#just writer things <3

[animalgobrrr]

I love causing a blinding, burning and misguided resentment built on grief in my blorbos <3

they deserve to blindly reach out in grief and hate the people they should instead lean on for support

[skelebab]

Going "tee hee" and kicking my feetsies as I write the most violent and gruesome stuff I've ever written before

[noobartshit]

sometimes when writing, you come up w a cool idea w absolutely no idea how to take it forward or how it even connects to the larger plot, or the characters, or even the canon of your own fic, which can have you pacing your room or staring blankly at the wall, revisiting the original source material, or distracting yourself w your pet and i think that's a really sexy quirk of being a writer <3

[greenmateria]

fanfiction writers im on my knees begging you to make eddie munson more wet and pathetic and a loser please please please please

[harbingersecho]

"zuzu, you didn't tell your friends about me? i'm hurt."

[pyunyrage]

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[raineandsky]

#120

When the villains caught wind of a new hero on the team, they’d all taken interest. When someone came back claiming he’s blind, it’d sparked a whole new debate.

Straightforward, they’d all said. He won’t even see us coming. They’d laughed at how easy it’d seemed.

The villain feels like they’ve stumbled on a pile of gold when they come across the hero. He’s running his hand along something on the fence in front of him, something that the villain will later realise is a braille description of the view ahead of him. A white cape drifts around his ankles, an equally white suit flattering against his typical heroic body, the lightest of smiles on his face as his fingers trace the patterns of dots along the railing.

The villain can’t help but grin as they slowly make their way towards the poor hero, so oblivious, so stupid. They’re barely a hair breadth away, their dagger practically unsheathing itself, when the hero spins towards them with a swish of his cape and a flick of a blade.

The villain barely reels back in time. Staying quiet doesn’t occur to them when they’re startled. The hero looks like he’s staring right through them, an arrogant smirk on his face.

“Ah,” he says brightly, “you’re one of those criminals I’m meant to be looking out for?”

The villain sidesteps, careful to keep their footing quiet, but it doesn’t matter. The hero’s head cocks towards them as they try to step out of his blade’s path.

“You’re almost silent,” the hero continues. A smirk adorns his face, intrigued. “Incredible.”

The villain is close enough to strike, the hero looking slightly too far beyond them to be right in his assumptions. The villain shifts in fast, their dagger poised. The hero dodges back and retaliates with a swing of his own.

The villain stumbles out of reach and the hero follows. The villain’s unprepared; they were expecting a hero who’s unsure who they’re looking for, where the villain is. They were expecting an easy plaything that they could stab when they got bored.

But this—the hero is nothing but brazen confidence.

The villain shoves their dagger up to meet his blade, throwing his arm out. They move in for another strike but the hero’s already recovered. His blade easily tucks under their arm and slices into their side.

Something of a strangled gasp escapes the villain before they can stop it. They stagger back, a hand touched timidly to the wound, their eyes flitting back up to the hero. He simply waits, his blade crimson and his eyes blank. How? How?

“Would you do me the honour of telling me who I’ve met?” he asks, as if this is nothing more than a casual meeting between friends of friends. The villain wants to snap him in half for the audacity.

“That’s none of your fuckin’ business.”

“Aha,” the hero says, almost a laugh, “You’re [Villain].”

The villain can only stare at him in horror. The hero seems to feel the tension in the silence, because he continues. “You’ve a bad mouth, favour in the blade, light on your feet.” A teasing smile. “And you’ve a smooth, caramel voice I haven’t heard in many like you.”

“Wh— Excuse me— You—” 

The hero just smirks, the stupid smirk of someone who knows he’s untouchable in every sense of the word. “Flustered by compliments, too,” the hero finishes with a laugh. “Good to remember for next time.”

“I’m not flustered!” the villain finally manages, “and my voice isn’t caramel. That isn’t a thing. You sound stupid.”

“I’m happy to be stupid if it means I can recognise you as the villain who speaks in caramel.”

The villain’s side is beginning to really ache. They need to be somewhere that’s not here when it inevitably gets worse. “Do what you want. I’m going home.”

“May I escort you to a prison cell?”

The villain barks a laugh, their side practically splitting with the forced fakeness of it. “As if you know where the agency is from here.”

“I always know where I am, [Villain].” A smile again, softer this time. Knowing. “You underestimate me for a characteristic I think makes me as interesting to you as you are to me.”

The burn in the villain’s skin is an ode to that. “Sure.” The villain turns on their heel before a thought occurs to them. “I’m going to walk away, loudly. Do me a favour and don’t fucking shank me when I do.”

The hero’s face twists back into a smirk. “As long as I hear you moving away. Until next time, [Villain].”

