#its way more fleshed out

[bingus-bing-bong]

I made the mistake of thinking I could easily tramsfer an old fanfic from 2016 from my files to AO3 to orphan and finally be free of but my folly is I never finished it. I wrote 3/4 and the ending but not that last section. So very full of hubris I thought I would quickly finish it up.

I am now 2 full rewrites deep and shes grown triple the word length.

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[zabiume]

Could Orihime Reject Someone Out of Existence?

This is one of those statements that gets thrown around by Orihime fans a lot as a way to defend her strength, because Orihime's weakness has been a defining part of criticism surrounding her character throughout the early-mid 2000s (and even today tbh). And it's not limited to Orihime's fans either. I've seen a lot of people use this as criticism too ["Orihime could probably reject someone out of existence"...(hence it's bad that she didn't get the opportunity to do so)]. Nevermind the fact that there hasn't been a single instance where she felt a villain has even warranted that, or the fact that Soul Society goes absolutely ballistic on Quincies, who do wipe souls out of existence, I still find this to be an interesting discussion because it neglects to consider....anything we've been told about Orihime's powers. Granted, it's pretty scummy that Kubo elaborates on the structure/logistics of her powers only in extra-canon material like CFYOW (read by only a few dedicated fans) or Klub Outside (paid Q&A forum with restricted fan access), so I don't expect that everyone has done their required reading on this, but I still think it's a good excuse to actually talk about what she can and can't do.

What Orihime Can Actually Do (Basic Powers, Achievements/Growth)

At the start of Bleach, Orihime has three basic shields - 1) Soten Kisshun - the one that rejects damage within a particular area, 2) Santen Kisshun - the one that rejects any attack aimed at Orihime & her allies (AKA, a traditional shield), 3) Koten Zanshun - the shield that forms within an external object and basically blows it up. I've seen people say Koten Zanshun is a akin to a small knife or shuriken, but in classic Kuboscience fashion, we see that it actually creates a shield that disrupts the union of matter. Ostensibly, Orihime could blow someone up if she's angry enough, and it is fun to think about Orihime blowing people up, so I understand any disappointment on that front, but. Moving on.

In Chapter 43, the Shun Shun Rikka clarify that they're not really "fairies," but a manifestation of Orihime herself. They are a part of her. I assume this works similarly to zanpakuto spirit manifestation. And IIRC, she is the only Fullbringer that has this type of manifestation (object affinity + spirit), when most Fullbringers only have an object affinity. They also mention that she needs two things to activate her powers: 1) her Heart, and 2) chanting the kotodama. I think point #1 should already make clear to us that Orihime won't be abusing her powers to hurt anyone any time soon, not unless she loses her 'Heart' like Ichigo did as a Vasto Lorde in Las Noches. Bleach signifies this as an Objectively Bad Thing. Whether we agree with that or we don't, it is the underlying mythos that sets apart our hero characters (Ichigo & his friends) from our villains.

So what can Orihime do, at this point in canon? She can regrow limbs and shield people from attacks, which she does extensively throughout the Soul Society and Hueco Mundo arcs. Here she is a) using two of her shields at the same time, and b) trapping Ichigo (the strongest guy in canon at any point in time) within her shield.

Over time, she develops Shiten Kosshun, a way to incorporate Tsubaki into an offensive technique without actually compromising on her distaste for excessive violence. Here's why that's a big deal. She can also use her Shun Shun Rikka long-range, which you can see when she's a) healing Chad post-Yammy (sorry for the random color screenshot, I got it off Twitter because I couldn't remember the exact chapter), and b) in 686, when we learn she uses them to keep an eye on Kazui. She also uses Santen Kesshun as a transport service throughout TYBW, which is not something she could do during the Lust arc, since she needed Uryu's help to get there. She also does not need to say her kotodama to activate her powers anymore, which is the result of constant and continuous training with Rukia pre-HM arc and Chad post-HM arc.

