#just classic cult stuff really

[slimyenemy]

i wasn't wrong about anything lol it literally all happened c':

[touchoffleece]

My thoughts on 'Totally Killer' (2023)

For pretext on my very short and to the point review/thoughts on the movie: I did not want to watch it. I was coerced to watch it via a pizza party and a smidge of guilt tripping over only taking pizza without participating in the movie watch. So...given that context all I got to say is: IT'S SO FUCKING GOOD. The movie subvertes tropes left and right while still giving viewers and movie slasher buffs satisfying nods at the tropes beloved in the genre. It does satire/meta humor so well, the best since dare I say it...The first two 'Scary Movie' films. Go watch it if you can, (preferable via a way that supports/pays the people who worked on it.)

[keeps-ache]

i need to walk into a field and just sit for for a while.. maybe forever hbfsh...

[midnight-arcade]

I like the new FNAF stuff. And I don't personally think that a lot of it is retcons.

[chelseeebe]

just a taste

18+. mdni. smut. kinda perv!eddie x fem!reader. he is a lil freaky in this i'll admit.

a/n: i just love the idea of the citrus six all living together lol idk i think it’s so nice also i have never watched cheers i just googled 1991 american tv shows and picked one at random LMAO ++ for the movie, i thought it’d be a nice lil easter egg for them to watch something with winona in:,)

✧･ﾟ: ✧･ﾟ:

eddie doesn’t know who you are or why you’re coming to visit or why exactly it was him that was being made to vacate his room for the two weeks that you were here. 

“c’mon eddie,” robin pleads, nay, demands, “you sleep on the couch most nights anyway, what’s the difference?” 

“uh, maybe because it’s my room? i don’t want some random girl in there touching my stuff,” almost flabbergasted that she’s even asking. 

“she’s not a random girl,” robin frowns, “she’s my friend and she needs somewhere to stay.” 

“tell her there’s a great hotel in town,” rolling his eyes, trying to leave the conversation before she breaks out the puppy dog eyes. "i'll even give her a ride if you ask nicely," no longer interested in entertaining this conversation.

“i’ll give you fifty bucks,” robin deadpans, using her last resort.

this was bribery of the highest order but eddie's not stupid. fifty bucks is fifty bucks.

“now?” 

she sighs, sliding her wallet from her pocket to reluctantly hand over the bill. she stops just before it touches his palm, “promise you’ll clean your room.” 

eddie goes to grab the paper but robin’s faster, jolting her hand into the air, “and change your sheets.” 

“okay,” he huffs, holding his palm outstretched. 

she graciously places the note down, smiling wickedly as she does so before skipping off back to her own room. 

he can only roll his eyes, turning around to the shit hole that was his room, wondering if fifty dollars was worth having to tackle it. 

-

eddie’s sat on the couch when you arrive, barely looking back as robin begins to fuss, talking loudly about your journey. he doesn’t really care enough to involve himself, besides, elvis presley had just given sam a very important message. 

“eddie,” robin hisses, standing in front of the screen, “don’t be rude, say hello,” her hands firmly on her hips like she was his mother or something. 

he looks up at the looming figure by the couch, hoping his eyes hadn’t given his immediate shock away too much. 

you flash him a sheepish smile back, waggling your fingers in a short wave. 

two weeks on the couch didn’t seem so bad now. 

not if you were sleeping in his bed. 

it’s just a shame that he wouldn’t be in there sharing it. 

“hey,” he stands, hoping to indiscreetly catch his breath, “i’m- uh, i’m eddie,” offering his hand out, though he regrets it as soon as it’s done. 

who shakes hands now? christ. he needed to get a grip, and badly. 

“hey,” you reply, your name dripping from your tongue. though you do shake his hand, not bothering to hide your confusion in the process. 

“eddie very kindly said you could have his room,” a bright, big sarcastic smile on her lips. 

“yeah.. no biggie..” christ, he’s almost panting. “do whatever you want in there.. or you know, just- just make yourself at home.” 

his desperate pleas for the earth to split open and swallow him whole go unanswered. instead, robin shoots him a concerned glare before ushering you away from his weird, longing gaze. 

'pull it together loser' she mouths before disappearing, leaving him to reflect upon how utterly hard he had just fumbled that entire situation. 

-

when everyone’s home from work and you’ve exchanged niceties and greetings with the rest of the house, robin brightly suggests a movie. 

eddie usually hated movie nights in the house. 

jonathan would want to watch some indie cult classic that no one else had ever heard of, steve wanted to watch some dumb comedy that only he’d find funny and then nancy and robin typically opted for the romance genre. 

leaving eddie and argyle with absolutely no choice but to sit in silence as they bickered. 

tonight it’s different, you get to pick. 

and now he’s not saying that whatever you choose will forever change the way he views you but.. well, that’s actually exactly it. 

you land on edward scissorhands. 

not the worst choice you could’ve made, and hey, his mom used to call him edward when he was in real bad trouble. 

in the end, it doesn’t really matter what you had picked because eddie can’t muster up enough energy to actually care about the film. not while your thighs are peeking out from underneath your oversized shirt. he can’t help but wonder what they’d feel like wrapped around his ears. what previous sounds would fall out of your mouth in response.

at some point during the movie, you stand up and walk out of the room to the kitchen but that doesn’t stop him. staring through the open door, marvelling at the way the hem of your shirt lifts, exposing the tiny shorts you had on underneath. 

he’s practically hanging over the back of the couch to get a look, craning his neck at a ninety degree angle just to get a glimpse of your soft, pillowy skin. pinching himself as he tries to resist the urge to just sink his teeth into your inner thigh.

robin jabs her elbow into his ribcage, drawing his eyes back to the room with a grunt and a harsh glare thrown her way. 

“you’ve been staring at her all night,” she whispers angrily into his ear, “stop it, or next time it’s your balls,” a harsh warning he didn’t find entirely necessary. 

you sidle back into the room, drink in hand and eddie can’t help but let his eyes wander over again, short glances that robin hopefully wouldn’t pick up on. 

he can’t help it, some magnetic force swaying his gaze in your direction. he wishes so badly that he could just crawl out of his head and tell you how much he wanted you. 

unfortunately for eddie, he’d instead spend the night dreaming of your ass and all the ways he could have you if he’d only grow a backbone. 

