#just so i can find it if i ever want to sorry anyone in the knhedit tag

[not-neverland06]

𝚃𝚑𝚒𝚜 𝙻𝚊𝚗𝚍’𝚜 𝚈𝚘𝚞𝚛𝚜

Pairing ˏˋ°•*⁀➷ Arthur Morgan x fem!reader

A/N: Oh. My. God. I am so sorry this got delayed so many times. This is such an important chapter to me, it plays such a pivotal role in "Y/N's" development that I kept scrapping it and starting over. I didn't want to give this to you guys until it was perfect, and I think I've gotten about as close as I can. I'm predicting one more story chapter and then possibly one short epilogue.

Next Part - Hell Hath No Fury Series

Summary: Arthur's gone and you're own once more. The familiar ache of grief lingers as it always does. But the clouds must always part for light. Through death and grief, you still manage to find yourself.

It always seems to be cold at night, now that Arthur’s no longer there to keep you warm. You curl into yourself, knees tucked to your chest as you smother your face in the thin pillow on your cot. You press the fabric tightly to your mouth, trying to keep the sounds of your crying out of the other’s dreams. 

There should be no surprise that you’re on your own again. Beating a dead horse doesn’t make it move, but somehow, you keep finding yourself tangled in the reins, dragged along by the memory of men who’ve long since let go. You wonder, sometimes, if your life is one bet of many between god and the devil, seeing which one of them can get you to break first.  What you could have done to draw their ire, you don’t know, but you’re not sure how much more pain and loss you can handle. Your lifetime is filled with the empty graves of those you’ll never see again. Now, Arthur’s is just another headstone to add to your endless cemetery.

You worry that you’re too loud on the harder nights. But no one’s ever complained that they hear you crying and you figure they’re all probably too busy mourning in their own way to notice the way you do. 

Abigail is practically an empty shell of herself without John. As much as they fought she doesn’t seem to know what to do with herself. Especially knowing he’s in jail, destined for the noose, and there is nothing she can do about it. 

Karen’s not doing much better. With Sean in jail alongside John, she’s fallen to the drink. She’s adopted a fatalist view that, without Dutch, you are all doomed to die at the hands of the Pinkertons. Sometimes, looking at the depressing faces of those around you, you think she might be right.

Stuck out in the middle of nowhere, with only two rotting cabins between what was left of the gang, you are a far cry from the fearsome outlaws you once were. This is no longer the Van der Linde gang. Now, you’re barely any better than a group of desperate wanderers. 

You know sleep won’t come to you tonight, you’ve been tossing and turning for hours. Any longer and you’ll wake everyone else up. Wiping roughly at your eyes, you slip a blanket around your shoulders and head toward the creaking door of the cabin. You try to keep in mind that one wrong step and the groaning wood below you will alert everyone. 

Barefoot, you walk along the muddied planks of the porch and head towards what’s left of tonight’s fire. It’s not ever-burning as it once was. The gang takes care to ensure if anyone were to come looking for you all, you wouldn’t be such easy targets. 

You sink onto the log before the dying fire, with embers glowing faintly in the darkness. Sparks flicker and leap from the blackened wood, a futile effort to reignite the flame. Their struggle is in vain, though, there is no life left to kindle, no warmth to revive. The fire is gone. 

Light footsteps make their way towards you, but you keep your gaze steady on the flickering struggle before you. “I’m gettin’ real tired of this,” Sadie’s disappointed sigh is a familiar one as she comes to stand behind you. 

“Were you in town again?” You ask, ignoring the glare you feel boring into your back. She stares at you for a while longer before letting out a rough sigh and throwing herself down beside you. The log shifts slightly under her weight and you dip towards her. 

“I was,” she grumbles, something white balled up tightly in her fist. You turn towards her finally, eyes narrowed on the paper in her grasp. Her face is drawn tight, jaw set angrily as something vengeful burns within her gaze. 

“What is that?” You ask, tone inquisitive but not truly interested. Her eyes dart towards you before she shakes her head and tosses the paper to the dying fire. What’s left of it, licks eagerly at the paper, trying its damndest to burn brighter.

“Nothin’, don’t worry about it. Why can’t you sleep?” Her switch in conversation is quick and far from subtle. Your head tilts slightly in curiosity, gaze switching between her and the paper that’s slowly curling up at the edges. She’s hiding something, it’s easy enough to tell from the way she refuses to meet your eyes. Besides, she’s snuck into town plenty of times, you’ve never seen her come back this riled up before. 

You jump to your feet and she startles at the quick move. “Don’t,” she snaps, snatching at your wrist as you rush by her and swipe the paper from the fire pit. Sadie gets to her feet, hand held out with an expectant look as she waits for you to give her back to paper. When you don’t comply immediately, she says your name, voice low and tense, a warning. 

Lips curling up slightly in challenge, you leap back as she lunges for you, holding the paper away from her. “What is it?” You tease, curiosity curling over the lingering ache from earlier. 

She snaps your name again and you flinch back in surprise, “I mean it, don’t look at the goddamn paper.” You’d only been joking with her, trying to focus on anything other than Arthur. Now, there’s a familiar churning feeling of dread as you look at your friend. She’s not angry at you, she’s angry at the thin sheet you’re holding. There’s something on here she doesn’t want you to see, not for her own sake, but for yours. 

Your breath quickens, heart dancing dangerously fast against your ribs as you finally look at what’s in your hand. She hisses your name but you stubbornly ignore her, frowning when you realize it’s a torn-out piece of a newspaper. It’s a smaller article from the local St. Denis paper stand, talking about a ferry being lost at sea. 

“Oh, god,” you whisper, hand coming up to cover your mouth as bile rushes up your throat. You bite down on your tongue until the taste of iron fills your mouth, holding back the nausea. “This is him, isn’t it?”

Sadie lets out a rough sigh, shoulders slumping in defeat. “I didn’t want you to know.”

“You were just gonna hide this from me?” You nearly shout, taking one angry step towards her. Her brows turn down in guilt, mouth settling into a thin line as she shakes her head. “No? You weren’t?” You demand, tone rough with grief. “You were just going to wait until I put the pieces together myself?”

“Dammit, woman, you’re barely holding it together,” she barks out, snatching the paper from you once more. She turns her back on you, shredding it into pieces so small you’ll never be able to finish reading it. “I was going to wait until I didn’t think you were on the brink of completely fallin’ apart. Besides, it doesn’t say anything about the people on the ship, we don’t know what happened.”

“We never will!” The words tear out of you, a sharp, bitter exhale. A panicked smile twists your lips as you struggle to keep yourself upright. “Sadie, your husband is dead, you know that. You have your answer. I never will. I will never know what happened to him. And it doesn’t even matter because he left me!” Your voice cracks, a sob slipping free despite your best efforts to swallow it down. “I shouldn’t care about that goddamn bastard, but I do.” You turn away from her, shoulders caving in as you wipe roughly at the tears streaming down your cheeks. 

There’s a beat of silence behind you. You miss the way her face falls, her hardened exterior falling away just for a moment. She looks at you with something like understanding, pity more likely. She steps forward, her arms winding around your shoulders, trying to hold you steady through the pain. You struggle against her hold for a moment but she keeps her grip firm, forcing you to succumb to the small comfort. 

You sink into her embrace, breath hitching as the grief claws its way up your chest, relentless and unyielding. You can’t keep doing this. You aren’t made to endlessly love and lose, to watch pieces of yourself crumble with every goodbye. It feels as though there should be nothing left of you- no bleeding heart, no raw edges. And yet, every time you think you’ve reached your limit, life finds a way to push you further. 

But life, pain, and the ugly company of grief never stops or goes away, despite how much you wish they would. 

A few weeks later

Physical pains and ailments heal. There may be scars left behind, but for the most part, you can be wholly healed. Anguish of the mind and heart is a different beast to conquer altogether. That sort of pain ebbs and flows. It doesn’t slip away neatly. It comes and goes, sneaking upon you when you least wish for it. 

Distractions can dull the edge. The looming danger of death and the law from any of your multitude of enemies helps. But more often than not, the weight remains a leaden burden on your shoulders and a gnawing ache deep in your chest.

