#kidnapping children the humane way

[rearranging-deck-chairs]

13/15 is fun right bc he needs to be touched so so so bad bc she basically touch starved herself to death and she neeeeeeeeeeeds his body she Needs his body but no way in a million years do they have the framework to interpret that need as what it is so they assume it's sexual, right? it's gotta be. i need to be inside you bc i need to be touched bc im my own type bc the trust issues are Dire so just fuck me until ive forgotten im a person or remembered how to be one. right?

until one day like weeks months way longer than it should be into this self-destructive self-actualisation self-care routine theyre lying on the floor of the console room catching their breath and she goes "do you think.....do you think pythia's curse is still in effect or is this gonna be a problem"

and hes like "fuck! susan"

[pepper-steam-milkshake]

i think what people tend to forget (seeing all these posts on my feed atm) is at the end of the day, YOU curate your own fandom experience. there is ALWAYS going to be someone who makes content you dont like. there is a very good chance that someone whose content you do like will make content you dont like for one reason or another.

things to keep in mind?

the content someone creates is not indicative of their nature. for fuck’s sake how many times have you seen someone who looks and acts absolutely sweet and then makes the most fucked up cursed shit youve ever seen— and vice versa. the content they make is not their personality. jfc, if someone writes a story about fairies, are you gonna go, “oh, they’re secretly a fairy”? NO. so it would be appropriate to apply that to other content that you as an individual may find inappropriate

if you see something you dont like, instead of taking the time and energy to give hate to it, just walk away and leave it alone. why do you want to continue engaging with it. is fueling those few minutes of anger truly worth being an asshole? PEOPLE make content. thats right— people with feelings, emotions, experiences, memories, and lives of their own. someone took the time to write something, and then to not only write that thing but then share it with the world in spite of whatever lingering feelings they may have to it. if youre gonna shit talk, do it in private. dont do it right where the artist can see.

with today’s day and age, it is nigh impossible to avoid minors, and the same goes for adults. everyone finds their way into a space somehow. we’re all enjoying the content, and we’re all enjoying it in different ways for different reason. occasionally it’ll match up, but you cannot expect someone to share your opinions and your own view of morality. if you think murder is bad and you hate that someone keeps making the characters in your show kill people, the solution isn’t to say “youre a bad person and you shouldnt be okay with murder”. thats not the statement theyre making. also just leave them alone???

if you dont like the content and want to see something different, instead of suggesting that they make it differently, make it yourself. “i cant draw”— PRACTICE. drawing is a pain in the ass for me. im not great at it but i still practice because i want to make the content i want to see. “i cant write”—PRACTICE. experiment and try new things. “but its going to be bad”— MAKE IT BAD. everyone starts somewhere, and the only way to make your version of better is to improve on your version of bad.

just some thoughts

[ataraxiaspainting]

360-Degree Vision.

Yan Silas x F Reader.

Warnings: Yandere themes, kidnapping, non-con, oral (male receiving), forced infantilization, Silas calls himself Mommy because he's a weirdo, and "force feeding".

Word Count: 700.

OC and art pictured above belongs to amazingly talented @meo-eiru!! i really love her art, so be sure to check her out!! <333

*~*~*~*

Silas only allows autumn leaves and snow to fall where your feet don’t touch but your eyes can still see.

It’s an odd sort of shape, the barrier he has around his tree. It reminds him of those little sketches you do he puts by his bedside table. He read from a book that human mothers do that whenever their children give them drawings, though you never gave yours to him per se. More likely than not you were waiting for a more special occasion, but he found them in your toy box whilst he was tidying up from another long day of taking care of you. 

What a unique art style you have – he read in the same book that human children’s little doodles can be nearly unrecognizable from what they are supposed to be most of the time, so he doesn’t question how the circles you drew kept going around and around and leading to nowhere.

A snail’s shell, perhaps? 

The spirals seemed too large and too filled… 

He’ll give you points for creativity. 

Positive reinforcement was key with these kinds of things, or so he’s been told – if you ever ask for a pet snail, he’ll get one for you in little to no time at all.

*~*~*~*

“Baby,” Silas’ smile is smaller because of the concern he has for you right now. “You have to finish your dinner. It’s good for you. When you finish we can go see little mushrooms and squirrels, okay? Only for a little bit though,” His right hand is still above your head, squishing you down when your body seems to want to get up too soon. “Mommy doesn’t want you to get sick again…”

Despite Silas sitting down, he was still more than half your height – your knees sink further into the mattress both of you are on.

They are shivering so much but he doesn’t notice.

No, it’s not that he doesn’t care – he’s too busy flaunting his length and chest to you to pay attention to how you actually feel, wanting you to pick your poison once again; seeing this as necessary to your development.

Last time for yesterday’s meals you chose his cock – the day before that you chose his breasts.

The more you suck from him, the more you’re given treats after. Something resembling those colorful markers you used to get at the local dollar store, containers of blueberry yogurt you hope came from his village’s cows or some similar type of animal, a new dress he had sewn himself or had customized and bought from a nearby elf tailor.

“I’ll even bring some paper and those pencils you like drawing with, hm?” Silas continues as he scoots closer to you – he holds your hair so gently now, but whenever he cries tears of pure happiness the grip will tighten quickly. “Maybe you can see a snail up close for those little spirals you like doing.”

…

No matter how much you rebel and kick and scream, the elf wouldn’t move back from you – if anything it gives him more of a reason to come closer, so you can have more of his ‘love’. After only a little bit of time, you learned how to let the frustration out in a way that didn’t have Silas doting over you so suffocatingly – drawing spirals. You were told once by a friend they can be therapeutic in times of stress. You most likely will never see her again but you would want to hug her because it works. 

You hid them amongst the dolls and building blocks you were given in times you were alone – staring at them made you feel less lonely, made you feel like you had more of a choice in how you spent your waking hours.

You didn’t expect Silas to find them. He never checks your toy box because you tidy it up so often.

You don’t know how to explain your drawings in a way Silas will understand. Not that he understands a lot of things that come out of your mouth.

You just nod. Maybe drawing a snail’s body below those spirals can help you too.

“Good girl! Listening so well!” His smile widens and you can see his eyes getting watery already.

[rainrot4me]

Don’t Close Your Eyes Yet

Summary: From the first moment he laid his eyes on you at the fairgrounds, Jack knew he needed you. So going about it the only way he knew how, he began to give you dreams of him, preparing you for the night he would eventually take you himself.

Characters: Laughing Jack x Female Reader

SMUT WARNING MINORS DNI

TW: Obsession, stalking, somnophilia, non-con, clawing, biting, size difference, vaginal, creampie, cunnilingus, desperation, Jack doesn’t take no for an answer, dream manipulation, kidnapping, begging, Jack is very talkative

Words: 5.2k

A/N: Did I make LJ a yandere accidentally? Yes. Just roll with it lol

To him, he had never seen something more beautiful.

Flashing lights danced across your face, hair whipping as you skipped to the nearest ticket booth with your friends. Loud giggles echoed to his ears, making his painted lips curl into a blushing smile as he watched you become antsy with excitement.

Jack had been rummaging around these fairgrounds for a couple of days, scoping out potential victims coming in to enjoy the seasonal summer event, lurking behind food stalls and blending into the crowd. He was good at that: staying hidden until he wanted to be seen, practically going invisible until the time was right. Humans had such a hard time with noticing things, noticing him, so even standing amongst them, their eyes never glanced at his towering self. It just made it easier to slip kids away from their occupied families, dragging them away with the promise of a game or a prize to be won, only to become giddy with the panic that ensued afterwards, mothers and fathers losing their grip as they scoured for their already deceased child. The clown was here for the fifth night this week, the summer breeze ruffling his feathered costume as he scanned a large group of elementary schoolers rushing towards a ferris wheel, picking his target out of the litter and moving in.

Until he spotted you, elbows wrapped tight around another girl’s right behind the kids, eyes wide as you picked out which rides you wanted to try first. A couple more friends filed in behind you, obnoxiously loud as they tried to impress you, daring each other to try the more frightening ones. Jack grit his teeth, jagged pearls clenching as he rolls his eyes, scoffing at the irritable sound of desperation. Your group pushed passed him, not a single eye batting in his direction as he tried to press through you all, distance gaining between him and the small group of children making their way to another set of rides. He looked down, making sure to avoid bumping any of you as even the tallest of your friends barely reached his chest, his size overbearing as he brushed past you, barely catching your eyes as you stopped.

Jack hesitated, feet planted into the ground as he turned over his shoulder, stunned as your eyes locked with his. At first, he wasn’t sure if you were just looking through him, neck craned in some odd position at something behind his head. But as you smiled awkwardly, nodding your head as a silent hello, Jack froze, eyes wide. You could see him. Before it became awkward, Jack nodded back, watching as you turned back and continued with your friends, all of them completely unaware of the exchange that just took place. There was no fear in your gaze as you glanced back again, smiling sweetly before friends pushed you towards the ticket booth and out of the clown’s sight.

He stood stunned, not knowing what to do but knowing he couldn’t let you slip, couldn’t let you out of his sight. It had felt like ages since someone had noticed him, actually noticed him. He had always chosen when he wanted attention, letting his appearance become visible to onlookers who otherwise wouldn’t have felt his presence at all, giving them a jump of fear at his arrival. But you saw him anyway, despite his invisibility, despite his ability to blend. For some reason, you weren’t afraid of his chilling appearance, brushing him off as another circus carnie and being more polite to him than anyone ever cared. Over the last several years, it had been nothing but screams and pleas, all music to his ears, of course, but some desperate tug on his nonexistent heart jumped at the civility you showed him. He needed more.

Pressing into the shadows of a taller fair ride, Jack watched you closely, the corners of his mouth jumping to a smile every time yours did. The group of kids he was after was long forgotten, intentions focused on following you towards the merry-go-round that sat in the center of the fairgrounds. He quickly followed, slipping through the unattended gates easily and hopping on the ride with you, seated on a plastic horse several rows back. As the ride started up, happy music played loudly as you giggled and slowly teetered up and down, joking with your friends. Your hair danced beautifully in the wind, bright lights and colorful tones dancing in your eyes and across your cheeks, a way that only really Jack could appreciate. 

There was no clear reason as to why you were able to see him when others couldn’t, pushing past his invisibility and meeting his gaze, but he didn’t care. For the rest of the ride and the rest of your time on the grounds, Jack made sure not to catch your attention again, watching you carefully how you interacted, your sweetheart personality pulling him ever-near. He couldn’t stand it, couldn’t focus anywhere else as he watched your group grow tired and begin to head towards the exit, a boy’s arm falling lazily over your shoulders and tugging you into his truck. 