-

living alongside you is an entirely new feat eddie’s not sure he’ll survive. 

it’s torturous. 

testing the limits of how ridiculously horny one man can get without self-imploding. 

so close and yet so far. each night you’d tuck yourself into his bed, doing god knows what in between his sheets all without eddie getting a look in.

of course he’d made up a hundred different scenarios to fall asleep to each night. 

his favourite being the one where he walks into his bedroom to find you mouth open, legs apart, too encapsulated in your pleasure to notice him. only until you do, inviting him closer, between those supple thighs of yours, a forbidden nirvana he’ll never get to know. 

though more often than not he’s cruelly forced back into reality by robin ripping the curtains open at the ass crack of dawn, blaring sunlight on his face as you slip away from the grapples of his dream land. 

now is his opportunity, the house quiet, bar the muffled giggles of you and robin upstairs. he’s safe for now, he thinks, rather foolishly. it’s late, the rest of them asleep or too busy in their own rooms to catch him in the act. 

eddie’s never done anything like this before. it’s disgusting, perverted to the core. 

good grief, this is prosecutable behaviour. 

tiptoeing down the hall to his room, the door open just a crack, enticing him in further. he can still hear you on the floor above, giving him enough confidence to push it open a little more, edging inside with a quick glance back down the hall, just in case. 

gratefully it seemed that you were just as messy as he was, your clothes strewn across the floor. his eyes immediately turning to the peeking of lace from under the pile. glancing one last time at the cracked door, ensuring that absolutely nobody would see him. 

reaching down to gather the fabric in one quick swoop, bunching them in his palm as he lets out a quick sigh of relief. 

oh fuck. they were so soft, fingers spreading to really get a feel. he wasn't even going to take them, he'd just wanted a little look, something to help his overactive imagination get all the important details right.

“what are you doing?” startling him in this precarious position, the lace of your underwear entangled around his fingertips. 

eddie freezes, he can feel the heat rising through his chest, all the way up to the tips of his ears. scarlet red. 

“uh.. i..i-i don’t know..” he hasn’t done anything like this before, he swears. 

your mouth is open in a sort of half-smirk, half-perplexed gawp, closing the door before he could bolt. 

you move around the mess, creeping closer until he can feel you brushing against his side, peering over into his hand. 

“oh wow..” you remark, breath hot and sweet against his cheek, “what were you gonna do with those?” 

eddie feels sick, trying not to projectile vomit across his room. there’s no way you wouldn’t tell robin. fuck. he could hear you now, voice full of disgust, robin laughing at how pathetic he was. 

“n-nothing i swear..” stumbling through his sentence, “i was just..” excuses fail to come to mind, “i was uhm.. looking for something,” the absolute best his flustered mind to muster up. 

“oh really?” reaching around to untangle them from his hand, “you sure about that?” 

there’s no anger to your voice, but he doesn’t dare turn around to look at your face. afraid of what he’ll find. your eyes pitying, sad that he has to root around your dirty laundry to get off. 

“i’m- i’m sure,” though the crack in his voice gives him away. 

you hum, coming around to stand in front of his gormless face, “so you don’t wanna keep these?” holding the evidence up to his face, the hem just barely grazing his cheek. 

eddie’s knees almost buckle, his breath shuddering as any semblance of composure he had left, floats right out the window. 

“here,” reaching forward to tuck the baby blue fabric into the waistband of his sweatpants, your eyes never once leaving his as you do so. “you keep those.. but next time just ask, okay?” 

he nods like an obedient dog, lapping up the scraps you were throwing him. he could stand here all night long, keeping up the weird little power game you’d started. 

“goodnight eddie,” you smile, giving him a gentle nudge, a sign for him to get the fuck out. 

you were the master, he was just the lap dog, eager to please. 

-

at breakfast the next morning, he struggles to even keep his eyes open. having spent an embarrassingly long amount of time on the couch last night shamelessly sniffing the lace you’d gifted him. 

you don’t even acknowledge it, or him for that matter. happily chatting along with nancy about some news article. 

“oh and eddie,” robin begins, flashing him a stern look, “i don’t appreciate finding your fucking panties in between the couch cushions,” 

he chokes on his mouthful, his knife clattering against the table in shock. a multitude of eyes turn to stare at the spectacle he was making. 

“they’re- they’re not mine,” clearing his throat as he clears his name, though he doesn’t dare look in your direction, terrified that he’d absolutely lose his mind if he did. 

“well whoever’s they are, i don’t care, stop leaving them on the couch.. i’m sure our guest doesn’t want to sit amongst dirty underwear,” she bites, calming down now she had gotten her point across. 

if only she knew. 

eddie must’ve fallen asleep with them still attached to his hand, thanking his lucky stars that no one had walked in on him with them pressed to his nose.  

he keeps his head low, focusing on the plate in front of him. nothing had ever been as mortifying as this. not even the time he had slipped off the dinner table in the middle of the cafeteria. 

cutlery scrapes and clinks against the china, uncomfortable silence until argyle clears his throat, “gnarly meal robin, thanks dude,” seemingly settling the tense atmosphere, for now. 

everybody hums in agreement, getting back to their food without another word. but your eyes peek up, meeting his with an indescribable glint. and really, the worst part is that eddie would sit through this horrific situation a hundred more times, just for one more measly sniff at your panties. 

-

eddie can’t take it anymore. 

he’s never been so pent up in his entire life. and he’s tried to hold on until he could move back into his room but he couldn’t last any longer. 

but he’s careful, waiting for everyone to trundle on off to bed, listening carefully for the muted click of the light switch and even then, waiting another hour to be sure. 

the clock glares an alarming 1:04 by the time his belt clinks and his jeans come down, the first of them would be awake in just a few hours, ready to take you on to the airport. 

he wishes it would’ve played out differently, that he wouldn’t be sat here on the last night of your stay alone. but alas, eddie’s never been particularly brave and especially not in regards to hot women. 

your panties wrapped around his right hand as he spits on his left, wrapping around his stiff cock while his fingertips play with the lace in his other hand. 

“ohh fuck,” he hisses, wanting nothing more than to start hollering the house down. 

robin wouldn’t be too pleased if she ever found out what he’d done. and he can’t really afford to get the entire couch dry-cleaned so he really must be careful. 

thinking quick, he shoves his t-shirt into his mouth, muffling the chorus of grunts and groans threatening to spill over into the dark room. the muted light from the tv illuminates his face, breathing loudly through his nose 

he hadn’t heard the door open or the soft sound of your feet padding down the hall, only made aware of your presence when he reopens his eyes, near enough jumping out of his bones. 

how long had you been there watching him shudder and whine?

“fuck,” he exclaims, fist still wrapped tight around his throbbing cock, too aroused to care about it too much. 

“you want some help with that?” 

eddie looks at his dick, then back at you, mouth hung open in a mixture of awe and confusion. 

it’s not very clear but you move closer anyway, sinking to your knees and nestling in between his spread legs. 

