#learning how to draw my favourite character of all time

[fleurvi]

Secret Talents | Arcane Women

Request for arcane women discovering you have a hidden talent.

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characters: ambessa, caitlyn, grayson, mel, sevika, vi

cw: Ambessa's is suggestive

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Ambessa Medarda - Dancing

She's sitting there in her chair, eyes fixed on you as your body moves to the music Ambessa picked specifically for you. You take care in each movement. The extensions of your arms and legs draw her in. She has a drink in one hand as the other, empty hand awaits your approach. Her eyes scan your body as you walk towards her, gaze lingering on your hips. When you had agreed to give her a lap dance, she had no idea how enticing you would be.

You kick a leg over her lap, body rolling directly in her face, and you see her hand twitch with eagerness. She keeps her hand at her side though, giving you time to work before she completely loses her patience.

“You didn't tell me you could move like this. I'm impressed. Should we test how flexible you really are?”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Caitlyn Kiramman - Sewing

Caitlyn comes to see you after training, muttering to herself about the noticeable tear in her trousers. You wait until she removes the trousers and asks her to pass them over to you while she changes into pyjamas. You reach under the bed for your sewing kit and find the right thread colour. Caitlyn joins you in bed, curious as to what you're doing. When she sees that you're sewing up the hole for her, it warms her heart. It's oddly domestic and makes you feel like an old couple that's been doing this for years.

She's quiet as she watches you work, wondering where you learned such a skill. You pass her fixed trousers back over, telling her they're good as new, and she checks your work, thoroughly impressed.

“This is pretty good. How long have you been sewing? I've got a ton more clothes you can fix for me.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Grayson - Puzzle Solving

Being married, Grayson enjoys having some kind of domestic peace. A cozy break from her dangerous job. When she comes home from a rough day to see you sitting at the kitchen table, whizzing through a puzzle book, she feels a protective instinct bubble in her stomach. She wishes she could frame this moment and keep it forever.

She leans over your shoulder, watching as you clear through a page of riddles. You get the answers faster than she could've thought, and she admires your deduction method that you messily jot down in the empty spaces. Your intelligence is a trait of yours that she values highly.

“You should come and work for me. Your brain is incredible, you know that?”

Mel Medarda - Piano

Mel is a fan of the arts, whether it be musical, theatrical, literary or visual. When she finds a book of sheet music among your belongings, she asks you to play for her. She leans on the piano, watching as you play for her. The focused look on your face is adorable, and the natural way your hands move among the keys is enchanting. Your musical talents fuel her own creativity.

Mel asks you to play for her while she paints. Knowing you're playing for her inspires some of her art pieces. If you ever want to pursue music professionally, you have her full support. Until then, your music will stay her sole artistic muse.

“Can you play that piece again? It's my favourite. It reminds me of us.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Sevika - Singing

Sevika's got a soft spot for you. She catches you singing when you think you're alone and stays until the final note. She makes sure you can't see her at first. Then, she makes herself known when you're finished. She lets you know how much she likes your voice. It's like a moment of peace for her.

She asks you to sing for her when you're alone after a rough day. Your voice is like a warm blanket over her. She doesn't want anyone else to hear you though. She's selfish and wants to keep you all to herself.

“You're like my personal little songbird.”

✩♬ ₊˚.✂️⋆☾⋆⁺₊✧

Vi - Art

She finds a sketchbook of yours with cute doodles in it and asks you to replicate the designs on her gauntlets. She keeps any pieces of paper, folded napkins or fabric that you happen to scribble on. When it comes to more serious and larger pieces, she's relatively well-behaved. She watches you work, uncharacteristically quiet, as she focuses on your movements. She struggles to shut her mouth sometimes, but she really likes seeing your final products, so she behaves.

She brags about your talents and shows off what she's kept of yours. She wants everyone to see how amazingly gifted you are. Anything she finds that has an indicator of your drawing makes it into her personal collection.

“Hey baby, I got new gear. How about you pretty it up for me?”

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thank you for reading!!!

my requests are open!

[arrowmance]

awww thank you so much for the tag, my lovely lovely ilse! <3

❣ — how do you spend most of your free time?

most of my free time, if it exists, is mostly spent on writing random blurbs/outlines for stories while watching video essays. if I don't feel particularly motivated, I spend my time scrolling through Tumblr, binge watch on Netflix, read through my books (I'm currently on the Wicked Series by Gregory Maguire) and/or study different mythologies out of boredom. though as my schedule binds me to my academics, this free time becomes less and less by the day. so, it's a miracle how I have a lot more time now since it's almost the holidays <3

❣ — what are your hobbies and how did you get into them?

ohhh... let me see. my current hobbies are writing, reading, researching on random little topics that may or may not benefit someone, and currently, I'm going back to drawing. I'm not too big with hobbies, but I've learned to do what I love given the right time, and now? it makes me feel a lot more better with taking breaks and just letting the creative juices flow as they wish. how I got into all of them individually is a long story, but it's all summarized into he finding joy in it, whether from a now close friend or my siblings, and I stuck with it.

❣ — what book or movie left a lasting impression on you?

based on the theme of my blog, it's "to all the boys i've loved before." funny story, when I first saw the movies, I really didn't care much because I was more of a "she's dating the gangster" kind of person. however, a class did a musical adaptation of it, and I loved it so much that it made me read all the online copies of the books and rewatch the movies. here I am, still in love with john ambrose mcclaren, but forever yearns for the dynamic peter and lara jean have <3 honorable mentions are: and then there were none (book), falling into place (book), she's dating the gangster (movie), love you to the stars and back (movie), everything everywhere all at once (movie)

❣ — what kind of music do you enjoy?

haha... it's all over the place. good music is good music afterall, and I enjoy a good song no matter what. although, I would like to share that I especially listen to måneskin when studying- it just works for me haha, and I can't really explain how or why it works.

❣ — who is your favourite character (atm or of all time) and why?

no matter what, I'll forever be attached to simeon, barbatos and solomon. maybe it was simeon's kindess, how he feels more real than your typical benevolent angel, with his own hobbies and frustration, and an arc due to his own consequence, yet felt undeserved with how much you'll empathize with him. perhaps it was barbatos' loyalty, that lovely expression you have to work for to even get a glimpse, the slowest slow burn with the most treasured rewards, and beneath the carefully practice eloquence is a demon who cares for those near his hear. or what if it was solomon's humanity, how he feels real, how while portrayed as this extremist sorcerer, you see a reflection of yourself in him, and that little connection alongside his protectiveness makes him one of those characters that stick with you after many many years. i love them, and a few others more. although, at this time, especially with the given circumstance, i figured it's best to reflect on what makes these three so special to me.

🏷️no pressure tags: @satangcrush, @jeschalynn, @misc-magic, @toadtoru, @lonely-north-star + anyone who wishes to join!

tag + q&a game ₊˚ෆ

hello! i thought it would be cute and exciting to do a tag game with all my mutuals to not only talk about themselves, but have fun! so here is my short little game:

alongside this picrew, share 5 things about yourself!

• how do you spend your free time? • what are your hobbies and how did you get into them? • what book or movie left a lasting impression on you? • what kind of music do you enjoy? • who is your favorite character (atm or all time) and why?

i will start first!

my name is rurumi and i enjoy spending my free time writing!

some of my hobbies (outside of writing) includes: drawing, building gundams and keyboards, and fashion! i got into most of them on a whim and became instantly hooked. aside from self-expression, being into fashion also helps with making friends in college because you always have something to talk about!

a book that left a lasting impression on me would have to be either kafka on the shore by haruki murakami or before the coffee gets cold by toshikazu kawaguchi. both stories have kept me up at night thinking a lot about the 'what ifs' in life.

i enjoy soul/r&b alongside anything of jrock influence, but i will basically listen to anything that sounds good. i am currently listening to 'so what' by lucy!

my favorite character at the moment is rin itoshi from blue lock because hes so ridiculously edgy, but at the same time i sympathize with him a lot. on the other hand, my favorite character of all time is suletta mecury from the witch from mercury series, she's an absolute ball of sunshine that i aspire to be.

tagging (+ no pressure) ₊˚ෆ

@kaiser1ns @naenaex0xx @shomatoriashi @choccorin @ryescapades

@rindreamery @soleillunne @kissxcore @rainswept @mitsvriii

[rosekasa]

re: my tags on last post because i keep thinking about it, i wish i could go back in time to myself as a 13 year old and tell her that the most important thing to learn as an artist is how to be the artist YOU want to be. spending years lost in a fugue of 'oh i want to draw my favourite character like xyz but i havent learned anatomy of the legs yet properly so i have to wait until i can do that first. oh i want to do a comic but i dont know how to draw faces in profile yet. oh i want to be able to take time and sketch figures but youtube artists say i need to fill an entire sketchbook of gesture drawings so i need to do that instead' was very demoralising and couldve not been if i spent at least 30% of that time asking myself, "what would the artist i want to be do right now?"

i feel like it's hard to explain but basically what pushed me to start learning art was being starry-eyed at amazing artists creating fanart of my favourite media. i remember wanting to have the ability to see a character and just put them in any situation i wanted and to KNOW it'd look good. i wanted to feel like a Real Artist TM who had a repertoire of knowledge but it was all developed through relaxed practice. and it took a long time to realise that beating myself up about my art not being 'perfect' and 'waiting' to be good enough to draw something was literally preventing me from becoming what i always dreamed to be

i think self concept of oneself as a skill is severely underrated when, in my experience, it's always been the foundation of every outcome you go on to pursue

[pppuri]

the character of all time really

[justarandombrit]

goat man goat man goat ma-

[sarahghetti]

moving day; m.k.

pairing: marc spector x reader, steven grant x reader, jake lockley x reader

summary: how marc and steven learn to live together, how you come to live with them, and how jake finally lets himself live at all.

warnings: basically a BIG character study into our boys, fluff, hurt and comfort, angst, insecurity, mentions of marc's childhood, mentions of violence, suggestive content but nothing explicit.

word count: 9.9k

notes: this one got away from me and might also be the best thing I've ever written (i'm very proud of it 😭). part of the @MOONKNIGHT-EVENTS bingo! prompt: “'is that my shirt?'”

MOON KNIGHT MASTERLIST | ALL MASTERLISTS

Even though it was (and still is) under Marc’s name, the flat was Steven’s first. Marc just helped set it up a little.

He rented out the first decent unit he found in the city and kept every piece of mismatched furniture the previous tenant left behind. The essentials had to be filled in himself—a bed, couch, and desk. A table to go with that rickety stool to eat meals on, a coat rack near the doorway. The only belongings of his own that Marc left behind were his old Egyptology texts, unceremoniously shoved into a corner of one of the floor-to-ceiling bookshelves that he hoped Steven would like.

