#just like with the sequels

[peachviz]

Nice to see Disney Star Wars still pandering to incels

[poorly-drawn-mdzs]

Knowledge Revenge.

[eunnieboo]

lovey-dovey feelings

[chloesimaginationthings]

The FNAF Vanessas meet their younger selves..

[merrysithmas]

hurry up w the sequel mouse

[jayjay-thejet-plane]

The Winchester Brothers and the Case of the Mysterious Pretty Pink Panties

…anyone else remember rhonda hurley?

[orlaite]

GINGER SNAPS BACK: THE BEGINNING 2004, dir. Grant Harvey

[yrsonpurpose]

Imminent status as a revolutionary gay icon.

[pizzat-i]

deep in kylux brainrot hell

[squeakadeeks]

rotating my OC in my head wasnt enough. I had to bring him into the physical world too. four different times.

[sashamosu46]

The TFWiki tradition of calling Prowl a prick continues!! And we barely know anything about this continuity's Prowl! Leave the poor mech alone and let's not jinx it if he actually shows up in the sequel movie!

[imaginariumwanderer]

Actually I haven't been doing so well lately. Maybe these cute beast kitties will cheer someone up in my stead

[cosmicwhoreo]

.... Okay, so I might have made a ahit oc during my downtime. Based on the idea of "yeah the idea of hat kid being a little space orphan doing a job is sad.... But what if they were separated from their family and needed to get back home instead?"

And what if their worried mother came to the planet they were on, looking for them after they'd JUST LEFT like a month ago?

SOOOOOO HERE'S SUMMER!

I may have gotten carried away with myself on this idea-

[violetwolfraven]

Wait wait wait remember that post about how Team Starkid/the Lang brothers are going to be comparable to Shakespeare 500 years from now and it was mostly played for laughs like yeah lol you’ll need a paragraph of footnotes to explain the zefron poster but like

I don’t think that’s actually far off from how Starkid’s place in theatre history might play out and here’s why. Just hear me out

Why is Shakespeare so popular today when he definitely wasn’t the only playwright from that era? When he’s not even the only playwright from that era from England that we have surviving works from?

Two main reasons:

1) Shakespeare’s work is (relatively) universally relatable. The characters do things that are so fundamentally human. They make jokes at their friends’ expense. They complain about being awkward in front of their crush. They have daddy issues. The plot lines of the plays aren’t too complicated. The dick jokes land whether you’re watching in 1611 or 2024, and they probably still will in 2637. Shakespeare’s works are timeless because he didn’t try to outsmart his audience. He wrote about things everyone could relate to rather than trying too hard to peacock his intellect in front of the nobility. This is not true of every playwright.

2) Shakespeare was really popular right around the time England started colonizing everything in sight. Copies of his work got shipped all around the world, translated into dozens of languages, performed probably thousands of times. Setting aside the moral implications of this, the important thing to note is that Shakespeare was about the most easily accessible English playwright during a time of rapid, intense globalization.

Meanwhile, Starkid:

1) Invests hard in meaningful, relatable character arcs instead of spectacle and expensive sets or costumes. Also, lowbrow, immature humor and dick jokes that make A Very Potter Sequel funny and enjoyable regardless of if you’ve ever seen any other Harry Potter media in your life.

2) Posts professional recordings of their musicals to YouTube FOR FREE, making their shows about the easiest, best quality musical theatre you can get pretty much anywhere in the world, regardless of if your area has an active theatre scene. Proshots from other companies are rare and usually not free. Bootlegs are all well and good, but even if the video quality is alright (and that’s a big if) the audio is usually garbage. Starkid has been posting the best quality free recordings they can afford since 2009, shortly after the birth of social media, another time of rapid, intense globalization.

In short, I’m not saying that theatre historians in 500 years won’t remember any our current Broadway faves, but I am saying that in my opinion, Team Starkid is probably going to be more accessible for the general public. If you’re a 26th century English teacher trying to teach your class about narrative structure in 21st century theatre, what are you going to show your students? A bootleg of Hadestown with blurry video and garbage audio? Or the professional recording of Twisted, parts of which they will probably even enjoy, because even long after no one remembers Disney’s Aladdin anymore, your class of 26th century 16-year-olds are still going to laugh at “No One Remembers Achmed.”

[rustic-space-fiddle]

Some sketches of Katherine Blake from the ditched Treasure Planet sequel. I realized that I’ve never drawn her and for that crime I sentence myself to the chair of shame

[peacockrulz]

N tries to tell another joke (gone wrong)

Sequel to This