see the birds that chirped on the trees or dove into the sea for food. He was sitting on his chair outside, trying to sketch the charming woodpecker he saw that morning from memory, when Kageyama came.
“If it isn’t Elysium Manor’s most loyal butler,” Bokuto grinned at him as he saw the familiar head of black hair approach his porch. He looked different from the last time Bokuto saw him. His arms were thicker and his complexion was slightly tanned. But it was still him.
“It took a while for me to find you, Bokuto,” he returned the smile.
“Find me?” Bokuto said, puzzled. “Did you suddenly become a fan of my paintings?”
“No, it’s…” Kageyama paused and exhaled, the look on his face somber. “Can we talk inside?” Bokuto felt his stomach drop. He knew he wasn’t going to like whatever it is Kageyama was going to say.
“Sure. I’ll make tea.”
Once they were sitting at the table with two mugs of tea between them, Kageyama broke the news.
“Akaashi-san passed away last winter.”
The news hit Bokuto like cold water to the face. Akaashi Keiji. The man that Bokuto had loved ten summers ago. The man he just saw five years ago. The one that haunted him at midnight, tossing and turning and longing for that touch and wondering about all the what-could-have-been’s. His Akaashi Keiji. His Akaashi Keiji whose sketch Bokuto still kept in a small pocketbook close to his heart. Who grew up a lonely, sickly boy in a house full of books. His Akaashi Keiji, who would mumble ‘Koutarou’ every time they woke up together during those numbered mornings. His Akaashi Keiji.
“I’m sorry, Bokuto. I truly am,” Kageyama sighed, reaching out to touch his fingertips.
“How—how did you know?” he stammered.
“I received a letter,” he said. “It said that he contracted tuberculosis from a trip abroad and, well you know how sickly he is. He wasn’t able to survive it.”
“God…” Bokuto rubbed a hand over his eyes. “I… I didn’t think… of all things…”
“I know,” Kageyama nodded. “The letter said that I was mentioned in Akaashi-san’s will. He entrusted two items to me to deliver to you.” With that, he pulled a package wrapped in brown paper and tied with twin from his satchel and placed it on the table. Bokuto made no move to accept it. All he wanted was Akaashi back. He didn’t care if had to take ten, twenty more years for them to meet again. He just wanted to know he was alive somewhere and still thinking of him.
“I…I think I know why he had these sent to me instead of having them delivered directly to you,” Kageyama cleared his throat. “Akaashi-san cared about you, and yes, I know he cared about you in that way. I could see it in the way he looked at you. I was skeptical at first of your relationship but ten years after, the moments I witnessed of the two you stand out starkly.”
At this, Bokuto could feel himself collapse with his head on the table, the dam of tears finally breaking as he sobbed into his arms. “It’s true. We did love each other.”
“I know he thought of you in those last moments,” Kageyama consoled him. “You were too important for him to think of breaking the news to you through just a letter.”
Bokuto didn’t know how long he had cried there on the table for. He could hear Kageyama busying himself in the kitchen and the smell of dinner being cooked, as if they were both back at Elysium Manor. Finally, when his tears had all run out, he sat up to open the package that Akaashi had entrusted to Kageyama. Inside, there were two books: the Greek Mythology book that Akaashi loved so much, much worn down than the last time Bokuto had used it to sketch a portrait of himself, and a soft, leather-bound notebook.
It was late so Kageyama stayed the night and slept on a roll-out cot beside Bokuto’s bed before he left the next morning. “It’s a nice place,” he told him, as they stood at the cliffside overlooking the sea. “I could see why you chose to be here.”
The next few months after that was the longest that Bokuto spent without painting. Every time he tried to pick up a brush or a piece of drawing charcoal, his hands shook and all he could see in front of him was the half-finished portrait of Akaashi, and Akaashi himself posing in the distance. And at night, he’d find himself looking over his shoulder more than once to see that vision of his beloved, pale as a ghost.
Finally, he picked up the leather notebook that Akaashi left for him. He had expected it to be a diary but it ended up being slightly more than that. It was a story: about a lonely boy who spent his days reading books in an empty house and the beautiful painter who entered his life and made it worth living. ‘He came on a little lifeboat from across the sea,’ it began. Bokuto found himself tearing up again at the sight of Akaashi’s handwriting.
Every day, little by little, he read a bit more of the story, mostly while he was sitting on a chair near the cliffside. He relived everything: the time Akaashi drank the sea from his cupped hands, the look on his face when he saw the ruined portrait, Akaashi dancing around the maypole with his crown of chrysanthemums, the summer night kiss, the feeling of their bodies pressed together, the sound of his voice when he read out loud, Akaashi’s emerald green suit in the portrait, their last night together, the morning after and the sketches to remember each other by, Akaashi illuminated by a single shaft of light in the middle of the floor, the portrait of him hanging in the museum with the pages of his book turned to the 57th page, the last time Bokuto heard Akaashi say his name.
At the very last page of the notebook was a note, directly addressed to him: I know for a fact that there are others like us, Koutarou. Afraid of the punishment, afraid of the scorn. I don’t think I’ve ever cared about what people would think of me once I died, but if there is one thing I want people to remember about me, its that I was yours, always yours. Maybe someday there will be a place for people like us, a better place. And I want them to know that we’ve always been around. We’ve hid. We’ve suffered. We’ve lost. But we’ve also loved.
“We have loved, haven’t we Akaashi?” Bokuto whispered, closing the notebook. He knew that he was going to finally pick up his charcoals and later on, his brush. He remembered what Akaashi said about how texts were continuously misinterpreted to remove the homoerotic subtext and as much as he knew it would be difficult to do so with Akaashi’s journal, Bokuto wanted to further ensure how history would remember them. He would sketch and paint everything he could possibly remember. But for now, he wanted to finish his day staring out across the sea.
Kageyama knew why Bokuto purposely chose to make his home here. The town and house he lived in was just on the other side of the sea, across where Elysium Manor still reportedly stood. Nobody went there and it was still Akaashi’s name, but the land and the manor would eventually be donated to the nearby town. Under the condition that Akaashi Keiji’s final resting place wouldn’t be disturbed.
“That clause in his will was only allowed for me to hear,” Kageyama had said a few months ago before he left. “That small plot of land next to where Akaashi-san is buried is entrusted to me to be passed on to you. Bokuto-san, I will ensure that that will be your final resting place. And if I pass on before you, I will entrust the task to my nephew. I can promise you that.”
“You do love your Greek myths, don’t you Akaashi?” Bokuto smiled to himself. He could almost hear his laugh in the back of his mind. As he looked out to the sea, he could just barely make out what lay across it. It made Bokuto remember how Orpheus and Eurydice’s tale truly ended. After losing his wife a second time, Orpheus wandered the Earth, lost and mourning, until he was torn apart and killed by Maenads, Dionysus’ traveling followers. When Orpheus soul traveled down to the Underworld, Eurydice was there, standing on the banks of the River Styx, arms outstretched to her lover who finally came home.
#across the sea#bokuaka#bokuto koutarou#akaashi keiji#bokuaka fanfic#haikyuu!!#haikyuu!! fanfic#across the sea: act. III
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Ammonite - Just Because We Want Historical WLW Rep Doesn’t Mean You Should Intentionally, Innacurately, Retell The Story of Someone’s Life
So I see some people talking about how Lee is a gay man and has made another movie about queer relationships with great sensitivity. I haven’t seen it yet, but I feel like people are missing the big picture using this as an excuse. The problem isn’t so much that Lee is a man as gay men also understand what it’s like to be fetishized and oversexualized. The problem is that at the end of the day, Ammonite is a Hollywood movie, and Hollywood movies are generally made for white, cis, straight audiences, no matter how much the director tries to stray from this. Even though it’s being made and largely produced in Britain, it’s being distributed by Lionsgate, which isn’t going to risk this movie not doing well. Let’s then compare it to its predecessor, POALOF, a non-Hollywood movie about two women in love, directed by a lesbian and featuring at least IRL lesbian actress who understood the importance of their performances and this movie for other queer women. Despite its praise, it got no major noms. Ammonite only just released its trailer and is already an unequivocal Oscar bait movie, in part because of Kate Winslet and, to a lesser degree, Saorsie Ronan. Kate Winslet never stars in any role unless it is undeniable Oscar bait, and for straight actors, LGBT roles played by non-LGBT members are almost always big Oscar roles. Even though Saorsie Ronan identifies as an ally, she’s still a straight women portraying a queer character and she has consistently been nominated for her acting or been in nominated movies. Either way, with straight actors, especially straight female actors portraying queer women, there is always the risk that they oversexualize the characters rather than focus on the relationship. You can have sexual tension, you can have sexually charged scenes where there is no sex. But the first big budget Hollywood movie that is focused on two queer women’s romantic relationship stars two straight women and just had to have a sex scene, because Hollywood still doesn’t know how to stop sexualizing women, and teenaged girls, which means that it also doesn’t understand how to not make images of queer women that aren’t for male consumption.
