#its so simple. but i think its very effective
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dailyadventureprompts · 23 hours ago
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Hi there! I hope your having a wonderful day!
So i had a question, or more acuratly wanted to ask for some advice. Ive more or less recently started dming, mostly in the form of one-shots for my main group. And ive stumbled across the following issue: while i love the lore building and describing and rp-ing i really struggle with combat. I tend to get overwhelmed and forget about effects and skills, and struggle with coming up with 'battle tactics' (which is what our campaign dm suggested) or make it way to easy because i worry about the players being dissappointed by 'loosing'(eventhough they've mentiones they would love harder combat and would even be okay with a tpk if it was earned)
So do you happen to have any suggestions or ideas on how to practice running and organizing combat and/or scalling or ways to not get so overwhelmed?
(Im sorry if this isnt quite what you do, i just didnt really know who else to ask)
This is ABSOLUTELY what I do friend, every part of the dungeon mastering experience is worth talking about because that's how we improve.
If you're having trouble learning your way around combat you're more than justified: it's a whole second game, and strategic skirmish tactics requires a very different skillset compared to the collabrative storytelling rules you're just now getting a handle on.
First, lets talk about what combat in d&d is even FOR: Fights in d&d are really no different than any other challenge, they're a hurdle you as a DM employ to introduce drama to a narrative and engage your players, not all that different from a locked door or an obstinate NPC that needs to be convinced. The difference is that when you call initiative, you are shining a spotlight on the moment to moment decisions your party makes when time is limited and greatly raising the stakes: Seconds matter in combat, quick thinking matters, mistakes matter.
To use a simple example, recently I ran a road encounter where the party came across a gnomish merchant who's wagon had been attacked by predatory flightless birds. The question wasn't "can the party defeat the birds", I knew they could, the question was " Can the party defeat the birds before they eat this poor gnome who will be a friend/ally to them later"
The reason you're having problem with tactics and being worried about killing your party is that you're thinking about combat as its own isolated thing rather than a dramatic beat as part of a larger story. Most fights in D&D are NOT about attacking the party directly: Instead the baddies have something they want to accomplish (Take, devour, defend, slay) and it's a question of whether the heroes can stop them before they accomplish their mission. Combat only takes 2-4 rounds generally, which is a limited time for your players to put their thumbs on the scale and try to alter the course of events. Tactics are emergent out of goals, so think about what your minions would want to happen and how they would've gone about achieving it before the party comes by to wreckingball through their carefully laid plans.
Another example: An enemy force is attacking a castle the party are guests at, looking to secure hostages in preparation for a coup attempt by a rival noble. While the villains' over all job is to capture pieces, the initial wave of badguys are primarily concerned with slowing the party down to prevent them from interfering with the other attackers around the castle, meaning they'll fight defensively, potshots from cover and barring exits.
When you refocus the badguys' goals away from killing the players and towards things that push the plot in a particular direction (especially one the party would generally like to stop) you’ll have a clearer idea of what the enemies want to be doing, which not only helps you decide how they act, but also pick what enemies go into a fight.
If you're feeling totally overwhelmed another option would be to switch to a game system that focuses less on crunchy combat. It's drastic but everyone has game systems that fit better with their particular DMing style, especially in the early days when you're first developing. I'd highly recommend Forged in the Dark, or Powered by the Apocalypse systems, as they still have the punchy action-forward storytelling of d&d without having to manage much on the mechanics side.
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ambeauty · 20 hours ago
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thoughts on the bear as a romantic workplace comedy
while researching a whole nother thing, it led me to tvtropes.org something that I've looked at before but never in regards to what is actually happening on the bear. I started looking at the disposable black girlfriend trope for obvious reasons which led me to the romantic false lead trope as described by tvtropes.org
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This sounds exactly like someone I know. She so blatantly fits this trope that it’s almost comedic. Writers who have been so meticulous in how every character is crafted would never unintentionally create a character who is a textbook disposable girlfriend unless it was for comedic effect. It’s laughable how ridiculously tropey Claire is when you think about it. This description led me to another trope. The previously overlooked paramour:
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If this isn’t exactly Sydney and Carmy’s dynamic then I’m not sure what is. And the final trope I believe they fit is Oblivious to Love:
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Again sounds exactly like someone we know. So if Sydney/Carmy/Claire fit perfect and neatly into these tropes then why is there even a question of what the endgame will be? I think we have been intentionally misdirected by the nature of the show. The storytelling mechanisms of the show are extremely traditional and telegraphed to an almost predictable nature. The only subversions in the show are in the subject matter and who they chose to cast in what roles. I believe if Sydney was played by someone who looks like Claire there would be no question about what is happening between her and Carmy. Characters that look like Sydney are typically placed in the Claire position.
This show also challenges viewers to sit in very uncomfortable aspects of life with its characters. This is not very traditional for a comedy, it’s more prestigious to deal with such heavy subject matter as well as the cinematic nature of the way the show is filmed.
I watched an episode of hacks yesterday because the dga outcome really annoyed me. Hacks is a paint by numbers comedy show about comedy. It is filmed very traditionally and the storyline and characters and their appearance fit tradition. For people who don’t really want to deal with real life things that happen to everyday people. It’s not bad but it is plain and simple an unchallenging comedy television experience.
What makes the bear a comedy is obvious to me. It meets all of the requirements for a workplace romantic comedy, the only thing about it is that it is authentic. By subverting traditional Hollywood standards in the building blocks of this show they’ve confused their audience in order to tell the most authentic version of this story. I believe Chris Storer is a romantic and he’s created one of the greatest love stories on television. I look forward to seeing how he brings it home.
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damiel-of-real · 1 day ago
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rpg maker vx ace is only free for another 25 hours!!!! if you want to make stupid and bad shit like this or maybe think you MIGHT want to fuck around with rpgmaker someday then i would recommend getting this!! i dont know how it compares to other engines but i can definitely say ive been having fun with it
info about the clip:
farmer sprites made by my friend clockman. i dont know if he has a tumblr or not
the pinkman joke probably wasnt that funny but it was one of my earliest ideas. i wanted to experiment with how to go about implementing a second party member and my thought process was "oh a pink man, to go along with the blue test character! a pink man. much like the boy from walting white."
i made almost all the visuals here! all character sprites (minus the farmer), all the tilesets, the battle background, also the shitty border around the text. i only didnt do the icons for PINKBLAST and FARMER'S DELIGHT. also the tileset for the first few seconds while i talk to TAXI is the default one, i didnt make it
all music is mine, aside from the victory jingle. i'm not experienced in making music so i only did stupid dinky little loops
this isn't gonna be a game if it wasnt obvious. this is me trying to figure out what i'm capable of creating. its also for making funny clips to show my friends.
this room is the most complicated thing ive ever managed to make in rpgmaker and its honestly very simple
i didnt know trying to use FORCEFEM in the overworld would make a sparkly little sound effect. i didnt tell it to do that. it cracked me up so bad
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puhpandas · 2 months ago
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the thing is that I literally love the idea of 3 star fam never wanting to go back to the pizzaplex and not feeling any sense of duty for what goes on there once they're free and just. only doing the mimic trapping and that's it and letting Cassies dad (if they even knew about him) do all the dirty work mimic duty of setting up mxes and they just finished it once he died but like. are they going to TREAT it like that.
would they treat it like 3 star being desperate to live normally and wanting nothing to get away from everything freddys but until they end things for good, as the only people left who can, and a reason that they HAVE to go back with cassie being manipulated by mimic, theyll never be truly free and they have to face their fears/abuser to achieve that, but their absence was purposeful this whole time because of them wanting nothing more than to be involved, or are they just not going to touch on it and their absence will feel random and meaningless and Cassies dad important for no reason without that 3 star characterization and itll be mid
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rainknow · 6 months ago
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danielnelsen · 6 months ago
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things aren’t going well with peach. while i think my dad’s very right to be concerned that she hasn’t eaten anything in nearly 60 hours (obviously i am too), im becoming increasingly concerned that she hasn’t slept at all in around 36 hours and prior to that she was under anaesthetic, which isn’t exactly restful, so it’s closer to 48 hrs
like dad took her back to the vet today and we’ve got injections for her painkillers now because she’s not eating, and also injections for fluids (because she doesn’t drink; she only gets water from her food), so the not eating is Bad but also kinda under management, but if she doesn’t sleep soon i’m extremely worried. dad was like ‘if she doesn’t eat by tomorrow afternoon we’ll take her back because the injections will run out’ but like. if she doesn’t sleep tonight we have GOT to take her back first thing in the morning so they can sedate her or something
#her pain doesn’t seem to be too bad now that she’s got pain relief so idk what’s stopping her from sleeping#she won’t even lie down unless i’m sitting next to her. she just sits there staring out the window#her pupils are also taking up her entire eyes and have been all day#that’ll be a side effect of the medication and maybe the lack of sleep? but it won’t be making her feel any better#she can probably barely see at this point#like imagine you’ve been awake for 2 days after surgery and you’re in a lot of pain and haven’t eaten since before surgery#and are also on strong painkillers. and you also have no idea what’s wrong with you or why everyone’s doing things that hurt you#bruh your brain would be COOKED. there’s no way she has any idea what’s going on rn but she’s clearly feeling terrible#personal#like i think she’ll be ok in the long-term but she’s gotta somehow get through all these immediate issues#last time something like this happened she stopped drinking and never started again#not eating or sleeping don’t have workarounds as simple as putting water in her food#it really doesn’t help that there’s so much other shit going on rn#i’m doing a whole bunch of stuff with my phone and computer that’s taking a lot of work#but also my sister’s going on a long overseas trip that she’s leaving for tomorrow#so the combo of dad and sister coming and going constantly and also like 6 random deliveries for tech stuff in the last 2 days—#has the dogs really wound up. so georgie’s been howling at absolutely everything#and it’s rainy so my clothes aren’t trying and they’re hanging on a rack hooked on the hallway door so the door can’t close#which puts one less door between my room and the dogs so they’re waking me up every time anything happens#and i sleep during the day so that’s ALL THE TIME. i’ve had like 8 hrs of sleep between the last two afternoons#my sister always has so much random life stuff she wants to talk about and was getting really annoyed that i wasn’t very receptive#like ‘im about to go away for 3 months’ sorry i know its a big thing but i can’t just reschedule peach’s medical emergency
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tyrianluda · 4 days ago
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I know the entirety of "Mein Teil" is amazing but there's this specific part that always sticks with me. it's where he's singing of how a cry will ascend to heaven and having the music change to reflect a angelic choir.
and as the part finishes, making the synth resemble that said cry but in a way which distorts it - sounding inhuman and human simultaneously.
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forehead451 · 1 month ago
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#it was interesting...#we finally got to the starting point where they realized on their own that we live in different realities with different algorithms and#different circles. i was relieved that they realized it and said it. bc if i did first then it would be a fight instead of just fact#i replied: yes. your side of the internet has alt right conspiracy theorists#things that they actually do hate. but wasnt seeing#they were confused when widespread fact checked covid 'lie' articles were nowhere to be found. that it was not 'common knowledge'#and that they couldn't tell me what about covid was a lie? the virus itself? its nature? the safety health precautions? the vaccines?#their efficacy? the intent? what part was a lie? they couldn't tell me and kept telling me to google it.#i said i want to. please tell me what part was of this was a lie so i can look this up.#and they couldn't do it and after looking over the internet for an official source they said it's been too long since i thought about this.#i felt like a little triumphant but mostly sad? and partially hopeful? like theyre very intelligent they just. idk. they live in a different#reality where this stuff is treated like fact every day. eventually you might stop questioning it.#i don't think i made them think they were wrong but maybe it made them finally question whether i am not just shutting them down to be#difficult and look down on them. this is not about them or being in denial but a sincere interest in facts#as close as we can find and reason at least#like I genuinely meant it when i said the theories about the fog were not completely impossible. yeah it possible??? but wHY. why would that#be the go-to move. why cant we figure out what a simple cause and effect reason could be first before jumping to conspiracies. conspiracies#happen ! fair! but lets see what makes sense already without anyone needing to do international bioterrorism please!!!!!!!#reality is already complex and fucked up so lets make sense of that first and foremost
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dravidious · 11 months ago
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You're more amazing than catchphrases
90% of all Yugioh card effects are either "move a card from one zone to another" or "negate an effect" so I made a bunch of combat keywords so that monsters can actually be interesting on the field.
