#just having a lot of thought rn

[spicyraeman]

Really wish aro and ace weren't so closely packed together all the time, like I get that a lot of people are both but I really think its important to talk about them as two separate things as well and not just as a package deal

[teh-inggris]

I need to chew both of them like a stress toy

[catkin-morgs-kookaburralover]

if you struggle with mental health, one piece of advice i would genuinely give you is learn to knit.

or crochet: something repetitive to do with your hands, assuming you're capable of it. if you're like me and learnt to knit as a kid but let it lie fallow for a long time, it may be that starting a large, simple project (for me it was a cloak, but a blanket could work too) gets you back into it. or maybe doing something smaller, idk. i personally found socks really hard for a while because they felt smaller than my cloak but weren't getting Done quick enough for me. as i've sped up i find it more interesting to knit socks.

regardless, a repetitive task is great for emotional regulation (also see: autistic stimming), and something that you can look at and go hey i've done something, unlike simply using a fidget toy, can also help to pick your mood up when the brain is being cruel.

it's also useful as a conversation starter or distracter if you don't know what to talk about. if you're wanting to talk to older people also you're more likely to reel them in with knitting (i work better with older people, and 99% of people who ask what i'm knitting are older than me). it also gives you the opportunity to not make eye contact because you're busy knitting, even if you're still carrying on a conversation. if you're absolutely stuck for conversation you can count your stitches and people might stop bothering you.

if you have trouble focusing without doing something with your hands, you can knit! i knit a lot in church, and it helps me to focus on what's being said.

i probably have more reasons you should pick up knitting, but i can't recall them right now, so yeah.

[proxycrit]

What if I redesigned some horses to fit MY favorite narrative trope: fallen gods and forgotten myths of old? Anyways.

Twilight’s mentor is a strange one. In a world of twilit planes forever shrouded in mystery, the older unicorn Lest and her adopted student Twilight are one in many common travelers, migrating the pitted wastelands and eeking survival within settlements that spring up around the glowing meteor shards. Despite living with Lest for the last four years, Twilight can’t help but seek answers to where her brother has gone— and in the process, perhaps dig a bit too deeply into the complexities of gods far older and dangerous then she can truly fathom.

On the otherhand, Celestia “Lest” Sol is having a terrible millenium. Her sister is no longer her sister, her student teleported herself halfway across the continent, and she got herself kidnapped by an old rival trying to attune with the elements of harmony to overthrow the current ruler of Equestria.

At least she gets a toxic yuri moment.

Meanwhile, Chrysalis is having a great time. She’s got kingdoms to conquer and people to feed and a waning god to taunt.

(The Selene Grace hates the sun monarch they deposed five centuries ago as they stay chained to their post, keeping the lunar and solar bodies from crashing into each other. Luna misses her sister, and the easier world where they haven’t hurt each other beyond reparation. Nightmare Moon misses their monstrosity, trapped in a host who’s grief has poisoned them with empathy.

Things are bound to tip. The celestial bodies are not bodies, but prisons, and the amalgamations we call alicorns the key. And something desperately wants to be freed…)

Anyways:

My mane 6 redesign here!

And my luna and celestia redesigns here!

[heph]

It's so interesting how submissive House is to Wilson. In basically every scene where Wilson gives his 2 cents about a case, House without fail (for the most part) follows his opinion. Wilson gives him unsolicited advice and half the time he listens without saying anything, and the other half he argues but ends up listening to him anyway. House starts psychoanalysing Wilson and Wilson does it right back to him and House shuts the fuck up or gives a one line quip back at him (to have the last line) but knows deep down Wilson is right.

For a man of House's stature and how he interacts with Literally Everyone Else, the writers really hammer it into your soul that House only really listens to Wilson and no one else

[stealingyourbones]

Gonna start making another DPXDC writing challenge where I’ll make a bingo card generation that contains super popular tropes in the fandom.

The goal is to not write said tropes. Bingo of tropes to avoid and even more of a bonus if you do a blackout board on the tropes you didn’t do.

Reply with the most common DPxDC tropes ya can think of so I can add them to the Blackout Bingo List :)

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[orcelito]

ok, i cant resist the urge to make a post about it after all, especially since it's related to a post i made prior

one of my favorite moments in trimax is By Far this part in chapter 35

[ID: Two pages from Trigun. The first starts with Wolfwood thinking, "Now that I think 'bout it, it may be one of the major differences between our species." That deep rooted dear I felt on the ship…" He thinks of Vash crying blood and, swearing, wonders, "Is he the one who can save humankind? That monster?" Wolfwood is briefly shown in resolution before someone calls, "Hey, Wolfwood!" and he looks up with surprise.