(The fish was unexpected, though. Steven already had everything he would need, and it was Marc’s mistake to be scrolling through Facebook Marketplace on one of his last days before he handed it all over to his alter. A complete aquarium set was being offered for next to nothing; attached: a photo of the original poster’s late goldfish. Backlit from the tank light, blank faced and innocent.

He just couldn’t move on.)

But it was Steven who then took Marc’s—their—card and ran with it. Every free surface was prime real estate for another journal, another tomb. The used bookstores of London never stood a chance; it was almost impressive to watch him scour the shelves for the most esoteric topics and still come out with his arms full of what he was looking for. Marc would wake up in the body to find Steven’s collection a little bigger than before and ghost his fingers over the spines during those brief moments of respite before having to put on the suit.

It didn’t stop at the books. Of course, it didn’t. Steven’s always had an affinity for oddities. Marc wasn’t the least bit surprised to see the new paper lantern hung over the living room, or the pumpkin-esque footstool that was coloured as though it was plucked off the vine just a tad too early.

The pieces were quaint at best. If there were any psychological meaning as to why his alter gravitated towards dingy, threadbare upholstery instead of an IKEA like a normal person, it was beyond Marc.

However, he couldn’t not admit that it all kind of worked once put together; the clashing mix of materials and colours sort of became its own style when combined under the wooden rafters. Even when the books started overfilling the storage capacity and ended up in piles on the floor—it only added to the charm.

Marc was sure to erase every trace of his presence around the flat to avoid interfering with Steven’s life, but that didn’t stop the sense of longing to return to their—Steven’s—home during missions.

It was still a mess. A mess where everything has its place, yes, but there was no way that Steven could trip over several odds-and-ends in one day and claim that he was any degree of neat or tidy. Marc silently griped to himself about it all the time, but he’d sooner eat that dusty-ass rug Steven got for free before he saw anything get thrown away.

(It was like this back when they were kids, too. Marc’s childhood bedroom in Chicago—a room he never finds himself thinking about outside of his nightmares—was filled with joy. Medals from peewee baseball. Posters from his favourite movies, carefully smoothened out and taped to the walls by his dad. Drawings by him and Randall piled at the corner of his desk.

Right after the—the accident, all his stuff remained, immortalized in place. As if keeping everything the same would somehow also make Marc’s life the same as it was before, and Randall would come bursting through his door at any moment to ask him to come play. It was an overarching belief in their household. Even on her worst days, his mother’s anger never touched their home. Only him.

But then things began to change. His old action figures, collecting dust, would be strewn about the floor, waiting for someone to continue the battle. A collection of particularly smooth rocks began appearing on his windowsill despite the fact that he hadn’t gone outside in days. He’d wake up to grass-stained jeans and a scraped knee which Marc didn’t know how he got, for once.

Steven has always been like a crow, bringing all these little gifts for Marc to enjoy—these signs of life—even when he wasn’t aware of it.)

-

Coming back from Cairo feels like it should’ve been a bigger deal than it was, but after the dust settled on Harrow and Layla decided to return stateside alone—a decision that seemed a long time coming, if Steven’s being honest—there was nothing else to do other than to go home.

They have one blissful, uninterrupted day of sleep. Steven was the one to wake up sixteen hours later, mouth dry, and instinctively panicked at the thought of losing days again before realizing that Marc was also (and still is) out cold.

When he finally woke up a few hours later, half-asleep even in the reflection of the mirror, Steven couldn’t help himself from asking, “What now, Marc?”

Because Marc was the original. Marc was the one with a real life and legal status. He might never want to walk the streets of Chicago again, but that didn’t change the fact that he only came overseas to run away. Everything around them was a temporary measure.

Marc straightens. “I won’t bother you too much, I promise.”

“You still have your own life,” Steven reminds him.

“Still—”

“Oh, don’t start—”

At least they agreed on one thing: they were going to stay in London.

Marc cleans out his storage unit, bringing home an array of bins and duffel bags and that shitty fold-up cot that he still refuses to toss. Steven immediately got him his own dresser when Marc tried to insist that he ‘didn’t have much’; that was a blaring warning that he was about to do something stupid and sacrificial, and Steven had to put his foot down before a nearby charity got a donation of some well-loved button-downs.

It’s almost funny, how predicable Marc was when unpacking. Steven watched as he pushed all their new furniture against the walls then methodically unpacked bin by bin, stacking the empties inside one another like Russian dolls. Like Steven, everything he owned had a place, even after months spent stored away. Marc was just a lot more neat about it.

“Move my stuff if you want,” Steven pipes up. Marc doesn’t react, only continuing to store his notebooks on top of a filing cabinet. “Really, I’ve already read everything on that middle shelf there—we can put them somewhere else.”

Marc glances around the bookshelves. “Aren’t these alphabetized?”

“Well, mostly, but give me an hour or two and I’ll free up some space.”

It’s like a puzzle, and Steven’s always liked puzzles. Marc’s gone quiet in their head, out of excuses as to why he can just shove all his belongings out-of-sight so that Steven wouldn’t have to go through the effort. Now, if he would just believe Steven, then he’d know that reorganizing his books was hardly any effort at all.

And even if it was—he’s been meaning to do this for a while. An alphabetized collection is great until he gets a new book, because then everything has to be shifted over, and—well. There’s a reason why there were so many books languishing on the floor.

They pass off the body like that for the rest of the day, moving things around in the flat in order to accommodate Marc. It looks no less hectic in the end, despite Marc’s best efforts to tidy up a little, but it also doesn’t look any worse, which Steven sees as a win.

There are still so many things they need to talk about. Scheduling, routines, the fact that they’re currently both out of a job—either one would be lying if they said that this new life didn’t make them a bit nervous. But when Marc finally flops down onto their bed, a movement as easy as breathing, the pieces begin to settle into place. The last of his bins have been put away. His jacket hangs beside Steven’s as if it’s always been there.

In the headspace, Steven beams. Whatever comes, however hard—they’ll face it together.

.

.

.

Somehow, Steven wakes up one day and feels great.

There are a few minutes more until his alarm goes off, but he turns it off early. The usual grogginess that accompanies him this early is completely absent, and he rolls up to a seated position without a single mental or physical protest. He feels so good, in fact, that he even considers skipping his morning cup of tea.

(He doesn’t, of course. They quickly figured out—well, Steven did, Marc already knew—that they differed in their caffeinated beverages of choice. Steven, a strong cup of Yorkshire Gold with a healthy splash of milk and a teaspoon or two of sugar. Marc, a simple drip coffee, black, made from the most generic-looking brand of medium roast beans.

Not to say that he wishes to be separate from Marc or anything of the sort, but Steven imagines his feelings to be like that of a sibling who was always dressed in matching clothes as his brother. Marc might’ve graced Steven with an interest in Egyptology from his mercenary work and Gus from his—their?—brother’s drawing a lifetime ago, but as far as they know, his preference for tea was just a quirk.

Steven likes having something just for him.)

Marc had the body last night—he must’ve gone to bed early. Must’ve drank camomile tea and avoided blue light the entire time he was fronting because Steven could run a marathon like this and still go into work afterwards. He’s about to ask Marc for his secret when he spots an unfamiliar rumple of fabric on the pillow where he laid his head.

“What’s this now?” Steven murmurs, gathering the soft material in his hands. A woman’s sweater, obviously, with its feminine cut and style and faintly sweet scent that short-circuits his brain for a moment.

It doesn’t take a genius to realize how it got inside their flat, what with how there’s a whole other person living in his head, and it would explain the strange marks he found on his neck the other day—

Heat blooms in his face and Steven nearly drops the sweater back onto the pillow in embarrassment. Distantly, he knows that he should’ve seen this coming. Marc is Marc; Steven’s witnessed the quiet confidence the man extrudes from inside their headspace and the resulting, ah, attention it attracts.

In the corner of his eye, his reflection stills. Steven doesn’t even bother turning around—just holds up the offending sweater and asks, “Fun night?”

Marc, strangely, is quiet. It’s not like he’s one to talk about his romantic pursuits, but Steven at least expected a dry comment or two. He shakes the sweater like a bag of treats until Marc scowls. “Stop that.”

“Not judging,” Steven says, “but don’t suppose you got a number? Should I make a run to the donation bin for you?”

“No.” There’s an edge to Marc’s voice, and he purses his lips when he realizes that he responded a little too fast; Steven’s questioning look is pointedly ignored. “Just leave it on my desk for now.”

“Is she coming back or is this just like a—” Steven makes an ambiguous gesture, full of innuendo “—thing for you?”

“What? No—what?”

“Okay, okay,” Steven finally lets up because the groove between his alter’s eyebrows has become something fierce. He slips out of bed to place the sweater on Marc’s desk as requested, then throws one more comment over his shoulder for good measure, “Bring her home for dinner one day, would you?”

“Steven!”

-

“Is that my shirt?” You move towards the armchair, a smile tugging at your lips as you pick up the folded garment. It’s been freshly laundered. Marc wouldn’t burden you if he could help it.

“Mhm.” He doesn’t stir from his seat on the couch, tracking your movements with fondness in his eyes. You’ve been to their place plenty over the past few months and quietly, he relishes in the domesticity.

They’re simple things, like knowing your preferred spoon in their drawer or how you like your toast; the ease in which you curl into the cushions next to him—your spot, he can’t help but note—draws a contented little sigh from him.

“You know, if you want me to do your laundry, you can just ask.”

He would. Steven would prod endlessly as he does with all things related to you, but Marc’s managed to get this far with vague explanations and stubborn hand-waving. He’d endure the nosiness if it were for you.

“Although,” he continues, giving you a once-over. His eyebrow quirks at the familiar cotton long-sleeve enveloping your torso. “I’m not even sure you have laundry anymore.”

“Well, maybe if your clothes weren’t so comfortable, I’d stop stealing them,” you tease.

(His clothes aren’t boring, Steven, just—utilitarian. Between Khonshu and his mercenary work, Marc needed plain, flexible pieces; ones that made him blend in anywhere and ready for anything. Nothing that he could get too attached too, either. Everything he wore was at risk of getting ruined by grime and/or blood and/or tearing from various weapons. Of course, he doesn’t own anything ‘nice.’

Not like Steven. Not with his hodgepodge closet filled with colours and patterns, everything just a tad too large on their frame. Marc groans about it every time he takes over in the middle of the day—just a size down, just one. But the issue is that Steven likes it like that, likes the comfort and roominess he finds in his thrifted pieces, and so Marc dropped it as a serious topic, even though he still doesn’t quite get it.)