Jack didn’t care as he left groups of potential victims behind, silently following you into the parking lot and hiding in the dark spots that even you couldn’t see him. He didn’t care as he followed you home, abandoning all instincts and mind becoming fogged as he watched you crawl into bed from your window, heart skipping as you curled in. You would be his. You had to be. You didn’t have a choice.

-

You had been unnerved for weeks.

It wasn’t anything serious. No traumatic experience or humiliating incident that kept you up into the late hours of the night, like most girls your age would’ve been. Maybe having to worry about what clothes you were going to wear the next day or who liked you at work would’ve been a much better thing to stay up and think about. No, it was something much more unenjoyable.

These dreams, wild and constant, happen every night at the same time. They would all start the same, you climbing into bed comfortably and snuggling in after a long day, desperate for a relaxing slumber. But then you would doze, senses leaving you in the darkness of your room, almost on the verge of slipping… and then you would hear it. The quiet, subtle echo of carnival music, almost like a music box was winding near your bed. You knew you were asleep, consciousness floating in that weird in-between, but you were somehow still fully aware, still active in your brain even though your body wasn’t. The first time it had happened, you were afraid, and confused if you were experiencing some weird lucid dream or having a seizure, but then it happened again the next night and the next.

After the music wound for what felt like forever, the same merry tune looping in your head, you would eventually see it, the tall figure. He would stay back in the haziness of your mind, in the shadows your brain couldn’t see, but you already knew who it was. 

The clown from the fair, smiling sweetly at you, stark-white face contrasted against the darkness of your dream. He was tall, like had to bend halfway down to reach your eye level tall, his limbs lengthy in comparison. He wore the same costume he did the first night you saw him, black and white striped and decorated with a feathered collar, like a sad recreation of a children’s entertainment piece. You didn’t know why you were seeing him, or why your brain was so focused on him, but it wasn’t like you could do anything to stop it.

The first couple of times, he just stayed at a distance, watching silently as you questioned him, trying to press towards him until you were abruptly awoken and left confused. Eventually, he started getting closer, refusing to speak but at least coming into clear focus, letting you see his painted face and chilling demeanor up close. But the more you talked, the more you questioned why he was here and why you were seeing him, the more eager he got.

The dreams started getting longer, more intense on your physical as you slept, constantly waking covered in sweat. The clown's hands began to roam, your body immovable against his curious claws as he rubbed and poked you all over, smiling at the reactions that came. They were sweet at first, tucking your hair behind your ear or caressing your small hands, but they soon became feisty. The touches grew to rubs, pressing his arms around your smaller body and pushing against your skin, gripping at your clothes and tugging them away, claws so realistically scratching against your warmth. With each dream, the intensity grew, your body waking up in a horny panic to settle itself out, panting against your pillow and trying to recollect yourself. It was boggling, so confused and pent up that you couldn’t do anything but fall right back to sleep, starting the cycle all over again.

Jack watched through every night. He perched in the corner of your room, lips curling to a smile with every flinch and tug of your body as he manipulated your dreams, making you see and feel what he wanted you to. He never let you see him, disappearing into the night whenever you would wake, but always arriving the next night to watch you again. It was his favorite, the little noises that squirmed from your lips when he would press his claws between your legs in your dream, making your thighs press together on your bed. He loved it, he loved you. But, he was becoming impatient, not satisfied with just having you in your mind anymore. He had coaxed you enough, driving you to expect him now, mind already conditioned to his looks and his touch; you would be familiar now. Your body would accept him now, even if your mind didn’t.

-

Pressed in the same corner as always, he was twisting your latest dream, giving you the wonderful experience of him licking against your neck, rubbing you through your panties as you wined and thrashed on your bed. Jack snickered, long arms crossed and claws digging into his clothes as he watched, licking his spikey teeth as you arched your back. 

He had decided tonight would be it, the first time you would see him outside of your slumber. Regardless if you were ready or not, he was, and he didn’t know if he could wait much longer to get his claws around you. The clown spent the better part of the day watching you, thinking about you, obsessing over your sickly sweet self. You were perfect, a complete contrast to him, but fitting his needs perfectly. 

When you suddenly rolled to your side, curling into yourself as you panted, cheeks flushed and dark as you whined, Jack’s attention came back. The darkness of your room was lit nicely by a small nightlight, the little sun and moon design shooting pastel colors across your warm skin and making you look so lovely, enough to make the clown press off the wall. 

Your bed was small, definitely going to be barely enough for the two of you as he kneeled onto your mattress, dipping the weight and making you shift, whining from your dream. “Hi, pretty.” Jack cooed softly, brushing your hair out of your flushed face and leaning down towards you, breathing in your lovely smell. He loved everything about you, every small detail that no human would ever notice, only his unnatural abilities could pick up on. You needed him, he could smell it, feel it. Pressing his body down onto the mattress, he curled around you, spooning you against him as he wrapped his arms around your small waist, tugging you closer. You immediately relaxed against him, back arching to accommodate his large stature and legs tangling with his long ones, breathing deep as he snuggled behind. The clown’s claws danced on your skin, tugging at your clothes and brushing against your hair, smiling as he placed small kisses against your tired face. You melted into him, mind completely unaware as he still mixed in your dreams, contorting your senses to automatically crave him. 

“So small… smells good…” He mumbled against the shell of your ear, a subconscious gasp slipping as goosebumps rose. Jack kissed against your neck, minding his long nose and nibbling against your skin, slowly fading your dream out and substituting it for real life. You whined, hands gripping onto his wandering arms and tugging at them, snoring lightly. Small mumbles fell from your mouth, little confused jabbers and sleepy questions that he couldn’t quite hear, but pressed his lips to the shell of your ear anyway. “Jack.” He whispered, kissing against your neck as your browns knitted, sleep heavy on your brain. “Jack…” You mumbled back halfway through a sigh, pressing your neck against his mouth, mindlessly feeding into the clown’s growing arousal. “Jack…” You whispered again, beginning to numbly repeat the name and let it settle in your mind, Jack’s excitement bouncing at the delicious way you said it. As you continued, he began to push your shirt up, palming at your tits and tugging the fabric over your head, letting the goosebumps rise as he ran his claws down. “Pretty girl.” He smiled, nibbling against your bare shoulder.

The clown’s cock was throbbing now, nestled comfortably against your ass as he began to slowly rut against you, long tongue lapping at your warm skin. He drew a claw up, wrapping it around your tiny throat and squeezing slightly, grinning at the sigh that he pushed out as he pressed his hips against your flesh. His cock slotted perfectly between your clothed asscheeks, hips jerking and stuttering as he chased his arousal, holding your hips still as he moved. Draped slightly over you, he pinned you in place, the sheer weight of the clown securing your hips as he moaned into your ear, panting his approval as he humped against you. Your body subconsciously pressed back against him, back arching to get a better angle of his clothed cock against you, letting his claw mindlessly rouse you from your deep sleep and slowly into consciousness. He felt you stir, wrapping a claw around your jaw and turning your head, watching as your eyes slowly fluttered open. He pressed his lips to yours, tugging your cheek and shoving your lips against his, forcing a desperate makeout that your tired brain couldn’t comprehend yet. Jack panted and groaned into your open mouth, lips occasionally catching but he was too focused on rutting his hips, grinding his clothed cock against your ass as you shifted, straining against his rough grasp.

“Jack…” You sighed again, the name repeating like a quiet mantra as your tired brain tried to figure out what was happening, hips instinctively leaning into it because you felt so good despite being so dazed out. “Jack..?” You began to question, hands pressing against his claw snagged onto your hip, cheeks squished together as the clown kissed against the corner of your lips, panting against the skin. Jack dug his heels into your sheets, long limbs contorting to fit around you as you began to squirm, trying to press out of his grasp now, trying to understand what was happening. “Lay still, pretty girl…” He hissed, tip catching on the band of your panties, tugging them up as he rutted, nails digging into your soft skin. You whined, pushing on the sheets and trying to turn around, trying to see who was behind you, but the clown held you still, beginning to guide your hips with his.

It helped that you were already aroused from your dream, body already hot and bothered and easily coaxed into his movement, taking little persuasion for you to open your legs and let his cockhead nudge against your clothed entrance. You mewled, hissing against his teeth nibbling into your skin, little welts appearing across your shoulder. “Feel how hard you make me… Can’t wait to be inside… Can’t wait…” Jack was huffing, burying himself into the crook of your neck as he pushed his hard cock against you, practically forcing your panties into your entrance as he nudged at your hole, trying to make himself inside despite his slacks covering him. He throbbed, claws desperate and tongue curling against your neck, lapping at your sweat and scent of excitement. You didn’t have to look anymore, didn’t have to guess as the ruffles of his collar pressed against the back of your head, long limbs swallowing you, dreams had revealed enough for you to know, enough for you to grind down against him. How he was here, how he had gotten into your bed, how he even knew where you lived, you were too tired to guess, too tired to do anything but let his claws guide you under him, his body sliding down yours. This dream was more intense than the others, it felt real, you tried to convince yourself you were still asleep, still dozing alone in your bed during this wet dream.

But as claws slipped into your panties and desperately tugged off of your soaked cunt, pulling them off of your ankles, you began to question. Jack’s large claw snagged around both of your ankles, holding them in the air as he kneeled, sliding his suspender straps off of his shoulders. You watched through sleepy eyes, eyelashes fluttering as he let the straps fall at his hips, unbuttoning his slacks and tugging them down, letting his angry cock slip out, balls tugged out and laid heavy between his legs. You gasped, whining as he kneeled closer, prying your legs apart and grinning at your sopping pussy. “Gonna eat you out, pretty girl. Gonna make that pussy cum, m’kay?” He chuckled, bright eyes roaming your tiny body compared to his, laying down on his chest as he wrapped his long arms around your thighs, dragging you closer.

You squirmed and whined, letting your hands run down your body and to his wild dark hair, snagging in the mess and tugging his face closer, letting your thighs press open. You had no fear, blissfully unaware of how real this situation was as Jack licked your folds open, long tongue twirling and flicking against your lips. He groaned, kissing against your soaked arousal before pressing his tongue in, nudging the muscle into your entrance and letting your back tug off the bed, curling your hips down onto his tongue as you moaned. Jack was so into it, so focused on pushing his tongue as deep as he could that he could hear you begin to panic, tugging his hair back as you realized that tongue was far longer than you anticipated. It jolted you out of your tired haze, the sensation of your walls stretching around the clown’s large tongue made you keenly aware of just how little this felt like a dream anymore, how real this all seemed. Jack just continued, curling and twisting his tongue along your plush walls, wanting only to soak in your lovely taste and get you ready for him, what he knew you needed. 