A blind hero! everyone had cried. It’s almost too easy!

The villain scurries away with a gash to the side and a slam to their ego, and they know now to know better than that.

[welcometogrouchland]

It's mostly the fault of poor editorial practices that B&R is so heavily misaligned continuity-wise w/ the main batman book. But walk with me for a minute:

You are Damian Wayne. You are 14 years old and have had one of the worst years of your life last year. Which is saying a lot.

Your brother, one of the people you were closest to, got shot in the head and forgot who you were. Your best friend went to space for a week and came back 3/4 years older than you, taking away your previously established dynamic and leaving you to have to bond all over again w/ a new one. You may or may not have gone wayyy too far with your new superhero team, who now all hate you, because you fucked up big time*

And worst of all, when you do try to do the right thing, you end up forced to watch Alfred, a father figure to you, the only one at your birthday that year, the person who has been so patient, loving and trusting with you, even when you probably didnt deserve it...die. you watch him die, and feel it's all your fault.

And your dad never corrects you on that last point. So you run away.

First to your mom who can tell something's up with you, she knows you don't give up that easy, you decide not to stay with her because you remembered how actually, neither of your parents are good at communicating with you despite their best efforts, so now you're 14 and flying solo.

And you do fly solo. For a while. Make new friends, new enemies. You think you're better off for it. You've got your best friend and your brother back. They're not around as much. It's fine.

And eventually your dad tells you that it's not your fault that Alfred died. Bit late but it's appreciated. Really. There's a bit of a hiccup where you get possessed by a demon and wage war against your father but after that, all in all, you two are...together again.

You start to think maybe you want to give him another chance, for the two of you to be father and son.

And in a change of pace, it works out! It's going good, mostly. He insists you go to highschool, you resist, feel like he wants you to be something that you're not (wants you to be normal), but eventually you acquiesce for your own reasons. He cheers you on at soccer and nosies around at your fundraising events with the other parents and gives you a stern talking to about your choice of girlfriend. Because he cares.

Except all the while this is going on, your dad is currently having his brain slowly taken over by an evil version of himself that he created and every time you look away he's slowly tearing your family apart (your brothers are just barely keeping it together. The ones who didn't get lobotmized that is Jesus Christ). You keep taking his side in these conflicts, for whatever reason. Maybe because he promised it would be different this time, and it isn't** and you're going to stick with him until he keeps his word for once.

But at the end of the day?

It's like your brother says. You're not the one who saves him. Broadly speaking, you've made things worse and needed others to come save you. And what else is Robin really for? You thought it was about redemption and teamwork but guess you're wrong. It's about saving your self destructive, apparently two-faced and erratic father. And you can't even do that right.

* TT (2016) by Adam Glass is a racist ooc mess, but unfortunately it's still canon so I'm referencing here, though like a lot of works authors clearly wish weren't canon but are, it's been subsequently glossed over. Win? Maybe? Or not?

** again Zdarky's characterization of Damian is so outdated as to be ooc, and considering the way he constantly and explicitly uses it to illustrate Tim's strengths as robin, I'd argue there's. Also implications there. But the batshit insanity of the main batbook compared to B&R rn is crucial for this post, so I'm attempting to justify it. This time..

[ghostlyboysstories]

Writeblr introduction!!!

Hi!! I write original works and am happy to ramble about my ocs or writing to anyone who asks(I’m dying to share help-).

You can call me Rufus!(I swear if I get they both die at the end notes from this-)

I’m an adult, but I don’t really do 18+ content besides swearing and innuendo/dark humor. So I’d say my content is rated Mature, but not Explicit.

My pronouns are he/him!

Fun fact, my favorite color is dark neon-ish blue!

Can’t wait to post more original stories here!!

Stay spooky!

[iwritenarrativesandstuff]

See, I think Charles’ annoyance and frustration with the Cat King really was just pure protectiveness and not any kind of jealousy - it’s understandable, because Edwin is not telling him what happened even though something clearly did, which is not typical for them. Edwin doesn’t usually hide things like this! Of course he’s worried!

