#let characters be good people with sure flaws but still good people well meaning people

[ankahikoibaat]

my two sentence pithy hopepunk post escaped containment - you never can predict what will! - and it was obviously never going to encompass the whole spectrum of story possibilities hopepunk obviously like, omg, people in the notes. but i reiterate!

Star Wars is hopepunk! not grimdark!

it doesn't mean there's not darkness or evil or bad in the stories or genre, but ultimately it's about the triumph of good or the possibility thereof!

personally, i find the focus on stories in the fascist government point of view loses that - and are honestly a drain - and I stand by that, but also, stop defining morally gray at me people! i do know the meaning even if i'm not writing out the damn definition!

also, morally gray does not automatically mean more interesting or more nuanced! (anyone saying that can fight me.) (i'm a wuss and too chronically ill for this so not really.)

choosing to be good, to do good in a world of increasing darkness and evil and selfishness is a fucking compelling story, and it can be handled with such complexity and delicacy if someone actually gives a shit and doesn't go "good vs evil is boring" automatically!

[alexiethymia]

I’ve always thought it but Gyokuyou’s line, “If I said I was jealous of Concubine Fuyou, would I be a terrible woman?” seemed to point at two things, her jealousy of her being free to finally leave the inner palace, and secondly, the freedom to love and be loved in return.

I mean though she may be the Empress, and though she may be the most favored by the Emperor, I’m sure she’s clever and shrewd enough to think that she wouldn’t actually ever have his love. And that is what makes her so intriguing in that regardless of her own feelings, she can still be human and feel some sort of sadness about it, at the what-ifs.

Considering the latest chapters in the web novels, the parallels and contrasts between The Emperor (Yang) and Aduo, as well as Jinshi and Maomao being driven so hard just hurts so good.

That conversation between Jinshi and the Emperor revealing their chosen actions regarding their ‘one cherished flower’. The Emperor choosing to bind her to him, and cherishing her and protecting her vs Jinshi’s decision to let her go rather than trap her in the inner palace, such that it drives Aduo to tears because she sees in Jinshi and Maomao what could have been.

It’s so painful precisely because the Emperor and Aduo were where Jinshi and Maomao were ending up toward if not for the development they underwent. Contrast the Jinshi of earlier volumes who I think, in his desperation, would have chosen the same course of action the Emperor had in regard to Aduo and the Jinshi of now, who has matured.

But in the same vein that none of these characters are perfect, and are intriguing in their flaws, I think Aduo is the same as Maomao. Except that Maomao now finally was able to accept and let herself love, whereas Aduo used and still uses that ‘familial’ tie and even Yue as the reason why she still chooses to stay with Yang.

This just may be my own interpretation, but I think Aduo truly loved (loves?) the Emperor in her own way, as more than a ‘sibling’ or a ‘friend’ and that she is an unreliable narrator in her own right, same as Maomao. But alas, I don’t think Aduo and the Emperor managed to communicate properly on this part of their relationship, unlike other aspects where they can be free with one another. And now it’s too late, because the Emperor in his foolish youth made that irreversible choice and clipped Aduo’s wings.

That four way conference was perfect in that it was basically both pairs seeing mirrors of them in each other, of the past and the future, of what was and what could have been. And though the Emperor made mistakes, I can’t find it in myself to judge him too harshly because, as one analysis puts in, he didn’t have the same freedoms Jinshi has now, nor did he have the same people around him who could have guided him on the right path. Suiren and Gaoshun who were there to see what happened with the Emperor and Aduo, are probably doing their best to nudge Jinshi and Mamao in the right direction such that they wouldn’t repeat past mistakes.

It’s that one post you know? The love was there, it was always there. But perhaps, even then, it wasn’t enough.

[inbarfink]

So when I wrote down that Big Undertale Meta Post about how Sans probably doesn’t remember RESETs at all and why that’s cool - I got a lot of responses to the tune of ‘that’s probably canon but I’m still gonna enjoy Sans Remember fics because of the angst’. And, well... first I want to emphasize that those are very good and correct responses! Like ‘I acknowledge might or might not be in the text but I am also gonna explore alternative ideas Because I Enjoy Them’ is a Good Damn Position to have! Transformative Fandom is Transformative on purpose! Engage with the text and it’s various analyses but don’t let it chain your creativity or fun!

It’s just that… all of the people saying that they prefer Sans Remembering ‘for the Angst’ make me think that maybe folks are kinda ignoring the incredible angst potential of Sans NOT remembering.

My original post focused on how cool it is that Sans manages to be so on-top-of-things even though he doesn’t remember anything - but let’s not ignore the fact that this situation is also grim as shit.

Through some mysterious super-science or whatever, Sans has managed to discover that his timeline is being RESET and altered constantly (before the Player came along, Flowey had already managed to basically 100% the entire Underground) and he has no memory of what's going on and what exactly is being altered. 

He knows he might’ve gone through the same day over and over and over again thousand times but he’s simply not aware of it. It’s all the helplessness and lack of forward momentum of a classic timeloop and none of the benefits of memorizing occurrences or acquiring extra information. That’s exactly the thing that drove him into his depressive spiral.

That line always strikes me. It’s like… Sans suspects that without the meddling of capricious immortal time gods, he’d be a much happier and motivated person. But he doesn’t know for sure, because he can’t remember how he was in some distant ‘original timeline’. He is essentially fighting to avenge a version of himself that might not even be real.

Like, yes, it is very impressive and badass how well Sans trained himself to notice every tiny little hint that might indicate that a RESET happened - but it’s impressive because the deck is stacked so heavily against him. And it is very impressive and badass how Sans managed to turn his weaknesses into strengths during his Boss Battle - but it’s impressive because these are usually huge weaknesses. Trying to work to solve a timeloop that you can only infer is going on through context clues is quite a hopeless and desperate mission!

Another bit in the Sans fight that I often think about is his unique reaction if you kill him and then RESET to Fight him again.

With how skilled he is at reading expressions, Sans probably knows what that ‘weird expression’ means, he knows the Player killed him once before and is here to try again. And yet he still goes along with the same attack plan he has, the one he knows killed him in that previous timeline. Why? Because he doesn’t know where the flaw in his plan was exactly, he can’t even begin to guess. So he has no choice but to go along with the plan he knows did kill him, because that’s the only thing he has. 

You know, the thing about Sans, is that he always plays his cards very close to his chest. It’s very hard to tell what exactly he’s thinking. That’s probably why so many people do believe he remembers RESET. If any non-Flowey character remembered RESETs, only Sans would be remotely able to hide it so well. But for me? It makes me wonder how much of his Troll who Knows Too Much persona is a bit of an act as well. 

You know, Sans’ deduction requires some keen observational skills - does he ever second-guess his conclusions? Living on constant high-alert that something has been reversed or that someone knows something they shouldn’t requires fostering a lot of paranoia, and that can’t be healthy for him. Is he ever overcome with doubt on whatever something was really an indication of a timeline RESET or not? How does he feel when he realizes something horrible happened on a previous timeline (for example, his brother dying) but he doesn’t know about the context to feel sure that he can stop it from happening again? 

I also think about it in terms of his relationship to Papyrus in general. Sans tends to hide so many things from Papyrus, especially in timelines where the Player is particularly kill-happy...

In part it’s about his perception that Papyrus’ kindness and pacifism is born from naïveté and thus the only way to preserve it is to hide the cruelty and harshness of the world from him (Undyne also does that). But also, with the paranoia and helplessness Sans lives in every day - is it any wonder that he might believe that ignorance is bliss?

I do truly think it’s beautiful how fandom can experiment with cool non-canon ideas! There are probably so many great emotional angsty ideas tied up to Sans remembering RESETs! I just feel it’ll be a shame if people ignore just how dire and depressing Sans’ canon situation also is!

[sleepyric]

Bnha Headcanons ⟢

໑Synopsis໑ How a platonic relationship would develop with them and what’s included (also somewhat of an analysis of character).

໑Characters included໑ Bakugo Katsuki, Kirishima Eijiro, Shoto Todoroki

໑A/N໑ This is my first write since my Wattpad days 8 years ago. Some characters could be a little ooc and there may be grammatical errors. Enjoy ! <3

Word count: 572

Bakugo Katsuki is a complicated and complex man. It’s not new to hear of the many layers this guy has, making it incredibly difficult to break down his barriers. If you’re a new student the probability that he would even regard you as anything but an insignificant extra is slim. It would take a lot for him to even acknowledge you let alone get close to you.

Bakugo Katsuki is the type of guy that would take ages to warm up to you, if ever. If you’re lucky enough to gain his respect, which would only happen because of your powerful quirk or strong willed mindset, it could take a few months. Becoming friends with him would be an even harder feat. Halfway into the year if you managed to gain his respect, maybe just maybe you’d be able to become an acquaintance of his but nothing more.