You began to jabber your sobs, mumbling against your moans and whining for Jack to stop, hips twitching against the overwhelming feeling. You could hardly breathe, every press of his tongue against your g-spot making you suck in a ragged breath and cry out, gasping for relief. Jack began to thrust his cock into the bed below, rutting against the soft sheets as he became so turned on by your noises, bright eyes clenched shut as he worked. He whined into your cunt, sloppy and messy movements pushing slobber and arousal against his chin, smearing it along your thighs and cheeks, Jack losing himself in your taste. “So tasty…” He babbled against your folds, sucking your lips as he gushed into your cunt, cock whining to be buried inside and stretching you open. You were clawing at the sheets, pushing against his head as you pleaded for him to stop, overstimulation rushing over you as you stuttered, clit pulsing as your thighs shook, begging to close. Jack wouldn’t listen, he could barely even hear you over the roar in his ears, his primal urge to stuff you ruling out any remorse he felt for your aching pussy. 

Despite your pleas, you were cumming quickly against his tongue. Walls clenching and hips spasming around the girth of his tongue, clenching down tight as your arousal soaked in. Jack whined, moaning loud into your folds as he sucked and lapped at your juices, claws dug tight into your thighs as he moved his head with your flinching hips, refusing to let up until he tasted every drop. You cried, sobbing into your hands as he held you still, breath heavy and chest panting as you rode your high, overstimulation pinching at your senses. Jack had rutted a wet spot into your sheets, cock leaking profusely as he lifted off, sliding his soaked tongue out of your dripping cunt and grinning, panting against your thighs. 

You could barely look through hooded eyes at the mess he had made, white face paint smeared across your thighs and folds, sweat and arousal smearing the paint against your skin. It was enough to make Jack cum, his cock twitching hard in the air as he sat back, admiring his paint all over you. You whined, pushing against his claws wrapped around your thighs as he tugged them open again, positioning his hips against yours.

He nestled his cock against your cunt, gripping the length and slapping it down against your clit and making you jump, sensitivity pulsing through you. “No… please…” You whined, trying to clench your thighs together but he held your ankles easily, holding them arm's length apart. “Why are you this turned on if you don’t want it, pretty girl?” He mused, dropping one of your ankles to line his tip with your entrance, the girth much bigger than any cock you had taken before and making your skin chill as he began to push. You frantically clawed at the sheets, trying to push away from the clown. “It won’t fit.” You whined, pushing your hands to cover your aching cunt as Jack laughed, abandoning your legs to wrap a claw around your wrists, pining them above your head as he repositioned, nudging himself in. “You’ll learn to take it…” He chuckled, using his free hand to hold your soft hips down as he pushed in, the tip popping in against the wetness and warmth of your cunt. It probably wouldn’t fit as comfortably as you wanted it to, but when your tightness began to squeeze around Jack’s already-about-to-cum cock, he didn’t mind hearing your desperation if it meant he got to feel you. 

“You were made for me, lovely.” Jack hissed against your ear as he lay on top of you, slowly guiding your hips down as he pushed in, stretching your cunt impossibly wide as you cried, sobbing into the lips that began to press against yours. This wasn’t a dream, not anymore, you realized. A claw held down your wrists above your head, the other sliding under your knee to push your leg back, opening your entrance wider to give the clown a better angle. He moaned loudly, laughing through whines as he began to shallowly thrust, the first couple inches pushing in and out of your cunt as you sobbed, straining against him. “That’s it. Let me in, let me fuck you like you need to be…” He smiled, lazy laughs and heavy groans filling your open mouth as he sucked on your lips, nibbling his teeth into your jaw. With every thrust he aimed to go deeper, to push his cock in further than the last one.

It was devastating for your cunt, the poor sensitive thing struggling to balance out the pleasure and pain that was wrecking you as you arched, trying to open up more. “Can you feel me inside? Do you even know how good you feel?” Jack laughed, moving to bite down against your neck, hissing as he licked against the wound, kissing down your shoulder. He was getting deeper down, cunt relaxing the longer he thrust, walls fluttering around the desperate length that begged to bottom out, getting ever closer. It was so deep you felt like you couldn’t breathe right, gut flinching and contorting with every press against your sensitive gut. 

Loud skin slapping echoed as Jack’s cock began to press against the deepest part of your cunt, nudging against your womb and fucking you open quickly. His balls slapped your ass, the heavy mounds smacking down as he leaned back, letting go of your wrists to cup his hands under your knees, pushing them back as you began to paw at his chest. “Mngonna fuck you so full… Milking me like you need it.” He panted between thrusts, tugging his hips out as far as he could before pushing back into your gushing cunt, loud squelches and soaked folds coating his length. He was close, bright eyes rolling softly as you gripped his ruffled collar, tugging against it as he snapped his hips, moaning against your skin. “You were made for me, pretty girl. Need to cum… Mngonna cum and show how good it feels in you…” He smiled, blubbering against his swollen lips as he pressed his lips with yours, whining into your mouth as he spilt.

His cum was hot and thick, pumping into your ruined cunt desperately like he truly needed you full, big with his seed. He groaned loud, eyes clenched shut as he thrust through his orgasm, milking his cock of all it was worth inside of you, twitching deep into your warmth. “That’s it… So good… Knew it would be…” He hissed, clawing into the underside of your thighs as he raised off of you, licking a stripe across your cheek and nibbling the flesh before leaning back.

You waited for him to pull out, to let his thick cum spill against your sheets, but he didn’t. He only turned you onto your side, leaving his still-hard cock nestled in your cunt as he tugged your right leg onto his shoulder, relaxing back against you. You watched through heavy, panicked eyes, clawing at your pillow as he began to thrust again, sensitive cunt screaming at you as his nudged his cum back in. You immediately began to kick your legs, pushing him away as he just pressed deeper, claw wrapping around your thigh as he wrapped around the other, tugging your body to his with every thrust. Tears spilt, the air from your lungs gasping out as Jack cried out, clenching his sharp teeth as he watched you come undone again, relishing in the way you stared back at him, eyes pleading. “Don’t close your eyes yet, pretty girl… Just one more, I need it, just one… You can take it, I know you can, yeah?” Through every thrust, he chanted some desperate coax, your answering whines and sobs combatted against your cunt that fluttered against his words, fucking his cum deeper into you. Even though your mind refused, Jack had conditioned you, preparing you for him. Even if you didn’t know it, your body wanted him, beckoned for him, needed him. He couldn’t let you down.

Pushing his chest down, he bent your leg on his shoulder, pushing it down and opening your cunt wider, shoving his hips so deep even he gasped against the tightness. “Jack-” You cried, palming against his claws and scratching at his shirt, trying to ground yourself as your body racked under his tugs, bones going limp under him. You were so tired, so delusionally overstimulated you couldn’t physically resist, only your unheard begs falsely wishing for relief, but you knew better, knew that every time your cunt strained around the girth it was a heavenly feeling. “What, pretty? C’mon, talk.” Jack whined, kissing against your calf and nibbling at the skin, turning you onto your back to tug your other leg up onto his opposite shoulder, pushing them both back. With every thrust of his hips, his cum leaked out of your entrance, pooling between your cheeks and mixing with your arousal.

You cried at the deepness, every slap of his hips pushing his cock against your g-spot, nails clawing against his shoulders as his claws rested on your tits, massaging the mounds as he thrust. “So big… Deep…” You gasped out, arching into the feeling as your stomach coiled, your orgasm teetering at the edge. Jack grinned, jagged teeth shining against your nightlight as he continued, spreading his knees to get a better push, skin slapping loud enough to echo against the small room. “Can you cum again, lovely? Cum for me?” You nodded, running your hands into his messy hair and holding stable, tugging as he grinned, speeding his thrusts to a nauseating pace.

You were cumming around his cock hard, hips jerking and slamming against his as you writhed, eyes rolling back as your cunt swallowed him deeper. “Just like that…” Jack mewled, letting his own thrusts become lazy as he grit, whining against the tightness of your cumming walls. The clown was quick to follow, spilling yet again deep inside, fucking his orgasm into you as he refused to stop, pushing your senses into overload as you sobbed, tears running down your cheeks. Jack let your ankles slip off of his shoulders, pressing his chest down against yours as he licked into your mouth, pressing his lips down as you milked his cock dry, tugging the last of his orgasm through with your own. 

You both panted heavily, desperate touches continuing against each other’s skin as you both made out, lying the afterglow of your mutual ecstasy. “So pretty… my pretty girl… mine.” Jack slipped between kisses, letting his cum leak as he slowly pulled out, popping the tip of his cock out of your tight rim. You whined, letting his claws feel your soft skin as he tugged you against him, letting your eyes flutter closed as you felt his cum spill onto the sheets below.

Sleep overtook you, the early hours of the morning tugging at your sore bones as you relished in the feeling of no more perverted dreams keeping you stirred. But when your bed lay empty the next morning, sheets askew and cum stained into the fabric, your friends would have no clue where you went. They would have no clue whose arms you were draped in, carried closely through the woods and out of sight and reach of anyone who wanted you. You were special, different from the mindless humans he preyed upon, you were his. He had claimed you fair and square.

No one wanted you as Jack did. And no one would ever get the chance to again.

This was an anonymous request!

Comments and reblogs are appreciated! 𐚁₊⊹

[dinarosie]

I've noticed something about Snape—one of his biggest red lines, the thing that truly pushes him to his limit, is when someone's life is in danger.

In those moments, he becomes the most vulnerable version of himself. He forgets everything—every grudge, every precaution, every defense mechanism—and his only focus is getting people out of harm's way, no matter the cost.

So vulnerable that hearing about Ginny Weasley's kidnapping forces him to lean on the back of a chair. So vulnerable and unguarded that while saving Harry from Quirrell’s curse, an eleven-year-old sets him on fire. So vulnerable that, in his attempt to manage the chaos of the Shrieking Shack—with children, a werewolf, and a supposed murderer—he’s disarmed by 13-year-olds. He's so reckless that he makes an Unbreakable Vow for Draco. So reckless that he chases a werewolf, without Wolfsbane, under the full moon near sunset. So reckless that he ventures into the Forbidden Forest to find lost children. So reckless that he roams the hallways in the middle of the night, in his nightgown, chasing the sound of a scream. So reckless that, as a Death Eater, he risks everything to warn the leader of the opposite side about Voldemort's plans to kill the Potters—and is willing to give anything to save them. He's so ungrudging that he carefully carries an unconscious Sirius Black. So ungrudging that when Black is captured, he checks on him immediately and alerts the Order of the Phoenix. So ungrudging that he risks his cover to save Lupin.

And I think these moments say so much about his humanity—things the books never fully explain.