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#asks#custom cards#also i managed to make them all different subtypes and get exactly 2 of each attribute so that's cool#anyway i'm barely even exaggerating about the 90% thing#“add a card from deck to hand” “special summon a monster” “destroy a card”#so much stuff is just moving cards between zones#and a lot of the rest is just “negate a card/effect” “effects can't target this” “can't be destroyed by effects”#just moving cards around or preventing cards from being moved around#how about actually caring about the battle phase?#yugioh's combat mechanics are really different than magic's so directly translating stuff like menace or haste doesn't work#but the difference also means there's so much opportunity for different abilities like Tricky or Stealthy or Guardian!#some translate fairly well like Vigilance into Resilient and Double Strike into Double Attack#and some are practically 1-to-1 like Deathtouch to Venomous and Trample to Piercing#Assist was an awkward one#the concept is so clear and simple and cool: it lets your monsters team up to attack together!#but mtg's Banding shows how that simple concept can be very difficult to translate into clean rules#even its spiritual successor Enlist had to specify “nonattacking creature without summoning sickness”#which i think is one of the only times that the term “summoning sickness” has appeared on modern cards#yeah i just checked and the only other cards that mention summoning sickness are stuff that involve creature-lands#i went back and forth on how exactly to word it before i decided to go the shortest and cleanest route of “spend this monster's attack”#which is also the most confusing wording if anything remotely unusual happens#heck it's not even clear whether it works while in defense position!#the idea is the same as Enlist: you can only use it if the monster COULD attack#so anything that prevents it from attacking also prevents it from assisting#but honestly if i were in charge i wouldn't even print this keyword because its wording is either too long or too confusing#also the Wrath effect appears on a few existing cards like Flame Wingman and i like it#Piercing also already exists in a kind of pseudo-keyword state#“if this monster attacks a defense position monster inflict piercing battle damage to your opponent”
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simptasia · 2 years ago
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do i have any right to call buffy a cringe show when im currently browsing old heroes sylar/peter fanfiction?
yeah
#ohh you talk about a cringe show? the writers strike of 2007 to 2008 fucked heroes HARD#season 1 is a good and engaging television. seasons 2 to 4 are a trainwreck in slow motion#and honestly the only reason people kept watching was because of sylar. and the show was paaainfully aware of that#an exercise in beating a horse to death#and i watched. i watched those terrible seasons. because zachary quinto causes pussy derangement#and im not ashamed. have you fucking seen that man#anyways. season 1 is good#at least as far as i remember. the actors are great. and the editing/score is very good#iits very like. gripping#i think season 1 of heroes was the Peak of that genre of television that happened when LOST was popular#that genre being We Wanna Be LOST So Baaaaad#i saw heroes before lost btw#but looking back and having rewatched heroes since. it's so got that lost copycat vibe#in a good way! during season one!#large ensemble cast of fucked up people#and theres mysteries and intrigue and everybody is connected. it's great#also heroes does something i consider fucking inspired: when they change the scene to somebody else#theres text at the bottom telling the audience which character(s) we're focusing on (and their location)#its their version of an establishing shot and i really like it. it's simple but effective. and helps one keep track of everybody#heroes turned out bad but to anybody who has seen it: when you start the show and you hear that weird wail singing#mohinder's narration all like ''where do we come from?'' over shots of several of our characters#don't tell me you don't feel chills
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amynchan · 1 year ago
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God I wish, I wish, but the way I see the free schedule happening is one of two ways:
We get more teachers on more shifts, so teaching becomes a 24 hour profession OR teaching ends up with a day shift, where we get the morning kids; the afternoon shift, where we get the late risers; and the night shift, where we teach the insomniacs. Obviously, you'd need teachers who have the same natural sleeping rhythms to teach these classes, but that can kinda be done. In the college sphere, we have morning, afternoon, and evening classes, but you'd run into the same problem we get over here. The classes themselves would most likely have the same workload as the classes that are taught during the current time frame, but the main trouble is that we wouldn't ever be sure if those teachers have full classes that will pay them out until basically a few days beforehand. Classes get cancelled due to low enrollment all the time, so these teachers would be lesson planning and building classes that may not be used (which, yeah, that's a reality. It's happened to me a couple times now. Not enough students enroll in a class, and it gets cut, and the teachers don't get paid for the work we do before class even starts). We also have students who don't pay attention and sign up for the 8:00AM classes and just... show up as zombies even though they signed up for it. They're not engaged, they're not ready, and it's somehow my job to fix that.
The other one is move instruction to completely online courses so that way we can allow all students to take classes at entirely their own pace. This is the one we're closer to, and it's the one that's easier to see the practical problems of it (so hopefully we can fix the damn things!). Online learning, as we all know from our good ol' friend Covid, puts a great deal of responsibility on the student that—half the time—they weren't aware that the teacher had provided for them all along. A place and time separate from other responsibilities with which to do the work, materials to do the work, steady socialization, near instantaneous feedback and guidance when you get off-task. The classroom itself does a lot. Online learning can give you so much freedom, but as an instructor, I've seen so many students use that freedom to say "fuck all" to education. And I teach college in America. The USA doesn't make you go to college. I'm not sure how it works elsewhere, but that's how it works here. You won't get in trouble for not going or even applying. You should be in college because you've got some kind of goal for it. Therefore, you should only be enrolled in the class in the first place because you want to do something with it and should already have some kind of internal motivation to follow through. But students just don't. Not because of their sleep schedules, but because online learning requires a level of discipline and internal motivation that just isn't expected of them anymore. If a student doesn't wanna do the work, they just won't. And it's relatively fine for a college instructor, who isn't paid by how many students pass the class. Honest. I could fail the entire class and get by relatively okay as long as I'm able to defend my decision and point out the numerous amount of times I reached out to help them.
But high school and below??? They are paid and penalized by how many or how few students pass their course. Again, covid taught us this; if all of those students just choose to sit on their asses, they could get their way at the expense of people's jobs and livelihoods (for the longest time, my dad was the only worker in our house. As a high school instructor, he shoved all six of us—yes, including himself to get his master's degree so he could earn more money to support us!—through higher education by working his ass off. He was a stern teacher, too, so if the students did that to him, they would have fucked over my entire family. It's scary to think of how many other teachers' families are going through that right now because of the shift in cultural attitude about learning and going to school). And to the students, this threat to lives and livelihoods is usually not their concern, because they'll be gone after a year and why should they care? Easy A! Sit on your ass! Accuse the teacher of some shady shit! Works for me!
(Seriously. A student didn't like their grade in my dad's class, went home, ripped out their own stitches, and tried to cry to admin about my dad abusing them. I was in the room when the 'confrontation' happened, and the audacity shook me to my core. And this was years before Covid. This is only one example of some of the shit my dad has been through. The shift in attitude has been going on for years.)
Like, I get the original argument that "everyone in the world has different needs, and the world needs to adjust and accommodate to take care of it." I want that. I want a world where my sister didn't have to feel like an idiot because she's not a morning person and I am. I want a world where my sibling has the time to pursue both passion and education. I want that. However, on this side, I can only see this broken system that punishes us for trying to educate kids who don't see what, exactly, we are trying to offer them and can only see "you fuck with me and I fuck with you and no I don't give a damn about how it'll hurt you as long as I get my way." It's never enough. It's never, ever, ever enough. Even if we try to help them within the parameters we're given, it will never be enough.
Try to hire more teachers to teach in shifts to accommodate for the different and very natural sleeping patterns of students? First, find a teacher who has that same sleeping pattern and then have them on standby, only to cut their job if not enough students sign up for their class and stick to it. Hope that teacher has got a backup plan, buddy. Try to do online courses where students can learn at their own pace? In addition to all the work that goes into making a class that is both engaging and effective (I overworked myself to mental exhaustion for one online course this semester. The students who stuck it out loved it, and while that's worth it, I just hope that all the prep I did this semester will save me next semester when I gotta do it all over again), good luck making sure that the students themselves have the internal motivation to finish AND good luck also trying to be available to them so they can ask questions while also maintaining whatever little sanity you have left. That student who's up at 2AM, as is natural and good for them, may not be able to meet up with the teacher who sleeps from 12AM-5AM every night (if they like to push to the brink of their sanity).
I teach English, but I teach more than that, too. We all do. Time management, respect for others, critical thinking, problem solving and troubleshooting, and more. And I'm a college instructor. I have freedoms that not many others in the industry have. I can create my lessons liberally, I can choose OERs to use so I don't have to force my students to buy anything, I can create content that they don't have to shell extra money out for. As long as I follow the standards and guidelines, I can alter what I need when I need to for the betterment of my students. I feel so bad for the rest of my family, all of whom teach high school and are trapped within the same bureaucracy that everyone bitches about, but they, as teachers themselves, can't do anything without getting hit with a huge hammer for it by admin, by students, or by parents (and that is a WHOLE other thing). The shifts don't work entirely, and the online classes don't work entirely either (yet, yet, hopefully yet!).
If the sleeping schedule was literally the only thing, those options might be viable. Because then we'd probably have students consistently signing up for time slots so we could make them more consistently available, and we'd have students consistently doing the work without the sleeping schedule as a natural impediment because they'd be motivated to get it done. But as much of a good student, or even mediocre student who just showed up and didn't make too many waves, as you were, these are currently luxuries that we can't afford because we're trying to get everyone on the same page teaching-wise.
There's the sleeping schedule thing, yes. There are possible fixes for it, yes. However, as much as a lot of people want this, there's always going to be some bureaucracy and some people who just say "what if I hit the big red destruct button?" that it fucks it up for everyone else.
And, yeah, I'm mad about it.
In the future the way we treat different sleep schedules is going to be thought of as just as weird and barbaric as beating kids for being left-handed. People will read about how we thought certain circadian rhythms were bad and made people take melatonin and use special lights to make their circadian rhythms different, and they will think, "So sad and ignorant...everybody is just afraid of difference."
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fudge24-7 · 9 months ago
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I find blogs that don't want people interacting unless you list your age on your blog kind of funny, do they not realise people could easily lie about that? Like how hard would it be for a 16 year old to put 30 in their bio? There's not exactly a lie detector on tumblr that instantly rejects any attempt at typing false information
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waloeders · 1 year ago
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thinkin abt properly visiting waloed w the boys for the first time n them showin me around and arhhhh ☺️🥺
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crowswarm · 1 year ago
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🕷
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starry-bi-sky · 9 months ago
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Just as it was in the air, the drive to wherever they're going is a mess of orange-streetlight smeared blurs and rapid-passing buildings. Danny keeps his head rested against the door, forehead pressing against the cold window, and breathing slowly through his mouth.
From his unfocused peripherals, the man -- of whom with the passing lights, Danny can see is dressed as... some kind of bat? Honestly, not the weirdest thing he's ever seen. -- routinely keeps glancing over at him. He's never seen someone grip a steering wheel so tightly.
"Do you know what your godfather poisoned you with?" The man eventually asks, his voice just as soft and raspy as it was in the air.
It takes Danny a moment to realize he spoke at all, his brain sluggishly catching up to his ears. "Hrm?" He blinks, lifting his head. Danny regrets it immediately, his vision swims nauseatingly and blurs dangerously. He rests his head again. "Oh. Y'h. A flow'r called blood bloss'um."
They pass a streetlight, shining just enough light that Danny sees the Bat-Man's lips purse. Danny's mouth opens, but he makes no sound, his mind trying to find the words he's looking for. "I'z- it's extinct."
He huffs a laugh just as the man snaps his head to look at him, regretting it with a sharp cough and a feeling of dust in his lungs. Weakly waggling his fingers to make jazz hands, Danny slurs; "Shcience."
A coughing fit overtakes him then, and without the adrenaline of flying and running away from Vlad to distract him, the ache and burn of consistently coughing returns and hits hard and sharp. He's been stabbed before, and somehow this still hurts more.
(Well, one is being stabbed. The other is the result of a toxin made from a flower specifically evolved to eat ectoplasm. Something Danny is 50% made of.)
Whining low and through grit teeth, Danny turns and curls back up into the corner of his seat, arms boxing over his head as if that will make him hurt less. Tears spring into his eyes, and he tries to use the feeling of breathing to distract himself.
If he's still breathing, everything will be okay.
Wherever they're going, he hopes they get there fast.
----
("You're a hero, right?" The boy said, but the way he said it made it sound like he was only asking as a formality. That of course Bruce was a hero, it was obvious.)
(He didn't know how to tell him that no, he wasn't. Then he didn't have the time.)
Bruce's hands would be shaking if it weren't for the white-knuckle grip on the car's steering wheel. Every time he focuses back on the road in front of him, his eyes are drawn back towards the boy coiled like a ball in the passenger seat.
He can't tell if it's rage or fear that's making his arms tremble.
The boy -- Daniel, if the voice of his godfather was to be believed -- is small. Bruce could wrap his thumb and forefinger around his wrist, and he's positive they would touch. A waifish, slip of a thing, and Bruce thought he'd been small as a child. His clothes -- simple, unremarkable; a hoodie that hangs off his shoulders and a band shirt he doesn't recognize -- look too big on him, and Bruce wonders if Daniel even knows he's shivering.
This was not how Bruce thought his night would be going -- he was following a lead on Falcone and his people. Now he was rushing back to the cave with a boy who couldn't be any older than fifteen, a boy who was dying of poison because of his godfather.
Hurt and fury bubbles beneath his ribs.
(Who does this to a kid?)
