#just doing a bit of an inversion
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So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
#'but lucabyte didnt you already do a comic with this exact same message? that loop has potentially killed their party intentionally before?'#yes i did absolutely do that thank you for noticing. that is what the cannibalism comic is about. no that was not a metaphor. lol#isat#in stars and time#isat spoilers#in stars and time spoilers#sifloop#isat siffrin#isat loop#in stars and time fanart#isat fanart#lucabyteart#ill ramble elsewhere some other time. maybe in a text post. but. long and short of it: even if you assume the answer to 'how do they know'#is that in sasasap isa got frozen once. theres still the fact that the loops are from sif being too distressed. how far gone does a siffrin#have to be before they can witness a party member die and notice it has no effect. how does loop feel to have planned to kill the party#during act 3. why did they NEED to show sif that. are they trying to preemtively stop them from getting the idea in their head#that maybe that might work? when they're out of all other options? when they just get so frustrated and at wits end?#loop helps in subtle ways through the whole game. and in less subtle ways like begging sif not to use the dagger. and while yes the#overarching reason you need to learn that the loops are tied to sif is because you need to figure out wish craft.... loop doesn't know the#actual mechanics of the loops themselves. just what didn't work. the power of friendship. getting the final hit in. being perfect. etc...#and besides all that.. how did loop feel during that hangout. being so deceitful. especially since before the other shoe drops#sif is enjoying themselves. but they know what's coming the whole time.#as for: why bathing? its the obvious imagery for blood on their hands/washing/never being clean. and is a bit of an inversion of the other#piece i just drew with the other casual closeness and nudity being kind. this one is cruel instead.#anyway tag ramble over ill do a masterpost of all my fanwork with some directors commentary sometime i promise. since i know im often vague
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behold the cousins
#fairly oddparents#the fairly oddparents#my art#fop#vicky#redheaded babysitter#babysat in this case#frankie foster#vicky the babysitter#vicky fop#my little pony#fop fanart#ponified#foster's home for imaginary friends#i haven’t seen it yet#but but I do know a bit about Frankie and how cool she is#Vicky thinks so too#that’s her big cousin#She really looked up to Frankie#Wanted to be just like her#Shame that never happened#I’m going to use my pony and human designs almost interchangeably because outside of certain logistics the headcanons are same#Speaking of headcanons#rainbowmane ponies are about as rare as redhead humans#They are equivalent in my mind#Oh and#DP ghosts with blue hair were redheads when they were alive#it’s the inversion of colors#id in alt text#get id'ed
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I keep thinking about how kind of mean and hopeless the Harry Potter books were in worldbuilding
Harry Potter is set up to be poor and miserable and have nothing, and to have all of that "corrected" by finding out he's a wizard and his family is rich and he'll never want for anything again
Ron Weasley is set up to be poor and miserable and have nothing and suffer forever for it
Like, I grew up in the extinct middle class that was between lower-middle and upper-middle, just middle-middle, but it was an economically depressed town in an economically depressed state, and my economically depressed friend fucking HATED Ron
I also hated Ron, everyone hated Ron, but it was more the past few days I've really been thinking about the difference, that if you're poor, you get to be poor as a wizard, you get this representation but it's as The Ron, and for the entire time that the audience is supposed to be going along with Harry on this new, magical journey...your MC role is to be *nice* to poor people as your defining characteristic of this dynamic, because oh, look, being poor sucks ASS and everyone will hate you and make fun of you.
JKR just...didn't worldbuild for shit. Like, she made all these pretty, silly, wacky things, but under the cozy Wonka-esque trappings of "oh what a lovely place I wish I could live there", life is unreasonably hard and unreasonably unfair for an Earth where magic is real.
"If Muggles knew about magic, they'd want it to solve all their problems all the time" yeah Christ forbid you solve problems, you can't even get student loans running you senile old fuck
#Dumbledore is a senile old fuck#harry potter#Jowling kowling rowling#I know this is not new shit#But understand#I grew up in this era#I loved it#But so much of it was the possibility#And so much of that disappeared#We sold ourselves cheap on the concept#And were sick of the accompanying bullshit by three and a half books#We just didn't have any reason to pick on them when they seemed to be doing so much good#There's a lesson there......somewhere#Literary#Classism#I like the bit in Maskerade when Nanny Ogg douses the bourgeois with champagne for riding working-class ass#Terry Pratchett will always be the inverse answer to JKR sorry#gnu terry#worldbulding#Ron asks 'why is everything i own always rubbish' in book 4#i never stopped thinking about it#It never got answered#Ugh
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also re: transfemmes and gay men draw a sharp delineation between each other, i didn't mention this last night but it means a lot of like. Nonbinary people who are exploring gender as effeminacy are treated REALLY badly by both specifically if they can't ultimately be put in one group or the other, on top of usual effemiphobia. I've seen multiple nonbinary people get subject to brutal public harassment over this, including one person who publicly was like "i might be transfem, i might want to use she/her, I don't know yet, but being treated so badly by other trans people for existing where im at now isn't fucking helping me figure that out". Part of this isn't just about this particular community divide, it's also about how many LGBT people have the idea that someone's lived experiences can themselves be offensive, and that that person therefore harms the community by existing. With trans people in general, there are a lot of people uncomfortable with ambiguity in gender because of worries about how cis people perceive us. There is, again, a particular disgust applied to effeminacy on this front.
#cipher talk#Something about how when a man wishes he'd had a son and raises a masculine daughter it's seen as a bit sad but usually still admirable#If a bit funny because it's rare that it 'goes too far'#Whereas a woman who wished she's had a daughter is a horror movie backstory because the default is you went too far#As well as how a woman dressed like a man as a trope doesn't usually feel embarrassed compared to the inverse#I constantly struggle internally with feeling embarrassed about being openly effeminate because I've been fed the idea#But society that I should be. That I look stupid or silly or like a pervert.#It's reinforced both by broader society and by other trans people#'Why bother with T & top surgery if people just think you're a woman still anyway. If you acted differently they wouldnt do that.'
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🗣 oda and seifer >:3
Main Characters: Odarem Mortis (His POV) & Seifer Sanaca Side Characters/Mentioned Characters: Vrikoh Havlok (Odarem's official fleet general) & Seifer's Fleet Captain (Armand Buleis) Setting: Seifers' Newest Fleet Ship, some 2 or so sweeps back CW(s): Mentions of Blood and allusions to a murder
----- Google Docs Link -----
You step off of the small transport vessel that had ferried you to your new assignment, the scent of blood hitting your nose immediately, causing you to raise your face mask into place. Well, you’re actually catching two distinct blood trails coming from different directions, but one is a lot fresher… You can’t help but find this curious, as the murder you’re meant to be investigating happened two days ago. Despite your curiosities, your outward demeanor does nothing to show that as you approach to meet with the captain of the ship.
“Doctor Mortis… good to see you’ve finally arrived. I’m sure I don’t need to waste my time briefing you on the situation at hand, do I?” The seadweller raises a harsh brow, tapping his cane to the floor in obvious impatience.
“Not at all, Sir. I read the report on the way, with permission from General Havlok to take as long as required.”
He studies you, perhaps bothered that he can’t see most of your face to scrutinize your expression for not being respectful enough, given the eyepatch and mask you wear. “I give you free rein of the main floor to investigate and find the culprit as you must. If, for whatever reason, you require access to another floor, my Lieutenant will see to you and handle it from there. I expect this dealt with in the next two hours or less, cusp-blood.”
“Just for you, Captain, I’ll have it done in one.” He may not know you’ve got a smarmy little smirk on your face, or that you would’ve winked there as you give your ‘to attention’ salute, but you know, and that’s what really matters here.
After getting that asshole off your back, you don’t waste a second before you’re turning toward the fresh scent of blood, slipping your mask down as your nose twitches and you head towards it. You’re careful to listen for any footsteps or other noises following after you, but hear nothing besides your own boots hitting the floor.