“This why you had to wear my jacket the other day?”

Steven’s sudden appearances don’t phase Marc anymore, even when you’re around. He just gives him a slight nod without missing a beat. “At this rate, I won’t have any clothes left for you to take.”

“Guess I’ll just have to borrow something from Steven then, hm?”

Before Marc can even begin to think about what to say to that— “I think my white jumper would suit her really well.”

He shoots a glare into a nearby mirror and just barely catches a glimpse of Steven’s grin in the reflection. Part of him wants to tell Steven to stop hitting on his girlfriend, but hesitates when you look at him expectantly, still waiting for his response.

He’s not ashamed of Steven, far from it. Still, a sliver of self-consciousness worms its way into his chest at the thought of talking to him in front of you. He’s done it before, but—he knows how it can look.

You’re more perceptive than he’d like. Marc sees the moment when it clicks in your head. “Is he here right now?”

Excitement bleeds into your voice. You’ve been wanting to meet Steven for a while. Marc showing up to a date with tousled curls and a colourfully-printed button-up instead of his usual streamlined style, a slew of scribbled papers piled onto the armchair you like to lounge on, a sticky note left on one of your books (‘oooh good choice! x’)—all these things that sent panic strumming through his veins were only ever endearing to you, for some reason. It’s lessened his worry by orders of magnitude.

Still. Letting you meet Steven is one step closer to talking about his childhood. His mom. His brother. He’s given you a high- high-level view of things (“It wasn’t great.”), but the thought of going any further makes his throat tighten. There’s a whole failed marriage that proves his inability to be vulnerable.

So, it must truly be a bout of madness that makes him say, “The white one.”

“What?”

“What?”

“The white sweater,” Marc continues, because he’s already thrown himself off the bridge—there’s no use trying to backtrack now. “He says you’d look good in his white sweater.”

Your face slowly morphs into an expression of pure joy; you do nothing short of jump off the couch to bolt to their bedroom. Steven chatters excitedly in his ear, only pausing momentarily when you slip off Marc’s shirt.

“Oh! Um! She’s—she’s very—wow—" Marc feels the strangest urge to punch himself in the face again—

—And then you reappear into their field of view, a dream in fine knit. Steven’s sweater be damned, your beaming smile is more than enough to render them both speechless.

“How do I look?”

The sweater isn’t his, but it stirs the same syrupy feelings in Marc anyway. You’ve spoken about it before—and him privately with Steven��where Steven stands in your relationship with Marc. All he’s ever let himself hope for was for you and Steven to be cordial, maybe even friends. Of course, he’d have to actually let you guys speak to each other for any of that to be possible, but you two seem to have grown comfortable with each other regardless.

Now, he sees you in Steven’s clothes and his thoughts run rampant. Ours. He tests out the word and his heart skips a beat. It’s always been a possibility; one you all were open to if it ever happened. But he could never ask either of you to try to love each other on his behalf.

God, that word does something stupid to his brain—Steven’s rattling off compliments and other things of his you should try on and invites to go thrifting—and Marc just sits there, dumbfounded by his own hypothetical scenario. “Come on, Marc, say something!”

You move to stand in front of him, and his thighs part automatically to have you close. It takes your hand on his cheek, gentle as you stroke your thumb over his skin, to pull him back to reality. “You okay?”

“You look incredible.” His voice dips in the way he knowsmakes your stomach swoop, and is promptly rewarded with your flustered smile. The moment doesn’t last—not with Steven cooing in his ear over you.

A pang of possessiveness runs through Marc. That smile was for him, thank you very much.

His mouth works faster than his brain. “Steven has something to tell you.”

You light up. “Really?”

“Wants to tell you himself, actually.”

Steven splutters, nerves coming on in full force. Marc bites his tongue to keep a straight face. “Well, now, hang on a minute—”

Steven’s introduction was always going to be a well-thought-out but casual event, as to not make a circus out of it. It was just who they were, after all. They wouldn’t switch in front of you—Steven would change into his wardrobe and ‘do’ his hair beforehand; Marc worried it might be too much for you to see him but hear Steven. He would’ve prepped you both plenty in the preceding days, regardless of how necessary it was.

It definitely would not be the stunt he’s pulling right now.

Your eyes narrow at the placid look on his face, too casual to not be suspicious, but meeting Steven must outweigh the want to catch Marc in the act of whatever he’s planning because you don’t call him out, hands frozen on his face. It’s cute, watching you struggle between overt enthusiasm and not wanting to pressure them into anything.

Marc would even enjoy it a little longer if it weren’t for the confused and alarmed word vomit spilling out in his head.

“Stop messing about—I mean, it’s not—not odd, yeah? For me to front a little? Just a little chat, can’t be all that bad. Please be messing with me, but I can do it, s’not a big deal. Yeah, yeah, it’s whatever—oh, boy."

Taking pity on the poor guy, Marc quiets him with a steady glance into the mirror. “You sure, buddy?”

Slightly shrill but no less serious, “Are you sure, Marc?”

And then Marc’s fun little charade teeters on its head—is he ready for this? You and Steven wouldn’t hold it against him if he pulled the plug on it all right now, but this is the closest he’s ever gotten. The band-aid has to come off, lest he lets this fester for the length of another relationship.

“Yeah,” he murmurs, his flare of panic comforted by the patience in your eyes. More confidently this time, “Yeah, I’m sure.”

Steven’s smile is clear in his voice. It mirrors your own.

“About time, innit?”

-

Moving into their flat isn’t a decision you make all at once, but rather a slow, steady conclusion that you’ve been unintentionally working towards ever since you first visited.

The clothes were just the start. It’s not like you didn’t have perfectly good clothes before you met Marc, but his were just better somehow. Soft and simple, all in that neutral colour scheme he seemed to gravitate towards. The warm, woodsy scent of his aftershave clings to the fabric, making you want to bury your nose into the garments and go right back to the source—

You just couldn’t help yourself from borrowing something whenever you came over.

(That pleased, half-lidded gaze you receive each time you slip on his shirt, or his heated touch whenever he drapes his jacket over your shoulders during chilly morning afters—well. Those are just a bonus.)

So, maybe you left a shirt or two behind in the process. And maybe you realized that you should probably have a pair of sweatpants there as well, and a good book to read during quiet nights in. Once, you forgot your toothbrush only for Marc to pull out an extra from their medicine cabinet; now you have a toothbrush in their bathroom.

After you finally met Steven and his adorable, eclectic self—all bets were off. You bond while scouring vintage shops and finding new pieces for the flat. A little basket of throw blankets gets added to the living room (always neatly sorted by Marc, without fail). Candles—tall and stout, festive and fruity and spiced—start to litter the shelves. A particularly good haul at a used bookstore, a bit heavy for you to carry home, is instead slotted amongst their collection; the contemporary fonts and colourful covers are a stark contrast against the yellowing older texts, and you love it.

Your fingerprints are all over the place by the time Marc officially empties some space in his dresser for you, uncharacteristically avoiding your eyes as he speaks, “Just in case you wanted to keep some more stuff here.”

You were already using their closets before then (in both the storing-your-clothes sense and the stealing-their-clothes sense); you’ve practically taken over one of his drawers. But to give you one outright, to admit that he’s carved out some space just for you instead of silently accommodating your things as he always has—

“Thank you, Marc,” you whisper, brimming with emotion that you wonder if you’ll ever be able to fully express. He’ll flit about and clean and care for you because words will never capture the depth of his feelings. You see this for what it is, like all the gestures that have come before: a declaration.

“Thank you,” you repeat, and press a soft kiss onto the corner of his mouth. “I love you, too.”

It’s not much long after when Steven comes home from work grinning like a madman, one hand held behind his back. He beelines towards you, not even bothering to put his bag down.

“Hey, you.” You peck his lips and feel his smile stretch impossibly wider. “What’s got you all riled up?”

The words come out in a rush. “Havesomethingforyou.”

“Oh?”

“Close your eyes.” You can’t help but laugh a little as you follow the direction; Steven’s excitement is utterly infectious. “Okay, now hold out your hand.”

“If you give me a bug, I swear to God—”

“I would never.” His seriousness is a bit too heavy-handed, and you get a feeling you’re going to need to be on guard for a while.

You’re distracted, however, by the brush of his skin as he places something small and rigid into your palm. The metal is warm from being clasped inside his hand, but the shape is so familiar that you recognize what it is immediately.

“You can open—”

You’re already looking down—at the silver key to the flat nestled in your hand. Lonesome without the Koala plushie on Steven’s keyring, without the little charm you got for Marc’s—no, it’s meant to be your copy.

“We were thinking, right,” he starts before your heart has the opportunity to beat right out your chest, “Marc and I—well, you’re here with us most of the time. You should have your own key. Beats having to come grab mine from the museum, right?”

You let out a choked little laugh, too caught up to remind him that the only reason why you went to the museum was because else he would’ve dropped everything to deliver the keys himself. Spent his entire break and then some to commute back home so that you wouldn’t have to wait for his shift to be over, even though you could’ve amused yourself just fine outside until then.

“Yeah,” is all you manage to get out before stepping forward, burying your face in his chest as you wrap your arms around his torso. Steven’s love is unbridled; he holds you close, going on about how glad he is—how glad they both are—to have you, how he was practically bouncing off the walls at the locksmith, waiting for the key to be cut.

They’ve been your home for so long now that while the new addition onto your keyring makes you giddy and smile stupidly whenever you get to use it, it also just feels right. You go grocery shopping with Marc and watch him scrutinize apples like they personally offended him. Steven tangles your legs together as you wind down in the evenings, and always always smiles whenever he catches you looking at him. You rank the restaurants around the neighbourhood and line your favourite mugs beside each other on the shelf; you sit in the comforting quiet of the flat and wonder how you got so lucky.

When it’s eventually time to renew your lease, there’s no decision to be made. You’re relieved from dinner prep to write the email to your landlord on their couch. It’s sent off with no fanfare and quickly forgotten about when Marc’s voice rings out, asking what you want to eat.

“Anything,” you say, the ghost of a smile on your lips; he hates it when you say that. Marc grumbles a little, but you mean it this time. You have them and they have you. Curled up in one of Steven’s sweaters, Marc’s playlist on low in the background—anything is just fine by you.

.

.

.

You are the bane of Jake’s existence.

First, you meet Marc. Terrible. Khonshu is riding his ass about a mission in Liverpool—they’ve now been geolocked to stay under the radar—and Marc plans a date. An actual, Godforsaken date with a set time, throwing a wrench into their plans because Steven’s been scheduled to work on the surrounding days as well. How is he supposed to sneak off to the other side of the country now?