Also, I haven’t even gotten to the fact that trying to make a biopic about any historical figures that centers around their sexuality is always risky when we’re not sure if they were queer or not. Yes, unless it’s like a police record that has something to do with homosexuality or first hand records written in the diaries or private letters, no one ever has 100% certainty, but that doesn’t mean we immediately jump to assuming they were queer just bc they didn’t marry and were mainly surrounded by their own gender. No one can actually look at the relationship between IRL Mary Anning, played by Winslet, and Charlotte Murchison, played by Ronan, and claim there were romantic undertones that could point to a relationship. And the accuracy of the film already is under question when they for some reason switched the ages of Murchison and Anning so Anning is being played by a woman almost 20 years older than the actress playing Murchison, when in reality Murchison was at least 10 years older than Anning. Also, it’s really weird that the director made Murchison seem unhappy for no reason when she was a rather popular figure, was generally viewed as quite happy despite her chronic health issues, came from money, had a good relationship with her husband as spouses and as professional partners traveling and studying geology, had friends, socialized and played hostess to ensure funding for the sciences, and made a space for herself in academia. And that he made Murchison seemingly unknowledgable in fossils even though she had a maintained collection she purchased and hunted for while on geological studies with her husband that was so impressive parts of it were referenced in later publications. I understand wanting to find figures like yourself, but what might be attempting to completely rewrite the lives of two people who were notably close friends isn’t the answer to finding representation and is probably just as bad as straight people intentionally rewriting the histories of queer relatives so no one actually knew they weren’t straight or cis. Even if the director rightfully claims that history is “straightened” it doesn’t make it any better to purposefully read through lines to find information that likely isn’t there and show it as if it were true.
Anning didn’t have any romantic relationships with men yes, but Anning also didn’t seem to have any romantic relationships at all, with men or women. She was treated as an outcast so often that she stated that “since the world has used me so unkindly, I fear it has made me suspicious of everyone”. So why is this film so focused on the potential and likely fictional romantic life of a woman who notably had no romantic life, heterosexual or homosexual, and her close friend? It would have been just as easy to make Anning asexual and aromantic, explore how even in a society where any sexual act is frowned upon, people are still expected to be sexual and those who aren’t are deemed outcast, and still focus on the budding friendship of two women in related fields bonding over fossil finding, providing an outlet for each other to vent over their frustration of working in traditionally male spaces, and the elder helping the younger open up and realize the world isn’t as bleak as she might believe. I guess the director thought giving a romantic and sexual aspect to her character would make her seem more interesting and 3-dimensional, but an even better way to do that with a historical character is to take the most interesting relationships in that characters life and show the different forms of interaction and appreciation in them. There are just so many problems with this movie that for as well acted and beautiful as it looks, I just don’t know if I can bring myself to actually try and enjoy it when it comes out.
#Ammonite#ammonite#Ammonite 2020#ammonite 2020#kate winslet#Kate Winslet#saoirse ronan#Saoirse Ronan#mary anning#Mary Anning#charlotte murchison#Charlotte Murchison#lgbt+#lgbt#lgbtqai#lgbt films#lgbt film#queer film#queer films#biopics#wlw
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We are are who we are Episode 7 lb
Look at all those chickens
So quiet on election night thats wild. Maybe because they just don't care.
Sarah showed up in sweats, this is bad.
Damn they are dead, damn.
Trust they see more in barracks, a lil tit is not gonna hurt anyone. Also damn Chloe them thangs are sitting. Hello.
No time at all to pray.
I mean Fraser, your mom is gay she has a bit of semblance that trans people exist. Also taking a child that is not your own to an enfo assessment can turn out awful for that kid if their parents don't accept them. Especially if you are not in a position to take care of and invite that child into your home to raise.
Fraser get your head out your selfishness, be aware of your audience.
God, did their friend die?
A moment of silence simultaneously is eerie.
Oh no ;(
Damn an iud.
I'm with curly haired kid not the blonde one.
Based on Fraser being blunt like that with 0 I still think he may be somewhat on the autism spectrum or at least he has anxiety.
I hope Danny doesn't kill himself.
R.I.P Craig
She is only gay sometimes aka not now, that switch up is hella cold.
Oh, well I guess he gets his bluntness from Maggie.
Basically Maggie you are the distraction and she is breaking up with you.
DAYUM, she does have a son though. One who no one views as her own cause he's not biological which is weird. She already has those insecurities and everyone keeps reminding her of thatm
Grief bonding is real.
Danny is snapping, Sam sees this is ridiculous, and Harper/Cait ran to Fraser fast.
Wait Fraser and Cait could still be a thing, even though I doubt it, cause they aren't cis and Fraser definitely isn't straight.
Gosh this is a bleak group vigil. Oh wow, Craig's wife is there.
So military couples both wear their blues/greens at formal events together gotcha.
Harper/Cait's dad can get drop kicked rn i swear.
Fraser just being a support for Harper/Cait aww he finally got that he said the wrong thing earlier.
Leave her be Maggie.
Sarah really is mothering these two kids, oh fuck Richard is drunk. Damn he knew all 3 soldiers who died closely.
Its not her fault they died also, there is a chain of command. Someone gave her an order and she went along with/followed the order. If she had said no more troops it would have gone over her head and still happened.
This episode is really really good so far. The pacing, the story, just really well done. This series as a whole is a slow burn to the end it seems cause so far this is super cohesive.
Back to the house where they last saw Craig.
Ahh religious battles. So he was gon say no to the alcohol but yes to the coke??
Sam doing coke and ketamine, chileeee.
Drugs and alcohol only provide temporary relief from grief y'all. It's something you actually have to work through even though it hurts.
Yea please someone go follow his widow please. I mean technically even if you divorce someone and have kids you will always be bonded to them. Technically it always follows you that you've been married before in your paper trail.
Noooo Fraser Noooo, you can't just pop up on people like that.
Fraser seeing this half-naked man is bumbling. Yea kid, they were having sex or about to. You interrupted
Maggie is going to put this child under house arrest i swear.
Not these two weirdos baiting a child into a sexual encounter/threesome.
Come thru Dev with this soundtrack though we love a good radiohead moment.
Oh thank the lord he came to his senses, yes lets get out of there Fraser. He clung to that man like a scared leaf and looked at that woman with so much confusion. If Sarah finds out he's getting soldier man is fired.
Okay forest lmao
Thats how you fuck up your bike, don't do that.
Close the fridge before you defrost is damn.
Not him looking for a gun and then deciding on alcohol. Boy it is perfectly okay, you weren't ready and thats okay you aren't old enough and that man is far too old for you.
The freezer please.
Alcohol poisoning here he comes. Where is Maggie? I know Sarah is busy at work but where is Maggie. He feels like a failure because what he was looking for was a male figure to connect to and its muddled with attraction.
Oh there they are, awesome. He is so mad at Sarah. Maggie really can be an excellent mother when Fraser needs it. Glad they are home to take care of him.
They can be soulmates and not fuck.
As I said sex doesn't heal the pain of grief.
Soundtrack is 🔥🔥🔥
Yo Danny stop, omg they all are snapping, this is someone else's house. This is why you don't do psychedelics right when you greive or something traumatic happens. Those folks gonna enter their house and be pissed.
I wonder if the bottle was like half full cause he drank an entire thing of whiskey.
Oh awesome he got his moms to help, yay and Maggie is a doctor too so that works out well.
It is telling that they felt safer calling Fraser and his parents, rather than their own. Glad Danny is okay though.
Kids really don't allow for no funny bidness.
Oop thats a subtle, "I know you're fucking my wife so stop."
But she said it straight up with her wife, like I know why and what you did but let's not do that. Oh so both parents think their kids are bad influences on one another.
Damn so she habitually does this, their relationship has so many unstable variables and factors.
Awe they are on skype, also I now remember Harper/Cait told Fraser not to kiss anyone else.
Clearly Jennifer is still not watching her kids because her son just left out the door. Her son just left and she didn't even ask him what he was doing.
Is he gonna pray? Set up to look like something bad but he's in reality going to pray?
This gif is beautiful
I am excited for the finale, if this is the 2nd to last episode. They both gonna fall into their queerness fully.
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Royal Growing Pains - Chapter Nineteen
Thank you all for being patient waiting for this update! I was in the hospital yesterday, so I had no Internet access. :') I'm much better, though, now, and I hope you enjoy this chapter!
Warnings: Homophobia, transphobia, misgendering, sympathetic Deceit
Royal Growing Pains Tag
Roman spent the walk to the library in silence. Damien wasn’t exactly silent, but he wasn’t talking, and he wasn’t forcing Roman to talk, a fact which Roman appreciated. Damien was just nodding to people in the hallways, offering little greetings here and there as they went to the library.
Once there, Damien led Roman to a back corner which held beanbags and some children’s toys, no doubt leftovers from Damien’s years as a child. Damien sat down in one and Roman fell into another, and they looked at each other for a long moment, a silent challenge to see who would speak first. “My dear,” Damien said eventually, “Please, will you tell me what has been bothering you?”
Roman took a breath. “I’ve been struggling with my dysphoria,” he said.
Damien waited a moment, before he sighed. “Roman, I cannot help with whatever is ailing you if you don’t reach out to me first,” he said. So much pleading and desperation was in his eyes, and Roman felt worse because he knew he was the cause of it. “Please. Let me in.”
Roman sighed. “No one will ever be able to love me,” he said softly. “Or at least, no gay man will be able to love me.”
“What?” Damien asked.
“Don’t you understand?” Roman threw his hands in the air. “My body is female. No matter what surgeries I get, I’ll always be stuck in the body of a woman. I might be lucky and some man who’s bisexual might love me, but no man who only feels attraction to the same gender would ever love me.”
Damien opened his mouth, before closing it with a click. He looked furious, his entire body trembling. “No,” he said simply. “Roman, you’re wrong.”
“How can you say that?” Roman asked. “We both know it’s true! I’m doomed to be in this body for the rest of my days! I can’t just magically get a male body with everything I want from it! And if I don’t have that body, who in their right mind would love me?”
Damien shook his head. “Roman, you’re wrong,” Damien insisted. “What even possessed you to think this?”
“That joke about loving each other? Why else would you look disgusted if not at the thought of loving me? And scoffing at being gay with me around Remy? Like, I get it! You don’t want to marry me! I’m not desirable! But you don’t get to behave like that and then immediately after say I’m wrong!”