[acid-ixx]

lovefool by the cardigans

— series concept ft. soft yandere dc! x bimbo/himbo reader

soft yandere! dc characters x himbo/bimbo/careless reader... who's just a bundle of joy to be with... where all the villains have an agreement to never mess with you, hell even kidnap you occasionally from the arms of the heroes just to hear you rant endlessly about your 'mundane' life as if you weren't just abducted... where the heroes would quite frankly sometimes have to put you in some sort of human leash because you wouldn't literally panic if there's a gun pointed against you...

the urge to make a shitpost/romcom series just because i listened to lovefool by the cardigans... no idea of platonic/romantic but i'm just moving on with the flow... a bit more on the romantic side ig...

i'm going feral at the thought of a wild goose chase with you, because one second you're bundled up in the arms of the justice league, each one of them scheduled to strictly watch over you, another is stationed near the door as they'd be the one to get you anything you want or need— then suddenly you're at a villain's lair that houses all the bad guys and then oops! you accidentally inhaled the scarecrow's fear gas but you're not reacting?! is your mind filled with air...? all your response was a quirk of your eyebrows and a question that's just "is there any signal here? the league told me to call me if i'm in any trouble...?" which then you would quickly take back and instead would smile at them like some goons didn't just threaten you with a knife to your neck just because you screamed, calling the scarecrow's mask a sack of moving, possessed potatoes.

originally, most villains would whisk you away from the arms of your vigilante babysitters but then they discover you're just a bundle of joy who laughs at the shittiest joke anyone could make, who snorts at their 'funny' antics and words, who grins when they take pictures of you to use as bait that you're being held hostage. it kind of goes to the point that their original plans all go to waste and they decide to just, take you all for themselves. they don't even know how you were able to survive being thrown around carelessly by the shoulders of big, muscular men, but they're more jealous at the image of you giggling and running your hands through muscles arms and toned abs; so they took it in themself to be the ones to guide you through your now makeshift room, hoping you would fawn over them with those cute stars in your eyes...

and if you were taken back into the arms of the vigilantes? oh god, the heroes can't even scold you because you'd be already hugging the next person in the room, babbling endlessly about your adventures with the villains and ignoring their seething envy with just how much you brag about how some are "too hot to be evil! i think i can change them!" because why are you talking about some randoms who just kidnapped you for their own gain when you have them right there? no way are you now getting out of their sights, them trying so hard to even distract you from going outside because "it's just too dangerous to be out there, boo! you're safe with us."

and you just nod your head with that toothy grin of your! are you seriously unaware of how much the richest of the rich are willing to pay for just an hour of your already shining presence? hell, you're just too... out of it, to the point you'll be the one who discovers their secret identities just by accidentally noticing details that nobody with functioning thoughts would even think about.

"batman! you must be bruce wayne, right?" you randomly approach him one day, with a foot tapping the floor impatiently. you stare at him like you had made a scientific discovery.

"... how do you know...?"

"'cause you're both hot and rich and whenever i get a feel of mr. wayne's abs, they're the same size as yours—!" and you continue to guess his children's identities all correctly with a quip of how hot they are or how you wish one you were fit and toned enough to have honkers as big as them...

... that night, you're spending it in the batcave with bruce and his children trying their damn best to brainwash you into keeping their identities a secret, to which you reply with a nod and an airheaded smile. but then the moment they remove you from the straps constricting you in a comfy bed, you'll be running off to alfred, ranting about how you can't believe that you guessed their personas right and if he knew it all along too...

huh, guess that's what makes you all the more charming.

a/n: please do comment or send in asks if you're interested in this as much as i am... i wrote this in quick succession and altho i am planning to make this series a shitpost one or a lighthearted romcom one, i rlly want to amp the yandere-ness hehe. it was fun writing this albeit it being written in about 10 minutes or less. ignore the header ill change it soon 🫦

[apoloadonisandnarcissus]

“Nosferatu” (2024) and the Female Gothic Genre, Paganism and the Occult

The Gothic novel genre is deeply connected with female authors like Ann Radcliffe, Mary Shelley, Brontë sisters, Mary Robinson, and Charlotte Dacre, because it allowed them to explore themes that were “off limits” to women at the time (19th century) especially sexuality and women’s place in a patriarchal society. Hence the “Gothic female” genre was created, as a way for female authors and readers to digest their mixed feelings about these topics. This is the world Robert Eggers transports his audience in “Nosferatu” (2024).

This film checks every box of the Gothic genre: claustrophobic atmosphere, environment of fear, the threat of the supernatural, ruined buildings (usually from the Medieval ages), dreamlike states, nocturnal landscapes, demonic possession, blend of “high culture” and “low culture” (folklore), superstitious rituals, melancolia, melodrama, decay, fate, the macabre, the intrusion of the past into the present, stories of persecution, imprisonment and murder as metaphors for social conflict.

Indeed, the audience can’t analyze this story through contemporary lenses or bias, because it’s suppose to be an immersive experience into the Gothic genre and the Victorian era. The terms “gothic” and “romantic” exist in their historical context; “gothic” as in the literature genre (gothic novel), and “romantic” as in the 19th century artist movement (Romanticism).

No, this is not a story about grooming nor abuse... it can be, but not in the way many are interpreting it. Folks also need to let go of previous adaptations and their meanings, because this is Robert Eggers take on this story. And, it’s everything a remake (or retelling) should be, because its not a rehash, it’s a new interpretation of a old story, “Dracula”.

Robert Eggers tells us that the themes of sex and death are at the core of his story, it’s a “demon lover story”, and it’s Count Orlok and Ellen psychosexual connection that makes his adaptation different from the rest.

Ellen is our female gothic protagonist, and, like similar characters of the genre, she’s a persecuted heroine fleeing some a villainous outside force, personified by Count Orlok, the archetypal Death. Metaphorically, she’s a young woman haunted by her own mortality, by Death itself. She also has a sense of Doom looming over her, the heavy hand of Fate; can we outrun our destiny? “Providence!” Herr Knock screams throughout the film; as in a supernatural force, commonly God, guiding humanity destiny.

Ellen is no typical young woman, though. As she tells Von Franz, she had occult powers since childhood, being able to perceive glimpses of the future and suffering premonitions (knowing the contents of her Christmas gifts and when her mother would die). Her father called her “his little changeling girl”, as in the European folklore of human children kidnapped by supernatural creatures (fairies, demons, etc.) and a substitute being left in their place. Herr Knock also compares Ellen with a “sylph”, when he informs Thomas he’s to travel to Transylvania. “Sylphs” are air spirits from 16th century Germanic folklore and alchemy, a sort of nymph connected to air element in hermetic literature; throughout the centuries they have been culturally associated with fairies, too. We have two characters in the story connecting Ellen with a fairy-like creature. Interestingly enough we, the audience, see her floating in the opening scene.

“You are not for the living. You are not for human kind”, Orlok tells her, and calls her “enchantress”. Von Franz also said Ellen could have been a priestess of Isis had she been born in pagan times. Isis is one of the major Egyptian deities, considered the goddess of magic and healing. She was also connected with the Dead and funeral rites, since she was the sister-wife of Osiris, ruler of the Underworld. Pagan priestesses also entered trancelike states as Ellen “hysterical seizures” or “epilepsies” when communicating with the spiritual world, which is what Von Franz, the occult and alchemist student, recognizes in her. Ellen is a supernatural force, too.

Eggers Orlok was a sorcerer in life, a practitioner of Black Magic. He was one of the Solomonari, wizards from Romanian folklore, believed to be students of the Devil, who learned to ride dragons, and control beasts and the weather. In Eastern European tradition, the Solomonari were believed to be recruited among common folk and disguise themselves as beggars, Orlok is a Romanian nobleman who sought to achieve immortality, to conquer Death. As the abbess tells Thomas, the Devil preserved Orlok’s soul that his corpse may walk again in blasphemy, as a vampire feeding off the blood of the living and spreading plague.

However: who was it who awoke Orlok in “Nosferatu”? The Devil or Ellen?

At the prologue, we see Ellen crying and begging for companionship. She prays for a guardian angel, a spirit of comfort, a spirit of any celestial sphere, anything, to hear her call and come to her. She’s summoning some occult force and inviting it into her life. Orlok answers her call. And why is she doing this? She feels lonely, isolated and misunderstood by those around her. As she tells Von Franz, she’s no longer her father’s “little girl” and he recoils from her touch, because she’s no longer a child. As she grows older and enters womanhood, she starts to feel ostracized and put aside by 19th century society who has rigid gender expectations of her.

According to Orlok, it was Ellen who awoke him: “O’er centuries, a loathsome beast I lay within the darkest pit… ‘til you did wake me, enchantress, and stirred me from my grave. You are my affliction.” Which Ellen later confirms to Thomas: “I have brought this evil upon us” because she sought companionship and tenderness. This is a belief Von Franz also shares: it’s Ellen who “wills it”, and she’s the one who unleashed this plague upon the world.

This is very fitting with the Gothic female novel, where the supernatural connects with female societal status of this time period, generally women’s discontent with patriarchal society, difficult and unsatisfying maternal position (in “Nosferatu” we see this with Anne’s character, where she equals being pregnant with being drained of her life force) and their role within society (fear of entrapment in the domestic sphere, their bodies, marriage, childbirth, etc.).

Eggers’ Orlok is a combination of several Romanian folklore creatures, associated with vampirism: strigoi, moroi (these two are the “classic” vampires) and zburător (a ghost-like creature, usually handsome, and only visible to young women, attacks at night, usually newly-wed ladies and does “indecent” things with them). The influence of this legend in Ellen and Orlok story is evident.

Ellen tries to summon a spiritual companion in her teenage years, most likely when she reached puberty and her sexuality was starting to awake. A demon who’s a personification of appetite, devourance, sex and death is the one who answers her calling. They end up in a sexual spiritual connection, as Ellen experiences her sexual awakening with him, as shown in the prologue and later confirmed how Orlok took her as his lover. She also reveals to Thomas it was “sweet” and she “had never known such bliss” at first, until it turned into torture (seizures and nightmares), when her father found her laying unclothed and called her a sinner and it’s implied she might have been institutionalized, as she tells Von Franz. This episode might be a metaphor for masturbation and the historical shame associated with it. Hence her connection with Orlok being her “melancholy” (depression) and her “shame”, symbolic for the sexual urges 19th century society forced women to repress.