Even worse, you stick around. There are more dates between the two of you. For how much he hates texting, Marc responds promptly whenever you send him something. He frets over what to wear before picking you up. You stay over at the flat and he holds you in his sleep like he’s afraid you’ll disappear; Jake has been unluckily enough to wake up in the middle of the night, planning to slip away, only to be hit with the scent of your shampoo in his nose.

Then—and then—Marc has the bright idea to introduce you to Steven. The hope that this is just a casual, temporary thing is dashed away the second Jake sees that lovesick expression on the idiota. It’s more overt than Marc’s, but still the same blaring warning sign that Jake’s life is only about to get harder from here.

Keeping a low profile has become incredibly difficult since the others decided to be normal. Marc never questioned whenever Jake took over in a tight spot, too hyped up on adrenaline and too stubborn about their condition to follow up on his blackouts after the fight was done. Steven was clueless about everything for those first few months, then just blamed his blackouts on Marc.

But now? They talk to each other. They have a year-long calendar on the fridge with a magnetic pen holder to keep track of their schedules, colour-coded blue (for Marc) and green (for Steven). They’ve gotten distracted and added another consciousness for Jake to deceive in order to do his thing. He can’t take the body for more than a few hours, and certainly not by force, without drawing suspicion.

Jake’s happy for them. Really, he is. They’ve finally begun to move on from the trauma of their childhood into something that resembles a normal life. Steven’s gotten rehired at the museum as a tour guide. Marc’s taken up security consulting. And despite their respective anxiousness and ten-foot-walls, you bring them peace.

But that doesn’t change the fact that he’s Khonshu’s avatar now. That a lifetime ago, when the work began to wear down on Marc in all the worst ways, Jake was the one who cut a deal with the god for his release. All he had to do was take his place.

(Foresight might not be his strong suit, but he refuses to take responsibility for what happened next. He could never have imagined all the puppetry that’d occur with Layla in the mix, or that they’d actually divorce one of these days and end up with someone new.

Except this time, you know about their system and not about Khonshu. He wonders how well you’d take that whole mess.)

In short—Marc and Steven still need him. He can’t just up and disappear into the recesses of their mind; he has a job to do.

So, when Steven presses that fucking key into your hand, Jake’s so frustrated he could scream. Unfettered access to the flat—as if you weren’t there enough already. As if he weren’t already jumping through every hoop imaginable, just to keep his existence a secret. He would’ve made them drop the copy down the nearest gutter on the way home if he didn’t know that they would simply go right back to the locksmith and ask for another.

Steven watches as you slip it onto your keychain; that all-encompassing, vibrant burst of joy in their chest be damned—you are the worst thing to ever happen to Jake, even if you might be the best thing to ever happen to them.

-

Steven had the flat, Marc had his storage unit, and Jake?

Jake has his car.

Multiple, actually, but the limousine is the legal one (thanks for your identity, Marc) and serves as his homebase. Supplies are stashed in compartments around the cabin—weapons, clothes, cash—and with its heavily tinted windows, he can do anything he wants inside and passersby would be none the wiser. When Khonshu’s booming voice echoes around his brain about some new target, at least Jake can recline into a soft leather seat.

The only issue is that he can’t keep everything there. No, the parking garage is a fair distance away from the flat and sometimes, he doesn’t have the opportunity to make the trip before setting off. This means that he has to keep a change of clothes in the flat to avoid accidentally ruining some of Steven’s or Marc’s. He’d never actually wear anything of Steven’s to begin with (at least, not on a mission), but Marc’s wardrobe is minimal by choice—if something went missing or got a new, unexplained hole in it, he’d notice.

That’s why Jake is currently slinking through their living room, ready to change back into Steven’s pajamas before hiding his clothes on the loft above their bed. Nothing up there but empty bins and poster tubes. Marc regularly dusts the area during his monthly deep cleans, so Jake doesn’t even have to worry about leaving behind any tracks.

It was an easy job tonight, done in little less than an hour and not a speck on Jake to show for it. He could take a shower if he wanted—you’re staying over at a friend’s place right now, as noted in red on the calendar. But he shouldn’t keep the body for longer than necessary; they still need sleep, after all.

He slips off his flat cap, groaning as he runs a hand through his hair. God, they’re getting old. Even this stolen hour will be felt by whoever wakes up in the morning, slightly slower and groggier than usual.

(Jake doesn’t think about the future—has never needed to. The only future that exists to him is the next minute, and the minute after that, and what he has to do to ensure the body makes it there. Him and Marc were similar in that aspect for a long, long time.

That calendar on the fridge, while helpful to his vigilantism, stirs something uncomfortable in his gut. He’s seen them flip through the months to mark down birthdays and reservations. Vacations, work events—Marc’s going on a completely normal, non-violent work trip, which Jake still can’t quite wrap his head around—and it’s all so far ahead.

How can they be so sure that nothing will change between now and then? That their life won’t blow up again, and force them on the run? Everything they add is just another handful of salt to be pressed into the wound when it all goes to hell. But they still write things on that stupid calendar. Confident, excited even, about the plans they think will come to pass.

How do they know?)

There’s a rustling in the bedroom.

Oh, fuck. Fuck fuck fuck—

“Marc?”

You shift a little under the covers, trying to peer at him through the darkness. Jake’s never been more grateful for Marc’s sensible taste in fashion; with only a silhouette to go by, of course you’d mistake him for Marc—straight-cut jeans, a collared jacket. His flat cap would tip you off though, and he presses it into his chest to hide it from your line of sight. Marc would never wear a flat cap.

He forces a casual tone. “Hm?”

A small sigh of relief escapes you as your head falls back onto the pillow. Still watching him, though, you mumble, “Bad dream?”

You know about Marc’s time in the military and as a mercenary. Not everything, obviously, but enough. Jake nods, and can imagine the worried purse of your lips in the shadows. In the best impression he can manage, his accent turns Chicagoan. “Just had to take a walk.”

If he were really Marc, he’d already be in bed by now, letting you brush curls away from his face and press a kiss against the furrow of his brow. If he were really Marc, he’d ask you why you were back here instead of with your friends as expected, and you’d talk things out until dozing off in a tangle of limbs, comforted by each other’s presence.

But Jake’s not Marc. He brushes off the subtle tightening of his chest as just a lingering remnant from his alters. The body knows you, even if Jake doesn’t. It doesn’t mean anything to him.

You whine, a sleepy and pitiful but inviting noise from the back of your throat as he continues to stand in the living room. Alarm bells go off in his head; he has to placate you before you get up and try to drag him over yourself.

“Just need to change,” he says, soft and low, warmth injected into every word. Nausea courses through him, to his own confusion, as he continues to play Marc. This should be easier—he’s been hiding for as long as he can remember. This is probably the tamest thing he’s done to keep his cover. “Go back to sleep, I’ll be there in a second, okay?”

He takes two steps towards the kitchen then stops, feigning—feigning something, fuck if he knows—waiting for your breathing to level out again. Silence falls over the flat, but Jake’s mouth runs dry.

There’s no way you don’t bring this up to them in the morning, and there’s no way they won’t immediately suspect another alter. They know he exists, have seen the aftermath of when he fronts. It’s only his secrecy that has kept them off his back for this long, and it will all come crashing down in a few hours.

For better or for worse, he’ll have to meet the others soon.

-

Marc will never tire of waking up beside you. Even though there’s a heaviness weighing him down, body aching for just a few more minutes, he pushes through because you’re already awake. With one hand on his chest, the other tracing over his jaw—the small, lazy smile on your face has already made his day.

You turned over while he was asleep, but his arm is still slung over your waist; he pulls you closer to press a kiss onto your forehead. Lips moving against your skin, “Morning, baby.”

“Morning,” you murmur. “Feel better?”

Mind hazy from sleep, Marc doesn’t question the odd wording. He just let’s himself settle into the lingering fatigue, leaning into your touch as his eyes flutter shut again. “M’tired. Stay with me a little longer?”

Concern laces your tone. “Was the dream that bad?”

That breaks through to him. He peers at you curiously, more alert than before. “What do you mean?”

You blink, confused. “Your nightmare last night. You left to take a walk?”

Marc sits up, furrowing his brow. Reality seeps in, and he checks the date on his phone. Aren’t you supposed to be—? “I thought you were staying over at a friend’s place.”

“I was going to, but she had a family emergency—I came back here around three. Don’t worry, they walked me home,” you explain with a soft pat of your hand at the end. That—that is one mystery solved, and he is glad to hear that you weren’t walking alone at night, but his shoulders remain taut with tension. His mind gets caught on a detail.

“Three?” He’s a light sleeper, he would’ve woken up when you came into bed. But—your words replay in his mind. He wasn’t here when that happened, was he? “I went on a walk?”

His stress begins to spill over to you, and you prop yourself up on an elbow, fiddling at the blankets. “Um, yeah. We spoke a little when you came back—I was already in bed, remember?”

A pit opens up in his stomach, and the words die in this throat. Marc does not, in fact, remember. He apparently went outside in the middle of the night, long enough for you to come home and settle in without him, then had a whole conversation upon return—and none of it is familiar to him. Not even a hint of déjà vu.

He throws off the covers, on his feet in seconds despite your protests. All hisblackouts, the ones he thought were finished after traversing the Duat—

That third sarcophagus—

Is this what it was like for Steven? To wake up, not knowing what your body has done, where it’s been—if it’s hurt someone?

Marc might actually puke if he thinks about it for too long. And God, you live with them now: him, Steven, and what Marc wishes was a complete unknown. But the truth is—they aren’t an unknown. No, Marc is fully aware of what this alter is capable of.

“Oh, bugger, what’s going on?” Steven must feel his panic, reflects it in kind. He must be expecting bloodshed with how fast their heart is racing.

Marc says nothing and flings open the tri-mirror on the wall, bracing himself with both hands on the sink below. He sees himself in the center, a bull primed to fight. Steven’s to the left, so fearful he’s nearly frozen still. And to the right—

To the right—

-

So. Jake hasn’t really prepared for this situation, to be honest.

He’ll face anything head-on to keep the body safe, but imagining himself as the threat? Never crossed his mind. There’s anger in their blood, and Marc’s liable to cracking the porcelain with his grip. If looks could kill, Jake would be dead ten times over.

The few times he wondered what it would be like to actually meet Marc and Steven, the worst that could happen was that they disliked him. Unfortunate, but he’d live. He didn’t need their approval to do his job.

But through the blood rushing in their ears, he can hear you; still in bed, barely breathing as you watch everything unfold. And that’s when he remembers—

You are the bane of his existence.

Because Marc and Steven aren’t just thinking about their own self-preservation. No, now they have you to protect, and the lengths that they would go to do that, well—Jake begrudgingly has to admit that they might rival some of his own efforts for them.