“That’s not what I did!” Damien exclaimed. “I already told you! I simply wasn’t expecting your joke! Scoffing around Remy wasn’t at the thought that I might like you!”
“Then what was it?!” Roman asked. “Because that’s what I heard from it!”
“It was the accusation that simply talking and joking around could be romantic attraction at work! Not at the notion that I might love you, but the notion that two men can apparently not be friends if they’re both gay.” Damien continued to shake. “And you are a man, Roman. Your mind is what determines your gender, not whatever you might have between your legs at the moment.”
“Oh,” Roman said. “But I’m not...I don’t have...”
“Not having a dick doesn’t make you any less of a man, you dumbass,” Damien said firmly. “And you are a dumbass if you think that you can’t be a man just because you can’t stand and pee.”
“Damien...I appreciate the peptalk, but the fact of the matter remains that I can’t be a man. Not in the way I want to be,” Roman said, tears falling again.
“I’ll get you a binder. A packer with the ability to stand and pee while you use it. My dear, I will help you purchase a strap-on if you think that it will help you feel more like a man. Because you deserve to feel like your gender,” Damien said. “Please trust me. I’ve loved men my whole life, Roman. I know one when I see one. And I see one in you.”
Roman honestly didn’t know how to respond to that. “Why?” he asked. “Why do you see a man in me when I’m...not?”
“My dear,” Damien said, moving to sit next to Roman with a gaze so intense Roman was scared to look him in the eyes, “You are a man. The voice you have telling you that you’re not is not your own. The confidence you’ve shown when you are yourself, when you are free to be Roman, and don’t have to cater to your mother, that cannot be faked. You are at your strongest when you are allowed to be yourself. And I don’t want to presume that I know you better than you know yourself, but I have seen you, my dear. I have seen you happy. And you’re at your happiest when you can be the man you want to be.”
“Okay, so I’m a man,” Roman said. “That doesn’t mean that any gay man will love me. I’m still undeniably feminine in figure. Have you seen how many gay men will say, ‘No fats, no femmes’?”
“That is not every gay man, my dear,” Damien said. “You can find a gay man who will love you for who you are.”
Roman just continued to cry. “Like who?” he asked, scoffing through his tears.
“Where do I begin?” Damien asked. “Roman, any man with half a brain in this castle would fall for you.”
Roman’s stomach flipped. He couldn’t possibly hope that included Damien...
Could he?
“Like who?” Roman asked. His heart pounded in his chest. If Damien included himself in the list...
“Patton. Logan. Virgil. I know Remy was taking his time with you. Like I said, my dear, anyone with half a brain.”
“What, you don’t have a brain?” Roman joked weakly.
“Well, first of all, I don’t have half a brain, I have one singular brain cell, so jot that down,” Damien said. “Second of all, my dear...could we not make jokes about loving each other?”
Roman felt his heart shatter. “What?” he asked faintly.
“I know we’re to be married, my dear, but the love jokes make me uncomfortable, and you seem to spiral soon after making them. I think it’s in both of our best interests if we try to keep those jokes to a minimum.” Damien scratched the back of his neck. “I’m truly sorry, but I just...”
“No, no, I understand,” Roman said, feeling his hopes be torn into shreds.
“This doesn’t mean you’re not worthy of love, my dear,” Damien said, giving Roman a tight hug. “Understand? I just don’t want either of us getting more hurt.”
And the heartache Roman felt could only mean one thing: he was definitely in love with Damien. And he had no idea what to do about it. “All right,” Roman said softly.
Damien offered Roman a smile, but Roman couldn’t bring himself to return it. Instead, he sighed and mumbled, “We have to go back out to our mothers, don’t we?”
“I’m afraid so,” Damien said simply.
“Do we have to do it right this second?” Roman asked. “Or do we have some time to rest?”
“I anticipate we don’t have to leave immediately, but we don’t have more than ten minutes before everyone comes looking for us,” Damien said.
“Ugh,” Roman muttered. His mood was souring fast, and he couldn’t help but feel resentful for the situation he had been put in. Made to be married to a man who wouldn’t even want to joke about love. “This stupid castle isn’t going to give me a second to rest until I’m dead, is it?”
“Hey, I know it’s not the best situation for you to be in, but this castle is better for you than the other one you had the misfortune of calling a home,” Damien said, defensive.
“At least there my mother wasn’t as aggressive about my not being trans as she is here!” Roman snapped.
“She didn’t know that you were trans! She’d react just as badly whenever you told her in the future, and who knows, she might not have been able to try and pin you to me that time! At least I’m accepting of your identity!” Damien huffed. “I know I’m a royal pain in the ass, my dear. I also know that I’m willing to do whatever it takes to keep you safe. I don’t trust anyone else with that job.”
And yet you don’t love me? Roman thought, but didn’t dare say.
Damien pinched the bridge of his nose. “Neither of us are in a great mood. Should we just...agree to move on and head back to our mothers? Continue this discussion at a later date when we feel like it?”
“Yeah, probably,” Roman agreed, and they both left the library.
They didn’t say anything for a minute, until Damien lightly poked Roman in the shoulder. “Poke,” he said softly.
Roman frowned and turned to look at Damien. “What was that for?” he asked.
“Conversation starter,” Damien said with a shrug.
“Lousy conversation starter,” Roman said.
Damien smirked. “Ah, and yet, we’re still conversing after it.”
“That’s how low your standards are?” Roman asked.
“That’s how conversations are started. I’d say my expectations for conversations are on par,” Damien defended.
Roman shook his head and muttered, “You’re a ridiculous man.”
“Thank you, my dear, I do try,” Damien said with a pleased little smirk.
Roman poked him back, significantly harder, and Damien yelped, scowling at Roman when he giggled in response. Damien retaliated by running his fingers up Roman’s sides and Roman shrieked in response. “Hey! Tickling is illegal!” Roman protested.
“Says who?” Damien laughed.
“Says me!” Roman said.
“You’re not the crown prince of this kingdom!” Damien said smugly.
But Roman had too much experience with Remus using this line to just back down. “Oh, well, then. I suppose tickling is legal,” Roman sighed, before his hands darted to Damien’s sides.
Damien yelped before bursting into laughter and Roman grinned wickedly. “So you think you can do this, huh?” Roman asked. “You think you can beat me at my own game?”
“Stop...stop! I yield! I yield!” Damien exclaimed, holding his hands up and out in surrender. “You win! I yield!”
Roman backed away and Damien panted. “That was...far too much for me to handle,” Damien gasped. “I’m a little bit dizzy, now.”
“Oh, no, are you okay?” Roman asked, hands moving to Damien’s shoulders.
Damien took a deep breath and swallowed. “I’ll be fine, my dear. But I’m starting to understand the phrase that my mother always told me when I was younger. I truly am too mischievous for my own good.”
“Right, because I take that mischief as a challenge, right?” Roman asked. “And combined our forces are almost unstoppable.”
“I would think so,” Damien said. “It’s why I’m not allowed near paint, and why we should probably agree to a truce when it comes to tickling.”
“Agreed,” Roman said.
They shook hands and moved further down the hall, before two voices called Damien’s name and Roman’s deadname. They both turned and found their mothers rushing up to them. “Is everything sorted?” the Queen asked before Roman’s mother could start anything.
“Everything’s sorted for now,” Damien agreed. “We might be talking later but the bulk of the issue is resolved.”
Roman silently nodded. He couldn’t say that the bulk of the issue was resolved himself without sounding unconvincing. Damien being so passionate to Roman about his masculinity meant that Roman loved Damien a lot, perhaps too much for his own good. And that was a pretty huge issue. He wasn’t supposed to catch feelings for this man he was doomed to be married to for the rest of his life. He was supposed to just...suffer silently, or at least be friends with this man who was the key for him getting HRT, and the surgery he needed. Catching feelings was not part of the plan.
Their mothers herded them out the front door and Virgil was standing there with a car, and all four of them got inside. Damien’s mother drove, and Roman didn’t fail to notice another car following them down the hill. “My mother insists on driving everywhere,” Damien murmured to Roman. “She says that no assassin worth their salt would try and kill her from a distance. Virgil makes sure all the guards’ cars have bullet proof glass anyway.”
Roman laughed a little. “Frankly, I don’t blame her,” he said simply. “I wouldn’t want to be stuck with someone else escorting me everywhere. Half of the fun is the journey, and someone else will nine times out of ten take the shortest route from point A to point B. Me? I like adventure.”
“I can see that,” Damien said with a soft smile.
Roman lapsed into a comfortable silence with Damien after that. The initial awkwardness and the subsequent irritation of their earlier interaction was no longer there. Either he was too tired to care, or he just happened to be in a better mood and it was difficult to get him down today. Although judging by the dysphoria debate, Roman’s money was on too tired. Dysphoria always took it out of him.
They travelled through the nearest town to the outskirts of the south side, where a jewelry store sat, a little simplified but undeniably charming. All four of them got out of the car, and when Virgil pulled up, he hopped out and led them inside.
The jeweler seemed to be expecting them, as the store was mostly empty, save for a few staff members. “Your Majesty,” the one who Roman assumed was a manager said, “It is wonderful to see you again.”
“You as well,” the Queen said with a smile. “And I presume you have everything ready for our children?”
“Yes, right this way,” the man said, gesturing for Roman and Damien to follow him.
Roman did so, Damien trailing behind. “May I see your ring finger, Your Highness?” the jeweler asked Roman.
Roman obliged, and the jeweler fit a small device over Roman’s ring finger, tightening it. “Hm. Size six,” he murmured. “And you, Your Highness?”
Damien offered his own hand out and the jeweler did the same to Damien. “Size eleven,” he said. “And I assume you want the rings to match?”
“That would be ideal, yes,” Damien said. “We are getting married, after all, it would make sense to have matching rings.”
