#just some rambly thoughts

[sociallyrepressed]

norpinto supernatural thoughts

supernatural aus (bonus points for mystery elements) will do it for me like nothing else so here are a few of my favs that have found their way into my notes

Vampire Franco & Werewolf Lando

I’m imagining Franco is a fledgling, freshly turned within the decade [alt. I think it’d be interesting if he was a legacy vamp, but that takes a lot more thought to me]

Lando was born a werewolf, but he hasn’t actually learned all of the components of being a werewolf other than what he needs to know so that he can fit into normal society

werewolves have mates

vampires have a more possessive(?) approach because they don’t have souls, so no soulmate, and they don’t experience love the way mortal or even other supernaturals do.

every living thing needs a heart, and vamps don’t have one (yes, they’re technically dead. semantics.) so they need a fully living breathing counterpart to be their heart

they’re still f1 drivers, and most of the grid is mortal

Franco and Lando find each other because it’s a full moon, and Lando is trying his best not to shift because they’ve got a night race and he can’t let his base instincts take over or anything

Franco finds him curled into a corner, trying not to shift and sweating with heat. he runs his cold hand through his hair, and Lando pushes into it (essentially a dog, if you will)

he makes it through the night and finally shifts after the race something something maybe Franco is there maybe not who knows

then, because all good deeds are returned, Franco is out of blood reserves so he’s shaky and paler than normal. Lando finds him and lets him suck his blood under the supervision of Jon to make sure Franco doesn’t take too much (vampire Jon, anybody? then we can get more interactions where Lando knows how to navigate certain situations)

mid-blood suck, Franco feels a phantom beat in his chest cavity, and he’s not quite sure what it means but at the same time Lando’s wolf is like mineminemine and Jon knows Lando enough to know what’s happening, so he has a convo with Franco to explain it all to him

yadda yadda happy ever after

OR an au for an au some kind of historical piece with monster hunters and they still manage to find each other

more angst, obvi

Dead Ghost Lando & Junior Detective Franco

Lando was the victim of a brutal murder that occurred years ago and went unsolved

one of Franco’s assignments is to review old cases, both solved and cold cases so that he can study/compare the processes

Franco’s going through evidence from a cold case, finds an old locket with something he can’t make out engraved onto the front

when he opens the locket, Lando’s spirit is released from his in between plane to realm of human existence

they get up to a lot of shenanigans because Lando was young-ish when he died so they’re around the same age and like messing with people

once Franco gets pulled up to shadow a senior detective on an active case, that case is similar to Lando’s (same mo?)

we can get protective Lando, trying to shield Franco from the Horrors and keep him out of dangers way, easier said than done

we can get two endings: (1) the objectively happier ending in which Franco lives, bad guy caught, Lando gets to move on to the afterlife since his business on Earth is complete or (2) the objectively sadder one in which Franco is killed, killer is never caught, but Norpinto get to be with each other for the rest of eternity, maybe stuck on Earth until culprit caught or maybe being able to move on together

Caller Lando & Killer Franco (Ghostface au)

all sorts of tw for this one: blood, murder, nsfw, blood kink, etc (they’re murderers)

considering dynamics for this one: Lando is control behind the scenes- he decides the victim, when and where they’re killed, maybe even how. technically, he’s got the most amount of control between the two of them, backing a victim into a proverbial corner with his voice while his partner backs them into a physical corner.

Franco covers the physical approach- he enjoys the chase, the power of being able to utterly overwhelm them. he’s all about being strong and instilling fear and toying with the victims, taking his time pulling them apart

how fucked is it to say killing is their love language? a victim picked by Lando has been thoroughly thought out as a gift to Franco. the technique of the kill and the final arrangement of the body is a love letter to Lando.

leaning into the nsfw (for those interested) aspect of this au, Lando likes being in control but he always ends up getting dominated by Franco. physically and mentally.

they get nasty after a particularly satisfying murder, fuck in a pool of blood (don’t think about any blood-transmitted diseases or anything)

[a-scary-lack-of-common-sense]

I think I made some of you guys a little sad with my last post, so you can have some happy aftermath twins before part 2, as a treat ❤️

[frownyalfred]

thinking about a Damian who was raised his entire life hearing how much he looks like his Father, how he's the blood son, how he's better than any other child Bruce Wayne has taken in, starting to buy into it like a kid does, only to hit puberty and turn out looking like 80% Talia.