He’d let them stare at themselves forever in the mirror if it weren’t for that fact. They would never give up on trying to talk to him. Steven was clever enough with the sand and tape and ankle restraint; he doesn’t want to think about what sort of traps they’d create with Marc in the mix. Jake would probably still evade them all, but they’d drive themselves crazy in their attempts.

They’ve really left him no choice. For the first time, he lets himself be seen.

-

You’ve watched Marc and Steven talk to each other plenty of times. It’s really no big deal. They’re just normal conversations where you can only hear one side, and usually taken through the nearest reflective surface.

But this? This is an interrogation. Marc slackens his jaw for just a moment before everything in him tenses again. He speaks through clenched teeth, as if barely controlling the severity of his thoughts—you can’t help but brace yourself for impact. “Who are you?”

The pause as he waits for the other alter, whoever they are, to respond is maddening. It wasn’t quite fear that gripped you when you realized that it wasn’t Marc last night—to be honest, you don’t know what to feel—but the scene in front of you has you reevaluating your initial reaction.

That initial reaction being, well—the same thing you felt when you Marc told you about Steven: curiosity. You wanted to meet Steven. Almost begged for the chance near the end. Whoever this is—

“Jake.”

The name grates itself out of Marc’s throat, and you cling to the information like a life raft.

“Jake.” You can’t help but test it out on your tongue, squinting a little as you look at your boyfriend and try to see yourself calling him that. Marc looks towards you. There’s a storm of emotions in his eyes, but there’s no time to decipher any of them—a moment later, he turns back towards the mirror with a scowl.

“Why should I believe you?” The lines on his face deepen; Marc grits his teeth so hard you yearn to hold him, but you’re frozen to the spot.

“I don’t know that. After you—” his eyes dart between you and his reflection so fast, you might’ve imagined it “—after what you’ve done?”

A wave of dread washes over you.

He’s not talking about last night.

No, Marc—Marc has interacted with Jake before, and whatever happened must’ve crossed a line. Must’ve crossed several lines because of how he’s acting right now, and you want to bury yourself under the covers, still fisted tightly in your hands.

He laughs bitterly. The sound rakes through your ears. “You call that protecting us?”

Your blood runs cold. With no real context and spiked with adrenaline, your mind runs rampant with the possibilities, connects all the worst dots.

There’s no way—

“Lay a hand on her and I swear—”

You want to run and you want to hide and you want their arms around you, assuring you of—of anything. You need to leave this building and also never go outside again, because your head begins to pound with each thought that passes through.

You can still see the worry flare in Marc’s eyes when you accidentally grabbed the handle of a hot pan, the dutiful and tender way he held your hand under the tap for no less than fifteen minutes—

You can still hear Steven’s babbling when your new shoes rubbed your ankles red and raw while on a walk, distracting you from the pain the best he could until you got back home—

You are just so acutely aware of their love—that Marc and Steven would never dare hurt you. It’s impossible to reconcile your memories of them with the picture that’s being painted of Jake right now.

No. You can’t believe it.

You’re not even hearing their conversation anymore, your heartbeat is too loud. Breathing returns to you in a rush—you never even realized you stopped—and your vision swims with light-headedness.

None of it makes sense.

It—it can’t—

The mattress dips beside you, but you barely feel it. Someone’s cupping your cheeks, grounding you back into the flat, your home, and you know these hands. You know this voice, soothing in your ear, even as you shut your eyes.

They say that they’re sorry. They say that you’ll be okay.

They call you princesa.

-

It feels strange walking around the flat, knowing that he’s welcome there now.

Jake’s seen every nook and cranny through Marc and Steven, but to actually be able to explore the place himself—he’s like a kid in a toy store. He can’t help but run his fingers over everything. The spines on the bookshelves, the mismatched dishware in the cabinets. That velvet throw pillow, which you are so fond of playing with during movies—yeah, he gets it.

He’s not going to be talking to you for a while, though. After his rocky first meeting with Marc and Steven, which also coincides with the absolute worst possible first meeting with you—

It’s best to steer clear for a while.

Jake let the other two do the explaining. He watched silently as Marc told you about his past—told you about why he was discharged from the Marines and the scenes he’d wake up to after Jake had fronted—hands shaking as they held onto yours. He watched as Steven took over when it got to be too much, adding in the finer details and clarifications, steadier but no less genuine than Marc. Their arms were gentle as Steven held you in their lap, patient as you stumbled through how you felt.

“Marc seemed so mad at Jake.” You clutched at Steven’s shirt, sniffling into his neck. “I didn’t know what was happening, I—I was scared.”

No. Jake furiously shakes his head as if it would jostle the memory out of his brain. Just thinking about it threatens to unravel him, and he has to keep it together. He’s on thin ice as is.

You had been the one to temper their emotions—the sight of you panicking on their bed grinding all other issues to a halt. The conversation couldn’t continue until you were okay, and this time, Steven kept you in the loop.

Steven is wary. Steven needles him about what he’s been doing all this time, asks him what he’s going to do now with short little mhms. Steven is also the one to buy a new set of pens (because black is already used for non-individual specific events) and designates him as orange.

Marc doesn’t trust Jake at all and admits it outright. It’s—it stings more than he thought it would, but he understands. He always knew that Marc would take a while to come around, especially with you to consider—

Jake doesn’t know why he worries so much about your opinion. Protecting you is an extension of protecting the body, but he never used to care about what Marc or Steven had to say. He hates the caution in your voice when you talk about him and can’t help but appreciate you trying anyways.

He pinches himself. You’re not his to think about, period.

Acknowledging his existence also, sort of, comes with accepting it. Steven somehow finds the space for another dresser in their already cramped bedroom. Jake doesn’t even have enough possessions in general to fill that thing—not counting all the weapons and ammo that Marc would definitely have their head for if he brought them into the flat.

It’s an olive branch on both sides, though. They’re committing to having him around. He’s committing to being around, instead of lurking in the background of their lives.

His clothes only fill up the first drawer but—it’s nice. Jake stares at the thing a lot more than a used, scratched-up piece of furniture probably warrants. He can barely admit it to himself but this, all of it—going outside during the day, eating a freshly-cooked meal, even just relaxing in bed without immediately trying to go to sleep in order to Protect the Body—it really is just nice.

(Since when did he describe anything as nice?)

Then—your keys turn in the door.

.

.

.

Jake hits the eject button so fast, Steven’s probably going to get whiplash.

“Nice reflexes,” he grumbles as you enter the flat. It was funny the first few dozen times. Now? That twat’s just being a coward.

“I’m home!” You call out as Steven rounds the corner to greet you, tote bag nearly bulging in your hand. He pecks your lips as he helps you out of your jacket, then hangs it up beside the three others on the rack. “There was a little creators’ market in the park—you should’ve seen it!”

“Think I’m seeing it now,” he chuckles, moving to help you with your tote. You slink past him at the last second, grinning. “Come on, love, show us what you got!”

“They’re gifts! Just hang on.” You place the bag on the dining table and enraptured, he pulls up a stool. His head rests on his chin as he waits for you to unpack. “Okay, first, for Marc—”

You reach your hand inside and reveal a pair of black leather gloves. Not driving gloves like Jake’s—there’re far less embellishments all around. But they’re warm and flexible, perfect for colder weather. Inside, the lining is made with a material so soft that when trying one on, Steven can’t help but laugh a little in disbelief.

“Treading on my territory, pendejo?”

Marc snipes back, “Like you own a monopoly on leather gloves.”

Steven lets Marc pull to the front. An easy smile spreads on his face as he flexes his hand, testing his movement. “Thanks, baby. I really like them.”

He takes your chin into his gloved hand to thank you properly, slotting his lips against yours with no shortage of appreciation. His grip is an anchor, holding you in place as he kisses you, deep and languid. Like you have all the time in the world despite the heat flickering across his skin. When Marc gets like this, it’s not long before you start squirming under him, and your hands paw at his neck for something more.

That’s his cue to finally pull away, smirking as he traces your bottom lip with his thumb. Whether it’s the leather or him or both, he can see the effect on you, the dazed look you give him when you bat your eyes open.

Let Jake try and beat that.

“Oi! Share!”

Marc sighs. Drops his forehead to yours and reluctantly doesn’t continue any further. “Steven wants his gift now.”

“Oh,” you laugh a little, realizing the situation you’ve put yourself in. “Maybe I should’ve done Steven’s first.”

Marc steals one more kiss before retreating again, and Steven is back, clearly eager for many different reasons now. After putting Marc’s new gloves to the side, you don’t make him wait a second longer; you pull out a stunning new button-up, deep navy with a pattern of large teal palm leaves and hints of salmon accents all over.

All traces of joy disappear from Marc’s voice. “Oh, my fucking God.”

“She’s an enabler. I can’t believe it.”

Steven gapes, amazed. “How did you—”

“I had to go digging,” you admit, gesturing widely. “There were so many racks, we need to go back! I only had my one bag!”

“There’s no way people actually buy this stuff.”

“Ahh, well, it’s not that bad—"

“Are you kidding me?”

Ignoring the fashion police in his head, Steven immediately switches shirts and tosses the old one somewhere behind him. Based on Marc’s grunt, he missed the couch, but also can hardly find himself to care.

He doesn’t even bother doing up the buttons, because he knows where you’ll put your hands when he descends upon your face. Kiss after kiss on your cheeks, forehead, and nose, and soon enough you’re giggling loudly into the air. Your hands are warm against his bare torso, pulling him closer even as their stubble tickles your skin.

“Stevie—Steven! There’s one more!”

He’s not letting you off that easily, though, and finally captures your lips with his. That does buy him a few more blissful seconds until you manage to push him away; breathing heavily, you point sternly in his direction—behave.

Steven schools his expression into one of perfect obedience, teasing, but you barely even react. With one glance back down at the table, it’s like the tote bag sucked away your excitement, leaving shy uncertainty in its wake. You’re biting your lip as you reach for the last gift, quiet.

Marc hums, trying to figure out what’s wrong. Steven offers you an encouraging little smile and is about to say something when you produce the last gift in a rush, still not meeting their eyes.

It’s a simple wool scarf, colour-blocked in soft browns and greys. He waits as you fiddle with it in your hands, trying to find the words.

“He doesn’t have a scarf,” you blurt out. When Steven doesn’t respond immediately, you continue. “Jake, I mean—I don’t think he has one. I thought it would be nice.”

He follows your gaze to the coat rack near the door, filled with four sets of outerwear. It clearly doesn’t fit all the jackets owned in the household, but his favourite is hung up next to Marc’s, which is hung up beside your overcoat and Jake’s collared jacket. Various cold weather accessories are layered onto the hooks as well, multiple pairs of gloves, hats—but there are only three scarves.