He glances at Daniel again. Messy, sweat-slicked black hair clings to his forehead, and gathers around his ears. It looks like it hasn't been cut in months. He's unnaturally pale, and Bruce isn't sure if his paleness is from the poison, or his natural color. It highlights the dark circles beneath glassy blue eyes, peering unfocused and teary out from lidded eyes.
The blood dripping off his chin is damning and stark against his skin. Some of it is half-dried against his cheek, but most is a horrifying dark red and wet, staining down his throat and into his shirt. Every time the boy coughs, Bruce fears that blood will spill from his mouth next.
He breathes in shakily, and swerves around a left corner. The boy moves with the momentum. Bruce throws his arm out to catch him, and keep him in his seat, the boy jerks, and grunts quietly.
Guilt turns the back of Bruce's neck red. That, and embarrassment. "...Apologies." He murmurs, retracting his hand quickly. Daniel blinks slowly, Bruce nervously keeps an eye on the unsteady rise and fall of his chest.
He's pulled away when, much to his surprise, the boy smiles. It's weak, barely even there and trembling like the rest of him, but glazed in fondness. "S'ok'y." Daniel mumbles, blood sticking to his mouth as he slumps back into the corner. "M'dad drove the same way."
...There were a lot of questions there. But the hurting, discomforting squeeze of Bruce's heart turns his tongue to lead. His throat swells shut, grows a cancerous lump, and keeps his lungs thick. "..Hh."
(What does he say to that?)
A silence, ugly, falls over them again for a few minutes more. Bruce should keep the boy talking -- it's confirmation that Daniel was still alive, still breathing, Bruce hasn't failed yet -- and yet, he can't think of a single thing to say.
They're coming close up on the cemetery, Bruce turns down the road leading to it. His eyes flick to Daniel again. The boy is staring at him, the sickly yellow streetlights catching shadows on his face, leaving a glow lingering in his eyes.
(In his lazy eye, his mind tricks him into seeing a corpse. Bruce suppresses a flinch, and looks over again.)
(Daniel is still breathing. Good. Good. Good.)
He breathes in shakily, something dark and angry rearing its head once again. Who does this? Who does this? He grits his teeth, biting back the scowl pulling on his face.
("You're a hero, right?")
(No, but for now he can pretend he is.)
----
They end up in a tunnel somewhere. Danny's not quite sure where, but the road gets bumpy and the uncomfortable, rough jostling brings a groan out from him. His eyes pound in their sockets, the discomfort ricocheting to this temples and circling to the back of his head.
His head lolls, and Danny shoves it back against the seat with a thud, ignoring the dull pain it rings through his skull. "Are w'there yet?" He asks, blood spilling into his mouth that he tiredly tries to spit out. He's done with drinking it instead.
The numbness he'd been so graciously left with was starting to fade now, returning back to a burning, rhythmic soreness spreading through his limbs. It clustered up around his joints, feeling like pins and needles in his fingers and down his spine.
Bat-man guy grunts shortly, shifts the gearshift into a new position, and glances over to him for the nth time that night. "Almost."
Almost. Almost was... good? Probably. Hopefully. Danny doesn't give a response, just nods mutely.
The car comes to a stop some minutes later, parked in a wide open space with LED lights spread erratically through the floor that hurt Danny's eyes.
Bat-Man barely has the car in park before he's flying out of his side. If Danny didn't know better, he'd have thought the man had phased right through the metal. That's not what happened, and he watches the guy zip around the front of the car to his side.
He's barely understood that he's even gotten out of the car before Bat-Man has Danny's door open. He jolts involuntarily, sitting lame in his seat as Bat-Man gets him unbuckled and pulled out of the car.
The lights are still painfully bright in Danny's eyes as Bat-Man pulls him out, and he whines involuntarily, tilting his face inward to hide it against the armor-weave.
"--sleep at a reasonable-- dear god! What happened!?"
Oh, forget the lights. Danny turns his head and braces against the brightness -- and his tilting, whorling sight -- to see who else was here. He sees an older man with a cane standing near one of the tables.
"His godfather poisoned him." Bat-Man growls, Danny nods heavily. "I need my antidote kit. Alfred, I need you to stay by him, make sure he doesn't start choking if he throws up."
The older man -- Alfred? Scoffs, and when Bat-Man passes by he follows after him. "As if you need to ask me. But where do you even plan on putting him?"
Without answering, Bat-Man shifts Danny until he's being held in one arm, and then approaches a metal table covered in nuts, bolts, and half-finished gadgets and gizmos. Without blinking, Bat-Man uses his free arm to shove it all off the table with a crashing, clattering, banging sound.
Then he lays Danny down.
The metal is freezing, sinking through the fabric of his jacket and shirt, and Danny turns his head to watch Bat-Man. In the process, he catches a glimpse at Alfred's expression -- and the sheer exasperated affront written on his face forces a laugh out of him.
Bat-Man's hands still from where they're tilting him onto his side, and Danny covers his mouth with his hand to stifle his giggling. "Sorry." He says, trying to catch his breath. "th'look on his face was funny."
The Alfred man sends a look at the Bat-Man when he glances at him, one eyebrow arched, before stepping over as Bat-Man gets Danny full on his side. Bat-Man disappears down somewhere, his footsteps echoing through the room.
"I hope he knows that he'll be picking all of this up when we're done, because I am certainly not." Alfred says stiffly, procuring a pristine handkerchief out of thin air. One of those nice looking ones that are probably made of like, butterfly silk.
Danny almost smiles, but Alfred starts reaching for his face, so instead he suppresses a flinch. There's a pause, before Alfred's hand glides over his cheek. Despite the callous padding on his palm, his touch is resoundingly gentle.
He cups Danny's jaw, and starts wiping the blood from his face.
...Oh.
Danny blinks uncomprehendingly up at him. He hasn't felt an actual affectionate touch in months. Vlad tried to be, but every touch to Danny's skin felt oily; disgusting. Danny wanted to scrub at the spot every time he pulled away.
So this was like warm sunlight on his face, and he hums low and pleasantly. "Tha'feels nice." He mumbles, relaxing unconsciously.
"I would hope so, young man." Alfred-guy says, folding his already blood-stained handkerchief in half for a cleaner square and moving to clean the blood from his throat. "All this blood couldn't have felt pleasant."
No, no, Danny thinks slowly, not that part.
"May I ask for your name?" Alfred asks before Danny can correct him. "It's not every night that the young master brings someone back with him."
Danny stares. "Danny." He says, "Mnh... just Danny. M'godfath'r calls me Daniel, an' he poisoned me."
Alfred nods, and pulls his handkerchief away. It was stained right through with blood. Danny cringes with shame. That probably won't come out. "I wish we were meeting on better circumstances, Mister Danny. It's a pleasure to meet you."
His good midwestern manners kicks in, and Danny nods curtly. HIs head spins in revenge for the movement. "Y'too, sir."
Bat-Man reappears in that moment, clearing off a space on the table across from them with a kit of various bottles and vials and other doodads that Danny's too unfocused to recognize.
He watches him yank off the vambraces wrapped around his arms, and then the gloves on both his hands. Alfred brushes the hair off his forehead, gathering Danny's attention again.
"If you don't mind, how did you two meet?" He asks, Bat-Man glances over his shoulder at them both, but says nothing. There's a clattering of bottles before he bounds off again down a tunnel. Danny takes that as his sign to explain instead.
"All'y." Danny says, shifting when the pressure on his shoulder grew too uncomfortable. His stomach flips, and he freezes in place to breathe in slow. He swallows dryly when the nausea passes. "Um-- I w'z runnin' from Vlad, an' I saw him in one 'f the alleyways."
Bat-Man reappears again with more things, and starts messing around with his collection of bottles and tubes and whatever -- probably to fix an antidote.
...Would he even be able to make one? Fuck, Danny hadn't thought of that. Blood Blossoms interact with him differently.
He forcibly keeps his breathing even, and zeroes in on Alfred. "I thou' he was a hero, n' I was right. He is." He smiles, and Alfred's expression softens out.
Danny breathes in sharp, pain ricocheting up his spine. "He's-- mine, at least."
I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
#hey redemption arc from my last add-on#starry realizes that consistency is hard. on the other hand how was my battinson characterization. i havent seen the 2022 movie but#i've looked at a few compilations and drawn conclusions based on fanon battinson and good ole bruce wayne in general.#was thinking that. since he's still early in his career. he's still clumsy and a bit awkward like in the movie. tried to focus on that a bi#but also like. ensure he didn't appear too out of character. boy is still a hypercompetent ninja. just with negative social skills#one of my tactics for writing characters is like. doing this thing where i emulate their emotions. like putting myself emotionally in their#shoes. if the character is supposed to be feeling righteous anger i force myself to feel righteously angry. if they're grieving i try to#make myself feel grief. its very effective. if i can feel what they're feeling it makes it easier to write#but it also means i need a good understanding of the character and their motives in order to get into their head. which is why bruce#is hard. this man is like. 70% guilt and an impenetrable sense of being personally responsible for everyone. and a lot of anxiety.#cheers bro i'll drink to that.#but also i listen to music while writing so i also need to find the right music to listen to to keep myself in character. for CFAU danny#i listened exclusively to the crane wives 'tongues and teeth' and 'here i am' and florence and the machine's 'girl with one eye' for all 26#for bruce's section here i listened to anastasia's 'Still / the Neva Flows (reprise)' lots of what i needed there for bruce#'the children. their voices. a man makes painful choices. he does what's necessary anya.' 'what choice but simple duty'#mfer this technically fucking constitutes as meTHOD ACTING???#watch starry as he builds her version of this au in real time. decided as i was writing this to make danny's accident happen earlier.#so currently he's 14 but he had his accident when he was 12#blood blossom au#danny fenton is not the ghost king#this reblog is 2k words so obligatory read more eugh
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nicksolemnlyswears · 1 year ago
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THE BEAR AND THE BEE HIVE
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summary: in which carmy falls for the sweet café owner that supplies him with endless americanos
pairing: carmen berzatto x fem!reader
word count: 14.4k
warning: it's a little bit of a slow burn. sorry. i'm a sucker for it and i feel like carmy is a slow burn kinda guy. 18 +, cursing, smut, p in v, oral (m. receiving), fingering, they use protection guys! i deserve a pat in the back. nothing too wild. oh, and very brief mention of suicide.
a/n: i started writing this way back in october and then it was nearly done and i abandoned it. well i finally got around to completing it tonight!
this is my first time ever writing for carmy and i tried my best writing this. i love carmy and the show but i didn’t expect it to be hard to write him as a character. i wanted to get him right so i took my time with it and didn’t rush it. hopefully you guys like my carmy. enjoy!
i think i've had this stored in my drafts for like 4 months and it's time for me to set it free.
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The cigarettes were not enough anymore. No matter how many smoke breaks Carmy took, he still felt the edge on his shoulders. A fear laced with anxiety that overtook him.
After deciding that blowing through yet another wall in his restaurant was the way to go, Carmy took a break. He needed it before he used the sledgehammer to destroy the restaurant in its entirety, along with his dream.
He remembers a coffee shop only a block away from The Bear and thinks he could use a coffee right about now. Maybe the mixture of caffeine and nicotine will be able to relax his shoulders, if only for an hour.
As soon as he opens the door, the smell of ground coffee beans greets him. He looks around, taking in the cozy ambiance the decorative wood brings to the place and the splashes of warm yellow that lighten it up.
Then he sees you, and his focus shifts entirely. His eyes only see you.
"Hi, welcome to Bee Hive!" You chirp with a small smile.
Carmy freezes, forgetting why he's there in the first place. He slowly steps up to the register, where you patiently wait for him. It's just after the lunch rush, so you're in no hurry.
He finds he's acting like a teenager who has just seen a pretty girl. Only he's not a teenager, and you're more than a pretty girl.
"What can I get for you today?" You ask, not noticing the effect you've had on him. You take a sharpie out of your yellow apron, preparing to scribble down his order in a cup.
Carmy has perfected the empty on the outside but screaming on the inside face. Strangers don't tend to know he's almost always losing his shit.
"I-I don't…sorry," Carmy looks at you briefly before diverting his eyes. He apologizes in a flurry, looking for an excuse for his weird behavior, "Uh, it's my first time here. What do you recommend?"
"It's not a problem," you say softly as if to calm him, "I'm a simple girl. I love the latte, but if you're looking for something stronger, the americano is one of the favorites."
Carmy nods as you ramble about the drinks, where the coffee beans come from, and the different notes of each blend. He hangs onto every word that slips from your lips. The static in his brain clearing up for the first time in hours.
It ends too soon as you realize you're talking too much and probably overwhelmed him. You sheepishly smile at him and trail off, but he continues to stare, waiting for you to continue.
"I'll take the Americano," Carmy nods, giving you a tight-lipped smile. Although he had been hanging to every one of your words, he was too focused on the shape of your lips and the sweet tone of your voice.