The jeweler nodded. “Of course. Just making sure we’re all on the same page, Your Highness.”
The jeweler brought out an assortment of rings in their sizes and Roman looked them all over. “See any you like, my dear?” Damien asked. “I’ll be honest, I’m a little overwhelmed.”
“This may seem odd, but I do like the black ones,” Roman said.
“Black zirconium?” the jeweler asked. “I would not have assumed you liked that. Would you like to see more?”
“Please,” Roman said.
The jeweler nodded and brought up a small selection of black rings. Immediately, Roman’s eyes lit up as he saw one of the specific rings. “Oh, that one is gorgeous!” he exclaimed, pointing.
The jeweler picked it up. “You like this one? It’s black zirconium with strands of rose gold throughout the ring.”
Roman nodded. “I like the contrast between the zirconium and the gold.”
“Mm, I agree, my dear. You have quite an eye for jewelry,” Damien said softly.
“Shush, you,” Roman said with a mock glare. “But if you like it as well, then I guess we have our wedding bands.”
“We have our wedding bands,” Damien said with a relieved smile. “That’s a weight off my chest.”
“I wasn’t nearly as worried about it as you were, but I agree. It does feel better to have one less thing to worry about,” Roman agreed.
Damien grinned and the jeweler asked them questions, getting their exact ring sizes and there was a minor bustle trying to find rings that they liked in that style in their size, but they found two rings and the jewelers promised to have them ready the day before the wedding, at which point they left the store. Roman took a deep breath of fresh air and said, “I like it down here. It feels a little less lonely. Even if we have to be supervised, it’s nice to be out and about.”
“Agreed,” Damien said with a slight nod. “I do like going on small errands into town every once in a while, just to feel the fresh air, the sun on my face, and a sense of purpose it’s hard to find when you’re at home all the time.”
“As much as you two may like to be out, we do have to head back. Logan wants you to do more dancing, he just texted me as much when I told him we found the wedding bands,” the Queen said.
Roman groaned and Damien laughed, wrapping an arm around Roman’s shoulders and guiding him back to the car. Roman sat in the back with Damien and let the Queens talk up front. Damien poked Roman’s shoulder and whispered, “Any particular dances you’d like to learn for the reception?”
“Not really,” Roman whispered back. “I’m surprised I can handle the waltz, I’m pretty sure if I tried a foxtrot I’d twist my ankle.”
Damien laughed, clapping a hand over his mouth as his shoulders shook. “I’m sorry for laughing, I just see that being entirely too plausible,” he said.
Roman’s phone chirped and he looked at it. “Is that Remus’ text alert?” his mother asked from the front.
“No, Mom,” Roman said, checking the text and seeing it was from Remus. “It looks like it was just spam.”
can you send a picture of fh? the text read.
not right now, with mother. you nearly got your hide tanned Roman responded.
He didn’t get a text back after that. They reached the top of the mountain and Roman and Damien got out of the car, and Roman sighed. “Hey, Damien. Mind if I get a picture with you?”
“Why?” Damien asked.
“Just thought I might share it with some of my friends whenever I can see them next. Maybe show Remus, too,” Roman said with a shrug.
“Okay,” Damien agreed. “Why don’t we head to the ballroom and take a picture there?”
Roman nodded.
Damien and Roman walked inside, their mothers trailing behind. “Was that really your brother?” Damien asked lowly.
“Yeah. He’s the one who wanted a picture,” Roman said.
“Can I have his number?” Damien asked. “We could have a group chat the three of us, with a different text alert, so that your mother wouldn’t know.”
“Oh, that’s genius!” Roman said, trying to keep his voice down so his mother wouldn’t hear.
Damien took Roman and Remus’ numbers, put them in his phone, and, when they got to the ballroom, took a picture of himself and Roman, sending it to both Roman and Remus. because you wanted a picture of me, remus Damien sent.
Roman laughed as Damien showed Roman that Remus was typing. This day was certainly about to get far more interesting.
Tag List: @lunareclipse-13@sanders-sides-crofters@blushy-gigglee-mess@wannacrymetoo@kaytikitty@magicalspacepanunicorn@bootsinthesun@pricklyfish777@flowersanddinosaurs@leiasolo77@birdybabybird@enby-phoenix@luna--28@justagaygoose@the-prince-and-the-emo@fandomsandanythingelse@randommuffinyt@snekky-boi@thesoftestlittlepuffballwegot@twilight-trix@abby5577@escalatingtoofast@friendlyfacestabbing@remus-is-stinky@foggybanditdreampeanut@ghostskull300@sprinklestheditty@canvas-the-florist@askthesnake@samuel-the-gay@determination-saved@juicy-cashew@demidork84@why-should-i-tell-youu2@nerd-in-space@aphriteblack@loganpatton@lilbeanblr@kittyboof8@irish-newzealand-idian-dutch@sanders-trash-4ever@hamilspntrash@swords-and-kittens@phantomfander@narniasfinestavengingsociopath@rjmeta@ambersky0319@anni-cat-flower@idosanderssidespromptssometimes@nafsbluebery@redisawerewolf23@voidvirgil@msu82@angstyfanfiction
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Okay multiple thoughts:
1. How do people not immediately fall in love with you you’re so pretty!! Especially your mouth (okay that sounded much dirtier than it was meant to)!
2. I’m just gonna go off about representation in TV shows and especially Supercorp, because I’ve been feeling it recently:
So many TV shows and books and movies have these main female characters who are heroes but then they have them be all oh I am tough and I don’t cry or have emotions or like love people a lot. And then Supergirl comes and Cara is just this sweet incredible strong vulnerable hopeful hero who both wants love and want to change the world and that’s like something I’ve been longing for for so long and it was so incredible to see her on screen. And then comes a Lena who is this bad ass fucking incredible, powerful woman, who is damaged and beautiful and the point isn’t like it takes her three seasons to open up the point is Cara shows her love and she feels like she found her place. And some thing about those things is so meaningful and important to show that the point isn’t to be tough and strong point is to love and be loved in return. And then you have all of these little girls and boys and non-binary people in all of the other genders and they’re watching this show and you have all of these teenagers we’re trying to figure ourselves out and they’re watching the show and they’re seeing these characters or both strong and vulnerable and communicative and Smart and just tell me where that is in our society. And then you have Cara and Alina in this beautiful friendship together that means so much to both of them and all of their friends and viewers and current defense Lena against all bad and Lena bought a fucking company for Cara and they have so many scenes with their romantic interest there just like parallel the scenes with each other and each other scenes are always better. And I just keep thinking about all of those teenagers and kids who are watching this and figuring themselves out and thinking that these are these incredible beautiful powerful people but they wanna be like and how incredible would it be for them to see this queer representation in these women that Big love! I just keep thinking about how everyone says things like oh well Supergirl has so many queer characters in such a diverse cast like why would they need another queer ship and just like you can’t tell us to be content with what we have and what we have isn’t good enough right? And and I I think part of it is also that all of these characters who are queer and diverse are these really important but side characters in the main character is the ones who run the show the ones who everyone really watches it for or not and how powerful it would be for someone to see a show and see the two main characters have this beautiful romantic healthy relationship with each other and their two women I’ve just never seen something like that outside of Shira and that just happened. I also think it’s so rare that you see relationship where it’s built on this foundation of not enemies to lovers not even childhood best friends to lovers but allies to slow friends to slow best friends to completely in love in such a healthy way with such trust and emotion and just adhkitsb. I just think it’s so important. And then there’s this thing with supernatural which I assume I don’t have to explain because you’re on Tumblr and that’s a CW show and Supergirl is a CW show and half of me is like well they’re getting so much pushback from how they ended supernatural not the Latin American version of course that will have to be like no we’re not homophobic see currently not getting together the other part of me thinks like if they’ve done that then I’m just gonna be like well currently not getting together either because they’ve shown a president that they can’t do that. Also, I feel like even if they do get together it’s going to be some last minute bullshit kiss where it’s like the last 10 minutes of the series finale and then we never see them again and that’s not fair to the queer community either. Like yeah it’s better than not having to be together at all, but I’d like a relationship it gets old I don’t know like five episodes at least preferably around 12 preferably a whole season preferably a whole lifetime.
To the men in the writing room, we aren’t real. We’re just a demographic, an imaginary group of hypothetical humans who don’t exist outside of their Twitter @s or paycheck. They don’t sit down and think “when I write this script, I’m going to be extra careful not to stunt the emotional growth of young queer people, and women especially!” They don’t follow the story, don’t follow what would make sense or what reflects the experience of their characters. They follow the money, and only the money. It sucks. It sucks so badly, but that’s just how capitalism works, so we carve out our own spaces: “Oh, you want to deny the fact that we exist? Okay! Never mind shows, we’ll find something else!” So we find those spaces that fit us so perfectly we can almost forget the other ones exist. From artists-- girl in red, mitski, hayley kiyoko, mxmtoon, king princess, etc, to books-- and every young adult novel geared towards people like us has absolutely soared, just look at Rainbow Rowell, to websites-- because let’s not pretend that sites like Ao3 and to some extent Tumblr are for straight people, to clothing-- think about doc martens, to little color schemes and hand gestures, just really trying to normalize this part of ourselves that’s so deep and so naturally there, and maybe even the Dream smp, when you think about it.
If I had seen myself represented in even one kids’ show growing up, it would’ve changed my life. I didn’t even know gay people existed until I was eight, and I’d already had my first crush on another girl by the time I was five. I remember being so confused about why I felt just like the princesses in the Disney movies I so adored, remember noting that my feelings towards her resembled the romance I’d seen in every kids’ film, but feeling confused and off because this isn’t right. Why was my prince a princess? Why didn’t I feel that way about one of the boys in my grade?