“okay?” maintaining eye contact despite how difficult it was, eyes bright and eager. 

he nods, unable to comprehend what was happening. knowing he’d wake up from this twisted dream to some soggy boxers and a whole lotta shame. 

your palm wraps around the base of his cock, shooing his hands away to make room, smiling as your lips wrap around the already leaking tip. were you a psychopath? were you placed on this earth to goad and tease him?

this isn’t real. this isn’t real. the voice repeats around his head though it’s quickly silenced by your tongue swirling circles around the tip of his cock, readjusting his t-shirt to bite down harshly on the fabric. 

eddie’s hands lay useless on his thighs, twitching to intertwine with your hair, still doubting the reality of the situation. this could all be a dream and the second he touches your hair, you’d disappear from in front of his eyes.

the t-shirt falls from his lips, “fuuck,” grunting into the tense air, gritting his teeth so as to not expose your precarious position to the rest of the house. 

the wet sounds of your lips wrapped tight around his cock make his toes curl, his hands find your hair, not without prompting from you. tugging gently at the tendrils as his head starts to spin. 

when your eyes look up to meet his, eddie thinks he might just cum right down your throat then and there. he can see that troublesome glint in your eye, a roaring fire that he so desperately wants to keep stoking. 

your fingers slide up his thigh, finding his neglected balls and with a slight smirk, you grab ahold, gently fondling them as his brain melts out of his ears. 

no one had ever, ever made him feel so good. collectively losing brain cells when you hum on his cock, getting just as much out of this as he was. 

“oh yeah, fuck- shit fuck, i’mcummingi’mcummingi’mcumming,” eddie’s mouth rushes, louder than he ever should’ve been. bright flashes of light fill his peripheral, using your scalp as leverage to keep himself on the couch. 

his hips stutter, thrusting into your mouth with his fingers tight in your hair, yanking harshly in an effort to get your lips off of him before he came everywhere. 

you don’t budge, nails digging into his thigh as his release seeps down your throat, his eyes squeezing shut as his fist instinctively comes up to muffle his mouth, moaning into his clammy palm instead of alerting the entire house. 

eddie’s other hand lets go of his strong hold on your hair, allowing you to get off of his dick, panting happily as you sit up between his knees and with lips glistening with his release, you kiss him. all soft and gentle while his brain fails to compute. 

it should be gross. but eddie just can’t find it in himself to care, because in reality, this was the hottest thing that had ever happened in his measly little life. 

“please let me taste you,” he begs between kisses, grasping desperately at your waist, the fabric of your shirt slipping between his desperate fingers.

you giggle, pulling back to look at him through the dimmed light, “not now,” you hover just above, constantly teasing and unobtainable

“well when?" jutting his bottom lip out in hopes it'd convince you to change your mind.

"when i'm back," letting him down gently. eddie'd count the seconds till you came back if that was what it took to get even a tiny glimpse of your pussy.

“what time do you leave?” he pants, chasing your lips. eddie was nothing if not a chancer, though if it hadn't happened already, there's a miniscule chance of it happening now.

“seven,” whispering back, a hint of annoyance that this build up had only crescendoed now, just as you were about to leave. he'll blame robin for that, poking her nose in and trying to turn him off. it shouldn't have worked. he should've been braver.

“but it’s your turn,” an awful sadness and regret overcoming him. someone better, someone like steve, would've had you pinned to that couch by now, his head between your thighs and your slick dripping down his chin.  

“next time,” only repeating yourself, smiling coyly before you plant one last kiss to his longing lips before standing fully upright and disappearing back off to his room, leaving him reeling with a story nobody else would ever believe.

[euniexenoblade]

The Rocky Horror discourse is so annoying, upsetting, and transmisogynistic cuz it often starts off as trans women just honestly discussing how they have trauma related to it or how the film has all the classic transmisogynistic tropes of killer/rapist man crossdressing or how the creator has said some bigoted stuff, and the tme response to personal stories of trauma and actual media analysis is always the same cycle of responses.

"MY trans women friends love it!" Ok that doesn't matter to the point "It's important queer history!" That's why this discussion matters, we need people to understand that queer history can also be transmisogynistic "it's from 50 years ago society is DIFFERENT!" The world is not so different that transmisogyny doesn't exist "the creator is trans!" The creator has said transmisogynistic things and just because he himself might be tma doesn't mean he can't be transmisogynistic or that his transmisogyny doesn't actually influence his identity. "Rocky Horror is ONLY popular cuz transfems love it!" Spacelazar said this one in response to a post I made about actual trauma I have related to the movie, completely discarding my actual real trauma that's not saying you're not allowed to like or watch the movie, to claim that Rocky Horror is only popular cuz of transfems - that cis society isn't more why it's considered a cult classic.

And, tme people just refuse to empathize and often resort to name calling, memes, often times not just falling into misogynistic standards (hysterical women/trannies amiright guys) but also racist remarks (I saw a white tme person make a "woke" joke to mock a black person).

It's just completely dishonest and transmisogynistic. The discussion isn't "you're not allowed to watch Rocky Horror" or "you're a bad person for enjoying it" it's that it's a piece of problematic media that exhibits transmisogynistic bigotry and instead of using their big kid brains and acknowledging that and moving on, tme people really need Rocky Horror to be exonerated as this piece of perfection. (Tbf I think it's largely just cuz it's trans women having an issue, if cis men said Rocky Horror was offensive and misandric I'm sure people would be like oh yeah it is!).

[daisynik7]

Pairing: Takuma Ino x f!reader

Rating: Explicit – MINORS DO NOT INTERACT

Word Count: ~1.7k

cw: explicit language, mentions of a popular horror movie, smut – PIV sex (cowgirl position), nipple play, blow job, mask kink, slight degradation (slut, whore), use of pet names (cutie, sweetie, baby) 

Summary: You and your new boyfriend Ino decide to watch a horror movie together in honor of spooky season. Halfway through, he notices how skittish you are, making him want to play a silly prank on you with his signature ski mask. It’s all fun and games until he realizes that you actually like seeing him in this way more than he anticipated. 

Author’s Note: Happy October y'all! What can I say, I am VERY into Takuma Ino right now and I just had to get this out of my system. This is barely edited or proofread, sorry for any grammar mistakes or typos, I really was just letting my fingers fly through this in a moment of passion LOL. Likes, reblogs, and/or comments are always appreciated, thank you for reading! MDNI banner by @/cafekitsune. 

You turn off all the lights, the only source of illumination coming from the TV screen, paused at the very start of the movie you decided to watch tonight. With a big bowl of freshly popped kernels in your grasp, you huddle beside your boyfriend, Ino, on the couch, covering both your legs with a fleece blanket. He wraps his arm around you, pulling you in closer, reaching to grab a handful of popcorn to stuff inside his mouth. “Ready?” he muffles, pointing the remote to the screen, finger pressed to the center button. 

Nuzzling your head against him, you answer. “Yup!”

It’s apparently one of those cult classic horror flicks according to Ino, who recommended it when you mentioned how you wanted to watch something scary for October. He’s seen it before, many times in fact, but he insists that you watch it. He has no clue how frightened you get over the silliest things, so tonight will be a treat for the both of you. 