Being Bakugo Katsuki’s acquaintance would mean you probably are friends with Kirishima as well. Maybe you are in a group chat with Bakusquad, which is how you would’ve gotten Bakugo’s number. If you decided to text him privately, he would give dry one word responses or leave you on read. I could imagine y/n asking for homework help only to receive a simple thumbs down react and a “no”. Of course, if you really wanted help from him specifically it would take a week of constant pestering to get him to crack. He would probably say something like, “if I say yes will you shut the fuck up and stop bothering me?!” Or something along those lines.

As Bakugo Katsuki’s friend, you’re not going to get a lot more. He might be more willing to help you study for upcoming exams, and definitely would want to train with you (it’s more of a competitive thing to him than anything else). I could see him maybe just maybe cooking for his friends but only because you’re “eating unhealthy” and he thinks it’ll make you preform poorly while sparring with him… which would impact the ‘competition’. You might get lucky and drag him to the mall with the Bakusquad once in a blue moon, if it fit his schedule and he felt like it.

Overall, Bakugo Katsuki isn’t an easy person to know on a deeper level, but I don’t think it’s impossible. I’m sure with enough time and patience, along with his personal development/growth over the years would allow you to get closer. It would never be the same as what you expect from other people, so if you want a “normal” friendship he won’t give you that. I think in a way he would end up pushing you to be a better person yourself, fixing any bad routines or habits you might have. Regardless, if you did stick around and managed to gain his respect and companionship he would be there for you when it mattered (in his own way of course).

Kirishima Eijiro is a kind soul, with his own set of flaws. As much of a well loved person as he is, he is also insecure. I imagine his desire to be “manly” stems from feeling like he wasn’t good enough, or a result of being bullied. It’s not unfamiliar to hear him being a sweetheart to everyone, I mean this guy would love to get to know you as a new student. He would offer to show you around because how could he not help someone in an unfamiliar environment?

Kirishima Eijiro loves to help. I think in a way, being well liked by his peers is something he’s always craved yet never received, hence why he tries to be the manliest for everyone. He would hate for anyone to feel the way he did, and maybe still does? With you he’d invite you to sit and eat lunch with him and his friends, or go out to see a movie with them. Always seeking to invite you, and would offer some solid advice if you felt down about anything. It wouldn’t take much to become friends with him.

Once you’re Kirishima Eijiro’s acquaintance, you’re also his friend. I think he kinda skips that part when forming platonic relationships with others. Why not if you like who the other person is, right? Being his friend would be fun. You would be able to go to him for help with anything, really. Need help doing your hair? Awesome, you can even help dye his hair. Don’t want to go to the store alone? Perfect! He’s been dying to grab these new protein bars anyways. Movie nights are a must, you both would have weekly marathons with all your favourite movies. He would also love to train with you, totally not to show off how manly he is or whatever…

Overall, Kirishima Eijiro is the epitome of a green flag. Just don’t forget he has his insecurities. This guy has been through it, feeling like he’s not enough or unlikeable to the rest of society. He probably doubts himself and how others see him as much as he trusts that they are honest and true. It’s always an inner conflict with him, regardless of how he perceives to others on the outside. That’s why, he would do anything for the people he cares about the most. A ride or die type of guy.

Todoroki Shoto is an enigma, honestly. Not so much in a bad way, but with how complicated it is to get a read on the guy. His family troubles clearly contributed to his distance and lack of emotion comprehension. He seems even more challenging than Bakugo. This man is more detached than anyone, and his lack of ability to form proper human connection will make it hard to get acknowledgment from him. If you’re new and interested in him, you’ll have to approach him first.

Todoroki Shoto is icey cold, literally and figuratively. Not that he can’t warm up to you, or doesn’t have the ability to get to know other people it’s just so incredibly difficult for him. He doesn���t want to be a failure, having dealt with feelings like that all throughout his childhood. Never having proper support from anyone, including barely having any friends. He was a loner, so much so that it’s just how he behaves in social settings even now. It’s routine, and his normal. That’s why you would have to show him or give him a reason to want to learn about others.

As Todoroki Shoto’s acquaintance I don’t imagine he would initiate anything. He would probably be a dry texter, but unlike Bakugo it’s not because he doesn’t care, it’s because he’s just like that. Would also find it hard to understand any jokes you might make, taking them quite literally instead. He wouldn’t be unfriendly as an acquaintance per say, but you will often not know how he’s feeling or if he even likes you. That’s why it’s up to you to get to know him, and approach him because if you don’t good luck being friends with him

Once you’re friends with Todoroki Shoto, he’ll comply with any activities you want to do, nonchalantly going along with it. Most hangouts will be going out to grab soba or walks in the park. Simple things that don’t require a lot of socializing or other people. A private guy, prefers to keep to himself. You’ll end up dragging him anywhere social. Since Todoroki is sort of friends with Midoriya, by default y/n would be too. Almost like a trio. Almost.

Overall, Todoroki Shoto is an emotionally distant guy. He doesn’t socialize much, nor does he find platonic connections easy or simple. Despite all of that if you two did manage to become friends you’d be doing most of the work. He might not know how to deal with others emotions, but he would make for an excellent listener. Willingly listening to you rant about everything an anything, just being there and nodding along to what you have to say. He would appreciate that you try so hard to be his friend, knowing that he’s not an easy person to let others in.

[coraniaid]

I'm pretty critical of Buffy's final season (because ... well, I've watched it), but there are some things I think it does well and, since I'm trying to talk myself into working on my S7 AU fic again, I thought it might be worth trying to write down what they are.

I like the sense of completeness there is in going back to some of the show's beginnings. I like seeing Buffy in school again, but this time as an adult with a job. It doesn't just let us re-examine the high school years from a new perspective, it gives Buffy's arc over the last few seasons a nice sense of direction. I like what little we see of Dawn in high school. (I wish there were more episodes like Help.) In principle, I even like the fact that this season's Big Bad is a supernatural threat we've seen on the show before.

While I think there are a lot of problems with the execution (and even with the wider concept) of making the First Evil the primary (frequently the only) antagonist, the First being around does give you a lot of possibilities for having characters literally come face to face with their pasts. I like the final scene of Lessons and I like Conversations With Dead People and I like seeing the Mayor on screen again. I wish the show had done more with this concept.

I like meeting new (Potential) Slayers and finding out more about past Slayers. I like Robin Wood. I like Kennedy. (I wish the show did a better job making the audience care about any of the other Potentials.) I like that Faith comes back. I like that there is a focus on what it means to be a Slayer this season (compare how the show opens, with Buffy taking Dawn on patrol and telling her "it's about power..." [which Dawn doesn't have], to the scene in Chosen where Buffy asks the Potentials "what if you could have that power?").

I also (sorry) really like the fact that the writers resisted the urge to make Dawn a Potential or have her suddenly develop any magical powers as a result of being the Key (which there are at least rumours they were talking about doing). I like that the show stuck with the idea that Dawn is the part of Buffy who gets to be an ordinary girl.

For all its flaws (silly CGI battle against monsters I don't care about which is resolved by a random mcguffin from a different show; weird retcon about Sunnydale apparently being inland; a bunch of other unfortunate writing choices I won't get into here) I really do like Chosen a lot. It feels very fitting that the show ends with Buffy both finally getting to leave Sunnydale and with her no longer having to shoulde the burden of being "the" Slayer (or one of only two Slayers, anyway) anymore. I love how open-ended and hopeful that manages to be.

And speaking of Chosen, I like Buffy's "cookie dough" speech. I like the fact that the show lets Buffy end the series single, and recognizing that she doesn't have to be in a serious romantic relationship if she doesn't feel she's ready for one right now. (I like post-S7 Fuffy as a concept a lot, sure, but I think I prefer it as something that neither of them rushes into.)

I like that Amy comes back? I mean, I don't like anything the season does with her, but still: points for remembering she exists, I guess.

I like the fact that Willow gets to grieve Tara but also move on with her life and start dating again. [I don't know if I would have killed Tara off if I was writing S6 -- I think probably not -- but given that Tara did die I think this is the only good option.]

Empty Places is a good .... name for an episode?

For all my (many, many) issues with Andrew Wells this season (and in particular with just how much Andrew Wells is in this season, which is ... a lot), I think Storyteller is ... pretty good? I liked Jonathan, I think it's sad he dies (and his speech about missing high school now that he's left is another good moment from this season) but I wouldn't really have wanted to have him turn up and help save the day either. Having Andrew kill him (and then have to face up to the fact) feels like the right choice, to me, if you were going to bring either character back [I'm not really sure I would have done that though, to be honest].