Come to think of it, Steven hasn’t seen Jake ever wear a scarf either. “You’re right, love. Doesn’t his neck get cold? I know our neck gets cold.”

The corners of your mouth tug up a little and he grins, triumphant. He tunes into his head, making sure he doesn’t miss any of Jake’s reaction, but nothing comes. That’s odd. It doesn’t feel like he’s gone, more like—holding his breath.

“Think he’ll like it?” You tilt your head, though your true question is clear on your face.

The words can’t come out of Jake fast enough. “I’m not here right now.”

“Jesus, man.”

Steven huffs but covers for his alter; they’ll press him about it another time. “Once he sees it, I don’t think he’ll ever take it off.”

The gloves and scarf are added to the coat rack, which is liable to falling over one of these days due to the heavy load it’s carrying. With no shortage of complaining from Marc, Steven picks up his discarded shirt and tosses it into the laundry basket. It’s almost full—he makes a note to do a load later this week.

He must look ridiculous, parading around in an undone button-up, but you have nothing but fondness for him when he returns to cuddle with you on the couch. You’ve changed into Marc’s sweater and have to move no less than five decorative pillows in order to make enough space.

Marc makes a distressed noise when Steven throws one of them to the side. “It’s fine—”

It hits the standing lamp and you both freeze as you watch it teeter on its base, creaking ominously. After a moment, it steadies again.

“It’s only fine because of your weak throw.”

Steven splutters as he pulls you into his side. “We have the same arm!”

They bicker about the mechanics of their body, whether muscle memory crosses over when they switch or not. Marc is squarely of the opinion: No. Steven reminds him of when he punched the Jackal, and the conversation continues to devolve. Jake refrains from getting involved but spurs them on regardless with a well-placed snicker here and there.

It’s an aimless argument that has you burying your face in your hands because you’re laughing too hard; one of many that have taken place and one of many that have yet to occur.

In the morning, Marc will cook you breakfast and throw an eggshell into the bin from across the kitchen just to prove a point. Steven will go back to the market with you to buy armfuls of his favourite clothing and home goods, and he’ll add one more to his bag for every snide comment Marc makes. And Jake—

Jake will take a little while longer until he feels ready to speak to you, but you see the scarf gather raindrops and the warm, woodsy smell of their aftershave as he wears it every time he goes outside. Always see it hung up neatly on the rack, on top of his jacket so it can properly dry.

And with all four of you settled in, their cluttered little flat in London—long overflowing with books and clothes, your favourite comforts and some truly unique furniture—finally started to feel complete.

[junosswans]

FMA sketches by Ace Attorney's character designer, Iwamoto Tatsuro

For the past week, Iwamoto-san has been posting sketches of FMA characters on his twitter as a part of his daily sketching challenge and they are absolutely BEAUTIFUL.

I really want to share his art over here and also translate his posts for you all because I think his commentaries are quite insightful for people who are interested in character design!

[Those who know their AA lore would recognize him as who voiced Edgeworth (Mitsurugi) in the games :3]

Anyways, below are his FMA sketches he's shared on twitter so far! (Contains: Ed, Hughes, Kimblee, Mustang, Breda) You can click on the dates to see their original post. I will add to this post if he shares any more sketches, it seems that he has been on an FMA roll xD

###

25/11/2023

If you draw your favourite things out you will know them better! So, this is Edward Elric from #FullmetalAlchemist.

Even if you have decided on the pose you want to draw, it is better to sketch out these three first:

the moment before the pose is struck

the pose itself

the moment after the pose is struck

then decide which image works better for your art. I learned this from a really great senior of mine, and it is very solid advice.

###

29/11/2023 (Translator's note: I decided to move this one to the top because it is my favourite. No I don't accept criticism.)

I have been drawing Ed's automail again.

I like it when the machine part has a distinctly different silhouette compared to the human body, so I added some original ideas to the design.

What design should I draw next? Perhaps I should draw the military uniform?

# (combined two posts because they’re the progression of the same piece.) #

26/11/2023

Again, it is the time of "drawing your favourite things to know them better!"

It feels so good to draw such great characters...

27/11/2023

My Photoshop has been crashing for mysterious reasons the whole morning, and I tried to troubleshoot in the afternoon and it was a PAIN. Computers are really difficuuuuuuuult--

###

28/11/2023

Iwamoto-style drawing Masterclass: Bonus!

It is the "Give the leather and metal items a bit of flare/shine to immediately make the drawing look more complete"-jutsu!

###

30/11/2023

I wanted the clothes to give off an oversized, loose impression.

Canon Hughes didn't seem to be wearing a shirt underneath... hmm.

03/12/2023

I am beginning to understand the structure of the military uniform better...

Realising the butt flap/cape didn’t actually connect to the upper jacket is a shocker to me.

###

03/12/2023

A continuation of yesterday's sketch

...or so I thought, until I realized how King Bradley and Kimblee during the Ishval war had a different overcoat design, in which they actually wore a single long coat instead of a separated upper and bottom set.

###

04/12/2023

When his clothes were unbuttoned, there was something that looked like an additional button on his right chest... I wonder if it could be fastened from the back?

(Translator's note: sorry, I have no idea what button he's referring to here lol)

###

05/12/2023

I like how each character's personality was expressed through the way they dress. Contrary to his appearance, this person was very intelligent, which makes him such a great character.

[she-posts-nerdy-stuff]

So there’s something about Pekka Rollins that has bothered me literally since I first read the books and I think about it every time I read them okay and it’s this line:

“Who is Pekka Rollins?” Matthias asked, turning the ridiculous syllables over in his mouth. Kerch names had no dignity to them.

And this catches me out every single time because Rollins is Kaelish. As far as the reader knows for definite, “Pekka Rollins” is a Kaelish name, not a Kerch name.

Now, don’t get me wrong, we’re of course aware that Matthias is very sheltered from understanding the global scene and may simply have assumed that Rollins is Kerch because he lives in Ketterdam and runs the Dime Lions (this is the only piece of information he knows about him at this time) but I think this is unlikely considering that it was on a mission to the Wandering Isle that he met Nina and we know that, although he doesn’t speak Kaelish, he knows how to recognise it well enough that he knew Nina was speaking Kaelish and not Kerch or Ravkan (at the time he was monolingual, as he would later only learn Kerch by necessity in Hellgate).

And thinking about the name “Pekka Rollins” it doesn’t sound all that Kaelish… does it? Our examples of Kaelish names include “Fianna” (Nina’s Kaelish pseudonym at the Ice Court), “Colm”, “Eamon” (Dime Lions member), and “Harshaw”, but not many others to my recollection. Kaelish names are inspired by Celtic languages and Celtic names, as far as I can tell usually with more Irish and Scottish Gaelic influences than Welsh, Cornish, or Breton (but please note I am by no means an expert and I sadly do not speak any of these languages), and we can see this trend in our examples. But can we see it in “Pekka Rollins”? Or does this name favour the structure of Kerch names? “Kaz”, “Per”, “Wylan”, “Alys”, “Hiram”, “Gert”, “Henrik”, “Jellen”, and so many many more examples, we are overflowing with examples of Kerch names (if you are wondering about more examples I’d recommend checking out the Grishaverse wiki there’s a full list on there of all the characters mentioned from each country, but note it doesn’t include any pseudonyms as far as I’m aware), that tend to favour more separated syllables and harsher consonant sounds than, say, “Fianna” where the name runs quickly together, pronounced to have two syllables when it would probably be said with three by someone Kerch who only saw it written down, with more emphasis on the “yah” sound of the “ia” than the double “n”?

So is it, in fact, possible that “Pekka Rollins” is a Kerch name? A chosen name, by a man who fled his home to restart his life in a new city, with a name that matched it? Is this supposed to imply yet another parallel between Pekka and Kaz?????

I have no idea, this is purely theoretical, but considering that they are narrative foils and we can draw many, many parallels between them and this line is always on my mind, it’s personally my favourite solution. If you agree/disagree or have a different theory, let me know! I love stuff like this so much, it’s so interesting to see what different people think or how we might have read certain details differently

[heraxic]

Hello :o

I just wanted to say thank you (and also thank crumb) for getting me back into thinking about Karl Heisenberg 24/7.

I really love your artstyle, from the amazing expressions (especially the peeved/angry ones) to the scribbly lineart. As someone that’s trying to learn to draw more digitally, I really like to observe your stuff o.o

Your Moldy Family comics are funny, cozy, sweet and comforting all at the same time, and they made me discover and appreciate Eveline (oh man I love how much of a goth tween she is), and the way you draw Heisenberg (his physicality if that makes sense, his clothes, his hair, his everything) is just *chef’s kiss*.

As a former Greek Mythology child, that AU is so so nice owagh. I love all the monster adaptations/designs, it’s all so clever: I love that Kyril is scaley, hairy AND has wings (which I feel aren’t depicted often nowadays with gorgons), Alina is so majestic, with the black tipped limbs and the blood soaked dress, and the daughters being harpies/sirens(?) is also so perfect.

Idk if you’ve already said it, but what is it about Karl’s character that made him interesting to you?

I hope it makes sense (I’m a bit tired) and thank you again for the excellent food :]

Thank you so much!!!<<<3333

he lives in my head rent free…. his crusty-ass hair and barrel-shaped bod gets me every time

im glad you like my scribbly lineart! I tend to get concerned whether it really looks like anything haha

I miss drawing the mold family but i think my forte has always been fantasy, especially cause i love mythology more than anything. That’s not to say i wont go back to the modern mold family though

For greek au karl i wanted him to look like someone had haphazardly stuck animal parts to him so it’d look deliberately unnatural for him to have a relatively normal human body under all that-

I’m not sure i can fully describe why Karl is so interesting. Surface level, being voiced by Neil Newbon is always a big plus and his face model Joel Hicks is awesome-looking. His character design matches his abilities and personality really well, and speaking of personality, queer-coded villains who make a big show out of everything are always going to be my favourite. His gritty, masculine aesthetic is really inspiring in terms of gender as well. On a deeper level, in spite of all the terrible things he’s done, i find him sympathetic and relatable. After decades spent in a highly dysfunctional family, not living on his own terms, completely alone, I need him to finally be okay and get better for his own sake, with the support of people he trusts. It’s the same reason i love Eveline. Morally dark-grey characters who deserved better and could’ve gotten better with a good support system.

