#kind of a meta

[maxdibert]

Sirius Black, the firstborn. The aristocrat. The one raised in a disgustingly rich, respected, and feared family. Sirius Black, the rebel without a cause, who forged his identity by opposing the values of that family. The tall guy, so handsome that girls couldn’t even concentrate on their exams. The popular one, the one who had it all. The one who didn’t have to worry about running away from home because the loving parents of his also-rich best friend took him in. Sirius Black, the one at the top, the one who did whatever he wanted to those beneath him. The one who spent seven years torturing a poor half-blood just out of boredom, for fun, because he could.

Sirius Black, who looked at that poor half-blood as a representation of everything he hated, everything that disgusted him. Despising him for wanting to go to his family’s house, for wanting to gain power that he—let’s be honest—had possessed from birth. Sirius Black, constantly laughing at Severus Snape, calling him Snivellus, mocking his appearance, ridiculing his poor, downtrodden look, encouraging him to go somewhere he’d likely end up dead. Sirius Black, convinced he was doing nothing wrong because Severus Snape was a piece of shit who followed the Death Eaters, and hurting him was completely justified.

Sirius Black, the brave one, the one who would’ve given his life for the good cause, the one who was on the right side from the beginning, who always knew where he belonged, who went to war and gave it his all—so much that he ended up in prison.

Sirius Black, who escapes Azkaban only to end up in another prison. The one who, locked in his family home, starts to see things for what they are. The one who is no longer a help but a hindrance. The one who is just a ticking time bomb for a Dumbledore who never gave a damn about his zeal for the fight. Sirius Black, who suddenly finds himself facing that same half-blood he used to insult, to hit, to hunt down like a predator after its daily meal. There he is, with them. Severus Snape, the Dark Arts freak, the greasy-haired, Malfoy’s lapdog, the one who followed the pureblood supremacists and bears the Dark Mark. The same Severus Snape who was a Death Eater and followed Voldemort, now stands as Dumbledore’s right-hand man.

And Dumbledore trusts him more than anyone. Trusts him so much that, although neither Lupin, Tonks, nor Moody like having him among their ranks, no one dares say a word against him. Only Sirius speaks up, and when he does, everyone scolds him. Because he’s no longer Snivellus; now he’s Snape. He’s a double agent. He’s someone important. He’s a rook, a bishop, a knight, while the others are mere pawns.

Sirius Black wonders why. Why, if he did everything right, if he stood up to his family, if he always defended what was right, he’s now reduced to a broken toy confined to isolation while that piece of shit who did everything wrong is the one who has Dumbledore’s favor. Because Sirius was always one of the good ones, and Severus was one of the bad ones. Because tormenting and mistreating him was justified. But then he realizes it doesn’t matter. It doesn’t matter who’s good or bad in a war; what matters is how useful you are to those who wage them.

And he has become useless, while Severus is a key piece. And that is the best revenge Severus could have had for all the years of abuse he endured: for Sirius to realize, in the last months of his life, that all his efforts to rebel had meant nothing. In a war against power structures, the aristocratic boy never has a place.*

[nerdypotatoe5]

The Hunger Games, The Ballad of Songbirds and Snakes SPOILERS (BOOKS AND MOVIES)

ok so I'm sure that by now everyone has seen the posts about how brilliantly Suzanne Collins wove her prequel into the story.

So this will also be such a post. Not a particularly detailed one but hey xD

Anyway - AAAAAAAAAAAAHHHHHHHHH

I adore how before Lucy Gray disappears, she tells Snow - I'm going to look for katniss. And then 64 years later, Katniss Everdeen wins the 74th Hunger Games with the meadow song, with a Mockingjay token and by cleverly playing the system (even if it wasn't her intention).

Of course, this reminds Snow of how he played the system in Lucy Gray's favour, he remembers that song from 12 and the Mockingjays that sang after Lucy Gray disappeared.

The parallels are brilliant! And every time that I think about them, I'm once again reminded just how much and why Coriolanus Snow despised Katniss. Not only was she a symbol of rebellion, but she also carried symbols from a past that he wanted to erase. And sure, no one else alive that can hurt him in the capital remembers, but what if someone digs just a little deeper, notices and checks something that appears to be just a little off?

