#just bc i can't decide

[gotchibam]

Heyo! I'm still currently working on my backlog but I also have upcoming rent to pay this week so I'm opening another batch of comms!

This time I'll be doing pokemon / pkmn OCs in the style of Pokemon Cafe Mix :)

So it would look something like this:

Only opening 10 slots for now! I'll try streaming the process for them as well if I can ^^

Slots are available thru ko-fi here: https://ko-fi.com/c/0451254ff4

Thank you sm!! 💛💛💛

[welcometogrouchland]

I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)

[wouldntbehim]

mix: firstprince (taylor's version)

[skippingthroughfields]

one thing that's missing from these convos about amc not submitting assad zaman for a golden globes nom that makes it 10x more malicious on amc's part is that a nomination isn't just like oh... ~simple appreciation for an actor's performance. even if there's no win, it results in a profile boost for these actors & them being able to command a higher salary when it comes to future projects. it's something that gets notice on their CV. these studios and networks love being able to market their shit with things like "starring golden globe nominee john doe" or "emmy winner jane doe." the emmys are more prestigious than the golden globes which are more prestigious than the critics choice awards (the one they submitted him for with two other actors lol). actors get nominated and have the opportunity to get attention from social media posts, article mentions, attending the red carpet, having their name announced and a little clip of their acting shown. that's not nothing! attention from possible new fans, publications, execs, peers, producers, directors, fashion houses & other industries which could lead to $$$ and sponsorships. I won't make any presumptions about the cast's finances but I do know amc is probably not paying them their worth, least of all the bangladeshi muslim who barely had any major roles in tv/film prior to the show.

there are fees and costs associated with submitting for awards consideration and FYC ads. the network basically took a look at assad's brown skin and name and said they don't think he's worth the money over the white actor who had less screentime and narrative importance (to the season ig) which is absolutely crazy lmao. it shouldn't be controversial to say that and you can't not discuss this without bringing up sam's name. this has nothing to do with whether he "deserved" to be submitted (and even if I said he doesn't deserve it over assad who's gonna beat my ass?). this white man isn't being persecuted by conversations about blatant racism. but I'd expect nothing less from this fanbase x.

[psychotic-nonsense]

|| >

There's not much Steve remembers.

There's a group of people walking through the woods, some older, some teens. He's amongst them. The sky is too dark and the trees are too dead. His hands are tight, holding something close. There's an air of panic, stress, hurry, caution. A mistake was made, and they need to escape.

Then instincts flare and the trees descend on them. Sharp rushes of wind, the shrill shrieking of something otherworldly. There's teeth and sharp whips and screaming and gunshots.

Then the swirling mass parts and the shrieks turn human, and Steve remembers the visceral fear of seeing the mass separate. One half rises, carrying a flailing, manic figure, and no no no Robin please no not Robin please no me take me instead you bastards not Robin please no Robin Robin-

Then the other half descends, whips circle his wrists, and the ground falls beneath him. There's screaming behind and before him as the earth fades away, and it's a cruel parallel, floating when all he wants to do is sink.

Robin's thrashing, Steve's thrashing. Their weapons have no use here, where teeth and whips maul them. Amid the pain, all Steve can do is plead to Robin, to forgive, to hope, to fight.

Robin finds the weak spot first. A quick succession of blind swings, a fierce thrash of flailing limbs. The bats scare, release her. But they're too high. Steve feels his throat go coarse as he watches Robin crash into the dead forest below, unable to differentiate the snapping between bark and bone.

Steve finds it in him to copy the act, do the same. And somehow, it works. Somehow, he's weightless.

There's a fierce pressure and the first snap he remembers feeling both on and within his skin-

And Steve wakes up.

It's not sudden, it's gradual. He feels the pains within him slowly throb to life, rousing him from sleep like an anchor rising from the sea. His left hand feels thick, and there's a burning poker laying across his forehead. His jaw feels wrong, and his eye stings and throbs.

His other senses slowly begin to return as well. He's laying down, his head tilted to his left, a bit cramped in the space as something presses around his shoulders. The material he's on isn't very comfortable either, some parts stabbing into his back, and there's a crinkling sound every time he breathes. He hears the faint rippling of water, and somewhere out there, it rushes fast and hard.