For now, the pain has numbed into something dull that makes you clench your teeth and hiss. But if you force yourself, you can find steady ground to stand on. You can keep yourself calm and sated, if you focus yourself on the anger rather than the grief. 

Anger comes easier than healing. It lashes out at the world and balms over the constant pain, if only for a little while. You find yourself getting into more and more fights around camp. The forgiveness of shared grief has its limits and you’ve been testing them for a while. You’re curious how far you can push before you’re forced out by the rest of them. 

Sadie’s efforts of finding a new place for you all to hide don’t go unappreciated. But this cabin feels like a cage, no matter how far you’ve come from the mud and chaos of the old abandoned camp.  The tight space presses against you, the silence weighs heavy against your chest and constricts around you tightly. You hear the faint rustle of the trees in the wind, but it’s a vacuous cavern inside. 

The memories of Shady Belle plague you like a ghost. The brief moments when you could almost forget everything pressing down, but now, that place, too, is just another reminder of what’s been lost. Memories of nights spent with Arthur or sitting outside and listening to Javier play his guitar are tainted with loss and rage. 

Sadie and Charles provide you brief comfort, but it will never be enough to make this place feel like home. You try to shake thoughts of Arthur, what the gang once was, and everything that came before. You’ve been running for so long, from your past and who you once were, but it feels like you’re being dragged right back. 

Unable to handle the suffocating silence any longer, you take Arthur’s bow out from the chest under your cot. You grab a handful of arrows and jump to your feet. Throwing the door of the cabin open, you stride past everyone lingering outside. A few people give you odd looks, but they don’t stop you from leaving. You’ve become a dark cloud around camp, your presence heavy and actions unpredictable. It’s almost a relief for them when you’re gone. 

Lady’s just as restless as you are, except the dumb beast doesn’t understand that neither of them are coming back. Charles doesn’t know what happened to Diablo or the other horses when he fled St. Denis and you’re not interested in looking for them. She’ll just have to live with the pain, same as you. 

“Let’s go,” you mutter, swinging onto her saddle and leading her out of camp. It’s as if a weight slips from your shoulder the further you get from camp. The tight grip constricting around your chest loosens and for the first time in days, you can draw a full breath as the world opens before you. 

The thick groves of trees thin and give way to sprawling plains of grass and wildflowers that stretch endlessly. Steering Lady off the trail, you ride her hard and fast, determined to put as much distance between yourself and those suffocating cabins. Dirt kicks up under her hooves, flying up behind you as she pushes herself to the limit. 

The world around you blurs into streaks of green and gold as memories and grief slip away from you. You lean forward over Lady’s neck, urging her to go faster even as she huffs beneath you. You’re racing the wind, chasing after a dream that’s been lost to you. The air lashes at your face, the sting sharp and cold. Your eyes burn and you tell yourself it’s the wind, even as wet streaks drip down your cheeks.

Bright beams of sunlight streak across the ground, illuminating the path forward. Morning dew glistening under the light, transforms the earth into a field of stars beneath your boots. You draw in a deep breath, letting the crisp air fill your lungs, and tighten your legs around Lady’s sides, signaling her to slow. Her chest heaves beneath you, each breath a puff of steam in the cold air. You can feel her desire to keep running, that shared, desperate need to escape clawing at both of you. 

But she’s exhausted, and no matter how much you’d like to keep going, you can’t push her until she collapses. You’re tethered, whether you like it or not, you’re always going to be pulled back to camp. It’s a cage and a haven. Though you hate the confinement, deep down you know survival outside of it might be beyond you. You don’t trust yourself not to wither in the wilderness alone. 

The sound of water rushing draws your attention and you turn towards a green hill rousing in the distance. Guiding Lady toward it, you crest the incline and slip off her saddle, letting her graze.

Below, a river carves through the land. Its rushing currents are strong enough to carry something away with no hope of return. You step closer to the edge, peering down as the sunlight dances on the water’s surface. It runs like liquid gold, unnaturally beautiful, almost hypnotic, like the siren call of a sailor’s doom. 

A herd of deer drift alongside the river, their presence serene and almost make the idea of simply drifting away, peaceful. Your foot inches closer to the edge, slipping on the wet grass, and for a split second, the earth feels like it’s tilting forward.  

“You don’t usually ride out this far.” 

The voice snaps you back, and you gasp, spinning around. Charles stands behind you, one hand on Taima’s saddle, watching you with a calm but expectant expression. 

“I can’t stand being there,” you say, moving toward Lady. Your hands fumble with her saddlebag, needing something to occupy them. His eyes flick briefly to the river, then back to you, his gaze sharp and knowing. 

“You’re not the only one.” He strolls to the edge and whistles softly.  “Far drop.” 

You keep your hands busy, pretending to rummage through your belongings. “I’m a good swimmer,” you tell him, voice flat. 

“Not that good.” His tone is clipped, a warning wove into his words.  

You let out a sharp breath and finally turn to face him. “What do you want, Charles?”

He shrugs, resting one hand on his belt as his dark eyes assess you. “Thought you might want some company.” He pauses, his voice lowering. “Or, at least someone to keep you from doing something stupid.”

You wince, knowing how it must have looked. You’re hurt and desperate, but you’re no fool. The river might be pretty, but you’re not looking to drown yourself in it. “It wasn’t anything like that,” you insist, and Charles gives you a sharp, assessing look. “Charles,” you snap, exhaling in frustration.  “Honestly. I just,” you take in a slow breath, shaking your head, eyes downcast. “I need a break.”

“Alright,” he says simply. “We’ll take one together.” He walks back to the cliff’s edge, dropping down to sit with his legs dangling over the side. He glances over his shoulder and motions you to join him. 

Your fists clench at your sides as you take slow, reluctant steps toward him. The dew on the grass seeps into your pants as you sit beside him, hands folded in your lap. Out of the corner of his eyes, you catch his profile, calm, steady, and scarred. 

The aftermath of St. Denis lingers on his face. A fresh scar cuts along his jawline, a reminder of how close he came to joining the others who didn’t make it. Yet, with some of them gone, he seems more at ease. Charles never agreed with Dutch’s grandiose visions, and though he and Arthur had a bond, it’s clear the gang’s collapse has freed him from some invisible yoke. He wears his hair in a braid lately, speaking with nearby tribes and helping them when he’s not in camp. 

If it wasn’t for some odd honor-bound obligation he’s got to you and a few others in camp, you don’t doubt that he’d be riding free by now. Still, he stays with you, and selfishly, you’re glad for it. 

A gunshot cracks through the quiet, echoing among the hills. Birds take flight from the treetops as a hunting group crashes through the grove below. They circle around the herd of deer and let their bullets fly wild. Their hounds snap at the flanks of the animals, jaws clamping around the soft throats of the doe. 

Charles scoffs, shaking his head in disgust. “You don’t kill the does,” he mutters angrily. “Just the bucks. These men... they have no respect for the laws of nature.”

You let out a sardonic huff of laughter, gesturing toward the chaos below.  “Welcome to the future of our country,” Your gaze drifts toward the horizon, where smoke from St. Denis factories smudges the sky. Even this far out, civilization stretches its claws, unstoppable. “The west is dying, Charles. The time of outlaws, of freedom, is being shackled and destroyed.”

You turn to face him, meeting the same burning anger in his eyes that’s been smoldering in your own for weeks. It’s the first time you’ve seen that fire in him so clearly- the shared, silent rage, you’ve both been trying to suppress. “Our time is over,” you tell him, voice low with finality. 

His eyes narrow, jaw tight with defiance. For a moment, he says nothing, but then he rises to his feet, his movements purposeful. “Maybe,” he says, his voice steady, “but not today.”

Without another word, he strides toward Taima, tightening the saddle and checking the reins with precision. “What’re you doin?” You call after him, brows knitting together in confusion. 

He gestures toward the hunters below, his tone sharp. “You want to do something stupid. Fine. But take it out on someone who deserves it, not yourself.” 