Since Orihime isn't a shinigami, it might get a little difficult to measure her "growth" the same way we do with characters who attain bankai (the Bleach standard for strength). But in less than three years, Orihime developed a new shield, got faster at healing, and found new and inventive ways to use her powers every arc. She was already at lieutenant-levels of strength in terms of healing way back in the Soul Society arc, if Ieumura's testimony is anything to go by:

So...what can't Orihime do? This is what I think I've seen a majority of people scratch their heads about, thereby making her seem ridiculously overpowered but severely underused.

Like any Bleach character of significance, Orihime is ridiculously overpowered, but I don't think this translates into "Orihime can do everything" and its implied "but she chooses to do nothing." We'll get into Orihime's choices and my opinions later, but I think now is a good time to talk about Orihime's natural limitations.

What Orihime Cannot Do

Two of Orihime's major limitations that I wanted to highlight are from Klub and CFYOW, like I mentioned earlier. You can read about them below.

To summarize: 1) Orihime can't recover spiritual pressure/is very slow at recovering spiritual pressure because of the tremendous strain it puts on her body and the fact that she can only heal what she can see, 2) Orihime can't heal someone with fatal injuries if "enough time has passed" (AKA if she gets to them too late after they've been injured). 3) Orihime can't actually revive someone if they've been evaporated. She needs a physical body.

These limitations are important, because they imply that she can't actually wipe someone out of existence. Interacting with reiryoku puts a strain on her. I once wrote that she could probably "reject" an egg that's just been fertilized by a sperm (we love a pro-choice queen!), but I doubt she could zoink a 20-year-old out of existence, because again: there is a time limit within which she has to act, or her powers won't be able to work. The only rejections she could do with people are abortions, and even then, I don't think she could do late-terms. And even then, if you can't see a cell with your naked eye, I doubt she could do those either. I've seen people wonder if she could cure cancers and my honest answer is: probably not until the symptoms were obviously visible.

The Shun Shun Rikka can't actually undo something if a certain amount of time has passed, so I highly doubt she could undo one's physical body, one's spiritual pressure...one's entire being. Even if she could, I doubt that would cleanse the spirit and send it to Soul Society. Instead, they would disappear/evaporate, which destabilizes the balance of souls (the way Quincies do it).

The reason I obsess about this is because limitations are a good thing when you're exploring a power system. There's always been this misconception that Orihime can basically "do anything," but that doesn't...mean anything. Orihime can't do everything, which means she is, like every other Bleach character, limited. Even Aizen's zanpakuto had a shortcoming, so I don't think Kubo necessarily nerfed her, and I think it does help contextualize what she can actually do vs what people expect her to do for no good reason.

Even if Orihime Could, Should She?

I enjoy powerscaling as much as the next guy, but I think the thing I like the least about it is its complete lack of literacy. Specifically literacy of the narrative.

In stories like this, heroes don't win over villains because they're objectively stronger. They win because they push an ideal that, in some way, represents the core values of the series. You were stronger, but I had the power of friendship on my side. You turned your pain into violence, but I turned mine into compassion. The entire point of Ulquiorra's arrogance was that he believed in what he could see – Aizen's strength. But he lost because of what he couldn't see – Ichigo & Orihime's hearts.

A part of the Arrancar saga is the long philosophical battle between Ulquiorra and Orihime, where Ulquiorra has faith in Aizen's watertight plans, his formidable army, his impenetrable kingdom. Meanwhile, Orihime has faith in her five scrappy best friends who invaded said kingdom overnight and have,,,,,only the slightest idea about what they're doing. Aizen's entire force operates under the belief that because they can do something, they should. Because they have power, they should use it, and if they can, seek more of it. Ichigo and Orihime, as a contrast, use their discretion and seem really upset about having to fight anyone at all. People point this lack of killing intent out as an exclusively Orihime thing, but it is very much an Ichigo thing too. Ichigo looking down at Grimmjow with pity-filled eyes is an exact parallel to Orihime looking at Ulquiorra with the same expression. People wanted Orihime to be vengeful against the Arrancars because they're her abusers. But Orihime sees them as victims. She pities the fact that they know nothing but brute violence — and that this is their reality. She sees them as someone to be saved.

