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konmics-n-stuff · 2 years ago

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Everyone who has ever, even slightly, been Robin

*In official, DC-endorsed media

Total: 100 (i think)

FYI:

my definition of a ‘Robin’ is extremely vague. For example, I’m counting Lois Lane because she went to a costume party as Robin, and I’m also counting ‘Boy’ from Batman: the Return of Bruce Wayne because he had the domino mask paint and was clearly a stand-in for Robin. Et cetera.

They’re organized chronologically by their first appearance as Robin

Also this is heavily dependent on DC Fandom Wiki, so please let me know if I missed anyone or if anything is inaccurate

KEY

Red = actually Robin for a significant portion of time (more than a few in-universe days & more than one issue/episode/movie/etc)

Italics = was never Robin in main continuity (i.e. Earth Two [before Earth One existed], Earth One, New Earth, and Prime Earth)

Bold = I actually acknowledge them as Robin in my heart

Dick Grayson (Apr 1940)

Julie Madison (Mar 1941)

Ricky (Dec 1944) [possible future]

Mary Wills (Apr 1950) [Earth-Two]

Bruce Wayne (Dec 1955)

Vanderveer Wayne (Jun 1962)

Alfred E. Neuman (Sep 1966) [Mad Magazine]

Lance Bruner (May 1969)

Jimmy Olsen (May 1970)

Jason Todd (Mar 1982)

Boyd, the Robin Wonder (Apr 1983) [Earth-C-Minus]

Carrie Kelly (Jun 1986) [Dark Knight Returns]

Tim Drake (Oct 1989)

Robert Chang (Apr 1990) [Digital Justice]

Redbird (Jan 1993) [The Blue, the Gray, and the Bat]

Thomas Wayne (Jan 1993) [Robin 3000]

Bane (Apr 1993) [rejected elseworlds]

Robin Redblade (Jun 1994) [Earth-494]

Tengu (Sep 1994) [Narrow Path]

Alfred Pennyworth (Feb 1996) [Batman: Dark Alligiances]

Jubilation Lee (Apr 1996) [Amalgam Universe]

Tris Plover (Jun 1996) [Legends of the Dead Earth]

Darkbird (Jul 1996)

Bruce Wayne Jr. (Feb 1997) [Earth-3839]

Lois Lane (Oct 1997)

Rodney the chimpanzee (Nov 1997) [Batman: Dark Knight Dynasty]

Marya (1998) [I, Joker]

Barbara Gordon (Feb 1998) [Earth-37]

Robin the Toy Wonder (Nov 1998) [DC One Million]

Rochelle Wayne (Feb 1999) [Reign of Terror]

Kon-El (Mar 1999) [Hypertension]

Clark Wayne (Mar 1999) [Earth-3839]

Squid Wonder (Aug 1999)

The Robin (Mar 2000) [Earth-40]

Robin Drake (Feb 2002) [Riddle of the Beast]

Stephanie Brown (May 2004)

Koriand’r (Jan 2005) [Teen Titans (2003 show)]

Garfield Logan (Jan 2005) [Teen Titans (2003 show)]

Rachel Roth (Jan 2005) [Teen Titans (2003 show)]

Victor Stone (Jan 2005) [Teen Titans (2003 show)]

Robbie the Robin (Jun 2005) [Krypto the Superdog]

Control Freak (Oct 2005) [Teen Titans (2003 show)]

Damian Wayne (Nov 2006)

Robin Olsen (Oct 2007) [Earth-8]

Bizzaro Robin (Nov 2007)

Unnamed penguin (Jun 2010) [Tiny Titans]

Boy (Jul 2010)

Robin Robin (Jul 2010) [Tiny Titans]

M’gann M’orzz (Nov 2010) [Young Justice (2010 show)]

Jericho (Dec 2010) [Tiny Titans]

Kid Devil (Dec 2010) [Tiny Titans]

Wildebeest (Dec 2010) [Tiny Titans]

Kroc (Dec 2010) [Tiny Titans]

The Joker (Jan 2011)

Lance Heart (Feb 2011)

Fransisco Ramirez (Feb 2011)

Christopher Ward (Feb 2011)

Robin John Blake (Jul 2012) [Dark Knight Trilogy]

Helena Wayne (July 2012) [Earth 2]

Robin’s Egg (Jan 2013) [Farm League]

Super Robin (Jul 2013) [Teen Titans Go!]

Selina Kyle (Mar 2014)

Damien Wayne (Jun 2014) [Infinite Crisis Video Game]

John Thomas Grayson (Dec 2014) [Earth 2]

Nibor (Jan 2015) [Teen Titans Go!]