[aashiqeddiediaz]

you know what boils my blood.

over the last 2 weeks, i've seen countless patients walk into my urgent care center, symptomatic for so many things, refusing to get tested for covid and flu, citing that they don't want to knowingly bring it to their holiday tables. i had a patient tell me, verbatim, "i don't want to test for covid, because i don't want to be the asshole who brings it on a plane."

i understand that - i understand that holidays are times where people look forward to meeting loved ones that they might only see once a year, or where they get a break from the hectic back and forth of their lives.

but here's the thing - whether they get tested or not, they will bring whatever they have to their holiday tables. it's pure recklessness to know that you're sick, and walk into someone else's house spreading the disease.

today, january 2, i saw 91 patients, many of them who have tested positive for covid and flu. many of these patients are the same ones who didn't want testing 3 days ago, until their events were over, and now, they will have to reach out to everyone they know to let them know that they were positive because they were showing symptoms well before their event.

the next week or two? we're going to see many, many more, all people with symptoms that started around christmas. these are the only two viruses we test for rapidly in our office, but they are potent and can be fatal in many people.

so here's why i wrote this post, and maybe it's a little late, but - if you care about your loved ones, please get tested if you know you're sick. it doesn't have to be at a clinic if you don't want it to, because the over-the-counter tests work just fine too (if you test within 5-7 days of symptom onset). just...please don't try to run from the knowledge that you might have covid, because immunocompromised people, elderly people, people with co-morbidities like asthma, pregnancy, diabetes, etc...many of them may not recover. and they may not be sitting at your holiday table in the future because of it.

[onesidedradiostatic]

I'm thinking about the stupid fucking parasocial dynamic between sir pentious and alastor. I have questions

the fact that sir pentious says "again" in the pilot and him saying they'd done battle "like 20 times" in episode 2, was this just like. a regular thing he did even prior to alastor's disappearance. where he would just come in every other week to attack alastor while he was casually doing stuff and alastor just forgot each and every time.

also keep in mind sir pentious is from the VICTORIAN ERA, he arrived in hell before alastor. how. how long has he known him. how long had he been DOING this.

sir pentious being one of the chronologically oldest major characters really makes you think about how much he has seen or knows about LMAO

also the fact that he says "for when I've slain you the almighty vees will finally acknowledge me as their equal" was he just thinking of alastor just being generally powerful that it'd be cool if he defeated him or did he know the specific significance of alastor in the context of the vees. I also find it funny that he found out about alastor's return BEFORE vox, yeah if he delivered a dead alastor to the vees after 7 years I'm sure that would've been one fucking hell of a shock

[bluerosefox]

Back at it again with a DPxDC prompt.

It does have deaged Dani (Ellie)

Only this time its KonxDanny idea!~

Supernova, Kon's new hero name since Jon took over the Superboy name now, wasn't expecting to be called out to... especially in the sky... by another floating/flying person and-

WOW

They were cute as heck.

Glowing green eyes, and white hair, a bit shorter than him. He was floating in the air with a soft glow around himself as well.

And he was holding a white haired, very similar looking toddler in his arms, only the toddler had longer hair that was tied in pigtails. And the toddler was staring at Kon with large, almost sparkling eyes.

The young man, around Kon's age if he guessed, smiled and floated a bit closer, his face friendly and warm. When the young man stopped he kindly asked "Hey, would it be any trouble for you to autograph something for my daughter? She's a huge fan!"

[demaparbat-hp]

Golden Boy (and Silver Girl) for the Kintsugi AU.

[hadourhandstied]

It's so disheartening that I suddenly feel like I can't even talk about Taylor at home to my people anymore because they know about what he said about Ice Spice and its just embarrassing now... I feel like I'm in 10th grade all over again but this time everybody else is actually right.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[raepliica]

priest guy sending mixed signals, what is he up to?🤨🕶🤏

~~~

[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[the-witchhunter]

DP x DC worlds greatest detectives ramble

You ever just get a bit tired of the batfamily being dumb?

Sure I appreciate a good “Danny is weird and the Bats try to figure out his deal and draw wrong conclusions based on incomplete evidence” fic as much as the next guy, and I’m definitely not saying not to write them

But the thing is, they’re all really smart. It’s their whole thing, they’re a family of detectives that dress up in colorful costumes and fight crime, but detectives nonetheless

And I get it’s for humorous effect to have otherwise intelligent people be incredibly dumb about one thing, but it’d just be nice to see them be smart sometimes. Even in a fic where they’re drawing the wrong conclusions, it’d be nice to see them use their detective skills

Like build a case so solid Danny questions whether they’re actually right about him and if he’s just confused

Or just apply it to more conventional situations/crimes

Because frankly it’s funnier if you show they’re smart before having them do something really stupid

If you build them up a bit, then it’s funnier when they fall down.

“Where did he go? It’s like he vanished into thin air!?”

“Don’t be silly, see these scuff marks? Someone recently went down this way. The gravel here has been disturbed indicating this manhole cover has been moved recently. Now if we just prop this up…”

“…huh, is that…?”

“Killer Croc and not the twink we were just tracking?”

“Yeah, that”

“Yeah, that’s killer croc… hi Waylon”

*large scaly hand darts out and drags Bat in question down in the sewers while Danny watches invisibly*

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[puppyeared]

(guy who has never played cotl) haha au time

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[journey-to-the-attic]

one thing about ik is that she will always reach out