#kids - do as I say NOT as I do

[caffienatedtree]

I have a list going on with my friends (well ok I make the list and then force my friends to deal with it) of Things That Happen in H50. And sometimes we use it as a drinking game where if something on that list happens you drink. Ok tbf it started out as a drinking game list that I copied the idea from my friend’s list for heartstopper, but here’s some of them.

1. Perps running from 5-0 and getting tacked, drop kicked, or otherwise incapacitated

2. Overhead highway/road shot

3. Someone opens fire into civilian crowd

4. Magical plot armor technology, or bogus magic enhancing on super grainy photos

5. Danny calls Steve an “animal”, “Neanderthal”, a combination of the two, or says “what the hell is your problem”

6. Kono says “hey check this out”

7. Chin and his shotgun

8. Steve kicks down door, or tosses in flashback or smoke bomb to make perp come out

9. Steve says “we’re on our way” and the we is him and Danny but he doesn’t elaborate

10. McDanno

[chase-prairie]

Loving reminder from your land history auntie:

North American golf courses have had 50-100 years of arsenic and mercury based fungicide and herbicides applied to their soils.

Do not eat anything that has been grown on a golf course or downstream from a golf course. I know it sounds cool and radical, but you are too valuable to poison yourself with heavy metals.

Protect each other, turn your local golf course into a pollinator garden, not a sex forest or community garden.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[inkskinned]

having good & true friends will literally save and protect you in a million unfathomable ways. like okay we have written so many times about lovers. but the way a platonic friend laughs and cries with you. the way they hold your hand at 14 years old and at 34. the way they keep a little silver tie to you, touching base over and over and over. how you can go years without talking, only to re-meet and discover: oh shit! you're still cool!

there are people who have been in my life for more than half of it, and i have loved every version of them. do you know how fucking beautiful that is. yeah love will save the world. but the way friends love you is gonna save the you.

[chloesimaginationthings]

Why did Charlie Emily say all that in fnaf UCN

[bigturtl]

i love lawyer game

[the-phantom-peach]

drawing some lesser-seen dorks

because they are tiny in my hand <3

[paper-lilypie]

ok but that kid Mobius couldn’t prune was Loki right. like, that was Loki right. The brothers at the dock. That was Loki and Thor right. It was Loki

Mobius couldn’t kill Loki, chose his burden, and dedicated his life to him instead.

Mobius’s story started and ended with Loki. It had to be Loki.

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[spiritsonic]

Can you and the rest of the staff stop making references to the bad games like Shadow, 2006, Black Knight and Forces? This franchise needs to be better, and that can’t happen if critics are constantly reminded of this franchise’s miserable failures.

"Bad" is a relative term. I have a close friend whose favorite game in the whole series is Shadow TH; it was there for them at an important time, and brought immense comfort and strength. Sonic '06 gave me my favorite Sonic character, Silver, who was central to me figuring myself out as I came of age. Black Knight tells one of my favorite Sonic stories, and I can't describe the excitement I felt when I heard a traditional English folk song, one I had been learning in my studies of Celtic music and loved dearly, used in-game. We wouldn't have Whisper the Wolf without Forces. And beyond me and mine, there are countless fans finding wonder and meaning in every single Sonic game, despite their flaws. While I agree that self-reflection and critique is essential to any creative endeavor, it can be done without shame. I would never choose to deny the recognition and celebration of their joy, or ignore the beauty to be found in the imperfect.

Assigning too much value to the judgement of others is self-destructive. Sonic fans don't need the Sonic series to be "good" or "respectable" to love themselves, because they are human beings whose worth is infinitely greater than a video game's metacritic score. Be cringe, be free.

[poorly-drawn-mdzs]

The dog days are over.

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[alectology-archive]

most annoying breed of author is actually someone who doesn’t respect a genre and sets out to subvert it.

[hinamie]

u should think of tiny megu. To keep the stress at bay. You should draw him actually. Ooooo you wanna draw tiny megu getting the love he deserves so bad /j

he's with his 2 best friends

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[chloesimaginationthings]

The real reason Michael has a British accent in FNAF…

[remxedmoon]

practicing self care (projecting my stims on my blorbos)

greyscale vers below the cut!