His words hit like a slap, and before you know it, he’s leading Taima down the hill. 

You linger in the sharp sting of what he said only for a moment. Jumping to your feet, you rush to Lady, adrenaline coursing through your veins as you mount her. With a kick of your heels, you follow Charles down the path toward the hunters, your rage finally finding a target. 

For the first time in a long while, the weight around your chest lightens. You might not be able to fix the world, but you can make sure someone pays for tearing it apart. And as you ride beside Charles, you remember why he’s still here. He’s not just keeping you alive, he’s giving you something to live for.

Sitting inside the cabin, the smell of venison drifts toward you. After the incident with the hunting party, you and Charles salvaged what you could of the herd. Neither of you liked the idea of anything going to waste. Some materials were given to the local tribe, and the rest have been feeding the camp for days now. 

Last night, you’d scoured the woods for herbs and other ingredients and discreetly left them on Pearson’s cooking table. You were growing desperate for a flavor other than plain meat. Judging by the faint smell of mint wafting through the air, it seems he finally took the hint. 

Propped against your flimsy pillow, you run your fingers along the worn leather of the journal in your lap. For weeks, you’ve toyed with the idea of opening it, of seeing the world through Arthur’s eyes. 

Here, in the rare serenity of a quiet camp, you finally give in. The journal is as you would expect, sketches, details of some of the more pivotal moments for the gang. Every once in a while you’ll find a sketch of someone and a brutally honest recollection of how Arthur thought of them. Some of them are less flattering than you would have thought, you’re almost worried for how he might have seen you. 

You make it through his entries about Blackwater, the sun setting lower in the horizon as the light from the window gets dimmer. Outside, voices grow louder as people gather around the fire for dinner. You force your eyes to stay on the page, blocking out their drifting voices. 

His entries after the mountains are almost amusing. He’s clearly frustrated about something, though, he skirts around directly addressing what it is. Only a few times are you directly mentioned, for the most part, he avoids writing about you. But you catch glimpses of yourself hiding in the pages. A half-finished sketch of your hand holding his, the beginnings of your face abandoned before he can finish. 

There’s an entry a few weeks after you acquired Lady. A sketch of her and Diablo grazing together, their noses nearly touching as they crane their necks towards the grass. Surrounding the drawings are small notes about herbs and foliage he’d collected on his hunting trips. Among those sketches, there’s a small blurb about the horses.  

Diablo seems to be taking a liking to Lady, odd pair, I think. 

An odd pair, you suppose there’s not a better way to put it. Something that never should have worked, a devil and a lady, yet it still clawed and fought to find its way. In the end, though, one of them was always going to be left behind. You can’t help but wish it hadn’t been you.

A rough sigh escapes you, and you flip past the next few pages. Then, you stop. A familiar pair of eyes stare back at you. 

You’ve changed so much since this journey began. Your skin is weathered, your once-pristine hair is now more often than not dirtied and knotted from the wind. Your body has grown leaner, stronger, shaped by the relentless movement and harsh diet. The woman in the red dress from St Denis was already a stranger, someone you couldn’t recognize. 

Even from Arthur’s view, you still don’t know her. The general shape of your face remains. You have the same slope to your nose, your jaw still tilts the same way. But your eyes are so different. He drew them with fire, with life, with a fight you had once thought yourself incapable of. 

You feel invulnerable as you stare down at her, as though her fire can be passed so easily to you. The feeling flickers and fades, replaced with the same familiar ache you’ve grown used to. 

You can’t make sense of it, how he could have seen you so kindly, and yet still walked away. 

“Got that look in your eye again,” Sadie’s voice cuts through the stillness, startling you. She leans against the doorway, one hand lingering on the revolver strapped to her hip. 

“What look?” You mutter, glaring down at the journal. It feels too raw, too personal to keep reading. Torturing yourself with thoughts of him isn’t getting you anywhere. He’s gone. You’ve faced death all your life- mourn, move on. That’s how it’s meant to go.  

“Angry,” Sadie tells you, voice soft and knowing. “Like how I looked after I lost Jake. You ain’t look like that when you lost your husband.”

You shrug, fingers tracing the lines of your face through Arthur’s eyes. “Arthur was nothing like my husband. He leaves something to be mourned,” you tell her simply. She watches you a moment longer, but when you get to your feet, her expression sharpens. 

“Going somewhere?”

“Out,” you reply curly, the cabin walls closing in around you. You’re growing tired of the suffocating way Charles and Sadie hover as if they’re both waiting for you to break again. That moment on the cliff, your grief by the fire, it was all a lapse of judgment, nothing more. You’ve fought too damn hard for your freedom just to throw it away because the men you love always leave you behind. 

“Need some compan-”

“No,” you snap, cutting her off. Your tone leaves no room for argument. 

You step outside, the balmy evening air clinging to your skin as you head toward Lady. You don’t know where you’re going, but that’s fine. You just know you need to figure out how to live for yourself. And you can start by riding. 

The moon hangs heavy in the sky, its light threading through the plains like silver threads. Clouds roll overhead, slowly swallowing the stars. You smell rain in the air, a promise of a storm tomorrow. You’re sure you’ll be holed up in the cabins tomorrow while it pours. 

For now, you have the trail and the night for yourself. You let Lady take the lead, her slow gait a soothing rhythm as you settle into the ride. Normally, you don’t risk staying away from camp overnight. There are too many lawmen and bounty hunters looking to make a name for themselves. Tonight, though, you make an exception. 

A loud whoop cuts through the stillness, yanking you from your thoughts. You pull Lady to a halt, eyes roaming the dark horizon. A lone rider crests the hill, silhouetted against the moonlight, his path set toward something hidden around the bend.

“Must be my lucky day!” He hollers, voice manic. There’s a flash, the sharp crack of a gunshot splitting the quiet, and a scream follows. 

You curse under your breath, driving your heels into Lady’s sides. The two of you round the bend in time to see the rider poking his head into a finely adorned carriage. The driver slumps lifelessly over the reins, blood pooling beneath him.

Grimacing, you draw back into the shadows of the hill. “Alright, ladies first,” the bandit taunts. He reaches into the carriage, his groping hand causing a shrill shriek before he’s grabbing a woman and tossing her into the dirt. You grit your teeth, tucking yourself further out of sight, hoping to go unnoticed.

The glint of his revolver catches the moonlight as he climbs into the carriage. From inside, the muffled sounds of arguing give way to fists striking flesh. The woman lies with her face obscured by her hands. She flinches and sobs with each punch landed and the noises make Lady shift uneasily. Her hooves snap against the dried brambles of a dying bush. 

“Damn horse,” you mutter, eyes clenched shut as the noises momentarily pause. 

“Who’s there?” He calls out. It’s barely a moment before his patience snaps and he fires a warning shot into the air. “You don’t want me to come find you,” he warns, voice low and tight. 

Knocking the brim of your hat down, you let out a resigned sigh and turn the corner, forcing yourself into the open. “Howdy,” you call out, trying to mimic the casual confidence Arthur used to have in moments like these. Bandits, outlaws- they all recognize each other through the ease with which they face situations like this. You only hope you’re a good enough liar. “Just passin’ through, friend, no need for problems.” 

For a moment, his gun dips to his side. Then, his face is twisting into a wide, erratic grin. “Nice trail isn’t it? Perfect for catching big fish,” he says, swinging the revolver toward the woman’s husband. She whimpers loudly and grasps at the slumped-over man. You can hear his shallow, wet breaths from where you sit. 

“There ain’t no need to shoot ‘em,” you tell him, voice steady despite the tension coiling around you. “There’s a fence not far from here, you’ll get more money selling that carriage than you will killin’ them.”

He crackles and it makes your skin crawl. “Where’s the fun in that?” He sneers, cocking the hammer back as he points the gun at the woman. 

This man laughs, taking far more pleasure in tormenting others than in the act of robbery itself. He’s malicious, sadistic—the very picture of a perfect outlaw. For a fleeting moment, he sees something in you, thinks you might be cut from the same ruthless cloth. But he’s wrong, and there’s something exhilarating about stepping beyond the mold your family and husband once shaped for you, discovering who you can be on your own terms.