And with so many coincidences surrounding Katniss, is it really a wonder that he assumed that a ghost of his former lover was coming to haunt him from the grave?

There are definitely more parallels out there but I'm currently too tired to think of them xD.

God, I love the world of the Hunger Games. It's so brilliantly written with wonderfully written characters that make me want to continue peeling back their layers just to see what makes them tick. Suzanne Collins truly wrote a masterpiece.

Also I did really enjoy the new movie. I ended up watching it in a language that isn't my native language and was pleased to have understood the majority of what was said xD. The fact that I had read the book previously definitely helped! XD

The sound track was to die for though! Everyone's singing was beautiful. Rachel Zegler's voice really haunted some scenes and gave me chills on more than one occasion. Hearing Can't Catch Me Now during the end credits was great. I've seen some people say that it really explained what happened to Lucy Gray after she disappeared and yeah, I can see where they are coming from. I just really liked how the lyrics tie the end of the Ballad of Songbirds and Snakes with what happens in the Hunger Games. Olivia Rodrigo did a brilliant job with the lyrics.

Ok so this rambling has turned into a review. 😅

Anyway, my only complaint is that we did not see a lot of the Covey in the movie and that the connection between Katniss' dad and the Covey wasn't hinted at.

Having said that, the fact that Katniss' dad taught her those songs and how to hunt wasn't something that was mentioned in the Hunger Games movies (from what I remember of them) so it makes sense that that was left out.

Overall, the movie was amazing. Would recommend - 9/10.

The books are of course a very steady 9.5/10 for me xD.

At some point I'll probably need to make a post about the actors that played Sejanus and Dr. Gaul. They were fantastic! Having said that, the whole cast was really well cast and everyone played their role really well. I was very satisfied with the casting and with everyone's performance.

[ladybracknellssherry]

Y’all go wild and do what you gotta do.

Pretty sure that no matter what you write, you’re not going to hurt Crowley and Aziraphale’s feelings.

But.

Aziraphale is not any more strong then Crowley. Crowley is not any more fragile than Aziraphale.

Crowley IS a whiny touch starved bottom baby turbo virgin tho.

You can’t change my mind.

Happy shipping/happy ficcing!

My observations from the Good Omens fandom:

Fanart and fics that are from the time before the TV series (1990 - 2019): Az & Co love each other deeply and there are no labels. Their love is very chaste and they usually kiss only. Ace vibes.

Fanart and fics after GO S1 (2019 - 2023): Aziraphale is a babe, a softie, and Crowley is the strong protector. The only fanart where Crowley is the one holding Aziraphale in his arms is from this time period. Fics are often explicit, but it’s very balanced between top Crowley and Top Aziraphale. There is a lot of play with different genitalia, but the main focus is still the strong, intense, unbreakable bond between the two, which defies all human relationship labels.

Fanart and fics after GO S2 (Aug. 2023 - present): Crowley is the soft, whiny baby who needs protection. Most fanart depicts Aziraphale as the strong protector and Crowley as the fragile girlfriend behind him. Crowley is very often depicted with black nail polish & long hair, more feminine character traits, unless both characters are female. Most fics are explicit, and Aziraphale is dominating Crowley, Crowley is desperately looking for approval or being a total brat and making Aziraphale’s life a living hell after the final fifteen, pouting and being angry/resentful. The main focus in the fics in now the sex and sexual pleasure. Now there is also a lot more exploration of different AUs and incarnations e.g. Crowley is very often a snake, they are drawn as robots or mouse & rat, AUs for coffee shops, gardeners, priests etc.

I am not judging this trend in any way, but I personally prefer the depictions and interpretations during the S1 era, because they feel the most true to the source material of the TV show for me. I wonder if after S3 it will diverge even further or if it will circle back.

[corkinavoid]

DPxDC Danny the Guy Who Won't Die

He lives in Gotham, and he is just A Guy. Nothing weird about him, he's just there to study/work/help Lady Gotham to lift her curse/on vacation with Sam. Point is, he is not there to cause trouble and there's no GIW on his tail. Just a dude living his (after)life.