"Good choice," you nod, grabbing a cup from the tray beside you, "What's your name?"
Carmy looks up, slightly alarmed, as if you've asked for his social security number. "What?" He thinks you'll be forward and ask for his number next, seemingly forgetting how coffee orders work.
"Your name? For the order?" You explain, trying to ease his worries. He's odd, but in an endearing way. You believe this is his first time here because you're confident you would've remembered him.
"Fuck, right, yeah," he nervously says, pinching the bridge of his nose, "My name's Carmen."
"Your Americano will be right out, Carmen," you tell him, capping your sharpie back up.
Carmy quickly pays and stands to the side to wait for his order. He forces himself to not look at you or in your direction as you take other customers' orders. He just knows he's made a fool of himself already. Not that it matters. Why would it matter? He's there for the coffee. Nothing else, no one else.
As he walks out of Bee Hive, he sips his coffee. His shoulders instantly drop, and his fear-induced anxiety starts to dissipate for the moment. He's unsure if the effect is because of the caffeine or the thoughts of your pretty smile.
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Visiting your coffee shop becomes routine for Carmy. Whenever things at The Bear become crazy -or he starts to lose his fuckin' mind- he makes his way to Bee Hive with a cigarette hanging from his lips.
For twenty minutes, he's free of Richie's constant hounding, Sugar's struggles with the permits and scheduling, and Sydney's disappointment because the menu is still extremely underway.
Each time he's stopped by, you've been there to greet him, and each time, you've left a little heart by Carmen's name, which makes his heart race in a peculiar way. His hands would touch his chest to check if it was heartburn, but it didn't feel like that. It's not anxiety either cause he knows pretty well how that feels.
All he knows is he hasn't done anything to deserve such a gesture. He's convinced himself you draw little hearts for everyone because he's not special.
One Thursday afternoon, Carmy realizes he doesn't know your name. He looks for a name tag, but you're not wearing one on your yellow apron. He should know your name if you insist on making small talk despite his short answers.
He can't help it. He gets too in his head to answer like a normal person, so his answers come out choppy and dry.
"Alright, Carmen, your order will be right out," you say, handing his cup to one of the baristas. You always hold out and ask him what he wants to order. He has the right to change his mind anytime, but for now, he's stuck with the americano, which he drowns in sugar.
As curiosity eats at him, he gathers the courage to ask. "Thanks. Hey, uh, I've-I’ve never gotten your name…” Carmy says, cursing at himself for not formulating the question correctly. His hand comes up to grip his hair instinctually.
Your smile widens when he asks your name. The silly crush you've developed for your customer fluttering to life. It's just a crush over a stranger, nothing to write home about.
You tell him your name but follow it with "-call me Honey. Everyone knows me by that name. I'm sure if you ask my friends about me with my real name, you'll throw them for a loop."
You're rambling, hoping he doesn't think calling you by your nickname is weird. Then again, how can he judge when he has a sister people call 'Sugar' and he and his siblings also don the nickname 'Bear.'
"Honey." Carmy repeats your nickname, smiling as he finds it fitting. "In that case, call me Carmy."
"Nice to properly meet you, Carmy," you say, grinning.
Like all the days before, Carmy steps aside and waits for his coffee. He doesn't let himself continue the conversation or ask more about you even if it’s everything he wants to do.
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It's rare for Carmy to be in a good mood, and whenever it happens, it doesn't tend to last. His goal of opening a restaurant in 12 weeks makes it impossible for him to relax and enjoy the ride. To prolong this unusual feeling, Carmy stops by Bee Hive on his way to The Bear.
"Have you made your boss angry, Honey?" He asks as he pulls out his wallet to pay. He ordered the americano as he always does.
"No…why do you ask?" You ask, tilting your head in confusion.
"Uh, 'cause you-you're always here. Do you not take days off? Not that I'm complaining. I-I like seeing you here." Carmy's words get quieter as he speaks, red creeping up his neck. So much for trying to make a joke.
You look around the room and tell him, "Imma let you in on a little secret."
Carmy follows your hand, waving him to get closer. The smell of cigarettes invades your senses as you get close to him. You'd never admit that the mix of his cigarettes and your coffee is addicting. As both lean over the counter, you whisper, "I'm the boss. I can't run away even if I wanted to."
"You own the coffee shop," Carmy pans in shock.
Carmy is more than surprised at your words. Especially now that he knows how expensive it is to open a business. You can't be a day over 25 and own a successful coffee place. There is hope, after all.
"I do," you nod, standing straight once more.
A couple of years ago, you had inherited a hefty amount of money from an estranged aunt. Fresh out of college and with no real plan, you thought it would be a good moment to follow your dream and open the cozy café.
"How do you do it?" Carmy asks, amazed at the girl smiling at him. "I don't know if you know, but, um, I-I'm opening the restaurant around the block. Used to be The Beef?" He finishes grimly as he points to his side of the block.
"Oh, yeah. The guys who worked there helped me move some equipment when I first opened two years ago," you reveal, "Tell you what, whenever you have a break, come around. I'll give you a free americano and tell you all about it. Neighbor to neighbor."
Stuffing his hands in his pockets, Carmy agrees. "I'll take you up on that."
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Weeks go by, and Carmy seemingly forgets about Bee Hive and your pending conversation. You try not to overthink about his absence or how you might've scared him away. He's probably just busy remodeling his restaurant. You know better than anyone how much time that takes.
Still, his presence has become part of your routine, and you can't help but look at the door each time the bell rings. You expect to see him walking up to the counter, the remnants of cigarette smoke coming out his nose as he breathes.
You're pretty close to your assumption because Carmy has been dealing with the fire suppression test. They didn't fail the test once but twice, and if they didn't pass it on the third try, their plan to open the restaurant in 12 weeks goes out the window. Fak has tried everything, and nothing works.
He'd sent Richie once on a coffee run, but the fuckin' idiot went to the nearest Starbucks. Carmy had been looking forward to tasting your coffee and seeing his name in the cup with the little heart because he's 100% sure he's the only Carmen you know. It's not a common name in these parts of town.
One very early morning, he's walking to work, and as he passes Bee Hive, he sees you inside, wiping tables down before you open at 6:30.
Impulsively, he knocks on the glass, not giving himself the time to overthink things. You turn to look at the window and see him standing outside, his hands stuffed in the pockets of his familiar plaid jacket to protect himself from the chilly March air.
"Hey stranger," you greet him, opening the door and inviting him in.
"Hi," he breathes out, staring at you, "you're here early," he tries to casually mention.
You roll your eyes dramatically and say, "It's a downside of the job. Did you know people want coffee at the crack of dawn?"
You try acting as nonchalant as possible. It's not like you missed seeing one of your favorite customers, his beautiful blue eyes, or the way he rocks a simple white t-shirt.
"I had no idea," Carmy smiles, bringing his tattooed hand up to his lips, "I, uh, usually drink mine at night." That much is true. On those sleepless nights when insomnia takes over him, the best remedy is coffee.
"Would you make an exception and join me for a morning coffee at the crack ass of dawn?" Anxiously, you play with the rings on your fingers. It feels like you're asking the guy on a date when it's just a friendly coffee.
"As long as you have some business advice to spare?" Carmy responds shakily. He briefly looks down the street to glimpse at his restaurant. It's too early for anyone to be there yet.
"Deal."
Throwing the towel over your shoulder, you make your way behind the counter. Carmy attempts to make small talk with you as you prepare both drinks.
This is the first time he's watching you in action since you tend to stick to the cash register when he's around. It's not a coincidence. After the first time he came to Bee Hive, you wanted to see more of him, so you stationed yourself at the register where you'd be sure to see him, and he'd see you.
"Here you go." You place his coffee mug on the table along with yours before disappearing momentarily and returning with an orange soufflé coffee cake. You're pulling all the stops for Carmy to leave a good impression.
Carmy thanks you and sips his coffee, "Wow, this is fire!" He expected to taste an americano, but what you prepared was entirely different. He can make out hints of hazelnut and caramel in the coffee.
"Thanks. I took the liberty of changing your order. You can always come back to the americano, though…" you shrug shyly, looking at him over the rim of your mug.
"I-I appreciate it. Thanks." Carmy throws you a nervous grin. He gestures with his tattooed hand to dig into the cake you brought out. He shouldn't be the only one eating.
You and Carmy share the cake as you talk about yourselves and the crazy businesses you own. Somehow, talking to you comes easy to him. He's still nervous and scared to fuck things up, but the warm coffee and your even warmer smile ease him into it.
"How do you do it? This place is always packed, and you seem like you run a tight ship," Carmy wonders, playing with the fork. The cake is long gone, although the notes of orange remain on his tongue. Would you taste the same?
"It wasn't without mistakes. I had to learn a lot from my fuck ups and listen to my team because although I'm the owner, they are the ones doing most of the work. Whenever there's a flaw, they are the first to know," you speak softly, afraid of ruining the calm ambiance you've set up, twirling the small amount of coffee left in your mug.
It's your favorite part of morning coffee. When you have just the smallest bit of coffee left, and you know you'll never drink it because it's cold, but it gives you an excuse to remain where you are.
"So, all I gotta do is listen?" It's funny you say that because Carmy listens, but his friend's voices get muddled somewhere along the way. As much as he tries to focus on them, they merge together and form a cacophony in his head.
"A lot of listening and a lot of experimentation. I've been open for two years, and it's only been in the last six months that I can confidently tell you we found our groove," you admit with a grimace.
Bee Hive is your baby, but bringing it to life was everything but easy. You messed up so many times, costing you so much money. You didn't know shit about owning a business or building one from the ground up. Doing research and putting your pride aside to ask for help got you through it.
"I've only been doing this for, like, less than a fuckin' year, and I already want to pull my hair out," Carmy admits with a pitiful laugh.
"I'm sorry I can't tell you it gets better soon," you say apologetically, reaching for his hand that rests on the table.
Carmy freezes, glancing at your hand on top of his. He hasn't got a clue what to fucking do with the display of affection. Was it a display of affection? He doesn't fucking know. "It's, uh, it's, uh, it's alright. As-as long as you give me coffee, I think I can make it through," Carmen furrows his eyebrows as he stutters through the sentence.
"I can't wait to see what the award-winning chef does," you say, bringing your hand back to your lap, none the wiser to Carmy's internal struggle.
He should've done something to keep your hand on his. Place his other hand on yours or fucking turn his hand around to grasp it. He liked feeling your warm skin on his. It hasn't been a minute since you pulled away, and he's craving it already. It's ridiculous. Is he really that touch-starved that he's seeking affection from a near stranger?
He coughs and darts his eyes between the wooden table top and you, "Fuck. You-you know about that?"
"I might've done some research after finding out you're opening the restaurant. I got curious. I'm sorry." Apologizing is your default thing to do. Messing things up is your area of expertise. You really didn't think he'd mind you mentioning it.
"No, no, no, uh, you don't have to apologize. You just caught me off guard," Carmy shakes his head, reassuring both of you.
"Okay, good," you lightly smile at him, averting your eyes when your gazes meet.
If there's a time for you to make a move, it's now. Taking a shaky breath, you speak up, "I was wondering if you'd ever like to-."
A loud knock on the glass door interrupts you. You and Carmy jump and look towards the source of the noise. It's one of your regular clients, waving at you to open up. Looking at your watch, you see it's 6:30 already.
"Shit. I'm-I'm sorry I took so much of your time," Carmy apologizes, picking up his mug and the plate to put away.
You grab his wrist to make him stop in his tracks, "Relax. I enjoyed talking to you. Maybe we can do it again soon?"
Carmy nods wide-eyed. He likes the idea just as much as you do. You take away the mug and plate with a soft 'okay.' He then follows you to the door as you unlock it and turn the sign to 'open.'
"I, um, gotta go work on the menu. I'll probably be back later for another coffee?" Carmen asks you as if he's asking for permission, which you find adorable.
"I'll be behind the register," you say, watching him walk away. He turns his head back for a moment, and you catch the smile gracing his lips as yours turns to mimic him.
"Oh, he's cute," your customer, an older lady, says, watching him go along with you. "It's about time you got a boyfriend."
"Mrs. O'Hara, here for your tea?" You ask her, ignoring the comment about your love life. That woman will set you up with anyone. She does love her tea, though, and expects you to provide it on time.
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It's slow, but Carmen warms up to you. Instead of grabbing his coffee to go, he now drinks it at the café, coincidentally around the same time you take your break.
He's been hesitantly opening up. It's not like he's telling you about how fucked up his family is or how his brother committed suicide. More often, it's about the restaurant and his work as a chef, the struggles of getting every permit they need on a tight schedule since they are supposed to open in about four weeks now, or the occasional childhood memory. It's everything you need to know at this stage.
You love listening to Carmy talk, even if you have to coax it out of him sometimes. He's passionate about the restaurant despite all the stress that comes from it, and he adores the people he works with. He's shy but not in a dorky way because he's actually fascinating. Before meeting him, you never knew that collecting denim was a thing.