Your hand drifts to the revolver on your side, slowly easing it out of your holster. His head snaps toward the sound of you pulling the hammer back, but it’s too late. From your spot atop Lady, all you see is blood splatter as his body drops to the floor. The woman screaming lets you know you hit your mark near perfect. 

Opposed to the man now bleeding out in the dirt beneath you, there’s no thrill in the kill, no satisfaction. Just the cold thrum of your nerves, the slight tremor in your hands as you slide off Lady and stride toward the couple. 

With the bandit dead, the woman’s husband seems to make a miraculous recovery. He springs up, blood still streaming along his chin. “Thank God for you, sir-”

He stops short when you tip your hat back. Perhaps his ears were still ringing from one too many blows, dulling his senses, or maybe he was simply too pigheaded to grasp the fact that he’d just been rescued by a woman. You level him with an unimpressed glare. “Not a problem,” you say flatly

“Oh, good heavens,” the woman gasps, whispering your name with a startling familiarity. You freeze, eyes wide, as your blood runs cold. 

Elsbeth Morton. 

You’d know the voice anywhere. Of all the people you could have run into, she’s the last you’d ever want to see. Your tormenter through finishing school. She used to cut your hair in your sleep, stain your dress, and make your life a misery for sport. 

Her sneer hasn’t changed, though the lines around her mouth suggest her spite has only deepened. “Well,” she drawls, voice laced with faux pity, “I see nothing much has changed for you. Still scrounging out an existence in the dirt, are we?”

Your jaw tightens. “Elsbeth,” you grit out. “You’re welcome.”

She laughs, short and derisive in a way that makes you bristle. “For what? Subjecting me to this humiliating spectacle? Honestly, I think I preferred the company of the bandit. At least he had the decency to get on with it instead of pretending to play the hero.”

You bite the inside of your cheek, forcing yourself to stay calm, but she doesn’t stop. “It’s almost tragic,” she continues, brushing the dirt from her skirts as if trying to erase the sight of you. “You’re still so desperate for approval, aren’t you? Trying to prove you’re something you’re not. What’s next? A big speech about how strong and independent you are?” She snickers, tugging her husband to his feet. “We both know better.”

Your voice comes out low and steady. “You’ve always been good at pretending you’re better than everyone else, Elsbeth.” God hates you, you’re sure of it. If he doesn't, why is she here? Dragging you back to everything you loathed about your former self—the vapid, dependent, hollow shell of a woman who had once believed her worth was defined by the man standing beside her.

“Pretending?” she snaps, narrowing her eyes. “Darling, I don’t need to pretend. You can wear all the trousers you want, but we both know you’re still the same timid little girl, hiding behind a man and hoping no one notices she doesn’t belong.”

Her words cut, but they don’t sting the way they once would have. Instead, they ignite something, a fire born not of anger, but clarity. 

You’re not the man bleeding out in the dirt, killing for the joy of it. But you aren’t the polished girl she remembers, desperate for a man’s approval. You’re something else entirely. Unbound by society, free to choose your own path, you’re a beast of your own creation. And if there is one thing you’ve learned about yourself- you love putting your past in the grave. 

You let out a slow breath, your hand drifting toward your revolver. “Elsbeth,” you call, voice sharp enough to cut through her self-satisfied grin.

She stops, turning back with an arched brow. “What now?” she huffs. “Come to beg for my acceptance? Or just another pathetic attempt to-”

“That husband of mine,” you interrupt, voice cool as steel, “was good for one thing.” You draw your revolver, the barrel leveling with her chest. “Teaching me to shoot.”

Her eyes widen, her sneer faltering as her hand instinctively flies to her necklace.

Your lips curl into a wicked smile. “Now, how about you hand over those pretty jewels?”

She scoffs, but you see the way her grin falters, the slight fear in her eyes. You shoot her a wink and take a step closer, reveling in how she stumbles back. 

“And while we’re at it,” you continue, voice tightening into a sharp, mocking edge, “why don’t you hand over those earrings too?” You laugh, waving your gun recklessly as you shrug with a faux playfulness. “Actually, what the hell, I think I’ll take that dress—seeing as you’ve gone and gotten it all muddy anyway.” You take a step forward, your gaze narrowing on her trembling hands. “Hell, even that hair ribbon. You always did like rubbing your finery in everyone’s face, Elsbeth. Let’s see how you like losing it.”

She stares at you, disbelief flickering in her wide eyes, her hands frozen in hesitation. “You can’t be serious,” she whispers.

“Oh, I’m dead,” you pull back the hammer of your gun with a slow, menacing click. The sound hangs in the air like a threat. Your eyes narrow, and a dangerous smile tugs at your lips. “Serious.”

She moves hesitantly, every motion weighted with reluctance, disbelief etched across her face. You, the woman she used to torment and cow with a simple look, now dismantling her composure piece by piece. The power shift is palpable, and for the first time in your life, you watch Elsbeth Morton falter.

“Go’n now,” you say, your voice cutting through her trembling silence. “Don’t keep me waiting.”

Her husband flinches as she begins to remove her jewelry, her fingers trembling as she unfastens each piece. You hold out your hand, and she hesitates, her face flushed with humiliation as she steps forward to place them carefully in your palm, one by one, like a chastened child.

He glances at you, then at her, his eyes wide with a mixture of fear and disgust as if the sight of her submitting is too much for him to stomach.

Your eyes narrow on him, your hand tightening slightly around the revolver. The smug smile creeping onto your lips says it all—you’ll deal with him next.

You understand, finally, that you’re no longer the woman shaped by the men in your life. The husband who failed you, the outlaw who abandoned you, the society that tried to break you. People will learn that you aren’t afraid to take what’s yours anymore, because for the first time, you’re carving your own path, and God help anyone who tries to stand in your way.

end. — I do not own the characters or the game Red Dead Redemption 1/2, but this writing is my own all rights reserved © not-neverland06 2025. do not copy, repost, translate & recommend elsewhere.

Hell Hath No Fury Taglist: @buckysblondie @littlebirdgot @heloixe @summerdazed @committingcrimes-2047

@m1stea @pokiona @fleouris @soupvender00 @warmsideofthepillow03

@whimsiwitchy

[burntheedges]

hold me like water

Marcus Moreno x f!reader | 2.9k | 18+ | ao3

summary: Marcus is a ball of nerves, just waiting for you to come home.

a/n: this is my late submission to @wannab-urs' Dom that Middle Aged Man Campaign! Sorry again for being late. I had something different planned originally but this week it turned out what I needed was something a bit softer. Maybe you could use something a bit softer, too? Thank you to @katareyoudrilling for beta-ing and Gin for taking a look. 🧡 (also yes, I'm still behind on replies, but I will catch up. love y'all)

tags/warnings: dom!reader, sub!Marcus, established relationship, established dom/sub dynamics, bathing together, acts of service?, subspace, a very intense handjob, restraining (with your body), (1) bite, referenced orgasm control, pet/dynamic names (from reader: baby, baby, my man; from Marcus: love), I named Miracle Guy Rob just for fun

...

Marcus is fidgeting again. He can’t seem to make himself stop. There’s a buzzing under his skin, a tension he can’t seem to shake.

She’s been away for 10 days, and he’s not sure how he’s going to make it to 12.

Two more days, he tells himself as he wakes up his computer and finds too many emails – and decisions – waiting for him. Barely 60 hours, he bargains as he doesn’t let himself pour a third cup of coffee, knowing it’ll just keep him awake. Only two more nights alone, he promises himself as he takes off his shoes in his empty house, too quiet with her out of town and Missy at school. 

“Less than 48 hours,” he answers when his phone rings.

“Hello to you, too, babe,” she laughs, and Marcus feels something inside of him settle at the sound of her voice. The buzzing under his skin quiets to a low hum. 

Soon.

…

You want to groan aloud as you step off the third – and final – plane, ready to be done with travel for a long while. You’re tired and all you’ve thought about since you stepped foot into the first airport this morning, hours ago, was getting home. To him.

Two weeks is far too long to go without the man you love.