The opening scene plays out: a beautiful blonde picks up the phone and the conversation ends quickly short because it’s the wrong number. Normal so far, good. It rings again, but now the caller seems interested in talking. Do you like scary movies? Do you have a boyfriend? The man’s voice gives you the creeps, and you find yourself shuddering from it, cuddling closer to Ino, who glances at you with a smirk on his face. 

You never told me your name.

Why do you want to know my name?

Because I want to know who I’m looking at.

This line gives you goosebumps and you lift the blankets up to hide behind it. “Ew, creepy!” Ino only laughs, throwing a few more pieces of popcorn into his mouth. 

It escalates from here, getting increasingly chaotic and violent. By the time you’re halfway into the film, the bowl is down to its last kernels and you’re crouched in Ino’s lap, peeking through your fingers. He pauses the movie after one particularly brutal kill. “Snack break! I’m going to make some more popcorn and go pee.”

“You’re leaving?!” you whine, clinging on to him as he tries to get up.

He chuckles. “Babe! It’s just a movie. I’ll be right back, okay?” He kisses you on the forehead, heading into the kitchen, leaving you alone in the living room. 

Of course it’s just a movie, but you can’t help feeling creeped out in the dark like this. You reach for one of the nightstands, turning on the lamp. You hear the drone of the microwave, and after a minute or so, the distinct sound of popping. Eventually, it comes to a stop, and the entire house is eerily quiet. You’re tempted to call out for Ino, wondering where he is, but you remember that he had to use the bathroom. 

Suddenly, a shadowy figure appears right behind on you on the couch, grabbing your shoulders and shouting gibberish at you. You scream bloody murder, ready to punch him and run away when Ino lifts his ski mask up to reveal himself, tears streaming down his face, cracking up at you. 

“Ino!” you yell at him, slapping his hands away from you. “You fucking asshole!”

He doubles over, cackling, wiping his eyes. It takes a good while for him to regain his composure as you glare at him, arms crossed over your chest. “I’m sorry, baby. I just couldn’t resist.” He sits beside you, stretching his arms out for a hug. “You have to admit, that was fucking hilarious.”

You shake your head, refusing. “You’re such a dick.”

“Oh, come on! It was just a little prank. Now you’ll be way more prepared for the rest of the movie!” He pulls the mask over his face again, everything covered except the holes for his eyes. “See? Not so scary anymore, right?”

You inspect him carefully, still pouting, not saying a word.

“I’m sorry, sweetie. Truly. I promise not to scare you again.” He scoots towards you, nudging you in the arm. 

You roll your eyes at him, relaxing. “Fine.”

“Can I get a kiss now?” 

He tries to lift his mask up, but you stop him, pulling it back down. “I don’t want to see your face right now. I’m still annoyed, you know.”

“Aw man! Really?”

You hoist it just past his nose, leaning in to give him a soft kiss on the lips. When you break apart, he smirks at you. “You like this, don’t you? Seeing me with my mask on.”

You shrug, a sly grin on your face, neither confirming nor denying his accusation. Sure, you were a bit upset at first, when he scared the shit out of you. But seeing his face covered like that may have sparked a desire in you that you never knew you had, until now. 

“Oh my god! You do, you do!” he exclaims, shaking your arm. “My cutie has a mask kink!”

“Shut up, asshole!” you yell at him, pretending to shove him off, smiling. 

“You’re a fucking freak!” he giggles, pouncing on you. He starts tickling you along your ribcage, causing you to squirm beneath him as he straddles you, trapping you between his legs. His fingers flutter under your arms, stroking your sensitive skin.

“Ino!” you cry out, laughing from the sensation. 

You can feel his cock growing hard in his pants, balls heavy on your stomach. Suddenly, he stops, mask still folded to expose his lips, leaning down to kiss you sloppily. He pins your hands above your head, locking his fingers with yours. He slips inside your mouth, grazing your tongue with his, hungry for your saliva. “Fuck,” he moans into you, nipping at your bottom lip. “You like this freaky shit, don’t you? Nasty slut.” His playful tone is laden with lust now, low and sultry, mouth brushing along your neck, sucking at your pulse points to mark you. 

You whine his name, wrapping your legs around his waist, grinding yourself against him. 

“Look at you, getting so fucking dumb all because of my mask,” he purrs. “What else turns you on, cutie? Tell me.”

Without thinking, you blurt out, “Spit. Your spit. I want it.”

“Oh shit,” he swears, licking his mouth. He traces the outline of your lips, beckoning you to open up, dribbling a thick wad of saliva inside you. You gulp it down, sticking your tongue out for more. 

“Oh fuck, you’re nasty,” he says, doing it again. “Makes me so fucking horny seeing you like this. Seeing my cutie act like a fucking whore.” He slips beneath your shirt, fondling your bare breasts, flicking your peaked nipples with his thumbs. 

“Fuck, Ino,” you whisper, pussy throbbing in your panties, arousal leaking through the fabric. 

“You like it when I play with your tits, huh?” Like it when I pinch them hard like this.” He squeezes them between his thumb and index finger, enough pressure to stimulate you, making you moan his name again and again.

He swears under his breath, shoving his pants down his legs, shimmying out of them until he’s only in his underwear now, erection stiff in his boxers. “You gonna suck my cock now or what, slut?” 

You nod, kneeling in front of him, knees on the carpet, spreading his thighs apart. He lifts his ass off the couch to slide out of his boxers, letting them fall around his ankles. You kiss the tip of his dick, smearing his precum around your lips like gloss before swallowing him into your mouth. 

He lets out a drawn out, “Fuck,” watching you with wide eyes as you bob up and down his shaft. Voice shaky, he asks, “Can I put my hands on you?”

Something about him in this ski mask makes you want to be submissive, makes you want to be used. You grab both his hands, guiding them towards the sides of your head, giving him free rein to manhandle you.

“Holy shit,” he murmurs, gripping you tighter, gradually thrusting his hips in tandem with you. His cockhead hits the back of your throat, teasing your gag reflex, but you resist, tears collecting in the corners of your eyes, enduring it. 

Noticing you, he pulls out, a string of spit between you. “Baby, baby. Please don’t force yourself. I don’t want to hurt you.” He reaches to his side, grabbing a tissue from the table beside the couch, wiping away the spit around your mouth and the tears in your eyes. “Come here, cutie. I want to make you feel good too.”

You strip out of your bottoms, straddling his lap, pussy wet and aching against him. He moans as you rock back and forth on his shaft, pressing his thumb to your clit, massaging it. “There we go. Now we both can feel good, yeah?”

After a few more strokes, you beg him to fuck you, lifting up to guide his cock inside you slowly, sinking down on him until he bottoms out. You bounce on him, his hands gripped to your waist, guiding you, moaning your name between expletives. 

