#just some stills from the blu-ray extras

[exdeputysonso]

Midnight Heat (1996) Stills

[yumeka-sxf]

It's been a while since I made a merch post 🙂First items I want to share are these adorable pin+acrylic stand sets featuring the Forgers in their resort island outfits from the cruise arc ❤️

Next is some merch from the Anime Extra Mission event from June. I got a clear file (which I scanned in a previous post), a fan, and a copy of the pamphlet.

The pamphlet has some nice content, including interviews with all the voice actors, transcriptions of the live reading scripts they did at the event, and a cool chart of all the current anime episodes. Here's a few pages:

Not sure if I'll ever get around to translating all of it, but detailed summaries of the live reading stories are available on the Spy x Family Fan Wiki.

Next is some goods I got from the Nijigen no Mori collab that's been going on in Japan. I got a hat, an umbrella, a mug, a water bottle, and a clear file (which I also recently scanned).

I was thankful that the hat just about fit my fat head/thick hair!

The umbrella is really nice too! I'll definitely use it during the three days a year it rains here 😅 I could use it for sunny days too I suppose, lol.

Next is the CODE: White home video release! I liked the bonus merch that came with both the Toho deluxe version (left photo) and the Amazon JP deluxe version (right photo). So I got both.

Unfortunately, I had a mishap with my copy of the Amazon version where FedEx delivered it to the wrong house! I got the notification that it was delivered, but it wasn't at my front doorstep, plus the photo they shared was of a completely different front door, so I started freaking out. I drove around the block trying to find any neighboring houses that looked like the one in the photo. After I couldn't find it, I submitted an issue report to FedEx. They said they would try to track down the driver and figure out what happened. I wasn't too hopeful and was debating ordering it again, but decided to wait a bit. And much to my surprise, the next morning the driver found the missing package...but unfortunately the house he delivered it to had kids who opened it already. So he brought it to me in a different box with all the pieces loose. Luckily everything was in good shape and accounted for...or so I thought. The deluxe version came with a lot of extras and I didn't realize until later that day that I was actually missing a couple of things, notably the nice slipcover box for the discs and the art booklet. I was of course really mad about this, but I was able to find someone on Mercari selling a copy of the movie with these items for a good price, so I bought it.

The booklet is really cool - it has concept art, key frame sketches, and other neat info~ Here's a few pages:

By this point I had three copies of the movie on blu-ray (one of which had fingerprints on the discs from the grubby hands of the kids who opened my package 😑 At least the discs still worked) So I gave the extras away to friends.

I threw in the below little lenticular bookmark with one of my Mercari orders. It was given out at this past NatsuComi expo in Japan.

And lastly, some smaller items: postcards (which I also scanned) and a Twiyor pin~

[vintage1981]

The Life and Deaths of Christopher Lee Kickstarts Deluxe Blu-ray Edition

The Life and Deaths of Christopher Lee mixes traditional documentary with a dash of fantasy. It is narrated by Christopher Lee himself... in the form of an elaborate marionette, voiced by Peter Serafinowicz. The marionette was custom designed and built by Arch Model Studios, who made all of the puppets for Wes Anderson's Fantastic Mr. Fox, Isle of Dogs and Asteroid City and Tim Burton's Frankenweenie. 

The film combines new, exclusive interviews with filmmakers, including Peter Jackson, John Landis and Joe Dante, friends and family members with animated flights of fantasy from a wide variety of artists including 2000AD's Simon Coleby, award winning stop-motion animator Astrid Goldsmith and the legendary illustrator Dave McKean who directed, scored and animated a whole chapter of the film himself. 

Spanning eight decades and almost three hundred films, Christopher Lee became famous for his iconic performance as Dracula. But he was so much more than just the Hammer Horror roles he is so fondly remembered for. His career took him from uncredited parts in 1950s swashbucklers with Errol Flynn, through famous performances in 007 and Star Wars films, cult hits like The Wicker Man and The Return of Captain Invincible, right up to a lead role in cinema's biggest event - The Lord of the Rings trilogy. Along the way, he worked with everyone from Orson Welles to Mario Bava, Jess Franco, Tim Burton, Martin Scorsese and Steven Spielberg. 

Yet his story is so much richer than just his career. Lee was born into Italian aristocracy, with a military career shrouded in secrecy and kept his private life closely guarded. Some of his ventures and adventures seem highly improbable yet, as the film reveals, he often found himself in unexpected situations - he witnessed the last ever death by guillotine, was cousins with 007 creator Ian Fleming, he met Tolkien, performed with the classic Saturday Night Live line-up, was a friend and neighbour of Boris Karloff, he was the oldest person to ever get on the Billboard music charts (with his own Heavy Metal album), was an expert knife thrower, professional opera singer and a Nazi hunter. And somehow, he also managed to appear in almost 300 films of both the highest and lowest quality imaginable. 

The film is finished and producers Jon Spira and Hank Starrs want to share it with you by producing a top quality Blu-Ray with great extra features and a really amazing LIMITED/NUMBERED EDITION COFFIN-SHAPED BOX SET, full of goodies, which will look killer on the shelf of any discerning cineaste. The jewel in the crown of this box-set will be a 3D 'death mask' of Christopher Lee designed and produced by Arch Model Studio exclusively for this set. They also want to host some screenings - both online and in real cinemas - so we can all experience it together and you can get to meet some of the people behind it.

Making this film has been a fascinating journey - producers excavated the British Film Institute archives where they hold Lee's personal collection of scrapbooks detailing his career in his own hand, been given access to personal photos from the family archive, they met and interviewed his closest friends and family from all over the world and we've worked with some incredible artists, puppeteers, animators, musicians and filmmakers to bring his story to the screen in the most cinematic way. Whether you're a fan of Horror, Star Wars, Lord of the Rings or just cinema history in general, we think you'll be delighted by this revealing and eclectic documentary.

Risks and challenges

The film is fully edited and ready to go. This Kickstarter is to fund the final bits of post-production and the production of a fantastic Blu-ray and deluxe collectors edition box set as we're all still committed to physical media. Please note that all illustrations of rewards are designs/prototype images. The final items might differ - we hope they'll actually be better.

[major-comet]

The Best Red vs Blue Watch Order Guide Ever. Of All Time.

So. You want to watch Red vs Blue, huh? Maybe you read my long post about how it's so weirdly incredible yet impossible to recommend and now you want to give it a shot. Or maybe you have seen the show before, but it's been a long time and/or you didn't watch any of the mini-series or anything and want to give it another go. Either way, looking at a show with a 21 year history is kind of daunting, and you have no idea where to start.

Well luckily for you, I've done the work for you.