You make your way to baggage claim and let your mind wander to the anticipation of being home. You picture it – walking in the front door to find Marcus waiting for you, arms open, expression soft. You smile to yourself as you step off the escalator.

When you turn, you almost freeze at the unexpected sight that greets you. A smile grows across your face as you rush forward.

Marcus is standing by the baggage claim area, grinning. He looks as handsome as ever and like home and you’ve never been so happy to see anyone in your life.

You drop your carry-on next to his feet just before you throw your arms around his shoulders. His arms wrap tightly around your waist as you fall into each other.

“Babe,” you say, smiling. “I thought you couldn’t pick me up.”

Marcus’ face is buried in your shoulder and you feel him nuzzle into your neck. He sighs. “I canceled my meetings. Couldn’t wait another minute.” He squeezes you tighter and you press a soothing kiss into his hair.

“Missed you too, babe.” You let yourself sink into his arms until you hear the announcement that the bags from your flight are arriving on the belt. You pull back slowly. “Come on – all I’ve been thinking about today is being home with you.”

When you finally meet his eyes and really look at him, though, your breath catches. That’s your Marcus, you know him better than you’ve ever known anyone. You can read him like a book. And right now he looks like he hasn’t rested or slept at all in two weeks. You haven’t seen dark circles like these since the time Missy got the flu and scared everyone, a couple of years before she went to college. Before you lived together. You think back to what he said – he couldn’t wait another minute – and you feel your heart start to beat a little faster.

“Marcus? You didn’t tell me–”

He smiles, rueful. “I didn’t want to worry you.”

You step closer, mindful of the crowd moving around you. “Hey. Baby, no. You’re mine to worry about. Right?” Your voice dips a bit lower, and you see him shiver in response. 

“Right,” he agrees, and when you meet his eyes again the emotions in them tug at your chest. He sighs. “I haven’t been sleeping well. And work…” he trails off and shrugs. “Rob was out because the baby was sick, and it was a lot. And fuck, I just missed you so much.” He smiles but it looks more sad than anything and it hurts to look at. You need to get him home. All you want is to get this man home where you can take care of him. You know just what he needs, and just what you need, and the knowledge settles in your chest, warming you. You cup his face in your hand and the way he leans into it tells you just how right you are. 

When you lean forward to press a soft kiss to his lips you hear the low noise he makes in the back of his throat and you know. We need to hurry. 

“Come on,” you say, reaching down and lacing your fingers together as you step away. He grabs your bag and starts to walk with you. “We need to get you home, baby.”

He nods, already looking more at ease as he lets you lead him forward. “Yes, love.”

…

You keep a firm grip on Marcus’ thigh the entire drive home. He tells you more about what really happened at work while you were gone, and you can feel him opening up to you like a flower in the sun as he lets you start to take care of him. By the time you pull up at the house, the tension in his spine has started to disappear.

After you turn off the car you scan him with a careful eye. His shoulders are looser, his expression more open. Good.

“Marcus. My handsome, wonderful man. I’m going to take care of you. Alright, baby?” He nods, and you smile as you run your fingers through his hair gently. “I’m sorry I was gone for so long. But you can’t hide things from me, not like this.”

He nods again, and you can see the regret in the lines of his face. “I won’t. I’m sorry, love.”

You hum, thoughtful. “This was my first long trip in a while. We’ll do better, prepare better, if it happens again. Together. Ok?”

Marcus smiles softly. “Ok.”

“Alright.” You can hear the change in your voice, and you know Marcus hears it, too, when he straightens slightly in his seat. “Now, I want you to take my bags inside and then head up to our closet. Go inside and take off those clothes and find something more comfortable. Don’t put them on yet – take your time, and meet me in the bathroom in ten minutes.”

Marcus lets out a deep breath that seems to lift the weight of the time you’ve been away off his shoulders. “Yes, love,” he breathes, and you smile as he immediately starts to do as you said.

You step out of the car and hurry to the door – you only have ten minutes.

By the time Marcus steps inside the bathroom holding his softest clothes and wearing nothing but his underwear, you’re ready for him. You’ve filled the large bath with hot water and oils in the scents you know he likes best. The lights are low, the towels are ready, and you stopped by the kitchen for water and snacks. You’re sitting on the edge of the tub, still dressed, waiting.

“Put those down, baby, and come here.”

He does, and then moves to stand in front of you. You let your eyes trail over his bare chest and legs, appreciative as always. You know he can see it in your expression when you meet his eyes again. He’s flushed, looking pleased.

You stand, slowly, and gesture him closer. “Help me undress,” you say, voice low. “I need to wash off all that travel.”

He quirks a small smile at your words, and you know he’s remembering all the times you’ve said that before, here in this room with him.

“Of course, love,” he murmurs, already moving to do as you asked. He doesn’t rush. He lets his fingertips brush against you as he slowly undresses you, and you sink into the sensation of being there with him.

Soon enough you’re standing bare before him, and his appreciation is obvious. It makes you smile, and he blushes. 

You step into the bath, Marcus’ hand immediately coming up to steady you. As soon as you’re situated against the wall, you gesture him forward. He kneels next to the tub, so quickly you feel warmth growing in your chest. You reach out to brush your fingers across his cheek and he turns into the gesture, making you smile again.

“Help me wash.”

He nods, and you can see him sinking into the familiar motions. He reaches for the soap and a cloth and begins eagerly. You have done this together so many times, you move together easily. He lifts your arm and you turn towards him, watching as he carefully and attentively washes every bit of you that he can reach. He’s so focused on his task that it becomes almost meditative, and you can see him starting to slip into that space you know he needs, held completely within your control. His body begins to forget his stress – his shoulders relax more with every movement. Every gentle pass of the cloth relaxes you, lets you sink deeper into the moment you’re building together. 

Eventually Marcus guides you to stand and, after paying the same attentiveness to your legs that he did to the rest of you, moves to drain the tub. It refills quickly, and as it does you hold out your hand to him.

“Join me,” you say, and he does. You sink into the fresh hot water again and lean against the wall of the tub. You guide him to lean back against you, between your legs. The warmth of him is so familiar, and so missed, you can’t help but wrap yourself around him. His head comes to rest on your shoulder and you feel the remaining tension start to leach out of him into the hot water that surrounds you. You nuzzle behind his ear and smile when you feel him shiver in response. “Thank you, baby,” you murmur, pressing a kiss behind his ear. “You’re so good at that.”

He stretches a bit, pleased, but you can tell he’s amused. “At bathing?”

“Yes,” you agree, sincerely, “but particularly at doing as I ask. My wonderful man.” Marcus relaxes further into you at that, and you smile again. “Now, hands on the side of the tub, please,” you say, and he immediately complies. “Rest your hands comfortably, no need to stretch. Good?” He nods and you notice his eyes have fallen closed. Good. “Keep them there, baby. Until I say.” 

“Yes, love,” he murmurs, and you hear in his voice that he has let go of everything outside of this room. He’s just yours, now, and you’ll take care of him.

You run your hands lightly down his sides and watch his sharp intake of breath. You hum as you trail your fingertips up his chest, tracing swirling designs across his skin under the hot water. “I missed you,” you say, lips brushing against his ear. His grip tightens around the edge of the tub. “I missed talking with you, and waking up next to you, and sleeping by you at night,” you continue as your hands press more firmly against his chest and arms. You can see his interest, which had flagged a bit as he washed you so attentively, start to grow again under the water. “I missed taking care of you,” you whisper, wrapping your left arm around his upper chest firmly and squeezing. “And I missed how perfectly you fall apart under my hands... My handsome man.” He moans, softly, and you slide your right hand down, smoothly, right to where you both want it. 

You wrap your hand around his cock, gently, and begin to tease at his length. He’s already hard, and you feel his breath catch at your touch.

“Did you touch yourself while I was gone?” You pump his cock slowly as you ask.

He shakes his head before burying his face in your neck.

“No? I told you you could.” You’d known, though, that he wouldn’t.

“No,” he says, and his voice is low and soft. “I didn’t want… not without you.”

