#just hits a lot of people where it hurts

[fwoopersongs]

Memory, cover by Zhou Shen on Super Vocal (2018)

Translation below the cut if you need it, but if you can understand or read Mandarin Chinese I highly highly recommend watching this all the way through.

I didn’t see it coming, so my first time hearing the part starting from 3:59 was an Experience. An experience I would really love to share! So... here is the Chinese version of the last two verses that Zhou Shen adapted himself. 

This was supposed to be from Grizabella’s perspective, but I think it is also Shenshen’s and ours as well. Ah, it resonates hard with me anyway. 

我像一片落叶飘零 wǒ xiàng yī piàn luò yè piāo líng I, like a fallen leaf adrift on the wind,

只有回不去的曾经 zhǐ yǒu huí bù qù de céng jīng have only a past to which there is no return.

仿佛早晨田间一朵野花 fǎng fú zǎo chén tián jiān yī duǒ yě huā As if it were a wildflower in the fields from the morning,

这记忆也在凋零 zhè jì yì yě zài diāo líng this memory is withering too.

请你 qǐng nǐ Please,

一点点向我靠近 yī diǎn diǎn xiàng wǒ kào jìn little by little, come close to me;

哪怕一步的距离 nǎ pà yī bù de jù lí even the distance of one step,

留我在孤单里 liú wǒ zài gū dān lǐ leaves me in this loneliness.

只要你愿意 zhǐ yào nǐ yuàn yì So long as you are willing,

你也会感到我的真心 nǐ yě huì gǎn dào wǒ de zhēn xīn you can feel my heart too.

看 那晨光 kàn   nà chén guāng Look - the light of dawn

已来临 yǐ lái lín has come.

Original English Verses:

Sunlight through the trees in summer Endless masquerading Like a flower, as the dawn is breaking The memory is fading

It's so easy to leave me All alone with my memory Of my days in the sun If you touch me, you'll understand what happiness is Look, a new day has begun

[dazais-guardian-angel]

kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....

[sleazyjanet]

if danielle had survived and was told it was keamy who killed alex, would she have enough self-restraint not to kill him because of his pacemaker-bomb or would she help ben stab the guy

[some-pers0n]

I'm so close to writing about a character being beaten over the head with a rusty shovel and bleeding out dying to prove just how easy angst is to write

[echoes-lighthouse]

Watching Interview With The Vampire Season 2 with my partner

(context for folks who didn't read the books: the characters are significantly more fucked up than in the show, and part of Armand's seduction of Louis and Claudia is presenting them with Armand's personal boy, who sleeps in a little cage in his office, which is one of the primary things I remember about him from the first book)

Episode 2.03

Armand, to Louis: "I have something to show you." Me: "Is it your boy in a cage, Armand?" My partner: "I don't think he has a boy in a cage in this universe." Me: "That's weird!"

Episode 2.04

Armand, explaining his tragic backstory in an art gallery Me: "Yes that's sad but what about your boy in a cage???" My partner: "This Armand doesn't have a boy in a cage!" Me: "And that's weird!! Is he even Armand without a boy in a cage???"

Episode 2.05

Daniel, to Louis: "How long did you two keep me there? I was a glorified house pet for two, three, four, five days? " Me: "Oh my god Daniel is the boy in the cage." My partner: "Finally! He is!" (we have to pause the show because we're too busy cackling at the realization)

[imminent-danger-came]

Nimoma has good emotional payoff and animation but nothing else to really write home about TBH

It's very SPOP in that way, where the arcs and scenes are solid when viewed outside of the media in gifset or clip form but don't work as well when actually watching what they're from

For sure! I think that's a problem she-ra and toh both share with Nimona—they struggle with setup but then go ham on the payoff, which leaves everything feeling somewhat unearned.

The end of the movie bugged me in particular—Ballister's 180 with calling Nimona a monster (something he KNOWS pushes her to the brink) after one conversation with his ex-boyfriend was...I think out of place?

Normally if you have a character make a wrong choice like that you, as the audience, would be questioning the whole movie if they had ever REALLY changed. Was Ballister's loyalty truly to Nimona or to the Institute/Goldenloin? But, by that point in the movie they had really sold me on Ballister's complete acceptance of Nimona and disregard of the institute, so....why would he turn on Nimona then? I'm surprised they didn't do this plot the other way, which would instead have only made it seem like Ballister betrayed Nimona, you know? Like they did in Tangled. That way you don't undo Ballister's movie long arc with one scene, but you can still have Nimona go berserk and make her way into the heart of the city.

There were also a couple of other things that felt kinda dropped by the end. Ballister being the first commoner to become a knight? The Queen's important role in this society? This kingdom's prejudice going SO deep that not even a child would give Nimona a chance after saving their life, yet blowing up the wall changed everyone's minds in the end?

There were a lot of good pieces, but they weren't quite put together in the right ways.

[kariachi]

Sorry-not-sorry I'm back on my normal 'Kevin and Argit were so small' bullshittery.

Because they fucking were. Kevin was twelve when Servantis tossed everybody, and Argit couldn't have been far off. They were middle school aged. 'Puberty would be starting about now if we weren't wandering the Null Void and therefor likely not eating near enough' aged.