Charles’ reaction to Monty, on the other hand, is difficult to explain in a way that isn’t jealousy. You could say he’s being protective again, but Charles shows no sign of distrust in Monty, and had no idea of who Monty was or that he might betray them - he was actually very chill with him, except in a select few specific scenes. You could say he just doesn’t like him because he got brushed off during their first meeting, but not only does that not seem like Charles at all, it also doesn’t make sense, since, again, in most instances, Charles is genuinely friendly and is happy when Monty compliments him and seems to have come around to liking him (it completely flies over his head that this is a petty jab at Edwin on Monty’s part but oh well hahaha). You could say it changes up their status quo a bit and that bothers Charles. I do think this bothers him a bit, but I think, unlike Edwin, Charles’ fear and frustration here is directed more at situations (the Cat King whisking him away for several hours, as an example) than others. He’s sociable and likes being able to talk to new people. There’s absolutely no way he’d begrudge Edwin doing the same - and he doesn’t… with Niko. Edwin and Niko hit it off and become very close and that never bothers Charles at all. He’s incredibly endeared to her, just like the rest, and for the most part, he’s chill with Monty too, and smiles pretty knowingly when Edwin confesses to him having awakened some feelings. The only exceptions, where he shows definite annoyance, are when Monty first shows up and gets really in Edwin’s personal space to show him the astrology chart he made, and when Edwin is so sucked into the book Monty gave him that he doesn’t hear that Charles is talking to him, to which he annoyedly says that they seem to have been “spending a lot of time together”.

You could say he’s unused to having anyone get in Edwin’s personal space like that, but, again, Niko. She’s very tactile with him and he doesn’t seem to mind all that much; they spend time together watching things. If it was just someone getting close with Edwin in general, not only would that be weirdly possessive for the character, but it would also mean he would show discomfort with anyone getting close, I think. Does Charles see Monty as more of a potential threat than Niko, seeing as he knows her and her personality and doesn’t know Monty? Well, maybe, but again, Charles shows no sign of distrusting Monty at all.

Monty is a boy. Okay. So something about seeing Edwin so close to a boy that is not him, getting lost in thought over something this boy gave him, really rubs Charles the wrong way. Charles appears to catch on just as quickly as anyone else that there is something (or it looks like something) between Edwin and Monty. He is not surprised when Edwin comes out to him in episode 6, and in fact, seems to have just been waiting for him to verbalize it. He smiles and is not bothered at all by Edwin showing (what he thinks is) a romantic interest in Monty - he just doesn’t like it when Monty clearly shows a romantic interest in Edwin. Um. Well. Well.

Charles is jealous. I really don’t know what else to say.

Look, when I first watched this show, I actually didn’t want them to end up together romantically - I love the idea of one having fallen in love with another who does not reciprocate and the two of them still loving each other just as much. That Edwin’s confession made them closer instead of making things awkward is such a beautiful outcome to this build up and I absolutely love it. However. On my two rewatches, I caught a lot more little details, and I think it would be very strange if the show did not follow up on this. That, plus the deliberate quality of these “jealousy” moments where the camera focuses on him, Charles’ Orpheus coding throughout the show, the fact that Edwin’s arc was far more about realizing his feelings for Charles specifically than just coming to terms with his sexuality, and that even the actors admit that Charles’ response to the confession kind of left things open, it really seems to me like the path leads to a romantic endgame for them, or at the very least, that this possibility will be explored in more depth.

**This is just my reading of it. Please do not use this post as a gotcha for anyone who loves them as a platonic duo or people who really love Crystal and Charles together (because let’s face it, they’re super cute too). I’m just doing my rambles. As per usual.

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[tieflingteatime]

this completely reshaped my brain

[drarrily-we-row-along]

Gorgeous

(inspired by t. swift's song)

Harry knew the moment that Draco walked into the bar. He always knew, there was something about the way he carried himself; his magic hot and bright, burning its way up Harry's spine before he'd even actually seen him. He turned his head, craning his neck to get a glimpse of the other man.

"Malfoy must be here," Ron grumbled.

He glanced back at Ron, "What's that supposed to mean?"

"Just that every time he shows up here, you tune out most of what anyone has to say," Seamus piped up.

Harry glared at him, "Shut it. I do not."

"You do," Lavender replied as she slid in next to Parvati across from Hermione. "And it's just so sad because he talks to everyone but you."

He frowned, he had tried to convince himself that it was just his imagination that Draco talked to everyone else and intentionally ignored him. But before he could say anything more, Draco was at their table, he said, "this is Clement," gesturing to the attractive man on his arm before sitting down next to Hermione and immediately striking up a conversation with her.

"It's because he likes you," Blaise said, leaning in closer so Harry could hear him over the noise.

Harry rolled his eyes, "Yeah, right." Draco came with a different date every week, he wasn't interested in Harry.

Blaise shrugged, "Suit yourself but I'm telling you, Potter, that boy's been obsessed with you for years."

Shoving Blaise's shoulder Harry tried to put it from his mind. But as the night wore on, Harry watched Draco talking to everyone in their friend group but him (just like he always did) and when Draco got up to go to the loo, Harry couldn't help but follow. Not wanting to be a perv, he waited outside.