Count Orlok is the archetypal Death; which culminates with the “Death and the Maiden” motif at the end. This was a very popular Art History archetype around the so-called “Plague years” (14th to 16th century) in Europe, and it’s often connected with other motifs like “Danse Macabre” and “Memento Mori”. It has several meanings depending on the author intent, usually a reminder of our mortality, but also a meditation on sex and death, as in the French “la petite mort” (“little death”), the post-orgasm sensation, sexual release potentially causing temporary loss of consciousness (fainting) or dizziness. In the Medieval Ages, physicians believed orgasms could lead to death because they drained the “life force” from the body. This was when the term “petite mort” was created, and this belief persisted into the Renaissance and beyond. In “Nosferatu” this probably translates in the sexual pleasure that Orlok imprints on his victims as he drains their life force.

Ellen’s “hysterical seizures” miraculously stop once she meets and marries Thomas Hutter, our tragic romantic hero. This can also be a nod to Gothic Bildungsroman (“coming of age”) genre; where the female protagonists grow from adolescence to adulthood in the face of the impossibility of the supernatural, and come to the conclusion there’s a rational explanation. In Ellen’s case, it’s medical, as she’s diagnosed as a melancholic somnambulist hysteric (in another words, a depressive hyper-sexual sleepwalker).

At the beginning of the story, Ellen and Thomas are newly-weds fresh out of their honeymoon, which means sex (historically necessary to consummate marriages). With Thomas, Ellen is “free of her shame”, as she says so herself. Because, her sexuality is safely contained within marriage, as it’s socially acceptable. But Thomas dismisses her concerns about his well-being, and doesn’t believe her until he experiences the supernatural first-hand, having an homoerotic encounter with Orlok himself, which also causes him great shame. This is probably a Easter egg for Bram Stoker possible closet homosexuality and “Dracula” being a metaphor for that.

Thomas’ main concern, throughout the story, is to fit into the patriarchal ideal of his genre, as a provider for his wife, and he aspires to be like his long-time friend, Friedrich Harding, the “perfect patriarch” with the perfect religious and dutiful wife, Anna, and their precious children. The Hardings are the perfect Victorian family; they are everything society expects them to be. Friedrich even chastises Ellen for her nature, and it’s clear he resents her for what she represents: “otherness” and “deviance” to societal norms.

However, soon enough, Ellen’s seizures return, symbolizing Thomas cannot sexually satisfy her. She’s “too ardent” as Harding calls her. “More! More!” She begs Thomas when they have sex to scorn Orlok. Not only her sexuality is too strong, but Thomas also shares with Friedrich his desire to wait to have children with Ellen because he wants to gain financial stability first. This in a time period when contraceptives weren’t widely spread, meaning abstinence.

Symbolically, Ellen’s seizures can also be connected with her fear of childbirth. Her “epilepsies” return while she’s staying in the Harding household, where they are children and Anna is pregnant. Children is what is expected of Ellen next, after all. But it’s sexual pleasure that Ellen seeks, and this causes her great shame and torment, because 19th century women weren’t suppose to known “such things”. “Sin! Sin! Sin!” as Ellen’s father screamed at her when he found her naked.

Fear of entrapment represented as Ellen tries to rip off her corset and “free herself”: this happens during one of her Orlok induced seizures.

As Robert Eggers tells us, Orlok both disgusts and attracts Ellen, she loves and hates him at the same time. He’s repulsive, rotten, animalistic and lustful, both literally and metaphorically. His character design is meant to invoke contradictory feelings in the audience: overall he’s foul and monstrous, but he appears almost handsome in some shots. This is intentional. Not only he’s a personification of Death, but of Ellen’s repressed sexuality by 19th century society. He represents the monstrous and dangerous female sexuality the Victorian era sought to contain. He’s the transgression and taboo theme in this Gothic story, as well: necrophilia. Which is probably Eggers “gotcha” moment to “vampire lovers” everywhere, as he forces his audience to confront their own bias.

Ellen herself is a medicalized character, as we see her being institutionalized, drugged, bound to her bed, forced to wear a corset to bed, and used as a scientific experiment by physicians. She’s not in control of her own body, and has little agency over it, overall. We see her being contained, literally and metaphorically, too. This is probably meant to symbolize women as a whole in 19th century Western European societies. The “disability of being female” is one major theme in Gothic female novels, after all.

And if Ellen unleashed Orlok unto the world and he’s connected with her what does this mean for this story? The obvious interpretation of the ending it’s Ellen sacrificing herself to save Wisburg from Nosferatu’s curse, like every other adaptation. But this appears to be somewhat disconnected from the overall themes of this particular retelling. Here, it’s Ellen who unleashed the curse, and only her can put an end to it.

We see Ellen summoning Orlok in two occasions: at the beginning and at the end of this tale. At first, she did it unconsciously, she dabbled with the occult and wasn’t aware of what she was inviting into her life. However, does this indicate Ellen has some degree of control over him? Orlok himself says she’s “his affliction”, and they are bound to one another. She’s not only a seer, she’s compared with a priestess of a Goddess associated with funeral rites and with the ability of resurrection and looking after the Dead (Isis). We can almost interpret her as a necromancer.

Here, we can have a different interpretation of Orlok unleashing a plague upon the society who ostracizes Ellen for her nature. Symbolically, he’s her reckoning, her vengeance upon society norms and expectations of gender. He’s the “plague carrier” and brings a “blood plague” transmitted by rats (symbolic of the Black Plague; the medieval ages terrorizing the modern world of science and rationality) upon Wisburg, and the “good Christians” who contain and shame “Pagan” Ellen.

Orlok’s most notorious victims are the Hardings, the perfect patriarchal Christian family model Ellen can never fit into; the patriarch Friedrich, the pregnant Anna and the two children. This also fits the Gothic female genre of the supernatural menace as a metaphor for women’s status in 19th century society. Ellen doesn’t want to be married to a patriarch like Friedrich, she doesn’t express any desire to become pregnant nor have children of her own. Consequently, we see Orlok killing all of these archetypes in the narrative.

Interestingly enough he spares Thomas and saves him for last when he should be his first victim once he arrives at Wisburg, because he’s the husband. However, Thomas is a character Ellen loves and cherishes, as he somewhat accepts her nature and represents her chance at a “normal life”. He’s also determined to save her from Death/Orlok, but is unable to. Symbolically, Ellen chooses death over conforming to gender norms and expectations.

However, we can’t forget Ellen’s supernatural nature, nor her connection with Orlok. She weds Death at the end, she’s no longer terrified of him, and she fulfills their covenant, and her dream premonition of marrying Death: “standing before me, all in black… was… Death. But I was so happy, so very happy. We exchanged vows, we embraced, and when we turned round, everyone was dead. Father… and… everyone. The stench of their bodies was horrible. And - But I never been so happy as that moment… as I held hands with Death.”

A “covenant” is a pact, both a religious and a occultist practice. This is a “blood covenant”, as their flesh becomes one and he drinks from her. “Blood is the life” is a quotation from the Bible, where “blood covenants” are also mentioned, because a “blood covenant” has the power to either destroy or redeem. For instance, Christ’s sacrifice redeemed humanity according to Christians. “Redemption” as Von Franz says, because only Ellen, like Christ, can redeem the habitants of Wisburg. He uses the expression “with Jove’s holy light” before dawn redemption will come to them: “Jove” is Jupiter, the “King of the skies”, and its energy neutralizes Saturn’s, connected with “melancholy” (depression).

However, that’s not what’s happening here, because Orlok is a servant of the Devil, and a literally un-dead “warlock”. So, what is Ellen pledging herself to here, exactly? Her covenant with Orlok has nothing to do with God or Jupiter, for these are forces of good, when Orlok is a force of evil and darkness.

Ellen also fulfills her role as “priestess of Isis” at the end, as she guides the un-dead Orlok to his physical death; like Isis, she resurrected him, and is now taking him into the Underworld with her. Because, like Orlok also told her, she’s “not for the living”, that’s her fate, the destiny she accepts at the end; she’s meant for Death, as Isis for Osiris.

“Our covenant is fulfilled. Your oath re-pledged.” Orlok tells her. But what was Ellen’s oath? We have to look into the prologue scene “You shall be one with me ever-eternally. Do you swear it?” And in the ending “As our spirits are one, so shall be our flesh. You are mine.” They fulfill their pact both in the physical and the spiritual worlds, and both make the ultimate blood sacrifice, by physically dying for “self-renunciation” is essential for blood covenants.

And a deity is always summoned to bless such a pact… but who was blessing this one? Ellen and Orlok indeed, died in the physical world, but are joined in the spiritual world forever, as decreed by their covenant, so where did their spirits go?

They are also surrounded by lilacs, their signature flower throughout the narrative, which symbolizes first love, yes, but also renewal and rebirth. Orlok conquered Death and immortality once before, because the Devil kept his soul. Now that Ellen is joined with him in spirit, what does this mean for her, and for them both?

[nightingale-prompts]

Batboy admits the Truth

First | Previous | Next

(Remember when this was cute and fun)

It was a tense reunion. Batman sensed it and left Nightwing to handle it.

Nightwing was of course not happy. He was downright pissed actually.

"Danny Nightingale-Grayson! Running away again?! After last time?!" Dick was about to go on a long lecture when Danny interrupted.

"I'm sorry."

"You should be sorry! I was so worried!" Dick scowled as he tried to calm down.

"I know. I was just scared. You deserve an answer. A good one. I've never had to explain all of this so please just listen." Danny hoped that this was a good idea.

Dick huffed but this was the start that he wanted.

"I'm dead. Undead at least." Danny began.

"What do you mean? Like a zombie or…like Jason?" Dick asked.

"I don't really know. Jason is like me but I'm not like him. I'm more dead than him I guess." Danny didn't know how to nail that down, revenants are their own things. Several rungs down from where Danny was.

"And how did that happen?" Dick asked gently.

"It was an accident. I was just cleaning my family's lab. The portal wasn't working and I just wanted to take a look. I thought if it finally worked they would spend more time with us. But it turned on with me in it. I didn't learn until recently that a portal to the other side required a sacrifice and that was me. I made for a perfect sacrifice at that, children make for best ones." Danny tried to make a joke but it fell flat.

Dick saw stunned into silence. All this time…Danny you-" Dick was appalled that the same people who hated him for who he was were the same people whose negligence that caused him to be this way.

"Its fine though. They didn't mean for this to happen and I should have known better then to mess with the portal." Danny said defensively.

Despite everything he still cared about his parents at least a little bit.

"That is not fine Danny. You aren't fine Danny. They made you feel like you were not human." Dick said exasperated.

Danny shook his head his face contorted.

"Dick…I'm not human." He said simply. It was plain as day "I thought you understood that. I haven't been just human in a long time. When I had wings did you believe I was human?"

"That is not what I meant. You know that. I just-"Dick didn't know what he was doing. "I'm sorry. Continue."