The smell of cigarettes that clings to him is also tightly laced with his character. When you step outside to get some sun and the scent of someone smoking hits you, your heart instantly speeds up, hoping it's him coming for his daily americano, or to come swoop you away into a sunset.
"-I fell on my ass in the middle of the street. I was freaking out, thinking I was gonna get run over by a car," you exclaim as you tell Carmy about the crazy Christmas you spent in New York last year.
"It's New York. You probably would have been run over," Carmy chuckles along with you. "There was this one time I was running late and-" His phone vibrating interrupts him.
"Sorry, it's just the fridge guy," he tells you with a furrow of his eyebrows. You notice he does that a lot when he's thinking deeply. Carmy silences it and looks back over to you.
"You should pick that up. A busted fridge is the last thing you need. Trust me. Been there, done that." You encourage him to take the call. The restaurant is more important than your story about how you bruised your coccyx in New York.
"Are you sure?"
"Yes, Carm! Call him back before you forget," you insist, grabbing his empty cup to trash it. You don't give him any other option, leaving him there to help your employees with a faulty machine.
He watches you closely, closer than ever before. He allows himself to watch how you frown at the machine and how your ringed fingers fumble with the knobs. His eyes keep trailing down involuntarily, and they take in how nicely your jeans hug your ass.
He goes into a spiral into these old pair of Levi jeans popular in the 90s and how they would fit nicely with the shape of your hips and legs. Carmy continues on the tangent, imagining himself peeling them off your body.
The phone vibrating in his hand snaps him out of it. Clearing his throat, he picks up the phone and walks outside. He waves at you through the window as he makes his way back to The Bear. Your frustration at the machine vanishes momentarily as you wave back, except the machine splatters, forcing you to redirect your attention. When you look outside again, he's gone.
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Stakes are high at The Bear. There's less than four weeks until Friends and Family, and there is much to do. Marcus has returned from Copenhagen and is working on the desserts. Tina is doing her job as the new sous chef. Fak and Sweeps are helping out wherever they can. And Richie is being Richie, trying to be open but resisting change.
"I need coffee or a pop. Anything with caffeine," Sydney says, throwing her head back. She and Carmen have been working on the chaos menu for hours, and she keeps messing up. Carmy insists that it's okay that they'll adjust and get it right soon, but she's beginning to lose hope.
"Me too. I'd kill for an espresso," Natalie agrees, softly rubbing her hand over her growing bump.
"I thought you couldn't have caffeine cause of the baby," Richie mentions, remembering Tiff's time while pregnant.
"I don't need you to fuckin' tell me what I can or can't eat, Richie," Natalie yells, glaring at him. Although he's right, the doctor told her to limit her caffeine intake. Hard to do when she's up all night thinking about everything she needs to do for The Bear.
"Shit. I'm sorry for fucking caring," Richie screams back, lifting his hands up in defense.
"I can go to the coffee place down the block. Get everyone something," Carmy pipes up, looking forward to seeing you today.
Natalie is quick to shoot that idea down, "You can't. The fridge guy is coming in 20 minutes."
"Fuck, that's right," Carmy groans, digging his head in his hands. His fingers rake through his hair, messing up his curls. He wanted to see you and talk to you, even if it was for five short minutes.
"I'll go," Sydney sighs. She needs to leave the kitchen for more than five minutes, or she'll go crazy, "Just tell me what you guys want to order."
Natalie grumbles about getting decaf, Richie orders a plain black coffee, and Carmy asks for his americano. As Sydney leaves to ask Marcus, Carmy yells after her, "Please, go to Bee Hive. If you get Starbucks, I'm gonna fucking lose it."
Richie and Natalie exchange a look. Richie because he's confused, and Natalie because she knows something is happening with Carmy. He's never been picky over coffee. In fact, they have an old coffee machine in the office that now goes unused because he's always at that coffee shop.
"Sorry, I didn't get the fuckin' memo. Since when is Starbucks bad?" Richie frowns, looking to get a rise out of Carmy.
"I don't think it's about the coffee, cousin," Natalie responds, directing her gaze towards her brother, who is hunched over the counters, chopping vegetables.
"If it's not about the coffee, what is it about?" Richie questions, crossing his arms.
"Shut the fuck up, Sugar," Carmy grumbles, looking at his sister with a glare. He already knows where she's going. She tried to bring it up a couple of days ago after she walked by the coffee shop and saw him being friendly with you.
Natalie smiles and responds, "Carmy has a crush on the barista."
"That's ridiculous. I don't have a crush on her." Carmy shakes his head, avoiding Richie and Natalie's eyes on him. They always do this. They gang up on him if he shows even the slightest interest in a girl. They think they can help, but all they do is embarrass him.
"Come on, Bear. Why else would you go almost every day to get coffee?" Natalie asks, giving him a look.
"Because it's good fuckin' coffee. Jesus, it's not that deep." Carmy grabs the veggies he chopped and drops them into a container to use later.
"It's okay to admit you like a pretty girl, cousin! I'm excited for you! Makes you human and not a lonely hermit," Richie jokes, pushing on Carmy's buttons. "When was the last time you got laid?"
"I swear to God, Richie. Shut the fuck up," Carmy points at him angrily.
"No, I should go with Sydney and see who this girl is!" Richie says, walking out of the half-built kitchen.
Carmy follows him instantly, "You're not going fuckin' anywhere, fuckin' jagoff." He's turning red from anger, seeing Richie with his mocking smile. Natalie follows behind them, amused at the situation. It reminds her of the banters they used to get in with Mickey.
"Admit that you like her," Richie shrugs, giving him a choice.
"No, I won't," Carmy refuses. "You always do this shit."
"Then, I'm going," Richie nods, stepping towards the door.
"Fuck! Shit, alright. I like her, okay? Don't fucking go anywhere," Carmy yells, rubbing a hand on his face out of frustration. It's like he's not allowed to keep anything good to himself.
"Was that so hard?" Richie grins, clapping a hand on Carmy's shoulder.
"Don't fuckin' touch me," Carmy grumbles, walking back to the kitchen. Natalie follows him with a smile, shaking her head at Richie.
Carmy sighs and squeezes his eyes shut. He has yet to admit that he likes you more than he should. He's been avoiding it, afraid of what it might lead to, or rather, what it might not.
He couldn't let Richie go see you. He has a big fuckin' mouth and will tell you Carmy has a crush on you whether it's true or not. Just like that, he feels the sour taste in his mouth, his heartburn making an appearance. Carmy should go look for his pepto before it gets worse.
Unaware of the argument back at The Bear, Sydney walks to Bee Hive. She's walked past many times but has yet to have the time to stop and try it out.
As she waits in line, she reads over the drinks menu. It's clear that it's been carefully curated. Starbucks has nothing on this menu. She can see why Carmy would prefer to come here instead.
When it's her turn to order, Sydney takes out her phone to recite everyone's drink order. She also points to a few pastries, thinking Marcus would like to try some of them and get inspiration. That and she knows Natalie will enjoy them as well.
You're sitting at a table close to the pickup counter. You often find yourself all over the store, ensuring everything goes smoothly. Sometimes, you stop to talk to your regulars and see how they're doing.
You notice Sydney struggling with all the cups she has to carry. It's proving difficult despite the to-go trays your barista put them in. Deciding to approach her, you ask, "Do you need help?"
"Oh, no. I'm fine, thanks," Sydney responds with a nervous smile. She's trying hard to grab everything, including the box with the pastries.
You continue watching her struggle because you know she needs help. You let her try and figure it out for one more minute before stepping in again when she almost drops two of the drinks, "Need some help now?"
"Yeah," Sydney sighs, "I guess I can leave one of the trays here, go to the restaurant, and come back for the rest," she speaks mostly to herself.
"Are you going far?"
"No, just the restaurant down the block," Sydney responds with a sigh, scratching her eyebrow as she tries to figure out the logistics of carrying the drinks. She could get a box to put everything in.
You perk up at her response. The only restaurant down the block is Carmen's. Could she work there? "Carmy's restaurant?"
"You know Carmy?" Sydney asks, tilting her head. Maybe Nat was right. Carmy spends his time here because of the woman in front of her.
"He comes here often. Anyway, I can go with you to help you out. It's not far, and I'd feel bad if your drinks got cold." You offer to help her out because you're a nice person. Not because you want a chance to see the curly-haired man you are developing feelings for.
"You really don't have to…"
"It's really not a problem," you press, grabbing one of the to-go trays and motioning for her to lead the way.
Sydney sighs in defeat and nods, "Thanks. I'm Sydney, by the way."
"I'm Honey," you smile, following her outside.
You chat all the way to the restaurant with Sydney. She reminds you of Carmy in some ways, so you can see why they are friends. Before arriving at the restaurant, Sydney apologizes in advance for any sort of mess there might be, including yelling.
As you near the building under renovation, your palms start to sweat. Maybe you shouldn't have come. You're showing up unannounced, and he's probably too busy to talk to you anyway. You can slip in and out without him noticing. That's the goal now.
You open the door for Sydney, letting her go through first, and quietly follow her into the restaurant. There's no time to escape, as all eyes are instantly on you.
Richie is arguing with Fak when he sees you walk in. He narrows his eyes as Carmy looks in your direction from the kitchen. With just one glance to Carmy's face, he knows who you're supposed to be.
"Guess I didn't have to go anywhere. She came to me," Richie whispers, rushing out the door.
"Shut the fuck up. Where are you going? Don't embarrass me!" Carmy whispers out to Richie unsuccessfully.
"Oh, you'll do that all by yourself," Richie throws over his shoulder.
"Honey, hey, what-what're you doing here?" Carmy speaks, not giving Richie a chance to open his big mouth. He stands between you and Richie, blocking him for the time being.
"Sydney needed help with the drinks," you answer nervously, averting your eyes.
"Oh, thanks for that. You didn't have to," Carmy approaches you and takes the drinks from your hands. His fingers brush with yours momentarily, causing you both to blush.
"I did, or else you probably wouldn't have anything to drink," you whisper to him.
Sydney, Fak, and Richie all watch the interaction amusedly. Richie has a big teasing grin on his face as he makes a plan in his head.
"Hi, I'm Richie! Carmy's cousin," he introduces himself, shoving Carmy to the side and shaking your hand enthusiastically. "I gotta say Carmen right here is obsessed with your coffee. He's banned us from getting Starbucks."
Carmy curses under his breath as Richie does precisely what he tells him not to. He has the urge to throw the coffee at him and run away.
"Is that right?" You ask, amused, looking over at Carmy with a raised eyebrow.
"Oh yeah," Richie answers for him as Carmy tries to find the right words to say. "Cousin, why don't you give the nice lady a tour of the place?"
"It's not done yet. Could be dangerous," Carmy hopelessly says with a gulp.
"Nonsense! You'll take care of her!" Richie insists. He takes the coffee from Carmy's hands and pushes him in your direction. "Go give her a tour."
Richie, Sydney, and Fak all disappear to the office to stay out of the way and try to snoop simultaneously. Fak sends Carmy a not-so-discreet thumbs-up that makes you giggle.
He's internally screaming at his so-called friends but is glad to see you. It was all he wanted before Sydney left to get their drinks. It's strange having you here at The Bear, though. He's so used to seeing you in your own space back at Bee Hive.
Trying to make things better, you say, "Sorry you've been roped into this. You probably have better things to do. I can go-"
Carmy doesn't let you finish. "No, stay. I want to show you around."
"Let's see what you got then, Berzatto," you grin, following him to the kitchen.
Carmy takes his time showing you The Bear. He wants you to stay. He wants to spend time with you but doesn't really know how to say it. So he takes it slow, answers your questions about the restaurant, shows you the front and how everything will be laid out, and introduces you to the ones around, including the fridge guy working on the handle.
Sadly, you get a call from Bee Hive asking you to come back. Carmy walks you outside, dreading having to say goodbye.
"I'm really excited for The Bear to open. You have a great place and team," you tell Carmy.
"I really got lucky with them, huh?" He asks, playing with a dish towel.
"I gotta go. I'll see you later, Berzatto." You don't know where you got the guts to lean towards him and kiss his cheek.
Carmy stays still as his face heats up. You start walking away and throw him a smile over your shoulder. When you're a distance away, he touches the cheek you kissed. Back inside, Richie runs over to Sugar to tell her what he just witnessed.
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It's late when Carmy leaves The Bear. As he walks to the train station, he has his hands stuffed in his jacket pocket. On his way, he sees a lone light turned on in your café. Crossing the street to check it out, he sees you're still there with glasses perched on your nose in front of the computer.
He tries the door, and to his luck, it's open. You look in his direction, startled, but relax once you see it's him.
"Nice glasses," Carmy teases, pulling out a chair to sit.
"Are you making fun of me?" You purse your lips, propping your chin on your palm.
"No, I…I think you look cute with them," Carmy admits. After a stern talk from Sugar and Richie, he's realized he should probably make a proper move on you because if what they say is true, you also have a crush on him.