When Draco emerged, he immediately jumped, hand over his heart, "Circe's tits, Potter! What are you doing?"

Instead of answering his question, Harry's inebriated brain supplied one of it's own, "Why won't you talk to me?"

"Excuse me?" Draco asked, looking around as though he thought someone was playing a trick on him.

"I mean, we were friends, right?" he asked, knowing that he sounded more than a little desperate and pathetic. "Like 8th year, we sorted out all of our shit, forgave each other, right?"

"Potter, what are you on about?"

"It's just," he sighed and stared at Draco, wondering if he looked at him hard enough if he'd be able to understand him, "you never talk to me. And you talk to everyone else."

"You should be flattered," Draco said before turning away.

Without thinking Harry reached out and grabbed his hand, giving him a gentle tug, "Wait," he said.

"Adam is waiting," Draco said, not looking up to meet Harry's eyes.

"I thought you said his name was Clement?" Harry murmured.

And before he could do anything else, Draco was pressing him back against the wall and kissing him.

Harry's arms instinctively wrapped around him, drawing him in closer as he kissed him back just as desperately.

"That's what you get for touching my hand in a dark hallway," Draco muttered, nipping at Harry's lips.

"I ought to grab your hand more often, then," Harry replied, tugging Draco's body flush against his own so he could kiss him again.

Draco kissed him back for a long, tension filled moment, body surging and pressing against Harry's before he pulled back, "I fucking hate you."

Harry blinked at him, feeling like he was experiencing whiplash, his brain moving too slow, unutterably confused by the mixed signals he was receiving from Draco's body and his words. "What-" he started, but then Draco was kissing him again.

"I hate your stupid face, and your stupid green eyes," he continued as his hands slid under his tshirt and Harry groaned. "I hate the way you grew into your stupid body; all muscled and handsome. You're so fucking gorgeous, of course I can't talk to you."

"Fuck," he hissed as Draco's nails scraped over his back and Harry flipped their positions, pinning Draco to the wall.

Draco groaned, body shuddering against Harry's as he tried to drag him impossibly closer. "And I hate the way you talk, all honest and earnest, and-" he broke off as Harry sucked hard at his neck. "And I hate that you aren't mine."

Harry pulled back far enough to look him in the eyes, "Draco, you can have me," he said.

"Stop," he whined, giving Harry a shove but immediately tugging him back in. "Don't make fun of me."

"I'm not," Harry assured him. "I want you too, in case that wasn't abundantly clear," he said, pressing forward against Draco's body to emphasize his point.

Draco shook his head, "But I want more than just sex with you. Just sex would never be enough."

"Great," Harry replied, kissing down his neck again and pausing to suck at the bruise he'd left forming on his pale skin.

"I'm serious, Potter," Draco growled, fisting a handful of his hair and pulling until Harry looked him in the eyes again.

"Call me Harry," he said.

Draco rolled his eyes, "I'm serious, Harry. I'm a possessive bastard and I will want to keep you forever."

"Is that a threat or a promise?" Harry asked, feeling a little weak in the knees at the thought of being treasured and kept.

Narrowing his eyes he asked, "Are you being serious?"

"Yes," he said in exasperation, "Draco. I want you, too. I've been head over tits for you for ages."

"Really?" he asked, looking back and forth between Harry's eyes.

"Ask literally any of our friends," he said. "Yes. Really." He leaned in and gave him another soft, tentative kiss.

Draco shuddered and wrapped his arms around Harry's neck, "Take me home," he whispered.

"From here?"

Draco nodded, eyes closed.

He rubbed his nose over Draco's cheek, "What about-" he broke off trying to remember the bloke's name, "what's-his-name?"

"Who?" Draco asked, hands slipping under Harry's waistband and distracting him even further.

"Your date?" he prompted even as his fingers tangled in Draco's hair, turning his to the side to give himself better access to Draco's neck.

Draco whimpered, body arching against Harry's. He waved a hand, "I don't give a fuck. Take me home. Right now." Then softly, in Harry's ear, "Please," he all but moaned and Harry's self control snapped.

He apparated them right from there, straight into his bed, and suddenly Draco had absolutely no problem talking to him.

-------------------

Read more of my fics inspired by songs, if you'd like

tagging the lovely @phoebe-delia since it's taylor swift and that is her jam <3

[ween-kitchens]

mildly frustrated at how many 'we need to talk about lizzie more' posts ive seen and the distinct lack of actual posts of art or writing about lizzie that ive seen cross my dash

like guys i thought we wanted to talk about lizzie and not the fandom's problems when is that happening

[nectar-cellar]

A SUMMER NIGHT

I will be posting a very short Bella x Vlad thing I shot one year ago. I just finished writing it recently.