#keeps me from dancing
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Not that it ever stops happening but sometimes the migraine is just so much MORE migraine
#i hate it here#it will pass i say. knowing full fucking well that by pass i mean be slightly less debilitating#it's true and it is eventually going to hurt a bit less again but oh my god#keeps me from dancing#functioning within expected parameters
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This is both a place where the medical model of disability fails people AND a thing to keep in mind if you have been diagnosed
That is:
Not having a diagnosis is not proof that you don't experience something, it may merely mean that the clinician does not believe it to be causing (sufficient) problems
AND
That if you DO have a diagnosis, kill the cop in your head that says it "isn't that bad"
(Also there is no threshold of suffering you must endure to relieve help or relief)
Someone in an autism facebook group I'm in just asked "How am I supposed to earn enough to make a living without burning out?"
Someone replied: "You're not. Even neurotypicals can't right now in the system designed for them. We're the canaries in the coalmine. When we start failing, they know something is wrong."
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Aes Sedai + Warders in battle
#wotedit#wheel of time#the wheel of time#wot spoilers#wotcentral#fantasyedit#*#there's nothing sexier to me than a well choreographed fight scene. ESPECIALLY if it involves magical soulmates#i love how different their fighting styles are as well#from lan quite literally warding off enemies while moiraine channels to verin keeping her distance and supporting tomas#to ryma's and basan's dance-like fight
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Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)
#double bonus can you identify the 2 or 3 fe3h characters that AREN'T in the scene?#i say 2 or 3 but i probably forgot more :( im using you people to check my work#fe3h#carrying over my posts from twitter choo chooooo#fireemblem#im not going to tag everyone but you're welcome too! good luck!!#instead let me tell you about the mini narratives i came up with while drawing this#soren is waiting for Ike to get back with food#seteth just noticed flayn dancing WITH A BOY from afar#rhea was supposed to sing but got superseded (she's okay with it actually)#monica and ferdinand are trying to start a dance off with edelgard and hubert (its not working)#Ashe stepped on Annette's toes and is freaking out. Lorenz is trying to give pointers but it's only sort of helping#balthus absolutely stole some of the betting pool money. i think i forgot to ink the coins falling out of his hands! dang#metody and shahid are going to become great friends and have a wirlwind romance before one betrays the other in a cutthroat fashion#Lysithea left a single cake slice on the table and Miklan is just happy to have gotten his before she showed up#ike and leopold had a flex off#Gilbert is stuck between young lovers this isn't a narrative i just think it's funny#oh and of course Sylvain managing to piss off Sera Charlotte and Maribelle while Felix ignored him and Ingrid looks on#that's supposed to be roy not eliwood btw i forgot to color his headband so it's basically eliwood#that's all i can think of rn but if you played#thank you!!! i hope you had fun#this was SO much fun to make thank you to the mods for facilitating me#haha this post has been up for 20 minutes and people are already pointing out so many characters I forgot. ur keeping me humble
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The Prince of the Hightower and the Heir to High Tide
Artist: erchitos
#valyrianscrolls#asoiaf#fire and blood#daeron targaryen#daeron the daring#addam velaryon#addam of hull#addam x daeron#addaeron#tidetower#the dance of the dragons#art#asoiaf art#another art inspired by romeo & juliet#the infamous balcony scene this time <3#daeron is in his tower (dragon in the tower symbolism!)#and addam is on a ship being carried away by the tides#the net in front of him is constraining him and keeping him away from daeron = his duty as the velaryon heir#the theme of captivity/freedom is actually so relevant to both their stories#daeron was at the hightower for the sake of his duty to his family meanwhile addam was able to sail the seas freely#but when daeron finally leaves behind his tower it's addam that is bound to familial duty now#they basically switch places!!#the flowers are forget-me-nots because that's a perfect representation of their relationship
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Immediate treatment is BEST with a soft tissue injury in your ankle, but if you still have problems, there are things that can still be done.