Daxton Chill (May 2015)

Dre Cipriani (May 2015)

Riko Sheridan (May 2015)

Duke Thomas (Jul 2015)

Troy Walker (Jul 2015)

Kat-R-ina (Aug 2015)

Isabella Ortiz (Aug 2015)

BlackDomino (Oct 2015)

Darkestdawn (Oct 2015)

SideKicker (Oct 2015)

Yellowcape (Oct 2015)

Shug-R (May 2016)

Robinbot (May 2017)

Dinesh Babar (May 2017)

Rabid Robins (Oct 2017) [Earth -22]

Cult Member Robins (Apr 2018)

Rosie (Apr 2018)

Matt McGinnis (May 2018) [Futures End]

Harley Quinn (Apr 2019)

Jarro (Oct 2019)

Billy Batson (Oct 2019)

Six of Hearts (Dec 2019)

Maps Mizoguchi (Dec 2020)

Talia Kane (Feb 2021) [Earth 11]

LeBron James (Jul 2021) [Space Jam: A New Legacy]

Drake Winston (Oct 2021) [Batman ‘89]

Anita Jean (Oct 2021)

Kiki (Nov 2021)

Son of Don Mitchell Jr. (Mar 2022) [The Batman (2022 movie)]

Gan (Mar 2022)

Jon Kent (Jul 2022)

Amish Boy Wonder (Nov 2022) [The Last Harley Story]

Darcy Thomas (Nov 2022)

Elizabeth Prince (Jan 2024) [Possible Future]

Bruce Wayne clone (Jul 2024)

#I labeled all the alternate universes but not storylines #cause I got tired #I was unsure what to do with DamiEn Wayne from the infinite crisis video game #I ended up giving him his own entry since he technically has a different name and his backstory is different #ish #also don’t know if Amish Boy Wonder should count #Harley Quinn just kidnapped some (presumably Amish) guy and started calling him that #so I just threw him on the list #might add comic debut names later idk #I also made my own DC multiverse numbering system because I’m jealous of Marvel #if u wanna see that #:))#Robin #robins #batfam #Batman #bruce wayne #dc comics #if anyone saw the old version of this #I’m sorry she was oooglay #just edited because I made an oopsie #in reality tagging #dick Grayson #Jason Todd #Tim Drake #batfamily #damain wayne #stephanie brown #duke thomas #was also conflicted about kon cause he’s both appeared as an alt universe Robin and worn the costume in main continuity

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omegaremix · 6 months ago

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Omega Radio for June 2, 2021, #265.

Johnny Hammond: “Why Can’t We Smile” (ver.)

Funk Fusion Band: “Can You Feel It”

Michael Soward: “Standing On The Top”

Quarteto Em Cy: “Tudo Que Voce Podia Ser”

Ana Mazzotti: “Feel Like Making Love”

Abahambi: “Abahambi”

Asiko Rock Group: “Lagos City”

Creative Funk: “Funk Power”

Lafayette Afro Rock Band: “Hihache”

Gary Byrd: “Soul Travelin’ Pt. 1 (The G.B.E.)“

Jack Wilkins: “Naima”

Taj Mahal: “The Cuckoo”

B.B. King: “Chains N’ Things”

Renee Costy: “Like A Magic Dream”

Jimmy Smith: “My Place In Space”

Donald Byrd & 125th St. NYC: “I Feel Like Loving You Today”

Hysear Don Walker: “Inner Face Rebirth”

Lightmen Plus One, The: “Wench”

Brian Auger’s Oblivion Express: “Future Pilot”

Bernard Ebbinghouse: “Mister Carefree”

Bobby Hutcherson: “Montara”

Steve Khan: “Candles”

Breath Of Life: “Keep In Touch”

Piero Piccioni & Shawn Robinson: “Right Or Wrong”

Arena: “Scrichell Cat”

Grover Washington Jr.: “Moonstreams”

Sonny Fortune: “Come In Out Of The Rain”

Kenji Omura & Kazumi Watanabe & Lee Ritenour: “I Feel Breeze”

Jeff Lorber Fusion Group: “Glisten”

Eddie Henderson: “Beyond Forever”

Stanley Turrentine: “Hope That We Can Be Together Soon”

Barry White: “Playing Your Game, Baby”

Champaign: “I’m On Fire”

Mass Production: “Slow Bump”

Whole Darn Family: “Seven Minutes Of Funk”

Instant Funk: “Never Let It Go Away”

Bonus Omega; crate-digging and sampling. First summer bonus broadcast.