My whole childhood, there’s only been straight people. My parents would put on shows, would give me books about straight people. Once I figured out that queer people existed, I had to seek out that content myself if I wanted it. And no matter how gay we are, there’s still a part of people’s minds that treats us like we are straight people. Take me, for an example: I came out to my parents as lesbian in fifth grade, and they’ve still made me keep my door open when having male friends over, while letting me sleep in the same bed as female and nonbinary friends with no problem.
My sister’s life has been different. Since she was a baby, I’ve been upfront with her: “Hey, do you want to meet my girlfriend?” “No, I won’t have a husband someday. I’ll have a wife though!” And already, at the age of four, I watch her live as herself without shame, happily telling our parents that she’s “very in love” with the girl next door and telling them of her plans to marry said girl when she turns five. That’s the beautiful difference it can make to have even one person showing you that queer people exist.
I wish I could tell those writers that it’s really not just for media points, not just to appease a certain demographic. It affects us, our world, our minds, the way we love. It’s important.
also thanks for complimenting my mouth lol :)
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; sublime (m) ║ reader ✕ merman!jjk
↳ summary: only you can save him.
8k words | smut, action, fantasy
⚠️ angst, themes of persecution & violence, unprotected sex, graphic.
a/n | Needed to reupload, it’s been in an ask format. Second chapter included. request: “Would u be willing to do a merman jk x reader smut?” (rosewell-love)
There’s a dead body on your private beach.
Or so you think. You’ve spotted it going out for your early morning walk with a bottle of water and light trainers. Busan’s late summer has been merciful with the weather so far, so you wanted to tick your two-mile goal on the schedule again.
From afar you already knew that whatever laid there in the silt was nothing of the regular. The colors that struck you against the mellow rising sun seemed blueish, strangely vivid. If it was a water corpse, sure it could be decaying like this. You dare to tread closer, crossing into muddier seafloor now.
Normally, you preferred to stay where the sand was dry and solid to walk on. There is no foul smell as you approach, or scraps of cloth, anything like that. Just algae all around. A few feet away, you begin to understand: This is not a human body.
You’ve heard about sightings of stranded mermen in the news. Authorities were quick to dismiss rumors of violent interventions. They assured that the police would take care of the situation professionally without citizen being able to watch.
The senior locals thought of merpeople as threats or oddities of nature, too peculiar to interact with. There were stories about women who interacted closely getting abducted, bitten, or strangled to death by such creatures. It was treated like a myth while the tabloids and fisherman’s accounts said otherwise.
Mermen were usually described with distorted complexions, crooked bones, and blood-shot eyes. They stink abominably, one reporter said. The universal instruction by the mayor had been equally hideous: Kill, or run. The latter being less preferred because they had to be chased, exploited, and wiped out collectively when you read between the lines.
Last year, there had been gossip about a group of men - designated hunters - sawing off a living merman’s tail and selling it on the black market. Any chopped off hair would bring half a million, too. A million with the scalp attached. The mayor propagated the extermination of these “slimy beasts” when an issue surfaced, all while keeping a trophy fin in his living room, that you were sure of.
But the motionless boy right below you does not appear monstrous at all. His features are almost resemblant to what can be considered human despite that he came from the sea. The upper body, at least. Who knows what kind of world is out there. The contrived stories made you mad, they had been all lies.
Even if your trainers are now completely sunk in, you close the distance entirely.
You look at him with concern. Why is he here, like this, so close to the coast? Your eyes roam up and down, up and down. The cerulean little scales splattered all over his large tail, the sapphire beads around his neck, next to coral lobster claws.
His beauty erases everything in your mind. The teal and silver mane that falls in soft waves and purple braids. They are really, really long and gleaming with an enigma that you fail to grasp. How could anyone be cruel enough to maim him. Everything about this boy had to stay wherever it was.
You inspect his body closer to look for injuries, but there are none. He plainly seems drained, but impossibly beautiful at the same time. His chest is still moving, but both eyes remained closed. You don’t know if mermen can get unconscious.
Perhaps he is just asleep. So ethereal. It all proved the envious locals very dirty liars. They’re conspiring because they know very well how alluring they look like. Since only mermen have been spotted, all efforts to deter every woman in town from getting just one glimpse were rampant.
No human male could quite compare. Except maybe your gay friend and neighbor Taehyung who might just drop dead if he were here. If your female friends saw this boy, the ones who were married would file for divorce. The truly despicable vermin were the conservative men of this town.
Certainly, there are different rules of anatomy and physics that apply to mermen that nobody has ever talked about on shore. You only see that the gills at the sides of his torso flutter hectically. It takes some time until you put two and two together. The falling tide that’s now miles away, it must have left him here. Maybe he lost a sense of direction and got caught by surprise. What an odyssey.
He needs water, desperately. Of course he looks drained, and that’s more urgent than you assumed. You have to hurry up and do something not to see him fade away in front of your eyes. But, where to get it. It would have been straightforward if you hadn’t forgotten carrying a water bottle all along.
You’re hesitant to touch him, but eventually get yourself to rub the sides of his torso, pouring water bit by bit. His skin is so delicate that you don’t dare to apply pressure. His eyes flutter once, and you think he can see what you are doing.
But you did not bring enough water to sustain this moment. At least you know there’s still a chance.
There’s no other option, then. You sprint back to your house, pulse working overtime until you find the long-ignored supply closet key.
An old plastic cover splattered with color comes into sight. It has been formerly used by Taehyung who asked to depict the scenery at your beach. He’s a painter, but too much of a literal fine artist to leave anything sturdy at your house. You keep searching.
At the back, there’s a soiled, but still functional sailcloth with rope running through its eyelets. Hauling that to the beach would not be possible if you weren’t pumped with adrenaline and sheer panic. It has been a huge risk having him left alone out there. This all takes too damn long.
The relief finding him untouched gives you more assurance. The sail sticks to the ground in no time spreading it out next to him. An attempt to roll him onto there using a shove of two hands fails. Only a rope tied around his waist gives everything a decent impetus. Once he’s in place, you pull the canvas tight with the rope and start dragging. But oh my, is he heavy. It’s the colossal tail that probably weighs the most, gravity has no mercy on your arms today.
It takes a few painstaking feet until the cloth starts to run smoothly on the wet ground. Through the dewy lawn of your property, it works much better until your trainers go on a strike. Next time you’ll go to the beach with heavy boots. It’s better with bare feet then, though you encounter another problem. The grass isn’t particularly even, so you have to maneuver around a bump or two. The 10 x 20 feet swimming pool comes into sight quite tardily.
He slumps into the water with a dull splash. You made it by the skin of your teeth and everything hurts. It’s a miracle. The water is uncomfortably icy as you enter, grabbing hold of his shoulders. You have to remind yourself to be careful, washing away all remnants of sand and dirt. The filtration system will take care of it. Again you note how silky the texture of his skin and scales is, clearly not made for life ashore. Before the water starts to paralyze you more with its frostiness, you decide to submerge him completely at the bottom of the pool. Different laws of physics, you remind yourself. For a human, air would basically be like water for him. His own weight sustains him down there well as of now. Begrudgingly, you leave to change clothes.
It’s good that your backyard is surrounded by copious palisades. You do hope nobody observed anything, thinking you transported some carcass or worse, and check back just three minutes later. The garden gate is firmly locked already but doesn’t do much to pacify your feelings of imminent paranoia. So the balcony is a good place to stay where you can sit with your laptop to catch up with pressing work. Any concentration is still out the window though, and any noise snaps you out of typing in emails.
The pool water rouses after the nearby church bell strikes 11 am. You return to the gazebo next to the pool to look if you’re not hallucinating, met with huge, dark eyes. They’re Prussian blue and almost doe-like. He’s leaning at the edge, two arms propped up.
“Thank you, madam. You didn’t have to do this,” he dabbles quite gently, stirring the water with his tail to cause ripples. His voice is very pleasant and friendly, youthful. Never did you think he would be able to speak your language. Everything comes unexpected today.
“Nevermind,” you respond, trying not to show both incredulousness and unease. There is no way in making this sound like a proper conversation, but you try. He called you madam, after all.
”I came to pry for shells and lost my sense of time. It’s my bad.”
You squat down at the edge of the pool at some distance. This seems all too much at once. Yet you have to gather words to let him know.
“Don’t, don’t say that. I can’t let you die out there. To see you become food in a tin can if a hunter or the police come along.”
It strikes a chord with him, and you instantly regret saying it.
“I know who they are. Their prejudice has killed one of my brothers not long ago.” He’s downcast now, impossibly sad. You know who this brother was. A little glistening tear makes its way down his cheek, he picks it up with thumb and index finger. It has turned into a small pearl. “You’re not like them. I can be glad you picked me up without fear or reporting it.”
You enclose the shiny gift with two palms as he passes over the bead. When you tuck it away, it rests in the breast pocket of your blouse. The merman looks very relieved to see you accept it.
“It’s not over yet. But I guess I did the right things so far. You’re alive. I hope I can drag you back at high tide. Or do you need more time?”
“My body regenerated. But my mind, I feel very strange and dizzy, still. Tomorrow.”
“Shit… it’s the chlorine in the water. I don’t think that’s good for you.”
“Chlorine?”
You wonder why he speaks your language perfectly but doesn’t know this.
“To disinfect bacteria dangerous to humans. For you, it might just be nauseating. Maybe because you’re not used to it, or sensitive. Wait, I’ll use the pool filter. I have one.”
While you take care of the pump and also clean away some debris, the curious merman lingers closely.
“Did I tell you my name yet? I’m Jungkook. I have a question, actually. It might sound weird.”
You look up from your task. Jungkook. It’s fitting.
“Just go ahead. I’m Y/N.”
“Why do you have a pool next to the sea?”