Equally, for all my irritation at the time wasted on the "is Giles the First Evil?" subplot and at some of the other character deaths the writers did go for, I'm glad that the Core Four all survive. What the season actually does with Giles isn't very good, and neither Xander nor Willow are in this season enough (especially not in its second half), but at least they all get to live.

Oh, and Anya. I'm glad the writers didn't give in to the temptation to kill off Anya for some sort of cheap shock value, the way some leaked early drafts of Chosen suggest they were thinking of doing. Can you imagine how infuriating that would have been? I don't know if I would ever have accepted it. I might even now be living in denial. Thankfully common sense prevailed there and Anya definitely survived.

[morphean42]

Rewatching Falsettos I was suddenly struck by an epiphany that I’m sure someone else has had at some point, but I needed to write out. This ending scene from “March of the Falsettos” jumped out at me from the first watching, but even though I recognised the nod to the “See no evil, speak no evil, hear no evil (and lesser known do no evil)”, I didn’t know what it meant. Today, I tried to piece it together, and I think I’ve gotten it. These poses represent core attributes of the characters, as well as Trina’s view of them, so click the read more to hear the ravings of a mad man wayyyyyy too obsessed with this show

The idea of ‘evil’ to me is very loose. It can represent a lot of things for these characters; their actions towards each other, their character flaws, etc. But, for this analysis, one can replace ‘evil’ with ‘truth’. Each of the characters refuses to see, speak, hear, or ‘do’ the truth (please excuse the lack of grammar for that last one), and that is where the ‘evil’ stems from. Taking into account this is mostly based on Trina’s view of the men, I think ‘truth’ fits in well.

Let’s start with the one who fits in least— Jason. “March of the Falsettos” is a physical manifestation of how Trina views the men in her life (as childish and immature), but some slack is given to her son. He doesn’t sing his lines in falsetto, because we acknowledge he is in fact a child, and has more of an excuse to act as such. So, take his analysis with a grain of salt. The boy has every right to be a little selfish— he’s 10.

So, Jason has his hands over his eyes, representing ‘See No Evil’. This is a direct nod to his character flaw; his view of the world with him at the center. Although his parents are less than good to him, he still sees them through unfair lenses— ‘My mother’s no wife/My father’s no man’. He sings ‘everybody’s yelling and everybody’s ruining it’ in “Everyone Hates His Parents” because he is unhappy with how his Bar Mitzvah is turning out and wants to simply cancel it. He doesn’t have a concept of doing things for other people (again, he’s a child, I’m not blaming him per se), so he is blind to the will of others and refuses to see their side. In addition to this, even when Mendel tells him Whizzer will most likely die, Jason pleads with G-d to save him. He still views himself as the center of his world, thus Mendel’s line ‘Life’s not all about him’.

In addition to this, his ‘See No Evil’ means something when thought about from Trina’s perspective. She thinks her son is blind to the truth of the world, this son who stays inside playing chess alone, this son who ‘seems like an idiot to [Trina]’. She worries Jason will turn out like these other men in her world, blind to everyone but himself.

Now we come to Mendel, who has his hand over his mouth in ‘Speak No Evil’. Mendel’s flaw throughout the show is his refusal to accept the truth of any situation. He tells Jason to ‘feel alright for the rest of your life’ instead of actually trying to help, he is ‘frightened of questions’, he repeats over and over ‘I’ll make you well’ to Whizzer in the hospital. He will never say anything negative, nor will he allow others to do so. Even in the end of the show, he tells Jason they don’t know ‘when or if’ Whizzer will get better— he is still not accepting that it’s a definite thing. He believes that if he and those around him just don’t speak about the real problems, they’ll go away.

Trina’s view on Mendel is complicated here. In the next song she agrees to marry him, of course, and we know she at least likes him (the most of all three adults she knows). She says that Mendel ‘decides the role to assume’. She looks down on the fact that he can’t speak the truth to her, that he’s expecting this happy wife, this perfect new family. He wants her to play along with him and make their home together, even if she sings ‘liking our lives’ instead of loving. Even if he’s better than Marvin ever was, there’s still an element of control here. Mendel wants this family, and he wants them to all pretend nothing is ever wrong again.

Marvin, our titular character, is in the ‘Hear No Evil’ position. This one is fairly straight forward— he wants control and will never listen to the needs of those around him. He can’t hear what they actually need, he simply does what he wants. He also struggles with his masculinity throughout Act 1, his outward misogyny and need for the nuclear family (his treatment of Trina and Whizzer), so he imagines himself at the top of his family system. He will never take any other opinions, or counsel, in his decisions, seeing that as weakness. He’s similar to Jason in this regard, as he only hears what he wants to (like Jason only sees what he wants). He ignores the pain around him to pursue his own desires, he covers his ears and moves on.

Trina, of course, despises Marvin at this point in the show. Her subconscious showing Marvin in ‘Hear No Evil’ can tell us a lot about their relationship, how she was never seen as equal in decisions. Marvin always put her to the side, not listening to her needs, acting without thinking of her.

Whizzer is complicated. I’ve seen people laugh at his pose before, saying we’ve got ‘See No Evil, Hear No Evil, Speak No Evil, and Gay’, but I think he represents the ‘Do No Evil’. This final character is not often seen with the other three, and can be depicted with arms over the chest or covering the genitals. It wouldn’t make sense to have Whizzer be the outlier (especially because the fourth depiction of evil does exist), so I’m assuming he is supposed to be ‘Do No Evil’.

This fits in well with Whizzer’s flaws throughout the show. He doesn’t accept responsibility for his relationship with Marvin; seen in the lines ‘I’m not responsible’ during “Late For Dinner” or ‘I will not accept blame’ in “Games I Play”. He sleeps around, despite Marvin wanting monogamy, and clearly did not have an issue hooking up with a married man. Whizzer fundamentally doesn’t think his actions have consequences, he believes he has done nothing wrong (he has done no evil). Whizzer also has a hard time admitting to his love for Marvin. He says it ‘depends on the day’, he flat out says ‘no’ when asked if he loves him. He doesn’t want to show his love for fear of being too vulnerable, so he hides and doesn’t do anything about it.

To take this even further, him being ‘Do No Evil’ can represent his later question of ‘why me of all men’ when he is dying. He hasn’t done anything to deserve his death, and ‘all men get what they deserve’, right?

Moving on to how Trina sees Whizzer. He’s come into her life and ruined her marriage, though she ‘wants to hate him’ she can’t. She views him as the cause of her recent hardships, his actions being to blame. He is ‘Do No Evil’ to her because he has done evil in taking Marvin away (though it is obvious Trina is better off because of it). He has upset the careful balance of her world by breaking down the lies of her marriage and exposing the truth— Marvin never loved her, could never love her. She puts him in ‘Do No Evil’ because what he has done is what the rest of the men won’t— see, hear, speak the truth even at the detriment of her family.

Another way to view this is, of course, the fact that ‘Do No Evil’ is rarely seen with the others. Trina is separating Whizzer from the other men, not putting him in the same category as the rest of the ‘family’. He views himself as an outsider as well, yes he’s part of the group, but only as a technicality. Only as Marvin’s lover. Once he leaves Marvin, he is easily taken out of the equation and the remaining three do not feel the loss.

My conclusion is such: Each of the poses our men do represents the character flaw they must overcome throughout the show, as well as how Trina views them in her mind. I really hope this made any sort of sense, and if someone has already said all of this well… I guess it can’t hurt to be thorough.

I’m way too tired to read through this again so if there are spelling mistakes please print out this post, correct it in red pen, and send it to me by carrier pigeon.

[abitterberryblog]

TWOTM Emissa Corenius : An Over-Analyzation

Major The Will of the Many spoilers and random theories ahead !!

Okay, so when I first read The Will of the Many, I wasn’t reading properly, and I just kinda assumed that Emissa was just a kinda blandly written character in such a well-written world. That was, of course, until the whole twist thing. What I liked was that it wasn’t a complete 360, and that she didn’t end up as extremely bad, but flawed enough for me not to be annoyed with her existence, and for her to not seem like only a Mary Sue 'love interest' character.

The thing is, I don't think she is at all.

First of all, I’m starting this with an analyzation of her relationship with Vis, and her not-so-role as a ‘love interest’. Was it real? Was it fake? I think she eventually did grow to be fond over him after a while, but I’ve always known she was going to betray him somehow. Something about the vibes.

It all started with the glass of water at the infirmary. I know there’s a chance that maybe she’s just, idk, kind or whatever, but after the ending, I’m not so 100% sure.

Not only that, but Ulciscor  constantly nagging about how suspicious he was of her. (Normally I'd pass it off as Ulciscor  being obsessed and hyper-anxious about the mission thing, but this was Emissa, and that caught my interest.)

There’s a really fat chance that she was, somehow, working with Veridius. This does not mean that she’s evil or whatever, and I'm still trying to figure out of Veridius is good or not, but it does make her a lot more interesting and complex.