"I got to play hero for a while. It was exhausting but I liked it. I defended the town from all sorts of ghosts. Then i learned why they were running from their home. All the while a monster like me appeared and he…" Dark Danny's memories flooded his mind. He wasn't a ghost or a human in Danny's mind. Monster was the only thought that came to him.

Dan had haunted him since. He would always be a version of Danny that's possible even if the Nasty Burger incident doesn't happen. All it takes is for Danny to suffer another loss. It almost happened again when his parents caught him.

"I learned a lot from that experience. More then that I earned a title that made me important to the other ghosts. They are actually really cool. But when I got home my parents told me that their real son was dead and I was just a ghost in his body. They called me a murderous monster and then they…cut me open." Danny took a deep breath. His throat felt tight as he held back tears. "I…ran. I escaped and lived with the ghosts."

Danny still remembered sobbing into Clockwork's arms while covered in blood.

"I saw a potential future where this happens but I had hoped it would not come to pass." He said holding Danny in his arms.

The problem with ghosts is while they can heal quickly they are damaged by mental pain far more. Danny healed slowly from his wounds and the scars remained.

Clockwork had taught Danny shifting to help improve the boy's mental flexibility and get heal in a better head space. He knew he had to ask Nocturne to take Danny's mind and spare him from further pain when he was kidnapped. Perhaps it was foolish but the event was going to happen regardless.

Dick took in this information as best as he could but it still made him irate. Danny had been through so much but he never let that mask slip until now. He still chose Dick to be his guardian even while he battled his fears of abandonment. Even after being betrayed by people he only wanted to love him.

Dick put a hand on Danny's cheek. The teen looked at him with the pain of a child left all alone. Danny, touched starved, leaned into Dick's hand.

"Danny, I'm so sorry they did that to you. You deserve so much better. I don't care what you are, you're my son." Dick said softly.

Danny's face twisted.

Son.

He wasn't fond of that word. Bring someone's son never meant much. No, when he had a sister who filled the role of his caretaker. Danny never needed a mom or dad before so the words felt hollow, like placeholders.

But Danny didn't say anything. He just wanted this internal fight to be over.

"Can we just go home?" Danny sighed.

"Yeah, sure kiddo." Dick reassured, "Do you want to go to Batburger on the way?"

"Yeah, can I get jokerized fries?" Danny immediately perked up at the sound of his favorite fast food.

"I think they don't sell those anymore." Dick tried to sound casual because no one had actually told Danny that the Joker was dead just missing.

Well everyone believed that he was missing. It was best not to tell the public that the one of the Bats actually committed murder. Thankfully no one is going to care if Joker doesn't commit another crime spree and won't ask too many questions. Honestly, Duke and Jason are having a fantastic time.

"Really? Why?" Danny asked tilting his head kind of like a puppy.

"….no idea." He shrugged.

(Now back to the regularly scheduled fluff, i swear.)

[ssalballoon]

ljósálfr gale and dökkálfr astarion! 🦋🥀 bringers of dreams and nightmares

based on the hit mobile game fire emblem heroes. download it for free today! (Please Do Not)

a lot of notes on the designs under the cut, i had so much fun with these!

gale

- the eyes on the wings are mystra's

- the colors are based on his aurora stargazing scene

- he's based on the dream-king freyr, who takes human children in unfortunate circumstances and turns them into fairies that become "their most extraordinary selves" but can never return home. he feels guilty for intervening in their fates, but the ends justify the means to grow the power of his realm :-) he mourns the fact that humans stop dreaming (as in losing their ambitions) as they grow older

(feel like this is the type of thing god gale who's slowly becoming more like mystra would do and convince himself nooo it's completely ethical i'm being benevolent actually)

astarion

- the eyes on the yellow wings are cazador's

- one set of wings are yellow inspired by his longing for the sun

- the flowers are the same flowers on his grave, the garden star-of-Bethlehem

- he's based on the character plumeria, who's the bringer of lustful dreams and is disgusted by the humans who have such indecent desires. (she's one of the humans transformed/kidnapped into a fairy) she puts up a sensual front but hates the way people leer at her. nonetheless she must deliver those vulgar desires as dreams, doing a job she hates :-) all she wants is true compassionate love removed from lust... is this ringing a bell 

please don't let any of this trick you into believing feh has a good story. but also expect more feh x bg3 from me in the future lol

[batmanisagatewaydrug]

I've recently been subjected to the first two X-Men movies and I literally cannot stop thinking about what a shitshow professor x's academy for mutant babies is as an actual school.

there's no way they're accredited, right? there are four teachers (three post-X2, RIP) and three of them were raised by the fourth. you clearly don't need any actual teaching credentials to work there other than a mutation and nepotism. I don't believe any of these people have a degree in the subjects they're teaching, let alone in education or human development. there appears to be a total lack of counseling services available, despite the fact that most of the student body are apparently runaways who all face heavy society discrimination. did Rogue get any support after she was kidnapped and almost killed by Magneto in the first movie or did Xavier just give her brain zappies until she was functional again.

there's no way in hell a "diploma" from the charles xavier institute for genetically anomalous youth is worth anything on a college application. do all of these kids end up having to get a GED if they want to have a prayer of accessing higher education? do they receive any support for that?

also did I mention there are four adults in this entire school. in X2 they all take off on the same night and leave the kids in the care of Logan, a famously unstable man who freaked out and stabbed a student last time he visited. it would have been lethal if it was anyone but Rogue. also in X2 half the student body has to flee in the night in their pajamas with no one to take care of them but a teenage Colossus and the adults just. do not feel the need to follow up on that. because they're busy dealing with the stupid plot du jour.

the entire setup seems like a massive lawsuit waiting to happen; while we the audience obviously know that there's nothing malicious happening to the kids (except for mutant terrorists and trained mercenaries alike regularly infiltrating the school) you have to admit that an unlicensed group home for children, some of whom are very young, masquerading as a school and staffed entirely by people with no real credentials to speak of is a pretty bad look. I think genuinely any parent would have a pretty strong case for a lawsuit here and it wouldn't even necessarily be mutantphobic of them to do it, although of course anyone with an anti-mutant agenda could have a field day here. genuinely I have to assume that the only way they've avoided it this long is Xavier lobotomizing anyone who tries it, which is so cool and normal.

[sinnful-darling]

YAN! MALE SIREN PRINCE

tws: kidnapping, ummm siren’s song is used to aid said kidnapping

this male siren is the eldest. if this is well-liked, i’ll prolly do the other six siblings :D

♡ Yandere! Male Siren who, hates humans. They’re dirty and disgusting and selfish and they’re destroying his home!

♡ Yandere! Male Siren who is the heartstopper of the Seven Seas. His beauty is unrivaled! He’s also extremely intelligent and his combat skills are some of the best too!

♡Yandere! Male Siren who’s one of seven children. He’s the eldest of the siblings, at a height of 7′5 (when he’s not slouching), and usually spends his time learning how to manage a Kingdom.

♡ Yandere! Male Siren who’s the Heir of the Siren Folk, but would rather stick his nose in the book that he stole from that human earlier... what? That human just had good taste!

♡ Yandere! Male Siren who actually stole from you. 

♡ Yandere! Male Siren who, when you come back late at night after realizing that you’d lost the book your loved one gave you, is absolutely mesmerized by you.

♡ Yandere! Male Siren who calls out to you on a whim, and hands you the book back, politely asking that you don’t tell anyone about his existence after he apologizes for stealing something so important to you.

♡ Yandere! Male Siren who becomes a very close friend to you. He’s polite and charming, and he’s extremely handsome...

♡ Yandere! Male Siren who was distraught when you said you had to go back to college and had to leave the AirBnB you and your friends rented for the summer. He asked that you come see him one last time before you left for school and you’d agreed.

♡ Yandere! Male Siren who had to concoct a plan and quick !

♡ Yandere! Male Siren who sifts through some old text and finds a spell to allow you to breathe underwater long enough for him to get you to his castle. Sure, his family will be upset, but he’ll protect you!

♡ Yandere! Male Siren who sings the spell, forcing you to swim to him in the cold ocean water. He’s quick to snatch you up, throwing you over his shoulder with an iron grip so you can’t get away, and hurriedly swims back down to his castle.

♡ Yandere! Male Siren who understands why you’re so upset with him and is extremely patient with you while you acclimate.

♡ Yandere! Male Siren who doesn’t notice that his siblings are also feeling the same way he is, and is furious with them when he finds out... but eventually comes around to the idea of sharing. But you love him the most right?

♡ Yandere! Male Siren who makes sure to take good care of you. He makes sure you’re fed properly and clean, and he’s always quick to have a MerMaid (get it?? lmao) fetch whatever you want.

♡ Yandere! Male Siren who’s just so sweet and only wants to love you :((

[crispy-armpit]

✧ 𝖒𝖞 𝖕𝖊𝖆𝖗𝖑 ✧

ʏᴀɴᴅᴇʀᴇ ꜱᴇᴀ ɢᴏᴅ x ʀᴇᴀᴅᴇʀ

𓇼˚₊‧꒰ა 🫧 ໒꒱ ‧₊˚𓇼

⭒ 𝘴𝘶𝘮𝘮𝘢𝘳𝘺: 10 dollars on a dare leads you to break one superstition that changes your life forever. you begin to learn secrets tied to your family and upbringing, at the cost of your freedom. who is this mysterious Anshumat, and why does he want you?

⭒ 𝘤𝘰𝘯𝘵𝘦𝘯𝘵: 𝘨𝘯 𝘳𝘦𝘢𝘥𝘦𝘳, 𝘺𝘢𝘯𝘥𝘦𝘳𝘦, 𝘪𝘯𝘧𝘭𝘪𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘪𝘯𝘫𝘶𝘳𝘺, violence, implied stalking, kidnapping, choking, reader gets called a bride once

⭒ 𝘸𝘰𝘳𝘥 𝘤𝘰𝘶𝘯𝘵: 1,418

⭒ a/n: yan sea god was inspired by an Indonesian myth called Nyi Roro Kidul! it's a really interesting legend if you want to learn more abt it ^^ also.... man tits...... meow..

will you venture down this path?

growing up, you would stay over at your grandmother's house every summer. her beautiful seaside cottage made the perfect accommodation for a family getaway. throughout your childhood, the superstitious old woman restricted you from doing specific things. rules like never whistling at night, don't open an umbrella indoors, etc.

you'd eventually found out that these were just scare tactics for children to make them listen. but there was one rule that your grandmother seemed to fear the most, a rule that never made sense... never wear white to the local beach. and when questioning her about the rule, she'd tell you the same story every time.

