#just say so and i'll try to remember lol

[actual-changeling]

Still in London (and stuck in the heat rip me) and there is a bookstore called Gay's The Word that is filled to the brim with all kinds of queer books and queer books ONLY.

As one does, I had to put myself on a leash on only buy 5 new books I am incredibily excited about. So in case anyone is looking for new reading material, here's the list:

The Story of Silence by Alex Myers about a nonbinary knight "finding the courage to be who they are"

The Butch Monologues by Laura Bridgeman which is a collection of contemporary real-life stories exploring, well, butch and gender experiences

No Modernism without Lesbians by Diana Souhami, a collective biography about Sylvia Beach, Natalie Barney, Bryher, and Gertrude Stein and the Modernist movement

This Is How You Lose the Time War by Amal El-Mohtar & Max Gladstone, which I think many people already know–time travelling, science fiction, queer love, and existential crises

It Came From the Closet is a collection of twenty-six essays under the theme of queer reflections on horror, and I think that really tells you everything you need to know about it; critical, humorous, historical, and defined by personal experiences

They also have a website where you can browse and buy said books, pins, and more! It's a great way of buying queer books from queer people.

[chill--cat]

Alnst doodles that i did instead of passing my classes

[ndostairlyrium]

[teardropwolf]

Drops my self insert

Health: 150 , Hunger: 100 , "Stress": 200

-Animal person -doesn't like being alone (stress is always increasing if no other people in world) -Starvation doesn't hurt right away -mental health is different (stress/anxiety). -hates touching gross/slimey things

"Favorite" food: fruit medley

Info below: (it may be lengthy, oops)

Feels better around animals. Their stress lowers when near them. Tames beefalo a bit faster. Can tame tallbirds that they raise. Animals that usually run away from the survivors don't run away from them unless they hit them. Critters in their inventory lower their stress. Because they are an animal person, killing animals increases their stress (regardless who kills them.) They just don't like seeing animals die even if it's necessary.

When their hunger runs out, there's a small amount of time  before it starts to drain their health. It takes about 15 seconds.

When it comes to "stress."(I know what sanity is in dst, I just wanted something different for them.) They take damage if it's too high. Their stomach is also "full" when it's high. World looks more like scribbles when it's high too. When stress is high, they are not good at attacking or working. They are able to attack and work regularly as long as it doesn't get "high enough." They also won't eat if stress is high.

They get very stressed out when picking up gross/slimey things. Includes manure, any form of rot, slurtle slime, honey(it's sticky,) etc.

They don't mind being wet, so they don't get stressed from wetness. They do hate having to deal with their glasses getting messed up from being wet, so they are completely neutral to wetness.

It takes a while for heat to affect them. They hate the cold, and freeze easily. Low temperature that can seem managable to the others is cold for them. They prefer sitting by the fire pit during the winter. They like to stay put, and refuse to move away from the warmth. Unlessitstheholidaysthentheyllmakeanexception

Voice: Clarinet (Using the high notes. sometimes goes loud to soft because they struggle with their voice volume sometimes.)

A few extra things:

They don't like eggs and will not eat them. Includes eggs, tallbird eggs, tall scotch eggs, bacon and eggs, plain omelette, breakfast skillet, barnacle nigiri. Other than that, they'll eat anything.

They have apiphobia. They are terrified of bees. Being near one(or their hives) always increases stress. (Even the sound of their buzzing stresses them out.)

They do know how to swim and can do so if needed. They don't really want to though, and prefer to do it only when they have to.

They leave their big bag of belongings in their tent. They tend to instead use a backpack since they don't want something happening to their things. The backpack they use is the rabbit rucksack!

They love soft things! It helps with stress. Soft textures are their favorite! So are smooth textures.

They start off very shy and cautious at first, but slowly warm up to the other survivors. Going from feeling really bummed, low, and reserved to... being in a better mood. They smile a lot more, speak their mind more and are less hard on themself.

They picked up on the fact that everyone's names start with w. They decided to go by "Weardrop." It was just for shits and giggles, but then they ended up actually liking it and it just stuck.

They're from our modern times. They got pulled into the Constant three days ago. They were gifted their grandparents' antique radio when their grandparents moved away. They take advantage that they're from the modern times by confusing the survivors with our modern slang.

[cranberrymoons]

.

[goldentigerfestival]

Forgot to post this earlier but I did in fact comb the entire Vesperia script to determine how many times he uses ま/まあ throughout the game, along with a few other phrases he uses repeatedly. This counts all of main story, every single sidequest, and every single skit in the game.

Final counts were:

ま/まあ: 279

Ma/Maa; translates to "well". He uses this at the beginning of a sentence usually, but it's sometimes in the middle. "Ma" is usually more quick and snappy. "Maa" is more thoughtful and/or prolonged. Obviously it can vary based on context, but that's the general breakdown.