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gone2soon-rip · 2 years ago

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CLARENCE GILYARD JR (1955-Died November 28th 2022,at 66).American actor. Gilyard was known for his roles as second private investigator and right-hand man Conrad McMasters to Ben Matlock (played by Andy Griffith) on the legal drama series Matlock from 1989 to 1993; Pastor Bruce Barnes in the Left Behind movie trilogy; Cordell Walker's (played by Chuck Norris) Texas Ranger partner, James "Jimmy" Trivette, in the 1990s crime drama Walker, Texas Ranger; Theo, the terrorist computer expert in Die Hard; and Lieutenant (junior grade) Marcus "Sundown" Williams in Top Gun.He later became an associate professor of Fine Arts.Theatre department at the University of Nevada,in Las Vegas.https://en.wikipedia.org/wiki/Clarence_Gilyard

#Clarence Gilyard Jr #American Actors #Actors #die har #Walker Texas Ranger #Notable Deaths in 2022 #Notable Deaths in November 2022

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dailyanarchistposts · 10 days ago

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Bibliography, Acknowledgements, and About the Author

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Acknowledgments

This book was written with the generous and unstinting support of the Nation Institute, which allowed me to work unfettered for many months on this project. I am deeply grateful for this support and encouragement, especially that of Hamilton Fish, Taya Grobow, Janine Jaquet and Jonathan Schell, as well as Peggy Suttle and Katerina vanden Heuvel at magazine. I also owe a huge debt to Princeton University, where I teach in the Program in American Studies. R. Sean Wilentz and Judith S. Ferszt, as well as C. K. “Charlie” Williams, Elaine Pagels, Sam and Liz Hynes, and many of my dedicated and brilliant students always lent encouragement and advice. I am blessed with supportive and thoughtful friends and colleagues.

Pamela Diamond, for the second time, oversaw the research and organization of a book of mine with her usual skill, patience, dedication and good humor. I cannot imagine having to go through this without her. Rebecca Beyer, a talented reporter and writer, worked extensively on the book, carrying out some interviews and attending events. She was a close and valued collaborator. Elyse Graham and Amy Paeth, two of my students at Princeton, did tremendous and important research, especially under heavy time pressure in the closing days of production. Timothy Nunan, another Princeton student, did a fine job documenting creationist attacks on Charles Darwin and evolution. I benefited greatly from his research. Lisa Winn, Lauren Brown, James Arnold, Maria Guerrero-Reyes, Linda Kane, Kate Peters, Jason Proske, Colin Maier, Moya Quinlan-Walshe and Kathryn Tippett constituted our small army of transcribers. I turned over hours of tape to them and relied on their care and dedication to produce the transcripts. I owe a tremendous debt to those few who have been among the first to investigate and explain dominionism. They include Katherine Yurica, who produces the available online; Frederick Clarkson, whose three-part series in PublicEye.org in March/June 1994 called “Christian Reconstructionism” was a groundbreaking piece of journalism and who continues to do important research into the movement; and Sarah Diamond, whose books, such as are indispensable.

I owe thanks for vital help and support from Bernard Rapoport and Paul Lewis, as well as Patrick Lannan, Ralph Nader, Jenny Ford, Joan Bokaer, Mariah Blake, Cristina Nehring, Ann and Walter Pincus, Lauren B. Davis, June Ballinger, Michael Goldstein, Anne Marie Macari, Robert J. Lifton, Richard Fenn, Fritz Stern, Robert O. Paxton, Charles B. Strozier, Irene Brown, Joe Sacco, Al Ross, the Reverend Mel White, the Reverend Davidson Loehr, the Reverend Ed Bacon, Bishop Krister Stendhal, the Reverend William Sloane Coffin, the Reverend Joe Hough, the Reverend Michael Granzen and the Reverend Terry Burke. The Reverend Coleman Brown, as he has done with all my books, read and critiqued each chapter. Coleman again let me rely on his profound insight and wisdom. As usual, he raised questions and offered critiques that often forced me to reconsider my position or go back to my research. Max Blumenthal, a friend and fine reporter, nursed me through much of this with sage help and advice. I would like to thank Marji Mendelsohn and Janice Weiss for guidance and research, as well as Tamar Gordon, whose advice and scholarship helped me head in the right direction. Tom Artin, as talented a jazz musician as he is a scholar and writer, went through every chapter, as did my wife, Kim Hedges, who always saves me from being too sententious and ponderous with the stroke of her red pen, her gentle smile and common sense. Barbara Moses, the gifted painter, again came to our aid with her amazing eye for detail and her iron command of grammar.