He’s a bright guy. You understand where the query is coming from, too.
“I do love the sea like you. But the waves are too high. It’s dangerous to bathe there without a vigilant eye. You’ve seen what happened. I prefer to swim here, especially when it’s warmer.”
“Oh, I forgot,” he marvels at you, “humans can’t swim that well in the cold.”
“It’s true. We have trouble moving around mermen as well,” you chuckle, glad your work at the pump is completed. You stand up to return to Jungkook. His presence is soothing, almost familiar.
In that very moment, hasty knocks and rattles resound from the garden gate.
Jungkook immerses himself in water within a split second. He’s diving down faster than you can say anything, in fact. The pool’s surrounding bushes have saved you from being seen with him, thankfully, but your feeling tells you to hurry to the gate as soon as you can. But you have to stop yourself from being in a rush not to be suspicious. It’s painfully obvious who it is from a distance already. You’re in trouble.
It’s Taehyung.
“Oh hey, hey! I rang the doorbell — nobody responded. Figured you’re here! How ya doin’?”
A hurricane as usual. You keep the gate locked. He’s looking at you through the metal bars with inquisitive eyes.
“What do you want, Kim… I’m busy.”
“Sorry, just looking for my painting cover. Do you still have it? Am gone in a minute.”
“Sure.”
You spin around and race inside without further ado. Taehyung must think you have gone completely mad now, but knowing Jungkook is likely having a heart attack down there you would waste no second. You return breathless, red blotches all over the face. He rolls his eyes.
“Slow down, slow down, Noona. It’s Sunday. God, heterosexual people. Always caught in such a fuss.”
“They are. Now, here. Take it. Just, buzz off now, Kim. Got things to do.”
And again, you spin around on your heel and hear him trot away sulking, but clenching his long-lost cover tight. He said he’s gone in a minute, then he has to deal with it. You’ll have to come up with something very intricate to appease him next time when he mocks you for it. And you are sure he will, because Taehyung notices when something’s off. Telling him the truth would be like being Taylor Swift’s boyfriend, he would just broadcast everything.
You dash back and lean over the pool for Jungkook to recognize you. But nothing moves. He’s right about staying where he is. If the police coerced you to be their decoy, luring him out, he’d be dead. Jungkook, that is indisputable to you, continues to prove being very sharp save being aware of tides. The media never talked about merpeople being this people-conscious and easily intimidated. They’re just drawing them as evil to get hunting permission. Vicious pigs.
You want to make them fall.
There’s something else that strikes you, watching for activity in the pool. There must be a way that merpeople gather excessive knowledge about humans. Or it might be a contact person. But you don’t want to know, it might be a way to trace them back. Such a secret must never be revealed, you know you’ll take all this to your grave to protect him. It would be good to tell your story to everyone so they would change their mind. But the police was hawk-eyed and knew how to press for information.
They’d be hellbent and relentless to slit his throat as soon as they could. Officials and hunters had methods to find him if it was not too far out in the ocean. Or they would just wait until he came back to you sooner or later. You are sure that he will. He’s feeling indebted. And attached. You’re too. You dread the day, and tomorrow’s goodbye if it actually comes.
You have to admit it: This propelled you into a gigantic mess. You already felt your heart burst when Taehyung knocked. You have to guard Jungkook from a greater fuck-up, come what may.
With the entire government of Busan or even Seoul against you when your secret ever goes public. Because they want to keep it on the low, too, and would stop at nothing. You did not go against the law but social customs and conservative morale, and those are by far more powerful.
You rip off your blouse and pants and toss them on the balcony. Your tank top is hardly suitable for the temperature, but the pool water is slightly warmer as you get in slowly. The chlorine has faded. The first good news for today.
Diving down, Jungkook appears curled up in the deepest, darkest corner, holding his hair together so it won’t float up and betray him. Most of the fright on his face dissolves when you give an intent thumbs up. These mermen understand so much about your culture. You cannot let go of this thought. How could he know?
Swimming closer, you seize him by the hands, nodding your head toward the surface. He pulls you up with ease, fast and agile. Emerging, you have to draw several breaths. He looks around frantically. You hope this didn’t traumatize him.
“It was my neighbour friend asking for art supplies. He left and didn’t see anything. Nobody else around. We’re good. Jungkook, it’s alright. It was just a friend.”
It’s Sunday, thankfully.
“I was so afraid… There was a vision, I was bleeding!”
“It’s okay now. There’s no blood. I protect you, nothing will happen.”
It’s of no use. He can’t stop looking around. Jungkook needs something to ground him.
A little kiss on the forehead.
It makes his cheeks turn cobalt blue. You feel how his tail sways back and forth a bit quicker. You part your legs wider so they won’t crush his fin in between.
“I will handle it. If I can pull you out of the mud, then I can subdue them when they ever show up. You just have to hide. Jungkook.”
It’s self-persuasion and hoping for a self-fulfilling prophecy. But you’re beaming at him, and his smile grows just as large.
“Y/N, you’re very strong. I wouldn’t know where I’d be without your help. You hardly knew me, just my kin.”
“So did you. But you didn’t freak out when you were awake.”
He nods emphatically.
“I felt your hands on my gills. It was very nice. Like waves. I knew you were benevolent, you resemble the sea when you move. No bad person does this. Can you… again? Only if you want, I—”
What he said stuns you for seconds. Your hands move to his upper body on autopilot.
“Like, like this?”
Jungkook sighs a mellowed yes when you start to stimulate his sides. His gills are much more relaxed than at the beach. After some strokes, you’re leaning in so much that his arms virtually just have to close an inch around you for an embrace.
He clings to you in a tight hug, your lips coming up to meet his. Whatever magic or trick he is using, they feel curiously sparkling and slightly saline after a while. It’s magnificent. Meanwhile, your breasts are squeezed flat against his chest, feeling how Jungkook’s heartbeat accelerates. Much like his fin that’s bringing more of his tail between your legs. You pull them upwards a bit, but inevitably he brushes against your pubes. You thought it would be awkward. But something about his body infatuates your skin like an ancient charm.
“Apologies Y/N, I didn’t mean to!”
“Don’t be sorry. Just, fuck… do it again. Feels awesome. You can be yourself with me.”
He understands, bringing his tail stark forward this time. Shit. Your clit says yes to that. So does your face judging by how he reacts, a lot keener than before.
“Jungkook, I have a weird question, too,” you brush back against him, “Is it possible, I mean. Can you penetrate me somehow, or…?”
He’s blushing a second time.
“I can peel the scales apart at the front.”
And he does it.
Oh wow.
He has the most gorgeous shaft you’ve ever seen. Clad in lustrous, thin scales sprouts forth a splendid length tinted in jade. It sojourns hard and upright, poking heavy at your clit and entrance only separated by your underwear.
“You can’t impregnate me, right?”
“I can’t. Human egg cells are too small and not receptive.”
That has you wondering, and quite amused how he said that. It means something big is coming. Sounds like fun.
“Can I ride you then?”
“You can do anything, really.”
It can’t get any hotter. Thankfully, you’re half undressed already. The panties you had left on soon float elsewhere just below the surface, and you’re shoving up the hem of your tank top. His chest feels ten times as invigorating when you’re naked against it. There’s hesitation when you reach for his cock. You don’t want to do anything wrong to hurt him. But Jungkook is encouraging the initiative. And the way he’s dipping at you flicks a plethora of switches. So it’s easy. You slip him in and start to move your hips. Soon you realize it’s a bit difficult to go down further.
“Can I use a spell? It helps.” he exhales. You knew it, he has those abilities.
“Mh, love to see it.”
There he goes. You catch Jungkook whispering a convoluted spell to himself before your walls pop open without further trial. He’s dipping in first, then going half the way already. That’s not normal at all. He knows what he’s doing, though. It’s so, so damn good.
Jungkook is completely ecstatic.
Your experience so far has been that sex in water generally… doesn’t go well. No lubrication, no fucking. But no, this has to be the best exception. The practically seamless scales, they’re really doing the trick. The plunge is slick and exciting, going in clean with every bounce. And there’s a quite a stunning lot to slide up and down on, that you get to welcome soon. He’s getting confident to echo the thrust with eyes fixated on yours.
“Give me more of that,” you insist, leaving both legs wrapped around his wavering tail. It’s almost too slippery to hold on to. But good to sink down smoothly while squeezing deeper inside. You’re pushed upwards the more he fucks into you. His tip is broad enough to anchor you, not letting you glide off easily. But you’re dangerous close to it. So you’re letting yourself drop down on him with more momentum which he has to cushion first, causing your belly to bulge out considerably. You’re obsessed.
“Lift my legs more, Jungkook!”
Like that, the insides of your thighs graze at his gills, abrasive and brisk. To your surprise, it eventuates in sharper thrusts going for your sweetest spots. The depth that he pursues now starts to stretch you hard and wide on the glossy scales. Jungkook keeps murmuring spells. If this goes on for any longer, that’s a cock riding that would send not only you but Taehyung and the entire neighborhood to the gates of heaven and higher.
You keep shoving him straight up to dent out your abdomen, and he’s making it so salacious with his little moans. When you’re grabbing for hold at his shoulders, Jungkook warns you about his precum. Indeed it’s not to underestimate when you feel it, making everything two times as sleek. You slump down completely now, surprised not to feel any trace of balls against your ass.
Different anatomy.
Normal men need cooling for their sperm outside of their body, otherwise they would not survive. Jungkook? He’s got something else going on. Busan’s sea is not notoriously warm.
“Intertwine your fingers in my hair, Y/N—”
“What? Can I really do that?”
It sounds like heresy to your ears.