[putellasawfc]

hii.. i just read ur “mapi as a girlfriend is the type to” fic which i absolutely adore, could write something to do with reader actually letting mapi tattoo her please 💗

just something short & sweet whilst i get back into the hang of writing again! if anyone wants a pt2 where mapi actually does the tattoo let me know :)

-

“how many of these did you do?” you breathed, in a state of awe as you admired the countless amount of doodles in mapi’s notebook.

the defender stood beside you, peering over your t-shirt clad shoulder with a bashful smile on her face, very out of character for the usually boastful footballer. “i’ve had a lot of free time since my injury, mi amor.”

you couldn’t argue with that. but the huge assortment of drawings were quite overwhelming, you didn’t know where to start. each page you turned there was a new array of tattoo designs to discover: different flowers, quotes, animals - even a double page reserved for your favourite food and drinks, which mapi seemed to perk up at, pointing out the milkshake she had drawn, stating it was her best.

“baby, i don’t know if i can choose. there’s so many.” you told her, wincing at the sheer amount of pages you had yet to flick through.

your girlfriend remained silent for a few seconds and you risked taking a glance in her direction, expecting to see her pouting back at you. instead, however, you were met with a grinning maría león, something you had come to dread seeing over the years.

“oh no. i’m scared to ask.”

she scoffed at that, gently pushing you with a faux offended look. “you act as if i’m about to suggest something illegal.”

“i wouldn’t be surprised.” you deadpanned.

“that was one time- anyways!” the tattooed woman pushed back the stray hairs that had fallen loose from the messy bun she had thrown her hair up into earlier and gestured to the book. “why don’t i just decide for you?”

you glanced between her and the book, your bottom lip slotting between your teeth as you mulled over mapi’s question, knowing your next decision could put an end to you ever wearing a bikini again. “i don’t know if that’s a good idea.”

“come on! don’t you trust me? you know i would never put something you don’t like on your body permanently, mi amor.” she tugged at one of your arms that were crossed against your chest, her tone coming out whiny.

you paused at that, knowing she had a point. if she had gone to all this effort, to draw out well over one hundred different tattoo ideas whilst she waited for you to finally allow her to put tattoo pen to skin, she wouldn’t ruin it by giving you something you’d hate to look at in the mirror.

as if she could sense your hard resolve slowly melting away, she pressed a swift peck to your temple and brought you closer to her with an arm around your shoulder. “i know you better than you know yourself. let me surprise you, i promise you’ll love it.”

you huffed out a breath, your shoulders sagging with defeat which alerted mapi of your agreement without you even having to say anything. before you could even blink, she started jumping up and down on the spot, clapping her hands together in excitement and you couldn’t fight off the smile at her utter glee, you really needed to learn how to say no to her.

“oh my god i’m gonna give you the best tattoo ever sweetheart! even better than any of mine, you’re going to be obsessed with it! you’re the best, you don’t know how hap-“

“mapi, darling, breathe!” you couldn’t help but laugh at her overexcitement, slightly worrying that you might have to make her sit down for a few minutes before she started with the tattoo.

“lo siento, lo siento. i just can’t believe this is finally happening, i was starting to think you were never going to let me tattoo you.”

and again, you were going to have to learn how to start saying no to your girlfriend (and stick with it).

[erika-xero]

Apparently my how to avoid getting scammed by Ai-bros when commissioning artists guide is making numbers again. First of all, good: there are numerous ABHORRENT guides harming REAL artists are out there right now. I literally saw people on twitter telling others that thin line-art is a red flag, gradient is a red flag, wonky anatomy is a red flag. So I am happy that my guide focused on Ai's lack of fundamentals and consistency is still relevant/helpful. Second of all, to all people telling me that "you can also pick up a pencil and draw yourself, y'know" - oh hell yeah, I of all people DO know. That's what I did back in the day when I had no money to commission artists and now I draw commissions for a living too. Almost 1/3 of my commissioners are artists too, so, you know - it's not EITHER you draw OR you commission. People out there still enjoy seeing other people's interpretation of their characters. Some of my commissioners have quite a collection and make sure to commission all the amazing folks they encounter on Tumblr. Some of my commissioners commission art to SUPPORT their favourite artist. And finally - while you definitely CAN pick up a pencil and draw for yourself, you are not obliged to do so if you don't want to. Some people don't like drawing at all (or don't have time to learn, because they work a lot), and you know what? It's cool that they choose to support real artists instead of mindlessly drying out the resources of Mother Earth generating Ai-slop. Yes. YOU CAN pick up a pencil. But you can also hire a professional and support a living human being. I think that's neat.

[vrystalius]

Hey Miss Vry.

I saw your asks were open for demons and after reading the others I'm curious, could you do a "The demon that..." for Muzan; kind of the demon that I would trade my humanity for? (yes I occasionally simp for this Dominant man :"> and I'm blushing to hell for asking :P) Just a thought.

Hope you are doing great :)

The demon that I would trade my humanity for

(Muzan x sick!reader)

You have been sick since birth. You cannot walk, nor can you crawl, damned to lay in bed all day and to rot in your own misery. The only nice thing about your day is when it’s over. That way, the sun disappears behind the tall mountains and stops mocking you for not being able to feel the touch of its rays on your fragile skin.

“I see myself in you.”

That’s what the demon across you said after visiting you for the fifth time. This handsome man wanted to devour you the first time he broke into your estate, but was amused by the lack of fear or even a reaction from you. You lived your whole life in pain or misery, it’s no different if it ends in misery as well. You don’t care anymore.

Muzan Kibutsuji is the name of the demon, you learned. He’s often talking about how humans are pathetic creatures and deserve nothing but death, while his cold fingers and sharp nails brush your hair in an oddly comforting touch. He would talk about his search for the blue spider lily, the only thing that keeps him from taking over all of Japan and the world. The only thing that will keep him from becoming a god and rule over everything.

You were entertained by his speeches and were intrigued by this self-proclaimed demon king. You always heard about his achievements as a demon, how he established a ranking system and how every demon serves him. But you never found out or how he became like this.

“I was like you. A sick, frail human. The doctors said I will never reach any age after 25. I was supposed to die as painfully as I lived.”

You’re surprised to hear what he once was, and what he is now. Someone as sick as you became such a handsome, powerful creature?

Muzan almost pities you. You’re in the exact situation he was in all these thousands of years ago, just that he had no demonic lover that would take care for him. You don’t even know how truly infatuated he is by your fragile being.

One day, he decided to give you an offer you couldn’t possibly refuse.

“I could turn you into a demon, just like me. We would to rule over my lowly demons and destroy the Ubuyashiki family line. We could conquer the sun, together.”

Muzan would offer turn you into a human in exchange for a simple kiss. But as he leaned in, he scraped his fangs across the inside of his lips, drawing blood. The feeling of your lips against his felt like heaven, or how he imagined it would feel to walk under the sun without scorching up.

His blood mixed with your saliva. Suddenly, your whole body felt like it was on fire. Your body twitched and contorted, and you soon fell limp against Muzan.

“Now you and I are bound together, my dearest. Forever.”

💠

I feel so honoured to be called Miss. It makes me blush xD But anyways, thank you so much for requesting! I hope you liked this and this suits your tastes. Muzan is one of my favourite characters in kny, besides Sanemi, Genya, Yorichii & Michikatsu and Douma. Yes, I have a lot of faves…

Make sure to EAT, SLEEP and DRINK enough

Take care of yourselves!

The demon that… (masterlist)

[heretherebeturtles-comic]

How long does the process take you to get one (or more) comic page done? I love the idea of making comics but i suck at structure, you know with the script and posting/layout. I was wondering if you had any tips or what you wish you knew before you started.?

Sorry if this had been asked before

OOOooooo a fun question for me!! I love talking about comic creation :D

I do my best to keep the full process under 2 days (or 12-14 hours of work) per fully coloured page. I'm trying to get faster, but speed comes with time and experience.

Hmmm as for tips and things I wish I knew... so many things... I should let it be known that I am an artist and not really a writer, but your questions are focused on script/planning/structure, so I'm going to focus the advice on that.

Start with something small - Learn about making comics and find a comfortable style through making a couple smaller comics and then try your passion project. Writing and planning smaller comics with fewer pages takes a different kind of puzzle solving and thought process. Smaller page limits can force you to try new things which you can then apply to larger projects to save time; limitations breed creativity after all. Every attempt made (even an unfinished project) is knowledge gained that you can apply again for future projects.

Study comics! - It's hard to create if you aren't feeding the mind and giving it things to learn and create from. Read comics made by professionals and study how they handle pacing. How many pages are they dedicating to each moment? What do you think of their pacing and what would you change? Take a sketchbook and make small rectangles and draw out the panel layout from that comic. What are they doing that works and what don't you like about it? How would you do that differently? ... I think this is me assigning homework... i am so sorry.

Set a hard page limit - Try to get your story told within that limit, and then add more pages if necessary. More pages = more time you have to spend working on it. Most standard single issue American comics are roughly 24 pages. I try to work inside that limit using a rough 5 page per scene structure.

Condense or Cut - I struggle so hard with this one, but comics aren't written in the same way as a novel is. They have a slightly different plot structure and a much more limited amount of pages to tell the story in. Obviously it depends on the story being told, and what kind of scenes are important to that genre of story, but in general, unnecessary scenes should be cut out. examples...

CUT! Having the characters go out to get ice cream is cute, but you don't need to show them each ordering their ice cream unless the flavour they choose is an important plot point. Skip to the last one receiving their ice cream and turning to the others who already have theirs and are having that deep discussion. OR skip that scene entirely and have a quiet panel of them sitting in the park at sunset, already holding their ice cream, before delving into the deep emotional conversation they will be having.

CONDENSE! You can combine two scenes if you need to. If you have one scene where two characters are having a casual conversation and another where they are sneaking into a building? Stick them together. They can sneak AND talk and now you've only used up 5 pages instead of 10.

Comics take a LONG TIME to make!! - you have to make peace with that _(:Ⅰ」∠)_ Comics, especially full colour ones, are an extremely labour intensive and time consuming way of telling a story. If one page takes 1 day (8 hrs of work) and you have 24 pages, that is 24 days of working on one comic.

Thumbnails! - Draw the pages small and rough first! It's easier to plan things and mess around with the layouts when you don't have an emotional attachment to how the art inside looks. Once you have a layout you like, you can then draw it again in full page size and work on it from there.

Page and panel layouts are my favourite part of the whole process, I could talk forever about it, but I do not have the energy for it right now. I'll save panel/page layout for another time.

It doesn't have to be perfect!!! - IT DOESN'T HAVE TO BE PERFECT!!!! (shouted with excitement btw). Panels can be boring! A page can be extremely simple! The art can be messy! The dialog can be simple! The plot can go nowhere! In fact it is really really fun to make a messy imperfect comic on purpose. Destroy the perfectionist in you, because they will always and forever hold you back from actually creating things. "what if it's bad?" what if it's fun? what if you learn cool things?