Towards the end of the Iudicium, Emissa uses Will. You can’t use Will during academy stuff without some sort of source, or somebody allowing to use it. It's simply not possible?? Veridius? He’s literally the Principalis of the academy, after all, and during the infirminary scene at the end of the book, its implied that the Principalis spoke with Emissa beforehand, when he says to Vis that ‘she’s distraught’ and tries convincing Vis to talk to her.

What I noticed in this book is that the author, James Islington, is very careful in what he keeps in the book. Details. Hints. No matter how small or useless they seem. There are MAJOR spoilers, but : Here's a funny example I found.

See? Everything is littered in little details to be explored upon later. Even something as simple as a background detail of Aequa flipping coins.

ALSO, and something that I don’t see talked about for some reason, is the fact that Emissa knows that Indol was planning to deflect from Military to Religion. Indol never told her this. He’s shocked that she knows. Guess who may know??? Veridius???? That's right!!!

The question is, why would Veridius tell Emissa this? No idea from me here. But something else during the Iudicium arc catches my attention, and it’s the fact that Veridius PRIVATELY tells everybody what prize they would get if they won the whole thing. As implied by Eidhin (after he cancels on the Iudicium thing for Vis’ sake), Veridius often tempts them with something they really, really badly want,  and something that would drive them to want to win. 

I’m surprised not many people talk about that scene where Emissa asks Vis for the Heart of Jovan in the Iudicium, so she could win. She’s upset by this, obviously, since she cries and stuff, but I notice that she says “I can’t let us get separated.”

When I first read, I assumed she was talking about Vis, but that wouldn’t make sense, since she basically stabbed him as he fell off a tower (?) like, five seconds later. And also, her and Vis being separated wouldn't be related to her winning the Iudicium, (unless she's in a scenario where she'll have to leave forever or something if she doesn't win, which isn't really likely), Which makes me wonder, who was she really talking about?

Hopefully, we’re find out in the next book. Someone she really cared about? Relative? Family member? Am I missing something? Will this be important?

After all, we don’t exactly 100% know why Veridius planted Vis near the Callidus-Eidhin punchy debacle. He obviously knew Vis would step in.

At first I wondered if he was trying to kick Vis out and expel him, which is probably more likely, but right now I’m running on four hours of sleep and I am high on theories.

I think I’ve read this theory somewhere on the Hierarchy subreddit, too, but what if Veridius planned this whole thing, not to expel Vis, but to plant Vis near the stables as his punishment, maybe for Emissa to keep an eye on him? Or woo him for secrets or whatever the fuck? 

At the very least, whether Veridius did purposely plant Vis there for that sole reason, or as an afterthought after Vis worms himself out with the Threefold Apology, I do think that Veridius did make Emissa watch over Vis on purpose.

Otherwise, I think it’ll be a little random with Emissa just casually joining Vis to scoop horse dung, and I do not care how cool or attractive or fascinating he may appear, I still think it’s important. Hopefully? And why do I think so, you may ask?

I do not really think Islington deliberately wanted Emissa and Vis to be like, endgame, endgame. Like, The EndgameTM.  Maybe Emissa was trying to get more information on him. I don't know. It’s plausible. Emissa is top of the academy after Indol, and besides Indol being of course the smartest (as told by Vis), Emissa is FAR smarter than most readers deem her to be. I don't think everything as simple as this. Emissa simply cannot be this blind and radiant and carefree. She isn't in a perfume ad. We've established, from the book itself, that twotm is LAYERS upon LAYERS and twist after twist.

First of all, I’m so sorry, but Emissa and Vis have like no chemistry (imo). They do have maybe like a teeny, tiny bit, but the thing is that Vis has more chemistry with LITERALLY every other character his age BESIDES Emissa. I know, I know, every writer isn’t perfect, but there’s something so suspicious about Emissa and Vis’ dynamic.

As mentioned once on a Hierarchy Series subreddit post, Emissa and Vis have a strange dynamic that is unlike the others characters. With literally every single other character/friendship/relationship that Vis is in, there are details of each interaction, each feeling Vis has with them, what they do, bla bla bla, snippets of the scene, dialogue, ect.

But with Emissa, it’s sort of just…speedran? Like, besides the whole Suus island romance debacle and theatrics, their interactions just sort of go…

“Emissa visited me in the stables and we talked. For a long time. She helped me. She's nice. Also, her eyes are really green.” 

“Emissa sometimes studied with Callidus and I in the morning, sometimes not. Blablabla, she’s great and funny.”

“Emissa talked with me during Suus after noticing that I was uncomfortable with the politician people, blabla. ”

“Emissa and I trained together. In Three. Emissa helped me study. In Three. Wow, she makes me smile. Haha.”

Obviously, I'm exaggerating, but I'm definitely NOT wrong. Open the book and reread it. I DARE you to tell me I'm wrong.

See, there’s no real scene with them. Is it just me who noticed this? Just a time jump where Vis summarizes everything he did with her and how awesome and fun it was. There’s no way an author, writing a book with this much description and detail, just fumbles a romance by writing it like this.

NOT ONLY THAT, but even the CONFESSION scene isn’t anything as theatric as the rest of the book. Not even a SMIDGEN. Even the whole kiss can be easily forgotten. It’s not some dramatic confession. It's not romantic. It's not even sweet and heart-warming in that subtle, simple way. It's just a really lukewarm 'maybe i like you' and then boom, and it's over in an instant.

Vis mentions Indol and the secret that Emissa accidentally exposes of Indol, and then Emissa (suspiciously) changes the topic to how much she likes Vis and kisses Vis. And then boom, romance. A quick end scene, as if it wasn't ever important.

Isn’t it like, hella SUSPICIOUS? She changed the topic. Kissed him. Distracted him. And then the scene ended like it wasn't a whole Vis-Developing, Emissa-Developing, HUGE relationship moment.

Which, yeah, maybe she did like him at some point, but it sure as hell is convenient, isn’t it? I’m super invested in her character now, which is ironic because I used to not be able to STAND her because I just thought her character was just a really poorly written love interest.

I’m convinced Islington has the writer ability to write a confession/kiss scene much better, and much less random than that. Which means that I really don’t think he INTENDED to make hearts swoon. Just to distract.

Emissa is very fascinating, and few people acknowledge that, and I am EXTREMELY excited for The Strength of the Few to release.

[neyafromfrance95]

I really don’t understand why people are so divided on Celeborn. Like he’s always just been there and I never expected TROP to change that. Sure he’s boring but I can acknowledge that for Galadriel he makes sense and that she does love him. It doesn’t effect the intrigue of her relationship with Sauron which already existed well before TROP. It’s just that the show was smart enough to realize that and flesh it out. I think some fans have a provincial view on love and don’t understand that various layers of it can exist without detracting from the other. I can believe that Galadriel is in love and happy with Celebron and STILL feels a cosmic soul connection to Sauron. I think the writers understand that this is the meat of this adaptation because there’s a reason certain tropes are classics; the whole dark/light, good/evil push and pull. On a different note it also makes me wonder why people feel the need to whitewash Sauron’s character as this man who wants to try to be ‘good’ in order to ship him and Galadriel. I think s2 makes it very clear that he is at his core a dark and evil entity who at the very most finds human morality an interesting curiosity and warps ideas of goodness for his own gain. And monsters can still feel love, like I think he definitely feels connected to Galadriel and will only ever feel as deeply as he is capable for another being, for her. But because he is what he is, he has no problem manipulating her for what he thinks is best for her and ultimately what serves himself. They are on totally different ends in how they perceive the world and yet they see each other so clearly. This is what makes it interesting for me at least. Anyway let me stop rambling now lol

yeah, i agree.

i see celeborn as this emotional support husband who (unlike many other male characters in lotr) doesn't "dominate" his wife and is rather her follower. there is a good malewife potential for him, lol. and he is pretty much just a background "husband" character, not taking away the spotlight from galadriel.

and yes, just bc galadriel ends up married to celeborn and they might have a nice soft relationship doesn't mean that she doesn't have a far more special and deep connection with sauron, more passionate and poetic even.

but the reason why they can't be together and the whole tragic beauty of sauron x galadriel is that her gaze is fixed on the light while he is the darkness incarnate. and the fact that sauron is this irredeemable evil yet still loves galadriel and her only but in his own twisted way is what makes it more fascinating!

i wish we could allow female characters to have complicated, complex and flawed relationships instead of trying to limit them to the simple wholesome and easily digestible ones.

that being said, i don't really think it's gonna be interesting to focus on galadriel's relationship with celeborn in trop. we know their story already, we've seen them together in other media. this is the story of galadriel x sauron and taking the focus away from this relationship by introducing celeborn would be far from compelling or satisfying development. that's the reason i don't really want to see him until the end of the show.

