#john tighe

[the-gershomite]

Resident Evil #3 -September 1998-

"Wolf Hunt"

story by Ted Adams

pencil art by Ryan Odagawa

inked by John Tighe & Mark Irwin

letters by Amie Grenier

[pepsimaxxing]

[ljones41]

Locke & Sawyer in "Confirmed Dead"

I recently did a rewatch of the "LOST" Season Four episode, (4.02) "Confirmed Dead". And I enjoyed it as much as I did during previous viewings. However . . . there was something about Oceanic 815 survivors John Locke and James "Sawyer" Ford that had eluded me during those past viewings.

How can I put this? There seemed to be a great deal of hypocrisy emanating from the two men. While questioning Locke's sanity in "Confirmed Dead", Sawyer had pointed out the older man's murder of Naomi Dorrit, an inhabitant from the newly arrived freighter, in the Season Three finale, (3.23) "Through the Looking Glass, Part II". And yet . . . Sawyer had recently committed two murders during late Season Three - Anthony Cooper in (3.19) "The Brig" and Other member Tom Friendly in the Season Three finale.

Later, Sawyer gave former Others leader Ben Linus a beat down after the latter had insinuated Kate Austen's preference for the Oceanic leader Jack Shephard over the con man. Then he had suggested to Locke that they "execute" - namely kill - Ben, because the latter was being a nuisance. But this wasn't the last of it.

After encountering Charlotte Lewis, another inhabitant from the freighter, Ben tried to kill her by shooting her in the chest. At that moment, Locke decided to punish Ben by killing the latter. Sawyer offered to do the job, but Locke decided he must be the one to "clean his own mess". Only Ben's revelation of his knowledge of Charlotte's background, the reason the freighter had arrived at the island and his spy aboard the freighter had saved his life.

Watching all of this unfurl made me shake my head with amazement. Locke was willing to execute Ben for attempting to do to Charlotte what he had recently done to Naomi in the Season 3 finale - namely kill someone from the freighter. As for Sawyer . . . he had punched Ben for making insidious comments about Jack and Kate. Then he wanted Ben dead for the attempt on Charlotte's life. This reminded me of his reason for murdering Tom Friendly. Sawyer had claimed he did it for 10 year-old Walt Lloyd's kidnapping in the Season One finale, (1.25) "Exodus, Part II". Yet, not once did he go after Ben for the same reason.

For years, I never understood why so many "LOST" fans had turned a blind eye to the crimes of most of the Oceanic survivors. Or made excuses for their crimes. I guess one should consider personal bias as a reason. But after my rewatch of "Confirmed Dead", I'm surprised that hardly anyone had noticed the Oceanic castaways' hypocrisy, including that from John Locke and James Ford in this episode.

I

[duranduratulsa]

Up next on my 90's Fest Movie 🎬 🎞 🎥 🎦 📽 marathon...What's Eating Gilbert Grape? (1993) on classic DVD 📀! ##movie ##movies #drama #whatseatinggilbertgrape #johnnydepp #leonardodicaprio #darlenecates #juliettelewis #marykateschellenhardt #MarySteenburgen #johncreilly #lauraharrington #crispinglover #KevinTighe #AdrienneKing #dvd #90s #90sfest #durandurantulsas4thannual90sfest

[gameofthunder66]

Stephen King's Rose Red (2002) miniseries

-(started) watchin' Season 1 (miniseries) 3 episodes- 11/24/2023- on Hulu

[twenty-words-or-less]

The Deadly Spawn

Summary: A bunch of flesh-eating aliens crash-land into Earth and immediately start feasting on the local population.

$8k cost apparent - bad acting and cheap FX offset by chaotic charm that can only come from DIY filmmaking.

Rating: 2.25/5

Photo credit: Gruesome Magazine

[milliondollarbaby87]

Road House (1989) Review

James Dalton is a bouncer who was hired to clean up one of the worst bars in a small Missouri town, what he didn’t realise was that trying to do this would see the villianious local entrepreneur Brad Wesley to rebel against it. ⭐️⭐️⭐️⭐️ Continue reading Road House (1989) Review

[warmglowofsurvival]

"@joshuadun Have always been inspired by the way you play brother! Your passion, energy and overall performance every show makes me appreciate drums to a whole another level! ❤️Thank you so much for taking the time to help us write today! love you dude 🤟 🥁@thefaimofficial #thefaim"

[madilayn]

Roy and Johnny

One of my favorite whump humor tropes

Caretaker: This might not be safe. This might be a bad idea.

Whumpee: What? When have we ever had a bad idea?