You smile and press a kiss into his hair. “My sweet man. I don’t want you to neglect yourself.”

His hips twitch forward as you move your hand smoothly down and back up, teasing around the head. Your pace is so slow it’s barely a pace at all, and you know the anticipation will send him falling steadily downwards and inwards until he’s limp in your arms.

“I wanted you,” he gasps, and you wrap your arm tighter around his chest. “It’s always better with you.” You admire the strength in his arms and his back as he wrestles against himself, keeping his hands firmly in place on the sides of the bath. It’s beautiful.

You file away a thought about how to handle this, if you have another long trip – phone sex, probably. And the thought sends a tingle of anticipation down your spine.

“I always want you, baby,” you murmur, squeezing a bit tighter and moving just a bit faster. He twitches gratifyingly in your grip. “Now let me take care of you, hmm? You can let go, now. I’ve got you.”

Marcus sighs and somehow curls even more snugly into your arms. You start a slow and steady pace and feel his heart rate increase in his chest. 

“That’s it,” you whisper into his ear, pressing a kiss just in front of it. “My handsome man, relax for me, hmm?” You move just a bit faster and feel his hips thrust forward. “You’re so beautiful like this, baby. So perfect for me.” When you twist your hand around the head of his cock, Marcus whines, softly, and you smile. “You love me so well, Marcus,” you say, softly, and he gasps. “You’re so good, baby. So good for me.”

You move your hand faster, grip his cock tighter, and the sound he lets out is almost like a sob. He has a vice-like grip on the sides of the tub and you wrap your legs around his, holding him down and in place. Marcus’ chest begins to rise and fall more swiftly with his unsteady breaths and the water of the bath moves choppily around you. 

You press a soft line of kisses up his neck. “I’ve got you. Let go for me, baby,” you say, voice firm. “Now.” You bite down on his shoulder, and with a sharp exhale, he does.

Marcus’ body goes tense as he moans your name, and you feel his release overcome him completely. You pump your fist two, three more times, and then he goes completely boneless in your arms.

You release his cock, wrapping both arms around his chest, pressing soft kisses all along his neck and shoulders. “Yes, Marcus,” you praise, “that was so beautiful, baby. You did so well.”

He says your name again, softly, and you tighten your arms around him. You know he’ll need a few minutes to come back, to swim back upwards through the pleasure and relaxation and release. “I’ve got you, baby.” Your voice is low, meant just for him. “Take your time.”

You whisper and murmur soft praises to him as he drifts, and you feel his arms twitch as he starts to come back to himself. The water is still warm, but you know you’ll need to get out soon. Slowly, you release your hold on him and smooth your hands along his arms. You carefully encourage his hands to let go of the sides of the tub, gently massaging his palms as he does. 

When he sits up slightly and turns to look at you, you smile. “Hello there,” you greet him, and he smiles back.

This Marcus is so different from the one who met you at the airport. He looks well-rested, with all the cares of the world lifted from his shoulders. His brow is soft, his eyes warm as he looks at you. The soft smile that plays at his mouth is so handsome it takes your breath away.

“Hello, love,” he says, and leans in to kiss you. “Welcome home,” he murmurs against your lips, and you smile.

“Thank you,” you say between kisses. “Next time, we won’t let it get that bad, hmm? And you’ll talk to me. And tell me the truth.”

He shakes his head. “I’m sorry, love. I promise. I got so lost in my own head. All I could do was wait for you to come back.”

You run your hand through his hair gently, before bringing it down to rest against his cheek. “We’ll talk about it later, alright? But I think I know how I want you to show me just how sorry you are.” You let a bit of teasing enter your voice, but you know he knows you’re serious.

He leans into your hand. “Anything, love,” he breathes, and his desperation to please you makes you smile again.

“Well, baby,” you tighten your grip on his hair and smile when he gasps and leans into it. “I’m going to go lay on the bed, and you’re going to dry off and meet me there.” You kiss him and nip softly at his bottom lip. “And then you’re going to make me come with your mouth as many times as I want until I tell you to stop.”

He shudders in expectation and smiles. “Yes, love,” he breathes. He watches, wide eyes tracking your every move as you stand from the tub. “Please.”You smile and lead him towards the bedroom. My perfect man.

...

a/n: thoughts? lol

[ros-sauce]

Oughg my god Speaking of Mizuki Regularly Getting The Trans Flag Glued To Her Forehead. Today I am thinking about Solitus Utopia. Big yap session ahead

In terms of cards, it's probably The bluntest example of aforementioned trans flag forehead gluing; pink, blue, and white take center stage. And ouughhh. OUGHHGH. The placement of those colors is making me absolutely crazy

Her outfit has a similar deal to her first casual outfit. Lot of blue and white happening with the clothes, and then her hair and eyes are the pink needed to complete the set. To me, what that says is "This character is a walking trans flag, and she herself is the pink. The Girl Color. The girl!"

I've always felt that pink being the only one of those three colors to be Attached To Her was significant, but it's only now that I'm realizing that the clothing has significance too... I'm feeling two meanings from it:

It signifies the importance of cute clothing in Mizuki's transition. Being as cutesy as possible and altering her silhouette are some of her main tools in the way of passing as cis. (The former being a source of joy and the latter being a dysphoria alleviator also deserve mentioning!!). Her clothes complete the trans flag that her Girl Color Hair started; her clothes build up the road she took on the journey that her Girl Color Very Being started. ... And on a less positive note, I think there is also some significance to the fact that the trans flag color palette is only all there when something is Applied To Her. Without her outfit, she's just Girl Color. When the outfit is put on her, the Girl Color is made to be a part of something else, The Trans Colors. Your first thought is no longer "That's a girl and she happens to be Girl Color. Neat!", but "That's a trans girl and she happens to be Trans Colors. Neat!". I feel like there are parallels between that and how much she hates being labelled Different. This is crude, but it's how the words want to come out of my mouth. Sorry: Because Society Says So, you don't need to wear clothes at home, but you do in public. Because Society Says So, Mizuki can exist as Just A Girl when she's at home. She can be Just Pink. "Her home" means two things here. Firstly, Literally Her House, with Yuuki "Ally 9000" Akiyama & her supportive-enough-I-guess parents being the only people who she interacts with. To them, she's just a girl, and they're not weird about it. They know she's trans, but they don't act any particular way because of that. Her other home is Nightcord, at least before Niigo started meeting up in person. As Amia, she was assumed to be a cis girl, and there was no risk (in their pre-mainstory days) of Niigo ever finding out otherwise. While being presumed cis isn't quite as close to "Girl With No Modifiers" as living with an unfathomably based family, it still didn't carry the Othering that she's used to accompanying her status as a trans girl. If she wants to exit her home, she has to put on the clothes, has to put on the label that is made when the color palette is completed, and go from "Girl" to "Girl And By The Way Did You Know She's Trans?". And that makes everyone and their mother feel like it's fine to treat her weird. The pitying and resentment that she fears so much at best, and "HEY DID YOU KNOW SHE'S NOT NORMAL? ISN'T THAT WEIRD? AGREE WITH ME NOW OR YOU'RE WEIRD TOO" to anyone who'll listen at worst. With a million billion other forms of othering in between. (Hm. Suddenly I'm thinking about blue's absence from her 3rd anni casual outfit. She's no longer a walking trans flag, and is way pinker than before. Because it's a marketable game with marketable characters, we always had good reason to expect Niigo to be normal about her when the secret came out. But still, I feel like having Even More Girl Color glued to her forehead in Trans Palette's place could be considered some kind of foreshadowing for Niigo being normal... BUT ANYWAY this is not a post about the most incredible pants this world has ever seen, this is a post about Solitus Utopia, so I'll get back to that now.)

With the clothing out of the way, I'd like to move on to the rest of the card. This card is from late 2022, when Mizuki's transness was not quite as obvious ("a few inches away" levels of in-your-face as opposed to the more "you are a school principal at a fundraiser and her transness is a cream pie" level we are at now). This makes me extra ready to take this card as an unspoken "To be clear yes she is a trans girl".