(also, again, the reason for celeborn demand and discourse is that a lot of incelbros want galadriel to be this tame wifey and they think celeborn is going to come and take away her sword, and a lot of moralists want us to stop shipping "taboo" ships such as sauron x galadriel.)

[fuckmeyer]

Hey girl!! Love your works. Duh. And there are some themes and characters that you explore really well. Again: duh.

So I have a question: what do you think of Charlie as a father?

Like I know people tend to really love him (which I think is partly because of the daddyification and billy burke). But while he is not an horrible father he is far from a good father imho. From what I get from your twilight (I have to admit it's been a while since the first book), you kind of like him. Could you please tell me why?

first: thank you! really appreciate you reading and for taking time out of your day to let me know what you think! so glad you like it:)

second: i agree with you. i think a lot of love for Charlie actually stems from movie!Charlie who doesn't get enough screen time to showcase his flaws (& also is kinda daddy even tho Gil is RIGHT THERE).

but, like all parents, Charlie Swan is flawed. i think he's trying his best but isn't totally equipped to step into a fatherly role, especially for a daughter, & it shows.

canon Charlie let his wounds from his marriage consume him to the point where it affects his relationship with his daughter

we learn that Charlie only spent time with Bella during the summers, & on a few trips to California. granted, Bella hated Forks & refused to go after a while, but it's incredibly sad that 1) Charlie was only seeing Bella once every 9-10 months to begin with, and 2) he seemed to give up being in her life once she "put her foot down." especially knowing how selfish & chaotic Renee was, i find it sad that he didn't make more of an effort to reach out & make sure Bella was okay.

well, now Bella's back, & it's clear he has a hard time showing love outside of acts of service. kinda. he bought her truck and put snow tires on, but both those happen in book 1.

&...that's really it. they don't do anything together; it seems Bella has the option of watching TV with Charlie, or going out to dinner. but Charlie makes no attempt to find common interests or activities they can do together.

it's prob directly related to his relationship with Renee. last time he showed emotion & affection, he got burned. we can tell he still hasn't moved on from his heartbreak since he still has pics of her around the house in Twilight & has kept Bella's room almost untouched. i'm sure subconsciously there's part of him that's afraid to make the emotional investment in his daughter because for all the investment he made in Renee, it wasn't enough.

Charlie wants so badly to be helpful to others

credit where credit is due. acts of service is Charlie's love language, and he is consistently trying to help others. one of the reasons he & Renee split was because he didn't want to leave his aging parents alone in Forks. he forgives Bella & is there for her after she weaponizes his trauma. in NM, he picks Bella's lifeless husk off the ground, tries to help, checks in on her almost every time she has a nightmare, suggests therapy, prods her to start going out again, etc. he gets in a fight with Billy defending Bella when she & Jake were fighting. in Eclipse, he encourages Bella to develop other friendships outside of Edward and the Cullens. he's the Chief of Police, for god's sake. his whole life revolves around serving others, & he consistently tries to do so despite the aforementioned trauma.

however!

Charlie is misogynistic

i mean, he's a boomer. he grew up in a world with more traditional gender roles. he implicitly upholds patriarchal ideas that contribute to the internalized misogynistic views he extends to his daughter.

for one, Bella immediately picks up all of the cooking & cleaning when she moves in. yes, she wants to be helpful. yes, she should have chores. but Charlie never stops to think about why Bella feels compelled to run the entire household (you don't think she deserves a break after her lifelong parentification????). he never bothers to pick up any new skills to help out. even in the middle of Bella's depression, she keeps the house clean & running. we find out in Eclipse he is still so inept at cooking, the lifelong bachelor somehow doesn't know not to microwave jarred spaghetti sauce with its metal lid still on, or how to cook noodles. she says doing laundry is "out of character" for him. when she leaves and he gets with Sue Clearwater, suddenly it's Sue who's running the household for him. hmmm

SECOND (please stand back as i am about to get feral), Charlie's attitude toward Jacob & Bella's relationship in Eclipse is absolutely abhorrent. he pushes her to reach out to Jacob when she doesn't want to (because Jacob just told her he'd rather see her dead than a vampire!!!). when she refuses, Charlie calls her "petty" & her behavior "unattractive." he's "smug" when he assumes she and Edward are fighting. not only does he congratulate Jacob after learning Jacob kissed Bella without her consent, but he snarkily tells Bella to "pick on people your own size" AND asks Jacob if he'd like to press charges AND admonishes Bella when she suggests she should beat Jacob with a baseball bat. LIKE!!!! YOUR DAUGHTER WAS JUST ASSAULTED!!! BE FUCKING FOR REAL RIGHT NOW IF IT HAD BEEN EDWARD THE BOY WOULD HAVE BEEN SHOT--

Charlie admits his mistakes & shortcomings

after this horrid scene, Charlie admits "I feel like I don't always do everything for you that I should," and does reference her hand. although he does state she has the right to not be sexually assaulted (wow, nice), he seems to regret more that he never taught her how to throw a punch. he also admits feeling helpless at the end of NM.

ultimately, Charlie loves his daughter

even when she literally becomes a monster, Charlie is willing to swallow his overwhelming discomfort just so he can be in her life. despite all the turmoil she puts him through-- emotionally manipulating him in Twilight, suddenly running away in New Moon, faking her death in Breaking Dawn-- he's willing to stand by her.

tl;dr: i like him in the sense that he's a flawed character (& flawed father). i think he loves her & he's trying. & whether you consider Charlie a good father probably depends on how it compares to your relationship with your own father ¯\_(ツ)_/¯

[exuberantocean]

I want to talk about responsibility in Our Flag Means Death. And I want to talk about it specifically after watching Stede blame himself for Ed's actions and I want to talk about it after watching a number of people in fandom blaming Izzy for Ed's actions.

Because they were Ed's actions. Ed absolutely did those things. No one forced him to attempt to kill Lucius. No one forced him to strand half the crew or torture Izzy or drive the boat into that storm. These are things Ed did of his own free will.

I hope, I really hope that people understand that ultimately the one responsible for Ed's actions is, well, Ed. Because he was the one to do them. Was his mental health good at the time? Ha, God no. But while that certainly makes it easier to understand his actions, it doesn't excuse them and it doesn't make them right. They are still his actions, his responsibility.

Did Stede's failure to show up at the end of season 1 cause Ed's mental state? Look, it was crushing (for both of them in different ways really). But look, Ed could have assumed something happened to Stede (which really, something did happen to Stede) rather than leap to the conclusion that Stede rejected him. And even given that, most people who break up with or are rejected by a loved one don't do *vague handwave at the first 3 episodes of season 2* ...all that.

There's nothing wrong with Ed feeling rejected and sad. There's a hell of a lot wrong with his actions.

Did Izzy's words and actions cause Ed's mental state? Well, obviously they didn't help. If I recall correctly, Izzy's made some sort of comment to Stede about ruining Blackbeard which surely contibuted to Stede's mental state and his actions at the end of s1 but, you know, Stede's a grown man and his actions are his own. Similarly, Izzy's taunts to Ed at the end of s1 come from a place where Izzy had a specific idea of how Ed was that was, well, perhaps not as wrong as some fans would like to think, but certainly incomplete, lacking, perhaps even misunderstood.

Perhaps misunderstood works best. Izzy knows the confidence that Blackbeard has always seemed to hold, the command, the compacity for violence, but he lacks the understanding of who Ed is. It's understandable that Izzy would want that back (I mean, I hate to break it to you, but they're pirates, the violence thing is part of all that). But, you know, I don't think Izzy's ever been a character motivated by just a desire to fuck things up. He's no Iago. Izzy clearly loves Blackbeard and that's perhaps his greatest flaw. He loves Blackbeard so much, but doesn't understand Ed at all.* ** Regardless of Izzy's motivations, he does play a significant role in escalating the situation. He words contribute to both Stede and Ed's turmoil. I'm not saying he has zero accountability here.

But.

Ed always had a choice one what to do, how to react. His actions remain his own. He could have ignored him, or tried to get over Stede or had Izzy tossed off the ship or any number of things. Instead, Ed chose to do what he did.

More importantly, by denying or ignoring Ed's own capability for his own actions, I feel like it overlooks what I see as the most powerful potential storyline in the show (obviously, I have no clue if they'll actually go this way, but I hope they do).

Ed, the man who feels unlovable has done horrible things. And, just maybe, he can still be loved. (Oh let's face it, we know he will be - he is already by Stede.) I don't even mean just by Stede (I mean, let's face it, Stede's likely to continue blaming himself for this), but by the crew he so badly treated. It will be interesting to see how things move forward. Regardless, I can't wait to see what happens next.