This watch guide will cover all 19 seasons of the main show, most of the mini-series, and some of the PSA's and other such bonus content. There will be links provided for where you can watch everything I talk about. This Google Drive (from reddit u/Exitity, unsure if they also have a tumblr) has all of the individual episode uploads, and most of the stuff I'm going to be talking about, although I'm trying to use YouTube links wherever I can. Any links will be colored in light blue for additional visibility.

Couple of quick things before we begin.

When possible, watch the individual episode uploads rather than the "complete" editions. The "Completes", while they may provide a more streamlined viewing experience by cutting out all of the bumpers and outros and such, accomplish this by cutting out a lot of jokes. RvB has a lot of jokes that happen during the fade to black at the end of an episode, and a lot of those get lost in the edits. There's also some things that just straight up get cut for seemingly no reason. Side note, the DvD/Blu-Ray versions seem perfectly fine, and honestly are even better to watch than the individual episodes if you have them. They're like a best of both worlds - adding some extra music and such (ESPECIALLY in the first 5 seasons) that really helps make a nice presentation of the show. If that's an option available to you, I recommend it. Otherwise, stick with the individual episodes.

At the end of each entry in the list, I may present a Side Quest section. This will include anything I feel you should watch that isn't necessarily canon, but helps add some extra life to the series. This may include some behind the scenes stuff or a selection of the PSA's and the non-canon mini-series. This stuff can be really great for building out the characters in a way that doesn't necessarily affect the greater story, and can especially be good for interactions between characters that maybe don't interact much in the main show. Anything I put in a Side Quest is strictly optional, but will add to your viewing experience. Obviously, there's a lot more bonus material than what I'm putting here. I'm just putting down some of the highlights. And if you end up liking the PSAs and such then just know: there's so much more for you to explore.

Early RvB is very much a product of it's time, and sometimes you'll get hit with a line that stops you dead in your tracks. Adult-oriented comedies can always be a minefield, and RVB's roots as a show made for Halo fans in 2003 definitely don't help. However, while this is the most common in the first five seasons, it never really stops being an issue. The purpose of this guide is simply for watch order, but if you have any specific trigger-related questions about any season of rvb please feel free to shoot me an ask or even a DM - i'm more than happy to help.

Okay, let's begin, breaking it down by arc.

The Blood Gulch Chronicles

You may hear people telling you to skip the first five seasons of the show and just pick up with Season 6. Those people are lying to you and do not have your best interests at heart. The first five seasons are pretty much strictly comedy, and from Season 6 onward the show starts to explore deeper themes and stories while still falling back on that comedic foundation. Skipping straight to the deeper stuff doesn't work very well IMO, because those five seasons are spent getting to know the characters we're going to be following for the rest of the show. The stuff that happens in Blood Gulch never stops being important - whether it's side characters showing back up again later on, or laying the foundation for a lot of the moments and story lines that make some of the later seasons so special.

Anyways, the watch order.

Season 1

Season 2

Season 3

Season 4

Out of Mind - Mini-series

Season 5

Blood Gulch Side Quests

Tattoo Point/Counterpoint - Season 1 PSA

A Message to the Science Community - Season 2 PSA

Real Life VS. The Internet - Season 2 PSA

All of the deleted scenes, honestly, but This One in particular because asphodel and I quote it all the time.

The Outtakes/Bloopers - I'm not gonna put the link for these and the deleted scenes for every arc, but just know that you should watch them after every season/arc. There's some great stuff in there.

The Season 5 Alternate Endings

Either watch it Now, or after you watch the finale, but I highly recommend the 2003 Season 1 DVD Commentary. It's just Burnie (Church/Lopez/Vic) and Geoff (Grif), and it's really nice.

If you've ever watched any behind the scenes stuff for RvB or even rooster teeth as a whole, you have almost certainly seen This Clip, which is a behind the scenes of the voice recording for Grif and Simmons' lines in episode 1.

The Recollection

Recovery One - Mini-series

Season 6 - Reconstruction

Relocated - Mini-series

Season 7 - Recreation

Season 8 - Revelation

Recollection Side Quests

First! - Season 6 PSA

Small Rewards - Season 6 PSA

Rock the Vote and Rock the Veto - PSAs made to encourage RvB viewers to register to vote. Which at the time you could do on your xbox 360. These are here mostly as a "wtf" historical piece.

Halo-Ween - Season 7 PSA

Valentine's Day - Season 7 PSA

Fire Safety: Where There's Smoke... - Season 7 PSA. genuinely one of the best.

Holiday Plans - Mini-series

The Reach PSA series - Three parts total, only part one is linked.

Project Freelancer Saga

Season 9

Technically there's two mini-series that take place during Season 9 - being M.I.A. and Where There's a Will, There's a Wall. I really love them, and would recommend watching them after S9, but if you really want to roll into S10 you won't miss much. Weirdly there's a place later on that would be a great spot to circle back to these, but I'll save that for later.

Season 10

Project Freelancer Side Quests

This is a great spot to circle back to older side quests you may have skipped, btw.

The Season 10 Table Read BTS - Season 10 was the first time they ever did a full cast table read for the show, and it's cool to see a few snippets from it and hear the crew talk about it.

Matt Hullum Talks to Himself - watch this after M.I.A. it's a live table read of part of the script, with a focus on a conversation between Sarge and Doc (who have the same voice actor)

This 10 Year Retrospective that was put out around Season 10. Watching it now, knowing that they were about halfway through the lifespan of the show / company gives it a whole new perspective.

RT Oz - PSA

Remember Not to Forget and Voting Fever - PSAs made to promote the launch of Halo 4. Voting Fever is one of the Best Ever (and listen to the full version of That's How Voting Works afterwards!)

This Interview between Burnie and Trocadero talking about the music the band has done for the show. This playlist also has a bunch of other behind the scenes and other such bonus stuff from the DVDs and Blu-Rays, it's great to keep around.

The Chorus Trilogy

Season 11

The Chorus Journal Entries - Only three have fully machinimated versions, the last one is just the log entry. Bridges the gap between 11 and 12

Season 12

Season 13

Chorus Trilogy Side Quests

#1 Movie in the Galaxy - PSA

Getting Away From it All - PSA

#1 Movie in the Galaxy: 2 - PSA

Uh. I think the RvB Holiday Special goes here

Matt Hullum (Sarge) reading an excerpt from 50 Shades of Gray at a book signing.

Season 14 - Anthology

I get it: not everyone loves the Anthology format. I truly do recommend watching all of it at least once - or if you haven't in a long time. My only Side Quests are to say that this is the perfect time to go back to M.I.A. and WTAWTAW if you skipped them after season 9, and that if you skipped the #1 Movie In the Galaxy PSAs during Chorus, watch them now before the third one, which is in this season.