As you approach your orgasm, you pull up his mask, placing it on his head as he usually wears it. He smiles brightly at you, nuzzling his nose to yours. “There’s my pretty girl. Can you come for me now? Come all over this cock?”

You kiss him passionately, arms wrapped around his neck as he thrusts into you, hands squeezed on your ass now. You reach your climax, moaning into his mouth. He comes with you, shooting his load deep into your womb, filling you up with his cream pie. The two of you continue to kiss slowly, catching your breaths. He caresses your back while you melt into his embrace. 

“We need to establish a safe word,” he suggests, cradling you in his arms. “I want to make sure I’m not hurting you.”

You hum into his skin, saying the first thing that comes to mind. “Popcorn."

He chuckles, stroking the back of your neck gently. “Alright. Popcorn it is.” A beat later, he exclaims, “Popcorn! I totally forgot about the popcorn!”

You laugh, giving your boyfriend a wet smooch on the cheek.

[elizzsush]

The Mask | Jason Todd X Reader

Red Hood X Villain Reader

— in which you, a shy nerdy vigilante/Wayne family obsessed barista- is actually a villain that torments the Red Hood at night.

AU: Soulmate (bc I can)

Rating: Sfw

Note: Y/N is based off of Furina from Genshin bc I thought this would be fun and I saw a prompt somewhere, I think? It’s just my interpretation of it as to not step on anyone's toes!

Also, this isn't really a imagine. It's more of an Idea I was thinking of and needed to get out of my head! So that's why it's kind of not finished? Most of my stuff is WIPs anyway so this isn't really new.

_________________________________

You were a popular villain.

People loved you. Maybe not the theft and distraction you caused but hey- we all have flaws? “I will teach this city the true meaning of Justice!” You’d boldly claim standing on the stage that was Gotham city’s tallest building- scarily close to the edge. “Join me- and together we’ll cleanse this city of its evil and corrupt ways!” You’d state so boldly.

You loved for the attention, the lights- cameras and reporters. That’s why the red hood could only shake his head. Another psychopath spewing their ideology like it should be praised- like it was the absolute truth.

Spoiler alert, it wasn’t.

The world wasn’t black and white enough for an ideology to trump all the others and ‘cleanse this city’. Fuck, not this city- not even close. Gotham was just in too deep. Too much crime, too much of a drug problem or a poverty problem- too much of everything. The joker was a prime example of that. The evil of this city boiled up into one twisted person��� Anyway, you were an attention seeker, classic villain profile. Does it for attention- maybe mommy or daddy didn’t give you enough love? It didn’t matter. What happened was you were breaking the law and Jason was still on Bruce’s keep an eye on list. So, he’d keep his hands off the bigger more horrible criminals.

Still sometimes, only sometimes, he'd find himself listening a little too closely to your ideals- Like you believed in the death penalty for Gotham hardest to kill roach: The joker.

So, while Red Hood was chasing you... Well, it'd started off small, you’d steal from the rich of Gotham- sometimes even Bruce Wayne himself. -Those days Jason found himself chasing after you slower, not that he’d admit that. It was a classic Robin Hood situation and Jason… didn’t know how to feel about it. On one hand you were breaking the law, in the other, power to the people. Eat the rich.

Jason knew how it felt to grow up struggling so too see you helping people? It was almost nice.

What annoyed him though was your loud, for the people persona. “I will judge all of Gotham! Batman himself can’t escape my judgment!” Okay, slow down… you were fast and agile, but Batman would be able to catch you. And if Jason really put his back into it, he could too. Still, that never stopped you from making bold claims. It garnered attention, it was bold and daring and just what the people wanted. Your ideal matched up with what so many people were fed up with the batman for.

Eventually your behavior began to escalate. He didn’t know how much longer he could keep the Bats eyes from you. “This is a cult...” He muttered while he hides away on the roof of an abandoned building you holed your followers up in for a speech.

“My loyal follower!” You’d greet them with a smile and a bow. You’d put in stage performances. Sometimes with Jason, except he never knew, and the performance was just you and him fighting on the stage. Most days, some days it seemed it was just you acting and being alive on that large stage. Others you were preaching your words to the cult your loyal followers. You were building an empire and catching the attention of other criminals.

An empire that while he agreed with, went against the bats no kill rule. The longer you stood on that stage the less safe from the bat you were.

And no matter how much he wanted to agree with you, a small part of him still wanted... something from batman. You would be an issue.

“How much longer do I have to do this…?”

Red hood was no detective, but he was raised by the greatest one. So, while he was lacking in that department compared to the rest of his family (Even if it was just by a smidge.) He still noticed how after a speech or a fight- your smile, no, your persona dropped.

It was a persona you probably garnered for attention.

but still...

So how…

…That just didn’t make sense.

“Can I have your autograph…? Please?” A civilian would ask shyly, hiding behind a Batman themed phone case with a Robin themed charm hanging from that same phone.

The worst part of it all? You didn’t ask for the Red Hoods autograph. You asked for Jason Todd’s autograph, you were a fan of the Wayne’s. Gotham's golden family. No actually, it was the way you jumped up and down eagerly when you thought he was far enough way and did a dumb victory dance.

He sighed and leaned against the alleys stone wall as he watched you leave. A sense of worry invaded his mind as he watched you in your nerdy and totally lame Superman shirt walking away. All while staring at your phone.

He was surprised you recognized him. He was never in the public spotlight- maybe here and there when he was younger. Not now, not anymore. His death and how vague it was left question. Ones people didn’t ask when he wasn’t there, dangling in front of them like bait to a fish, they’d ask why and how and while they had a cover up: One the bat, the world's greatest detective made up. It still was messy. You must be a real fan.

He wasn’t even sure if that was really you…

It had to be though, there was no mistaking it. So, with your civilian name in his head, he walked back home.

“…so… lonely…” `

[curioscurio]

Klaus is such a good Christmas movie that came out of nowhere in like 2019 with the most beautiful 2D animation and really just established itself as a cult classic effortlessly. That kind of stuff only happened in the early 2000s and had the marketing to match. It's just nice to have a Christmas movie that felt original and wow its been 5 years since it premiered but I feel like I've watched it my whole life every christmas??

[youuuimeanmee]

Get ready with me to be surprised with

✨️Arnold Crowley✨️

Hint: Crowley

I was scrolling through Twitter/X, laughing and giggling at the cute DamiAnya and Loid tweets from the recent chapter 95, when I stumbled on a tweet about Arnold Crowley.

Btw, Arnold is one of the character I'm looking forwad meeting the most because he's the top scorer in the classical language test. His score must be 90 or above, which is kinda insane when we know classical language is a dead language and barely taught anymore. I previously made a theory that the reason why Anya is so good at classical language is because she came from Covenia, the equivalent of Romania irl; which language derived from Latin language. That's why I was intrigued with Arnold Crowley; I want to know how is he able to beat Anya's score. Like, did he come from the same place as Anya, or, does his family have a medical/researcher background; stuffs like that

Anyway, back to the tweet. Some people are weirded out with Arnold Crowley's hairstyle, which is not surprising, because me too.