This isn’t a scent you’ve encountered in some time, you think, puzzling over what it could be, when the scent of something distinctly unfamiliar clouds up the mix in your head. This is peculiar, it wouldn’t match up with the killer's profile at all, as far as you know. This drives your curiosity ever higher, and you walk quickly and with purpose… until you come to the end of a series of shoebox-style rooms for the military grunts and reach a… repurposed supply room?
You lean close to the door, listening in, but only hear a grunt and the creaking of a bed. Perhaps an isolated soldier with some kind of odd illness? Why the blood? Why no medical staff nearby? You can’t help it, you know you’d be able to track the murderer down in 20 minutes tops, so you have some time to spare.
With that, you raise a gloved hand to knock gently on the door and speak only loud enough to hopefully be heard by whoever’s inside. “Hey in there, I’m here under your captain's orders. My name is Odarem Mortis, may I come in?”
There’s a long pause where you wonder if they even heard you, until a rasped voice answers you, hesitant confusion lacing their tone. “What…? You... no, leave me alone...”
You’re really not one to push, but your curiosity and concern for this individual push you to ask once more. “Are you sure..? I won’t pry, but I’d just like to check and see if you’re alright, if I can. I won’t cause you trouble, swear on my last good eye.” Shifting your weight slightly from foot to foot, you await their answer through another pause.
“There is nothing to check…”
As the voice trails off, you’re readying yourself to respect the refusal when the voice interrupts your line of thought.
“But you may come in if you really wish to…”
You open the door slowly, your other hand up in the air passively as the tired-sounding stranger comes into view. The shade of violet he possesses immediately ticks your box for a likely mutant, and your gaze gets a little more sympathetic than it already was. You can’t help but note the dried blood on his clothing, that you must’ve caught the scent of to lead you here. He looks at you warily for a moment before hanging his head, as though hoping to avoid any judgement and conversation.
Still, you can’t help but want to converse with him, shutting the door and moving away from it so he doesn’t feel trapped by any chance. “Are you hurt?” you ask softly, trying to be forthright and genuine, to hopefully ease that heavy tension you can tell sits in his whole body like a rock.
His fins flick, but you can’t tell if that’s good or bad yet. “I have no injuries…” The violet refuses to look at you as he answers.
Cautiously, you approach to sit on the far end of his bed and he tenses, though he relaxes a bit more when you don’t make any further movements.
“Can I ask about the source of the blood?”
Immediately his fins flatten and his head turns a little further away from you, indicating that this was the wrong question, so you quickly supply more to follow it up, “You don’t have to tell me anything, your privacy is your own… it would be nice to know your name though, if you’re feeling adventurous?” Your tone is playful at the tail end; non-threatening.
Something about your response eases a lot of the tension he was holding, and he finally turns to look at you, even if his body language remains closed and curled in on itself.
“Seifer…”
The seadweller, Seifer as he’s told you now, studies you- though unlike his captain, his gaze is like that of a prey animal rather than a bored predator. You feel a bit of pain in your chest at whatever put this man in such a state, though instead of showing that, you smile at him brightly. “Nice to meet you, Seifer. I’m Odarem, though you probably heard that through the door already.”
Seifer gives an affirmative sound, eyeing you with a bit of curious interest of his own now as you continue.
“I’m here on work, so I can’t stay long, but… did you want some company? I’ve got half an hour to do something other than my job, give or take, and you seem like you’d be good to chat with. Handsome too, if it’s not overly forward of me to say.” The smile on your face remains relaxed and easy, keeping the pressure as low as possible.
At the compliment to his obviously disheveled appearance, he blushes, fins twitching again. You note that the twitch is probably a positive sign at this point.
“I… y-you can stay, if you would really like, but… I cannot promise I’m good company.”
“I think you’ve done a fine job of it so far, Seif, I’m already having a nice time. And well, you seem like you could use some good company, yeah?”
There’s some hard-to-read look in his ringed eyes like he’s almost in disbelief at how kind you’ve been. He leans slightly closer in your direction, though you suspect it to be subconsciously. You can’t help but wonder if the fact he let you nickname him so quickly and is no longer moving away from you means anything… is he that starved for kindness here? You suppose that you shouldn’t be surprised, given the state you found him in, and the fact he doesn’t even have a proper room- along with the sour attitude his commanding captain wears.
Cautiously you reach a hand forward, stopping when you see him stiffen a bit, though not fully retracting your reach. “Apologies, I should ask… You seem tense, is all. It isn’t my place to ask you why-- though given this place I don’t blame you.”
He seems put at ease by your casual insult to the ship, though, and he doesn’t lean away from you, so you press a little more. “I can loosen up those knots in your shoulders if you’d like. Might make the place a little more bearable? And don’t worry, I’ve got a degree in easing tension.” You joke, keeping it light.
Seifer fiddles with his necklace as he seems to consider your offer, another slight blush dusting the tips of his ears behind his fins, though you’re not sure exactly which part of your words prompted this.
“Go… go ahead,” Seifer mumbles, looking away from you, but not moving as you shift closer now, slightly behind and beside him on the bed and lifting your hands to hover over his shoulders.
“I’m going to place my hands on you now, just a heads up, Seif.”
He makes a low, appreciative grunt of acknowledgment, and you gently place your hands down on his shoulders, easing into pressing your thumbs into the muscle to work them loose. A little bit of time passes as you feel him melt beneath your hands, giving sounds of approval when you break the tension spots up.
You lean forward to ask him how he’s feeling, right as he seems to turn his head to say something to you, and you nearly bump foreheads as both he and you still. Seifer looks a bit wide-eyed from what you think must be out of surprise until his face darkens with blush once more.
Speaking without thinking too much you ask, “Can I kiss you? I’d be gentle.”
Violet fins flutter even harder than they had before, though this time they remain more upright. Your question seems to do nothing to assuage his blush, though he appears too stunned to answer, so you speak again. “You can say no, of course. If that went too far, I can back off--”
“N... no, I--” He seems surprised by his own sudden protest, eyes glancing downward as he forces out the rest “Please do…”
You smile softly, brushing his lip with your thumb to catch his attention. “Of course.” And when he looks up, you kiss him gently.
#my art#my writing#odarem mortis#seifer sanaca#inverse compassions#conversation meme#afallatmak#thank u lin for sending and proofreading it :boohoo:#this is a bit long and i know I'm lagging behind on people stuff so u don't have to read this one nw's#just happy i wrote smthn#but if u do read i i kissa u <3
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For the 'guess something about me' thing imma guess............
Stealth is your second favourite Thorpe coaster
False actually! It's Nemesis Inferno
#good guess tho! i do have a fondness for her#she's just a bit short alas + inversions are where it's at for me#like airtime is great & i love a good launch#but nemferno's first inversion is a fucking drug
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You're more amazing than sickness
Lost Caverns of Ixalan is coming out on Arena tomorrow and I've avoided looking up any spoilers, aside from a few individual cards I stumbled across that didn't have any reminder text, so I have no idea what the new mechanics are. I looked up a list of the NAMES of the mechanics on the mtg fandom wiki, and I decided to make mechanics based on those names to see how close I get and also because it's fun.





Also I made this card for the descend mechanic at first but I didn't like the mechanic. How dare WotC make such a parasitic mechanic, they should really hire better designers smh. Also I realized that craft would probably be more interesting with artifacts that have tap abilities.