I often leaned for emotional support on my friend John “Rick” MacArthur, who keeps alive magazine, one of the great intellectual journals in America, as well as my friend the poet Gerald Stern, who appeared frequently as I was writing to drag me into the sunlight for lunch and impart needed encouragement.

My editors at Free Press, especially Dominick Anfuso and Wylie O’Sullivan, patiently edited, shaped and formed the text. I would also like to thank Michele Jacob. Lisa Bankoff of International Creative Management held my hand, for the fourth time, through this process of proposal to contract to delivery. She is a gift.

About the Author

Chris Hedges, a graduate of Harvard Divinity School, was a foreign correspondent for nearly 20 years. He was the bureau chief in the Middle East and the Balkans, and worked in other foreign posts, for The New York Times from 1990 to 2005. He worked previously for The Dallas Morning News, National Public Radio and The Christian Science Monitor in Latin America and the Middle East. He has reported from more than 50 countries. Hedges was a member of the New York Times team that won the 2002 Pulitzer Prize for Explanatory Reporting for the paper’s coverage of global terrorism, and he received the 2002 Amnesty International Global Award for Human Rights Journalism. He holds a B.A. in English Literature from Colgate University and a Master of Divinity from Harvard Divinity School. Hedges has taught at Columbia University, New York University and Princeton University, where he is currently a Visiting Lecturer in the Council of the Humanities and the Program in American Studies as well as the Anschutz Distinguished Fellow. He has written for Foreign Affairs, Granta, Harper’s, Mother Jones and The New York Review of Books. Hedges is the author of War Is a Force That Gives Us Meaning—a finalist for the National Book Critics Circle Award for Nonfiction. His other books are What Every Person Should Know About War and Losing Moses on the Freeway: The 10 Commandments in America. He lives in New Jersey.

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popentertainment-moviereviews · 2 months ago

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JOKER: FOLIE Á DEUX (2024)

Starring Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Zazie Beetz, Harry Lawtey, Steve Coogan, Ken Leung, Bill Smitrovich, Jacob Lofland, Leigh Gill, Sharon Washington, Gattlin Griffith, Mac Brandt, Tim Dillon, George Carroll, Mike Houston, John Lacy, Sam Wren Vincent, Troy Metcalf, Jimmy Walker Jr., G.L. McQueary and Brian Donahue.

Screenplay by Scott Silver & Todd Phillips.

Directed by Todd Phillips.

Distributed by Warner Bros. Pictures. 138 minutes. Rated R.

I know I’m kind of in the minority on this point, but I can’t even start to tell you how much I hated Todd Phillips’ 2019 movie Joker.

Five years later, here comes the follow-up, and it’s like Phillips said to himself: Hmm… how can we make this story even more annoying? I know! Let’s make it a musical. Better yet, let’s not even completely commit fully to the genre and make it sort of a stealth musical. The cast will start singing inappropriately, but mostly in a relatively subdued manner. None of the other trappings of the style – the dancing, the frenetic movement, the wild visuals, the boisterous chorus lines – need to be used. And we won’t even write our own music, we’ll just dust off some 60s and 70s pop songs and overly familiar standards from the Great American Songbook.

On the plus side, this time around, I don’t think I’ll be all that lonely in hating Joker: Folie à Deux. Because I really, really did hate it. If possible, this sequel is even more unbearable than the original. Imagine that.

I can’t imagine anyone actually liking Joker: Folie à Deux – then again, I felt that way about the first one, too, so maybe I’m not the best judge. Nonetheless, early buzz on the sequel seems pretty negative, so hopefully it’s not just me.

I take no joy in saying that. I actually was rather looking forward to the original Joker movie until I saw it. Because the truth is, Batman is a relatively dull superhero, but the one thing he always did have going for himself were the best villains. And a movie about arguably the most interesting of Batman’s villains could be amazing.

It’s just not this series.

At least the first Joker had something of a storyline. Granted, it was a pretty blatant rip-off of Martin Scorsese’s 1983 cult favorite The King of Comedy – they even cast that film’s star Robert De Niro in a major supporting role to make the connection even more obvious – but it was something of a plot.

Joker: Folie à Deux, on the other hand, is nearly two and a half hours (!!!) of Arthur Fleck (Joaquin Phoenix) being psychoanalyzed and mistreated in an insane asylum. (Like we didn’t know he was mentally deranged from the first time he appeared on screen in the first film.) Then it switches to being a courtroom drama about Arthur’s criminal trial for the mayhem he committed in the first film, although it plays out like an episode of Law & Order: Super Villains Unit.

