#just go vote NOW do it

[ginnyrules27]

Ya'll.

Joe Biden has dropped out of the race. It most likely will be Kamala Harris as the nominee since he has endorsed her however there is still the chance of an open primary.

If Kamala is the nominee, I don't want to hear anything about her being a former DA or anything else. Those calling for Biden to drop out got what they wanted. The choice is now no longer between two 'olds'. The choice is now between Trump and whoever the Democrats choose for the nominee. And whoever that nominee is, the Democrats have to be behind them 100%.

Friendly reminder: The Democrats weren't behind Carter 100% in the 1980 election, which was one of the many reasons we got Reagan. And Reagan didn't come with the looming threat of Project 2025 and Plan 47 (or whatever it calls itself).

Side note: I don't fault Biden for stepping down. The man is 81 years old and is recovering from COVID. He even said in 2020 that he would be a transitional candidate.

Remember what is at stake in November. Remember that no matter what Trump claims about not knowing anything about Project 2025, he has met with members of the Heritage Foundation who are the ones behind 2025. Remember that Trump's team wants you not to vote (considering he and the RNC are suing Michigan gov Gretchen Whitmer for signing veterans up to vote when they go to visit the VA in Michigan.)

Hold your nose and vote Blue in November (or if you can vote earlier than that).

[kittykatninja321]

Can someone tell Democrats that leftists and progressives with moral objections are not a big enough contingent to swing an election and if they were, the way to get groups to vote for you is to offer them things they want rather than lib-scold them about voting on social media

[destielmemenews]

Due to a lot of feedback on the nature of this blog, and how the meme format can come across as insensitive and shameless, I'm considering switching to a news only post format, without the use of the destiel meme. I greatly enjoy sharing information about current events, and would like to continue doing so in some way.

So I am making this poll to ask everyone their opinion on the way I do things, and for suggestions to improve my content.

[kandavers]

Hey Kandavers Nation :(

I'm really sorry for what's happening for those of you in America right now. Sending love from Malaysia. Please don't give up! Keep living, and keep fighting!

[qussymagnet]

QUARK PUSSY

If you are in the United States, please go vote! No matter what, please go vote! I'm begging you!

QUARK PUSSY

[tea-earl-grey]

if i see anyone try to joke about this or brag that "now the dems will learn!" or some shit, you're getting blocked. this isn't about some political pissing contest. this is going to have severe consequences for the most vulnerable people across the US and across the world and i guess we fucking deserve it.

[lookninjas]

Pick a rap song from a bad description: Part 2

Part 2 of the rap/hip-hop exploration we've been on, because one playlist just wouldn't have been enough.

Anyway, pick a song from a bad description! You do not have to recognize any of these songs. Go with whichever description strikes you as funniest. Whatever sparks your curiosity. Whatever makes you suddenly keen to listen to Romanian gangsta rap. Whatever works for you.

At the end of the week, I will put all of these songs into a playlist, from the song with the least amount of votes to the song with the most amount of votes. There will also be an extended playlist with more songs on it, because I just listened to too much really good shit trying to make these playlists, but I couldn't always come up with funny descriptions for all of it.

If you want to hear the playlist, either leave a comment or say something when you reblog, and I will tag you when the playlist is done. If you are absolutely desperate to know what a given song is, and you can't wait, shoot me an ask and I'll answer.

And please reblog the poll! Obviously for me, because then I get a lot of responses and it makes the playlist more fun for me, but also that way you and your mutuals can fall down a musical rabbit hole together. Trust me, falling down musical rabbit holes is a lot more fun when you're dragging someone with you.

[eggy-tea]

the thing that is SO WILD to me watching usamericans on the internet talk about their upcoming elections is that this is one of those incredibly rare occasions where you are choosing between two guys who have ALREADY DONE THE JOB.

look, i’m canadian. we have a first past the post parliamentary system and i don’t even get to vote directly for the person who will lead the country because i don’t live in any of the leaders’ ridings. i don’t live in any of the big important cities or even the big important provinces. i know ALL ABOUT “it feels like my vote doesn’t matter.” and all the same, i’m incredibly worried that a lot of people will vote conservative because they don’t like trudeau (fair! he sucks!) and hey, who knows, poilievre might be better. let’s give him a chance. time for a change etc. etc. (and of course there are a bunch of people who want what he’s selling and that’s depressing as hell too but they’re not the swing voters who will make a difference here.) never mind that the dude seems very happy to cozy up to our own local fascists. we don’t know for a fact what he’ll be like as pm, because he hasn’t been pm yet, and we DO know what trudeau is like, and we don’t like him.