One of my ankles is permanently worse than the other due to initial treatment fail but after significant physical therapy it is much better than it was. I also have what I need to support it if I re-injure it so it has bracing until it gets checked out. PT makes the muscles stronger, and they hold things in place where ligaments and other soft tissues are weak or too elastic.
Also the better you do at keeping from using the joint initially, the shorter your ultimate recovery time will be. It may be a pain to elevate and ice for weeks, but it's way better than having to spend months coaxing an ankle to cooperate.
If I could give one piece of life advice to my fellow humans, it would be this highly specific little chestnut: "If you ever sprain your ankle, get medical care."
One of the most common things I've heard from older people than myself is, "Oh yeah, I twisted my ankle in (insert grade of school here) and it's never been the same." Or, "I have a bad ankle. I can't tell you how many times I've sprained it." And one of the most common things I've heard from younger people is some variation on, "Yeah, I think I just twisted my ankle. I think I have some old crutches from high school at my parents' house. I'll just use those for a few days."
I didn't learn this until after I sprained my ankle last year, but 20% of ankle sprains lead to chronic ankle instability, which was grimly defined by my doctor as, "an unending cycle of ankle sprains."
Another thing I didn't fully understand is that "sprain" is an umbrella term for any of those ligament injuries. Yeah, you could simply stretch the ligament-- twist it. Or you could tear it. Or you could completely sever it, and those are all sprains. If you're not a doctor, it's likely hard to tell what degree of sprain you have. The worse the sprain, the higher the chance of it healing weird and becoming unstable. If you are having trouble putting weight on your ankle and it's not feeling better the next day, please get it checked out!
I know medical care is expensive and many of us don't have health insurance, but it might cost you more in the long run if you don't get care for a hurt ankle. Otherwise you might spend a lifetime of having to get MORE ankle injuries checked out, missing work or social opportunities due to ankle injury, having to limit exercise, surgeries later in life, and more.
When I hurt my ankle and foot last year, I assumed the broken foot bone would be the bigger concern, but my treatment plan was almost entirely centered around the ankle ligament tear. My doctor said that was the more serious injury and the more finicky bit to heal. I worry when I hear a friend mention they sprained their ankle and were just treating it at home, 'trying to stay off it as much as I can.' That usually means a few days, but I had to stay completely off mine for 4 weeks, followed by a walking boot, a brace, and months of physical therapy. It was intense!
Ankles are annoying because they support your entire darn body and you don't realize how much you need them until you hurt one. So that is the one nugget of wisdom I hope to leave all of you with!
#given the choice i would much prefer a break over sprains#'just a sprain' is a nonsense phrase#don't walk on it don't walk on it don't walk on it#sprains#chronic pain#hEDS#ehlers danlos syndrome#keeps me from dancing
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by
#adventure time#fionna and cake#simon petrikov#betty grof#petrigrof#fan art#fanart#art#digital art#my art#just a lil something something i did for fun#adventure time has always been the show that makes me want to draw (i have SO many AT drawings from 2015 it's ridiculous)#but now I'm coming back to that ye olde passion with new digital art skills and many more evil tragic thoughts (thank you fionna and cake🙏)#i couldn't get the thought about them haunting and be haunted by the narrative out of my head so I had to make some art for it#the caption for this was almost: so who wears the haunted by the narrative in the relationship?#they take turns of course because damn these guys really do be having that tragic romance huh. hot potato cursed existence#never quite on the same wavelength. always out of reach. their love the very thing that dooms them to be apart. a love defined by absences#like two ships in the night passing each other by. except they keep trying to seek the other out. and so end up going in circles#the tragic dance of madness and sadness. lead on and i shall follow. ....so anyway...these two amiright?#/might/ have to write something at some point...maybe...#because like... ghosts are my thing. and these two...well. even when they aren't haunting the narrative they are still ghosts#never let themselves live in the present and okay I'm going to stop now. enjoy the art byeeeee#...AND they'll never be at peace because they'll always be reaching for a version of each other that no longer exists and—#(i am dragged kicking and screaming from the room before i can devolve into a full blown meta)