Who hasn't done horrible things? I mean, hopefully not at Ed levels of horrible. But God, what a lesson to be learned, to be loved even after your worst. One of the reason I think we humans are so compelled to create and follow stories is that we learn so well through them. How many of us out there feel unlovable, unloved, as deeply as Ed? How many of us are drowning in our misery, pulled down by weight of our own trauma, or our wrongdoings or perceived wrongdoings?

And how many of us are just as wrong as Ed was? Not because we aren't capable of bad-because new alert-we all are, but because we aren't defined by that and because we aren't destined to be defined by our darkest moments. And because humanity is even more defined by it's compacity to love and forgive than it is for our compacity to hurt and destroy.

Because I want to watch both that boat and it's co-captain rebuilt together.

*This is, perhaps, why Ed could never love Izzy. Because all Izzy saw was Blackbeard and Ed needed someone to love Ed - someone he could be Ed with and that be okay. Perhaps things will shift between Ed and Izzy after this...I mean, things must shift between the two after this, but perhaps Izzy will finally start seeing Ed? Who knows.

I also think Izzy's work at protecting the crew and his attempt to fix the situation (woefully too late) is worth something).

[yuikomorii]

Regarding the post below https://www.tumblr.com/yuikomorii/758232035111452672/sorry-for-asking-im-really-sorry-but-in-what I really don’t understand how people can see Yui as innocent and pure when she does these acts. I understand that she’s insane but so are the Diaboys but nobody justifies their actions anymore (I hope so). What I’m trying to say is that Yui isn’t that much better than the vampire guys because she does the same or even worse things than them when she breaks too. I like Yui too when she’s sweet but I swear she’s the most possessive MC I’ve ever seen in any otome game, especially with Ayato. 😐

// Honestly, it's hard for me to believe that some people genuinely think any of the DL characters is completely innocent, lol. The charm of this franchise lies in the fact that each character has both good and bad parts. No one is fully evil, nor is anyone a saint, so we shouldn’t view them in a black-and-white manner.

When it comes to Yui, yes, she can be pushy, selfish, obsessive, and possessive at times, but that doesn’t mean she isn’t pure-hearted. People like this can do terrible things when they feel like something goes wrong, and while that doesn’t make their actions justifiable, it’s important to consider their perspective as well.

As for Ayato, I understand that she went too far in the MB endings, given that he only wanted to protect her, but let's be honest: Would so many people still ship Ayayui if only one of them hurt the other? I honestly doubt it. What makes Ayayui so compelling is that they have similar flaws and can both do similar bad things when triggered, yet they’re also capable of being heroic under normal circumstances, which balances out their crazy side.

On top of that, the target audience is people with masochistic fantasies, so I’m sure there are a bunch of individuals out there who are into that. 😂😂

[animentality]

I love Baldur's Gate and the Dark Urge and all -

And the idea of the Dark Urge redeeming themselves after a lifetime of horror by literally choosing to die and go to purgatory forever is really amazing. In fact, it's why I'm so dedicated to the Dark Urge as a character.

The idea of a villain losing their memory, becoming a hero, and then realizing that they need to die not just once, but twice to truly DESERVE their redemption is honestly brilliant.

But.

But.

Withers revives you way too fucking fast.

You literally die...and then Withers instantly brings you back.

In fact, it takes him fucking longer to revive your COMPANIONS than you, and your companions dying and being revived at camp aren't even part of the story, it's just you fucking something up and not wanting to waste a revive scroll.

Withers bringing you back instantly comes across as like, oh, so dying for your morals, being a true hero in the end, a martyr, defeating the villain, which is you...it's totally negated.

You died for about twenty seconds.

I've known people who died for longer on the operating table.

Where is my lover crying and clutching my body?

Where are my friends, all looking devastated, because they're all gotten to know me and root for me and truly care about me after I've done ALL THIS for them???

So that they could be safe from me?

Where is the emotion?

He brings you back and then your companions have a single line that's essentially just, "good job buddy."

Karlach says something like, I'm proud of you and Wyll says I'll drink in your name or whatever.

And Astarion has a really obnoxious line about how this means you aren't going to attack him anymore...and it's like... okay.

Cool.

So you guys are totally unphased by the fact that you just watched me die...but I suppose death doesn't mean shit in this game, since you have Withers to constantly bring you back.

Cool.

So then what? Nothing matters?

It's just frustrating because I know it's the cut content curse. They had more planned for Orin and the Dark Urge and Bhaal...but it just feels so underwhelming.

I think BG3's primary flaw comes in the fact that they wanted to build this richly crafted narrative, while also accounting for player choice. And they did a magnificent job of adding SO MANY extra scenes and alternate interactions, to the point where I'm still finding new shit, after like 800 hours of playing...

But the tradeoff is that the character stories...fall really flat, because they want so desperately for a Tav to be the main character, and no one else.

The Dark Urge especially suffers from this, because they made them a murder hobo in one ending, and basically just a Tav in the other ending.

As soon as you are brought back by Withers, you might as well just be a Tav. It has no bearing on anything anymore.

And that's such a shame.

I just wish it had some weight. The Dark Urge has spent their entire life ending lives... it should be beautiful, that they would end their own life to atone...their last victim, would be themselves, as they always knew...but for different reasons-

oh wait, withers is here.

cool, i'm back, guys, let's go to arby's and celebrate.

i just think the game should legitimately make you think you died, at least until a long rest or two.

force the squad to go on without you, make someone else your fourth member.

THEN withers can come to you, maybe in some kind of new Jerrgal-form, so you know he's Jergal for sure, and then reveal he was secretly a retired god.

And honestly, that makes Withers a far more interesting character too. To give him this huge hero moment, and have him say, no, this will not stand. I know he HAS that moment, but it's so rushed.

Let the player breathe on it. Let them FREAK OUT. Can you imagine how much stir it would've created, if Dark Urge players LEGIT thought they were dead permanently?

That would've given their sacrifice real weight.

But Larian was scared, probably, of players being upset that their characters are dead, even though that kind of sacrifice is literally the most heroic thing you could do in the game, besides become a damn mindflayer.

So some sacrifice! You sacrificed ten seconds of your life, and your companions barely care.

Alright. Fine.

I'll just be over here writing your story for you!

[rainbowchaox]

Yashiki and Mashita: Why the Ship Works (Mashita POV)

How we are introduced to Mashita is strange to say the least. He crawled out from under a blood soaked bed. Like it’s normal to him. And his first impression is not good to say the least. He is sardonic, sarcastic, mean and very rude. So much so that most players were suspicious of him and convinced he would be secretly evil.

It’s soon clear that he may be closed off emotionally but he is soft. And cares alot about others despite his rough words trying to show otherwise. It's clear his rough exterior is a protective measure. A way to get respect and to be aggressively independent. But this is a lie. Mashita along with Yashiki cares so much about others. He just doesn’t want others to know that fact.

In fact, how fiercely independent he is also his main character flaw. He protects others but doesn’t let others protect him. Even if others care about it. It’s his ingrained duty from when he was an active police officer. And his previous career also shows his character. As much as he would tell you otherwise. He became a cop in order to protect others. And even when he left the force he still works to protect others.

From humans or from spirits. He doesn’t falter. Even when he was Marked for the first time. He was not scared. Even when he should have been. He would rather try to kill something already dead than wait for death. He is similar to Yashiki though. He cares for others but definitely doesn’t care that much about himself. Always putting himself in harm's way in order to protect.

Mashita is always on edge. He is suspicious of everyone and everything. He needs to keep his mind sharp. And not deluded. And he is secretly kind. There’s a difference between kindness and niceness. Mashita would lie and say fake niceties but he will call you out and make you realize you have fucked up. He will make sure you are the best version of yourself.

Mashita is a bit of an asshole, kind in the way that matters, and doesn’t care much if he offends others as long as the job is done. And done well. He is a bit of a perfectionist. But the fact is he means well. He doesn’t care for niceties or politeness as long everyone is alive.

And like Yashiki. Mashita is complicated. No one will get his character unless you dissect every layer and every facet of his psyche. But Mashita ideals and motivations are pretty simple. He just wants to do his duty and protect others.

And we need to know his character in depth to understand why Yashiki is perfect for him. This ship needs us to understand Yashiki and Mashita completely. We need to know how both tick and function. This chapter will be Mashitas point of view. I’m gonna show you why this ship works and why it’s practically canon in all but name.

When Mashita meets Yashiki for the first time. To him it’s a destined meeting despite being in a horror basement. He immediately found joy getting under Yashiki's skin. But immediately was vulnerable and told Yashiki about him being forced out of the force. He clumsily gave Yashiki his heart. He already considered Yashiki part of his team after realizing they were in the same situation with the Marks.