"long ago...

a cruel serpent god who once ruled these waters would rise from the ocean and into the islands, devouring innocent villagers and destroying temples along its path.

the gods and humans were furious at its actions. fed up with the destruction and death, they prepared a plan to thwart the serpent; a binding curse.

the serpent was cursed to spend its days rotting in a hidden island, where it was accompanied by its servants. it was also tasked with granting blessings to sailors passing through the rocky tides, where it weighed the sins of each individual to seal their fates.

but over the decades... the serpent grew bored and lonely. through a loophole, the serpent found a way to abduct humans. you see.. the serpent loves the colour white and pearls. so much so, it would use its voice, so alluring, to lure the poor victims who happened to wear such things. and once in the water, the serpent would drag the human to its temple where they would become its slave.. or worse...

its spouse."

here you are today, telling the same tale in front of your young niece and nephew. "well, that's one way to get bitches." your nephew, Keona laughs. a scoffing Kehlani adds on, "nah, who would want to marry an overgrown slimy snake?"

"hey now, take that shit to grandma. she just assigned me to be your storyteller," you shrugged. "and this story has a real reasoning behind it, ok?"

"what? sexy sea snake destroying villages?"

"no, it's so that little rascals like you..." you drill both your index fingers onto their foreheads, "are easier to find if you ever get lost at sea."

how did i end up here...

facepalming yourself, you sigh. you were disappointed in yourself. how'd you let those little punks reel you in a dare? where was the self-respect? the dignity? seriously, breaking your grandmother's number 1 rule for what? 10 dollars?

you walk along the shore while wearing a flowy white shirt and neck encased in one of your mother's pearl necklaces. the dare was simple: successfully walk down the shoreline without chickening out and boom— an extra 10 dollars into your wallet.

you'd prove to the twins that you weren't scared of a little bedtime story. buuut just in case you did happen to go missing (for reasons that are totally not hungry sea serpent related), you brought essentials in a bag, left a letter for your family, and are currently being watched by the twins.

laughing at yourself for the paranoia, you nearly reach the edge of the walk until you hear a feminine wail from between the hidden rocks. is someone hurt? the sound was coming from beyond your finishing point so it wouldn't hurt to check, right?

signalling the twins to come over, you bend down to their heights, "listen, it sounds like someone's in trouble past those rocks. so I want you both to go grab the first aid kit and call Officer Holden over, 'kay?" they nod and scamper off into town.

approaching the rocks, you peek in to find a naked... mermaid?! observing her, you notice the torn skin on her iridescent tail and warily walk over to her. "uh... hey? hola? salve? hallo? i'm ah— good human! no... nooooo bad.."

you notice the air seems to smell... sweeter?

the woman looks up at you from the sand with pleading eyes, "please— please help me! my name is Coralie, my master, he—"

"woah, it's ok! you're safe, help is coming. uh, your master? did he do this to you? are you an underwater criminal?!"

a distant melodious voice interrupts you. Coralie's previously pained face now warps into a sinister grin as her wound disappears. she crawls towards you as your vision fogs up and your knees buckle to the soft sand. the song lulls you into a deep sleep, your body now being pulled into the shallow waters.

you awake to the bright rays of sunshine and lungs filling in with fresh air. but the next in your line of sight knocked all the air out of your body again.

the luminous, barely-clothed body of an unknown man sat above you. his 9'7 self relaxed on the marble throne, with 2 pairs of eyes fixated on you. what the fuck is that?

you gawk at him, "holy mother of god..."

i'm not dreaming, am i?

his gaze shifts into amusement, "wrong. we gods do not have mothers. we were created."

"you're a... a god?"

"is it not obvious enough from my appearance? would you like to see another version of me?" the towering deity begins to warp into a feminine body as if it was melting and moulding itself. "is this preferable?" her new voice is flirtatious, genuinely curious.

then, she tries to warp into a third body. the transformation looks more painful than the one prior, it barely shifts halfway into a gruesome beast before returning back to its first body. he huffs while grasping his golden collar, "this... is not my original form. I have been cursed, long ago, to never set foot on human lands. this island is both my kingdom and prison."

you shakily stand up the marble floor, now noticing Coralie standing beside the throne with a pair of legs. slowly processing his words, you piece together the clues from his story and your memories of the abduction. this couldn't be...

"you are.. you're the sea serpent god! I can't believe grandma was right— shit, shit shit—"

he smirks at your panic, "correct. I am Anshumat; shapeshifter deity of the raging tides, granter of safe travels—"

"murderer and enslaver." you complete.

Anshumat roars, "correct again! you're on a strike, dear y/n. though trust me, my servants are treated well."

"..how do you know my name?"

"oh you poor thing, granny never told you? I know everything about you— a name is barely anything."

"told me what?"

"she used to be my cupbearer. until she escaped with that bastard traitor. isn't that right, Coralie?"

she nods, "yes, master."

"please sir, let me leave. my family— they'll search for me! I have a cat at home! I haven't even finished my favourite show.. so please..." you try to list more life goals.

he chuckled, "oh you are so amusing. and why would I do that? we've barely just been engaged, dear."

"what do you mean engaged?"

"I've been watching you since you took your first breath on earth, y/n. so imagine my surprise— to see you wrapped up in my favourite colour, like a pretty bride. you're my sacrifice."

fear tingles your spine, "wait, that was just a dare! i didn't really mean it!"

"doesn't matter. you will be my pearl."

"no! I have a family, a partner—"

"i said... it doesn't fucking matter." he slams his fist against the throne arm, "and you'll be seeing the head of that twat soon enough."

you don't give him a glance before you're turning your back and run down the staircase of the grand temple. careful not to trip, you focus on the flight of stairs, painfully aware of the loud footsteps approaching behind you. it doesn't take a second for Anshumat to pull on the collar of your shirt and slam you onto the staircase.

he sits atop you, lower region heavily grinding against your stomach. "get off me! don't you have hundreds of other options?! why me?!" you scream.

his bedazzled skin blocks your view of the sun, furious eyes glowing under his shadow, and sharp teeth bared into a snarl. "you do not get to leave me again. you will stay, and worship me. this island will be our eternal paradise."

large hands pressing against your throat, you struggle before darkness begins to cloud your vision.

"this time, you will live."

[dclovesdanny]

DcxDp prompt

An idea I just thought of

I have read a few prompts in different places where Danny is a Fae or is assumed to be Fae and I was just thinking of this story I learned when I was little about how the Fae would lure children who felt unwanted by their families and whisk them away into their realm.

So now I want someone more talented than me to write something about Danny befriending either Damien or Tim, and it being focused on how inadequate the bat family member in question feels, or their feelings about not being a part of the family, and the family thinks that they are being lured in by the Fae. So, naturally, they start trying to show their love to the person, hoping to avoid losing them, while also realizing that this would only happen if the person felt unloved and oh my God, did we push them away to the point where they don’t think we see them as family?

The thing is, the bat family is all somewhat emotionally constipated. They also don’t talk to each other about things, so I don’t think this would go very well. Maybe one of them even overhears the family member in question talking to Danny about going with them somewhere, and immediately assumes that Danny is going to kidnap said family member.

I’m trying not to be very overt about which member of the family it is, because honestly, I feel like it could go whichever way you want to. I’m personally picturing Tim or Damian, but I could also see it happening with Jason post resurrection after he and the bat family are sort of uneasily friendly or even Dick or Duke(I don’t think Cass would be the one being ‘lured’, she would more be on the sidelines just watching this unfold.)

Maybe they even think Danny was originally human that was turned into Fae due to being taken away from his family, and one of them sees clockwork or something and assumes that clockwork has sort of set up a system where Danny lures away people for him, while Danny is under the delusion that he is saving these people. This would further work if it’s a bad Fentons au, because the bat family would look into it and notice how Danny has not physically changed in all of this time since he went ‘missing’(in reality, it was a reveal gone wrong and Danny is just staying with clockwork now.)

Meanwhile, Danny is making friends with the cute boy who he finds very interesting, even if the person’s family keeps being weird. She might have a little bit of a grudge against some of the family members from what his friend has told him, so he might make a few comments about things, but he doesn’t understand why they’re acting so hostile..

The angst! The misunderstandings! The total difference in point of views from the bat family to Danny! The absolute chaos! The bat family being forced to communicate emotions!

Someone please write more for this and let me know if you want me to elaborate on my ideas for the different routes it could take.

[distort-opia]

There's a fascinating aspect of Ellen's character that I've seen some people touch on before, but now that it got into my head I need to go through to it too-- her nature not being of human kind. It's actually one of the very first things Orlok himself says: that Ellen is not human, and he reasserts it later. But then what is she?

"Almost a sylph," Knock says of Ellen. "His little changeling girl," Ellen says her father had described her as, when she wandered off into the forest as a child. "You mustn't be caught up in her fairy ways," Harding admonishes Anna. Hell, in the 2016 script, when the Hardings accompany Ellen on her walk along the sea shore, she and the children dance in a circle while Ellen cries out "round and round the fairy ring". Furthermore, there's more than one explicit reference to Ellen loving the sea in the scripts. Prior to the sea shore walk, Ellen fervently asks Anna to go there, because "it calms her". Later on, Anna herself says that "she loves the sea so". While this didn't make it to the movie in such direct terms, we still see Ellen looking out windows and yearning, again and again... visiting the sea twice, having a seizure in the water itself. "Look at the sky! Look at the sea! Does it never call to you? Urge you?" she cries to Anna.

It's clearly an intentional implication on Eggers' part: that Ellen is some kind of fairy-like nature elemental. The term sylph originates from the works of Paracelsus, and described as a female air spirit, though over time water has been conflated with it too. Changeling also refers to a child kidnapped by supernatural beings (interestingly birthed by the Devil or a water spirit among others, in German mythology) and replaced with... something else. And we could leave it at that-- Ellen is not entirely human. She was born with witchy and fae-like characteristics, an attraction to the wind and the sea.

When she called out in the dark, it's possible Orlok answered also because he recognized this within her. But. There is a type of female nature spirit in Romanian folklore (which ultimately pervades the mythology of Nosferatu) that has specific parallels and a particular relationship to the Solomonar, the kind of sorcerer/supernatural creature Orlok was in life. It feeds into the overarching theme of destiny and fate so beautifully. I find it all very interesting, but I got pretty long already, so I'll put the rest under the cut.