#asks#custom cards#i picked up little bits and pieces about the mechanics#i know that maps are tokens and that discover comes with a number#and i also know that caves exist and transforming cards were listed as a mechanic so i made something with that#a neat inversion of the original ixalan block's nonlands that transform into lands#i also know that there's a graveyard theme so i built that into discover#but craft? all original baby#and i think i heard something about descend having variations? so my “ascend but graveyard” mechanic is definitely not accurate lol#also for context a “parasitic mechanic” is a mechanic that inherently works better the more of it you put in your deck#or that's really weak unless you have multiple of it#sometimes this is okay but my depth counter version of descend is just kinda really boring#it may as well say “this card is stronger the more cards with descend you have in your deck”#stuff like energy and dungeons are kinda parasitic but they're using that to do cool stuff not just to scale effects#also also putting craft on artifacts that have tap abilities IS weaker because now you have to choose what ability to use#but that also makes it fun because you have to choose so you can't just get everything#attachable lantern was actually the original craft card i made but i made Mortician's Toolkit because tap abilities were so bad with craft#little did i realize that having that anti-synergy makes the mechanic actually cool instead of just making your artifacts cheaper#craft+tap offers a tradeoff: you can get access to the effect for cheaper but you have to put it on another artifact#of course you can just use artifacts that don't need to tap. if you have one#the main reason why i don't think my craft mechanic is accurate is because “equipment that taps” is a terrible idea#even if the tap ability is being given by another card#when you tap an equipped creature it's easiest to just turn the whole pile of cards sideways#but if you have to track whether an equipment is tapped or untapped that becomes a pain#Reconfigure creatures are on thin ice#well actually there's cards Citanul Stalwart that tap artifacts as cost so maybe it's not that bad?#i'm most confident in the accuracy of my map tokens and transforming lands ideas#though idk whether the transforming lands and the cave lands would be the same thing#if they have transforming lands then probably because it'd be weird to have 2 separate land mechanics#spelled separate correctly first try fuck yeah
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Rosawatts, from memory (Patreon)
#Doodles#To The Moon#Neil Watts#Eva Rosaline#They ✨#I ended up making the To The Moon series of games my over-breakfast show for a while haha#I got through them all surprisingly fast! It's amazing what a bit of breakfast does for the focus haha#I had ideas for them but then I got distracted! Damn! Another time#Still gonna talk about 'em tho lol <3#Mostly Neil-related honestly haha - a big long silly joke that takes so much context pfft#So that one trope of self-aware anime protagonists - either the type to try to hide the specific thing that makes them The Chosen One#Or changing themselves into The Chosen One by adopting a feature that points to it - think dying hair#Born with weird hair? Protagonist - cover that up and become a normie; and it's inverse!#And then y'know the trope of the white-haired anime boy? The Redshirt of anime? Lol#I just love the idea of Neil being ''born with white hair'' and dying it his normal brown and confessing to Eva#And her countering back with ''Thank goodness you don't have white hair I never would've accepted your confession if The Tragedy''#While Neil is just Sweating lol#It's funnier in images gah I'll get to it someday!#For now I'm just happy to have added them to my list <3 I do love them hehe#I enjoyed Imposter Factory so much! The montage at the end had such beautiful pixel animation#And even seeing a simulacrum of them happy makes me happy <3 Bittersweet like the rest of the series :)#Good lads <3
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@wanderer-of-light please know that every time i see your nice tags i go "!!!" and gain +4 spoons for art. take this quick doodle of vastha and k'pheli, because i like to think they'd be friends and also i am shy but am willing to Art
#bound with thread | original posts#divine being of crystal and star | k'pheli tia (sae'pheli'ehva)#hero from another star | others' wol#welcoming moon of the summer evening | vastha mhakaracca#seal it with wax | art#yes its almost 2am as i post this. what of it#will i have a sae'pheli'ehva or a'mehka'ahma ref ready by the time artfight starts? ahahaha probably not#gonna be away from home so i won't be able to do art or write much for the next few days alas#but anyways uhhh please enjoy. the Them#i don't have any solid reason for why they'd be friends i just think they might get along. vibe in the same area for a bit.#also please note i'm still trying to figure out how to illustrate the difference between seeker and keeper fangs in my art so.#that's why this doodle has k'pheli and not mehka ahaha‚ since mehka has seeker fangs and keeper pupils while pheli has the inverse#anyways my love for quick gradient backgrounds continues on ahahaha#again -- i don't get notifs from your blog for some reason but! i hope you enjoy the art!!
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lmao can't believe I forgot that people will just take jokes to their obvious conclusion here and also that not everyone is used to just being able to walk 2 minutes from where they live and stand beside an active construction site (this is re: my robot sex construction site joke post lol). I mean obv lots of people are also joking but I sure hope people don't think I'm literally recommending people to just wander onto a random construction site. because uh, don't do that. stay outside the barricades, they're up there for a reason
for context there's so much construction where I live that I walk right beside at least 2 active construction sites on my way to work. because I live in a densely built-up city area, it's literally impossible to avoid. obviously I stay outside the barricades and I do not linger if they're doing something loud because I value my hearing. but sometimes I get to see cool shit like when they use an excavator with a drill attachment, or when a crane lifts something big up onto a skyscraper, or when there's a huge hole in the ground, etc. it's cool when you gradually see a building go up in a place you pass by regularly and then suddenly there's just a building there. that catches me by surprise sometimes
there was one year where I was woken up every weekday at 7 am by the noise of reversing trucks and the like because there was a large active construction site directly beside where I lived. now for a few years there's been a construction site directly beside where I live, but thankfully on a different side of the block, so at least that one isn't audible to me when it would be bothersome lol. so anyway I guess what I'm saying is if you want to hear construction noise then try to visit your nearest moderately-large or larger city (if there's one in your area) because then you can walk by plenty of construction sites (safely outside of whatever barricades they've set up, for fuck's sake). or just watch some videos online
#inverse problem.txt#I'm sure people are just joking around but I'm really into workplace safety so I don't want to be irresponsible#but also gimme a break people joke about sticking their hands in the machinery all the time it's fine it's a joke#but anyway just rambling a bit bc watching construction (safely! do it safely!) is fun
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Oh. Oh. Mhm, not to me, but I appreciate it. Thank you for tagging me!
people always talk about evil clones like oooh a dark mirror oohh what if you saw what are cruel person you were/are capable of becoming. and well yes but what if you were the evil clone. what if you looked in the mirror and what you saw was so bright it blinded you. what if you had to know exactly how good you could have been.
#assuming them = manwe and melkor not some other them#some numenorean them for example#the problem is...#manwe is‚ to me‚ somewhat smaller#he is good but he is not as brilliant#yea they are twins and he is the good twin so there's that„ but still he lacks a bit of the … idk now to call it#this may be just my hc it's tied to my “melkor is so weird” thing maybe they are more symmetrical in the canon#i'm not saying manwë is meh‚ just… there's a lot of scale there to be filled#to have this effect…#i don't think anyone could have this 1:1 inverse dark-mirror effect on melkor#i do have some thoughts but i don't think you'd want them here#anyway of course the post [2nd half of it especially] did give me a lot of feelings in various directions#there's more characters that I'd love to see hit in head with that feeling not only the big idiot#tbh it's one of those feelings that are universally very useful to be hit in the head with#thanks again for the tag#hmm tags?#silm#personal
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people will tell me “ew why would you want to major in something with math?” but then act surprised when i not only solve the hard bonus challenge my calc teacher gave us, but also called it fun
#tbh i didn’t think the problem was that hard#there were def a couple spots where i got stuck but eventually figured it out#it was really just you had recognize inverse trig derivatives#and the hardest part part was realizing u had to undistribute a four a#i know myself enough that i know im good a recognizing those kind of things and seeing those patterns#where i gor stuck for a bit was trying to decide bewteen two angle option#cause like when you take inverse sine u can have two diff angles and i didn’t know which ones#but someone was like ‘why would u just not do the easier ones’ which WERE the right answers but HEY sorry im a stickler for the math rules😔#anyway that’s my whole explanation guys 🫶🫶#it was genuinely fun and i am DEFINITELY doing math in college (but prob more physics side)#berryspeaks#math
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Y'know something I feel in the need to confess and wait hang on.

^ this is me talking this this is like a teen.girl talking to her crush. Ok? Anyway,
I have SUCH an issue bc Hoffman makes me SO insane like he's so fucking hot and also just beautiful and I really like him but... I cannot bring myself to see him in such a relationship w Lil Luly.
And NO Can isn't an option either ! ! Can is way too, weird. They don't fit here + he's a good person and would try to stop them and etc. But like it's just so silly bc it does show how strong the difference between R.L. and L.L. .......