"Thanks," you blush, the light from your screen making it obvious to Carmy, who can't stop the corners of his lips from turning up into a smile.
"Late night?"
"One of my baristas is moving out of state. I have to find someone new, preferably who has experience," you say with a sigh. Glancing at him, you add, "Are you perhaps interested in the position?"
"Poaching me from my own restaurant, nice. I'll let you know I'm an excellent worker," Carmy jokes, tapping his fingers on the table.
There's no doubt in your mind he's an excellent worker. He has to be if he's considered one of the best up-and-coming chefs. Or to work in one of the best restaurants in the world with three Michelin stars.
"I don't know. I'll need references," you speak as if not believing him.
Carmy smiles and softly chuckles, "Fair enough."
There's a moment of silence between the two of you that Carmy is quick to fill, "So, uh, have you had dinner yet by chance?" This is it.
You shake your head no and look at him with hopeful eyes.
"Wanna go grab pizza? I know a place," he asks, finding your gaze on him.
"Say no more," you say, closing your laptop and taking off your glasses. "I'm starving."
Carmy waits for you to lock Bee Hive and grab your things. Then, you both walk to the pizza place. To pass the time, you and Carmy talk about your days and anything that comes to mind. Nothing serious as you get to know each other.
Waiting in line to order the pizza, you tell him all about your nickname and how you were donned 'Honey' to everyone who knows you. In return, he tells you about his nickname 'Bear' and why his restaurant is named as such. For the first time, he dares mention Mickey.
"Best pizza in Chicago," Carmy says, taking a slice of the pie and placing it on your plate.
"I'll see about that," you murmur. You wait until he has a slice of his own and dig in simultaneously.
"It's good, but this is not the best pizza place in Chicago," you say after chewing the first bite, "I'm gonna get your chef license revoked."
"Are you? With what proof? Have you tried all the pizza places to know?"
"I don't have to because I've tried the best," you hum, taking another bite. The cheese stretches as you pull it away.
"Oh yeah? Which one?" Carmy questions you, taking a drink of his beer.
"Mine. The pizza I make is the best," you shrug modestly.
"Wait. You cook?" Carmy asks, giving you a look of surprise.
Cooking is a universal thing. Most people know how to cook up to a degree, yet only some are as confident in their skills as you are. You know you're definitely not up to Carmy's level, but if there is something you know how to do properly, it's pizza.
"Yeah! You're not the only good cook here, Berzatto," you sass back at him, dipping the pizza crust in the marinara sauce.
"Sorry for assuming," he raises his palms.
"You're forgiven," you chirp.
"When will I try this famous pizza of yours then?" Carmy wonders. An attempt to see if you'd like to see more of him.
"I promise I'll make it for you once you open The Bear. You're too stressed to fully enjoy it now," you respond. You were reaching out. Throwing hints that you want this to continue in the foreseeable future.
The conversation continues to flow with an empty pizza box in front of you. Customers come and go until it's only the two of you and a drunk customer picking up his pizza.
"Tell me about your tattoos. Were they an act of rebellion or something else?"
It's an excuse to touch his hands. You reach for them, turning them to see the black ink on his hands and fingers. You gently trace over them with the pads of your fingers. Over the hand that's stabbed, the letters S.O.U. on his knuckles and the forget-me-nots. The one you're dying to touch, though, is the one on his bicep; you'd give anything to feel the hard muscle underneath the rolled-up sleeves of his white t-shirt.
"Uh, my first tattoo is the 773. Got it when I left Chicago for the first time. After that, I sort of became addicted to them. I found they helped my anxiety when it was becoming too much. The pain distracted me and made me feel stronger than I actually was," he says, letting you touch him. He finds that he likes it. Your touch is soft and warm. Comforting.
"So what you're trying to say is you're a masochist," you say, bouncing your eyebrows at him. Your touch goes further up his arm to turn it and look at the fish tattoo on his forearm.
"I guess so," Carmy responds with a breathy laugh, "Do you have any tattoos?"
"Maybe…" You shrug as the pads of your fingers trail back down to his palm until you pull them back towards you. Carmy instantly misses the feeling, opting to cross his arms to retain the warmth you left behind.
"It's bad, isn't it?" He says knowingly. Your reaction told him everything he needed to know.
"The worst," you grimace, shaking your head at the memory of you getting it.
"So, rebellion or something else?"
"Rebellion. For all the wrong reasons," you groan, burying your face in your hands, "Growing up, everyone saw me as a good girl because that's what I was. Breaking the rules terrified me. So, as a teenager, I didn't want to be seen as a goody two shoes, so the summer before I went to college, I decided that getting a tattoo would make me a badass."
"Did it work?"
"God, no. I only got the outline done 'cause it hurt like a bitch. Then I went crying to my parents, fully having a meltdown, apologizing for disappointing them," You scrunch your nose as you say the following words, "They laughed in my face, called me a wimp, and told me to suck it up."
Carmy fully laughs at your story. Head thrown back, eyes closing, "What did you get?"
"That's a secret, Berzatto," you purse your lips, avoiding responding. You just know he'll make fun of you for it.
Everyone who has seen your tattoo has made fun of you for it, yourself included. It's so silly and not badass. Carmy will have to wait to see your tattoo, and you hope this continues so he can see it up close.
"Really? That bad?" Carmy stares wide-eyed.
"It's terrible," you nod, leaning on the table. "We should probably get going before the waitress throws a fit."
Carmy looks over his shoulder to see the waitress glaring at them. It's five minutes till close, and they've made no move to go. He turns back to you and nods towards the door. Carmy helps you with your jacket and leaves a tip on the jar for the waitress. At that, she happily calls after them with a 'Good night!'
"Do you live far?" Carmy asks, seeing how dark it is now that most places have closed. There are too many lamp posts that aren't working. He'd feel better if he could walk you home or you called an Uber. Preferably the former.
"Only a couple of blocks away. Why?"
"It's late. Let me walk you home," Carmy says decidedly, not giving you much of a choice.
"Thanks," you respond with a small smile.
The pace you set is slow. You don't want your time with Carmy to end just yet. He's such an interesting and sweet guy. He's a little awkward, but it adds to his charm, and you can see he's trying.
Somewhere along the way, his hand brushes against yours briefly. Then, it happens again, and you decide to bite the bullet. You grasp his hand in yours.
"Is this okay?" You ask when he falls silent.
Carmy doesn't have a lot of experience with girls. He can't even remember the last time he held a girl's hand. All he knows is he doesn't remember ever feeling this good. "Yes, uh, this is okay."
Carmy walks you up to your front door when you reach your house. You unlock the door but stay outside face-to-face with Carmy.
"Thanks for the pizza," you say, fiddling with your fingers. You were about to make one more move for the night. Because as long as Carmy allows you, you'll keep pushing for more.
"Sorry, it wasn't the best," he retorts, rubbing his jaw with his hand. You notice he does that a lot when nervous.
"Your company made up for it," you reassure him, "g'night Carmy." You kiss his cheek goodbye, watching as his cheeks blush.
"Night," he whispers.
As you turn to leave, Carmy stops you by grabbing your wrist, "Wait-uh, can I? Uh-shit. Fuck it." For a second, Carmy shuts out the excessive thoughts in his head and does what he's been dying to do for weeks.
Carmy cups your jaw and kisses you. It's soft and slow. He gives you enough leeway to pull away if it's something you don't want, but you reciprocate eagerly. You've been waiting for this all night.
As confidence surges through his body, Carmy throws an arm around your waist, pulling you closer. You wrap your arms around him, one of your hands resting on his neck, tangling on his curls. The tug of your fingers feels like heaven.
The kiss turns needy and desperate, your lips moving perfectly in sync. His tongue brushes over your lip; Carmy has been dying to test a theory. Are you as sweet as your name?
He's rewarded by a little noise in the back of your throat as he slips his tongue into your mouth. It's endearing, and he finds a way to make you do it again. With heads tilting to deepen the kiss, he concludes he was right. You're pure honey. Sweet and addicting.
When Carmy returns to his apartment, he gets the urge to create, to cook. He wants to bring your taste to life with his cooking. Something with honey.
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"I was wondering if you'd want to come to the restaurant for Family and Friends."
You and Carmy are in your little office at Bee Hive. He stands between your legs as you sit on the desk. His lips are slightly red and swollen, and the hair at the nape of his neck is messier than usual.
"Hm, I could be persuaded," you pretend to think as you play with the golden chain around his neck, pulling him towards you.
"Yeah?" Carmy laughs, leaning to brush his lips against yours. When he feels you nod, he closes the small gap between the two of you.
His hands hold your hips, pulling you impossibly closer. He tastes like coffee, which is to be expected from the discarded cup beside you. It's funny how your relationship, if it could be called that, has moved all around Bee Hive from the register to the front and now to your office.
You're at a weird spot where you're not exactly friends because friends don't kiss, but you're not a couple either. It's a situationship for sure. You're content with what you have now, although you'd also love it if Carmy were to ask you to be more. You pin it on him being shy. He'll get around to it.
"What do you say?" Carmy questions as he kisses a trail from your cheek to your jaw.
"Consider me in," you giggle when he kisses a tickly spot.
Carmy brushes a strand of hair out of your face, remaining close to you. This is what he needs. After months of stress and anxiety of having to deal with The Beef, now The Bear, he needed you and your calming presence. Someone removed from the chaos, a safe haven.
He's quiet as his thoughts consume him, and you take the intimate position to fix his gold chain. Turning it so the clasp faces the back instead of the front. "I'm excited, Carmy," you say with a smile, brushing his cheek with your thumb.
"You can bring someone with you," Carmy offers nervously because he realizes he probably won't have the time to spend much time with you. "I-I don't think I'll be around much. I'm sorry. I'd understand if that makes you change your mind," Carmy drops his head as he braces himself for disappointment.
As the weeks pass, you learn more about Carmy and his insecurities. It doesn't deter you from wanting to be with him. Everyone has their issues. "Berzatto, stop. Look at me," you softly divert his attention, "I'd love to go and support you even if it's from the sidelines."
"You sure?" He asks once more.
If reassurance is what he needs, that's what you'll give. "Don't worry about me. This is your moment, Carmy. Enjoy it. I'll be around afterward."
"Thank you for understanding," Carmy responds, stealing one more kiss from you.
When he returns to The Bear, he helps Sydney prep the dishes they finally chose to serve. He notes how everything is laid out and anything they should fix before opening.
Richie struts into the kitchen with a suit on. Apparently, it's his thing now. Carmy figures staging at Chef Terry's restaurant had a good impact on him. All Carmy wanted was to show Richie he had what it takes. That he's not a fuck up.
"Glad to see things are going well with Honey," Richie thunders.
"What are you talking about?" Carmy says in a rush as he plates the lamb expertly.
"That thing on your neck," Richie says, motioning to his own neck. He has a smug look on his face.
"I don't have time for this, cousin," Carmy grumbles, wiping the plate where the sauce might've splattered.
Groaning, Richie grabs one of the new pans and holds it in front of Carmy. "I don't see anything," he frowns, looking at Richie for an explanation.
"Right here," Richie points towards the edge of his t-shirt around his neck.
Carmy pulls it back and finally spots what Richie has been referring to. There is a fading purple bruise on his skin, a hickey. You must've done it when he was back in your office. He'd been too busy touching you to notice.
Sydney, silently watching, pipes up, "No wonder he hasn't been as on edge lately." Carmy shoots her a glare, which causes her to shrug and laugh with a, "What? It's true."
"Ay, yo, Sugar, get in here!" Richie yells down the hall to the office.
"What is it?" Natalie barges in, afraid something went to shit.
Carmy ignores Richie as he babbles to Natalie what he found. His face is red, though, as Sydney nudges his side.
"That's enough about me. We have shit to do," Carmy shouts in his chef's voice.
Everyone in the kitchen, including Richie and Natalie, repeats, "Yes, chef!"
Walking out of the kitchen Richie, 'whispers' to Natalie, "I've always wondered if he likes to be called chef in bed."
"Fuck off, Richie," Natalie glares, but then it falls, and it's replaced with a teasing grin, "He definitely does."
"I heard that! Don't you two have better things to do?" Carmy screams at them.
"Yes, chef!"
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Carmy keeps hearing Cicero's 'Uh-oh' throughout the whole day. He understands Cicero, he really does, but to call you a distraction?
His work with The Bear is only starting. They managed to make it to Friends and Family. Now, they have to keep up their best work to fill up the restaurant daily and have a waiting list. His work is far from done. He should listen to Cicero.
Cicero said it with the best of intentions. He doesn't want the Berzatto siblings to fail. He wants to believe they'll succeed and, most importantly, get him his money.
If there is something Cicero has learned throughout the years, it is that girls are distractions. They mean well, but oftentimes, they keep your eyes off the ball. Especially when it's a new relationship like Carmy's. Ultimately, it's up to Carmy to decide what he wants to do. Cicero has played his part by giving him his advice.