As part of being an ex-cop. Mashita, despite his rough attitude, has to know how people tick. He needs to know body language, signs that people are lying, and needs to know how to bring the truth out of people. He needs to be decent at getting people. Yashiki and Mashita both know how others tick. Yashiki is just blinded more by his empathy while Mashita can see clearly because he thinks with logic.

Mashita knows Yashiki more well than himself. Mashita isn’t blinded by insecurities like Yashiki is. He knows Yashiki is just good. And he knows he is talented and resourceful. There’s reasons why Mashita respects the man. In fact he is the most friendly when he is talking to Yashiki. It’s clear that Mashita has a favorite.

Mashita in my opinion fell in love at first sight. And he is so pissed about that fact. There’s no reason why he would stick his neck out so much for a man he met a day ago. Mashita cares so much about Yashiki. And he hates that he does. Because he is weak. He is no blushing school girl though so he can deal with it. Even if Yashiki rejects him.

Mashita and Yashiki showed everyone why they are meant to be together when they teamed up to deal with Hanahiko. Their team work is out of this world. They counter each other's flaws and become each other's strengths. They are partners.

Mashita after Hanahiko decided to stick around. Sure he had his reasons wanting to learn more about what happened to his Senpai. But his primary reason to stay was Yashiki. He knew Yashiki needed someone to be by his side. He won’t leave to go back to normalcy when he knows Yashiki needs him.

He was already attached to Yashiki. His heart was already taken by Yashiki. He could not bring himself to act like nothing happened. Go back to normalcy and forget about Yashiki. Yashiki needed him. So he stayed. A choice that would mean everything for Yashiki. Though Mashita won’t see how important this choice would be. Of course when he was needed he stayed.

Mashita never faltered in his decisions. He chooses his own path and strides ahead. Conflict and consequences be damned. Once he decides on something he will follow through. So of course he put his life on the line in order for Yashiki to be able to escape from Shimi-O. Getting Marked again isn’t that important. Putting his life on the line for others isn’t important either. It’s what he should do.

Not realizing his actions show his true self and it’s why Yashiki adores him so much. As much as he tries to distance himself from others. He can’t help but bring people in. Much to his annoyance. Mashita could have chosen to stay back in the mansion. But that is not him. He gets a goal and he will accomplish it.

And no one but him should be in the middle of the cross fire. Anyone should be protected while he charges in. Especially because as much Mashita will try to deny, he is more led by his emotions than one realizes. And he cares so much about Yashiki. Though he will never say it outright he shows it through his actions.

Eventually Shimi-O is dealt with and Mashita gains some solace about what happened to his Senpai. But Mashita realized it was his time to leave. If he stayed any longer he would just be making himself a burden for Yashiki to carry. He never wants to be the one that would drag Yashiki down. He wants to be the one that would make Yashiki stand proud and tall. He would rather die by a spirit than admit any of this. So he lies and lies.

Yashiki, much to his annoyance, never fell for his rough exterior, not really. Yashiki knows how Mashita really is. He knows he lies. But most of all know that Mashita is one of the kindest people he has met. Bad attitude and all. Mashita even gets flustered at Yashiki telling him he would miss him. Mashita doesn’t understand how important he has become to Yashiki. He isn’t used to being adored.

Before he leaves for the rest of the main game. He promises to buy Yashiki a drink after the Mark business is dealt with. Practically asking Yashiki on a date as a form of celebration. This shows that Mashita has complete faith in Yashiki. And knows eventually he would be free from the curse of the Mark. He never stopped trusting Yashiki would be able to survive.

And eventually Yashiki gets freed from the Mark. And Mashita immediately wants him to join him on investigations. He respects Yashiki so much. And desperately wants to continue working with him. Despite his bad attitude he wants to continue being by Yashiki's side.

Then the Red Riding Hood case happened. Mashita practically strong-armed Yashiki into helping him with this case. Despite Yashiki wanting to have a sense of normalcy as he hunts for a better way to seal Mary. Mashita didn’t let him though. He respects him too much to let himself wallow alone in his mansion. He even had the gall to complain to Yashiki for telling the old hag how to contact him.

This shows me that in the time off screen that Yashiki and Mashita spent a lot of time together. Mashita feels comfortable enough to barge right into Kujou Mansion. And it’s presented in a way that Mashita does this often and it’s not unusual. For most of this case, Mashita isn’t present in order to give Yashiki the freedom to grow as a character. A recurring theme that will also happen in Death Mark 2.

Mashita and Yashiki are just such a good team. they are unbeatable when they are together. No spirit stands a chance when they are against the two of them. They are each other's strengths. They are each other’s yin and yang. Logical and emotional. The spiritual and the mundane. So they literally have to be apart for the spirits to be taken seriously. And for their character flaws to show.

Mashita eventually returned when Yashiki needed him the most. And they immediately get on the same wavelength in order to deal with Red Riding Hood. Mashita is there to slap Yashiki back to reality before he gets taken advantage by a spirit. And Yashiki is there to show Mashita that you can be empathetic to spirits. And end things in a more peaceful fashion.

Mashita eventually leaves Yashiki outside after Red Riding Hood was having too much fun with him. And Yashiki's major character flaw is yet again shown. As his gentle heart is swayed to enter the hotel by Red Riding Hood. He really needs Mashita to keep him focused. He is too kind and spirits will abuse that.

Yashiki almost dies. But is saved by Mashita who has and will be there when needed. And Mashita breaks. Barely holding in the worry, the stress, and the pain of Yashiki being gone if he was just a little later. He lashes out from anger born of worry. Because he cares and saw the man he loves almost die. This shows why they work so well together. They both have different views about spirits. And their own reasons for staying involved in the spiritual world. Yashiki wants to save both humans and spirits while Mashita believes spirits and humans should stay in their own worlds.

Then Death Mark 2 happens. Like I said earlier it’s a trend for Mashita to be missing in order for Yashiki to get character development. But we definitely have much to talk about here. We see they became closer than ever. They talk often on the phone. Mashita spends time off the clock just spending time with Yashiki. He barges into Kujou mansion like it’s his second home.

When we finally see Mashita. They got way more playful and comfortable with each other. They clearly got so much closer off screen. They know each other so well by now. They definitely give the impression they are especially close. Because even when Mashita at times interacts with Yashiki you could even say he is nice. There's mutual understanding and affection that brims between them in every conversation.

And Mashita even brings out his more childish sides around Yashiki. I mean they meowed and hissed at a rock of all things. Yashiki and Mashita are practically canon besides saying it outright. There is something between them. So much The Departed loathes Mashita.

This isn’t to say it’s one sided. Mashita insulted The Departed for trying to seduce Yashiki. Mashita is the jealous type and likes to stake his claim. Meanwhile The Departed fully thought of him as serious competition. The Departed reacted like she was a wife finding out her husband was cheating on her. And chased after Mashita wanting to end his life right then and there.

He knew Yashiki could handle it. So he never second guessed himself. He never stopped believing in Yashiki. And Yashiki does solve The Departed. Mashita knew he would figure things out eventually. He has his loyalty and trust for a reason. We are shown that he canonically leaves his trench coat at Kujou mansion which is very heavily implied to be his Senpais. He is sentimental. And from the information in NH we do know they stayed as a team and solved many cases together. And got famous for it. At least in spiritual circles.

All in all, Mashita fell first. And despite wanting to be independent and alone. He always falls hard. Yashiki and Mashita have such good chemistry with each other. The ship is canon all in but name. They are each other's favorite person. And they deserve to be happy.

[kiriwiwii]

i REALLY need to rant about eichi right now.. cuz im soo tired of people not understanding him at all.

i hate how this fandom acts like he is the ONLY bad person in this game. i mean, he is not a "bad" person but he made a lot of mistakes in his school years and his methods were cruel, i know. but,, most of the enstars characters did bad things. it's just how the game goes.

as the story progresses we can clearly see eichi regretting his actions. and even if he did NOT regret it, we can still like his character since it's fictional and i believe it's okay as long as we don't support his actions.

shu and kaoru also had a bad reputation during the ! era, but they both had good character development afterwards. most people do the same thing to them as well. acting like shu never changed etc. or kaoru even mentions this IN THE GAME how he feels upset when people still care about his past actions.

well- the topic was eichi so let's get back at that... in my opinion, he is one of the best-written characters in the game. his inner thoughts and conflicts within himself are reflected very well. almost all of his motives make sense. people literally have no empathy for him which makes me upset. he grew up in a hospital and tried to live with the stress that he could die at any moment. none of his parents cared about him that much and he was so socially awkward that even if he managed to get out of the hospital he had a hard time making friends. him not understanding people and having a hard time feeling empathy comes from this. he grew up all alone, in a literal hospital room😭

and his intentions were always good. i don't recall a moment when eichi hurt someone just because he wanted to. it was always because he had lots of goals in his mind and since he could die at any moment, he wanted to succeed as soon as possible. that's why he tried to destroy everyone who got in his way. and that totally makes sense, adding that he's also not good with social stuff.