Though who knows what the future could await . . .
#💟.txt#tbf l.l. is going thru a bit of a. sexless era#on purpose. to see what else there is to life#anyway i think it's this very lust i enjoy seeing hoffman ships of any kind but i don't feel particular about any of em#this probably is my weirdest post i feel bc I constantly switch between refering to myself as L.L. and not or just being a witness#but acknowledging my writing is something i barely do#but i had to point out bc its one of the few times L.L. and i dont share feelings#like usually it was the other way around sometimes L.L. becomes attached to a character b4 me#but this time is in the inverse 😭#like at best i can see l.l. and him having a very homoerotic yet platonic relationship#but i would not have such things w him i want his legs on my shoulders EKFGKDGEHDHE#AND YET. I DONT WANT TO MAKE A CHARACTER FOR THAT#LIKE IDK ITS WEIRD 💥💥💥
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The Sims 2 Legacy Collection: shadow fix
The rerelease of The Sims 2 introduced a fix for the black rectangles under Sims. You may have experienced this bug in the Ultimate Collection version.
As the creator of the Sims Shadow Fix, I was curious to know how it was done. But first, I'd like to explain what the problem with Sim shadows is.
What's the cause of the shadow bug?
When the game works as intended, a Sim shadow texture is a light bluish blob on a white background. It also has transparency, but it's unused. It looks like this:
However, many modern graphics cards render the texture as plain black with transparency:
That's why black rectangles appear under the Sims.
What does my mod do?
My mod is only a workaround for the bug. It uses the transparency to recreate the shadows.
The first versions released in 2015 and 2016 were achromatic, while the original shadows were bluish. Back then I didn't even know why and how my mod worked.
On 2 January 2025 I released new versions based on my research into shaders. I also recreated the original bluish shadows.
How does the Legacy Collection fix the shadow bug?
Thanks to @ivycopur I was able to examine the code. It uses a workaround, just like my mod.
In fact, it looks almost exactly like the really not misty 0.4 version of my mod, which, ironically, is now legacy. The shader code in the Legacy Collection contains the same nonsense. And a bit more.
Code comparison
The left side is the original code extracted from the Materials.package file in The Sims 2 Ultimate Collection. The right side is my code or the Legacy Collection code:
The differences between my code and the LC code:
the debug part: I removed it from my code as players will never see it. The LC has this feature untouched.
alphaBlend srcFactor: despite the difference, it actually changes nothing. Explained later.
The identical changes:
alphaBlend dstFactor,
the same colorScalar has been added,
textureBlend.
Nonsense #1: textureBlend
The textureBlend defines how the colors of the incoming texture are transformed. The first argument is responsible for the color channels, the second – for the transparency.
Originally it's just:
textureBlend select(texture) select(texture)
And it means that the texture is taken as it is.
My and LC code transforms it though. The colorScalar is defined as a partially opaque (40%) black color. The transparency argument takes the transparency of the original texture and darkens it with the 40% factor:
multiply(colorScalar texture)
And this makes sense. The color channels argument takes the transparency part of the texture and makes it pure black, because the color scalar is black:
multiply(colorScalar texture:alphaReplicate)
It's pointless. I could go:
select(colorScalar)
instead. It would be effectively the same.
The texture after the transformations looks like this:
Nonsense #2: alphaBlend
The alphaBlend defines how to mix the source colors (in this case the transformed texture from the textureBlend step) with the destination colors (in this case, the ground under Sim's feet).
The srcFactor argument defines the source color transformations, the dstFaction – defines the destination color transformations. And then they're put together.
Originally it's:
alphaBlend srcFactor(destColor) add dstFactor(zero)
The srcFactor says that the shadow colors are darkened with the ground colors. The dstFactor doesn't really matter because it's multiplied by zero (black). Also, transparency isn't used.
If I understand correctly, you could achieve the same effect with:
alphaBlend srcFactor(zero) add dstFactor(srcColor)
And the final effect is:
My and LC code had to do it differently. The dstFactor says to darken the floor color with inverted transparency:
dstFactor(invSrcAlpha)
It sounds complicated, but the inversion actually means that black becomes white and vice versa. So the transparency texture, which is a dark gray blob on a black background, becomes a light gray blob on a white background.
The srcFactor is actually useless because the shadow texture (from the textureBlend step) is black. So it doesn't matter if you use:
srcFactor(one)
like I did, or:
srcFactor(destColor)
as in the LC code, it will always be black because you can't make black any darker. To make the intention clear, I'd personally go with:
srcFactor(zero)
instead. The final effect would always be:
It's different from the original intended effect. You can even see the difference in the official screenshots:

Source 1 | Source 2
Conclusion
It doesn't look like a coincidence. The cause of the shadow bug hasn't been fixed, and I doubt that an experienced shader creator would come up with such a workaround. There are better ways.
Before you point out that it's against my terms of use to take my code and sell it, especially without credit, hear out. It doesn't matter – EA's policy allows it. And I'm not even angry. It's just funny that they trusted such a messy code. I wouldn't be surprised to see other creators' fixes in the Legacy Collection.
The good thing is that EA has addressed the shadow issue at all. 🙃
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do you believe me now? | 6
in which spencer reid and inexperienced!fem reader are finally honest with each other. complete with tears and more than a few make-up kisses.
series masterlist
this series is 18+ warnings/tags: angst but mostly fluff, i think this qualifies as hurt/comfort, HHEHHEHHEH, lots of kissing, so cheesy, you jokingly imply he's a slut, i need him expeditiously a/n: thank you guys for being patient with me!! ilysm!! i edited this until i hated it but i hope it's satisfactory for YOU guys..... as always please please let me know what you think!! and i already started the next part hehehe
The car ride is the worst of your life.��
Neither of you speak.
And you find yourself wishing, pleading to god that one of you will say something to fix this—but each minute ticks by and the streets get familiar and a quiet song ends and you realize you were silly to ever think a twenty minute car ride would change anything.
Spencer was the luckiest you’d ever been and your relationship is floating away like a balloon you forgot to hold on to—nothing more than a red dot lost to the vast blue.
Maybe for him it’s easier. You’re pretty sure it is, as you risk one or two glances at his unreadable profile that turn into lingering, obsessive looks because you’re panicking and realizing you’ll maybe never see him this close again. It’s funny and terrible how quickly you’re remembering what it was like to see him at the coffee shop for the first time—how he was nothing but a beautiful stranger, completely unknown to you and worlds away. Now you’ve had him, sort of, and you’re turning into the girl who could never have him all over again.
When he turns onto your street reality begins to sink in. Your heart is a short fuse inside your chest as he pulls into a spot and parks the car. The rumble of the engine cuts. The headlights stay on.
For a moment, everything is quiet. You wish you could insert your own reality into the silence—one where you’re simply enjoying each other’s company and there’s no sense of impending doom to take your breath away.
“Do you want to talk?” Spencer asks, looking pointedly ahead where the lights shine off the back of some other person’s car. A wayward moth dips and swirls into the high beams. You watch Spencer track it with his eyes.
“I’m not sure what to say,” you admit quietly. The weight of everything you’d like to say sits in your stomach like lead, too heavy to divulge. It’s only been a few weeks of having to carry the truth around with you and your muscles are already fatiguing. The idea of carrying it around indefinitely makes your eyes sting. You’re already exhausted.
Maybe a stronger person would find that last bit of energy to make a final push, to save the relationship just before it falls apart.
But you never claimed to be strong.
Deep down, you must’ve known you weren’t ready for a real relationship. You can’t handle all of this pretending to be okay with things that hurt. Even if that's the grown-up thing to do.
“I tried. I really did, I’m sorry—I’m—”
Before you can get the words out your throat tightens around them and you bury your face in your hands.
The sound of his seatbelt unlocking and whirring back surprises you—but you’re even more surprised when he undoes yours. Still, you move your arm so it can snap back into place and then he’s pulling you into him.
“It’s okay,” he murmurs, one hand on the back of your head as you lean over the small gap between the seats, unable to stop yourself from shedding more tears. “It’s not your fault. I’m sorry.”