I clicked the comments when I saw this.

What. The Fuck. Is That.

The hair/hat reference! The same last name!

Suddenly everything about Arnold clicked. Why I feel weirded out not just from his hairstyle, but also from his bow tie (which reminds me of a moth's wing pattern). Why his polite demeanor is lowkey making me uneasy. Why he is so interested to meet the runner-up of his strong subject. Why he is so good at classical language.

I was scared. I am scared.

But I was still excited to learn that Crowley was a real person, so I googled him just to make sure.

Oh FFUCK.

Dear God what did I discover.

Arnold Crowley or his parents might be based on Aleister Crowley.

Aleister Crowley is an occultist.

He practiced spells.

Spells often comes from Latin words.

He is also a poet.

A poet also often uses Latin language.

Do you see what I'm seeing here.

Summary:

Arnold Crowley or his parents might be an occultist or poet; that's how he's able to be excelled in classical language.

If Arnold's family is a poet, then thank God.

If Arnold's family is an occultist, I am really scared for Anya. What if he wants to learn if Anya is a fellow occultist like him. What if he wants to invite Anya to join his cult. What if he finds out about Anya's telepathic ability. What if he somehow trigger Anya's bad memories with his magic skills(?). I really want Anya to get tf away from him now.

And here I was so excited with Arnold's appereance, I even joked he'd become Anya's new classmate or even the 2nd ML, lol. But now? I'm really not sure. I better keep an eye on him from now on.

Yah that's about it! Thank you for following me in this short journey! 👋

*Edit: I missed the fact that Aleister Crowley is from British. Now I imagine Arnold speak in British accent and I can't stop laughing 🤣

[autismprotocol]

TMAG Theory Board Update (EP 11-12)

Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about

For the breakdown I'll separate each by episode in sequential order

What Happened in Episode 11: Marked

Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.

As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)

Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.

These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .

The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.

Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo

Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later

Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.

In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates

Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.

Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.

What Happened in Episode 12: Getting Off

Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)

It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo

Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs

Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?

and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )

thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.

-Echo

[brokehorrorfan]

6 Things I Learned from the Lisa Frankenstein Commentary

We don’t get movies like Lisa Franeknstein often, which is a shame because it’s endlessly charming yet delightfully twisted. While it disappointed at the box office, it has "cult classic" written all over it.

The coming-of-age horror-comedy is out today on Blu-ray and DVD. Among the special features is an audio commentary by Zelda Williams. Here are 6 things I learned…

1. Catch Me If You Can inspired the opening credit sequence.

The opening credit sequence, which briefly depicts the Creature's love story from his previous life in the style of Victorian shadow box art, was inspired by Catch Me If You Can.

"We wanted to do something interesting with the credits in this bit. I was really inspired by Catch Me If You Can, which I thought the opening credits were particularly interesting and helped establish the story before we ever got to it. And because Creature doesn't speak this whole movie, I wanted an opportunity to show what his life would have been like."

2. The film was originally intended to be rated R.

Although Lisa Frankenstein pushes the PG-13 rating as far as it can go, it was originally intended to be a hard R. Williams cites the party scene, in which Lisa originally smoked a laced joint rather than drinking a PCP cocktail, as a difficult revision.

"This is where stuff got a little complicated when we were going from R-rated to PG-13. Originally there was a coated joint they were passing around. This is one of the only scenes that I'm not sure I'm as fond of in comparison to the joint stuff. Most of the rest of the changes were fine, but this one I find very strange. It's just a very different reaction and interaction than what used to be there. However, these are the things that happen when making a movie."

3. Creature is an homage to Day of the Dead's Bub.

Not only Lisa is seen watching George A. Romero's Day of the Dead in the film, but the Creature is an homage to its iconic zombie, Bub.

"Creature for me is definitely an homage to Buster Keaton, but he's also an homage to the zombie you just saw on screen, Bub, who was in Day of the Dead, a Romero movie that I'm very fond of. It was an incredibly emotive and a very intelligent zombie and ended up getting revenge against the asshole in the movie. It was one of my favorite monsters ever made, so when I could put that on screen during the movie, it made me very happy."

4. Zelda hid a tribute to her father, Robin Williams.

Williams is the daughter of Robin Williams, and she included his 1983 comedy album, Throbbing Python of Love, among the records scattered on the floor in Lisa's living room.

"Oh, there's Dad! We used one of Dad's vinyl albums because we had to scatter some across the floor." She refers to it as "a little, mini Easter Egg for me."

5. The police officers are named after John Waters.

The police officers in the film are Officer John (played by Walker Babington) and Officer Waters (Sylvia Grace Crim) — named on a whim in honor of cult filmmaker, John Waters.

"They asked me to name the cops, because obviously they needed to have name tags, so I named them Officer John and Officer Waters." She thought no one would notice since they're so small, but a viewer pointed it out at a test screening.

6. The film is sprinkled with movie references.

Williams wore her influences on her sleeve with her directorial debut, and she pointed out several references on the commentary:

A Trip to the Moon (clip featured in Lisa's surreal dream sequence)

The Cabinet of Dr. Caligari (stylistic inspiration on the dream sequence)

Weird Science (the party scene)

Suspiria (red lighting during drug sequence)

My Boyfriend's Back (camera shot from inside a grave looking up at characters)

Kill Bill (weapon point-of-view shot)

E.T. (a boy on a bike — played by Diablo Cody's son — at the end)

Notting Hill (reading together on a bench at the end)

Lisa Frankenstein is available now on Blu-ray, DVD, and Digital via Universal.

[l0vem41l]

the passenger princess playlists

「 tws + notes: no tws, unedited, probably ooc, self-indulgent because we have fun here, author's taste in music is utter shit 」

「 gn!reader, can be platonic or romantic <3 」

↳ ft. these stupid parasites that keep infecting my brain aka bruce wayne,clark kent, jason todd, tim drake, and stephanie brown

author's note: THEY ARE THE PASSENGER PRINCESS!!!! WHY???? because if i projected my music taste on the reader insert we would have many issues. im not THAT self indulgent w/ my stuff i say, posting hcs of character's music tastes based on my own

you decide that it's time to show how much you trust them.

"hey," you mutter, eyes still on the road, fingers absentmindedly drumming on the wheel. "...you can have the aux cord, by the way."