Female nature spirits can be found all over the place in European folklore, and Romania is no different. They can have many names, though the most popular one is probably iele, a name that is literally derived from the female plural "ele". Iele are fae-like feminine spirits associated with the winds and the sky, often seducing and luring men away. What attracted my attention though, is the variation/subtype of vântoase (root word vânt = wind) or the associated vâlvă. In some accounts [1], this supernatural creature is a marked human who was born with the capacity for their spirit to leave their body at night and then go towards the sky, where they wrestle with other vâlve or balauri (which are a Romanian mythical equivalent of dragons, alongside zmei). Their fights are said to be what cause storms, and rains, and other catastrophe-related weather events. When put in contrast with Ellen, the similarities are obvious... especially when it comes to her affinity for nature and her spirit "wandering off". It also must be emphasized that these spirits are not inherently evil: they can do both good and bad, bring luck or misfortune, aligning with Ellen saying that "her spirit cannot be as evil as his [Orlok's]" and that all her life she has "simply heeded her own nature".

But the thing is... a marked human born with powers is also what a Solomonar is: children able to control the weather, ride balauri or zmei, control and turn into different animals-- who are then recruited by the Devil into the school of Șolomanță/Scholomance. Although despite this demonic current association, initially Solomonari were also more of a neutral figure in Romanian folklore. They are theorized, among other hypotheses, to be a later version of Geto-Dacian ktistai, who were selected from priests or kings (Orlok is a count, a prince or voivode) and might've worshipped Zamolxe, a Geto-Dacian God associated with the sky as well as immortality (Ancient Dacian is what Orlok speaks; Zamolxe is written within Orlok's heptagram sigil; on his coat of arms, sigil and coffin there's Dacian wolves as well as balauri-- a serpent-like creature with the head of a wolf which is on the Dacian flag). Some Solomonari were believed to be protecting villages from calamity, and influenced the weather in order to grow crops more easily. But of course, when Christianity spread in the region, things from Pagan times began to be associated with the Devil, hence why the Christian Orthodox Abbess we see in the Nosferatu movie calls Orlok a "black enchanter". More importantly for us though, the Solomonar was also said to leave their body at night in a trance, riding up into the sky to fight the weather spirits. Orlok's Shadow, that we hear so much about, is an integral part of a Solomonar's powers: the ability to project one's spirit away from their body. Them riding balauri is a metaphor for them taming winds, summoning vântoase.

So. Vâlvă, vântoasă, ială and Solomonar share quite a lot of characteristics, don't they? A source I found made the comparison directly, which is what set me on this path [1]. Humans born with powers-- one typically male, one female. But the male one is schooled and part of a cult or hierarchy, taking control of the nature element, while the vâlvă/vântoasă/ială is the nature element.

Yet the expected dynamic between summoner and summoned is so deliciously subverted with Ellen and Orlok! Orlok definitely recognized someone of his own nature in Ellen. Someone born with magic, essentially. Someone not of human kind. But Ellen's power is something Orlok's kind traditionally controls. A Solomonar tames and summons the winds (vântoasele)... and don't we see Orlok's spirit call to Ellen more than once? Orlok asserts his influence through the lilac-scented lock of hair, latching onto Ellen through it. He trespasses in Ellen's dreams, brings her spirit to him in the Castle when he feeds on Thomas, and we see her naked and on top of Thomas too, eerie and with blood spilling out of her mouth (very female-spirit-who-preys-upon-men coded, which is even more directly spelled out later in the scene where Ellen provokes Thomas into having sex with her). All along, we see Ellen overcome by seizures and trances, writhing under Orlok's Shadow. This is the power he has over her.

Hah. But Orlok is not just a Solomonar, Ellen is not just a spirit of the wind, and here's where I think another fascinating layer comes in. In the movie, ultimately, Orlok is a strigoi. The strigoi is a Romanian folk creature that can be vampiric, though that's not always what it does. It's a troubled spirit that rises from the grave to prey upon the living (especially their loved ones, to whom they return to first), by eating/killing their animals, poisoning their crops, drinking their blood and creating all manner of disaster. One can become a strigoi in many ways, including a life of sin, suicide, being cursed by a witch, etc. But importantly, there's also two types of strigoi-- the alive strigoi, and the dead strigoi [2]. The alive type is a sorcerer who in life already slips into these evil behaviors with intent, while the dead type rises from the grave and mindlessly feeds upon their loved ones and their village (the revenant we see killed by the Romani vampire hunter in the film). Orlok is a mix of things that make him unique, much like how Dracula was described as atypical multiple times in Bram Stoker's novel. He was a sorcerer and a Solomonar in life (an alive strigoi, something a source from the 19th century asserted-- that Solomonari were strigoi), who was then risen from the grave by a witch (becoming a dead strigoi). As a result, he has retained all his mental faculties and his magical powers.

But the enchantress who calls upon Orlok as a strigoi is partly an air elemental. She caused him to rise from the grave, and that is how she asserts her power over him. Yet she's of the air, of the wind, of the sea... all the things a Solomonar is a master of! So I think this is a contributing factor to the Covenant Orlok makes with Ellen. When they first meet there is not only recognition of someone similar to himself ("You... You..."), but also of a specific connection between what the two of them are. He immediately seeks a Covenant with Ellen, and then when she breaks it, comes after her in person. When they first talk and Ellen rejects him, he says "You will submit."

As Eggers pointed out too, there is a huge need for possession on Orlok's side. It's left ambiguous if he wants to own her or destroy her or if he loves her... To me, this added aspect illuminates a big part of why Orlok also resents Ellen ("You are my affliction"). It isn't just that a woman has him in her thrall, a man and a Lord who wielded great power in life-- but also that she is air, a vântoasă, the element of his dominion. It's so delicious how there's a bidirectional supernatural element between them... Orlok may feel he is owed possession of Ellen, with the deeper layer of the male sorcerer taming the unknowable chaotic female elemental. But Orlok is a strigoi risen from the grave by Ellen as an enchantress, hence she is owed possession of him as her summoned Creature. So there's two tethers between them, each connected to a different aspect of their natures; Orlok is holding one end, Ellen is holding the other. (To be honest, my headcanon is that when we see Ellen levitate, that's not Orlok, it's her air-related power. She levitates upwards in the very first scene of the film right as Orlok says she isn't human, as if it's a manifestation of that. When Orlok feeds on Thomas and she is there in spirit, we see them levitate; except it's Ellen we see fall down to the ground, while Orlok and Thomas are shown to have always been on the ground. And in every scene with Orlok in person, it could be that she gets on her tiptoes progressively to get closer and closer to his face; but it also looks as if she's floating upwards.)

This ended up a way too long honest-to-God essay, but I just adore all the complexities of this movie. You can tell how much Eggers researched, how many details and references he wove into the story, all meant to connect but kept ambigous enough that multiple theories are possible. While the association between Solomonar and strigoi and vampire was something Stoker did too, that Murnau did too, none of them thought to take it as far as creating a connection to Ellen steeped also in folklore. The vampire has a supernatural hold over his bride, but now so does she. The Enchantress summons the undead Strigoi, the Solomonar summons the Vântoasă. How much more fated can you get?

I'm supplying two more in-depth sources I used below as downloadable pdfs, but fair warning, they're in Romanian:

[1] Mituri pluviale românești în context universal, Silvia Ciubotaru

[2] Șapte Eseuri Despre Strigoi, Marineasa, 1998

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[r3ynah]

The people we lose along the way;

A prompt where Danny's old middle school lab professor was the Joker (from Batman: The Killing Joke) and Danny and his classmates call him Professor J, Him and his wife Jianne was born and raised in Amity Park, so overtime being surrounded by large amounts of ectoplasm, Professor J. became a liminal.

And Prof J. was actually a good teacher, the kind of teacher that will let you eat in his class, give you snacks at random times, and someone you can seek solace and peace whenever you get stressed.

Him and his wife always were there for everyone as a shoulder to cry on or just a helping hand, they were dearly beloved by the whole community.

Professor J was actually very funny, but his humor was only circled around amity park due to the fact it's a town not very social with other city, towns, social media, or the net, and they are famously known to keep to themselves.

Nonetheless everyone saw the potential in Professor J, and supported him to the fullest, why they ended up in Gotham was a mystery (some excuse that'll I'll probably come up later, but I'll let you guys do the imagining).

I like to think Gotham has very toxic ectoplasm so when He and his wife moved there he couldn't handle the toxins and it affected him mentally and physically.

after they moved everything started to go downhill, prof J first worked in a lab, then he quitted his job and became a comedian and sadly failing, Jianne almost who was almost due to give birth sadly died due to an accident, and then the Joker happened.

Now a couple a years after the comic took place, the amity parkers (they don't know what happened in these past years, they only know that the professor J. they know became a well-known comedian, or so he says) still in touch with Prof J. continued to talk to him through phone calls, messages and letters most of the time it's just his students that call, and some of his few close friends there, they tried to ask on how was Jianne doing, only to get abruptly interrupted by the rogue, who just says that she's doing better than ever or that she's resting, which they believed because they trusted their Professor.

Sometimes the joker also sends gift to his former students, Danny sometimes gets planet themed items, Sam gets mailed plants that are not native in amity park, Tucker gets new technology, Paulina gets a new plushie for her plushie collection, and so on

So, as payback they decide to go to Gotham to search for their professor J, which made them meet new friends along the way, Danny with Jason Todd, Sam with Poison Ivy, Tucker with Tim Drake, Paulina with Barbara, Star with Steph, etc..

And they're very vague with their reasoning, just only saying that they're visiting their former professor and surprising them, and then they get kidnapped in like a museum or charity event or something that has a lot of people gathered, so the amity parkers alongside other civilians became hostages.

And of course, the Bats ad Birds immediately went out to save them, only for Joker to reveal himself to everyone, and he locks eyes with the amity parkers who looked at him in realization, betrayal, and horror, and Joker stared back at them with a taken aback look that merged into panic, his grin still plastered on his face.

They couldn't swallow the reality that their professor became the person, he promised he wouldn't be, he promised to them (Because you know damn well the adults from amity park couldn't care for their children). and to see the only trusted adult in their town become one of the most disgusting and horrible human beings to ever step foot in the earth was truly heartbreaking for the group.

And for once, Joker felt like he was burning inside out because of their stares that they emitted. he mourned as guilt, sadness, and grief swallowed him for the person he used to be.

He treated those kids like his own and he and Jianne loved those kids to bits, so he did the only logical decision he could think as he pushed aside his crazed rogue tendencies, and made his last decision as a friend, professor and father and ordered his goons to take the students away from this place safe and sound and threatened them to make sure not a single hair was pulled out of them or anything to cause harm.

He watched as Paulina cried for him, Sam with her brows furrowed at him betrayal etched in her face, Tucker not believing the reality of his favorite professor, Dash frozen in place, Star was holding on to Wes for support, and Danny looked at the Joker in betrayal and anger mouthing the words 'You promised, you promised to not be like them.'

As they were dragged away

Joker only looked away to face the bats, a smile still etched on his face but somehow it looked a little bit dimmer.