But lest we think she's an irrefutable saint who gets off way too easy, it's clear she has some regrets about her place in the friend group and her dependency on Ichigo in particular. But, post-HM, she doesn't ask him to save her at all. Rather, the first time we see Shiten Kosshun, she's the one protecting him. I don't think Orihime has ever needed to kill someone to prove that she's a dimensional character in a series where even Ichigo hesitates to murder the guy who killed his mother. I think it's interesting that Orihime and Ichigo are largely sympathetic towards their villains unless they really, really fuck up, in which case Orihime has lashed out in appropriate doses (see: Ginjou, Yhwach.). I don't understand what vengeance would add to her character that compassion hasn't tenfold.

A last point I want to note is about weakness and our reaction to it. Many of us are shonen-brained to a point where we divide a story into victories and losses, battles won and battles thrown. But Orihime's character arc has never been about her victory over anyone but herself. Orihime can't reject someone out of existence, and even if she could, would she want to? Would Ichigo? Throughout the story, these two have been set to contrast characters who can and did. While their enemies sought to escape their own weaknesses (which Bleach conflates with being human) through transcendence, Ichigo and Orihime chose weakness constantly. They chose to be merciful, to be kind, to be vulnerable. I've seen countless jokes about how Ichigo loses 5 times before he can win for good. I've seen Orihime get her fair share of setbacks. But they come out of it victorious anyway, against all odds. And they aren't stronger because they have the power, they're stronger because they have the heart. I simply couldn't bear losing out on character writing like that.

[hibanny]

what i love about Dungeon Meshi is how Ryoko Kui slowly eases you into how fucked up its world and story are, she doesn’t throw all the drama and darkness in your face right away, sure it starts with tragedy but she then walks you through, to, and beyond it in a safer and less overwhelming way by focusing on its comedic and lighthearted parts with sprinles of more serious and darker ones thrown in, slowly making the latter parts be of bigger importance the deeper into the dungeon the characters go, which, in my opinion, makes its dramatic and heartwrenching moments much more impactful because you feel a lot more connected to its world and characters once you get to where everything is going, you start to care about them because of their positivity and beauty so you want to stay through their negativity and ugliness.

[doodoodinklefart]

okAYYYY so ive been planning this au for literally forever and i couldnt get white diamond satoru and black sapphire suguru out of my head... ive seen a couple other hnk x jjk aus floating around but i wanted to take a crack at it!! i'll just explain these three + the setting for now cuz theres a bunch of other shit brewing in my head LOLOL honestly hnk and jjk are pretty different themes-wise i feel so i couldnt rlly help changing a lot abt the world LMAO

in this au its not just a couple gems in the school, there's a bit more of a society and structure outside of it. there are still the three major "clans" though maybe more like major cliffs?? lol?? that the gems are formed in that produce a much higher frequency of strong, high quality gems. i imagine that before the idea of working together (modern jujutsu society) had come about, gems fought to have control of these spots to assure that they would have those to protect them from lunarians (aka curses we're playing a bit fast and loose here). while there were many attempts to merge the clans, the fighting was more a waste of time if anything, so they stayed separate. jujutsu high in this au would probably just be the school, a set of gems that are trained to always be ready to dispatch lunarians and protect tengen (who is the prayer machine here), who has basically been dormant.

and THATS where we get to white diamond. i wanna say while diamonds are p common irl, its rare here for there to be a fully formed diamond lustrous that actually has inclusions. while there have been extremely strong lustrous born from the gojo cliff, white diamond is the first diamond in several centuries, filling a vacancy after others had been taken away to the moon. not only that, he's got special eyes too!! im thinking he can see sunspots from far away, or maybe can tell artificial gems from real ones, like being able to see their inclusions or something. probably both!! either way he has to wear special blackout glasses during the day. his eyes are really reflective so he can work at night too, but that often leaves him restless.