▸ BRUCE doesn't even take it at first. he usually prefers to drive in complete silence himself, so he lets you handle the music. he's pretty nonchalant about what you play, indifferent to most music as long as it doesn't make his ears bleed.

the first time he takes the offer and plays something he personally enjoys, it's pretty straightforward: his main genres are classical, jazz, and dad rock. like... a lot of dad rock. he can read the room er, car?? well enough to know that the classical and jazz songs he listens to aren't exactly driving playlist material. and yes something in the way by nirvana will be played battison i fucking love you

BRUCE's songs include: ♡ she sells sanctuary by the cult ♡ something in the way by nirvana ♡ 1979 by the smashing pumpkins

▸ CLARK is more than happy to share his music! he's always been excited to hear whatever you jam out to and is pretty open to different genres. he definitely finds favorites of his that match the energy of your car playlists. doesn't wanna play anything that's too much of a bummer though, mainly because driving with you has such good vibes!!! he can't ruin that :( unless your in some sorta mood to be upset. then he's got some stuff aka a lot of elliot smith and jeff buckley

he finds a lot to love in all sorts of genres. it's a mix of stuff that he grew up listening to with his parents, stuff that he found on his own from artists he enjoys, and stuff you introduced him to. his music taste is just a mosaic of love for the people around him.

CLARK's songs include: ♡ it's been a long, long time by harry james and his orchestra ♡ cupid by sam cooke ♡ real love baby by father john misty

▸ if there's someone who's going to criticize music without sharing his full music taste? it's JASON. he's actually not mean but he'll make comments which give the impression that he thinks he'd be better with the aux. like bro ask for the aux normally. REMIND HIM WHO'S HOLDING THE WHEEL. YOU BETTER PRAY THAT THE VOTERS ARE IN YOUR FAVOUR WHEN WE DRIVE INTO THIS TELEPHONE POLE

when you give him the aux privileges he's secretly overjoyed. he likes a lot of different genres, rock, metal, indie rock, some punk... but don't ruin his mood by pointing out his music taste is vaguely inspired by bruce's. or make fun of him for listening to sleep token. obviously he likes listening to chill music too— but for a drive? it's gotta be loud and fast. secretly gets happy when you like the songs he plays. the validation gives him a quiet sort of joy.

JASON's songs include: ♡ knives out by radiohead ♡ goddamn these hands by the taxpayers ♡ custer by slipknot

▸ TIM is pretentious about music, but he doesn't intend to be. he's proud of his taste to the point where he's beyond spotify wrapped and stats.fm. i firmly believe he's made his own software to track the music he's listening to and it's thorough. that being said, he really doesn't mind listening to your music. he likes giving recommendations based off of the songs you play in the car.

tim adores branching out into different genres, and the more obscure it is, the more he likes it. given, he's also into some pretty known and loved bands. car seat headrest. radiohead. slaughter beach, dog. the minute you hand him the aux, he's trying to put you on his favourites. a lot of indie. like... so much indie. and midwest emo... american football WILL be played. he also unfortunately cannot hide his love for the pinkerton album.

TIM's songs include: ♡ never meant by american football ♡ oh! starving by car seat headrest ♡ tragic girl by weezer

▸ STEPHANIE is so cool. i've seen swiftie headcanons but guys... pop punk princess stephanie brown is too real. pop punk, alternative rock, riot grrrl— all that stuff. probably got aux privileges before you even gave her permission, she just started queuing up her songs with yours.

when she gets full control, she already has a playlist ready for the drive. it's kind of all over the place, but the vibes are great. you will go from mommy long legs to chappell roan and then to whatever recession pop artist she's into that week. steph is also a big fan of evanescence, kittie, and hole. those in specific are heavily headcanon-y but i feel like she'd appreciate them.

STEPHANIE's songs include: ♡ misery business by paramore ♡ cherry scented by jack off jill ♡ gimmie brains by bratmobile

▸ what are you listening to? you don't know but CASS seems happy at least. when you gave her aux privileges, she didn't really know what to do. she ended up just picking her favourite songs out of your usual playlists.

eventually, she gets excited by the prospect of sharing what she usually listens to and it's... something. so here's the thing: she listens to a lot of ambient noise. like, things that people usually sleep to. you once drove around for half an hour listening to nothing but the noises of rustling leaves and chirping birds through your speakers. and she was happy.

she listens to a lot of music where there's not a lot of lyrics most of the time, but tends to listen to some of stephanie's music as well— usually the more mellow side.

CASS' songs include: ♡ relaxing tranquil day in the forest by nature sounds ♡ healing ritual by whatever, dad ♡ to violet by adrianne lenker

part two... potentially??? lmk which character's you'd want ^_^

— reblogs always appreciated!

[aardvaark]

i don’t know quite how to explain this but i think i love Leverage for many of the same reasons i love early ‘80s slashers and cult classics. like, it’s the same vibe of "yes, our production budget is pretty low, yes, this is pulp, we’re aware of that. and by god we’re gonna make the best low budget pulp you’ve ever seen". they’re acutely aware of what their constraints are and aren’t pretending to be anything else, but they’re also putting in so much effort and passion and care. and i particularly love how the Leverage creators/writers use all the stock standard crime drama tropes to their advantage and play with them in very cool ways. they have to get creative with their shooting and sets and props and filming locations, but a lot of time that leads to some really clever or fun stuff (like an episode set at a carnival!). you can see all the seams, but that just endears it to me even more, you know? there’s definitely many high budget, flawless-looking shows and films i love too, but Leverage really has a special place in my heart.

[atopvisenyashill]

imo rhaenyra’s “madness” being that of a cult leader capable of convincing her followers to do ostensibly insane things cuz she’s just that charismatic & self-assured in the correctness of her beliefs is way cooler and less sexist than the typical ‘she went crazy’ targ nonsense, "ohhh ‘mad queen’ daenerys she’s so crazy it’s that classic targ madness just like her ‘mad’ ancestor ‘mad’ king aerys you never know with those ‘mad’ targaryens" that’s so boring lol, give me something believable

YES i honestly don’t understand and have been increasingly annoyed by these really disingenuous “oh so when rhaenyra slaughters innocents it’s totally fine bc she has the divine right 😒” criticism when it couldn’t be more clear that’s not what’s happening. i mentioned this with the white stag before, how people are taking the most bad faith reading of it imaginable and saying that’s objectively what the writers intended when….it’s very clear the writers are intending for a more nuanced exploration of the entire concept of the white stag, YOU (general you, not you anon) are purposefully taking it in a negative way because you like being pissed off. what an obnoxious way of engaging with the story!

and i feel the same here! the main criticism i see of rhaenyra is that a) she’s not allowed to get her hands bloody/she’s always in the right and b) they’re making it seem as if she has the divine right to commit violence due to the prophecy. there is absolutely no narrative basis for these readings though, it’s COMPLETELY people projecting.

