#just for like the opening lyrics

[duvewing]

(having a moment) the made up dovewing pmv set to four by sleeping at last is haunting my dreams and compelling me

[carrotsofthepirabbean]

The soundtrack version of Only a Matter of Time is objectively better than the demo version, but the demo version is objectively way funnier

[firelise]

Stop feeding that dog. It's just going to keep coming back, expecting more. It just gives her hope. // [News: Baba Shakti today held a public prayer for victims of the ongoing land disputes, advocating that violence is never the answer.]

MONKEY MAN (2024)

[hqbits]

worlds normalest oingo boingo fan

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[thefreshprinceofjunes]

Do you remember before? We stood facing each other on opposite sides of that door. Now we stand side-by-side. Let's go home together this time.

[gods-favorite-autistic]

Track list for Fig and the Cig Figs independently published Junior Year album (officially named “Infaethable”)

Teenage Rebellion

Night Yorb (a heavy metal banger)

Summer Scaries

Devils Nectar

Time Quangle (a love song about Ayda)

Multiclass (Gorgug sings on this!)

The Ballad Of Lucy Frostblade (Kristen was the one who convinced Fig to write this)

So Late, So Tactical

Do You Have A Fucking Warrant

Cassandra (Can You Hear Me)

Hall Of Mirrors

President Applebees (written entirely in the night after Kristen gets elected by a drunk Fig with extremely drunk notes by Kristen)

Raging For Love (inspired by Gorgug, of course)

The Elven Oracle (Has A Day Job) (So Stop Bothering Her)

Maximum Legend

Fury Of The Ball

Cursed

Infaethable

The Bad Kids

[carmen-berzattos]

There's something at the tip of my tongue about the parallels between Jackie and Wilson and Who We Are

How the narrator of Jackie and Wilson wants to run away with a woman that he's carved out of his imagination based on a brief interaction. How they would try the world, but good god it wasn't for them. So they run away from it into a fantasy world where they live by their own rules.

And then comes the narrator of Who We Are, who dreamt his whole life of finding someone who would hold him like water or like a knife, only to find that running away from the world will only get them so far, since "the hardest part is who we are". And only to find out that the "phantom life" he's fantasized about is actually just that: a phantom. And its absence sharpens like a knife

[samglyph]

I truly believe Will Wood is an incredible musician and songwriter and is one of the top lyricists in the last decade both in and outside of the genres that he chooses to play in with absolutely zero irony. I also believe that you can only fully understand that if you’ve either had a pet die before listening to his music or you have a history of drug abuse and mental health crises. Or you’re trans.

[daddy-long-legssss]

She's Thunderstorms

"I remember writing this one when there was a storm going on. They get like mad storms over there [in New York], like, apocalyptic. I’m always trying to think of different interesting ways to like describe somebody but compliment them too. So in that one, I like the idea that she’s not even a thunderstorm, she’s more than one. I quite like the fact she’s plural. ‘Thunderstorms’ meaning just, y’know, awesome!"

[x]

[wavesoutbeingtossed]

Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.

But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”

Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)

Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.

I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.

Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…

[secondstar-acorn]

can’t think of anything to say other than it was everything I could have ever expected and wanted and hoped for. seeing them perform truly is an electric experience and I am so, so grateful I got to be there. I’ve never felt such overflowing joy and love in one room before and that truly is down to what a one-of-a-kind group Starkid is. I’m so happy and a little emotional that it’s over but like it’s sung in days of summer, “don’t wanna see you go but it’s not forever, not forever” ⭐️💜

[littelestvic]

I might be killed for saying this but there is something so smart about opening your (arguably worst) new album with "this isn't rock and roll, this is music for children"

[shushmal]

everyone talks about corroded coffin and eddie being a rockstar, but no one talks about the robin-steve-jonathan-argyle 90's ska band like??? the disrespect

[coastaltowned]

ttpd song predictions: fortnight (ft. post malone)

how quickly things change in the time of two weeks, how fast our time ran out of the hourglass, how it can only take a fortnight to end a relationship, how much time should you give yourself before you decide to blow up your life? what happens when the fortnight ends and you wake up as someone new? time's up, time to go, time to end it, time to move on.

[pseudophan]

perhaps i just need to stop trying to make edits with like, a vision and a concept, and instead simply choose some random ass song and puts some random ass clips over it and go from there