The Shisno Trilogy (seasons 15, 16, and 17)

Season 15

Season 16 - The Shisno Paradox

Season 17 - Singularity

Shisno Side Quests (this is taken from our survey data because it's been so long since I've watched much of any shisno-related stuff)

Hard Truths - PSA

Diversity - PSA

Cultural Appreciation - PSA

Lopez's Technical Guide to Empathy - PSA

Unreal Estate - PSA

Caboose's Guide to Finding Your Home - sequel to the Guide to Making Friends from season 14

RvB: Zero + Family Shatters

okay so here's the deal. If by this point, you're really just interested in the characters you've been watching for the past 17 seasons and not so much the story or anything - you may not get much from watching Zero. I do think it's interesting to watch, if only because I think it's got a lot of missed potential. Zero is not served well by being a season of RvB, I think I would have liked it a lot more if it were stand-alone, though that doesn't fix all of my issues with it. If you wanna jump straight to the series finale, you absolutely can. It's a pretty short watch, though, and I've heard that Family Shatters was better. I'll watch that one at some point.

Zero

Family Shatters - spinoff

Restoration

This is it! The series finale.

I'm not doing this with an other season (though I do recommend going back and watching all the teasers and trailers at some point), but before you watch the finale you should watch The First Trailer For It. I think it sets up the season really well, and helps make some of the rushed set-up exposition in Restoration make a little bit more sense. honestly this should just be considered the first scene of the finale. Then watch the finale, and then you are done with all of the main show of Red VS Blue. Go forth, and be free.

Final Side Quest

I'm putting anything that came out in the nebulous time between Zero and the finale in here. I'll come back and edit this once we find out what on earth is going to be on the Blu-Ray.

Offensive Driving

First Person Tutor

Moving Out

The Video RT Made to Announce Master Chief and Blood Gulch Were Coming To Fortnite. This played at the game awards and my soul almost left my body

This is also where I'll put QvsA, which is the Grimmons mini-series, though I haven't actually watched it myself yet. They're all on youtube.

My all-time favorite RvB fan edit - doesn't actually have any clips post-anthology, but I think the end is a great time to watch it.

If none of this makes sense, or you just have any questions at all - I am More than happy to help answer your queries. I hope this helps :) Also if any of the links are broken please let me know.

[joyce-stick]

The Beef Stroganoff Song! (arbitrary subtitle discourse edition)

So, you may have noticed here that the subtitles in this clip (from Symphogear GX episode 3) are fairly different from what you're used to seeing when people post this video, and the phrasing in the subtitles is fairly different from what the associated memes often say

For those who don't know, Symphogear got itself released on blu-ray by Discotek, and with that came with a new translation authored by Noelle (@ulsairi on twitter ) who is notable for being the only trans lesbian anime translator I know of off the top of my head.

Her translation appears, in my opinion, really rather polished and very good, and I strongly appreciate the way it's written and how much character it adds to the dialogue by giving everyone distinct voices and adapting things into more natural English. It's also a fair bit gayer. I haven't encountered many people who've seen these subs, but I think most fans of the series would consider these a net positive change. There are some people who are mad about these subtitles, and they can die mad.

Anyway, let's talk about the different phrasing of the beef stroganoff song. I'm mostly going to compare to Crunchyroll's subtitles for reference since that seems to be what most others go off of. Here's a link to that version.

So right off the bat we can see here that while CR's translation appears to be a lot more, for lack of a better word, functional, Noelle's translation tries to apply more dialectal force "it's beef stroganoff/Yes! It's THAT beef stroganoff!" And generally communicate through the tone how excited the girls are to get started. Additionally you'll see throughout that the latter is a fair bit more lyrical, there's a lot more punctuation and verbal tics and filler phrases written into the dialogue to express that they are singing, which makes sense since Japanese tends to omit a lot of the sorts of prepositions that Noelle threw in here,

Like, Yumi (yes I went and looked up her name on the wiki) just says "beef stroganoffu" because it's obvious from context that it is beef stroganoff, she doesn't need to spell it out, at least, not in Japanese

(We know like maybe ten hiragana and 1 kanji do not trust us on Japanese this is all just basic shit we learned from online guides)

So this probably leads to a rushed translator from Crunchyroll (they are notoriously crunched for time) who's just trying to Get It Done probably not really bothering to throw in extra additional connecting letters to express the tone of the character, only doing so when it's required to make basic grammatical sense in the target language. So they likely didn't think to make the subtitles have flourishes like this that aren't explicitly in the original Japanese. Noelle meanwhile had the time to consider things like this and take such liberties in order to attempt to convey the same tone that was arguably implied by the Japanese, even if not explicitly put forth

And that's about all the things I should not repeat I guess, TL;DR, these subtitles are more fun to read because the translator had more time to think about the best way to make them more fun while still being accurate to the spirit of the original dialogue, who'd have thought!

(In case you're wondering, the Commie subtitles say kind of the same thing here, and y'know, it doesn't seem like a wrong translation, but also I really dislike this subtitle styling, orange on pink with that font and that drop shadow is just kinda bad. I appreciate the effort but like. Come on. Please fansubbers, please think about if the font and colors you chose actually work with the image you're putting them on)

Moving on!

horizontal and middle rhyme with each other so you can almost actually sing this, actually let me take a moment to try it right now- never mind, I can't sing. Hahaha. I don't actually think it lines up that well with the melody But I thought it did! Didn't I? That's significant, that this actually reads like plausible lyrics to a silly song someone made up instead of a literal translation of a Japanese song

Anyway, here comes the first major difference!

So in the Crunchyroll subtitles, Yumi says "it doesn't have to be beef" which in English (in my estimation) sounds a tad scatterbrained, like, "oh yeah sure beef but whatever really it doesn't actually matter," while Noelle's subtitles rather say "Got no beef? Don't you worry!" Which implies something different.

"It is recommended to use beef, but you may substitute something else if you are sorely lacking in beef" as opposed to "Oh the beef doesn't actually matter, zoinks lol!" CR's translation is kind of a bit funnier in how it sorta comes from nowhere without this qualification, which probably lead to this phrase's memeticness, but Noelle's translation seems more reasonable to me so yeah again, tada, yay for sensicalness.

Now here's another interesting change:

Again, the flat manner in which the CR subtitles say "finish with salt" with rendezvous only being included because that's literally what they said, is sort of absent any stronger emotional implication,

Noelle's translation meanwhile going with "don't forget them, they need it" imparts personhood upon the salt and pepper. The implication being that the girls are saying, "the salt and pepper are in love, please reunite them, they must be in gay love together." Or maybe you think the salt and pepper cannot be forgotten and must be reunited because they are Only Friends.

Whether you choose to believe that this is the salt and pepper getting married, or merely subtext, or an interpretation, or salt and pepper shipping bait, this is a deeply important tonal indicator because it reminds you that these girls are ultimately playing with their food!