white diamond—in his mind at least—is untouchable, and really it may as well be true. due to the combat training that he's gone through and his hardness of 10, he has never sustained so much as a scratch. he had a tendency to break all of his sparring partners back home, and thus he feels he's hit a brick wall with his training, and that the only things that will come close to putting up a challenge are likely lunarians. he doesn't really care much for weaker gems at this point, and is eager to finally fight lunarians for once. eventually, he is sent off to the school to begin what he would call "actually worthwhile" training.

black sapphire, on the other hand, was born practically from nowhere, in a unremarkable place with little more than himself and a few other older gems that were around to help shape him. with a hardness of 9, he was the strongest among them and—after his first dangerous encounter with lunarians—he realized he had an obligation to protect the rest of them. his strength often leaves him feelings alienated, as he normally ends up working alone for fear of other being taken away. i wanna figure out how to incorporate his ct better but for now ill just keep thinking about it. for now, it was probably his strength that got his scouted and sent to the school.

boulder opal, or just opal, is in training as a doctor at the school, and shows extreme promise. her lax attitude reveals none of her medical prowess, especially when it comes to gems with missing pieces. she has a particularly good eye for finding missing shards, or finding pieces that she can replace missing shards with. there's nothing she can do if their inclusions reject the replacement, however. maybe she has a way of resonating with the other's inclusions to speed healing up on bigger points of damage?? idk ill figure it out

ANYWAYYY this is getting super long so i'll end this shortly BUT!!! basically, white diamond, with black sapphire (who he calls saph), and opal are all training under yaga sensei (idk what kind of gem he would be yet LOL). diamond, at first, sees opal and saph as weak, but quickly realizes they have their own feats. saph in particular is the first lustrous that has ever made sparring fun, because while he's less durable his combat skills make up for it tenfold. maybe black sapphire is the first to ever leave a break on white diamond who knows... opal is probably always having to put the two back together. theyve never lost to a lunarian before, and have certainly never come close to being taken to the moon. these two are the strongest together, and each finally feel like they have a place to belong.

alsooo..... they do get a mission to escort a "star plasma vessel" of sorts. tengen slowly erodes over the years and needs a compatible lustrous to replace their missing pieces. boleite (riko) happens to be that gem, and diamond and saph need to escort her.... lmaoaoao now i have to design riko, toji and kuroi...

[silentsockfeet]

with the obvious addendum that act 3 isn’t out yet and we can’t form true opinions until the show’s officially done, i’m still really feeling like it could have maybe benefited from a third season. they’re hitting all the right plot points and those moments are full of really intense emotion, but everything in the middle feels so underwhelming in comparison and so much of it still feels rushed to me. idk

[carnivalcarriondiscarded]

Do you have any fun facts in regards of your fantasy AU?? I really like to know a few things here and there about some AUs since it really amuses me and makes me intrigued! :]

hm...

Frank wound up with an unbreakable curse on him after he accidentally offended the wrong warlock - his head rotates instead of turning & is now detachable! it's more of an Inconvenience than anything! Wally doesn't have teeth. Home keeps every painting Wally makes for it <3 Sally nearly (accidentally!) killed Poppy, Wally, and Barnaby upon their first meeting Barnaby had a recorder instead of an accordion in the party's early days. key word "Had." Julie loves making inspiring speeches that make no sense - yet perk everyone up anyway - before the Neighborhood does anything brave/risky Poppy molts! one big feather at a time! her molted tail feathers Have been used as makeshift blankets in a pinch Howdy is not allowed to set up his stall for tinkering Near Base Camp or Any Buildings. sometimes things blow up <3 Eddie is not allowed to attend stealth missions/attacks. he sounds like an entire kitchen running around