One last delivery is made to the restaurant an hour before opening. Richie is the one to receive it and place it in front of Carmy. "She's a keeper, Cousin," he says with a pointed look and a nod. He also wants the best for Carmy, and yet it doesn't align with Cicero.
You knew Carmy would be too stressed and all over the place to eat or drink, so you sent everyone at The Bear a drink and a pastry. One of the cups has Carmen's name with a little heart and 'good luck' written on it.
"Yeah, she is," Carmy sighs, turning the cup in his hands to look at the message. His thumb brushes over your handwriting longingly. Is listening to Cicero the wise thing to do? He's one of the most successful men he knows in his family.
When it's 10 minutes till open, Carmy changes into his uniform and looks in the mirror. His heart is racing, begging for Friends and Family not to be a complete failure. Walking out of the bathroom, Carmy is a man on a mission.
It starts relatively well, but like everything in Carmy's life, the kitchen starts welcoming in the chaos.
They are too slow getting the orders out, which causes Sydney to start doubting herself and asking Carmy to step in. He reassures her she's doing good. They just have to keep up the pace.
Then, one of the new chefs disappears mid-rush. Forcing Tina to work two stations and Marcus to step out of his to help Sydney. Carmy ignores some weird tension between them as he works on ensuring the dishes are good to go.
Next thing he knows, Sugar is rushing into the kitchen, yelling at him about forks. It's wasted time, as he can't do anything about it. A shrill reverberates inside his head as he looks at the ticking clock. It's enough to give him a headache.
With no one to take a dish to its table, Carmy takes it upon himself to do it. There's no time to re-fire or wait for someone. He places it on their table and pours the tea into their cups before retreating with an 'enjoy.'
He looks at his restaurant, and suddenly, the ringing in his head gets louder. Sitting in a booth is his old boss, staring back at him like he did back in New York. Like he was waiting for Carmy to fail.
His voice echoes in Carmy's head. Why are you so fuckin' slow. Hurry up. Go faster motherfucker. Talentless piece of shit.
Right before Carmy spirals, it all goes away. His focus shifts entirely as he sees you taking your seat for the night. The one he chose because he'd be able to see you from the kitchen. You have successfully blocked the mirage he'd conjured up.
You're there with your brother as Richie talks you up, thanking you for coming. As if sensing him, your eyes lock with Carmys. Shyly, you send him a wave, which he returns, thanking you in his head for getting there at the perfect time.
Carmy ducks back to the kitchen with newfound energy. Richie enters shortly after him.
"Chef, your girl is here."
"Thanks, Chef, um, do you have the notepad?" Carmy asks as he continues cleaning dishes and making sure each one is up to par.
"Here you go."
Taking the notepad from Richie, he begins scribbling. I love- No, too fuckin' soon. Thank you for- Nope, it's too stale.
I'm happy you're here, Honey. Wait for me after you're done? -Bear
"Here," Carmy hands it to him without even looking at Richie.
"Keep up the good work, Chefs," Richie yells out to the room before disappearing to the front of the house. The door swinging shut behind him.
"Yes, Chef!"
Something isn't working in the kitchen. They're too backed up, and no matter how hard they try, they're always a tad too slow. Through Sydney surrounding the wheel to Richie, Carmy steals glances out the kitchen window. You're smiling at whatever your brother says, your lips sipping the wine he chose. Carmy can get through this night because, in the end, you'll be waiting for him.
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"There he is," you sing as you spot Carmy walking out of the kitchen. The chef's whites back in his locker as he sports his white t-shirt, jeans, and jacket.
Fak, who kept you company while Carmy finished up, speaks up next, "My brother, I'm gonna grab a sandwich and head home. Honey, it was a pleasure meeting you."
"You too, Neil!"
"Thanks for everything," Carmy tells him, giving him a hug and a pat like dudes do.
Carmy turns and grabs your hand to pull you close and kiss your cheek. "What did you think?"
"It was the most delicious thing I've ever tasted," you tell him, wrapping an arm around his shoulders.
There's a reason Carmy has had so many accolades despite his young age. He has a gift in the kitchen. The moment his food touched your taste buds, your life changed. He and Sydney outdid themselves, and the way everything flowed showed how much work they put into the restaurant.
"You're exaggerating," Carmy modestly says, his arms wrapping around your waist.
"I'm really not," you shake your head, pursing your lips. Carmy can't resist placing a small peck on your red-painted lips.
"What about your famous pizza?"
"No, it might be the best pizza in Chicago, but whatever I ate today topped it," you smile at him, scrunching your nose. "Consider your chef's license reinstated,"
"Thanks," Carmy laughs breathily, "Do you mind if we walk? I feel some of the rush still."
"Lead the way, Mr. Berzatto."
Carmy grabs your hand, leading you to the streets of Chicago. It's silent momentarily as the wind cools Carmy's heated face. He places his hand along with yours into his pocket.
"Did your brother like it?" He asks, breaking the ice.
"Oh yeah. I'm officially like the best sister ever," you respond, squeezing his hand.
You had accidentally forgotten that your brother had passed the Bar exam. So, you didn't have time to get him anything in celebration. You figured dinner at a lovely new restaurant would help while you got him a proper present.
"How did you feel throughout, though? It looked intense." You often found yourself looking through the small glass window into the kitchen. They were always on the move, looking for the next thing to do.
"It didn't just look like it. I'm used to it, though," Carmy admits with a sniff. Everyone's best and worst habits shone through for those couple of hours. It's an environment he's all too familiar with, in and out of the kitchen.
"That rough," you grimace.
"It's fine. We have a lot to work on, but it's a start, and it wasn't entirely terrible," Carmy says, thinking back on tonight. Before coming out to meet you, he wrote down a couple of things to go through with Sugar and Sydney.
"Good, 'cause I hope The Bear sticks around the block," you say, bumping your shoulder with his.
You invite Carmy into your house when you arrive. He takes up your offer, holding your hand to help you balance as you take your heels off. It reminds Carmy he forgot to mention how beautiful you looked today.
He follows you to the kitchen, watching your hips sway and your dress skirt swishing. Padding to the wine fridge, you pick out a bottle of red to celebrate.
Carmy indulges in looking at your legs as you stretch up to reach for the glasses of wine up in your cabinets. His blue eyes darken as your dress hikes up, exposing your pretty thighs.
His gaze darts back up at you when you turn around to place the glasses on the kitchen counter. You hand him the wine opener so he can do the honors because you suck at taking the cork out. It's why you mainly stick to cheaper wines with twist-off caps.
"Here is to The Bear and its amazing owner," you say, lifting your glass in front of you.
"Here's to not fuckin' it up entirely," Carmy follows, making you giggle. Your wine glasses clink, and you take a drink.
Placing the glass back down, Carmy pins you against the counter, his strong hands resting on the edge of it. You look at him through your lashes, a hand coming up to his chest to feel the steady thumping of his heart.
"You look beautiful. I like the dress," Carmy murmurs. It's better late than never.
The dress you wear is a pretty shade of light blue. Simple yet dressy. The neckline gives him a good view of your cleavage and has long sleeves to compensate for the shorter length. They currently cover the goosebumps lining your skin.
"Yeah? I picked it out thinking you might," you reveal, biting your lip. The shade reminded you of his eyes.
"You were right," he whispers, cupping your jaw. As pretty as the dress is, he's sure it'll look so much better on the floor.
Carmy closes his eyes as he leans down to kiss you. He's always struggled with words, so he hopes it's enough for you to catch what he's trying to say.
You smile into the kiss, blindly leaving your glass to the side to be able to touch him. Your palm presses against his chest and taut abdomen. He hides a nice amount of muscle under his t-shirts, a pleasant surprise.
Carmy easily lifts you up to sit down on the kitchen island. He steps between your legs, never breaking the heated kiss. The hands on your waist trail down to your thighs and under your dress. Carmy's tattooed hands squeeze your ass and thighs, earning him a moan from you.
This is the farthest you've ever gotten, and you're more than ready to have all of him. Carmy knows this, which leads to his thoughts getting out of control.
He has to make a decision now. Does he allow himself to be with you, or does he remain by himself like always? Richie's, Sugar's, Cicero's, and Sydney's voices all shout at him different things. Some are in favor, and others are in opposition. 'Uh oh.'
He can't lead you on and sleep with you if he will back out tomorrow. The voices become deafening in an instant, ripping him away from your embrace. His emotions bubbled over and spilled all over the place.
"Wait, stop, I just-" Carmy breathes heavily, taking a couple of steps back from you. Carmy's hand comes up to his forehead as he attempts to organize his thoughts.
"What's wrong?" You ask worriedly. Did you do something wrong?
Carmen's thoughts spill out his mouth without making much sense as he paces in your kitchen. "I can't stop thinking about it and owe it to my team..."
"Carm?" You slide off the kitchen counter, approaching him slowly.
"-keeps saying it's a distraction," he rambles mostly to himself. His heart is pounding painfully in his chest. If he didn't know any better, he'd think he was having a heart attack.
"Hey, hey, hey. What's a distraction?" Softly, you grab onto his arms, stopping him in his tracks, trying to find his lost gaze.
"You. Whatever this is," Carmy breathes, finally meeting your eyes, which he instantly regrets as your eyes turn sad.
The watering of your eyes is unintentional, as is the knot forming in your throat. "You think I'm distracting you?" You question barely above a whisper.
His response is instant, "Fuck, no, the opposite. W-When I'm with you or-or think about you, things get clearer, and it's-it's when I feel the most focused." Carmy holds your shoulders, comforting you because he never meant to hurt you. He can't stand the sad look in your eyes.
Slowly, you begin to piece together his rambling and conclude that other people have been telling him you're a distraction. You wonder if they don't want him to be happy. The Bear is the center of Carmy's life, and before that, it was the restaurant in New York. He deserves more than this crazy job.
"Then fuck what others tell you, Carmen. You deserve to have a life outside The Bear." Maybe you're selfish because you don't want to lose him, but you hope he believes your words.
"I-I don't. I don't deserve all your attention or your affection. I'm nothing special. I don't deserve you." Carmy says, shaking his head with furrowed brows.
Weeks ago, he had no source of enjoyment. He said it himself at the support group. Now, he has you, yet he can't bear the thought of you wanting to be with him. He feels like he's tricking you into a bad deal. That's what he is, though, isn't he? An overachieving fuck up with tons upon tons of baggage.
Carmen Berzatto is an anxious person with too many problems in his life. He has a fucked up family. His mother is a mentally unstable alcoholic. His brother was addicted to painkillers and decided that shooting himself on a bridge was better than living this life. That's without mentioning all the trauma he has from his job and the terrible people he's worked with.
What good does he have to offer you?
"Yes, you do," you reassure him, placing your hands on his cheeks. The cool metal of your rings soothes him somewhat, grounding him. "You deserve all that and more, Carmy. You're so sweet and kind and hard-working. You've been through shit. You deserve something good in life. Maybe it's me, or maybe it's not, but don't close yourself off."
You're begging at this point. Whatever this relationship is, it's just starting. He's not giving himself a chance. You like Carmy so damn much. He's funny without knowing it and thoughtful, too. There are so many qualities he doesn't realize he has.
His eyes watch you as tears line them. He's silently pleading for you to convince him. To get him out of his own head and forget the expectations others have on him.
"I'm not going to force you into anything, Carm. It's your call, but I've enjoyed our last couple of months together. I know we don't know each other completely, but I want to know everything about you. I have feelings for you, so whatever you decide, I'll support it."
Being honest is all you can do at this point. You pour your heart out and hope Carmy chooses you.
You and Carmy stand in the middle of your kitchen. Face to face, reaching out towards each other. It's clear as day that you want the same thing. It's only a matter of taking the right steps now.
"I can't let you go," Carmy responds, grabbing the hand on his cheek. His thumb brushes over the back of it.
"Then don't."
Carmy's decision is made. Without another thought, he smashes his lips against yours. He grabs the back of your neck, tilting your head to meet his heated kiss.
It's more intense now that the cards are on the table. Nothing to hold him back.
Tongues clash together as your bodies seek each other out. The temperature rises when Carmy lifts you up to wrap your legs around his hips. His hands are on the back of your thighs, holding tight onto you.
"Bedroom?" He asks, breaking the kiss, a trail of saliva between the two of you.
"Down the hallway," you breathe heavily, kissing down his neck.
Carmy makes it to the bedroom, opening the door with a bang. He spots your bed, placing you in the middle with him holding himself up on top of you.
He watches as your back meets the bed and your fair fans around you like a halo. The curvature of your breasts accentuated even more from the position.
Carmy hikes your leg further up his hips as he dips down to kiss a wet trail down to the neckline of your dress. He leaves open-mouthed kisses on the rounded flesh, nipping at the skin playfully when you arch your back to push more into him.
"Carmy," you breathe, cupping his jaw to pull him back to your lips. Grinding your hips, you manage to graze against his bulge.