He’s sorry.
For not loving you?
If it’s not your fault he doesn’t love you back—then whose fault is it? Who’ll take the fall?
But still, he’s holding you so carefully, like you’re made of porcelain. Something to be protected. Or at the very least, something to be mourned even after it’s in pieces.
As you lean against him, lulled by the slow in and out of his breath, the inverse of yours, and the way he slips his thumb over the back of your hair in silence for a few minutes—you wonder what’s missing. Why he’s not satisfied.
“I don’t understand you.”
The words come out flat, muffled by his coat, garbled with leftover tears.
“What was that?” Spencer asks gently, still playing with your hair. You sniffle, adjusting your head so your cheek is to his shoulder and your lips are no longer smushed.
“I just… I want you to explain it to me.”
“Explain what?”
You sit up just enough to meet his eyes. The movement seems to take him by surprise, but he keeps his hands on you—one slipping to your cheek and the other still loyal to your back. He brushes his fingers over the delicate skin beneath your eye and you cover them with your own in an effort to get him to stop treating you so kindly. But even now, when you’re mad at him for being so gentle in the way that he hurts you, you can’t help but seek the familiar callus on the side of his trigger finger. It’s an odd thing to anticipate missing, but you’ll miss all of him. You can’t imagine holding a hand without that familiar anomaly—a cairn to show you where he’s been and who you’re holding.
He curls his warm hand around yours and you hold your joined fist out for him in emphasis, speaking louder than either of you were prepared for.
“This! You! I understand that we don’t feel the same way about each other and maybe I can’t change that. But then you do this and I don’t understand why. I don’t understand why this isn’t enough for you, because it’s enough for me, and I just—I don’t know what else I can give you. I don’t know what else there is. I don’t understand why I’m not... enough.” The tears are back and flowing freely, but you forge breathlessly ahead, because you’ve finally found a way to be honest and you’re not going to stop now. Spencer is frowning, lips parted and clearly confused or shocked or something, but you continue your confessional before he has the chance to interrupt. “I want to be enough, but you didn’t even give me the chance, and I don’t think it’s fair that we’re breaking up when you didn’t let me try. Maybe if you just told me, if you explained what’s missing I could fix it and you could love me back, and—please. I just want to try. Please, Spencer.”
A car engine revs somewhere far away, echoing down the street. It reverberates for several seconds, unimpeded by any other noise. Any word, any breath.
His voice is thin when he responds a moment later, still studying your face with a kind of scrutiny that is so indecipherable you don’t know how you expect him to respond.
“Love you back?”
You blink.
Your stomach drops.
For all that you’d revealed, for all that you’d willingly humiliated yourself with your pathetic supplication—you’d meant to keep that four letter word to yourself.
What a way to make an exit from your relationship.
Spencer is still looking at you, keeping you pinned to your seat, and as much as you wish it wasn’t the case he’s not going to let you off the hook this time. He’s going to demand an answer, and you have a 0% chance of bursting into mist before you have to provide an explanation, so you have no choice but to say something.
What, exactly, you’re going to say—you don’t know.
“I didn’t…”
“You didn’t mean it.”
The response comes so quickly, sharp as a slap, that you jump back slightly, a deep frown twisting your brow. Spencer makes no effort to keep his hand in yours as you slip from his grasp.
“That’s not what I was—”
“Just say what you mean.” Silence. “Tell me.”
It’s like he’s got an ice pick to your chest. It’s like he wants you to humiliate yourself even further, to punish you for your messy indiscretions.
“Spencer…”
It’s a warning. You’re giving him a chance to stop this before he hurts you sadistically. Before he becomes unrecognizable.
He swallows.
“Please.” And then, a second later, when you’re still trying to process the quiet pain in his voice and suddenly faced with the unexpected question of who is hurting who, “please, just… tell me if you meant it.”
For the first time tonight, you notice how exhausted he looks. Slightly gaunt, even paler than usual. Shadows pool deeper in the hollows of his face. His eyes look glossy, dark crescents below awaiting to catch tears you realize you’ve never seen fall. The tonal shift has you so disoriented, so out of your body like you’re seeing yourself in his own injuries—the truth becomes the only humane answer. Even if it hurts you.
“Yes. I meant it. You know I mean it.”
“I don’t know that,” he says on a shaky exhale. “How would I know that?”
And he’s got the ice pick back at your sternum. It’s tipped in poison. The mallet trembles in the air. So does your voice.
“You told me you didn’t feel the same. You said it was new for me and different and I was going to make things complicated and you treated me like I was a stupid kid, and—and it doesn’t even matter. This was dumb. I’m sorry I said anything, I don’t… I don’t know what I’m doing. I just.. I can’t do this.”
You’re about to open the door, every muscle tense as you wonder what the hell is wrong with you. What reduced you to the weepy, pathetic girl, begging a boy to love her despite knowing it doesn’t work like that—the same girl you’ve looked down your nose at in every film and TV show and in every high school and college hallway since you learned what self-superiority meant. Before you knew exactly what it felt like to be her.
“Wait.”
He says your name.
And of course you pause.
You want a reason to stay. If you had more self-respect, you wouldn’t. But you know you’ll give him as many chances to give you an excuse as he’s willing to take. You knew that before your fingers met the metal of the door handle.
“Just—hold on a second. Can you look at me?”
You sniffle and wipe your eyes with the heel of your palm before turning around to face him once more. You wonder if anyone will ever have the kind of power he has over you ever again.
The despair leaves only wisps of itself on his face—mostly he looks like he’s thinking hard about something. It’s jarring.
“You’re talking about our phone call on Sunday, right?”
You nod petulantly with a quick teary eye-roll because obviously that’s what you’re talking about.
Something lights in his own dark eyes as he inhales, parts his lips as if to speak, and stops himself again. Like he’s got news that he’s not sure how to break.
“The things I said, on that call… I wasn’t talking… about you.”
Your insides feel like tangled yarn as you stare at him uncomprehendingly.
“I mean, I was. I was talking about us. But not in the way you think, it was—” he stops, rubbing his eyes and taking a frazzled breath. “I know what it’s like to be the one who cares more. I have to assume that I’m the one who cares more because when I don’t, I ruin things. And with you, I felt like—the stakes were so high, and I thought it’d be safer for me to not say anything until I knew you felt the same. But I know that’s not fair to you so I tried to tell you over the phone that if you didn’t feel the same way it was okay. And now I’m—I’m realizing the way I phrased it was incredibly unclear and misleading, and somehow I fucked it up in a completely new way. But I wasn’t referring to you. I just didn’t want you to feel stuck with someone who can’t give you casual when you have so much ahead of you. I had no idea you felt that way about me. And I am so, so sorry that I hurt you. I never meant for that to happen.”
You blink.
And for some reason, begin sobbing.
Spencer freezes for a moment, then tells you to stay there and you barely have the capacity to wonder what he means as you hear his own door opening then slamming shut again. A moment later he’s on the passenger side, opening your door and leaning in.
“Hey,” he whispers, gently pulling your hands from your face and making you turn your head to look at him. “I’m sorry, I’m so sorry. But that’s good news, right? Why all the tears, lovely? What’s wrong? Please talk to me.”
You take a shuddering breath.
“This is all my fault, I ruined everything because I was too scared to tell you before and now—and now—”
Stroking your cheeks to wipe away the tears is a futile effort because they just keep coming, but Spencer does it anyway, and he speaks so kindly, so evenly it somehow hurts deeper.
You were terrible to him. And he had been prepared to accept that. He thought you didn’t love him, and he was still willing to be the subject of all your cryptic frostiness and inexplicable cruelty.
“It is not your fault. You didn’t ruin anything. I’m still right here. We’re okay.”
“But we’re breaking up, and—and I was so mean to you. That’s not okay, Spencer.”
You finally look at him. He’s close, eyes warm and wide as he looks directly into your own teary gaze, shaking his head earnestly.