It's hell to even think of doing it, but as Steve returns to reality, his instincts rise to the surface, and he knows he has to get up soon. So he opens his eyes. He fights the involuntary tears, wincing as the stinging worsens, then wincing further when his face crumbles in the looping pain.

Finally, he can see a little. Where he is, it's thankfully pretty dark, with only a faint golden glow illuminating the area around him. His eyes strain to see through the darkness past the range of the light-

And then Steve notices where he is. A boathouse. The boathouse. The same one from a night that feels like a lifetime ago, rather than a few weeks. The start of their worst journey, the beginning of a friendship that would grow just to rot into a sour mess of guilt and loneliness.

He's laying within the same boat too...

His eyes focus on some motion across from him. A table covered in a lump of tarps and ratty cloths, and atop it sleeps a figure. Her face is scrunched up in pain, a patch of bloody fabric covering her cheek. One leg has been removed of all clothes, the ankle wrapped and foot elevated. Steve knows her, and instinct briefly overpowers everything else.

"Robs?-" Steve cracks out, his voice sore and rough. His body tries to rise, moving habitually, and he barely rises onto his elbows before the world pounces on him again. It's so strong and he's so weak that he can't move more than the closing of his eyes and the falling of his chin to his chest, can't make a sound louder than a whimper.

Suddenly there's a noise, there's movement beside him. The light glows just a tough brighter, and there's a base warmth suddenly pulsing through his chest.

It's a person, shushing him. Their hand is resting softly on his back, simultaneously supporting him and urging him down.

"Please, stay. It is better for you to rest."

The voice speaks softer than Steve can remember, but he still knows it. It's monotone, sounds ghostly, faint, quiet in a way that has nothing to do with volume, but it's still familiar. Still brings the memories around Steve right into the present, takes him back to that corpse, makes the presence around him feel more melancholic than scary.

Which is funnily enough, even more terrifying.

Steve can't move, can't pull his sight up to face what can't be reality.

"Apologies for the location. We cannot stray too far from the Gates."

The monotone changes to sound almost apologetic, more real, more like what Steve has been craving. It's what finally makes him cave, to turn his eyes to face the impossible.

Who he sees, what he sees, both crushes and rises his hope. Because past everything before him - the inhuman glow, the calm, plain expression - he finds exactly what he's been fighting for.

"Eddie...?" Steve pleads.

The blank face falls, just slightly. Like it's guilty.

"I'm sorry. No. Not quite."

(cleaner version below)

[evilkitten3]

i have a theory about shinji, gin, and aizen, but i'm not really sure how to word it.

we never really see shinji and gin interact all that much, which makes sense bc both of them have significantly more important relationships with aizen, but at the same time it's a little odd how much there isn't.

like. gin cut hiyori in half. shinji is understandably pissed about that, but he aims that anger at aizen - and this seems to be one of the very few things in the bleach world that honestly isn't on him bc he never told gin to do that, he never even implied it. hiyori was never a threat to him. hell, we don't even know if she was charging in the right direction; if anything, attacking her implies that she was which is a really stupid thing to do when you're surrounded by a bunch of people who super want you dead and would kill you if they could be sure you weren't tricking them into stabbing each other (ofc it could also be a fakeout but still)

but i don't remember shinji's beef ever really being with gin, even tho he didn't seem to anticipate that gin was working with aizen the whole time during tbtp. so like does he feel responsibility there? cuz gin went straight from academy to 3rd seat and shinji could plausibly feel like that sent him right to aizen bc he doesn't know that gin was always aiming for that. did he blame himself? does he feel like he should've seen it coming? does he still see him as some weird genius kid? does he just view gin as an extension of aizen, which is both dehumanizing to an extent but also entirely fair bc gin did that to himself?

the thing is, since we never really see them interact much, it's kind of only interesting on shinji's side of things, bc gin doesn't really care about much outside of whatever the fuck he thought he was doing and the version of rangiku that he has in his head who needs back something that the real one doesn't ever seem to have realized she lost to begin with. gin's so disconnected with basically everybody that most of the time you can usually assume his thoughts are just "lol. lmao" and there's no reason to think that doesn't extend to shinji as well (gin has deep thoughts on: aizen, ichigo, and matsumoto (massive asterisk on that one ofc) and i think everyone else is kinda set dressing to him lmao the guy is Fucked Up)

anyway i think it's interesting to toy around with that relationship as it was in reality as well as how it might've been perceived, but also in the sense of both of them being sort of opposite ends of the manchild spectrum - shinji leans into his childish side but still has a fairly adult worldview, and gin is able to pull off maturity to an extent but was never able to escape a deeply childish mindset