the reason she doesn’t do anything earlier in the season is because she also isn’t doing anything in the BOOK during this section because of her grief. i think criticism of HOW they wrote that is valid - the fact that she doesn’t speak at all in the first episode was a heinous choice, i get what they were going for, but it fell so flat that as Professional Writers they should have realized they were missing the mark there - but this constant “rhaenyra doesn’t get her hands dirty” “rhaenyra is too perfect” is so fucjing obnoxious. they’re ✨building up to it✨ guys, it’s why they did the stuff with Aemond not meaning to kill Luke and then actively attempting to kill/harm Aegon, it’s why the Green Council goes from squabbling to actively suppressing Alicent’s voice, it’s why Rhaenyra's convos with Jacaerys have gotten increasingly more angry, on and on. Sorry you all wanted Rhaenyra to be a Born Evil Queen, but if they’re not doing that with Alicent, why would they do that with Rhaenyra? "Oh they only had Jacaerys call the dragonseeds mongrels because-" my comrade in christ they took Alicent making the decision to lock the smallfolk into the city and gave it to Aemond to make her look better and make Aemond look worse it's the exact same thing and they're doing it because they're trying to have a conversation about the cyclical rot of feudalism and the way these people are completely trapped by their own design in this cycle of violence!!!!

and YES very much, this gets into point b which is like....THIS is Mad Queen Rhaenyra, THIS is Rhaenyra the Cruel! It's Rhaenyra holding onto this prophecy that gives her the divine right to be violent, that represents her father choosing her over everyone else, that represents her own worthiness as a ruler, that every single fucked up thing she's suffered is worth it because the fabled hero will come from her line, because Jacaerys will follow her onto the throne and there will be unending peace, because Viserys chose HER he loved HER he only ever loved HER, and she HAS THE RIGHT but what does "have the right" even mean. "oh they always portray her as morally in the right" NO THEY DO NOT YOU ARE MAKING THAT UP. Rhaenyra thinks she's morally in the right and the show is constantly making her face the consequences of her own actions, and showing that (again, and I cannot overemphasize this enough, just like Alicent, just like Viserys, just like Aegon, and while they do it sloppily with them, just like Aemond and Daemon!) Rhaenyra will close her eyes to the glaring faults of the people around her and the violence she is helping to perpetuate because to her in the end, all of this suffering has to be worth it and she has this fancy little prophecy that is showing her it is worth it. That's so interesting! It's fascinating! "Well I think she-" Well that's just your opinion man! I'm having a fucking ball watching her step closer and closer to the edge and insisting that she's staying still, she's playing safe, it's everyone else that is taking the leap. That's fun, that's engaging, that's a good way of depicting that dichotomy of how greatness can so easily turn to madness.

[ashtxeman]

A small analysis of the Black Friday line and the townie's individual wants

some hc stuff dabbled in here (mostly for james shopper), but the majority is based on canon!

Sherman Young: A classic case of being spoiled, he's greedy, if he wants something he'll get it no matter what. He's got the power of a hot rich Mother on his side so, there was no way he wasn't going to be there. If he lacks something, he feels incomplete and he'll probably wine about it too. Wiggly to him is like the final piece in his collection, the crowning jewel of all toys. As long as he doesn't have him he's not going to be happy.

James Shopper/The Corrupt Man: He's a clone of Charles Coven, and struggles heavily with seperating himself from his creator. He sees Wiggly as a way to be somebody new. Also explains his attachment to Linda's cheque, good treasure and great coin y'know. Wiggly is an opportunity to have a hobby or interest outside of what he's inherited from Charles.. and his want for Wiggly is also excentuated by the very greed he got from Charles.

Linda Monroe: Wilbur said most of this himself, she's desperate for adoration and thinks she'll find it if she gives her bratty children what they want.. or what she assumes they would want. We know they would never have actually mentioned Wiggly or shown interest, but Linda as a very shallow minded individual when it comes to these things would take a look at Wiggly, think of him as the latest 'trend', and set off to get the dolls for her boys. But her children don't really matter in the grand scheme of things, she's getting the Wiggly for herself as a source of adoration. She gives it to people who want it, and in return to she gets that love she craves so deeply.

Becky Barnes: On a surface level Becky is there to get dolls for the children, but in actuality she more likely wants the doll because she feels empty and alone. After the incident with Stanley she probably helps those feelings by interacting with the children and helping them, but once the doll is introduced she's drawn to it as a permanent source of happiness. A cure. Children come and go, but Wiggly is forever.

Tom Houston: Tom thinks he's here for his son, in a similar way to Becky where he feels empty and alone since the loss of Jane but finds those feelings easier to bare when Tim is happy. But deep down, he's here for himself. He knows that eventually Tim is going to grow sick of him, he's convinced himself that Tim blames him for what happened and they're inevitably going to grow apart. He'll be left more alone than ever before. If he gets a Wiggly, he can impress Tim and make him happy, make him want to stay. Or maybe, if he gets one, Tim won't even matter anymore.. Because just like it is with Becky, children come and go, but Wiggly is forever.

Curt's Shopper/Mildy Peeved Mega: He mentions that he 'lost his job when the plant closed' and he's clearly low on funds given how he complains about Wiggly's price fluctuating, so it's pretty obvious he's here for a Wiggly because he thinks it can help him forget his employment and financial troubles. Being unemployed must suck, especially in Hatchetfield where the threat of homelessness means a whole lot more. He's desperate for a crutch to help him forget. And who knows, if he has a Wiggly maybe people will think his cool and they'll hire him.

The Homeless Man: Joey's actually said a lot about this on commentary and such. The Homeless Man really wasn't there for a Wiggly at all.. he just saw everybody crowding and thought it looked warm, so joined in. Simply a case of him not wanting to freeze to death out in the cold. Though, when he does finally get his hands on a Wiggly and finds himself in the cult, it's easy to assume why. If anybody has holes that need to be fixed, it's him. His lovers dead, everyone hates him, and he's been haunted by a massive goat. Of course he'll think a cuddly little doll could help him!

Barry Swift/Man in a Hurry: Barry has one surface level character trait, and it's that he can never slow down. If you look to his dialogue in Daddy where he mentions trouble with his past relationships because of his tendency to hurry, you see just how much it ruins his life and even get the sense that he hates hurrying, but somehow has no choice but to do it anyway. A man who can never stop and enjoy life? Always gotta be on the move, looking for the next thing? The moment something like Wiggly comes into the picture, he's going to want it. Perhaps he thinks it'll finally motivate him to slow down and let him enjoy something.. or maybe he's just greedy and wants it so he can laugh in people's faces and say he's got one.

Gary Goldstein: Gary loves everybody in town, and really just wants to be appreciated and maybe even admired. Nobody credits him where he's due and some of his best clients treat him like shit (Sherman abusing his services for petty things, and Linda doing the same with the added threat of her husband if their affair is discovered). He's here for a Wiggly just because he knows it's the latest trend and if he gets in on it, people might like him more and he'll finally feel appreciated. He will do anything to be liked. Even join a cult and kick a man to death.