“You were confused, honey. So was I. It was just a misunderstanding. But… I know I was unkind to you. I cannot express how sorry I am for that, and the last thing I want is for us to break up, but if you think that’s what’s best, I’ll… I’ll understand.”
His voice is dangerously thin by the end, strained with impending tears of his own. But he’s eternally kind—backlit by the streetlamps and beautiful like an angel. Whatever you want, he’ll give you. Even if it’s this.
“I don’t want that. I don’t.” You sigh, closing your eyes briefly against the world as you realize the impending breakup had been a delusion all along. That you were going to let your insecurities and some sick pride end the relationship for you. All that despair had been for nothing. Or—maybe not nothing. You realize he still hasn’t said it back. But you won’t be a coward. It’s not worth losing him. You open your eyes. “I just—I want us to be on the same page. And if you don’t love me yet or if you don’t wanna say it, or if you can’t, I get it—it’s okay, but if you don’t could you maybe just tell me? So that I’ll know—”
Before you can process it Spencer is leaning in, head angled to accommodate you, pressing his lips to yours so softly your breath catches and your stomach flips. Maybe softer than he ever has before, and it’s like taking a deep breath after holding it through a dark tunnel. You exhale a tentatively soft sigh against him, releasing air you don't have along with the fraught tension in most of your body. All too quickly he’s pulling away, hands still cupping your cheeks and thumbs stroking over your skin. When he speaks it’s not quite a whisper, but secret-soft.
“How could I not be so in love with you?”
Suddenly you can feel the world turning underneath you. Or maybe you’re just dizzy from lack of oxygen. Either way it feels good. A drop of warmth makes a splash in your stomach and slowly spreads through every vein and capillary until you’re sure you’re glowing gold.
“Really?”
“Of course really. I’m—” he takes a breath of his own, and you realize how difficult this must be after what happened the last time he professed his love for a girl. Your chest aches for him. His voice is low and solicitous, but it wavers slightly. “I should have told you sooner. I wanted to, but I was worried—I was worried the way I felt for you was… too much. I am so in love with you it scares me. I still don’t know what to say or how to act around you. When I’m gone, sometimes I imagine quitting my job, just so I can come home and see you sooner. When I have a gun in my hands, I start thinking about all the things I would do to keep you safe, or—or just because you asked me to. And if what you wanted was for me to leave you alone, I would have done that. If you wanted me to drop everything and everyone to be with you I would have done that. And I know you’d never ask those things of me. But any of them, I’d do in a heartbeat. Which is… it’s a little scary, huh?”
The final sentence is a nervous self-effacing chuckle, which you can match in sound only—one breathy attempt at a laugh from your slackened jaw.
When that’s the only response you can manage, he clears his throat.
“Too honest?”
You shake your head as if in a fog.
“No. Not too honest. But I’m just… I’m trying not to cry again.”
He smooths over your hair fondly. His own eyes are shiny and full of wonder as he studies you for a short while, like you're doing something much more awe-inspiring than sniffling in the passenger seat of his car. Then one hand is dropped to your shoulder and the other braced against your seat back. Finally, he pulls back to a more reasonable distance with a shaky sigh. It’s a sound of relief. You want to hug him, and all the past hims who have ever been hurt by anyone.
“You, um—you need to rehydrate. Do you have anything that will rebalance your electrolytes? If you don’t I can go to the store—”
“You don’t need to do that,” you assure him with a small, watery laugh, loosely grabbing the wrist that brushes your shoulder.
“But you need to take care of yourself. And I know you haven’t been drinking enough water because you never do.”
There’s a lingering overwrought shakiness to his voice, but it’s still the most relaxed he’s sounded since he came home, and you realize that the worst is behind you. The storm that you’d been so sure you couldn’t weather is somehow clearing up.
“I can’t believe we almost just broke up.”
He hangs his head, dropping it to the curve of your neck and groaning.
“Don’t say that. Let’s not think about that right now. Just—” when he raises his head again, and shakes it slightly to get his hair out of his eyes, they’ve cleared, like he’s on a mission to change the subject. “Let’s go upstairs. Will you let me take care of you?”
You give him an exaggerated nod, still sniffing, and the smile that grows on his face is like seeing the sun rise above the ocean. You love his smile. You love him.
Spencer kisses you on the cheek.
“Okay. Let me lock the car and then we can go up.”
As soon as you get into your apartment and turn on the light Spencer goes to the kitchen. It’s a small unit, but antique and nice enough, though you prefer Spencer’s. There’s still some tension as you observe him filling a glass with water, kicking your boots off by the door—but not necessarily the bad kind. You’re not sure exactly what it is.
“Where are you going?” He asks as you pass the kitchen area to turn on a standing lamp in the opposite corner of the room.
“I don’t like the big light.” A warm glow emanates through stained glass as you flick it on.
“I know that. I just didn’t realize it was a higher priority than your wellbeing.” His tone is sardonic but he’s already switching off the overhead lighting for you. You give him a wry smirk as you finally approach and take the proffered glass from his waiting hand.
“Ambience over everything, baby.”
His brows pinch at the cavalier sentiment—you never call him baby, so you're sure he knows it’s a joke—and he shakes his head with a humorous little huff of air through his nose, watching as you drink deeply. Your hand is shaking. Spencer notices and covers it with both of his, taking the half empty glass with one and grabbing your hand with the other.
“Adrenaline,” he murmurs, kissing your knuckles. “It’ll go away soon. Did you get enough?”
You nod, smiling small but genuinely. Emotionally exhausted or not, you’re happy.
Spencer strays, not far, to set the glass on the counter. Then he turns to face you, bracing his palms on the ledge and just watching you for a moment with the kind of smile that makes you nervous in the best way.
He beckons you to him with nothing more than a quick tilt of his head, and you shuffle across the floor in your socks til you’re toe to toe. Without your shoes on, he feels much taller. Still he just watches you for a moment—not that you mind. Your view isn’t half-bad. The faint warm glow from the lamp casts shadows over his face, highlighting all the perfect angles, deep brown eyes framed by dark lashes, and lips that still make you feel like a girl with a crush when you look at him. His hair is getting long. You’re unreasonably glad you still get to look at him like this.
“Hi,” you whisper—something about the intimate dark of the room feels like a place for secrets.
“Hi, pretty.” Spencer tucks hair behind your ear, eyes soft wherever they focus on your face like if he even looks at you too sharply you might break. “Have I told you how much I missed you while I was gone?”
He knows he hasn’t.
“Even when I was being a heinous bitch?”
Spencer laughs and it makes you smile too. The way his smile changes the landscape of his whole face will never feel any less like observing a natural phenomenon. It’s unfair how beautiful he is, and how you’re keeping him all to yourself in the dark on the fourth floor of an apartment building in DC.
“Even then. Not sure that’s the wording I would have used.”
“I missed you too,” you admit softly.
He maps your face with wandering eyes like he’s done a hundred times. Vaguely you wonder if he sees the same kind of beauty in you that you see in him. If he sees landmarks in your flaws and stars beyond the observable universe in your eyes.
Spencer sweeps your hair over your shoulder, fingertips grazing your neck.
“Can I kiss you?” He murmurs.
Butterflies fill your stomach and you nod shyly, unsure of what would come out if you tried to speak.
His free hand settles on your lower back and brings you into him until you’re chest to chest. With his other on your jaw, he bows his head, and you angle yours up, allowing your eyes to flutter shut.
Spencer kisses you so gently it aches in your chest, still cupping your face and stroking your cheek. You can’t help wrapping your arms around his middle—before he’s pulling away far too soon.
And he’s laughing.
“What were you drinking?”
You frown, flustered and trying to remember a time before his lips were on yours.
“Water.”
“Before that, baby. At the bar.”
You think back even further, head muddled even more by the endearment so that it takes you a moment to recall.
“A Shirley Temple. Derek brought it to me. Why? Is that bad?”
“No,” he says, still smiling as his lips brush yours. “You’re perfect. You taste like candy. It’s cute.”