I KNOW he hurt a lot of people. i don't support him. i'm just trying to explain why i think he's well-written. actually, while reading the stories there were soooo many times i hated him and his way of doing things but i believe thats what makes his character so "human". he's very flawed and this makes him interesting, i love that.

also, he did get the consequences of his actions. whenever he did something bad he was aware of it and it led him to depression and hating himself. there are so many quotes of him saying he believes he deserves to die etc... and i remember in ! era, he kept having nightmares about the war and the things he did. so, he did suffer just like the people he made suffer.

we don't see this kind of regret in keito and tsumugi. and another thing- people always bash eichi for the whole "capitalism" thing and the stuff i talked about above, but they never do this to ibara?? I LOVE ibara, but i never saw someone blaming him for some of the bad things he did?? and bro is literally capitalism itself but no one even jokes about it that much😭 im sure there are other characters we can add here. some of them get treated like a baby and no one cares about the mistakes they did, but when it comes to eichi (or shu, kaoru, any other character you might wanna add) they despise him.

sure, everything eichi did was more visible, and it's easier to hate on him. but i believe he deserves recognition and love just like the other characters in this game.

this is it. sorry for yapping can't believe i'm defending this guy out here🙏🏻

[kineticallyanywhere]

Matt "I can and will remind everyone that Link is REALLY wierd about Normal with like no real explination at this point" Arnold out here like "let me see if I can underminine my entire point in this character arc defining interaction" and I unironically love him for it Link is SUCH a messy b word rn

(this turned into a long response, let's talk Fascinating Character Flaws!)

I dont think it's so much that he's weird about Normal, if I'm understanding what you mean by 'weird', especially in this episode. I feel like it circles back to what I keep thinking about, which is his newest teen fact. the one where he-- does this count as poisoning? he made other children ill in a fit of jealousy for anyone having any time with his dads.

listen, I've had many homeschooled friends. At one point in college I was the "actually went to public school" member of the friend group. People can go in and out of homeschooling and be... not whatever the heck Link has going on. I was excited for him when that fact started, like, "oh he was part of a cohort!" until uuuuuuuuuuuuuuuuuh!

(the following are thoughts that I'm still developing in my head as I type and probably after I post)

whether it's due to the overprotective parenting or just Link's nature or a Symptom of a Condition (op has their own Condition but is not a psychologist) Link's got an issue with like. not getting what he wants? not usually in super obvious ways, it's not spelled out, he doesn't throw tantrums or anything. unless you count the thing at Normal about Normal not wanting to do "cool plans." and most of the time he doesn't want anything complicated, his wants have been pretty straight forward and in line with what anyone would want in these circumstances. he wants people to not die is the big major one, he wants to not feel betrayed again, he wants his friends to stop fighting, he wants to get this over with NOW. and he's been going through so much of not getting what he wants (COMPLETELY REASONABLE THINGS TO WANT, IN THIS CASE. TRAUMATIC THINGS TO NOT GET) that he seems to not know what he wants at all anymore.

like, his understanding of the world has been rocked so bad that he's pretty sure all those things I just listed just aren't things he can have. in the past whenever he needled his parents or acted out or did certain things he'd get what he wanted. not to say that he's spoiled but uh... okay yeah I am saying that a bit. but mostly in the ways that it keeps him from developing the coping mechanisms for when you ask something from life and it punches you in the teeth instead.

So in a world where he doesn't know how to get what he wants and maybe he isn't sure what he even can want, he's kinda just shutting down internally. In the mean time, he may as well make sure his friends get what they want, and then maybe at some point he'll want something again. so, in a way, what he wants is to feel and want something, so that "wants what he wants" part of him snapped out again at Normal with "well at least you're feeling something." in other words, "you have the thing that I want right now, and I'm gonna sound pretty bitter about not having it myself" which is an effed up thing to say when that thing he's having is a mental breakdown.

Link. Buddy. Bud. Kiddo. Pal. you need Help.

tl;dr and conclusion: imo for their mental health the party should split into Link & Taylor and Scary & Normal again for an episode or two. Norm and Scary for hopefully obvious reasons; and Link and Taylor because while Taylor is unquestionably a rich kid spoiled for material goods who is very good at wanting things, he is also a kid who's mom knows how to say "No. Absolutely Not. Give me the knife right now I don't care what seppuku is" and who's dad left an emotional void for over a decade that he is clearly adept in coping with and he could give Link some pointers.

also because it would be a cool callback and parallel to early episodes to do those pairs again. see how they've changed and stuff

[aspoonofsugar]

you wrote such a beautiful rwby analysis but unfortunately I think you put more thought into the plot than the entire writers room

Hi!

Thank you, I am happy you found my analysis beautiful!

That said, I am sorry, but I disagree with your statement. It is fine if you dislike the series and even if you criticize it, but as for me, I think the writing is rather strong.

Here are some thoughts, which aren't really directed at you, but rather are born by me seeing a tendency going around where it is somehow "cool" to outloud state RWBY is badly written. I even saw people like... "apologizing" because they enjoy the series. Newsflash...RWBY is good.

RWBY is a series with a writing that goes from decent to very good depending on the moment. I would give it from 7 to 8.5 or even 9 in some scenes. More importantly, it is a story the writers are clearly enjoying writing, as for now. This is why I like watching it. It is genuine, upfront in what it wants to say and it takes risks. Ironically, a series with limited resources shows much more freedom in execution than many other stories, which are economically backed up.

I would also add people keep talking about good writing, but never really elaborate on it... And like, trust me, I do think there is good writing and bad writing. The problem is that people just take examples of "well written series" and decide a series written differently must be bad. This isn't really the case.

First of all, let's focus only on a specific type of story, which is the kind most modern movies, books and series are. This type of story is built on 3 (4) factors:

Plot

Characters

Themes

(Worldbuilding)

I would say the first 3 are more important usually, but there are some stories where the worldbuilding is so strong it becomes its own selling point.

Now, a good story is usually strong in all these departments. The perfect story is top notch in all 3 (4). That is because a good plot usually lets you develop the characters better, which in turns helps exploring the theme.

However, here comes the amazing truth... even the most incredible stories. Even the masterpieces loved by everybody... even them... end up choosing only 1 or 2 of these aspects and sacrifice a little bit of the 3rd (and 4th) one.

Naoki Urasawa's Monster? Its focus is themes. He chooses to go all out on this department, which is why the story is so powerful and resonates so much with people. Still, to do so, he chooses to sacrifice some parts of the plot to the point... some mysteries are not really solved. Some people may be annoyed by it, but I would not call it a flaw. It is a choice. Leaving some things open enriches the themes.

Death Note? If the story has to choose between characters, themes and plot, it goes for plot. This is why despite having so many well liked characters, it is difficult to think of outstanding character arcs in it. The same goes for the themes, which are only touched superficially. This is why btw Death Note is not a fave of mine, really.

Now obviously, many examples can be done and we could discuss forever on some because there is always always always a subjective component. What I am trying to say is... there are different ways to write a story. Not all people would like the same. Luckily, we have tons of stories.

Back to RWBY. I would say RWBY shines when it comes to themes. Characters and plot are good and interesting, but what keeps the story together, despite it playing so much with genre is that it has a very strong thematic core. You can't invent it or fake it btw. See, Death Note's author tries to do it in later works (Platinum End cough cough), but fails. At the same time, there is another department RWBY is top notch and that is symbolism. RWBY has a very rich symbolic system. Again... surely there are coincidences, but like this is a little bit too much...imho.

Now, does it mean, the writers came up with all the patterns I and others find? Probably not, but here is the thing... writing has an unconscious component. If you go earnestly at it, you are bound to unconsciously create patterns. A good writer is able to recognize them (either consciously or unconciously) and to capitalize on them. So far, I think CRWBY has capitalized on the patterns they created. I also think it is clear they are very good at researching and at playing with different sources by going deep into them. Again, you can't come up with the Ever After if you have not read and even studied Alice in Wonderland. It is just impossible. You would end up with a shallow and uninteresting copy cat. The Ever After isn't that because it is used to explore themes, characters and lore in an interesting way. Hence... ladies and gentlemen... it is a fruit of... good writing.

But really, since people are not commenting on it... I would like to point out that in 5 episodes of less than 20 minutes, they have managed to introduce a whole world, with its own lore, set of characters and main story (Alyx's) and to tie it to the protagonists' predicament in a way that hits really hard thematically and psychologically... To do that you need exceptionally thight writing... it is not that simple to do...

Anyway, have a nice day anon and consider watching something else. Thanks God the world is full of stories!