And Gotham, being Gotham, still finds a way to be annoying. There are mugging attempts, robbery, Rogues running around. Only Danny really doesn't want to deal with any of it.

Now there's a dilemma. If he uses his powers to fight, it will sooner or later come to Bats' attention. And if he fights as a human, it will also alert some of the Bats since he doesn't really do a great job at keeping his power levels low. Not to mention the fact he is really not enthusiastic about accidentally punching someone hard enough he sends them to a hospital.

What does he do instead? He pulls the 'I guess I'll die' act.

So every time he is attacked, he just plays dead. The mugger shot him in the chest? He falls down and stops breathing. Caught up in the middle of a Poison Ivy attack? Skewers himself on the vine and goes lax. Scarecrow's Fear Gas? Very dramatically chokes himself and plays a corpse. He makes sure to disappear before any ambulances arrive later, and it all goes well for a few months - he is just a casualty, who cares, really - until one day, he runs into that same mugger who shot him in the chest a while ago.

The man does a double take. Danny doesn't notice - he's been mugged so many times, who has the brain capacity to remember all of those fuckers. But the rumor goes out anyway.

A guy-who-won't-die. It's more of a city legend, really, and the Bats don't give it much thought since, well, it sounds stupid and not very important. A rumor of some man who was shot dead and then showed up like nothing happened? Yeah, it's probably because the mugger didn't check if he was actually dead. That happens. Maybe it wasn't even the same man, Gotham is a big city. If anything, hey, at least that was one less casualty? That's a good thing.

That is, until one day, they show up to Joker's hostage situation and witness the clown screaming at one of the hostages. He is so enraged he is shaking, spit flying out of his mouth, and, contrary to the usual Joker's evil sneers and maniacal laughter, he seems just... furious. But, like, the normal-human-level furious. The 'I just lost the last ounce of patience with you' furious.

"Don't you look away from me, you think I don't remember you?! Na-ah, I do. You were the one I drowned in the shark tank last week! And you were the one run through the chainsaw trap two weeks before that! And you were in the guillotine!!! I saw your fucking head get deattached from your body, how the fuck are you here again?!"

And the guy he is screaming at just looks at him, confused and incomprehensive.

"Um, I'm pretty sure I'd remember getting my head cut off, you know? So, err, wrong guy."

"Wrong guy my fucking ass-"

Joker is so distracted by his screaming match that it makes it almost too easy for the Bats to fight him down and drag to Arkham. Yet, a few of them get just a bit suspicious.

Now, imagine all the shenanigans when they try keeping a watch on Danny the Won't Die Guy.

[galedekarios]

while i did a gifset to showcase an armour set, i was also intrigued by just how different the animation is for the wizard class vs gale's unique animation:

wizard class animation

gale's unique animation

it's amazing to see not only just how quickly gale performs the somatic component of the spell, but also his efficiency of movement compared to the standard wizard animation.

there's a world of difference here, the difference between a wizard vs a prodigy, an archwizard and chosen.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[incorrectsmashbrosquotes]

It's actually funny, in a meta way, how people are salty about Miquella being a villain. Because, like, that's how it is in-game too.

The people of the Lands Between wanted Miquella to be the solution to their problems. To be the promised savior. The God who would get it all right and do what Marika tried to do and failed so resoundingly, bring an age of infinite prosperity.

But, no, it doesn't work like that. Gods can't solve their problems. The Gods want their own ends and then convince people that what they want is what's best for them. The fans are the same as the poor bastards in the Haligtree, waiting for their savior, only for it to turn out he's just another spoiled kid.

It's brilliant, from a writing perspective. They kept Miquella vague, letting the Soulsborne fandom do what it always does, theorize, investigate, and build up ideas. We built up an image of Miquella as a savior, a hero, one of the only truly heroic characters to understand and get it right.

But in the end, Miquella fooled us as well as he fooled his own people.