"And there, now you're in for a treat!" I don't think I need to explain this one.

Now, here's an interesting one!

In the Crunchyroll subtitles, it just says the memetic "boys don't know this." With no context, no elaboration, no clarity, no qualifiers. Boys don't know. Did the boys magically get their brains wiped? Are the boys biologically incapable? Who knows. Nothing is said but that.

Noelle's subtitles, on the other hand, qualify this statement by saying "Boys aren't taught to cook, so they may not know" (And note again how, it says "kno-ow" to emphasize, once more, that they're singing, and also this lines up with the long "ooooo" sound they make at the end of this lyric, so cool)

There is now context! Boys aren't taught to cook! Anime and Japan's culture in general still pigeonholes people into gender roles! And an anime translator just wrote you a hidden translation note about it! You might be a boy, you might know how to cook, but certain boys in another part of the world aren't traditionally taught cooking, so they may not know

They may not, but they could!

Trust a trans person to express gender facts with subtle nuances like this in anime translations.

And with that lovely bit of good translation and good writing and good localization of a thing to make it make sense to people

Mew!

[thislovintime]

Remembering David Jones, and sending thoughts to his family and friends.

(Footage in this edit from the Blu-ray set, Getty Images, Australian TV, Extra, the 1990s documentary; audio 1 from Peter's 1999 interview with GOLD 104.5.)

“Genuine, reliable and huggable, Peter is a natural person — really gets off on talent — loves other musicians and can jam along with the best of ‘em. I saw him holding his own with Hendrix, Stills, Young. He encouraged me no end. Bought me my first guitar and my first drum kit. […] He used to walk with a swagger, shining his arms with a confident air. He calmed hysteria, and lifted depression. ‘Dried banana, anybody? Piece of orange?’ — smiling, waving, running his hands through his hair. He knew all the crew by their first names. Kids crying at his feet he lifted and hugged like a father calming a child. […] He’s the most musically talented of us all by a mile. His songs are real. ‘For Pete’s Sake’ — which replaced the Monkees Theme at the end of some of the shows of the second season — is one of my all-time favorite songs by anybody. I’ve joked a lot about Peter giving everything away. But it was true. He was always giving his spare room to someone who needed it for the night — anyone. And he always seemed far away somewhere — in a different space. But I’m glad I know him. Of all the things he gave me, he gave me lots of laughs — and food for thought.” - Davy Jones, They Made A Monkee Out Of Me (1988) “I enjoyed [Micky] the most, respected Mike the most, and loved Davy the most.” - Peter Tork, Hartford Courant, February 26, 1982 “Davy adored performing, and adored meeting and greeting his fans. He was tireless in making himself available to sing a song, do a dance, shake a hand; whatever was asked. I had heart-to-heart moments with him that were among the best in my life. I was blessed to know and work closely with him. He was one in about 6 billion, give or take. We won’t see his like again. He left much too soon. I share your sadness. Thank you again for this chance to contribute. God bless and keep you all.” - Peter Tork in a note for a Pennsylvania memorial event for Davy, also shared via Peter’s official Facebook page, 2012 Peter Tork: “He was a master of many aspects of this kind of thing [entertaining], and, you know, and we had some very wonderful personal connections, and I’m really sad to see all that gone.” Q: “He just seemed to be a fun guy. I know he loved horses.” PT: “Sure did.” Q: “And obviously loved Peter.” PT: “Sure did. Loved him.” - 94.5 FM (Phoenix), 2013 “[Micky] and Mike and I have a very cordial relationship and share a lot of common topics. We go to lunch together when we’re all in town and have a good time. I love and respect each of these guys in their own way, although the real joys that I shared with Davy were special. At one point we had some good hard connections but as the years rolled on, those things faded away. But I am sorry to see Davy go. He was the one member in the group that I had the strongest human connection with. I still have two guys that I love and respect left from the band, but we share a different dynamic.” - Peter Tork, Review Mag, May 27, 2016

[astoundingbeyondbelief]

Kaiju Week in Review (March 24-30, 2024)

A coworker asked tonight me how Godzilla x Kong: The New Empire measured up to Godzilla Minus One, and I responded, "Almost as good, but in a completely different way." If you like monsters (and if you're following me I have to assume you do), see it, no questions asked. There's about a million of them and they're all delightful. The franchise has long struggled to recapture the specific charms of the Showa era, and I think this comes closer than any of them. (It's the climactic tag-team battle... also Mothra returning to knock some sense into Godzilla). Pure junk food, but you can't just watch Oppenheimer all the time.

Godzilla x Kong tore up the box office this weekend, performing well above expectations. Its $80 million opening Stateside was the second-best of the Monsterverse (after Godzilla). It added another $114 million internationally for the best overall opening of the (still-young) year. China was a big part of that with $44 million; giant monster movies are among the few Hollywood imports that still play well there. With a $135 million budget, lowest of the Monsterverse by a wide margin, it's a matter of when, not if, Legendary announces the next one.

The Oxford English Dictionary has added an entry for tokusatsu, defined as "A genre of Japanese film or television entertainment characterized by the use of practical special effects, usually featuring giant monsters, transforming robots, and masked and costumed superheroes." It's part of a group of 23 freshly-acknowledged Japanese loan words; unclear if the timing is coincidental. Oh, and if you're curious, they added kaiju in 2018. As someone who remembers when the only English-speakers who used either word were in fandom, it's pretty wild to see.

French company Extralucid Films will release Gappa on Blu-ray in June. The impressive-sounding bonus features are naturally all in French, but there's one that transcends language: 17 minutes of extra monster footage. The U.S. version of Gappa, Monster from a Prehistoric Planet, only has about 7 minutes worth of shots absent from the Japanese version, so I'm pretty curious about the other 10. It's also the first time this footage has been released in HD (Tokyo Shock blew it in 2020).

Season 2 of Chibi Godzilla Raids Again is indeed receiving official English subtitles, starting the same day as the Japanese premiere, April 10. Godzilla Battle Line also added a hilariously busted joint Chibi Godzilla-Chibi Mechagodzilla unit, along with a Destoroyah variant. (Maybe Godzilla x Kong units are next month?)

A new Monsterverse movie means new books to buy. The prequel comic Godzilla x Kong: The Hunted is out already (not recommended), but officially you'll have to wait until April 23 for the novelization and May 14 for the art book. Chalk that up to the late release date change, maybe. Unofficially, people are already getting the novelization from Amazon, because they're a monopoly that can afford to pay the fines from publishers for breaking street date. The audiobook version also released on the same day as the film. I don't have intel on what it adds and changes yet; adding everything from the film itself to Wikizilla is all I can handle right now.