The background walls and furniture are largely blue, and the decor is largely pink and white (and purple. Hi, Niigo!). The former is something that's hard to alter or move or acquire more of, whereas it's pretty easy with the latter. If you have walls or furniture that you hate, you can make it look more palatable by decorating it with things you like, with relative ease. Mizuki did that! The background is covered in all manner of fashion-related pink things, and the pink sewing machine and other supplies carry the implication that she made them herself. They do a great job carrying out their purpose, popping so much in comparison to the blue walls that said walls appear more grey than anything else. And also, you don't really feel like looking at the walls, because all that decor makes them Not Really A Point Of Interest.

To me, that sounds a whole lot like transitioning. There's an unfortunate status that's pretty hard to get rid of, both legally and socially, because Government and People just love to obsess over what you were assigned at birth. But changing the way you appear helps make things more bearable for you, both because you're happier looking a certain way, and because the public is slightly less awful to you when you look a certain way.

Cycling back to the "you focus on the pink things more than anything" point, I feel like the most significant pink thing is Mizuki herself. And I think that is also very nice!! Her pinkness is at the very center of the card. It is the heart of the card! Pink!! Girl color!! Heart!! Mizuki's heart is girl color!! Woah!!

(Obligatory "I do not speak Japanese and I do not live there, so I could be wrong", but I think "I was born with an [insert gender] body, but my heart is [insert other gender]" is a fairly popular way of describing being transgender in Japan? I feel like that phrasing has been losing popularity in English, but I still hear it fairly often in Japanese LGBT+ circles on social media and stuff. If I'm right, then that adds a few more significance points to the Pink Center Of Card thing)

Neat card. I love this pink girl a lot

[our-arospec-experience]

Do you have any advice on how to tell the difference between romantic and strong platonic feelings as an arospec person?

I'm (I think) demi-aroace, and I don't really ever feel romantically attracted to anyone. I have a close friend (who is also aroacespec) who I think I have romantic feelings for. I don't think (or at least don't really remember) having experienced romantic feelings, so I'm finding it hard to understand how I feel.

I'm really really sorry if this is the wrong place to come, but I'm not really sure where else to ask. I've not come out to anyone as demiaroace, and the only other aroacespec person I know is the person I've mentioned above. And actually they're probably one of the only people I'd be comfortable telling.

Thanks so much if you can help, I hope this is ok to ask.

the best resource for differentiating attractions I've found so far is this one:

However, you can define your attraction however you want, or even just leave it without a label. It's okay to be confused, take your time and figure things out when you are ready.

Good luck :)

image description below

What kind of attraction am I feeling?

It can be difficult to figure out exactly what we are feeling toward someone, especially since we can be feeling multiple types of attraction at the same time. To help you out, here are some things you might think about someone when feeling certain types of attraction.

Romantic attraction:

"I feel a physical magnetism to this person"

"I think about them all the time"

"I can't help but imagine a future with them"

"I fantasize about kissing them, marrying them, moving in with them, etc"

"I desire for them to be romantically involved with me"

"The feeling I have for them is distinctly different from how I feel about friends or family"

"I have physical reactions to them, like butterflies when I'm near them or an ache when they're away"

Sexual attraction

"I feel a physical magnetism to this person"

"I can't help but fantasize about being sexually close with them or imagining them naked"

"being near them arouses me a bit"

"I feel my loins react to their presence and I am extremely aware of how close they are to me"

"It's like everyone is in grayscale but this specific person is in full colour"

Platonic Attraction:

"I feel an emotional magnetism toward this person"

"I feel like we are on the same wavelength and I can easily understand them"

"I feel like we are vibing and it's easy to talk and share with them."

"I feel drawn to their energy"

"I am very comfortable hanging out with them and I desire to get to know them and have them get to know me"

"I can easily spend time together without a lot of effort or emotional drain"

Aesthetic Attraction:

"this person has a really cool style or a beautiful face/body

"I appreciate their beauty the same way I appreciate a beautiful sunset"

"I want to be around them in the same way I want to be around beautiful art"

"I feel a desire to stare at them or maybe even draw them"

"I enjoy how our styles compliment each other"

Sensual attraction:

"This person makes me feel like I do when I see a big floofy dog - I feel a strong desire to snuggle them or hug them or just be near them in a non-sexual way"

"I may fantasize about cuddling them or being close to them"

"I may feel inclined to physically interact with them more than other people."

end id.

[skimmingmilk]

Hi, thanks again for answering my first ask about Tails and Shadow and Sonic! Similar question here, do you have any headcanons/ideas/musings about Tails and Sharp that you can share? I love their dynamic in the Sharp Edges collection you wrote, and I'm a sucker for any Sonic Prime AU where Tails is the one who interacts with other versions of Sonic. Thanks!

Hi! No problem, I love answering questions where I can and talking things out :)

Ah! I'm so excited you want to know more about Sharp and Tails! :D That's so cool, thanks for being interested! I also really love Tails getting to interact with other versions of Sonic, so I'm happy to do my part to add to it <3

Sharp is (only a little) reluctantly following along with Tails's scheme under the guise that he just needs to make sure the kid keeps a low profile and doesn't end up back on Satine Rouge's radar while they're in Rogue's Row. He can't have his reputation damaged, after all, it's what allows him what little freedom he has to help people. But it's also exciting! Helping Tails on these missions gives him a boost of adrenaline that he's been kinda missing. And he doesn't even have to pretend to kill anyone!

The two of them are very similar to how Nine and Sonic are, they bond quick because they work well together and because Sharp is so similar to Sonic, just a little... sharper. They're also pretty snarky with each other, which they both enjoy, but Sharp will downplay Tails's accomplishments without remorse in a way Sonic would never. Sharp isn't as sensitive to striking an insecure nerve because he doesn't know it's there.

Tails can handle it for the most part, since he's a little more aware of Sharp not being Sonic than Sonic was of Nine not being Tails. He's taken aback occasionally by Sharp's bite, especially when it's anger that's directed at him. He can handle sarcastic quips and even the threats of violence (because he knows he won't follow through), but sometimes things get a little raw and feelings are hurt. But there's still so much Sonic in Sharp that Tails can't help but care about him. Just like it's so easy to forgive Sonic (almost annoyingly so), Tails forgives Sharp as naturally as breathing.

And Sharp's not used to that. It's every rogue for themselves where he's from. And while he's done his best to make sure others have a chance at a fresh start, no one's ever returned the favor. No one's ever cared.

So Sharp and Tails butt heads more than Sonic and Tails do, especially once they leave Rogue's Row to search for more of the prism shards. They're not completely in sync. Mostly because Tails believes Sharp can be more than what he lets himself, and Sharp doesn't want to be told who he is by someone who barely knows him. He also doesn't want to be responsible for anyone other than himself, but is frustrated by how easy it is to want to look out for this lost kid. And how much this kid's opinion of him matters. He tries to resist the attachment at first, but just like Nine found hope and happiness in Sonic, Sharp finds the same meaning in Tails. His bond with him opens him up to become someone that will eventually be the person Nine needs (and Nine's going to get a bit of an extra journey to complement that, too).

Tails will also get to interact with two other Sonics in that AU, too! Drift (from No Place) and Snare (from Boscage Maze), though Snare's name might still change... His bond with both of them is still special, too, but when they meet Sails and Mangey, they're able to bond with them much sooner than Sharp is able to bond with Nine. Sharp and Nine don't really connect until the very end of the adventure, since both of them are too attached to Tails and Sonic, respectively.

Sorry, this totally got away from me! I have so many feelings about my Prime AU and every intention to write more of it if I wasn't so behind on Picket Fence stuff. I'll leave a little snippet of Sharp and Tails chatting though as a treat <3 I can't remember if I've ever shared it before, so sorry if I have, but it takes place a bit after "Keep a Sharp Eye."