Oh. You feel warm as he presses another kiss to your lips—and this time you insist on him staying awhile. He’s happy to oblige.
Spencer kisses you soft and careful at first, and then deeper, but still so slow, until you can’t help the way you’re bunching the fabric of his shirt between your fingers and rising on your toes to try and get impossibly closer. He kisses you the way you’ve been needing him to since he left, long and unhurried and sweet—and takes everything you give him, siphoning away all your leftover turmoil and angst until you’re weightless. You’re deprived of oxygen, you’re dizzy, and you don’t care at all.
“I love you,” you breathe against him before he captures your lips again with a hum that flips your stomach, his hand rubbing over your hip.
“Say it again,” he mutters against your mouth a second later, brushing hair away from your face.
It comes out a little mumbled this time between kisses, but it comes out all the same.
“Love you.”
He sighs into you—relief that mirrors your own.
“I love you.”
It seems like the kind of thing that will never stop sounding perfect from his lips.
A final deep kiss shortens into a series of smaller ones, and then he’s pulling away slowly, brushing the corner of your mouth affectionately.
Both of you require a few deep breaths—a moment to let your sparkling eyes wildly chart each familiar curve and convex and shade and shadow of the other’s face—before either of you can speak. Spencer breaks the silence first.
“I’m sorry.”
You frown, stirred from your brainless bliss by his unexpected apology.
“For what?”
The fiery glow in his eyes dampens slightly.
“For what I said at the bar.”
Oh.
That.
It feels like a lifetime away—memories seen through someone else’s eyes. Words like blows from a less familiar mouth.
You look away. For a while, you’d forgotten about that. Ideally he wouldn’t have reminded you.
At least he doesn’t make you look at him. He just strokes your hair, watching you examine the tiled counter. His voice is soft and soothing, like he’s appealing to a scared rabbit. Or maybe something angrier and with more teeth.
“You’re not immature, or badly behaved, or thoughtless. I was having an emotional reaction, I got defensive, and I lashed out. It was unfair and unkind of me to throw those things back in your face when I know how much trust it takes for you to be vulnerable with me. There’s nothing I can say or do that will adequately make up for that, but I want you to understand that I didn’t say any of it because it was the truth. I said it because I didn’t understand how you were feeling and I was hurt. I was insecure and I acted juvenile. I am so, so sorry, honey. You don’t have to forgive me, but you do need to know that none of it is true.”
Once you bite your lip long enough to be sure you won’t cry again, you speak.
“It’s okay,” you insist with a cheerfulness as natural as hard plastic, something in your chest twinging. “I was mean too. Like you said, we were both confused.”
“It is not. I made you cry.”
Sometimes you forget that he’s not like other people. He’ll never accept anything less than the barest truth. So you look back up at him and speak with a level of honesty that you hope satisfies him.
“I forgive you. You didn’t mean it. And I have insurance because Derek said he and Emily would kick your ass if you’re mean to me again.”
You hear the sad humor in his voice. His hand runs up and down your back.
“If I’m ever mean to you again, I personally invite you to kick my ass. And then let Derek and Emily have their turn.” He thumbs at your cheek, studying you in silence for a moment. “I can’t tell you how much I wish I could take it back.”
You stand up a little straighter. Spencer tracks you with his eyes, noting the way you smile slightly.
“You’ll find a way to make it up to me.”
“I’ll do anything for you,” he admits, barely a whisper and the truth of it so heavy you can feel it too.
But for tonight you can’t contend with more weight.
“You know what you could do right now?”
The mischief in your tone is obvious, and he hesitates, like he’s not sure he wants to let you move on from this so quickly. But eventually he plays along, pressing his thumb into the dip of your back and speaks lowly, just as you’d hoped he would.
“What’s that?”
You smile slyly.
“You could kiss me again.”
“Hm… I don’t know, three times in one night? Sounds a little excessive.”
“Do you want to be forgiven or not?” You huff. He smiles lazily, already dipping his head to press his lips to yours.
“I thought I was already forgiven.”
“Apologies can be retracted.”
“Ah.” His next words are mumbled as his lips ghost yours. “Well we wouldn’t want that.”
Spencer puts you out of your misery, not bothering to warm you up to it before he’s kissing you with a deep need. It’s still languid, and not hungry, exactly—it’s more like an aching, mind-numbing thirst. It’s all-consuming, overwhelming to have all of his burning focus pinpointed on you like this. Both hands come to cup your face and you wonder if he wants you in ways that he doesn’t entirely understand, just as you want him. You wonder if anything could possibly sate this desire to possess him completely and for him to possess you, to trade corporeal forms—or if it’s just something you’ll have to live with like a metaphysical itch you can’t scratch. As he forces you to tip your head back for him, using his height to his advantage, breathing deeply against you and attempting to push himself impossibly closer, you begin to think he understands exactly how you feel.
As soon as you’d sensed he wanted it, your lips had parted for him. He knows he could have any part of you. He knows how eager you are to give yourself to him. You’ve done everything to prove it, and yet you’ve never needed him quite like you do ask he pushes off the counter and slowly backs you against the wall, protecting your head with a hand as the paintings rattle ever so slightly. You gasp into his mouth and he kisses you greedier still, but his hands don’t stray from your cheeks.
Not until, that is, you hook your right leg around his left, and he catches it, fingers wrapping under the bend of your knee.
Never in your life have you regretted picking jeans rather than a skirt more than you do right now.
But to your disappointment, Spencer slows down to a halt—pulling his lips from yours like they’d been stuck by molasses until he’s far enough away to study you wildly, panting just as you are. His hair hangs over his smoldering eyes. He’s disheveled. It’s sexy.
“What?” You whisper, voice surprisingly hoarse.
He looses a dry, abashed laugh. The flush he’s sporting is incredibly charming.
“I’m supposed to be playing nice with you.”
Spencer says it like it’s a mild hindrance. Something frissons in your core. You smile a little wider as you continue to catch your breath, which seems to please him.
“Playing nice?”
“Being gentle. I’m not supposed to push my favorite things against walls when they’re delicate.”
Your face heats at the way he speaks of you—if it weren’t Spencer, if you didn’t know he really doesn’t think of you as an object, you’d be pissed. But instead all you can think about is how good it feels when he calls you his.
“According to who?”
His eyes dart between yours and then down to your lips several times before he averts them to the wall beside you with an intensity that could burn holes through the plaster. Is that how he looks at you?
“According to me. I think… god, you're going to hate me for this. But I think I need you to kick me out.”
You drop your leg at the same time as you do your heart.
“What?”
“I know,” he says, over-apologetically, “I know, I’m sorry. I shouldn’t have let that escalate. But we can’t… do anything tonight.” Before you can protest, he rushes to explain himself. “It’s just that it’s been a long day. It’s been a long week, actually, and I doubt either of us have slept very much, and I think you’re really drained, and probably not thinking super clearly. I don’t think you’re in the best place for decision making.”
You look pointedly down to where he still has you pressed to the wall.
“I think I’m in a great place.”
At that he steps back, but lets his hands find yours and pulls you away from the wall—just not quite as close as before. His nose bumps against yours as he speaks low and sweet.
“I understand that you want me to stay right now. But it’s not a good idea to associate fighting with physical pleasure. That can set some really dangerous patterns.”
“We’re not fighting,” you plead, matching his tone as you look up at him with big eyes. His fingers lace with yours.
“You’re right. Maybe fighting was the wrong word. But we had some pretty intense conversations today, didn’t we?”
Reluctantly you nod.
“Right,” he agrees. “Same premise. We need to be able to have those conversations without getting distracted.”
In a last ditch attempt to get him to change his mind, you give him your best approximation of the imploring, wide-eyed gaze he sometimes uses on you. Something not entirely smile and not entirely smirk twists the corners of his mouth. When he ducks down to kiss you quickly, you reciprocate, but you lack the enthusiasm of earlier.
“Hey.”
“Hm,” you respond, dejectedly.
“Don’t get all grumpy because I don’t put out.”
That puts a disgruntled little smile on your face as he probably knew it would.