The San Francisco Giants are offering a Godzilla VIP Experience on May 17, a long-overdue acknowledgement of the savior of their city. Tickets are almost gone, though I think it's a shame that the promotion is opt-in to begin; what happened to giving these tchotchkes out to the first thousand fans? Well, figures that they'd make getting merch of the Minus One Godzilla in the States a hassle.

[pleasestopthese]

this upsets me! it's at the fucking codec level! they put it all the way in there! this is a fuckin argument for blu-rays if i've ever seen one.

listen: film grain isn't noise, it's signal. each grain is functionally a pixel and the more there are in a given area – the higher the resolution – the more clear the image is. what they're doing is, interpolating film images to make them more clear, and then having whatever device the user is watching on generate some random pixels as noise.

it's fucking weird! also just for whatever reason adding workload to end users' machines to watch a fucking video stream off a server, it's deeply weird. paying some other guys for the privilege of doing extra work yourself! is it clever? no, they artificially bump up resolution to make the compression easier and then have you artificially bump it down at your expense. is it efficient? as far as end users are concerned, what's the fucking point of efficacy? you still pay more and you still need a high bandwidth connection.

it's fuckin weird.

interframe compression is the devil. intraframe compression, where each frame is compressed on its own without reference to what comes before or after, that's that good shit, and it doesn't give a fuck about randomness from one frame to the next. they use it in the best blu-rays, they use it in digital cinema, they used it in fuckin laserdisc with the analog compression 😩 we can have it in files, too.

anyway, torrents over vpn. storage is cheap.

[dunmeshistash]

Seriously where are y'all finding these extra info pages from?? Like just when I thought I found everything Ryoko Kui drew of dungeon meshi, someone pulls up with a new illustration

Depends which ones you mean LOL

There's some stuff in the new adventurer's bible (Still untranslated) that aren't in the english version, and in 2023 ryoko kui deleted a BUNCH of art from her blog that you can only find if you search for them specifically on reddit and such.

You can read my sources post for more information

There's even more stuff coming out tho, the new blu-ray set apparently has even more "what if" scenarios extras?

[batmannotes]

Super Friends: The Complete Series (DVD & Blu-ray) Box Set

Super Friends: The Complete Collection Box Set comes in two different formats; standard definition DVDs and for the very first time, High-Definition Blu-rays. 

Super Friends 1973 Blu-Ray Screenshot

The Super Friends is an animated television series which ran from 1973 to 1985 on ABC as part of its Saturday morning cartoon lineup. Sadly, kids today will never know the excitement of waking up early on a Saturday morning and watching wall-to-wall cartoons. Back then there was no streaming your favorite animated series on your tv or mobile devices whenever you wanted, however you did get your fill of kids programming on the weekends. 

The All-New Super Friends Hour 1977 Blu-Ray Screenshot

The show was produced by Hanna-Barbera, who was behind tons of cartoons back in the day like the Flintstones and Jetsons. The Super Friends were obviously members of the Justice League from DC Comics that were rebranded in name. Throughout the show’s 12 year run it had slight name variations like The All-New Super Friends Hour, The Challenge of the Super Friends (which was my personal favorite year), and The Super Powers Team: Galactic Guardians, among others. Here is a list of the different name changes through the years. 

Super Friends (1973–1974) 

The All-New Super Friends Hour (1977) 

Challenge of the Super Friends (1978) 

The World's Greatest Super Friends (1979) 

Super Friends (1980–1983) 

Super Friends: The Legendary Super Powers Show (1984) 

The Super Powers Team: Galactic Guardians (1985) 

The Super Powers Team: Galactic Guardians (1985) 

The great news here is that you will find all 9 seasons of the 12-year run in this box set including The Lost Episodes. This release has an amazing runtime of 3142 minutes. The Blu-ray version contains 16 discs and the dvd version has 21. Upon doing a side by side comparison of my old DVDs of the show and the newly released version of DVDs, I really can’t notice any difference, however since the old DVDs are out of print and hard to find nowadays this is a great way of collecting all the episodes in one place if you simply want to collect the show on DVD. 

Comparing the original DVD (left) with the 2024 release (right)

However, my excitement for this release is definitely for the Blu-ray version. This is the first time that fans can add the high-definition version to their home library. Looking at a side-by-side comparison of the original standard defintion DVD version next to the newly released Blu-ray version you immediately notice the beautiful upgrade in color. The animation gets a boast in chroma, unfortunately, that seems to be where the upgrade ends. Little attention was given to cleaning up the film cels that make up the picture here, as spots and other insincerities are still obvious. After so many complaints about how Warner Bros. remastered Max Fleischer's Superman cartoons, the studio is a bit more careful now on how they clean up these older animated titles. Here they were a little too careful … maybe even just lazy.

Comparing the original DVD (left) with the 2024 Blu-Ray (right)

You will also notice this is a very bare-bones release. There is no accompanying booklet or physical extras and NO DIGITAL COPY. On the discs themselves you will find the same extra featurettes that were on the original DVDs such as One-Dimensional Goodness: The Super Friends and the Good Old Days, The Super Powers Collection: The Effect of the Toy Industry on the Super Friends, among a host of others. These featurettes do not receive any upgrades in picture or sound. One of the most annoying things to me is the actual box the discs are in. The discs do not pull out easily from their holder and they certainly don’t pop back into to place without some serious frustration. The bracket on my box set also broke away from the box itself within the first couple times of opening it up. The discs themselves are also extremely basic. No artwork of the characters like most of the original DVDs had on them. That said, the titles are easy to read and presented in an assorted color for each season. 

Shot of open Blu-Ray Box Set/Discs

But let’s face it, the real reason fans are grabbing this release with such delight is for the show itself. For many of us this was an introduction to the superheroes such as Batman & Robin, Superman, Wonder Woman, Aquaman, The Flash and Green Lantern. Long before I picked up my first comic book, I watched the Super Friends each and every Saturday morning, rain or shine. Not only was this how I discovered comic books, but it was also my entry way into superhero toys and collectibles. Last year I was really pushing to get this box set released for the Super Friends 50th anniversary, but I will say it puts a huge smile on my face to own every episode now in HD in this mega box set. The lack of extra aside, this is a must-have for Justice League fans. Check out the link here where you can grab a copy for yourself. 

Check out links below for purchase options

The greatest of the DC superheroes work together to uphold the good with the help of some young proteges. Produced by Hanna-Barbera, Super Friends is an animated TV series, featuring the Justice League of America, that ran from 1973 to 1985 on ABC as part the Saturday morning cartoon lineup.

Blu-Ray Box Set available: https://amzn.to/4d8hfaR

DVD Box Set: https://amzn.to/3Bbi99l

Watch the video review below:

[86stagram]

🧀🐹💨brb 🙋‍♀️(Kunsei-ham's servant) Fresh fruits hamster (?)