[bunnieswithknives]

sorry if idk this but what do you think about Wordgirl now in 2024 do you still like it do you still want to make art or talk about it or are you just done with all of it forever and plus i seen that you haven't made art of it since 2022 so you just done with all of it oh yeah and what about The Magnus Archives + Wordgirl ao3 fic too like is that just going to be and i know that your working on 2 au's now just wanting to know that's all

My interests tend to come in intense bursts and then fade. Unless something like, big happens like it gets a reboot its unlikely I'll be coming back to it anytime soon. As for the fic I don't have any current plans to finish it unfortunately.

[treasureplcnet]

someone on the bodies production team you have to release more layout/bts pictures of charles whiteman's flat please. this is a great start but i need to know him better. particularly if it's got about as much mould as a second year uni house and if he owns as many chairs as it seems LOL

[athina-blaine]

yeah so it turns out when you take an unapologetic eugenicist and give him a sympathetic backstory where he's been uwu traumatized you get a lot of people unironically defending a eugenicist. yeah it's because he's hot. yeah they're saying he has girlhood rage

[puhpandas]

steel wool has the hugest opportunity in the world for a sb 2 like. vanny cassie plotline of her having been manipulated by mimic to be its new minion by framing Gregory during the elevator scene to cut off her one support system. gregory vanessa and freddy protags fleshing them out with dialogue as characters but also their motivations and what theyve been doing for years. have their long absence in games period but also in universe from helping the glamrocks/setting up mxes be explained by showcasing their fear and trauma by them just wanting to get away and they thought they were safe but they werent. have cassie be the reason they have to jump back into the fray and realize no matter what they do theyll have to kill mimic for good to be truly free even if they're afraid. plot of the game is Gregory trying to convince cassie he didnt do it and that shes being tricked and it takes all campaign to get through to her, probably after an intense dramatic climax. have Roxy be there by Cassies side to show how Freddy abandoning them at the Plex affected her and the 2 sides of the same coin the 2 of them have going on regarding sentience and their relationship with the characters they were designed to be with Freddy who got to be free and roxy who didnt. the actual vanny comes back as a big betrayal towards mimic after killing glitchtrap in hw2, either to become an antihero or to try and take over as mastermind. superstar duo reunite and names cleared. throughout the campaign Gregory finds out about ggy and its revealed in a room with documents about patient 46 and tapes where a final tape is found and Gregory speaks in it or is addressed by name. he grapples with it and not remembering it. btw setting is a modern day fallfest which is like amusement park size instead of small festival. boom peak game

[b4kuch1n]

wizard looking for a way home (aka wizard of dark space)

[aquarterasian]

still upsets me so bad that homare's skating career was overshadowed by her crush on harry like why.... why did henri have more of an arc in that regard than she did hes a side character. and i love henri ofc his relationship with masato and his conflict with growing older and becoming less androgynous looking is genuinely such a great storyline and i wouldnt give it up for anything but homare deserved to have an equally well thought-out storyline considering shes one of the main characters but i always feel like she was just reduced to her crush on harry and it just makes me :/

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[spacedlexi]

i just think a "friended/romanced + saved + trust aj" violet does such a good job rounding out the plot and characters of S4 and i dont say that lightly

she walls people off out of fear just like S3 clem did and learned to grow out of through the compassion of others. feeling like she could have done more to save minnie being what initially makes her step up to lead, but her accepting her love for clem (and clem choosing to save her) is what leads to her Truly accepting the school and everyone inside it as her Home and gives her something to fight for ("i tried my damnedest not to care about either of you. and i still couldnt tell you why." "i know where youre coming from. after losing so many people, sometimes its easier to keep everyone at arms length." "and then you wonder why you fight so hard to stay alive. i dont wonder anymore."). this being the reasoning behind violets detachment from the school, as well as a negative home life impacting her idea of what a home even was. but together they turn ericson from a prison into the home theyve BOTH been looking for, renaming it together, and envisioning it for the future together. the two of them understand each other deeply, from what theyve lost to how its affected them and the poor ways theyve decided to react to it. but through their support of the other, they BOTH get to evolve into more relaxed and confident versions of themselves, who know Exactly what theyre fighting for