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shut up
#transformers#maccadam#drama#i like the cover#people saying it's too 'sexy' are the problematic sexists#this same shit happened with z0ner's cover. yes i bullied her too because i believed the stupid shit you guys were saying#I MANAGED TO GROW UP BUT YOU PEOPLE ARE STILL DOING THIS TOXIC SEXIST ASS DANCE#i thought i was the bad person but honestly it's yall and your bullying asses#you're disgusting for bullying artists just because they draw women how they want#GROW UP.#I LOVE DRAWING CURVY SLIM SEXY ROBOT GIRLS#THERE'S NOTHING WRONG WITH THAT#WE SHOULD FILL THE WORLD WITH MORE OF THEM BECAUSE IT'S WHAT I WANT TO SEE#IF YOU WANT TO SEE SOMETHING ELSE... DO IT YOURSELF!!!! MAYBE ONE DAY THE COMPANY WILL LIKE YOUR ART ENOUGH TO HAVE IT ON A COVER#i like milne's stocky arcee just as much as average arcee from TFA just as much as svelte arcee in this cover#i really thought it was me that was why i left the fandom due to my ignorance but coming back and seeing this petty ass drama you guys#are unleashing... im realising that you guys are the problematic ones. omfg#you make it so unfun to be in this fandom. might as well publish the most recent animation i was working on then take the ones i've already#finished into hiding. you people suck the joy out of drawing for transformers.#transformers was my last bastion out of depression and you guys reminded me why people shouldn't get into transformers#getting back into tf revitalized my desire to draw and held me back from suicide. but knowing how toxic environment you guys are...#there's no reason to keep living with such inhospitable negative toxic bullies.
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My piece for @daily-teki's DTIYS !
#your turn to die#yttd#memory dance girl#teki tsutone#teki yttd#yttd memory dance girl#my art#daily teki dtiys#oh i have so much to say about this one.... but ill try to keep it short#i decided to take a more... scenic? approach#just to push myself a bit more#and i wanted to incorporate the chain motif more. yes i rendered them all except the purple ones (u cant even tell those are chains...)#shes the star of the show.... but at what cost#its not super different from what i usually draw but it felt nice to work on this one :)#oh also yes i changed the camera angle. hope that's ok#i didnt use any references for the pose and the lighting though so if it looks like ass. sorry#btw the file got corrupted 3 times#the gods of local memory storage didnt want me to finish this one but here it is anyway
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Fluent Freshman - Part 20
PREVIOUS
FF had watched more than a few self-defense videos when he believed that Andrew Minyard was looking for a dark alley to stab him in. He had learned how to turn the attacker’s momentum against them. Had learned about disarming the person trying to stab him.
He’d even had Matt teach him a few punches claiming that it was for the dust-ups that tended to happen on the court.
He, naturally, does not use any of that knowledge because his mind immediately reverts into Lizard panic mode the moment Jackson Plank takes another step forward with a knife (HUGE. Is it wild that he is thinking about Crocodile Dundee right now?)
“If you come quietly you won’t get hurt.” Jackson says and he reverts to who he is as a person and he freezes. His bravery was used up maybe it was only ever tied to great pump up songs and now in the silence of the alley he is back to being Stone-Faced Smith.
“You’re going to dial up Wesninski and if you don’t say EXACTLY what I tell you to then I’m going to have you SING in agony.”
Y’know in that moment he stops thinking about Crocodile Dundee.
He thinks about a movie that is far more ingrained in his mind than any number of self-defense videos or one-off lessons with Matthew Boyd where he’d been trying not to flinch. A movie he had watched in better days with his family and had been a favorite of his Grandma’s (and his).
He thinks about Miss Congeniality.