[trashcanwithsprinkles]

debate

(topic: how many and what configuration of kids do they give off vibes of having (either at present or in the future)(partner is irrelevant in most cases, some could be single parents for all i care))

[harlequinalis]

As much as I'd love an actual Miraak cameo in Necrom, I know it won't happen for obvious reasons, the main one of course being that Hermaeus Mora, Prince Of Spying On People, should know Vestige "my favorite hobby is helping people escape daedric realms :)" Last Name well enough by now-

[lesbianwyllravengard]

There's doing research to write a fic and then there is spending hours creating character profiles on dnd beyond for every character involved in a final battle because they're all much higher levels in the fic than in the game and holding an entire dnd combat by yourself taking each character's turn and rolling their different dice and trying to remember everyone's specific spells and features to get as accurate of a battle scenario as possible. Which is what I'm doing for this wyllstarion fic so I hope people appreciate it

[alchemistc]

Hey uh, I've been getting a lot of spam in my inbox lately that I usually just block and delete, but just in case anyone is not familiar with phishing scams, this is a fun new/old one:

DON'T CLICK THOSE LINKS FOLKS.

Like this is actually a pretty decent attempt - no glaring spelling or grammatical errors, sounds like official wording - but just like the fucking bank who won't ask you for a pin unless you're at an ATM this is NOT how this works.

Also why would they send a verification link TO an account you're logged into. Just. What

[vettelcore]

plenty of drivers have gotten DSQ from races for breaking the rules (accidentally or willingly) and no one was making a big deal out of it, just admit yall are throwing a tantrum about how totz unfair it is that those two got DSQ, not because of the random testing rule but bc of who it was being DSQ

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[scarletfasinera]

I hate when people are like "I already didn't like xyz so it's not difficult for me to boycott it unlike those loser customers that actually Liked the thing which I could never understand bc I was never a customer uwu" bc like. That literally isn't boycotting lmao. That is just Never Being A Customer In The First Place, which means nothing actually.

Boycotts are primarily about applying pressure (or completely making it impossible to operate) via financial/commercial/economic impact. AKA it's about money and capital.

If you already weren't spending money on a product/franchise/company, then you were already never part of their sales data, and you just doing nothing & making absolutely no change to your daily life and just continuing to not be part of their sales data as normal, has literally no material impact. You were already never a factor. The people who WERE customers & WERE part of the sales data & ARE withdrawing their money from those sales figures actually ARE making a material impact.

"Supporting" something isn't about vibes or thoughts or feelings or you telling your best friend how much you like a thing, "support" in a meaningful sense is specifically material. It is financial. Refusing to continue supporting something means taking the money you were previously spending on it & putting it elsewhere. If you were never spending money, you were never supporting it, and therefore it doesn't make any difference if you continue to not support it. Boycotting is something CUSTOMERS and CONSUMERS do.

SO STOP FUCKING BRAGGING ABOUT IT & STOP MAKING FUN OF PEOPLE WHO ACTUALLY ARE BOYCOTTING FOR "EVER LIKING XYZ TO BEGIN WITH" & STOP SPREADING THIS FALSE IDEA OF HOW BOYCOTTING WORKS LMAO sorry for capslocking I remembered I was annoyed

I just hate this low-morale mean-spirited bullshit some people do in the notifs on boycotting info posts where they arbitrarily moralize about something they just don't understand so they can pat themselves on the back for doing literally literally nothing AND inadvertently spreading misinfo in the process. Be quiet. Go do something that matters. There are plenty of posts going around, including from Palestinians themselves, with lists of references for how to help Palestine & other similar causes for people currently in crisis, please please do something For Real instead of boasting online about your fandom superiority complex as if it means anything.

[knockknockitsnickels]

Gundam Horse Girl AU

[dkettchen]

not me learning from the wiki that yamato (2.63m/8'8") and kiku (2.87m/9'5") are like exactly 1m taller than they should reasonably be respectively if they were normal humans of their birth sex