My Pretty series life started with PriPara! I started watching anime first, and later started playing that game. subtitle from that time is '2014-2015 3rd live February' ; I remember getting the 'Valentine Zukyun skirt' 💖

I was familiar with PriPara than with Pretty Rhythm, but when there run I frequently used the QR codes from 'Fashionable items for use in PriPara : 1450'! I still keep both that & 2DS at home🏯 (2DS? You wanna know why? It's just little easier to scan QR codes on the 2DS than on the 3DS... and inexpensive)

The charm of clothing is what got me interested in Pretty Rhythm✨ But I didn't have much opportunity, I was very busy at the time...😢

I finished watching 'Rainbow Live' & began watch 'Dear My Future' in April! that's feel me so real & authentic anime...😭🙏(Tears of emotion and gratitude) ... some Japanese otaku use like 'real' or 'authentic' as a compliment, haha

Finally got around to watching DMF 11! There’s still a lot haha Sho... Someone Japanese said... 'ショウさん器が小(ショウ)さん' hahaha, yabai...🤣 He is small-minded. that's his one of charm. maybe🙄

and... I need to watch 'KinPri' because come the new movie in summer! I'm interested in that but I don't know past story yet. But I heard it's interesting! I haven't even finished watching all episode of the Pretty series yet, but I'm looking forward!

↓🎀Roni-ish coord (What do you think?)

Awww...

Bankrupt RONI... It's been 4 years and more since, but I still find painful emotions💔 Oh, RONI, with the brand's sleep, my PriPara dreams go to far way😭 I really hope they bring back the collaboration items from that time in adpara... no, no matter how much I wish, there are things which won't come true!

RONI's spirit lives in my heart, and I find joy in seeing Prizmmy☆'s members adorned in that designs at bonus footage👚👗🧥 kawaii✨

I'm planning to watch the DMF extras later because they're only on Blu-ray BOX. (Luckily, my family has that! Usually, I watch on streaming service. It's convenient, isn't it? Umm... That's it🐌😉)

🧡🐹🧡🐹🧡🐹🧡🐹🧡🐹🧡

( í Y ì )Gah! there are almost no SS of me wearing RONI at that time

I'm jealous!( í Y ì ) You guys have so many pic left

In case you were wondering, they are my friends(´Y｀) 🖤Xey 💜Suu 💚Refrain 🤎Netero!!! -with 3 exclamation marks

Netero!!!, her name means that 'go to sleep'💤 Her performance is incredible enough to knock out💤 : That's a setup for her character. and other name is meaningless. Umm... maybe

btw, the person who wrote this has many OCs. I've never seen anyone with more OCs than her. How many does she have❔❔❔🐹Let me see, maybe 60 over

~🎉~🎀~🔑~🐹~✨~🩰~💭

I will try challenge day by day!(日々精進) See you later!

[asktheghosthost]

Some scattered thoughts on the 2023 HM movie

Maybe I'll do something more in depth later after the wide release and when I'm not so exhausted

But for now, here's some notes. There are a couple of minor spoilers, so I'll still put this under a read more. Be warned.

I really enjoyed the Easter eggs. I'm looking forward to getting the blu ray and pausing it every five seconds to see what I spy in the background.

Our mortal crew is very likable. Ben is definitely the stand out character for me. His arc is lovely and sympathetic and he almost made me cry.

I liked how the film approaches grief and loss and love. It felt sincere. And it was handled in a way that I think most kids would get, too. If anything, it may help open up conversations for some of the younger audience.

Lots of character cameos, and multiple new ghosts created just for the film. Really appreciated the new spirits. They fit right in. The extras and supporting cast playing these quirky ghosts were great. ... Pay them. Pay them what they're worth. You couldn't have this massive menagerie of the macabre without them

I've seen a lot of reviews say the jokes can fall flat. Most of them hit for me. "It'll cost you... three dollars," still made me giggle.

Hatty... I'm so glad Disney finally made a proper outright villain again. Not a twist villain. Just a straight up murderous, power hungry, manipulative, absolute asshole. It's been way too long. Pay your writers, and pay them well so we can get more of this.

The way the Mansion would change and rearrange itself was great. I love that the house is a character all on its own. It has a backstory. It's its own entity in a way. Love that. Properly pay your animators and special effects team, because their work is the only way that kind of thing is accomplished so well.

William Gracey is a total sweetheart and I love him. His backstory is actually super similar to Edward's, so that might bug some people. But he's different enough in his demeanor, I think, that maybe it won't be really obvious if you're not thinking that hard about it. But, yeah, there are a couple of things that feel repeated from the 2003 movie. I don't know how much of that to chalk up to tropes, or if it was some intentional reworking. This isn't a remake, it's still its own thing, but it's easy to see some inspiration from the previous film.

Loved Connie. No thoughts in that head except "WHACKITY-WHACK!" She's chaotically vicious for the sake of it, and that's fun. My perfect Constance is Debbie from Adam's Family Values. Or a slightly sympathetic schemer, for a more grounded route. But I'll take maniacal seriel killer Connie, too. One moment with her actually got the biggest laugh from me.

Thinking about it, it also borrowed plot elements from the 2003 video game, too. But did those elements better. For the most part.

That's all that's coming to mind right now. Might talk more about it later. I had a good time. I do recommend it. Are there things I'd do differently? Well, yeah. I still want something where the ghosts are the focus. But I guess I'll just provide that myself. And the IDW and SLG comics also give us that.

I look forward to discussing it more with the fandom once the film has been out a while longer. I think there'll be a lot of different opinions on it.

[weirdratwrites]

I like the idea of a creepy cozy setting.

You live alone ("alone") in the woods near a rocky beach. The mornings are so foggy you can't see past your porch, the days are overcast enough you'd think it was twilight, and the nights are as clear as glass. There's storms and high winds and all sorts of completely normal weather phenomena, but your normal is abnormal compared to those things.

You maintain your lifestyle throughout the day, and prep for Winter, and perform the tasks of your Job. What's your Job? Something. You can't really remember. The tasks don't really clear things up. You adjust antenna in the woods, and flip switches, and filter data that collects all day and night. Not that the data's particularly telling, either. 1's and 0's, random coordinates, and soundwaves.

It earns you money, at least. Money that you mainly use to pay for extra supplies through your services app, but money all the same.

And, like clockwork, those supplies come in at the start of each week. It's one of the few ways of telling time that matters at this point. You drift from shipment to shipment in a daze, breaks in your otherwise monotonous routine only lasting in your memory long enough for the next one to come.

Your supplies come in on a boat piloted by a man that you'd forget as easily as what you had for dinner last week, if he weren't your only physical contact with the outside world.