Sandra Bullock as Gracie Hart has taught him everything he ever truly needs to know when he takes a step back and Jackson comes at him.
He strikes right at Jackson’s nose with the palm of his hand.
“SON OF A-“
The knife is dropped and FF kicks it under a dumpster.
FF grabs the single weapon he has on his person.
The McDonald’s Megamind Happy Meal Light Effects Brainbot.
He points the LED light straight at Jackson’s eyes and just like Aaron in the car on the way back, “Shit, that’s bright!” And now completely blinded by a combination of watery eyes and LED McDonald’s toy he proceeds to SING just as Gracie Hart had taught him.
S - Solar Plexus. He punches Jackson there as hard as he can.
I - Instep. He smashes his booted foot down on the inside of Jackson’s shoes (who the fuck wears LOAFERS to a kidnapping?)
N - Nose. He’d feel bad about hitting it again if Jackson wasn’t y’know…a hitman out to hurt Captain Neil.
G - Groin. He may have to give himself just half a second to apologize to all of mankind for what he is about to do. His step brothers had definitely kicked him in the groin plenty of times to try and get a reaction. It’s an art to not let anyone know that your ball has retreated up into lower intestine. He kicks Jackson as hard as he can (collegiate athlete) with the boots that Nicky had let him borrow. He is right on target with the toe of his shoes.
Jackson goes down.
The next thing he does is not something Gracie Hart had taught him but does still feel like the right thing to do in this situation. He kicks Jackson in the head and the man goes limp.
If FF throws both hands up in the air and lets out a “I am Miss Congeniality!” Victory cry into the alleyway well no one is around or awake to know that.
He feels like he deserves a sash and a crown and some flowers.
He looks down at Jackson and then over at the van the man had hopped out of. He was definitely PLANNING on kidnapping Captain Neil so he probably has like…some kind of restraint?
Well, better to completely subdue this guy before he tries to figure out the game plan for Romero. Wait, what’s that next to the Crocodile Dundee knife, are those...?
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Roland is calling for a second time.
Andrew had let it go to voicemail the first time. It was usually Roland complaining about Nicky, Aaron, or Kevin doing something exceptionally stupid in their inebriated states. They have a system. Roland will call and leave a voicemail detailing the dumb shit his family has gotten up to and then he’ll let it go.
If Roland calls twice then there’s an issue.
Arm still around Neil’s shoulders he answers the phone, “What.” He asks.
“You need to help your new friend. There’s some guy following him, he’s armed and dangerous and looking for someone to grab to get Neil’s attention. He tried to lead the guy outside but he’s standing watching it for now so there might have already been someone waiting?” Roland gets out in a rush and Andrew is up and moving towards the stairs even as he’s closing the phone to disconnect the call.
Neil, of course, is right on his heels. “What is it? Did something happen?” Neil asks and they are up the stairs and pushing past Frank and his stupid pineapple shirt. Andrew spots Nicky and he spots Aaron.
“Get Nicky and Aaron somewhere safe. I need to go help Smith with something.” He says because whoever this is wants Neil and Andrew will not let Neil get within grabbing distance and won’t mention it. Neil, blessedly, does what Andrew asks without question.
Andrew scans the crowd and finds a man whose gaze goes between his phone and the back door.
A face that Andrew had memorized.
One of Nathan’s surviving men.
In the same Zip Code as Neil.
And that man has the audacity to still be breathing.
He looks and Nicky and Aaron (drunk, drugged, and useless because Andrew had wanted them to be) are with Neil and Roland is directing them to the backroom.
Andrew goes out the alley and can feel Romero’s eyes on him.
He’s prepared for a lot of things to see out in that alley. He’s angry that FF hadn’t just come down and grabbed him and Neil (he does not need TWO martyrs) and he wants to know what the fuck FF was thinking (or if he was thinking at all). Even with that anger he does not wish to see FF’s blood spilled all over an alleyway because Andrew’s family needed to be protected and FF was the only one sober enough and aware enough to do it.