While in the asylum, he meets his one true love, Lee Quinzel, who becomes Harley Quinn. (Of course, in the first Joker movie, Arthur imagined Zazie Beetz’ character – who reappears here as a witness for the prosecution – was his one true love, so Arthur isn’t too reliable in matters of the heart.) Lady Gaga is okay, if way too subdued, as the future Harley. She certainly won’t make anyone forget Margot Robbie’s powerhouse performances in the same role.

My biggest problem with Joker: Folie à Deux is the same as my problem with the first film. In both of these films, the Joker is played as a sad, pathetic, miserable loser who has life take a massive dump on him throughout the entire running time. Is this really supposed to be the guy who is going to be Batman’s greatest nemesis?

At least in the original film, Arthur eventually snapped and went on a violent killing spree, which was not a great, moral or relatable storyline, but at least he did something. In Folie à Deux, any violence or mayhem which he commits is mostly done in fantasy sequences, which just makes him seem even sadder and more impotent in real life.

After it was over, someone who apparently enjoyed the movie much more than I did tried to convince me that Folie à Deux is a movie that shows the depths a man will go to for love. However, his relationship with Lee is so dysfunctional, so toxic, so driven by mania, that it’s hard to root for a happy ever after for these two crazy kids. They – and the world – are probably better off with them separate. We know that is not the case from the comics, although the ending does put that in doubt.

As I said in the original review five years ago, Joker has been known to inspire many complicated emotional reactions. Pity has never really been one of them.

However, even more than I pitied the Joker in these two movies, I mostly pity myself because I have now wasted about four and a half hours of my life watching this sad saga.

Jay S. Jacobs

youtube

#joker: folie à deux #2024 #Movie Review #Joaquin Phoenix #Jay S. Jacobs #Youtube

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slightlyspooky · 1 year ago

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The impact of Le Samouraï (1967) can be traced to the present day and this post by Tumblr user @cum-rade

In this essay I will outline the series of events leading the creation of the above post and the lasting effects of Le Samouraï on modern culture.

Timeline

November 1955 Vietnam War begins

1967(?) Le Samouraï begins production directed by Jean-Pierre Melville

June 1967 A time traveler* burns down the studio attempting to end production

October 1967 Release in the France

1972 dubbed release in the USA titled as The Godson to capitalize from The Godfather's Success

1972 Arthur Bremer's relationship ends, quits his job, plans to assassinate Richard Nixon or George Wallace, and ultimately shoots George Wallace while posing as a supporter and living out of his car

April 1975 Vietnam War ends

1975 Paul Schrader writes the script for Taxi Driver, inspired by assassination attempts and Le Samouraï while living out of his car

Summer 1975 Taxi Driver has begun filming

September 1975 Lynette "Squeaky" Fromme of the Manson Cult attempts to assassinate President Gerald Ford

February 1976 Taxis Driver is released staring Robert De Niro, Cybill Shepherd, & (child) Jodie Foster and directed by Martin Scorsese

Break for Taxi Driver Rundown (spoilers)

Robert De Niro plays Travis Bickle a lonely, mentally ill, white, male Vietnam War vet who drives a taxi

Travis thinks the world is a dirty horrible place that somebody should clean up

Travis says the iconic line "We live in a society"*

Travis is infatuated with Betsy (played by Cybill Shepherd)

Travis goes on a few dates with Betsy

Betsy breaks up with Travis because he brings her to a pornographic theater

Travis deletes Facebook, hits the gym, and lawyers guns up

Travis attempts to assassinate a political candidate while posing as a supporter

Travis gets away cleanly

Travis kills a bunch of pimps to save a sex trafficking victim named Iris (played by Jodie Foster)

Travis puts a gun to his head and pulls the trigger

Travis is celebrated as a hero

Timeline Continued

John Hinckley Jr. watches Taxi Driver (1976) at least 15 times

Hinckley becomes infatuated with 14 year old Jodie Foster

1980 Hinckley moves to Connecticut to stalk Jodie Foster

Hinckley emulates The Joker Travis Bickle IRL

October 1980 Hinckley is arrested for illegal possession of a firearm while stalking President Jimmy Carter

Hinckley chooses to support Ronald Reagan

1980 American Gigolo, directed by Paul Schrader is released as the second installment of Schrader's list of movies based on Taxi Driver

January 1981 Reagan becomes president of the USA

March 1981 Hinckley shoots Reagan and several others

1992 Light Sleeper, directed by Paul Schrader is released as the third installment of Schrader's list of movies based on Taxi Driver

1997 Le Samouraï re-release in the USA

2007 The Walker, directed by Paul Schrader is released as the final installment of Schrader's list of movies based on Taxi Driver