the argument for change because it might be good is very compelling to our little animal brains when the status quo is BAD. poilievre is even banking on this! he’s been keeping his promises and stances deliberately vague so people can fill in the blanks with whatever they hope will happen.

and what’s so absolutely mind-breakingly incomprehensible to me is that THIS IS NOT THE CASE IN THE US but so many americans KEEP TALKING LIKE IT IS. each of these dudes has already done the job. they are known quantities. and you (realistically) only get to choose between the two of them. the political machine is going to go through with all of the usual debates and campaigning and thinkpieces and op-eds and rallies and whatever else pageantry, but biden and trump have told you who they are. they’ve SHOWN you who they are. it’s not often you get such a clear-cut choice with so much solid information behind it. you either vote for one of them and live with your choice or you hide your head in the sand and pretend that if you don’t vote one of them won’t win. and then you live with your cowardice because when the time came to choose you couldn’t bear to look.

(which is guess is also why so much effort is going into convincing people to just fucking vote oh my god i get it if you can’t because so many people have been deliberately disenfranchised in the us but if you can and you just don’t so help me…)

[speakercrab666]

Republican Green Day fans just now realising American Idiot is about them has gotta be the funniest thing i've ever fucking seen. like my guy they are a pop punk band. they be popping and punking. they've BEEN popping and punking. who the fuck did u think they were talking about????????

[jtl-fics]

Fluent Freshman - Part 21

PREVIOUS

“What made you think taking on a mafia hitman was a good idea?” Andrew asks as he and FF were positioning themselves the best the could for an ambush on Romero.

Since, they APPARENTLY had time to talk.

Romero had gotten the text Andrew had sent him and INSTEAD of coming out right away to progress the whole SCHEME to kidnap and murder Andrew’s Junkie like any sensible goon Romero went to the BAR. Romero went to the Bar to get him and Jackson a round of CELEBRATORY drinks. Romero is still there at the bar waiting to be served by an INCREDIBLY nervous Roland if the number of exclamation marks and puking emojis is to be believed.

What the FUCK is there to celebrate?

These two idiots want to kidnap NEIL and so far the only thing Romero knows (thinks) that they’ve caught are two people that Neil would come for but even in Andrew’s text he’d been clear that he needed help getting ‘The boyfriend and the new friend’ to talk let alone getting them to call ‘The Wesninski Brat’ out. Andrew had hated typing the name in reference to Neil but it was the only thing the two ever referred to him as in their chats.

Is it some insane mental game that Romero thought he and Jackson were going to play on Andrew and Smith? Toasting to their torture so they’d give up Neil? Who knows.

He realizes that FF hasn’t answered him, his eyes focused on the door when Andrew’s thoughts had drifted. A reliable guy, steady in a pinch, and focused like most the others weren’t.

(Andrew does not know that FF is thinking about how one would go about becoming a Mafia Hitman. What is that career path like? Do they show up at job fairs? Do you get a job as a short order cook at a business that acts as a front and see to much but you’re also the only one that knows the secret spaghetti recipe the boss likes so you have to sign yourself to the family? Are you out doing your own freelance crime and someone higher up sees your work one day and literally head hunts you? Is it like in Saw where you survive an ordeal and then-)

“Smith?” Andrew draws FF’s attention away from the door.

“I didn’t think it was a good idea at any point.” FF says and Andrew is surprised by the admission and is more surprised by the twist of FF’s lips into a frown, “I just did what I thought I needed to do.” He adds.

(Andrew does not know that the twist of FF’s lips has more to do with the fact that he is realizing that Romero likely STILL has not washed his hands. Romero hasn’t washed his hands and he is going to hand Jackson a DRINK with those hands. Ugh. Honestly a contract killer AND someone who doesn’t wash his hands? Who RAISED him? What does his grandma think of this? FF hopes she’s disappointed in him.)

“You thought you needed to lure a hitman into an alley?” Andrew asks because the plan is stupid even if so far it has worked out for FF. The fact that Romero hadn’t just come out when he sent Jackson the signal is only due to FF’s good luck and their stupidity.

“I didn’t have a lot of time to think up anything more than the first plan I thought of. I saw him looking at Nicky on the dance floor.” FF says with another twist of his lips as he self-consciously rubbed at his cheek. It’s never fun to have someone who has time to pick apart a plan that you barely had time to form. Andrew can understand the irritation and is glad that FF isn’t lashing out at him for it.

(Andrew does not know that FF is not irritated he is just remembering that he had held up his broken toilet bowl phone to his face to pretend call Captain Neil. He’s contemplating asking if Andrew maybe possibly has a wet wipe? Actually the murder van probably has bleach to clean up evidence, maybe he can just dip his face in there for like a minute.)