He knows what Nathan’s men are capable of.
Knows that Romero was one of Nathan’s best so if there is someone out in the alleyway then it’s likely one of his other bests.
FF doesn’t even know how to use a knife. He had asked and FF had firmly declined every time Andrew had brought it up after the first fainting incident. “I’m not interested in learning that. No.” Had been the standard response.
He knew FF had at least taken a lesson or two from Boyd on throwing a punch considering the one he shot out a week ago when a Striker came at him after the third time FF intercepted a pass.
Still, Andrew had not anticipated coming out into the alleyway and finding an unharmed FF securing an unconscious Jackson Plank’s arms behind his back with fuzzy handcuffs.
“Am I interrupting something?” He asks and FF looks up at him with a flush on his cheeks.
“It’s not my fault this is a weird sex alleyway! They’re the first thing I found on my way over to the van to look for actual restraints.” FF says immediately and Andrew almost laughs at the insanity of it. “Wait, where’s Captain Neil?” FF looks around nervously.
“He’s with Aaron and Nicky in the backroom. Roland gave me your S.O.S.” Andrew says even as he quickly makes his way away from the door and towards FF. “Romero is watching the door. Let’s give him a reason to come out.” He says going over to Jackson and when he rolls the man over he raises an eyebrow at the piss stain on his pants and the blood dripping down his nose.
He looks to FF who resolutely does not look back at him.
It’s a story he’ll get out of his friend eventually. Looks like FF didn’t really need those knife lessons. Something settles a bit more in Andrew, it’s nice to have someone else in their group that could handle themselves in a fight.
Andrew finds a phone and FF rolls Jackson back onto his stomach, “He could choke on his own blood.” He shrugs and Andrew wouldn’t care if Jackson choked on his own blood in fuzzy handcuffs in a back alley but he can understand FF not wanting a murder charge.
Andrew looks at the phone and sees the the swipe pattern clear as day. It takes him two tries to get the order right but then Jackson’s phone is available for him to get over to the texting app.
The texts he reads there make him angry. There were a lot of plans on what the two of them were going to do to Neil before his body was offered up to a different crime family to show that Romero and Jackson had no loyalty left to the Wesninski line.
He types out a text to Romero that will have the jackass come out thinking everything had gone well and they had two hostages. He looks over to FF, “You ready for round two?” He asks.
“There isn’t a tap out option right?” FF asks and Andrew laughs at the joke.
Always cool under pressure it seems.
“No.”
“Then yeah, I guess just hit send.” FF says with a shrug.
Andrew does just that.
MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
Didn’t wanna leave ya’ll hanging on that particular cliffhanger for too long ;)
@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lillyndra @themugglemudperson @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo @next-level-mess @youreonlylow @interstellarfig @notprocrastinatingatalltoday @percyjacksonfan3 @queenofcrazy27 @bsmr261 @ghostlyscares @spencellio @adinthedarkroom @harpymoth @sufferingjustalilbit @anxietymoss @oddgreyhound @ohno-myhyperfixation-itsbroken @ken22789 @atiredvampire @isoldescorner @not--a--pipedream @azure-wing @bushbees @roonilwazlib-main @crumplelush @foldedaces-paperbirds @thesenseinnonsense @let-tyrants-fear @ketchupfriesandallthingsnice @legowerewolf @deadlydodos @but-we-respect-his-craft @cariniqe @zanypersonapricotbiscuit
The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.
As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?