[Flashback compilation of every prior bad idea that has led to physical/emotional/psychological suffering]

[the-gershomite]

Resident Evil #5 -February 1999-

Cover art by Carlos D'Anda & Mark Irwin

"...And The Last Shall Be First"

story by Kris Oprisko

pencil art by Lee Bermejo

inks by John Tighe

letters by Rob Robbins

colors by Wildstorm FX

The Resident Evil Files art by Carlos D'Anda

[kwebtv]

Terry Carter (born John Everett DeCoste; December 16, 1928 – April 23, 2024) Actor and filmmaker, known for his roles as Sgt. Joe Broadhurst on the TV series McCloud and as Colonel Tigh on the original Battlestar Galactica.

Carter acted in numerous television series, specials, and theatrical films. Carter was a regular cast member of The Phil Silvers Show (popularly known as Sergeant Bilko), appearing as Pvt. Sugie Sugarman in 91 episodes between 1955 and '59. Carter played boxer Rosie Palmer in a 1964 episode of the ABC drama Breaking Point. In 1965 he was the only black actor to have a role in the World War II drama Combat! in the season three episode "The Long Wait". He is best known internationally for his co-starring role as Colonel Tigh in the popular science-fiction TV series Battlestar Galactica. He was originally cast as Lieutenant Boomer, but was cut following a roller skating accident that fractured his ankle. After replacing Carter with Herb Jefferson, Jr., producer Glen A. Larson instead offered Terry Carter the role of Colonel Tigh, second in command of the ragtag fleet of starships, giving the series the distinction for the time of having more than one regular African-American character in the principal cast. Carter also starred as Dennis Weaver's partner, Sergeant Joe Broadhurst in the detective series McCloud for seven years.

In 1975, Carter started a small Los Angeles corporation, Meta/4 Productions, Inc. for which he produced and directed industrial and educational presentations on film and videotape for the federal government. Carter was president of Council for Positive Images, Inc., a non-profit organization he formed in 1979, dedicated to enhancing intercultural and interethnic understanding through audiovisual communication. Under the council's auspices, Carter produced and directed award-winning dramatic and documentary programs for presentation on PBS and distribution worldwide. (Wikipedia)

[ljones41]

My Feelings on "LOST" (3.19) "The Brig"

I thought the "LOST" Season Three episode, (3.19) "The Brig" was a well written episode. But it also disgusted me to my core.

The actions of Sawyer, Locke, Ben and Richard in this episode disgusted me. I was disgusted by Ben for setting up that ridiculous test for Locke. I was disgusted with Richard for providing Locke a means to pass the test of killing his father, Anthony Cooper. I was disgusted with Locke for finally orchestrating his father's murder in order to pass Ben's test and become the Others' new leader. And I was disgusted with Sawyer for committing murder in the name of revenge, especially since Cooper's crime toward the Ford family was to con them of their money - the same con Sawyer had pulled against who knows how many other families.

This may have been a well written episode, but I dislike it. I dislike the actions of the four characters - Sawyer, Locke, Richard and Ben. And I dislike how the critics and many fans cheered over Sawyer's act of murder and tried to pass it off as "therapy" for him. And this last bit is what really disgusted me about this episode.

[beatleskinkmeme]

Mclennon

Paul is relatively openly having relationship with men. Groovy bob, Tara. But paul always refused to bottom, he needs to have the control and he doesn't do relationship. They know about each other and those silent rules.

Jealous john. Oblivious and pining paul.

And the scene I wish to see. Bob arrives in paul kitchen. Unannounced. Paul is cooking. He's not alone. John is already there. Come is dripping along Paul's tigh. Angry and jealous bob. John understand that he has his chance.

If it could have an happy ending it's better but you do you. Even with what I said before, I trust you. Just wishing for a paul who trusts his John.

.

[scotianostra]

Happy Birthday the Scottish folk singer/songwriter Brian McNeill born on April 6th 1950 in Falkirk.

Brian was a founder member of the Battlefield Band, one of our finest Folk Groups. He also joined several other top Scottish Folk musicians including Dick Gaughan in Clan Alba.

Brian is a multi instrumentalist – chiefly fiddle, bouzouki, mandocello, guitars and concertina – and the importance of his songwriting has long been recognised with such songs as The Yew Tree, The Lads O' The Fair, The Snows of France and Holland, Strong Women Rule Us All With Their Tears, Any Mick'll Do and No Gods and Precious Few Heroes. Many of his songs have been performed and recorded by artists worldwide. He has been described as ‘Scotland’s most meaningful contemporary songwriter’.