Tails sighed at his Prower Paradox Prism Position Predictor Mark 5 when it showed no sign of there being anything remotely like the energy signature of the Paradox Prism nearby. "It's gone." "Told ya it was still busted." Tails ignored him. "But my calculations were precise. Nothing else gives off any kind of energy readings remotely similar. Something had to have triggered it. Or at least had enough of a disruptive frequency to confuse the P.2.5.P." "Weird. Maybe it has something to do with the other you I just saw." Sharp cupped his chin, foot tapping thoughtfully. Tails's attention snapped to him so hard he nearly gave himself whiplash. "What?" "There was another you up in the trees. Right when your gizmo thing stopped working." Sharp twirled his index finger in the direction of the P.2.5.P. Tails gaped at him. "Why didn't you tell me?" "Well, it looked like he was kinda trying to kill you. Like everyone in this city," Sharp reminded him, an edge to voice befitting his name, before he leaned back with a shrug. "Thought it was better if you didn't know you were being actively sniped." Tails could still only stare at him slack-jawed. There were plenty of times Sonic had rendered him speechless over the years, but the dissonance of what he knew about these two versions of his best friend and all their other friends was thoroughly giving his processing capabilities a run for its money. He needed an aspirin. "I thought you said you'd never seen another me in this dimension?" Tails finally ground out. Sharp narrowed his own eyes at his tone. "I hadn't. You're the first you I've ever seen in my life. That guy up there was the second."

[generalluxun]

Ah, what I mean is that even if Chloe were to have a damnation or a redemption arc, it seems that she's somewhat aimless in S4 and S5. I think that her personality was a bit convulted in the later seasons? Her becoming a big meanie again to everyone is somewhat understandable. And Chloe teaming up with Lila was hilarious. But it doesn't make sense? Somehow? Why is Chloe treated as a greater villain than Hawkmoth and worse than her parents? Why is Chloe dumber than the previous seasons? Why is Lila suddenly ordering her around when Chloe is proven to have a strong will? Though I am sure you've heard these complaints again and again.

I'm just, I'm sorry. I'm so used to shows like Young justice, Teen Titans (the og, not the chibis), Gravity Falls, and other popular child shows that at least respects their plot and characters.

I guess what I am saying is, that I am having a hard time understanding the Chloe from the lastest seasons. Other than the list I've made, is that really all there is to Chloe? You've got this character that is rich with potential and it doesn't really go anywhere. Sorry for this confusing ask, by the way. I guess I can't disentangle myself from what I want Chloe to be or to be used in the plot.

One thing to remember about ML is that characters can be wrenched this way and that for a plot or a joke. Characters can even develop speech impediments(and cure them) , addictions, or PTSD as suits the needs of an episode.

When trying to parse any character I find it best to aggregate their personality and to check if anything that feels off is plot-required for a specific episode.

Chloé cheating for grades and ignorant of other cultures? That seems reasonable! Chloé being painfully dumb and somehow doing zero schoolwork for 8yrs? That seems like it was done for specific episodes. I mean- a child doing no work for 8yrs isn't a mark against the child, it's a mark against the system. 6yr olds aren't masterminds.

The end of S5 involved a *lot* of Chloé being manipulated by Lila and also by Gabe. We know Chloé is insecure, has no home life, and can be manipulated. We know Lila is a master manipulator. She turns the entire class against Marinette(to a degree) she tricks Gabe, Nathalie, and manipulates Kagami.

Did Chloé ever stand a chance?

Most of her worst behaviors in S5 involve Lila in her ear- quite literally with an earpiece no one notices.

S4 she wasn't actually horrible? Aside from being upset when her new sister turned on her for the other kids, and being replaced both at home and in hero-work, what did she do? She was mad that one time about being forced to play soccer(in ballet flats no less!) which honestly anyone who hates gym can related. Other than that a couple petty snipes?

Her thing in Gabriel Agreste was just funny to me honestly. And heck- she was nice to Marinette before she knew who Marinette was.

Chloé is a character full of contradictions only if you assume she is acting rationally all the time. She very clearly is not. She is acting emotionally most of the time- common in abusive households, and the 'rational' handbook her parents gave her is gravely flawed at the best of times.

[kolomo]

ok i finished the apothecary diaries light novel 13 last night here are some thoughts aaaaaaaaaaaaaaaaah (mild-ish spoilers ahead)

at first, i was kinda bummed out that this volume was a bit of a "filler", but by the end of it i found i really enjoyed having each chapter from a different characters point of view, especially those we haven't seen before like joka's.

i'm looking forward to seeing how all the events that happened within these povs link together later - if there's one thing i know about this story, it's that every little detail is related to another in some way, shape or form.

the next major storyline seems to be steering towards the search for other people (men...) that have imperial blood... the linese hate red hair and green eyes that much, huh. this will all be quite interesting, especially if jinshi's true identity is revealed (i'm afraid of how he will react himself... i feel so sad for him already).

i'm afraid of what jinshi plans to do "publicly" to prove his allegiance to gyokuyou and lihua. the dude tends to err on the side of the dramatic. and we know maomao will be pulled into it somehow, whether jinshi intends her to be involved or not.

and, of course, the big question: is maomao in love with jinshi? i think there is a difference between accepting ones affections and being in love yourself. pairin clearly sensed something, so i wonder whats actually going through maomaos head!

i was a little late to work because i was reading chapter 15... i assume most readers were kicking and screaming at being teased like that, but i thought it was an interesting chapter. does jinshi forget who he is so easily? is it just maomao that has this effect on him? and i know maomao is smart, but holy shit is she smart smart. i found the whole interaction fascinating and enjoyable. i look forward to seeing how their relationship develops further.

oh man. 127 days until light novel 14 releases in english. siiiiiigh.

[bugsinshoes]

What are your gravity falls characters headcanons?

OKOKOK SOOO !!!

gender and sexuality hcs:

dipper: trans guy, he/they, asexual, demiromantic/cupioromantic (IM ON THE FENCE SOOO lets just say hes arospec. maybe aroflux?)

mabel: either transfem or genderqueer (i love both), bisexual, she/her but im not opposed to the thought she uses neos/xenos

stan: transitioned to male but later found out hes genderfluid, bisexual, also arospec, he/him

ford: transitioned to male but later found out hes agender, asexual, demiromantic, and gay. as for pronouns he/him, but probably has a bunch of cool alien neos he picked up during his 30 years travelling. but mostly uses he/him for simplicity's sake

OTHER HCS !!! (SPITFIRE ROUND GO!!!):

ford loves mabel juice. when ford came back dipper and him binged watched all of the star wars movies he missed. ford LOVES cats and i mean LOVES them (mabel is ecstatic when she finds out). dipper played guitar for probably like a month before giving it up completely. fiddleford gave ford his iconic coat during their college years. also the pines are all somewhere on the autism/adhd spectrums

theres like a BUNCH others i cant all put on one post + i cant remember atm sooo i hope these will suffice :D

BUT here are a couple links to some REALLY good character analyses that really resonated with me that you guys should totally check out (if you haven't already)

Why Stanford Pines from Gravity Falls is Autistic and Why it Matters

Gravity Falls and LGBTQ+ subtext: Decoding the Queercoding | A Video Essay

anyways, this was long. wow.

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[itsseriouslyridiculous]

I really hate how my physical body looks so so so much. unfortunately there isn't much I can do about it.

[phagodyke]

kind of annoys me sometimes how I can happily listen to my roommate explain the entire plot of whatever she's currently into but when it comes to my interests she can only listen for a few mins before wordlessly walking out of the room

[klavery]

serious

i dont know how to convince my mom to not vote republican without outing myself.

its the only thing i can think of that might genuinely change her mind.

worst case scenario is that she finally knows im queer and still votes republican.

[canidbutch]

it happened so early in the morning and i am STILL frothing with rage over this text my boss sent me

[orcelito]

Honestly tho it's the "I don't love you" and "every time I said it was just automatic impulse" that's got me the most messed up. Like u couldn't even let me down softly by saying it just wasn't working out? You had to essentially tell me the whole thing was a lie??? After I TOLD you I had trust issues and felt like everyone is just going to leave me in the end???

Way to make me feel unlovable lol

[callixton]

bro why can’t anyone ever just want to fuck around w me

[potatoesandsunshine]

had the longest day in the world... and tomorrow is gonna be longer........