“I guess you just gave it up easy to all those other women.”
He grabs your chin and gives you a final peck.
“I don’t know what you’re talking about. I’ve never been with other women.”
“Mhm,” you grumble good-naturedly, pushing away from him and going to the door to undo the deadbolt. “Don’t let the door hit you on the way out.”
“Wow. I really must have overstayed my welcome if that’s the goodbye I get.”
You turn back around, brows raised.
“Oh, I was prepared to be very welcoming. This is your doing.”
“Uh-huh. Come here.”
Happily you skitter back across the few feet of wooden flooring and wrap your arms tightly around him one more time, pressing your cheek to his chest. He’s ready, winding his arms over yours and rubbing your back. It’s eerily similar, you realize as he presses his face into the concave of your shoulder, to when he’d left on that most recent case.
But at the same time—everything’s different.
And you won’t make the same mistake twice.
“Hey,” you smile, resting your head on his shoulder. Spencer pulls back to look at you, a similar grin on his face.
“Hey what?”
“I remembered what I was gonna say.”
The grin widens. He knows exactly what you’re talking about.
“Tell me.”
“I was going to tell you that I love you. And—I hope you’re not one of those people who’s uncomfortable being told that often. Because if that’s the case I’m really going to annoy you.”
“I’m not that kind of person,” he assures. “Tell me as often as you can.”
“But you should say it back. It’s more polite that way.”
“I love you,” he murmurs, in a voice more serious than your teasing tones had been but still soft and sweet around the edges. “You know, people talk about love as if it’s completely irrational and illogical. But with you… I think the world actually makes more sense than it used to. I understand things I never did before. You’ve taught me a lot.”
It’s like a lightshow in your stomach. You wonder if he has any idea the effect his casual musings have on you.
“You already knew everything.”
“Not everything,” Spencer whispers. “Not about the things that matter.”
And you’re fresh out of teases. All you can do is look up at him with big eyes again, in awe of the fact that you get to keep him after all.
“Will you text me when you get home?” You request, voice reverent in the wake of an admission you could never hope to top.
“I will. I’ll see you tomorrow?”
You nod, because it doesn’t even matter if you had other plans tomorrow. They’re as good as cancelled.
Spencer kisses your cheek, and you get the sense that things are still being left unfinished. There’s an unresolved tension that you can’t shake, even after all the apologies and kisses and sweet words. Still, he made a point with his talk about not mixing argument with pleasure, and you’d like to respect those wishes because you respect him—even if every atom of your being shakes with desire to keep him locked in your bedroom, hidden away from the world together, for as long as you can possibly manage.
Eventually, you loosen your hold, and you let him go. He lingers at the door, hands in his pockets, just watching you and mirroring your small smile as you hold onto the counter with an iron grip to keep yourself in check. After he finally peels his gaze away from yours and silently closes the door behind him, you stand there, staring at the wood for at least a minute.
Once you manage to shake yourself from your revery with a deep breath, you grab your glass from earlier and stand in front of the sink, watching it fill with a white jet of water. It’d be a shame to admit it to him, but maybe Spencer is right. Maybe you do need time to emotionally digest today. After all—that was technically your first argument. It seems to have left you sort of wound up. Not in a bad way, per se—maybe you just need to take a shower, let the hot water roll over your shoulders and wash away the frenetic energy that clings to you.
Still, something tells you that you won’t be getting much sleep tonight, even if you do take the world’s longest shower. You’re simply too high-strung. You wonder if having Spencer here would fix that or make it worse. But ultimately, he’d made the call that it was a bad idea for him to stay, and you’re generally inclined to trust his judgement.
The thought makes you laugh into your cup as you drink. Even after the debacle that was the past week, you trust him to know what he’s doing. Maybe you need to rethink that, at least temporarily, until he’s had a chance to redeem himself.
Just then, your front door is opening with absolutely zero warning and slamming shut again before you can finish whipping around. Your heart threatens to choke you and you almost drop your glass, clutching your chest.
“Jesus, you—”
But the words die in your throat as Spencer storms toward you, shrugging his coat off with a white-hot chill in his eyes. It’s enough to freeze you in place, heart drumming against the confines of your ribs.
“You really need to start locking that door,” he breathes, tossing his jacket on the counter before grabbing your face and crashing his lips into yours, palms pressed to your jaw and fingers pushing into your hair. You stand there, hands hovering in air before you gain the wherewithal to blindly set the glass down behind you. Your heart is pounding as you immediately submit to the kiss, whining softly against his lips and cautiously seeking stability in the fabric of his shirt. Spencer pulls away only briefly, allowing you to gasp for much-needed air. His brown eyes are like molten gold on you, pupils blown wide and wild as he scans your face, taking heavy breaths of his own. “Anyone could just walk in.”
-
part seven
#spencer reid#spencer reid fic#spencer reid fanfic#spencer reid x reader#spencer reid fanfiction#spencer reid imagine#spencer reid x fem!reader#spencer reid x self insert#spencer reid angst#spencer reid fluff#criminal minds#criminal minds x reader#criminal minds imagine#criminal minds fic#criminal minds fanfic
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I love your takes, but I feel super, super lost with what you were trying to say about the natalism one. I feel like you're saying that there is no contradiction on wanting more babies, a higher population number and punishing mothers, but can you elaborate on that a bit more, because it does seems contradictory. I'm not disagreeing with you, I just want to understand it better.
alright there's a perennial debate (on here but also in a wider cultural sense) that goes on where people start noticing that some of the ways in which we socially and economically de/value children, parenthood, and specifically motherhood are internally contradictory. how can it be that there is immense social and economic pressure to heterosexually partner and reproduce, and yet most public and social infrastructure is also profoundly hostile to children and their guardians? why is it that this person couldn't find a doctor to perform a voluntary hysterectomy because their bodily preferences were subordinated to the medical valorisation of their fertility, and yet this other person was forcibly sterilised or coerced into using contraception because the prospect of them reproducing is framed as socially destabilising and degenerative? how are 'family values' touted by politicians who openly and explicitly also hate real existing families? do they want people to have more children or fewer? is it more counterculture and rebellious to have children or to not have children? to have sex or to not have sex? to partner off? to be polyam or monogamous?
the answer broadly speaking is that the oppositions people see here are only surface-level. the bourgeois state's interest is in biopower, and this produces competing demands: for some people to partner off and reproduce, and for others to be exterminated. the valorisation of the white middle-class nuclear family is the same as the devalorisation of its negations: racialised people, disabled people, family arrangements other than nuclear and heterosexual, etc. you can't understand the demand that people reproduce if you don't understand it is necessarily also accompanied by the demand that other people don't. these aren't actually contradictory once you understand that what the bourgeois state wants has nothing to do with your individual behaviours and everything to do with how many 'desirable' bodies it has at its disposal. that economic consideration is what creates both the natalist policy meant to encourage [some people's] reproduction, and the exterminatory policy meant to suppress and eradicate [other people's] reproduction.
usually this kind of conversation very quickly devolves into a privilege framework argument, where people are trying to find some kind of social hierarchy that is hegemonically applied top-down and that rewards, universally, certain behaviour choices over others. again, the "people who marry and reproduce are privileged and socially rewarded over me #childfree" versus "actually some people still have to fight tooth and nail to even get medical support / approval to have children, let alone actually get access to the kind of economic and social support necessary to raise them" debate. it's smoke and mirrors because there is no universal privileging of the choice to have children or not have children. what there is, is a privileging of certain people on the basis of the economic assessment of them as biological assets, and the inverse (and mutually constitutive) devaluations of everyone else. really over-discussed examples here but to give them anyway: this is why, for example, french natalist policy and the USA's constant efforts to strip back welfare-net policies in order to harm (primarily) black families are both arising from the same basic impulses of two imperialist nation-states. obviously there are different histories and contextual factors that have resulted in france and the US trying to skin the same cat in different ways. but what they share is an underlying interest in trying to shore up their population in both size and 'fitness', understood here in its full racialised and eugenic meaning.
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