A pair of children, with minimal education, no paperwork, no homes, no guardians. Wandering the Null Void and then the Milky Way, on their own. One a prime target for the slave trade, both prime targets for adults looking to take advantage of them (*coughcoughOttocoughcough*). With only as much security as they could provide themselves and each other. Only able to rely on themselves for the basic necessities of life.

And then this show has the audacity to try to tell me that they turned to crime due to poor morality. That they're money focused because they're just naturally greedy. That they don't trust people and look out for themselves because they're bad people that either will always be bad people or will only improve because of the power of Tennysons.

What options were there for them? What jobs are there in the Null Void? What jobs are there in the galaxy that'll hire barely-teens, if even that, with no paperwork or educations, that wouldn't ruin them as badly and pay worse than the crime they already had experience with? Will keep them fed and clothed and sheltered? When one of them already has a criminal record, for violent crimes at that? When there's nobody there to stop even the 'good' adults from taking advantage of them?

The show will sit there and tell you that Kevin's violent crimes were the result of a rough childhood, but he and Argit's non-violent ones? Totally on them, no excuse, wholly a matter of greed and not giving a shit about other people. Fucking bullshit. This is a pair of kids who had to grow up way too fast, up against an existence that saw at least one of them as easy profit, with nothing but themselves and each other, and no opportunities. They're a pair of traumatized kids who grabbed the opportunities available to them with both hands and were molded by the problems they faced.

Of course they're money-focused, unlike the Tennysons they don't and haven't had anybody making sure they had enough to get by. They've had to support themselves and live with the constant worry that something is going to go pear-shaped and they'll have nothing.

They spent years with anybody and everybody being a potential threat (even between the two of them, Argit's noting that Kevin's snapping while he worked for the Rooters was the worst he'd seen 'before or since' makes it quite clear he's seen him on and passed the edge at least as much if not more than we have), of course they're going to be slow to trust, quick to toss people aside, and unwilling to help their enemies without some sort of payout, they've been burned before.

Just- Damnit these two come from some shitty fucking situations, the effects they had on them are obvious if you bother to fucking look, and they both deserved better than the series just going "oh yeah they're assholes what do you expect they're criminals" and moving the fuck on. Like, for fuck's sake at least acknowledge that they're like this because life was a fucking lead pipe to the teeth to them! We know Kevin's situation was shit even before they met, we got to see it, but even if Argit had a perfectly good life beforehand (unlikely) the earliest we see him is being held captive for illegal experimentation purposes by law enforcement! These two have been through shit! At least acknowledge it!

Fuck, they could've replaced Color of Monkey with that, hitting on the differences between how Kevin and Argit adapted to their circumstances, give us upfront the Tennysons being a safety net that let Kevin heal (rather than just 'oh the Tennysons taught him morals because they're the Good People') while Argit's issues and lack of security kept him stagnant. It would go better with what we see of him over the course of OV leading up to the Rooters arc, and what we're shown in the Rooters arc. Give us him still being far from great or on the up-and-up but improving with the stability that comes with his 'hero' status, a repairing relationship with Kevin after that arc, and a flourishing, above-board business. Rather than backpedaling on any good the writers had thrown at him like they'd realized they were coming up against a cliff.

Shit that makes you want to get the writers by the shoulders and shake them mercilessly.

[stellacadente]

i guess i need to have a "god i'm so awful and selfish and wrong and shameful for having attempted suicide" moment at least once a day for the foreseeable future

[a-little-bit-poss]

.

[faerociousbeast]

bc yeah. when naruto says "friendship is EVERYTHING" it's not a sparkly protagonist who hasn't seen the world yet. it's a deeply hurt, orphaned, 12 year old kid in an obnoxious orange jumpsuit who doesnt even know how much hes hurting, yelling at you angrily struggling to hold back his tears bc friendship and caring was the only thing that kept him from going into the dark

[nageki-the-friendly-ghost]

I do think platonic betrayal is a deeply underexplored and fascinating narrative

[depvotee]

im always between starting a horror project or not bc

[bpdanakins]

it really does suck a little to see the severe likes-to-reblogs ratio that happens so often on people’s work like i get for my edits they’re either niche or mediocre and i get that going in but if it still bothers me a bit then i can only imagine how frustrating and hurtful it is for people who genuinely want and need the engagement, who are genuine artists and creators.

like, seriously, is it THAT hard just to hit the reblog button? it’s literally right next to the like one. and i get that people like mobile tumblr more now (for some batty reason), but it still doesn’t take much effort. just two taps. so?? just reblog people’s work if you actually like it, bc we all know you’re not liking it to keep it on hand to interact with later.

it just kinda feels 😕

[redmonkeyzerofour]

My father just reminded me that he will be kicking me out at some point beginning of next year… ANYWAYS! If you’ve enjoyed my chaos in any of its forms and would like to help me leave on my own terms consider donating to my ko-fi :)

Anything helps! <3

[likecastle]

The thing . . . about Steve dying in season 5 . . . is that it would be a solid narrative choice . . . but what you have to remember is . . . the Duffers are not very good writers . . .

[volkswagenital]

wow my english is just. really just getting worse and worse. noticably.