Vash sits with a smile at the edge of a rooftop, backed by the Fifth Moon and its prominent crater. Vash asks with a smile, "Just coming back now? You're a bit of a night owl, huh?" Wolfwood looks taken aback and wary. End ID]

Right Here. Vash is just sitting there, smiling like normal, but he's got the backdrop of the damage he caused on the moon set Perfectly behind him. it's a glaring reminder to Wolfwood of who exactly he's dealing with here, and that TERRIFIES him.

& the fact that Wolfwood still remembers that moment of crying blood as a moment of true fear. because for all the cheer Vash shows in the average moment, Wolfwood just recently saw him nearly lose control Again (at the Dragon's Nest). the second time he witnessed it, & the third time he would know about.

Vash is a walking atomic bomb with multiple charges. even with how cheerful & kind he is, he's shown Multiple Times that he does not have full control. he is decidedly something different, something Hazardous to humans, and Wolfwood knows this very very painfully.

for all that Wolfwood loves Vash, he is also terrified of him. and at this point in the story, that terror is potent enough to nearly eclipse his affection for Vash.

leading to some of the next most iconic pages:

[ID: The next page starts with Wolfwood standing behind the sitting Vash, his expression hard and the moon bright behind him. Vash seems sad and has one eye open. A close-up focuses on Wolfwood looking down.

Wolfwood thinks, "So easy to pull the trigger. So easy to remove half the problem." Another close-up with bright lighting obscures his face but for one eye. Then Vash turns around curiously and asks, "What's up?" Wolfwood sits behind him and says "Nothin'. Come on. Let's go." Vash seems surprised as Wolfwood scolds, "Don't get yerself tangled up in every little skirmish ya see. It'll be pointless if ya get yerself killed before ya meet him." End ID]

the manga frames it like Vash doesn't know Wolfwood was pointing the gun at him, but I think he did know. he's freakishly perceptive over and over again throughout the story. he HAS to be in order to survive like he has. he'd hear the movement of the gun & sense Wolfwood behind him...

he'd know. i really think he knew.

but he doesn't do anything about it. there is zero fear in his face. he turns to look at Wolfwood curiously, a bit confused, but not afraid. he never once thought that Wolfwood would shoot him. there's full faith and trust there in that moment.

Wolfwood pretends that nothing happened, & Vash lets him. they both move on, not talking about it, because they never talk about Anything of substance like this (not until much, Much later).

overall, it's just such a great example of their relationship's development. Wolfwood's fear & Vash's trust that he won't act on it... it's just. Man.

(EDIT: people have made some good points about how Vash's expression when Wolfwood points the gun at him shows that he probably did know and YEAH that's a good point! & probably why I was so certain he knew lol, I just hadn't realized it myself)

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[unfortunatelyilikebnha]

Thinking about the KaeyaJeanDiluc friendship where they grew up together and they were CLOSE & sure maybe Jean felt like Diluc & Kaeya were closer since they were brothers & sure maybe Kaeya felt like he had to keep secrets from the two of them bc they would never understand but they were like. A trio! A team!

& then Diluc’s 18th birthday comes around and everything goes to shit and Diluc LEAVES so they’re no longer KaeyaJeanDiluc but just Kaeya & Jean & in some ways Kaeya and Jean get closer because of it but there’s also a pronounced DISTANCE where Jean doesn’t know how to reach Kaeya anymore & Kaeya is even more determined not to tell Jean anything & they both lose themselves in their duties to Mondstadt while also missing Diluc and ALSO, despite everything, offering each other unconditional support

& then Diluc comes BACK & in addition to Kaeya & Jean there’s the shaky reestablishment of Jean & Diluc and Diluc & Kaeya but it’s not THE SAME. they’re no longer KaeyaJeanDiluc; Jean & Kaeya are knights and Diluc will never be a knight again & they all changed while Diluc was away & none of them know how to talk to each other anymore AND YET there’s still an undercurrent of trust!! Not fully, especially between Kaeya & Diluc, but Diluc still calls on Jean during the archon quest, trusting that she will keep their secrets even though as the acting grandmaster she should probably not. Jean says in her about Diluc voiceline that she understands why Diluc hates the knights & is working hard to make them an organization he can trust again. Kaeya covers for Diluc’s darknight hero escapades & fondly reminisces about their childhood in front of him. Diluc invited Kaeya to dinner at the winery & (afaik) never told anyone about Kaeya’s origins. Kaeya tells the traveler that they need to give Jean their full support and planned a birthday party for her. Jean left Kaeya in charge of Mondstadt when she went to the golden apple archipelago! On some level they recognize that their goals still align!! There’s still trust and love there but there’s also this gap between them that none of them know how to cross and I just!!!