He wears overalls and knee-high waders and a boonie hat. None of it matches and all of it is well-worn. He's always smoking on something - cigarettes, usually, but he'll show up in a better mood with a cigar on his lip - and humming a toon that sounds just familiar enough to be nostalgic but not nearly enough for you to look it up and relieve the itching in the back of your brain that that nostalgia gives you.

Your supplies are simple fair, usually: freeze-dried mashed potatoes, rice, cans of vegetables, cans of soup, the occasional hunk of meat kept in a cooler that you'll need to run to the fridge as soon as possible, and then whatever additions you ordered. You started eating less when you got here, afraid of running out before the next shipment in those early days, and set aside the fair you found most unappetizing as a last resort. You've built up a good stockpile, now, however long you've been here (five years, the cans of butter beans tell you when you count them one night).

Your home - because that's what it is by now - has become lived in after being abandoned for however long. It's been repaired and furnished anew, and it's your safe haven in these lonely woods.

There's a plush sofa that you had to lug from the dock by yourself, and a new kitchen set, and a TV with a Blu-Ray player and shelves worth of content. A fire crackles in the woodstove year-round, combating a chill that's present regardless of the season, and rugs cover the otherwise frigid hardwood floors. The house is creaky, still, and you'll sometimes think you hear footsteps from the other side of the house, but it's always just you there (except for that one time, but that was more your fault for leaving a window open than Mama Raccoon's for raiding your cabinets).

You can't stay in your isolated slice of paradise, though. You only have this place because of your work, and you must continue to work to keep it.

It's usually boring, thankfully. You wait for a ping on your computer. Then you either walk out to adjust the heading of one of the 12 antenna sitting in the woods, walk to a substation to reset a breaker, or fiddle with your data until the computer is content with it. The walk to any of the antenna or the substation is far enough to be obnoxious, but not so obnoxious to be worth ordering some kind of transport.

On rare occasions, while you're out and about, something... exciting will happen, and that excitement will be enough for a lifetime, and you'll stay locked in your home for a few days.

There's always a sense of being watched out here. Sometimes, it's bad enough for your hairs to stand on end and your hindbrain to take over, taking cover behind closed doors until it goes away.

There's instances where you see Things out there, a shadow ducking behind a tree or some Thing standing in the distance, unmoving as you approach.

You've even heard Things, Things rushing you from behind before disappearing without trace once they get right behind you, or cackling Things in the distance that slowly surround you.

You've only ever met a Thing once, though.

She didn't follow you inside after trying to get into your blindspot all day, and you didn't invite her in either. Instead, she just stood there, on the other side of your screen door, head ducked like she was guarding her throat.

You messaged your superior from your computer in the basement, and you received a reply almost instantly. "Lock the doors, don't let it inside. Help is on the way."

Hard to argue with that, and she was still standing there when you went back up. She didn't even fight it when you closed the door in her face, nor when you locked the doors. She just stared, unblinkingly

"Help" turned out to be a dozen men on a boat decked out in the kind of combat gear you'd normally only see breaking up a riot. A quick check with you, and a number of scans and injections you still don't know the purpose of, and they were off.

You were told to stay in place and keep things locked down, and you did just that. They disappeared into the woods for a week, your usual duties out there apparently being handled by them, and left on the boat with as much fanfare as the usual delivery. A part of you forget to note the extra man leaving with them...

[nozoditz]

We're two days off from the next Discotek Day, and ever since they picked up Kaitou Saint Tail in late 2022 and said that future releases in the much-neglected magical girl genre would depend on the sales of that series (and a lot of people picked it up), magical girl fans have been getting worked up in excitement about their favourite series getting rescued. I cannot possibly parse the clues in their customary clue thread, but I do know this:

-They will not be "rescuing" shows that are already, currently, licensed. Sorry if you miss the DiC/Pioneer/Cloverway dub of Sailor Moon and are mad that Viz's release doesn't have it. Viz has the Sailor Moon licence.

-Tokyo Mew Mew is asked for every single stream, but I don't think it's likely. Sentai has already expressed interest and is likely to pick it up if Tokyo Mew Mew New sells well.

-Every stream has one live-action Japanese movie, one old English-language cartoon (or, occasionally, highly altered dub), and usually one tokusatsu series.

-While they will license and release things that have never gotten translated before, if they can reuse a dub and/or sub from a previous release, they will. This is part media preservation, part practicality because they're a small company.

So, before this ages poorly, here are my guesses in order of likelihood for if they put a magical girl show on the stream on Monday:

Cutey Honey Flash

Aside from the rampant rumours that they've been planning it, they've already done other releases in the franchise, and one of the clues hinted towards a fanservice series or franchise. I'm gonna put this as highly probable.

2. Magical Girl Lyrical Nanoha A's

They've already released the movies and the spiritual successor Symphogear, and the first season has been announced as well. Why wouldn't they get the fandom's darling favourite season?

3. Wedding Peach

Previously licensed and released in full. People used to hate on this anime, but I feel the atmosphere has cooled down some, although the level of Straight Nonsense™ in the series will probably drive new viewers up the wall.

4. Fancy Lala

Previously licensed and released in full. Might also be an easy interest check to see if there's enough engagement for...

5. The '80s Pierrot Shows

Previously licensed by Anime Sols in their "crowdfund the classics" plan, and the ones that did get streaming releases have fallen off RetroCrush recently. I believe Creamy Mami is still on Tubi TV, but as we've seen from Sentai releasing Crunchyroll shows like Eizouken, GRANBELM, and Cinderella Nine on Blu-ray, physical and streaming rights are separate, so it's still plausible we could get them. Especially Persia the Magic Fairy, which never even got a streaming release.

6. Mermaid Melody Pichi Pichi Pitch

Previously licensed, but sub and dub were both never released and are lost media. Sentai and affiliates probably still have the files lying around from when they were ADV, just not the licence, so it might be possible to get the work that was already done. This is higher up on the likelihood list because of its widespread popularity in the magical girl fandom in its era and the success of the anniversary merch last year. Even how disappointing the manga sequel was hasn't killed Pichi's vibe.

7. Corrector Yui

Previously licensed and released in part. Viz never finished the show, but hey, a started job is better than none. Plus its popularity in other countries could give it a boost.

8. Sky Dancers

The requisite English retro cartoon guess. Sky Dancers edged out Tenko and the Guardians of the Magic because the live-action footage and connection to the Princess Tenko brand might require extra negotiations, but I could be wrong. Either way, it's cheesy and silly and very much in line with some of their other cartoons like Street Fighter or Street Sharks.

9. Aikatsu or Shugo Chara

Yes, I know Aikatsu isn't really a magical girl series... or is it? It's one of those edge cases on the Corrector Yui line, where a series conforms to the magical girl genre but explains it all with sufficiently advanced technology.

Both received streaming-only releases, and with Aikatsu it's no longer available anywhere since the downfall of Daisuki, but they lose points for being made up of multiple four-cour seasons. Who has the resources for that?