2011 Drive inspired by Le Samouraï staring Ryan Gosling is released

That greentext where Anon pretends to be Ryan Gosling's character in Drive takes place

2016 Hinckley is released from psychiatric care

2019 Joker, (which is the same movie as Taxi Driver) is released staring Robert De Niro who's brains are blown out on screen

Joker meme culture captivates lonely males

2020 a ruling allows Hinckley to showcase his artistic work under his own name

2022 all restrictions on Hinckley are lifted

2023 Tumblr user posts about Hinckley's artwork

Le Samouraï is the basis of the Loner Male movie genre and lead to Ronald Reagan being shot. You can continue the legacy of Le Samouraï by missing the point of of the genre. Do toxic masculinity, it's very cool* and you can be just like Arthur Bremer, Travis Bickle, John Hinckley Jr., and Mr. The Joker.

*false

#ronald reagan #film #taxi driver #joker 2019 #le samourai #high effort shitpost #masculinity #suicide #sex trafficking #gun violence #slightlyspooky originalpost

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bzedan · 7 months ago

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[ID: A digital illustration of the Vault Boy condition image from the PipBoy 3000, a glowing green outlined figure on a dark screen with health metre indicators for head, body and each limb. Rather than the regular coverall-clothed guy, the figure is an outline of Garfield. All health indicators are full and he is smiling. Text below him reads "April 2024 - Level 41." End ID.]

A show came out for a game I've thought about 3-7 times every week for the past nine years and I've been completely normal about it. In my birthday month too! It influenced the playlist cover more than the contents, which are all indulgent as should be for a birthday month playlist. A lot of Carly Rae Jepsen this month, thanks to using her song titles as prompts for Storytelling Collective's April Daily Poem challenge (see results here). Two hours and 33 minutes but despite how I love playing with the length I shan't drop a one of these tracks to get to my birthday-day. Close enough, I say!

Related media to some of the songs:

'Two of Hearts' was in my mind thanks to a random video I'd encountered about the "I-I-I-I-I" sample in 'Groove Is in the Heart' by Deee-Lite, summarised over at Laughing Squid.

'Harder' was Medusa's I think birthday month track and had been out on Bandcamp for a bit but finally wended its way to Spotify, allowing me to drop it into a playlist. Their music is always a mood. They also have an At-Cost collection of merch specifically to make things available to more folks, with the option to pay it forward as well.

The way things go I think songs from a playlist I picked up from a Fallout: New Vegas fan artist are in May but heck there's a Nancy Sinatra on here so why not share now, 'Atomic Cocktail' is a very long, vibes-based playlist that is great to have going in the background.

Anyway here's a link to April's playlist on Spotify, with the track list below the cut.

Or embedded if you like that:

'Time to Pretend' - MGMT

'How Does it Feel' - Dizzee Rascal

'Free Animal' - Foreign Air

'Girl Inform Me - 2021 Remaster' - The Shins

'Complex' - Tristen

'Fun But Not Forever' - girlish figure

'Sociopathic Dance Queen' - Amaarae

'Jackie' - Scott Walker

'I Could Be Happy' - Altered Images

'GO! (feat. Karen O)' - Santigold

'Black Sheep' - Kailee Morgue

'Good Luck, Babe!' - Chappell Roan

'Me And My Shadow' - Peggy Lee

'Only A Fool Would Say That' - Steely Dan

'Seabird' - Alessi Brothers

'Thank You (Not So Bad)' - Dimitri Vegas & Like Mike

'Feels Right' - Carly Rae Jepsen

'Two of Hearts' - Stacey Q

'Hey Sorry' - Boy Jr.

'Houdini' - Dua Lipa

'Hard (er)' - Medusa

'i like the way you kiss me' - Artemas

'Really Big Deal' - Jake Shears

'Eye On The Bat' - Palehound

'Sunshine Superman' - Donovan

'Sunset Superman' - Dio

'Godzilla' - Blue Ã–yster Cult

'Shadow' - Carly Rae Jepsen

'Cute & Cruel (feat. First Aid Kit)' - Tove Lo

'Evil Eyes' - Dio

'Do Right' - Jimmie's Chicken Shack

'Dancehall Queen' - Robyn

'I'm Like A Bird' - Nelly Furtado

'Chemical' - Post Malone

'Juke Box Hero - 2008 Remaster' - Foreigner

'The King of Rock 'N' Roll' - Prefab Sprout

'Call Me Maybe' - Carly Rae Jepsen

'Bury Me With It - Jacknife Lee Remix' - Modest Mouse

'That Life' - Unknown Mortal Orchestra

'Oh to Be in Love - 2018 Remaster' - Kate Bush

'Sideshow' - Nick Lutsko

'Primadonna' - MARINA

'When I Needed You' - Carly Rae Jepsen

'This Hell (feat. CHANMINA - Gyarupi Remix - Spotify Singles)' - Rina Sawayama

#meche makes playlists #playlists #syndicated from subscription sites #Spotify

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xtremememeteam · 7 months ago