[ultfreakme]

"Gojo should've gotten to live as a person-" THAT’S THE POINT. That is the ENTIRE point of JJK. Every single character who died was someone who "should've gotten to" do a lot of things. Riko should've gotten to live for herself, Geto should've had the chance to be a teenage boy given support and safety, Junpei should've gotten to live without fear, Nobara should've had the chance to let people in without fear, Nanami, Yuki, Mai, Higurama, EVERYONE.

Here's the thing, Gojo is on this list. Gojo isn't the exception because JJK at its core is a story about how overarching systems destroy people; bullying, capitalism, sexism, etc. And this system does not need people to run it. Which is why killing Kenjaku didn't stop shit because yeah he started this mess but its grown beyond him. Fuck, it was there before him.

This is also why despite Sukuna & Uraume being the only ones who are actual threats, nothing is better. The cast got rid of the higher-ups, jujutsu tech as it is, is no more. The major families are dismantled. This should be a victory. This is what the Sashisu gen pointed out as the problem but things have never looked more bleak.

Why? Because the problem isn't Kenjaku, Sukuna, curses, sorcerers or curse users. It's the existence of Cursed Energy itself. This has been pointed out multiple times by Yuki. Its the system and Gojo has been complicit to the system for a long, long time. He's also it's victim. Gojo says he's the exception a lot, but as everyone has rightfully pointed out, he was nothing more than a weapon to jujutsu society.

JJK has followed a very clear pattern to every character right from Geto to Junpei to Riko; characters are representatives of systems of suppression, and they will not escape it. I can't recall a single character that's escaped unscathed, much less alive.

Is it disrespectful? Yes. Is it demeaning? YES. There has not been a single character death that's been dignified in JJK. It's all on a scale of bearable to absolutely horrifying. It is genuinely wild seeing people resort to threatening the author AGAIN. Calm the fuck down. You are entitled to feeling upset about how Gojo has been treated but Yuta stans are being calm despite Yuta arguably suffering the "he is a weapon" thing WORSE. It's still a fictional character and JJK's narratives never treated Gojo with any exceptions despite the character saying otherwise.

[bibxrbie]

"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”

Wrong!

Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.

And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.

And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.

He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.

Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time

[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s “my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[wistfulnightingale]

The Night That Changed an Angel (or, why does Aziraphale still wear that shabby vest?)

Mini-Meta Musing (#4)

I've been brooding for a long time about, of all things, Aziraphale's worn velvet vest and the long cream jacket he's kept in "tip top condition for over 180 years now." I love the sweet familiarity, but this is the same angel who popped across the Channel and almost lost his fluffy-topped head in 1793 for dressing like an aristocrat.

"I have standards!"

He's the height of elegance, extravagance even. A dandy. We've seen the same at the Globe Theater 1601, Edinburgh 1827, and even as a Knight of the Round Table in 527 Essex, where he's wearing a glorious pelt across his shoulders! However, sometime after Edinburgh 1827, Aziraphale's stylish extravagance ends. He adopts the dress of distinguished but modest gentility. No seamstresses strain their eyes for days hand stitching ruffles and trims for him any longer. When we next see him in 1862, his clothing is refined, simple, and serviceable. It becomes his uniform, with only minor replacements. Why? What happened to change him?

Edinburgh 1827 happened. And his encounter with tragedy ran over his sensibilities like a locomotive.

Aziraphale had, we were told, saved his earnings over time and had bought land, invested wisely, and became quite well off. He used real money, not miracles, to build the bookshop, paying the builders well and taking care of bills honestly. He built himself up to a more than comfortable lifestyle, from nearly nothing. And his clothes are real, not miracled from nothingness like Crowley's. (source: original showrunner)

Aziraphale's wealth allows him to afford luxurious tailoring and fancy shoes and ruffles and trims. He'll certainly pay the cobblers and tailors and seamstresses well for their labors. It will be a substantial expense for the era. (The linked post gives a wonderful perspective on 1793 lifestyles and costs.)

https://agoodflyting.tumblr.com/post/753227014283083776/why-aziraphales-white-satin-pumps-are-ridiculous

The angel's Edinburgh multilayered and trimmed top coat, soft leather gloves, matching scarf, jacquard vest, silk cravat, etc., look entirely out of place in the back alleys where the poor huddle. Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

As he strolls along in philosophical banter with Crowley about the "blessing" of poverty, the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag.  He respects her goodness tremendously.  It proves to him his “rightness.”  And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

It’s a poignant moment, though, when Aziraphale cradles the jar containing a tumor from a seven year old child who died because there wasn’t enough medical knowledge to save him.  Turning point number one.  It becomes Real, not a philosophical debate.  Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide.  Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.   And it is All. Aziriphale’s. Fault.