“It’ll stimulate you, do it quickly,” he persists, and your fingers seek a place in his silky mane. And Christ, he’s right. There’s a rapid sedation of the anxious thoughts at the back of your mind. Instead, you’re feeling an immense euphoria descend from your spine down to your loins. Jungkook whimpers while you’re drilling him deeper with all your power. Slowly but surely, you lose yourself in his dazzling ocean hair. You’re so happy now. Nothing matters. Just you together within the blur of everything else.
Fuck society. Fuck it, fuck it, fuck it.
Jungkook’s moans have grown incomprehensible. Both of your hands soak up more of the sky blue energy. And once you grab the strands tighter, an overwhelming current verberates in your back until you’re ready and cumming. The world is so elated, nothing can bring your hands away from his hair. It’s pushing you to the limit incessantly. Better than any drug trip, better than the feeling after you ran your second marathon. You’re climaxing so vigorously on him that twenty seconds in, something effervescent and tingly begins to pour into your womb like a bursting well. His unearthly groaning gives you an idea of how much it shatters and empties him. You get filled to the brim and it won’t stop. Of course, he’s significantly larger than the average human — much semen to store then, by your logic at least. You do get a glimpse of the proportions as Jungkook keeps cramming loads and loads past your cervix while your orgasm keeps electrifying even the last corner of your body.
The well won’t cease. He keeps moving until you’re entirely pumped full with an all creamy, tickling substance. You try to keep everything in not to leak it into the water. But it’s too much. With each of his last thrusts, the bulk of it just comes spilling out. A shimmering, dark cyan liquid rises to the surface in gradient plumes, mixed with streaks of your cum. It looks like fluid shapes of orchids showing as a supple iridescent foam.
And it turns golden.
The scent gives you a feeling of the hours after rain in spring. Jungkook picks up a decent bit of the foam with two fingers, slipping them into his mouth. He leans in to kiss you again as you reach the aftermath of your peak that threatens to leave you bland. But what happens now makes you tighten around his dick once again, seizing out more to splutter inside.
On your tongue unfold an explosion of jasmine blended with peppermint, thyme, fresh raspberries, wild honey, and even something like caramel. There was no way you would have been prepared for this. You had expected something like a sea breeze, but this beats all that you could imagine. Because beyond approximation, you can’t really describe what it is like.
You swallow fast and retreat one hand from his hair to pick up something yourself. This is the best thing you’ve ever tasted. It can’t be called an actual thing, in fact, it’s more than that. It has to be an artifact. A magic potion that you want to bottle up and drink all day, sweet and glowing.
It’s like alchemy.
And you’re so deliciously stuffed with that now.
Before you pull him out, all the negative pressure culminates. Then, the rest of his seed bubbles up placidly. The gaping feels like you just jammed a baseball bat inside of yourself, reckless abandon with a Himalaya of premium coke up your nose. Complete inebriation.
Water streams in and flushes out the final strands of cyan when his following spells seal you tight. Jungkook holds you firm until you detangle his hair with your remaining hand, then place it on his cheek. If there were mermaids out there, they’d be the luckiest women on the entire planet.
“Kook”, you whisper with an unwinding tremble, “you’re amazing.”
Anchoring an old khaki tent next to the pool takes some time, but you remember something about the manual. This goes here, that goes there, and this is how you zip up a sleeping bag. Jungkook giggles along. You can’t afford to sleep inside tonight. You only move your blouse to the safety of your wardrobe and get a snack, switch on the lights of the balcony to illuminate the garden for the rest of the evening. He’s singing for you.
The next day is grueling because you have to go to work. But before leaving, you relocate Jungkook to the bathtub as fast as possible, leaving him your phone with a short explanation so he can call you and vice versa. The anxiety comes back.
He gets lighthearted leisure magazines and books to spend the time, and devours them. History, art, fashion, beauty, celebrities, health, sports, food, philosophy, fantasy, comedy. He also asks for a globe and celestial map, saying his uncle vaguely told him about it. Maybe it’s good that he knows a bit more about the mainland when he returns. You don’t want to let him go with the same ideas he had before, give him a bit of faith in the good things you had here. The other side of the coin, even if it was just a glimpse of hope.
Though you didn’t expect him to return to your mansion in any way. Humanity is already terrifying enough. Especially after his loss. This should not happen again. You decide to leave him your trusted chef knife and a word of caution. He doesn’t know how to use it so you teach him the technique. He says he wouldn’t be any better than his attackers if there were some. You try to clarify that it’s the way humans act sometimes. Tit for tat. And he has all the right and responsibility to defend himself under threat, otherwise, he would never be able to see the stars again.
At 10 am you give him a short call. He’s fine, quite mesmerized how the phone works, and just a bit hungry. You decide not to spend lunchtime in the city, but speed your car to a local supermarket and deli, looking for seaweed. Returning home Jungkook is still in his place, having managed to drop Terry Pratchett and J. K. Rowling into the water. But all else is as before. In the afternoon, you call him twice. He talks about the invention of the lightbulb, pasta salad, Kant, and how nicely Tolkien writes about Hobbits. Work passes torturously slow, the keyboard in front of you blurs each time your mind drifts away. You go home early, leaving your subordinates Jimin and Seokjin a bit puzzled at a shallow excuse. If only they knew.
It’s way after dawn when you move him out of the bathroom. Jungkook gets the idea that you could just use a wheelbarrow this time, knowing you own one after having had enough hours to glance around your garden already. You fill a bit of water into it and pick boots with a sturdy profile. And it works, the leverage is much better on the arms. You arrive at the beach laughing and joking together how silly of a duo you must look like. Jungkook has already given his word to come back in two days around the same time.
The tide is close enough for you to take him to the water. He parts reluctantly with five, six, seven sublime kisses. You hope he wasn’t missed by his family. Busan’s nocturnal skyline radiates from afar when you watch him swim east ever so elegantly.
It’s hard to find any sleep later. Your arms still ache like hell from dragging him. And so many things are going through your head. You end up outside in the tent after taking a quick shower, pretending he’s still there. Jungkook has last started a chapter from the Chronicles of Narnia, and you put yourself in a tired daze finishing it. Work tomorrow is going to be so hard.
Jimin asks if you’re okay while he organizes some files, but doesn’t comment anything further. You resume typing with the feeling that you are now leading a double life. Taehyung’s words come back: Slow down, slow down. And you do. Wednesday you will see him at the bay, everything is alright. Who knows what you will do afterwards, how often you will meet. Maybe it’s good not to make him cross into dangerous territory regularly, or at least you should look for more hidden places. You’ll make it.
Two days after, you receive an early mail. You’re drowsy but startled, Taehyung and Jin haven’t sent anything for months. It has to be one of them.
It’s only a red envelope and some strangely filled paper bag. You peel open the red letter first.
It was made with a typewriter.
“A million and you get the fish back whole. He has a nice buzzcut already. Friday 1 pm, quay. Pull up with the money or you’ll see him on the news. Tell anybody and we will do the same to you.”
Below, the paper is embossed with a saw and hook symbol.
You drop the bag as soon as you open it.
There are hundreds of tiny pearls on the floor.
chapter two ║ i’m no angel (m)
↳ summary | who do you have to become to get him back?
⚠️ graphic violence, threat of drowning, car accident, aftermath of torture.
There’s an old cage.
Bars bent and crooked.
Not abandoned, just empty since this very day. You know he must have been inside, nothing else makes sense. The lingering smell around here, it belongs to him. The air is spiked with thyme, the scent of grass after it rained. It’s familiar. It’s so painful. You go on searching every corner of the hangar in a fever. It looks like a warehouse from the inside, stuffed with tools and other miscellaneous equipment.
Some wood, nails. Discarded tires. You’ve seen some of them on the SUV you followed to Busan city limits. You try to memorize the letters and numbers on them. AZ1-5986. Whatever that means. It could be of help later since you don’t know the SUV’s license plate.
As you remember that it’d be straightforward to just photograph the tires with your phone, a faint knocking sets your world on fire. It keeps repeating, they are fast and erratic knocks. Not mechanical ones. Not calm ones.
You hurry into the direction where you suspect they are coming from. There’s no doubt in your mind that you should not go. It’s the only sign of life, or whatever it is in this building. Somewhere, somewhere at the back behind two parked up seaplanes, timeworn and half deconstructed, there you locate it. A moss-covered fish tank is jammed between a humongous workbench and a freezer. A tail rests and winds grazing tight against the glass inside. Oh my god.
Yes, it’s him. You unbolt the lid, bring it down crashing on the freezer. Jungkook spins around inside the tank until his face comes to the surface. Pale grey eyes. Charcoal hair, cropped short. Pursed lips and a tapered chin. An Ingenue look. He’s agitated.
“I’ve heard you calling for him, you’re the one Jungkook’s talked about!”
No. It’s not Jungkook. Not his voice, not his face. Too lean, not sturdy at all. It’s definitely not him. His scent is much different, too. Sweet chestnuts, basil. It’s not familiar.
“Who are you, where is he?”
“Yoongi,” the merman blinks, “I’m his friend. They got us both at once at the beach.”
That’s what you feared. Jungkook’s friends and family getting dragged into this. You wish you had just sent him out as far away as possible where the hunters wouldn’t get him.
“I’m his—”
You don’t know what you are to him. A girlfriend? Hardly. An affair? More than that. It sounds weird anyway. Affairs are not that serious.
“He loves you.”
There it is. Jungkook told him. Lovers might be what describes you best.
“Where is he?”
“They’ve taken him to another place from here this morning. This is just the decoy. They told you to follow the car and fetch him here after paying.”
“They did. And now?”
“These are not the headquarters,” Yoongi props himself up at the edge of the tank. “The shipyard is. You have to go there!”
Of course. This hangar is as good as useless for a permanent stay. It’s just for the dirty work.
