#just thinking about triggers

[starsifter]

What if Ford couldn't be hugged after he was chained up by Bill? What if Mabel or Dipper grabbed him by the wrist, trying to catch his attention, and he froze, seized with emotion bubbling up in his throat, what if he couldn't breath? What if he couldn't wear turtlenecks anymore?

Do you think sometimes he slipped his shirt off because he couldn't stand to feel something so close to his neck?

What if he avoided sleeping because he didn't like what was in his dreams?

Idk. I think about that old man an unhealthy amount.

[inkskinned]

hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.

if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.

additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.

i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."

"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.

[bixels]

Reminiscing about Little Witch Academia.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[stefisdoingthings]

silence

also this is from Wolfwood's POV (in case it isn't clear) i have 0 normal thoughts (every song ever is VW)

[molinaesque]

"What are you?" "Oh, I'm you, sweetie. You just... give it a little time."

[llamagoddessofficial]

hello llama

i have been thinking and headcanoning about vampire bad sanses lately, so i was curious if you have any thoughts about or interest in vampires of the nightmare and crew variety? (人 •͈ᴗ•͈)

"do i have interest in vampires", he asks

ok, i will share my extensive vampire brainrot. but in return..... you have to write that vampire fic.... oooOOooO look into my eyes you know you want to write it ooOoOooo 😵‍💫😵‍💫😵‍💫

I very much like the idea of Nightmare's castle being Castlevania-style. Lots of spooky architecture, lots of ancient magical passages that haven't been seen in centuries.

Horror can be summed up in one word. Bloodlust. There's a constant hunger inside him he can't ever seem to fill, driving him almost to the point of madness. He is more beast than man. When he smells or tastes blood, he loses control of himself, becoming little more than a starving wild animal - his capability for slaughter is limited only by his appetite. So unless Nightmare requires it, he generally abstains from blood. He doesn't like losing himself so entirely.

Something about you makes him forget his hunger. Is it your voice? Your scent? He has no idea, but oh, it feels good to feel whole. When you're around it's as if he'll never be hungry again... he follows you like a dog, grinning intensely every time you look at him. This is one hound that can't be shaken.

Despite his 'condition', he finds a lot of solace in cooking. Nothing will give him the same drug-like rush as blood but human food is nonetheless warm and filling and distracts him momentarily from the emptiness. He enjoys the process of making it, too, doing something with his hands. Let him cook for you, please? Watching you eat brings him vicarious joy.

Dust's backstory is one of legend. Something resembling a story can be spun from the loose whispers. A vampire invaded his peaceful isolated village hundreds of years ago, intending to turn the helpless populace into enslaved vampires. Dust, the first to be bitten, turned and slaughtered them all himself - and despite being a vampire for barely a week, the equivalent of a stumbling newborn, he killed the centuries-old invading vampire in single combat.

No one's quite sure why he's joined Nightmare. Perhaps Nightmare was keen to take this uniquely violent creature under his wing, and Dust just didn't really care where the wind took him. Or perhaps he has some other motive, hidden beneath that silent face. Who knows.

... Dust might be quiet, but it's obvious he's fixated on you. Which is a big deal. This is a creature who hasn't mustered a second thought for anything but blood for decades; but somehow, you've excited him. He's very clearly interested in you, silently watching your every move, listening intently to every word you say. Too bad he's not much for conversation.

Killer's backstory, on the other hand, is shrouded entirely in mystery. No one knows where he came from, who he is, or what he's done. He simply appeared one day - right within the coveted inner circle of Nightmare himself. He's the Night King's most trusted weapon, and the closest thing he has to a friend.

Killer seems very clear about what he wants. He thinks you're adorable, and he says you'd make such a pretty vampire. He talks (at length) about how much he wants to bite you, and how if it were up to him you'd already be one of them. A lot of his flirting involves calling you things like sweet treat and honeyblood. However... despite all the taunting, all the talk of seeing you as food, Killer is the one in the castle who treats you with the most respect. The others seem to see you as an object, a cute toy, something to squish and own. Killer talks to you like you're a real person. You can't help but like him for it.

Nightmare's inferiority complex has driven him to declare himself the king of the vampires. No one contests - Nightmare is royalty by blood, and vampires place a lot of emphasis on blood. But even if he wasn't, Nightmare frequently murders those who won't bend the knee. Plenty of powerful vampires have fallen embarrassingly fast at his hand.

... Nightmare's goal is to make you agree to be his spouse. A pretty little human partner would be excellent for his image. It would not only demonstrate his incredible self control as such an ancient vampire (not to mention his control over his warriors), but it would also show that his power is so great he doesn't need to strike a political marriage with another powerful vampire. It might also convince some of the pesky rebellious human groups to settle down.

His pride means that he won't force you. Not yet, at least. He likes to think he can seduce you. He's a royal vampire, after all, and you're just a simple human - isn't it only a matter of time?

... But it seems like, as time goes on... he's the one falling.

[eugenoid-draws]

Thinking about how little bodily autonomy Daan possessed his whole life

[bixels]

tarpit site.

[tiny-steve]

the thing that makes my entire body itch about that darcy confession scene parallel is that that's the fucking MIDPOINT of darcy's and elizabeth's story. you've baked the pancake halfway and you've tossed it in the air and you're holding your breath --- and now you've got to catch it and BAKE THE OTHER SIDE!!! you can't just roll the credits and leave me hanging like that!!! what if there's never a third season??? the pancake is ON THE GROUND NEIL!!!

[zivazivc]

the morning (afternoon?) after this messy stunt. Floyd got off too easy in my opinion, but it's hard for Les to stay mad at him when he makes those sad pouting faces... 🤦

If you think Floyd's being really dumb at the start of this comic before getting a reality check, you have to take into account that he's madly lovesick and was feeling very smug atm; he's also a 15yo pop troll who thinks making out with someone means they're together now; and he assumed Les's sour mood was entirely the result of a nasty hangover...

P.S. They forgot about Hed lol (I almost forgot about him too, drew him just before posting lmao)

[keywhole]

ok crawling out of my cave rq bc this is driving me crazy (mouthwashing spoilers since this game is kinda new at the time of posting) i see you guys supporting and loving anya as you should but we all have to consider something. especially the people who don’t like anya because “how can u be a nurse and be afraid of blood 🙄” hey do you remember she’s pregnant. do you know that adds to the the mass of her nausea. do you know within this game she is 2+ months pregnant. do you know what that does to someone psychologically. not only that, but she is in a literal nightmare scenario. i feel like not enough people are talking about what that can do to anya’s psychology and how she deals with certain things

[otaku553]

I got a haircut today and I’m so giddy about it,,,, it is so difficult to explain to my mom why I feel so giddy about the undercut sideburns I got

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.