んじゃ and any variants: 133

Nja, along with variants such as "ja", "soreja", etc. Variants are counted when they're all used to express "let's get going", when they're about to head off ("ja" could be used in a sentence such as "ja/but then, why is xyz like this", etc). They encompass translations such as "well then" (let's get going implied. includes "so then", "then" "alright then", and so on), "we should be off", "let's get going", "let's go", etc. (not to be confused with 行こう(ikou), 行くぜ, (ikuze), and other similar versions of this phrase. That can also mean "let's go", but any instances of Yuri using that particular phrase was not counted because it wasn't a variant of, specifically, んじゃ, which is also his most common "let's go" ja variant).

おい / おいおい: 66

Oi/Oi oi; translates to "hey"/"hey, hey", though "oi" is more or less an accepted word in English nowadays.

おっと: 12

Otto (not to be confused with "oto", referring to sound); an expression of surprise that can translate roughly to "whoa there" (which is the most common translation I do see for it and what I'd use in most cases too, context of course varying). The reason I included this one despite it being so seemingly low in number is because it's not a particularly common expression, much less one used multiple times by a single character? It's so rare from anyone else, which is just a regular thing relative to Yuri and his dialogue/speech (i.e. most characters sparingly use phrases repeatedly, as compared to Yuri... as you can see lol. Other characters use these words/phrases, but nowhere near as regularly, if regularly at all).

Realized along the way I should've included やれやれ (yare yare, "good grief", "oh dear", "oh boy" etc), but by the time I realized I should have in case it was an interesting count, I was too far into the script to be able to handle going all the way back through it LOL.

No. No, I am not joking that Yuri used ま/まあ 279 times throughout the course of the game. That is to say, it could be more if I missed any, but on the assumption I didn't, that's where it stands.

Why do I love this so much? Because it's a very specific character quirk of a character I adore. I'm very fond of his repetition. Thank you.

[earthandsunandmoon]

brain is overrated let me be a sea sponge 👎👎👎

[defness]

→ drawing the same pose over and over again and feels cringe

→ realizes that these drawings are simply pre-ref drawings to figure out one's design so I can Draw Them

→ no longer feels cringe

[biff-adventurer]

today i met tiny chris

poor wean's da got et by a 'bon. now he wants 'em all dead. wiv' crossy eyes like them as drawed in the picture shows. dinnae get et and ye might be his new da.

he actually made me think about two things - the npcs/people we've helped along the way, and the writing of accents.

it's no secret i gave biff this accent - it tells you he ain't a city slicker but rather a rural boy, it tells you his folks ain't got a lotta money (at least, one would think), and it associates him with a specific cultural/ethnic profile (gaelic, i know/studied a little more about irish than scots so i lean irish)

i think we should, as a society, be wary of continuing to associate class with specific ethnic communities, but i'm not learned enough to make a post dedicated to my specific thoughts on that (yet? tbd)

mostly, i think it's important to look at the way characters speak as a vehicle of writing. when you write a character's accent, is it useful for what you're trying to establish in the scene? is the noble supposed to fail to understand the vernacular of his server? is it useful if the character is always going to say "dinnae" instead of "do not"? when dealing with non-western characters with accents, how far is it okay to go until the dialogue goes from representation to racist charicature?

writers have the power of flexibility. writing is about persuasion more than anything else, and we should remember to persuade our audiences that these are people. they aren't real, so don't bother with "realistic" - but they represent real ideas, concepts and associations in our world. it's important to be careful what you do with these, intended or not! and if you make an oopsie? acknowledge, accept and continue on your journey to being your best.

my preferences for writing accents based on my experiences, observations and education lean thus:

pick and choose what words require emphasis. if the whole sentence requires it, then so be it! but make conscious choices. words weigh differently, and they carry double the weight when they're written out to represent an accent. just really think about whether or not this is the point you want to say to, t', ta, or tae. the whole sentence doesn't need to be written out phonetically b/c avoiding doing that helps us steer clear of reiterating caricatures.

include culturally specific verbiage. "what's the craic" or "how's it hangin'" depending on who your character is. in india, lots of people greet each other with religious phrases (in english, it'd sound like saying "god is good"/"good is god" call and response) - so a thavnairian character could say anything between "sisters be with you" to "mindhurva guide your path today" (and also yours, brother/sister). but also: wain, wean, child, sweetling,

be careful which non-english words your character uses. i don't call it chai tea latte, i call it chai latte. my wife doesn't call it green tea latte, but matcha latte. i actually don't drink chai latte, i drink chai. but i call it both chai and tea interchangeably; so, when i want someone to know how to prepare my tea, i might ask for chai instead of tea. because with chai, you get half or whole base milk instead of water. you get dried ginger or an array of spices depending on the auntie. with tea, you get dried up leaves and some hot water. big difference for me.

above all, make sure it's legible most of the time. you can do this by avoiding writing a character's accent out completely phonetically. this isn't to say "conform your character to what people think they should talk like". this is about being aware that writing implies an audience. if you want your writing to connect with people, the important parts should be clearly communicated in the text. especially if you're writing in english. if i wanted my characters to speak hindi, why would i bother writing the story in english at all? you want people to see your character a specific way. write them the way you hope they'll be seen--if you've done a good enough job, it will lead to so much joy and satisfaction. if you haven't--it's back to the drawing board! but you get the chance to learn even more.