“And what happens with you? I won’t leave you here like that. But I can’t transport you in my car, there’s nothing like this tank.”
“It takes half an hour until I can’t go without any water. If you drop me at the sea it’s fine.”
“So I can take you with me?”
“I’ll be grateful forever. Jungkook didn’t lie about how you treat us.”
You steer your car into the hangar backwards, get out again with the engine on, rip the trunk open. The size has to be enough.
The high walls of the fish tank don’t permit you to lift Yoongi out of it. He tries to push himself up with the help of his fin several times, but he’s too large, the glass to slippery, and the tank too narrow. As a last resort, you grab a sledgehammer from the workbench to impact and shatter the glass. The handle is long, maybe 17 or 18 inches, allowing you to step back and lunge quite far. The glass doesn’t break right away. You are not used to wielding something like this. It takes three more strikes until you demolish the front wall. You have to be careful not to hit where Yoongi’s tail squeezes against the glass.
The gush of water Yoongi pushes you back, everything goes into splinters with fragments of glass bursting to the sides, then floating everywhere on the ground. Yoongi cuts himself several times at the arms and lower back before you can pick him up. His chest is flat and cold against yours, his body heavy and close to glide far from your grasp. Less so than Jungkook, but still it feels like the weight is tearing off your arms. His skin is like you’re touching soap.
There’s no sailing cloth or Taehyung’s art supplies this time. You try to heave him up as much as possible so his fin won’t touch the ground, glass cracking under your boots until you reach the car. Yoongi howls with pain when you try to tuck him in. His wounds scratch hard at the trunk’s plastic inlet. You show him how to open and close the tailgate from the inside, then shut it and set off.
It takes ten minutes to the bay.
The boatyard towers over the cranes and docks of the harbor. You speed in order to drive around. And there it is. AZ1-5986. They didn’t park the car inside, no. It stands blazen at the rear entrance. And they met you at 1 PM in the middle of the day. You’ve been tricked by absolute amateurs.
Or not.
There’s a scream coming from the inside. Sharp, heartbreaking.
No time to bring Yoongi to the sea.
You seize the sledgehammer from the passenger seat. And go.
You recognize them at one glance. It’s the small man and red-head woman you saw driving the SUV, the woman being the one you gave the ransom to. She gave cold instructions. The man is currently wearing large gloves, dripping with water. To your surprise, they seem to be alone. The vast silence of the dockyard seems too large to house them here. The woman sneers at you, patting the front of her black leather jacket.
“Your envelope’s still right here, Miss.”
“It will be here soon,” you point towards your own jeans pocket at the front.
She only tugs at her necklace in return. It’s made of colorful hair. Gold, turquoise. Teal and silver. You realized something. Only one thing drives them: cash. And since the government still wants the monopoly in the equation, that will be their eternal aim. Hunters are only tolerated for doing the messy jobs. The profiteer is elsewhere. And with the sums that they trade the mermen, your ransom money is only a temporary achievement, gone tomorrow. It’s not what Jungkook is worth to you anyways. Money can’t measure Jungkook. If only you could hold him.
What your instinct tells you at the sight of the hair is: Killing. No matter if it would alert authorities sooner or later, or bring a gang to your garden. But Jungkook’s words are still at the back of your mind. You don’t know if you’d be ready to be just as bad as they are. Maybe you’re no angel in all of this. You’ve infringed on the circle of life the minute you decided to pour water on Jungkook’s body at the beach. But there’s no way back. You have to be as bad, even worse. For him.
Because there he lies, in a giant tank with another merman with orange tail and skin. It’s close enough to see what’s inside. Pearls are piling up at the ground, and well from his eyes when they lock on you. His hair looks auburn, the long vivid strands are gone. They picked a lot of scales off his tail, too, leaving bloody spots. All the jewelry is nowhere to be seen. Instead, a heavy chain is wound secure around him several times, weighing his body to the ground. The other merman doesn’t have a chain. His scales and hair are removed entirely. They sawed one of his arms off, too. If you can judge by his face, the decaying process has already started. He’s been here for longer.
Your anger is boiling up. The woman’s shallow smile pushes you over the edge at last. She pulls out a soiled drop point knife. You hate her so much. This place has to be wiped out. Erased, cauterized. The entire gang if you have to. You charge gripping the hammer at the top with the right hand, at the bottom with your heft. Before you reach her, the man is wrapping his hands around your neck from behind, pulling you back from her.
One foot, two feet, three. You can’t breathe, panic. The feeling of his gloves is terrifying on your skin, in your mind. But the thought of Jungkook burns inside. Again you focus all energy in your arms. Finally. He takes your elbow to the stomach, cries out, and topples down. Before the man catches himself, you follow your impulse. It’s good that he dragged you away. This is the only chance. You withdraw your right hand from the handle and take a long swing back with all the might in your left arm. You hurl the hammer forward and send it flying towards her legs. The spin knocks her over right away. This tree got cut down. If you could, you’d make wood briquettes. But not now.
He’s coming at you again. Now that she’s unconscious, your job is easy even if your hammer is gone. Men have more frontal weak spots to hit.
He has his gloved fists up. Going towards you slowly. First he tries to suffocate you, now he’s playing fair, doesn’t he. You’ll floor him faster than her. Suits him, he’s the minion. The prick probably sawed apart Jungkook’s brother.
You wait until he comes close enough, put your fists up in return. Shit, shit, shit. Your arms hurt so much. You play the game despite the ache, dancing from foot to foot as he comes in. Then boot nasty fucker in the groin aimed from below, explosive and direct. He stumbles backward with a yell, falling agonized and twitching. You dive after him, leg extended to land a second kick under his chin. His head snaps back. That beats him senseless for once.
But you worry about Yoongi. The trunk. He’s still in there. Since twenty minutes or more. And even if he knows how to get out of there, it’s of no use. He can’t go anywhere. This has to be fast. At the other end of the scene, you pull the envelope from the woman’s jacket, along with a metal key and her necklace. She doesn’t deserve it.
You hurry to Jungkook, hammer all too heavy in your hands again. At one point, your arms are going to fall off your torso. But now you know better. You dash the tank to pieces in one final hurl towards the right spot, entirely graceless but effective. The water swipes you off your feet in a large outpour. Exhaustion is coming.
The splinters are much larger this time and the float glass appears to almost detonate under the pressure released. Jungkook is too heavy to get carried off by the surge. He lands just feet away next to you crying, repeating your name until you manage to stand up leaving the hammer behind.
“I missed you, Jungkook, what—”
“You, you came,” he winces, “are you fine?”
“Don’t ask about me,” you fumble at the lock of his chain, “we’ll get this off, talk is for later.”
“It hurts.”
He’s looking at you from dulled eyes. They might have put him into water, but the life is still drained out of him. You don’t want to imagine what happened. They bound the chain around him so tight that it left purple traces. After it’s off, you already know what to do with it. Jungkook picks an orange scale from his dead friend in the debris, whispering a last goodbye.
The thirty minutes are long over. The trunk is closed when you come out of the backdoor with Jungkook.
You open to a smiling Yoongi the second he sees you and Jungkook in your arms.
“Yoongi, you okay? Left you waiting.”
“Sure, but you?” he ruffles his hair a bit. You blink twice, seeing that it has grown a bit longer and darker since you saw it in the hangar. You noticed that with Jungkook as well, but didn’t put two and two together, or actually believed your own eyes. It must be magic at work. Or different physics.
At a second glance, there’s a decent layer of water in the trunk.
“Yes, they’re in chains. Where does the water come from?”
“You had several bottles of sparkling water in the corner. I like how it tingles, we don’t have that out there. My wounds... it seems they regenerate.”
Of course! The water. You bought it when getting groceries for Jungkook.
“And what do we do with the two?”
“We could take them out with us. But they’re affiliates, they all know about each other.”
“I’ll decide later by myself,” you guide Jungkook onto the rear bench seat. “We need to go...”
You kickstart the car, turn to head for the one-way lane to the docks. As close as your car permits, you maneuver toward the edge where water towers high. The tide is in favor. But there’s commotion at the end of the street where you came from. It’s a truck.
“Hurry!” Jungkook cries, “That’s the rest of them!”
You can’t drive away with them now. If you’re able to drop both off, then you’re already lucky. You drive closer to the water, preparing to unlock the car with your electric key so Yoongi gets the sign to open the trunk. But you soon feel that the car gets out of balance. You look into the rear-view mirror, estimating how much you could still drive backward, or forward. But it’s futile.
The weight in the back drags the car over the edge. You’re screaming. Jungkook tries to counterbalance. The car tips over anyways. It enters the water.
The door won’t open. Water keeps rising. The signal of the keys won’t unlock the car no matter how many times you press the button. Jungkook can’t manage to open the doors either, his strength has faded. The water level has almost reached the ceiling when he stops trying. You’re so far down and out of air, even if you managed to escape now diving upward would make you run out of air already. Maybe a few seconds left and you can say goodbye to this life. You can’t tell Jungkook how much you love him. It’s all too late. Everything, absolutely everything went wrong. Only failure remains. Fucked up from start to finish. Four lives ruined, two dead. You feel a thumping at the back of your head.
Jungkook intertwines his fingers with your hair from behind, whispering something between bubbles before you can’t hear anymore. An immense heat glues your legs together in an instant, melting the fabric of your jeans. A rousing bolt darts through your scalp, your feet stop moving. It feels like your body is bloating everywhere, soaking up water. Webbing springs forth between your fingers, fiery scales around your hips. Your hair starts growing out scarlet and thick, curling large before your eyes. The sides of your upper body start to open up wide, then close again. A burst of air expands in your lungs.
Now you know why Jungkook knew so much about civilized life.
Merpeople used to be human.
⁕ sequel: dauntless (m) | m.list in bio
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