[uncanny-tranny]

Every time you think, "Oh, I don't have [x condition], I'm basically cured!" that is the devil talking. You aren't cured, you are likely going through periods of your symptoms waning. Don't cease whatever you're doing to help yourself, like medication, for instance, because it's likely you still have the conditions or symptoms, even if you aren't noticing them as frequently or severely.

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.

[ephenan]

now that we know she's in it, i NEED to see morrigan and solas interact with full knowledge of the others identity.

they can interact (argue) during What Pride Had Wrought but morrigan wasn't yet aware of flemeth being mythal and nobody knew solas was the dreadwolf at that point so nothing big happens.

BUT in the the trailer morrigan seems to be wearing flemeths headpiece, like she's taken on the mantle of being flemeth and she HAS to know solas' identity by now.

I just need them to talk to eachother or even hear what they think of the other, they have such a weird connection through mythal/flemmeth. Idk what they'd talk about, they'd probably still argue with eachother. Maybe over their perception of the woman they knew?? (And over the whole tearing down the veil thing)

[inanitate]

just finished reading the dungeon meshi manga and

[jamietwat]

Jamie would 100% make Roy a dating app profile sometime after the Keeley rejecting both of them thing to try to help him move on and meet people when clearly he’s refusing to get back out there organically and he’d think he’s being so helpful and generous and the best wingman ever. He’d handpick what he considers the sexiest pictures he can find and put a bunch of shit Roy would never say thinking he’s being accurate and helpful and not even taking the clear opportunity to make a joke account to embarrass him or anything when he easily could have just made fun of him and chosen the worst pictures possible instead

And then he would be SO offended when it doesn’t go well when Roy finds out about it and is not properly appreciative at all

Roy thinks it’s Jamie’s account when he starts showing Roy girls like what do you think of her and asking him way too many questions when Roy has no interest in participating and has no idea why the fuck Jamie seems incapable of swiping without trying to get Roy’s opinions first. Meanwhile, Roy’s giving one word answers at first and then increasingly trying to brush him off when he doesn’t stop and then he’s just flat out like “Choose your own dates and leave me the fuck out of it” and Jamie’s like “Nah, this is your account. You should have a say” and instead of being grateful and appreciative and thanking Jamie for being oh so generous with his time and energy, Roy just scowls at him and growls out “You did not make a fucking Tinder profile for me” and Jamie just smirks and decides now is not the right moment yet to mention that he actually made him accounts on like three different apps because he wasn’t sure which Roy would like best

Roy barks at him to delete it and Jamie’s all whiny like “Come on, I spent a lot of time on these and you haven’t even considered it. Plus, even if you’re not ready to date someone yet, you’d still be less miserable to be around if you at least found someone to shag in the meantime”

And Roy’s like “Delete it. I don’t want a fucking Tinder profile.” And Jamie looks at him confused for a moment and then seems to have an epiphany as he goes “Oh, do you want a Grindr one instead? Hold on a second” and he flips to a different app and Roy’s too busy being baffled by the fact that Grindr is already on Jamie’s phone and that he’s having to sign out of his own account to try to make one for Roy to even stop him before he’s already trying to sign up for a new account and Roy goes “That’s not what I meant. I don’t want any dating app”

And Jamie pauses his typing and turns and looks at him so skeptically and so judgily and suddenly somehow Roy is trying to fight for his life trying to defend why he’s not looking for some random stranger to date or fuck around with

[cozylittleartblog]

random note about king on that animation, i got really lucky with how simple his animation was and how clean my sketches were to begin with that i was able to do very minimal cleanup on what i had sketched (and add back. his horn. it's supposed to take place just after echoes of the past, Oops) and call it done that way instead of having to redraw the entire thing like i had to on his dad

first sketch > line cleanup > nearly final animation (i'd added slight eye movements last-second but otherwise that's the final)