[legolasghosty]

oh shit i forgot to send a new one! brain mush.

uh. let's say 75 please?

No worries, thanks for sending these, they're really nice!!! More Holograms (and the introduction of I think the last major character...)

Julie laughed and followed her brother in, Reggie and Alex on her heels. Fuego was standing beside the receptionist’s desk. He looked up and smiled when he heard them approach.  “Ah good, I’ll let Mr. Covington know you’re here.” He turned away from them, pink nails clicking against his tablet. Julie was about to ask about the agenda for the day when she heard a crash behind her. She whirled around to see Alex lying on the floor, someone else practically on top of him, clearly having just bowled him over. “Oh my gosh, I am so sorry,” the new person exclaimed, scrambling to their feet and holding out a hand to Alex. “I wasn’t even looking.”

(Send me a number and I'll write that many words in my WIP and show you!)

[hotsugarbyglassanimals]

i think beastars would've worked way better if the desire to eat the meat of herbivores by hunting them down and killing them wasn't inherent to all carnivores and wasn't this like... weird uncontrollable urge. as a story that muses on what would happen if an animal society with parallels to ours existed, its an interesting concept but it falls apart -really- fast when people attempt to compare it to the racial dynamics of our reality (the author heavily advises against this, but I think it's a significant issue if people continue to think of it this way regardless of her intent). and it also falls apart when considering something like harm reduction and rehabilitation. with the latter point i would chalk that up to an issue of execution and lack of understanding on the author's part

god this post is so much longer than I thought it'd be uhhh

carnivores viewing herbivores as a potential food source is something that's considered inherent to being a carnivore. Not the craving for meat or adequate sustenance, but viewing another sentient living being as food which i think is a significant difference. It's treated as a matter of fact within the text and isn't disputed in any real way. In fact, a lot of the really ... "questionable" (understatement) societal dynamics are presented as like. just being the way things are with characters accepting it without any real heavy objection to it in some instances (there is a specific story in beast complex I'm thinking about right now). Haven't even touched upon the gender bioessentialism but maybe I'll get to that in another post

There's a strange sort of Both Ways dynamic between carnivores and herbivores where herbivores have the significant disadvantage in physical strength but outnumber carnivores by a large margin. Herbivores are also significantly more represented in some career prospects while carnivores have to follow social rules to be as non-threatening as possible. (As a note female carnivores are presented as straight up not being as dangerous or aggressive as the male ones. and while there are ones that predated on herbivores they're portrayed as mentally unwell or manipulative, or in some cases their predation has a twinge of sexuality to it... male carnivores generally are portrayed with a bout maliciousness in their predator instincts until they receive treatment and "go back to normal")

Let me summarize what I think wouldve been far more interesting to consider: how punitive justice doesn't work to prevent crime and doesn't stop people from repeating crimes, how people who lack resources are driven to desperation and how that can enable them to commit violent acts, how oppression isn't born out of fear of the oppressed group but rather a means of seeking domination over the oppressed group.

I really hesitate to put carnivores in the role of an oppressed group and with what i can gather from beastars I'm starting to think that was avoided on purpose, but I'd have to reread it in order to give a better analysis

I think it'd be interesting overall if the issue was that carnivores aren't getting enough sustenance and in turn are quite malnourished. Maybe they didn't eat meat of herbivores but instead the meat of non-sentient fish, but that was viewed as a slippery slope that leads to eating herbivores. Stuff like synthetic meat or anything resembling meat (and like the manga, stuff like bugs not counting) was banned. So even though fish meat would be a worthwhile option to consider, it is still illegal due to moral views despite the illegality causing far more damage to society as a whole. This could Still be like, not ideal in a story sense I feel like but as beastars exist right now it's much more concerning

I've read the entire manga and yes I know fish meat was considered a solution at the end but the whole thing was so fuckin flimsy that it felt like a bandaid solution to the problems that were portrayed in the beginning

[non-un-topo]

See I would try to socially transition for a few years first, except no one refers to me as he/they

[keeps-ache]

ohh i do Not like my hair being wet ouhrrr

[deathandthemagician]

finally had my psych appointment \o/

[zoanzon]

Deciding to start a small 'log of food experiments and written notes on what fruits/veggies I've actually eaten', because I keep doing things like forgetting if I like blueberries or tangerines or which colors of grapes I like and which I just tolerate. And then I tell someone this and they look at me aghast and make me eat fruit in front of them, whereas this way I can at least consult a list every six months and go 'oh yeah, should get that at the grocery store at least one a half-year' and be slightly better about healthy snacking/eating

[sysig]

Your Weekly TV Guide

On Monday you can expect:

2:30 PM: Hermitcraft - Rescuing Rusty

And Tuesday:

2:30 PM: Adventure Time

Wednesday:

2:30 PM: AT

Thursday:

2:30 PM: AT

Friday:

2:30 PM: AT - Petrigrof

Saturday:

2:30 PM: Just Desserts - Pets

Sunday:

2:30 PM: Sona daily goings-on

Thanks for tuning in! (Patreon)