“Don’t use a plan where you martyr yourself. I already have to deal with Neil’s bullshit tendencies.” Andrew says instead of thanking him. “You should have just called me.” He says.

FF just holds up his phone, “Dropped into a club toilet. Completely unusable.” He says and yeah that makes sense. FF would have probably just texted Andrew but coming out and seeing a hitman going after Nicky probably made it impossible for the freshman to go get help without drawing all the attention to himself first if he wanted to make sure Nicky stayed safe.

Still.

“You dropped it into a toilet? You haven’t even had anything tonight.” He says because that clumsiness is not something he expects from FF.

“You try taking a pee next to someone on the FBI’s most wanted list and see how dry your palms remain when he’s talking about grabbing one of Captain Neil’s friends to lure him out.” He says with a brow raised.

That’s fair.

He figures that Romero hadn’t even noticed FF standing there. FF was incredibly good at just making himself unnoticeable (to Andrew’s occasional great annoyance and to Kevin’s great desire to study him for Exy related purposes).

“You recognized him?” He asks.

FF’s gaze slides to him, “I looked up a lot about the Foxes after I signed.” FF answers before his gaze slides back to the door. Roland had just texted Andrew that he’s getting Romero’s drinks ready (Two bud lites. Those are the celebratory drinks he waited for?? Embarrassing.) “I really looked up to Captain Neil. So, I read a lot more about him than anyone else.” FF admits but the fact that FF looked up to Neil was not in any way shape or form a secret.

FF was the only one who was ALWAYS paying attention to whatever Neil was saying and never argued with it. Even Andrew tended to just get lost in the sound of Neil’s voice when he’s going over Exy plays and not actually listen to the plan. FF’s eyes were always right on Neil and his actions on the court showed that he had been paying attention and knew what he was doing. Kevin also listened but he tended to fight Neil on the finer details of plays, strategy or anything else. FF was the one who would just nod and do his part in whatever possible play Neil had broken down for them.

FF was also categorically incapable of referring to Neil as anything other than Captain Neil.

Neil had bristled early on at it. He had thought it was a mocking title, something FF was saying to rile him up because that’s what Freshman Foxes did. That’s what Freshman Foxes always do. FF slid into the team without a whisper of rebellion and it hadn’t taken long to realize that FF was using the title with sincerity even if his monotone did not perfectly convey that.

It’d been that sincerity and that ease that had FF be the only option he’d considered when Bee said he should consider expanding his friend pool.

So if FF looked a little deeper into Neil’s past and sees Neil’s part in it as something to respect, something to admire?

Well, he personally thought he always had great taste in people. (He ignores the voice in his head that sounds like Nicky complaining about Kevin still not knowing German despite it being the family language.)

“You sure you don’t want one of my knives or the knife Jackson had?” It was pretty big and Andrew didn’t think it would work well with his general style but maybe FF could use it somehow. He was uneasy that FF was going into this fight unarmed. FF still hadn’t talked about how he’d taken out Jackson when the man had a knife like that.

“Do I look like Crocodile Dundee to you?” FF asks with a raised eyebrow and Andrew has to pause a moment for the movie to load into his brain before he offers an amused quirk of his own lips.

FF is a funny guy.

His phone dings. “He’s on his way.”

***

Aside from thinking about how nice the conversation he was having with his friend Andrew (his friend! His friend Andrew! God how is he going to admit to Gran that Andrew was never planning on stabbing him? She threatened to come over and square off with the ‘mean young man’ bullying him. He’s gotta go grab the makings for a secondary pie to even start to make up for this. Maybe Andrew would prefer a cobbler? He should ask his friend his preferences.) he was thinking about how he really wished they hadn’t had a cut away from Gracie Hart showing all the various forms of self defense she knows in the movie.

He had no idea if he could do a repeat performance of S.I.N.G. with Romero.

It’d be nice to have a few more things in his repertoire because all he has is striking Romero with the heel of his hand in the nose, getting grabbed from behind to throw him over his shoulder (which what if Romero is shorter than him? How will THAT work. Gracie Hart guide my steps!), and of course S.I.N.G.

If he survives this he might write a letter to the writer.

The door opens and honestly FF and Andrew agreed that surprise and speed were going to be their best weapons. The two of them go in for a full body tackle but Romero must just be a higher class goon than Jackson was since he manages to body them away. The door shuts which is mostly what they wanted anyways. Romero can’t go back in and grab someone to use as a shield.