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F1 Drivers as Country songs

Nico Hulkenburg: International Harvester - Craig Morgan

Kevin Magnussen: Chattahoochee - Alan Jackson

Daniel Ricciardo: I Hope You Hit Traffic - Jaron and the Long Road to Love

Yuki Tsunoda All Jacked Up - Gretchen Wilson

Lewis Hamilton: White Liar - Miranda Lambert

George Russell: I Wanna Talk About Me - Toby Keith

Logan Sargeant: If You're Going Through Hell - Rodney Atkins

Bonus : Better Class of Losers - Randy Travis

Alex Albon: She's in Love With the Boy - Trisha Yearwood

Carlos Sainz: Mama's Broken Heart - Miranda Lambert

Charles Leclerc: I'm Gonna Getcha Good - Shania Twain

Max Verstappen: That Don't Impress Me Much: Shania Twain

Checo Perez: 9 to 5 - Dolly Parton

Fernando Alonso: Life is a Highway - Rascal Flatts

Lance Stroll: She Thinks My Tractors Sexy - Kenny Chesney

Valtteri Bottas: Hard Workin Man - Brooks & Dunn

Bonus: Brand New Man - Brooks & Dunn

Zhou Guanyu: This One's For the Girls - Martina McBride

Esteban Ocon: Nothin to Lose - Josh Gracin

Pierre Gasly: Drivin My Life Away - Eddie Rabbitt

Lando Norris: East Bound and Down - Jerry Reed

Oscar Piastri: Margaritaville - Jimmy Buffett

*Special Mentions*

Toto Wolff: Fuck you Bitch - Wheeler Walker Jr.

Christian Horner: Goodbye Earl - The Chicks

Taking: Questions

Not Taking: Criticisms

#F1 #Formula 1 #I ain't tagging all these fuckers

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ncisladaily · 6 months ago

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Jeff Kober has thrived on playing the baddie for much of his long career. The prolific actor has almost 150 credits to his name with stops on Buffy the Vampire Slayer, The X Files, Walker, Texas Ranger, The Walking Dead, New Girl, and NCIS: Los Angeles to name a few. Then there are more regular roles like Jacob Hale Jr. on Sons of Anarchy, Sgt. Dodger Winslow on China Beach, and most recently, on General Hospital where he won an Emmy for his portrayal of shady Cyrus Renault.

Next up is the pool shark thriller Break, where he takes on the role of pool hall hustler “The Hand” Jimmy. In the film, he looks to stand in the way of Eli (Daniel Weiss), the hotshot son of a former rival, from honoring his legendary dad and former rival’s legacy. Here the veteran actor talks about the project and reminisces about some of his favorite parts.

After all this time, how is it being that go-to bad guy?

Jeff Kober: I don’t know. It is interesting, but I enjoy working. What I’m trying to do these days is humanize everyone. Even if they’re not terribly nice people based on the story being told. They can’t be all bad. What’s human about that? That’s fascinating. So you’re not ever acting. You’ve built some type of world you’re living through. As a natural result of your belief system, this is what happens.

You’re the bad guy in Break. What stands out about Jimmy to you?

What I liked about him was it was such a specific world. So foreign to anything I’ve experienced, except bits here and there. I was in a carnival for a while as a younger man and that character would have fit well in the carnival. Someone lost a wallet on a ride. The carny who ran that ride and the carny who ran the ride next to it argued not about who got to turn in the wallet back to the person who lost it but who got the money that was in it. I didn’t understand those kind of people then. Now I kind of do to find my way in and what it would take for me to be like that. This is what made the role so fascinating to me.

How much of a pool player were you beforehand?

I played a lot of pool in bars as a younger man. I once was beaten I think 17 times in a row by Megan Branman, a casting director in Hollywood. So I was a moderately okay pool player. I enjoy the sport, but I am never able to play even remotely like in the movie. I got an evening of lessons. This guy just corrected a couple of things for me and suddenly a whole new world opened up for me. That was amazing.

What did you make of the environment the film takes place, gritty Detroit?