I don't know, those are my theories. What do you all think?

[adamwatchesmovies]

Bumblebee (2018)

Calling Bumblebee the best of the live-action Transformers movies is faint praise. Even if you consider the 2007 film's action sequences and special effects/character designs, the bar wasn’t high. It's a shame. This is what a movie translation of the series should’ve been from the beginning. It focuses on just a few characters (including a charismatic lead) and builds their relationship using methods that have worked before but are no less effective.

On the robotic planet Cybertron, the Autobot rebels are on the verge of defeat at the hands of the cruel Decepticons. Young Autobot scout B-127 lands on Earth to establish a new base, only to be ambushed and critically injured. Disguising himself as a 1967 Volkswagen Beetle, the amnesiac "Bumblebee" is discovered and repaired by Charlie Watson (Hailee Steinfeld), an 18-year-old music lover and car enthusiast.

The obvious comparison is to both E.T. the Extra-terrestrial and The Iron Giant. A lonely child befriends an alien who must be kept hidden from the authorities. Shenanigans ensue when it’s left unsupervised because it acts more like a child than a member of an advanced species. There are a few times when entire scenes in Bumblebee feel like they’ve been copied and pasted from those other stories with only the names swapped out. This means the best it can get is a bronze medal while Spielberg and Brad Byrd’s movies duke it out for a combined gold. That’s ok. This movie is miles ahead of the next contestant and the Autobots/Decepticons bring some new ingredients to the mix.

It’s a prequel, which means the plot’s set in the ‘80s. Rather than feeling like a cheap bid to exploit nostalgia, it really works here. The Transformers is an ‘80s franchise and setting things in the past allows us to get back to its roots in multiple ways. Aside from Bumblebee and the Autobot leader, Optimus Prime (voiced by Peter Cullen), all the characters are new. We’re not trying to tie up the innumerable loose ends created by the "previous" movies. We’re just telling one effective story centered around friendship and personal growth. The big threats are Bumblebee being discovered by U.S. Army Colonel Jack Burns (John Cena, a great choice for this role) and a pair of villainous Decepticons (voiced by Angela Bassett and Justin Theroux). Charlie’s summer job at the carnival - though crappy - also makes you recall simpler times. Gone are the bathroom jokes, the dubious roles for women and visual minorities and the cacophony of shredded metal while entire cities are laid to ruin.

Then there’s the music. Throughout, we hear great tunes - and not simply the usual “best ofs”. This soundtrack feels like it belongs to Charlie. They help flesh out her character and her relationship with the alien robot. It helps that Hailee Steinfeld is a gem. You just want to walk up to her and give her a big hug, particularly when she’s lamenting the death of her father (a subplot that’s nicely handled by the director and the actress alike).

The action scenes we do get are clearly shot and remain tense because we care about the characters. You want Charlie to survive. You also want her to overcome her grief, make friends, maybe even fall in love with her shy neighbor, Memo (Jorge Lendeborg). You like Bumblebee because the amnesic robot is funny and because he's kind of cuddly in a "child-like giant metal man that can inexplicably understand English" sort of way. Yes, the bulk of the times we saw the yellow 'bot he was in some bad stories but you still have a bond with him, one not unlike Charlie’s.

Upon initial release, Bumblebee was merely billed as a prequel to the franchise. I say ditch those other stories and keep going with this route. While it may be slightly derivative of other projects and the mechanical villains could’ve been developed further, this is solid ground on which you could start a franchise… for real this time. (On Blu-ray, September 18, 2020)

[kylesvariouslistsandstuff]

ELEMENTAL Still Climbs

Surpassing $400m worldwide, surpassing 5x for its multiplier (an exemplary result for a summer release film), and still hanging on weekend-to-weekend... ELEMENTAL is the "comeback" everyone has called it in the recent weeks. From Pixar's lowest unadjusted opened of $29m to leggy sensation...

Even if it doesn't make 2 1/2x its ridiculous $200m budget, that's quite something... Even Disney themselves are acknowledging that, because legs - as I often say - speak VOLUMES.

The digital home media release and physical releases have been set (mid-to-late September), the Disney+ debut date is presumably right around the time of the latter. Disney did the same for GUARDIANS OF THE GALAXY VOL. 3, while their LITTLE MERMAID remake releases on D+ before the Blu-ray comes out... Though, maybe Disney holds off on ELEMENTAL's D+ release. It being absent from the recent home release announcements makes me wonder... Keep that thing 'til Christmas, I say. Give it time to slowly putter out domestically, give it time to make decent money in digital rentals/sales and disc sales... Demand for those who won't rent/buy the movie would only increase if they hold out 'til December.

But, I have a feeling they'll just debut it on Disney+ in September...

Anyways, I'm happy to see it doing well, especially for director Peter Sohn. His debut feature-length picture, THE GOOD DINOSAUR, was Pixar's first money-loser. I chalk it up to the movie being a little too bizarre for audiences (a.k.a. it's a movie for ME), the troubled production no doubt ballooning its budget (if the hyperrealistic visuals already didn't), and Disney quietly putting it out a month before STAR WARS: THE FORCE AWAKENS. Bah. Who knows how it would've done if released at another time, or if it were the original version that Bob Peterson conceived and was directing. ELEMENTAL definitely appealed to audiences more, even if the trailers seemed to not communicate that.

It's like a small hope spot for theatrical Disney-released animation.

Of course, WISH is a bit up in the air at the moment because of the ongoing strikes. That we might not get a new WDAS movie in the studio and company's goddamn centennial... because Diz executives and the other dingus companies just can't do the right thing and pay their writers/actors... Absurd how they just keep picking the worst possible option, prolonging all of this.

But whenever it does arrive, hopefully with those who were paid well giving the movie some extra promotional push (not the sorry state of affairs we saw with HAUNTED MANSION's premiere, and for a non-Disney example, Sony's GRAN TURISMO relying on random people tweeting about the movie), I hope that also does well... We haven't had a Disney-released animated movie that was a "box office success" (as in, made 2 1/2x its production budget) since FROZEN II... All the way back in 2019. ELEMENTAL has to make it to $500m to clear that, and it's out now in Japan, where it opened spectacularly... Maybe it could make it? Maybe not. It'll come very close if it doesn't.

If the conglomerate heads keep being fools, I expect some more animated movie delays. Sony moved back a ton of pictures, and undated BEYOND THE SPIDER-VERSE (which was always going to move to begin with, strike or no strike). I won't be surprised if Disney, Universal, et al. follow suit. Like, could ELIO end up being a summer 2024 release that pushes INSIDE OUT 2 to summer 2025? Could titles like GARFIELD and DESPICABLE ME 4 also be affected?

We shall see...