#just put it on tv!!!!

[a-ginger-from]

I HATE the United States tell me whyyyyy these motherfuckers bought the rights to show the euros on tv only to not show them

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[choccy-milky]

@foundthatoldzeppelinshirt what did u do to me...what in the wattpad is this... i only planned to do a few doodles but then i kept getting more brainrotted and things got out of hand LMAOO (and ofc i HAD to draw hockey player seb at SOME POINT bc its my duty as a canadian citizen🫡🍁🍁 O CANADA!!!)

[homosherb]

“i thought you hated straight couples??”

how DARE YOU assume i would EVER mean them

[nouverx]

Day 1 and Day 2 of RadioStatic Week

First Meeting and Sharing a meal! I like the idea that Alastor is the one who approached Vox first because of how unique he looks eheh

[forecast0ctopus]

say sike right now

[desire-mona]

the time jumps in i saw the tv glow make me so fucking insane and i can never let it go. 2 years, 8 years, then 20, each jump taking more and more out of owen as we watch him decay into a painstakingly unvariable excuse of a protagonist. no matter how big of a jump in time, we never really feel like we've missed out on anything at all. the only real change we experience is what monotonous, yet colourfully and visually overstimulating job he's trudging through, all to live the unfulfilling life he feels is the most safe. no known ambitions, no known lasting relationships, even the family he says he loves more than anything feels less like a feat, and more like a giant step back in the journey we know he needs to go on.

3 decades pass in the span of an hour and 40 minutes, a speed that would seem overwhelmingly fast, yet we stay tuned into the comfortability of that perpetual survival. we know what's going on, and we dont need to play catch up if there's nothing to catch up on. yet despite that comfortability of knowing where and when owen's stuck, it is killing us to know that the potential of what he could be and experience goes unacknowledged through the painstaking amount of years. and it's made all that much worse when we're forced to remember that the slow death we're watching is all the more real, both literally and figuratively, to owen.

[transmasculinizing]

i am open to criticism (but u have to be nice about it)

[donutboxers]

📺Server Room📺

[eternallovers65]

The idea of poseidon only helping percy because he saw athena not helping annabeth is so funny because it shows how messy the Greek gods are like wdym you have a millennium old beef with your niece and the only reason you saved your kid it's so you can say you're better parent than her???

[randomness-is-my-order]

with how things have been changed in the show, it was percy’s choice to stay behind and fight the echidna so grover and annabeth could be safe. he was ready to give his life for his best friend and the girl he met last saturday. he was, honest to gods, okay with dying on that arch if it meant his friends could live. he is twelve years old. let that just sink in.

[mikimeiko]

Scavengers Reign | Miniseries (2023), Joseph Bennett and Charles Huettner

[mamawasatesttube]

koncass friendship on the brain again. you know how cass started picking up slang from watching tv? i think hanging out with kon should infect her with konisms. consider the konsibilities (kon possibilties):

she hands babs a coffee refill and babs says "thanks cass!" and cass replies, "ain't no thing but a chicken wing, baby!" and babs is just . . .. ... . .okay. okay. sure. alright. sure. this may as well happen. alright .

cass, ominously holding a baseball bat and staring at some henchman, who slowly lowers his gun: "that's right. be afraid. be very afraid." tim, pinching the bridge of his nose over his mask: "kon told you that's a good line, didn't he."

cass, taunting the riddler, who is facedown on the ground: "who's your daddy! who's your daddy! say it! say it! CHUMP!!!" steph: (WHEEZING)

or cass is on a mission with bruce later, and bruce tells her that some guy they're after? he's all hers. and cass, dressed like a certified freak of nature in her scary-ass batgirl costume, nods seriously and says, "hot diggity swag," and then jumps the guy. bruce is left standing in the rafters like Excuse Me ?

many other such cases. you get it.

[idontwikeit]

The human was destroyed. Utterly destroyed.

-requested by anon

[bellshazes]

i don't think the life series is "about" anything at all. it's not about survival or winning or player dynamics, or any theme. however i do think that the entire series - third life to present - is unified by a game design philosophy where all mechanics are engineered to disrupt the game as it has been played.

third life was initially pitched as "a[n ...] experiment" and its opening question was fundamentally how long can this last, which scar quickly proved was not long at all. it's easy to forget that it was not always a given that seasons would last approximately eight weeks and how the breakpoints of red/yellow violence would fall.

last life attempted to disrupt the established social norms by a) attempting to ban acting based on prior season's events and more importantly b) introducing social deduction mechanics which destabilized all alliances by default. similarly, although the ban on continuity never returned, double life's gimmick at its core is just another disruption of social dynamics. limited life iterates on last life's boogeyman dynamic while applying a different kind of time-limited pressure; secret and wild life are carousels of disruption to social play and "regular" or survival gameplay.

nevertheless players have defined the real rules of the game - the game-as-played which gives the series continuity - through their playing of it. both in spite of and because of the mechanical disruptions, conventions around sportsmanship and acceptable behavior are deeply entrenched. kills that are "illegal" by the written rules matter less than the player perception of them; the desire to invent social punishments for explicit infractions died with etho in the third life firing squad. players judge kill attempts as acceptable/impermissible by their relative status of reds vs. yellows, as the rudeness of ending someone's series early far outweighs the obvious strategic benefit of eliminating reds first. history persists, only as much as a given set of players negotiates it should. everyone should be along for the ride for as long as possible, but it will end.

ultimately life seasons are designed to make it difficult to play as you always have, and the players derive fun and drama from balancing their leaning into the gimmicks or into their habits. unfortunately this tension is deeply compelling and leads to wildly divergent opinions on what is "good" or "authentic" about a season or gimmick or episode because where the "good" tension is depends on the viewer, the point of view, the episode, etc.