her troubled relationship with brody and getting to learn more about what happened with the twins/violets reaction to it and how she ultimately blames herself/brodys guilt about her part in it and how she misses violet. getting the chance to mend that relationship before its too late. the 3 of them becoming closer because of it. and getting to develop clems friendship with brody leads to a more impactful moment later in the basement

her relationship with tenn reflecting clems relationship with aj, in the way they both made the decision to look after their respective boys after their primary guardians died (ajs parents, tenns sisters). both of them can understand the responsibilities they have taken upon themselves, and how hard it can be to do right. the 4 of them become a tight knit group quickly. especially in EP2 as vi supports clem while tenn supports aj through the marlon fiasco

her confused relationship with minerva introducing interesting conflict both within her relationship with clem (who has her own personal conflict with minerva, which vi still ties into through her relationship with both minnie and tenn) and the over arching plot, which has themes of learning when to let someone go because they are no longer who they once were (clem and lilly "we were family once", mitch about ms martin "you get all caught up in who people used to be, and you cant deal with whats in front of you", violet about minnie "the real minnie? shes been gone this whole time and i have to stop mourning her")

having a saved violet on the boat expanding the conversation with minerva about her motivations with the delta. violet apologizing for never looking for her, minnie saying she knows she would have but that its too late now, so sure this is just the way things have to be. getting to hear minnie say "you can be rewarded, just like i am", giving us insight into her character. and clem getting the last word before she rams the door down, her and violet fighting minnie Together. and violet saves clems life, making the Choice to shoot minerva, which in and of itself is a huge moment for violets character in regards to her relationship with both minnie And clem

and aj shooting tenn on the bridge brings things full circle, by putting violet in the same position louis was in EP2, where aj has killed the most important person to her, in an effort to save her life, and now she must reckon with those feelings the same way louis had to about marlon. not so easy now is it violet? ("so youre mad, but sad" "can i be that for a while?" "yeah, its ok")

just... ough... violets whole character just fits into Everything so well, but in a way that elevates the characters and plots around her, while also developing her into her own

[nerdsandqueens]

I really thought I could get away with not conceptualizing Andruil as anything other than a background affinity in Ghilan'nain's story. But it's clear that her relationship with Ghilan'nain was one of the big things about w/e is going on with her. And the opportunity to write wlw isn't a downside.

Problem is, all the lore I can cobble about Andruil is... something.

Leaning toward the less than flattering and less dimensional in characterization. Just like all the Evanuris, it begs the question what they were like other than demented individuals. Despite some implications, it's far more interesting to think Ghil had an active hand in her own descent into villainy. A desire only encouraged, not orchestrated by another. But also not wholly innate.

The juxtaposition of a softer person and the choice to become the complete antithetical opposite is evocative. A total corruption of a former self deemed weak - nothing more than to be a sacrificial lamb for your better self to be carved out of. Ultimately to be left behind and forgotten.

I think once Ghil's mind was made, she destroyed her own creations systematically to ascend ala crimson behelit from Berserk. I like to think one aspect of her that makes her terrifying is that once she makes a decision, she carries it out like an robot that can do nothing else. She has decided to perfect you. With very little remorse. Very little feeling. Perhaps in the guise of sacrifice. Perhaps not. Look how beautiful you are - crafted in her design.

And it would cheapen Ghilan'nain's eminence to attribute all her villainy to Andruil. Please, I would never be so insulting to the Mother of the Halla in all her grace. 🦌🙇‍♂️

I want something far more complex.

All I can think of now is that Andruil is probably the most terrifying version of Athena you could ever imagine. And that's hot. I can work with that. Worth contorting yourself for.