Anyway, those are my tips/advice, idk if I actually answered what you were asking... sorry about all the time commitment ones, that is something I really wish I had figured out a few years ago lol.

Comics are fun to make and a lot of learning how to make them is just jumping in, encountering a problem, and then learning how to solve it.

[rebornofstars]

SEPFEMBER 2024 PROMPTS LIST

HERE WE ARE! AT LONG LAST! THE MOMENT YOU'VE ALL BEEN (HOPEFULLY) WAITING FOR! GIRL MONTH!

I honestly can't believe this is actually happening. This event was a shower thought a few months ago.

Here's a recap of the event: to participate, make at least one fanwork of any variety during September that features a woman or women from the Zelda franchise as the main character/s. All Linksmeets are welcome in this challenge, as well as general LoZ fans!

Before I drop the prompts list for those who are looking for a little direction, I'd like to mention that I have made an AO3 COLLECTION FOR THIS EVENT. It's open and unmoderated so you can add your works to it freely. And if you post on tumblr, please tag #sepfember !! I'll be scrolling through the tag every day looking for things to reblog and gush about 👀

If you have any questions at all about this event, or you want to chat about it, my askbox is open! I will also respond to comments and reblogs of this post.

Now, onto the prompts. Disclaimer: you DON'T have to use all/any of these prompts, or only create things for certain characters on their featured day. This list is just a GUIDE for those who want it. If you have other plans, go with your heart!

At the end of the day, this is a celebration, and all that matters is that you have fun. I hope some of you will join me next month in giving our girls some time in the spotlight, but if you can't, that's okay! There's no pressure! This is just a passion project of mine, really, and I am overjoyed that people are interested 💛💛💛

(apologies in advance for the terrible quality of these pics and the equally terrible commentary. i thought it would be funny. also, i've never had to come up with a prompts list before and it shows.)

DAY 1: SKYWARD SWORD ZELDA + PURPOSE

(we start at the beginning of course 💛)

DAY 2: MARIN + WASH

(it was SO hard to find a screenshot of her that didn't have link in it. they're both cute but this ain't about him.)

DAY 3: MEDLI + GIFT

(i didn't know she played the harp until i saw this screenshot! i obviously have a lot to learn.)

DAY 4: TWILIGHT PRINCESS ZELDA + FREEZE

(how creepy does she look here?! so awesome)

DAY 5: HILDA + GHOST

(SUCH a good character for real. she has depth!!!! she has a thematic purpose!!!)

DAY 6: URBOSA + LOSE

(two words: LIGHTNING POWERS ⚡⚡⚡)

DAY 7: SPIRIT TRACKS ZELDA + MISTAKE

(babygirl you are 2 entire pixels.)

DAY 8: FI + ORDER

(oh she is everything to me)

DAY 9: MIDNA + SWORD

(she looks so soulful right now)

DAY 10: HYRULE WARRIORS ZELDA + SUMMON

(what a FIRE camera angle??? her armour is so impractically attached but SHE HAS A SWORD‼️)

DAY 11: GODDESSES OF HYRULE + EYES

(hylia, din, nayru, farore, the list goes on...)

DAY 12: ZORA PRINCESSES + TRUST

(mipha, ruto... poor suckers... it can't be fun, falling for link...)

DAY 13: OCARINA OF TIME ZELDA | SHEIK + FATE

(note: I personally hc this character as a trans man, but since this isn't explicitly confirmed in-game and might not be shared with everyone, I've given them a celebration day anyway. you are free to do what you wish.)

DAY 14: MALON + GUARD

(she is adorable. look at her)

DAY 15: IMPA + BOUND

(HOTTEST MOST SEXY MOST BADASS WOMAN IN THE FRANCHISE ‼️‼️‼️ I LOVE YOU IMPA YOU ARE PERFECT. SHUT UP I DEFINITELY DON'T PLAY FAVOURITES—)

DAY 16: FOUR SWORDS ADVENTURES ZELDA + PORTAL

(i loved her in the fsa manga. she's barely in it but STILL. go read it.)

DAY 17: FAIRIES + TIRED

(the great fairies, navi, ciela, tatl, proxi...)

DAY 18: TETRA + LEGACY

(isn't she KICKASS?!)

DAY 19: EPONA + BONE

(our lovely loyal girl 🥰)

DAY 20: A LINK BETWEEN WORLDS ZELDA + HOME

(SHE IS SUCH A GOOD PARALLEL TO HILDA PLEASSSSSE)

DAY 21: SARIA + WISH

(a classic character! isn't this picture so peaceful)

DAY 22: BOTW/AOC/TOTK ZELDA + PEACE

(SHE IS EVERYTHING TO ME. SCREAMING CLAWING CRYING. MY DARLING, YOUR FANARTISTS WERE THE ONES TO DRAW ME INTO THE ZELDA FANDOM. I HOPE I CAN RETURN THE FAVOUR ONE DAY)

DAY 23: CIA + LANA + STUDY

(technically, she's one person. between the two of them they certainly only wear enough clothes for one person... )

DAY 24: ARYLL + HUG

(sister to the hero! but what's her story?)

DAY 25: ECHOES OF WISDOM ZELDA + ARREST

(YEAHHHHHHHHH GIRL MONTH GIRL DAY GIRL GAME!!!)

DAY 26: CD-i ZELDA + HOLIDAY

(hehheehehehe. i bet you weren't expecting her. neither was i tbh)

DAY 27: PURAH + FIRE

(SHE'S CLEVER! I LOVE CLEVER WOMEN!)

DAY 28: ILIA + ERUNE + MEND

(listen. i know erune is a very niche character - she literally only exists in the four swords manga - but consider. i love her)

DAY 29: ALTTP/OOS/OOA/LA ZELDA + MISSING

(she has no canon personality. you know what that means. get the building equipment out fellas)

DAY 30: LINKLE + FAREWELL

(and here we are - LAST DAY!)

THE END! YAY! I CAN'T WAIT FOR SEPTEMBER - CAN YOU?

[i-was-in-too-many-fandoms]

✨My journey with drawing Papyrus✨✨✨

for no reason other than i find it really funny and very inspirational

im not the best artist, but i’d always wanted to learn how to draw papyrus (cos he’s just so cool). so i looked up a sprite and just straight up copied it.

but that didn’t give me a good handle on how to get the little details, bc im not good at interpreting pixel details lmao

so i looked up fanart to copy!!!

as u can see its sorta meh lol

but what it did do though, was give me a sense of how you can stylise him, and also his facial expressions, which was smth i couldn’t get from just copying the pixel art (because i wasn’t confident enough yet to just use my imagination)

and theeeenn uhh

i tried drawing him from scratch 💀💀💀💀💀💀

RRRRR i fucking hate this drawing but it was definitely a turning point

i experimented a lot with facial expressions and ESPECIALLY the shape of his face (which is something i change up even now)

THEN WE GOT HERE!!!

THERE IS IMPROVEMENT EVEN THOUGH I ALSO HATE THIS DOODLE

and after a while…

i felt confident enough to make up my own poses for him!~~

at that stage, i was getting pretty confident in my ability to draw papyrus with no references.

and theeeeenn…

IT GOT BETTER

introducing: The ‘Looking Up Actual Skeletons For Reference’ Era

after about a month of that, i didn’t even need a skeleton reference lmao

and so we get to my most recent sketch

i actually love this one

this journey really cemented papyrus as my favourite undertale character. i drew him all the time in my school notes (which definitely helped), and loved making larger coloured pencil pieces with him in them. i would’ve never grown so fond of mr dinosaur egg oatmeal had i not suddenly decided to draw him 7 months ago….

lesson learned: just keep doodling and messing about and copy as much fanart as you want (nobody online is there to see it and accuse you of stealing if you’re just sketching alone…) and if you’re stubborn enough then you’ll get better >:]

[valtsv]

This isn't a gotcha, so please don't take it as such, but would yuou be willing to explain what it is about VAL that makes her such a favourite of yours? I can't stand her myself, she comes across to me as a bully given god-like power that she abuses for her own amusement, and I've seen you acknowledge as much, but we draw completely different conclusions from that. I just want to understand your perspective.

i've been anticipating a question like this for a while now, so i'm more than happy to answer for you!

you're right, VAL is in some ways a "bully given godlike power" as you put it, and there's no avoiding that (nor do i want to). and yeah, i do like her in part because of that, because i have a fondness for horrible fictional characters and in particular "bad victim" archetypes, of which VAL certainly is one. but i think what makes her compelling to me, rather than repulsive, is that she is fundamentally a cautionary tale and a tragedy. in-universe, she's the scapegoat. the example. the "make the right choices or this could be you". she's inescapably, heartbreakingly human in her awfulness, and that makes her terrifying, but it also makes her deeply sad (at least to me).

i also strongly believe in rehabilitative/restorative justice, so for me, wanting better for VAL is about my real-world principles to a degree. i can't and won't argue that VAL doesn't function as an uncomfortable allusion to a lot of atrocious crimes against humanity (by humanity) within the narative, and that anyone who finds her upsetting or even hateful for these reasons is absolutely justified in doing so. however, she's still a fantasy entity at the end of the day. she's not a 1:1 stand-in for real-world abuses any more than, say, a vampire or werewolf, which plenty of people are more than happy to explore the nuances of. and there's also the question of what punitive measures would even achieve in her case, beyond personal satisfaction for the one administering or spectating them (which is not to say that wanting to punch VAL makes you as bad as she is, just that her arc is, among other things, about how cycles of abuse and violence perpetuate). the worst that could possibly happen to her has already happened. she's been tortured. she's been taken advantage of for her mistaken belief that working for and with the system has the opportunity to benefit her, and died for it. there's nothing to be "learned" from her punishment that hasn't already been shown to us. that she hasn't already internalised. if she were ever to develop a stable conscience, that would be punishment enough in my opinion.

despite being a victim of people not entirely unlike VAL, i personally am not her victim, so treating her with sympathy and kindness whilst acknowledging the elephant in the room that is her many (fictional) war crimes is not something that requires any cognitive dissonance on my behalf. i would cautiously argue that the narrative agrees with me somewhat in this regard - the few times VAL is treated to a genuine act of kindness with no ulterior motives, it shatters her composure and outward conviction that what she's doing is necessary for her personal satisfaction, and even prompts her to reconsider on occasion (sparing the woodsman comes to mind). i'm not saying anyone needs to hug her and tell her she's valid, but if all it takes is some genuine good intent to get her to engage in introspection, i'm willing to be the person to offer it.