​Brian’s audio visual shows, The Back O' The North Wind, about Scottish emigration to America, and the sequel, The Baltic Tae Byzantium, exploring the influence of the Scots in Europe, have won wide critical acclaim. His long connection with America's Lone Star State led to him being created an honorary Texan by the then Governor George W Bush. For six years Brian was Head of Scottish Music at the RSAMD, now the Royal Conservatoire of Scotland.

Brian is increasingly in demand for his production skills and his album credits include Davey Arthur, The Paul McKenna Band, Lorne MacDougall, Rua Macmillan, Eric Bogle and John Munro, Matt Tighe and Tad Sargent, The John Wright Band, Drones and Bellows and Missouri a cappella quartet The Wee Heavies.

As well as his musical talent Brian has also turned his hand to writing, he pens short stories, crime and mystery fiction involving his hero, busker Alex Fraser and his heroine, private sleuth Sammy Knox.

Brian is currently on the road with the The Feast of Fiddles 30th anniversary tour.

A song Brian wrote is one of my favourite modern folk songs

No Gods And Precious Few Heroes

I was listening to the news the other day Heard a fat politician who had the nerve to say He was proud to be Scottish, by the way With the glories of our past to remember "Here's tae us, wha's like us", listen to the cry No surrender to the truth and here's the reason why The power and the glory's just another bloody lie They use to keep us all in line

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

So farewell to the heather and the glen They cleared us off once and they'd do it all again For they still prefer sheep to thinking men Ah, but men who think like sheep are even better There's nothing much to choose between the old vain and the new They still don't give a damn for the likes of me and you Just mind you pay your rent to the factor when it's due And mind your bloody manners when you pay

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

And tell me will we never hear the end Of puir bluidy Charlie at Culloden yet again? Though he ran like a rabbit down the glen Leavin better folk than him to be butchered Or are you sittin in your Council house, dreamin o'er your clan? Waiting for the Jacobites to come and free the land? Try going down the broo with your claymore in your hand And count all the Princes in the queue

For there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And it's time now to sweep the future clear Of the lies of a past that we know was never real

So don't talk to me of Scotland the Brave For if we don't fight soon there'll be nothing left to save Or would you rather stand and watch them dig your grave While you wait for the Tartan Messiah? He'll lead us to the Promised Land with laughter in his eye We'll all live on the oil and the whisky by and by Free heavy beer! Pie suppers in the sky Will we never have the sense to learn?

That there's no gods and there's precious few heroes But there's plenty on the dole in the land o' the leal And I'm damned sure that there's plenty live in fear Of the day we stand together with our shoulders at the wheel Aye, there's no Gods

[travischarestcomics]

WildC.A.T.s Special #1 (1993)

Steve Gerber -- writer

Travis Charest -- penciler 

Scott Williams, John Tighe, Rich Johnson, Trevor Scott, Sal Regla, Alex Garner -- inkers

Joe Chiodo, Paige Apfelbaum, Wendy Broome (Fouts) -- colorists

Michael Heisler -- letterer

[polifandom]

my headcanons of how buck and bucky would feel about spanking during sex:

Buck:

has a difficult relationship with it because of his history with violence (through his dad) in the past

despite it, he really likes hitting. he feels bad bc, in his head, it makes him like his father, but fuck he cant help it if it really gets him hard

he loves seeing the mark of his hands on bucky's skin, especially when they stay red even after a while

he likes hitting in the face, always open-handed, but hitting john in the back, and tighs, and ass also really gets him going

despite johns reactions always being overwhelmingly positive, he still asks if its okay for him to hit him every time before they get started

he doesn't mind being hit, but it really doesnt do much for him (he guesses he got used to it over his adolescence and cant really see it in a sexual matter)

Bucky:

likes to hit, but REALLY rather be hit instead

tries being bratty so gale will hit him without asking for permission first

likes to be hit in the face, but in the back???? yeah, thats his fucking shit.

when he is the one hitting, its almost always by accident (like he just meant to grab buck's face, but went into it too excitedly and now gale's got a bruise)

he prefers rough sex and is fairly kinky, so a few hits here and there are really like the bare minumum for him

Both:

they really haven't discussed properly any of this l(ike they should have), so their entire knowledge of each other's preferences comes from their reactions as it's happening and john's later whispering in gale's ear about it

they dont really start hitting until they're months into their little arrangement, and once they do start they never really stop

the people that do know about what they have going on (curt, rosie, croz and douglass - the last one being bc curt acidently told to him) have a faint idea about the hitting, but they think its john doing it and have absolutely no idea its quite the opposite