Turning point number two.  Another watershed moment where Aziraphale’s world changes again.

One of Crowley’s last earthly acts, before getting plunged into hell, is to have Aziraphale give Elspeth all of his pocket money.  What is pocket money to the angel is a fortune to her, one that can set her up for a better life.  I have no doubt that in the aftermath of the traumas of that night, missing and worrying about Crowley, Aziraphale thinks about all of this.  He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him.  He wants to help, and to try to make amends for the harm he caused.  What would Crowley do, if he were free to be kind? And so Aziraphale changes.

I’d love to know the story of how it all played out.  Did he sell his fine clothing and donate the proceeds?  Did he become involved in charitable foundations?  Did he buy the clothing of a simple gentleman and decide to preserve it, however worn it became, as a reminder to himself of his past blindness and vanity?  We see in Season 1 how important it is to him to preserve that coat. (Sure, it's also a fantastic opportunity to flirt and flutter those angelic eyelashes... But, nonetheless!)

By Season 2, the angel who took too long justifying a life-saving miracle for Wee Morag, and who hesitated to give Elspeth his 90 Guineas, willingly and freely gave Maggie forgiveness for thousands of pounds of debt. I'd love to know what else he's done over the last 180+ years!

Whatever happened, it began that night in a graveyard.

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[two-corpses-in-the-burial-mounds]

Anyone else think a lot about how at the end of canon, Lan Wangji has had time to mature for 10+ years into a guy in his mid-30s, but Wei Wuxian still has the life experience and general maturity of a war-traumatized early 20-something?

Because like. Wei Wuxian died young and he died tragically, and everyone who was around him then that's still there after he's resurrected has gotten to live their lives. They got to mature. They've had 13/16 years to heal (or not heal -_-) and learn who they are. To become fully realized adults outside of the pressures of war. And Wei Wuxian hasn't had that. If you believe MXTX's interview that circulates on this site sometimes, he spent those 16 years in a suspended state of agony. And even if you don't believe that, he was still dead. Non-existant.

For Wei Wuxian, the war is fresh. The pain is fresh. He has no idea what's doing because he's barely an adult, if admittedly a highly skilled one for his age. The world has moved on around him and he has stayed in place. What does he do with that?

Wei Wuxian had no choice but to pretend that he's moved on, too, because that war that took so much from him was almost two decades ago, now. The Wen Remnants have been dead for over 10 years. What use is it to dig up old hurts? Except, those hurts are still hurting him.

When he died, Wei Wuxian was helping care for Lan Sizhui. Wen Yuan. When he died, Lan Wangji raised A-Yuan with the Lan. If Wei Wuxian was dead for 13/16 years and A-Yuan was 3/4 when he died, then Lan Sizhui is about his age, or very close to it.

This is the child he was raising. This child is now his peer.

Wei Wuxian has memories of war and tragedy, but no one to talk to. The juniors, who are closest to him in relative age, haven't known war, and everyone who has known it has moved on. He's trapped between generations, and that has to be so incredibly isolating.

Jiang Yanli, the Wen Remnants, Wen Qing of particular note, all of them died shortly before he did. Did he ever really get to grieve them? Will he be allowed to now? Especially with his reputation. Especially with the number of people who would really prefer him to simply leave the past in the past. Especially with all the people who think he is the cause of the deaths he wishes to grieve.

Will he be allowed to mourn, if the cultivation world thinks these deaths are his fault? Or that these people don't deserve to be grieved?

Wei Wuxian has the misfortune of being a man who is a decade out of time, and he will have to learn to cope with that, but how does he account for the missing years? When the pain is still fresh for him, how does he find a place in a society that has long since moved on?