We’re seeing it everywhere today. People are frightened of so many different things. They are struggling to behave in a way with respect to themselves. They may be following the fear and doing things they don’t respect. Like when Eli decides to bet all the money he was saving for his sister’s education. That’s not out of a sense of love and compassion and wanting to do the right thing. That’s out of the terror of I can’t be shown up like this. I can’t have my ego smashed like this. We all have those challenges every day. I just look at it as is this the ego working here or the truth working here and are they aware there is a difference? Those are the questions that occur to me.

How was it sharing the screen with Darren Weiss as Eli?

With Darren, he stepped up and met me. We really play in that area of wanting to beat each other in the script. I’m really proud of what he did in this.

It has been more than 35 years since China Beach hit the airwaves. How do you look back on the show today?

I know it didn’t come out to watch easily over the years when so many others came out because of the music rights that were so spread out. It was impossible to get permission from that many music companies and have it make sense to make it commercially available. I love the fact people are still moved by it. Everyone was trying to do the best they could in order to honor the women and men we were representing. That’s really special when you get to do a job like that.

A lot of times shows will get canceled without getting a formal goodbye, but China Beach was lucky enough to have one. A touching one at that.

I’m grateful we did in the end show these characters accelerated forward and what it was like to visit the Vietnam Veterans Memorial wall in Washington D.C. This was very special, especially for me who have been around many Vietnam veterans. I still have Vietnam veteran friends in my life and see what they had and lost and the rebuilding process that had to occur. I really feel that China Beach was a part of opening up the consciousness of the U.S. Like, “Hey something happened here, and we’ve been ignoring it. Wake up.”

These days a lot of viewers know you from the soap opera world on General Hospital. How is it to step in and out of Port Charles as Cyrus? A role that won you a Daytime Emmy Award.

It’s more like being a sprinter than a distance runner. You have to be ready to go. You have to be ready to jump in any direction because you don’t know who you’re going to be from one week to the next until you look at a script. You never get to see where that script fits into the larger fabric of the story they’re telling. It’s a hoot because it’s jumping into the unknown.

Cyrus has been through a lot. What do you make of his evolution? Where do you see this character going in the future on the show?

It started out as a short gig. Whatever happened, they decided to keep me on a little longer. So they made me the mysterious half-brother of Genie Francis’ character [Laura Spencer]. They wrote this evil criminal as someone who is broken and needs his mother’s love. I was like, “How do you play that? I guess we’ll find out.” It was so much fun to do that. Then they sent him away to prison and he found Jesus, or did he? For me, it’s always about finding what’s the most interesting and grounded and most passionate perspective this character can have in a given time. They keep you guessing on that show. What he has come around to now, and being holier than now. The last time I saw him he was saying, “I got to work on myself before I tell anyone else how to do this.” Don’t you wish more people in the world realized that?

You’ve been in the shoes of a lot of characters. What are some of your favorites? For me, The Claimers leader on The Walking Dead has to be included.

Joe on The Walking Dead was fantastic because it was so rich. The people I worked with were also just fantastic. I would have done anything on that show for as long as they wanted me to.

What a way Joe went though.

It was the best death in the show up to that point I think. The last line for him was just great, “What the hell are you gonna do now sport?” Just amazing. I loved China Beach, too. The people, we’re brothers and sisters. We left a mark on all of our lives. A lot of us were really beginning our careers when we did that. It holds a place that will never be touched by anything else. I’ve had really exciting experiences. I had a run on NCIS: Los Angeles. I got to work intimately with Linda Hunt. That was otherworldly. There was an intimacy with her and strength in her work. She is like a national treasure. I can always tell how wonderful someone’s talent is when you just get in their face. They go, “Oh, someone is here.” Then they just jump in themselves. They did this.

Jeff Kober and Linda Hunt (Henrietta “Hetty” Lange) in NCIS: Los Angeles (Bill Inoshita/CBS Broadcasting, Inc.)

One of my favorite turns for you was also when you were on New Girl as this curmudgeon of a landlord. During the rewatch podcast “Welcome to Our Show” the cast revealed a few years ago that Bruce Willis was almost cast as Remy. You made it your own though.

It was a hoot. I actually did a movie with Jake Johnson that is on Hulu now called Self Reliance. He wrote this character with me in mind. Then right around Christmas, I did his podcast where they give advice for people on really stupid things. We were reminiscing about the characters almost doing this threesome. I was in my underwear and cowboy boots. We shot the scene many times, and every time I would come up with a different yoga pose or something I’d be doing when they came to me like reading a book or spraying aftershave in my private areas. They give you free rein to be crazy. That was a gas.

#jeff kober #Linda Hunt #ncis la #china beach #general hospital

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