He sees Andrew pull out his knives and now FF realizes that any level of threatening Andrew had done before must have mostly been in jest or just as intimidation. When Andrew wants to stab someone it’s obvious that he’s aiming to stab them.

Romero manages to parry Andrew’s first stab with a move that FF had seen on the ‘how to handle someone coming at you with a knife’ videos. FF sees Romero go in to bash one of the Bud Lite bottles over Andrew’s head so he launches his water bottle at Romero’s hand. The bottle falls and shatters harmlessly on the ground.

He kicks Romero’s other hand since the water bottle bought him time to get close. “You fucking brat!” Romero hisses.

He sees Romero reaching for something at the same time Andrew is going in for the second round of stabbing. Romero dodges out of the way but FF can see what might actually for real be an entire gun concealed in his jacket.

He can see Romero going for it. Sees the same smile on his face he’d seen inside as his hand wraps around the handle.

FF doesn’t think.

FF doesn’t think because if he does he’ll freeze.

So FF acts.

“Gun!” He yells and runs full force tackling Romero as hard as he can but unfortunately he tackles Romero into Andrew.

The three of them grapple on the ground. It’s hard to keep track of what limb is who’s and he’s pretty sure he’s accidentally hit Andrew a few times instead of Romero but he’s also pretty sure that Andrew punched him in the stomach so he thinks they’re equal. Finally FF gets a hand on the gun that Romero had been trying to get the safety off of and he knocks it out of Romero’s hand. “You kids will-“

Romero doesn’t get to say anything else because Andrew manages to land a punch right to his jaw that has Romero go limp under the two of them. They look at one another and Andrew manages to pull the handcuffs they’d purloined out of the Van while they were waiting off of the belt loop they were hooked onto and gets them around Romero’s wrists.

They stare down at the second unconscious man on the FBI’s most wanted list in the alley.

Then they roll off of him and onto their backs. Both of them wheezing from a combination of exertion, adrenaline, and (at least in FF’s case) a fair amount of pain (Christ Andrew packs a PUNCH his stomach is already sensitive. It’s a miracle that punch hadn’t made him puke.)

“That was…so stupid.” Andrew pants.

“Yeah probably.” FF admits.

They lay there for about a minute and FF thinks that maybe someone will need to carry him because his stomach is KILLING HIM with all this.

“Alright let’s-“

Andrew is sitting up and looking at him when he stops talking.

FF doesn’t really know what the issue is but starts to sit up, “Don’t you DARE.” Andrew hisses and FF finds himself being pushed back down to the ground to lay flat. “Don’t move Smith.” He demands and is pulling his phone out of his pocket as he keeps a hand on FF’s shoulder.

FF doesn’t really understand what’s got Andrew so upset all the sudden. “Andrew, what’s-“ he tries to sit up again. Is there a third person and Andrew wants him to keep down? There’s not really cover here they should move towards the dumpster maybe?

“Smith, I told you to not move.” Andrew hisses before whoever he’s calling seems to pick up. “I need police and an ambulance. We’re at Eden’s Twilight in the back alley.” He looks to FF, “What’s your blood type?” He asks.

FF has NO idea.

“I don’t know.” He answers and Andrew makes a disgusted sound. “Andrew, what’s-“

Then he sees it.

He doesn’t quite get how he missed it before now.

“Huh.” He hears himself say.

That’s Andrew’s knife handle sticking out of his stomach.

It appears that Andrew Minyard may have stabbed him in the stomach.

“Well, that’s about what I expected.” He says and lets his head rest against the pavement.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

Per your requests:

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The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.

As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?

[arsenicflame]

i think the reason izzy can be so blasé about his relationship with ed is not because hes taken to blaming a shark instead, but because hes actually already done a lot of the processing in the previous episode.

hes mourned his leg, hes had his drunk crying rants. hes gone through the five stages of grief. and then? the crew reaches out to him, offers him their support. they make him a new leg, they nominate him their new figurehead. when he stands there on the prow of the ship, leg on, letter in hand, thats his acceptance, thats his moving on.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[pigeons-with-jello]

seeing posts abt the election and frowning then scrolling and seeing posts abt tma and smiling again rinse and repeat

[ozonecologne]

.

[is-the-owl-video-cute]

Iran is bombing Israel apparently, FAFO moment truly.

Both Biden and Trump are vowing to defend Israel with harsh military force against Iran.

If they follow through with it and the US moves against Iran, this will actually become a war.

Do not stop pressuring politicians to support Palestine. Do not stop advocating for Palestine. Do not stop protesting Israel. Do not stop protesting genocide.

From the river to the sea.