#Fluent Freshman AU#I would like to thank Sandra Bullock's performance for allowing me to write the stupidest fight scene ever#I would also like to thank my sister for getting engaged on April 25th so Miss Congeniality was floating around in the noggin already#Andrew: Smith is really cool under pressure. He can make jokes at a time like this.#FF: What if no one believes me that I found these handcuffs in the alley?#He's too focused on the embarrassment of using those handcuffs to focus on the fact that round 2 is about to happen#Did my 'research' involve finding out EXACTLY what McDonald's happy meal toys were being offered November 2010#Perhaps#The internet really does just have like a whole shitload of people who will just have a database of seemingly useless knowledge#I love those people#Neil may be pacing up a storm in the back room but Keeping Nicky away from the dance floor is a full time job#For ONCE Aaron is the easy one to deal with#Roland just gave him a virgin drink and he's happy#AFTG#AFTG OC#AFTG AU#AFTG Fic#My Fics#It's shorter because I didn't wanna leave ya'll hanging#FF - Pt. 20
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[ID: A black and white digital comic showing the same person in profile, shoulders up, three times. The person has curly hair, a closed eye, and no mouth. The first version of the person has a speech bubble that says "I don't know why". The next version shows the same picture but with an electric razor buzzing the back of their hair, leaving it short and showing a long pink scar down their scalp and neck (a scar typical of a Chiari decompression surger). Loose cut locks of hair fall in the air and on their neck. Their speech bubble says, "Something about it" The last version shows the person with the completed haircut, scar still visible. They say "Just seems safer". The comic is signed "Blue 2024" /id]
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#coxstroke#sox#bobby moch#luke slattery#don hume#jack mulhern#bobby/don#don/bobby#bobby x don#don x bobby#incorrect quotes from the boat#the dance scene is the gift that keeps on giving#at least to me who is easily amused
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A Blorbo You Treat Nicely, Right?
#non mdzs#ask#I've seen what people do to tumblr blorbos. I cant go back in the horse plinko again...please my bones aren't strong enough#I'm made of a gelatin like substance. Very Flammable. Terrible for plinko. Ill just bounce around and wail miserably.#You cannot fool my by putting 'horse' on the box. Yeah It made me curious and wander over here. Yeah I wanna see the horses.#Oh they're in the plinko? Oh well then-#jokes aside I am very touched to have reached silly blorbo status. I hope to keep bringing you joy!#I am simply just having fun and I'm glad people enjoy my little jester dances!#Yeah one of these asks is from June...I'm slowly eating away at the backlog....I promise....#theres so many sweet and funny asks I want to properly draw for...I promise I read them all and go -> B*)
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alex who is good at heart & said “good luck” when he rejected you after “nah... I'm gonna ask someone else” on flower dance festival
and actually care about having friends,
that he has been acting friendly to u even at 0 hearts, in seek of new friend opportunity.
#him trying to be 25% considerate 25% friendly 50% flirty#the way he talks might make you go who asked u?? mind your own business - but i like to think he meant well#stardew valley#sdv#flower dance#sdv alex#stardew alex#stardew valley alex#sdv farmer#stardew farmer#stardew valley farmer#in real life i would be squinty at this kind of move done to me like 'wow he's so used to it; does he do this every time"#popular vibe; very suspicious#like how can u tell how much they are being serious when making a move on u#in conclusion god irl me would never be able to get together with someone like alex#i am just keep thinking about how funny total rejection on 1st year flower dance is#if someone offer to dance with u at the side to cheer u up that would be nice i thought#when he said it's hard when u don't have friends; he actually thinks about himself#he and sebastian seems to be the two that concerns about hardly having any friends from the thing they said#or others do to? do fill me in#fanart
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Slow dancing for the soft prompts?
“C’mon, up you get.”
Eddie’s voice cuts through the gentle hiss of rain against the windows and the soft staticky music leaking from the small radio perched next to the fridge.
Buck lifts his head from where it had been resting on his folded arms, blearily searching the now dark kitchen for his husband. He can feel the beginnings of a headache pounding in his temples and his mouth feels like he swallowed sand.
“Wha– what time is it?” Buck asks, throat clicking as he tries to rewet his mouth.
Scrubbing his hands over his face, Buck twists in his kitchen chair to look at the clock hanging on the wall. It takes him a moment to read the small numbers, but when he does finally manage it he’s surprised to see how late it is. He had planned to already have dinner ready, but the remnants of half completed prep is strewn around the countertops. Halfway through preparing the food, Buck had to sit down at the kitchen table — the ache in his leg becoming too persistent to ignore.
“It’s time for you to go to bed,” Eddie hums, smoothing a warm palm across Buck's shoulders. Buck leans into the contact, shifting toward Eddie’s warmth like a sunflower seeking the sun.
“Mm— not tired,” Buck mumbles, tilting his head up for a kiss.
Eddie complies with the request, easily planting one against Buck’s lips before asking, “oh really? Why were you sleeping on the table then?”
Buck sags, knee and hip twinging as if to remind him why. “I was just resting.”
Calloused fingers card through his probably wildly unkempt curls, and Buck finds him sinking more and more against the solid warmth of Eddie pressed against him. Just when he thinks he could actually nod off like this, Eddie breaks the silence.
“Is your leg bothering you?”
Biting his lip, Buck sighs as he spins his wedding band around his finger. The warm metal glints in the lowlight of the hall light filtering into the kitchen. There are more days than not that his leg ends up bothering him. But that’s to be expected when he had fallen through the floor of a burning warehouse and landed on his previously crushed leg. Today is just particularly bad.
Buck had known it was coming, had woken up with the telltale stiffness in his joints. But he had ignored it, not bothering to do any of the stretches his PT had taught him, hoping to muscle through like he used to be able to do. He knows that was stupid of him. There’s a small curl of embarrassment settling in his belly, and he debates not telling Eddie. He doesn’t even have a good reason he can provide for why he didn’t do anything. Not one he can articulate at least.
In the end, he decides he doesn’t like lying to Eddie, even by omission. “Yeah, it is.”
“Did you do your stretches?”
Buck’s silence is answer enough and Eddie nods to himself. “Okay, c’mere.”
Eddie gets a big hand wrapped around Buck’s bicep and helps him stand from the kitchen chair. Buck goes willingly, letting Eddie pull him up and into his arms.
At first, he thinks they’re just embracing, and he’s not complaining about it, soaking up all the heat radiating off of his husband. Then Eddie starts rearranging Buck’s arms, getting them loosely looped around his neck before Eddie’s palms slide to Buck’s waist, holding him gently.
The music coming from the radio is low, too low for Buck to identify the song that’s playing. But he can hear enough to realize that Eddie is moving them in a slow shuffling rhythm around the kitchen that matches the staticky rhythm humming through tinny speakers.
“Babe, what are you doing?”
“Dancing— we’re dancing,” Eddie replies, swaying their bodies together as they rock side to side.
Buck shoots Eddie an incredulous look, but he just leans forward and kisses it off Buck’s face. “We can do your stretches instead, if you would like?”
With a laugh, Buck shakes his head fondly. “You’re ridiculous,” he mutters, but continues to follow Eddie’s lead, letting himself be slowly spun around the kitchen.
It helps. The ache doesn’t leave him entirely, but the stiffness slowly bleeds from his joints — the slow gentle movements of their “dancing” and the warmth of Eddie helping to ease the persistent discomfort.
Gradually, Buck finds himself relaxing, allowing more of his weight to settle on his husband. Eddie accepts it gracefully, a pillar of strength against Buck.
“There you go, baby,” Eddie murmurs, pressing a kiss to Buck’s temple.
Tucking his head into the hollow of Eddie’s throat, Buck sighs out, “thank you.”
“Always,” Eddie says as if it’s just that easy.
Maybe it is.
send me a soft prompt and I'll write a little something!
#this one got away from me i will admit#maybe that's why my prompt fills are taking so long#i just keep getting so long winded#i hope you enjoy this one! the slow dancing really took its sweet time to appear#ask game#soft prompts#molly writes#buddie#buddie fic#evan buckley#eddie diaz#911#911 fox#911 fic#molly got mail#dancy-nrew#prince-buck-diaz
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