"Shit," Carmy shakily curses, thrusting his hips to meet your touch once more.
Curiously, your hands wander across his body. Carmy's moans in your ear make your panties wetter than they already are.
You grasp the hem of his shirt, pulling it up and off. You're desperate to have him, your cunt aches for him. Your nails scratch down his firm stomach when he bites into your earlobe, softly calling your name.
"Unzip me," you pant, pushing him away and pulling your hair off to the side.
Carmy grabs the small zipper, pushing it down and exposing your pretty skin. As he slides the fabric off of you, he kisses your shoulders and back, taking note of the goosebumps on your skin.
His mind is in the present, and nothing can take it away from him. It's like a switch he managed to turn off in his brain. No more family drama, no more The Bear. It's just you...and him. Honey and Bear.
You stretch your neck to the side, giving Carmy more space to pepper kisses across the delicate skin. The dress pooling at your feet exposes your chest, and Carmy's hands come up from behind you. His fingers shyly brush up your stomach, tickling you, until they find your breasts.
He draws a moan from you as he squeezes them in his palms, pushing you back to meet his chest; turning your head to the side, you find his lips.
The kiss breaks when he slides one of his hands into your underwear, dipping his finger to feel your wetness. Your arm reaches back to dig your fist in his curls.
"You're soaked, Honey," he moans, finding your clit to tease it.
"Been waiting for so long, Carmy," you whine as your hips stutter along with the flicks of his wrist.
"I'm sorry. I'm here now," he purrs into your ear.
Carmy can hear the distinct 'shlick, shlick, shlick' of his fingers against your clit. It spurs him on as he slips a finger into you. He can't wait to have his cock inside of you, snug and warm.
"Oh my god, Carmen," you gasp when he prods another finger into your entrance. Hanging onto his arm across your chest, you roll your hips against his fingers.
"I got you," he says, digging his fingers deeper into you and curling them.
Your knees buckle as the tips of his fingers curl and hit your g spot repeatedly. If it weren't for him, you'd be on the floor. With your tummy tensing under the weight of the pleasure, you stutter out, "I'm gonna cum."
Carmy's hand is wet from your juices as he ups the ante. Just as your walls begin to squeeze around his fingers, he pulls them out to circle around your clit.
"Oh, f-fuck!" You squeal, throwing your head back onto his shoulder.
The way your clit softly twitches under the pads of his fingers fucks with Carmy. It makes his cock throb and leak into his jeans.
Untangling from his embrace, you place a breathless kiss on Carmy's lips. His slick digits dig into your hips as he prolongs it.
Blindly, you find the edge of his jeans and unbutton them. If Carmy notices, he doesn't say anything. You want to give him one more reason to stay with you.
He moans into your mouth when you grasp his length through his boxers. He's rock hard as he desperately ruts against your hand.
With your hold still on him, you push him to sit on the bed. Carmy looks up at you lustfully. You plant a single short kiss on his lips before kneeling on the floor between his legs. You leave love bites down his chest while looking up at him through your lashes.
Carmy brushes away any hair that falls on your face, his blue eyes focused solely on you. When you reach the waistband of his pants, you pull them down along with his underwear.
His length pops up from its confines, slapping against his tummy. Its tip is a pretty pink shade, with a thick length and a slight curve to it. You salivate instantly at the sight of it.
Carmy's nervous under you. It's been a long since he's been with someone else, and he's never been the most confident.
"Relax," you say teasingly, kissing around his lower tummy to calm him.
Finally, your hand wraps around his cock, lightly pumping it. Leaving sloppy kisses down his happy trail, you feel Carmy's stomach taut in anticipation.
It's been so fuckin' long.
With your eyes staring into his hungry ones, you kiss the pink head that glistens with pre, teasingly brushing it against your lips. Keeping eye contact, you lick his length from base to tip. You alternate between kissing and licking for a minute, enjoying watching Carmy squirm.
"Fuck, Honey," Carmy throws his head back at your torturous pace.
"Look at me," you sweetly say.
Taking mercy on him, you part your lips to take his length into your warm, wet mouth, bobbing your head to a steady rhythm. Prying one of Carmy's hands from the bedsheets, you place it in your hair, encouraging him to use you.
"Good girl," he moans, fisting your hair to force you to take more of his cock. You let your hands rest on his thighs, feeling the strong muscles underneath.
Carmen observes you with hooded eyes as you hollow your cheeks, sucking him expertly. He's obsessed with how your lips leave behind a tinge of red lipstick on his skin.
"Shit-Fuck me," he yells into the room when you swallow around him.
You want him to cum, but Carmy has other plans. He doesn't think he'll last long if you make him cum now, so after the stunt you pulled, he pulls you off his sensitive cock.
The sight in front of him is erotic as a string of saliva connects you to his cock. The tears lining your eyes and blushed nose add to that pretty picture.
"c'me 'ere," he says, helping you up and kissing you as he leads you back to the bed. He tugs off your wet panties, throwing them somewhere in the room.
You lay back on your pillows with Carmy slotted between your legs. It's torture having him so close and yet so far. Now that you've gotten a taste of his cock you need more.
Carmy touches the inside of your thighs, inching his way closer to your cunt. He instantly notices how fuckin' wet you are. You're dripping even more than before.
"Sucking me off, got you this wet, princess?" He asks, leaning his forehead against yours.
"Mhm, Carmy, wish you would've cum in my mouth," you admit, tilting your head up to brush your lips against his.
"You have such a dirty fuckin' mouth," he chuckles darkly.
Where did this side of you come from? You're usually so sweet and delicate. He should've known you would be a freak in bed. To think he almost let this all go.
"Carmen, please."
"Please, what?" Carmen teases, lining his cock against your opening, wetting his cock.
"Fuck me," you moan, kissing his jaw.
"'m gonna fuck you good, princess," he promises, with a shaky nod before he remembers, "Fuck! I-I don't have a condom with me."
"I should have some in my drawer," you mention breathlessly.
Carmy opens the condom in record time but is surprised when you take it from his hands and roll it down his shaft yourself. You just want an excuse to keep touching him.
With your leg hiked up, he aligns himself and slowly pushes in. You both gasp at the sensation. Carmy, for one, is trying to not bust a nut so soon because you're so tight and warm.
Meanwhile, you hold onto Carmy's back as he stretches you out. It's been so long, and your toys aren't nearly as thick as him. You breathily moan in his ear, which he takes as a good sign as he begins thrusting more forcefully and deeper.
Carmy hopes this isn't a dream, and if it is, he hopes he doesn't wake up anytime soon. He has one hand holding onto your thigh and the other holding himself up. His gold chain dangles above you as he picks his head up from its spot on your shoulder. You take the chance to tug on it, returning his attention to your lips.
"You feel so fuckin' good, princess," Carmy groans, squeezing your thigh.
"I love your cock, Carmy," you whine, feeling the drag of his cock on your walls. The pleasure is all-consuming, leaving a fuzzy feeling in your brain.
"You like when I fuck you like this?"
"Yes, yes, yes, keep going."
His hips snap hard against yours, hitting that spot each and every time. His pelvis hitting your clit. He squeezes your thigh, hips, and sides before his hand squeezes your tits, too, playing with your nipples.
Suddenly, he straightens up, pulling you down the bed to have you flushed against his pelvis. He's a sight for sore eyes that forces you to keep your eyes open.
His thrusts are more forceful like this, where he digs his fingers into the fat of your hips to pull you towards him with each snap. It makes your tits bounce, hypnotizing him.
Through your lustful gaze, he looks like a marble statue. His chest glimmers under the lowlights of your room as sweat clings to him, his chain jumping against the blushed skin of his chest, and his fucking hair falling over his pretty eyes. The set of his jaw could've been sculpted by Michaelangelo himself.
Your hands indulgently reach down to touch him in any way you can. You can only reach his stomach, where a nice pair of abs appear due to the effort.
"You like what you see?" Carmy teases. He's entirely lost on you because otherwise, he wouldn't be as cocky to say that.
"You're so handsome," you pitifully say. Your brain not computing as it should, but how can it when it's being fucked out of you?
Carmy doesn't know how to respond. It's not often he's called handsome or looked at as lustfully as you're looking at him. Thankfully, he doesn't need to say much as your eyes roll back and you squeeze your walls around him.
"Carmy, I'm so close," you pant, trying to find any part of him to hold. He offers you his hand, lacing your fingers together.
"Just a little longer, princess," Carmy groans as you clench around him. "Fuck, don't do that to me."
He glances down at the spot where you and him meet to see a ring of white on the base of his cock. He's enthralled with the way you stretch to accommodate him and the way your pink walls drag along his length when he pulls out. Fuckin' beautiful.
Putting all his knowledge to use, he thumbs your clit, making you jolt. He needs you to cum now, or he won't make it. His balls feel like they're about to burst.
"Carmy," you cry out, tightening the hold on his hand.
You teeter on the edge for only a second until you cum, waves of pleasure washing over you. Carmy curses from above you as your tightening walls choke his cock, making him cum too. He stutters his hips a couple more times, riding out his orgasm.
He leans back down again, catching your lips in a small kiss. His body slowly relaxes against yours as his head rests on your neck, breathing in the scent of sweat and perfume.
"That was good," you breathe heavily, rubbing your hands up and down your back. You're just starting to think clearly.
"Fuckin' amazing," he adds.
There's a beat of silence before you both burst out laughing.
A bubble encases you, and it can't be popped as long as you stay in your bedroom. Carmy doesn't want to leave; it's late already, and in a couple of hours, he has to get up and go to The Bear to repeat the process.
For once, he forgets about that and focuses solely on you. He has a couple of hours to spare. Sleep is overrated.
You face each other on the bed, talking in hushed whispers. Your fingers trace the '773' tattoo on his bicep like you've always wanted to do. It tickles Carmy, so he grabs your hand and kisses your palm.
"Now that I'm thinking about it. I didn't see your tattoo," he whispers to prevent disturbing the peace.
Your face warms at his words. You had forgotten about that. He's seen a lot of you in the past couple of hours. What's a bit more of skin?
"You missed my big bad tattoo?" you joke, poking his nose.
"Show me," he says with a lopsided smile.
You make it dramatic, rolling your eyes and giving him a big sigh. Sitting up on the bed, you peel the bed sheets from your body. Carmy props himself up on his elbow in anticipation.
Right there, on your left side and under the curve of your breast is a small outline of Winnie the Pooh's face. Carmy touches it, biting his lip to hold back a laugh. Unsurprisingly, it's precisely what he expected from you.
A few chuckles pass his lips as he pulls you back into his arms.
"Don't laugh. It made sense at the time," you whine, covering yourself back up.
Carmy pulls you to his chest, kissing your temple, "I'm sure it does. Pooh Bear loves his Honey," Just like he does.
"Exactly! Someone gets it!"
And he does because Carmy, aka The Bear, is quickly falling for his Honey.
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A couple of days later, Carmy is back at your house helping you prepare the famous pizza you promised him. He lets you take the lead on everything, preferring to follow your instructions rather than let his mind run wild. It's not like you'll let him do most of the work anyway; it's your recipe, and you're protective over it.
"Can you chop up the veggies?" You ask him as you lay down the dough in a pan.
"Yes, Chef," he nods, kissing your cheek as he digs through your kitchen drawers for a knife.
"Oh, I like the sound of that," you muse, shaking your shoulders as you knead the dough to spread it.
"Don't let it get to your head, Hun," Carmy smiles, slicing the vegetables expertly.
Cooking with Carmy is surprisingly easier than you thought. He's not controlling over the kitchen or judgy. He lets you do your thing in peace, following your orders no matter how strange they might be. This is your kitchen, not his.
As you spread the sauce and cheese over one of the doughs, Carmy gets a call. He wipes his hands with a rag and picks it up. You only hear his side of the conversation.
"No, I'm off tonight. I'm with my girl. Call Sugar. She should be able to help you with that. Great. Thanks."
Carmy had promised himself that he would try to balance it all better. He has his team to help each other out. The Bear is a priority, but so are you because you help him keep whatever sanity he has left.
Carmy hangs up, and when he returns to you, he notices the grin on your lips as you put the toppings he chopped on the pizza.
"What's with the smile?" Carmy stands behind you, wrapping his arms around your waist as he props his head on your shoulder. Your hair tickles his nose, smelling the notes of coconut of your shampoo he digs his head farther into it.
"I'm your girl?" You ask, the smile still present on your face. He'd missed your initial reaction when you heard him call you 'my girl.' You almost dropped the container of pepperoni that was in your hands. It's a shock cause he never asked you to be his girl.
Carmy pauses and tenses up against you. "Uh, yes? Hold up. Turn around," he orders, as he places his hand on your hips to turn your body around.
"Yes, chef," you respond cheekily, your arms around his neck, careful not to touch his sweater with your messy hands.
"Aren't you my girl?" He frowns, rubbing a thumb over your hips.
"I could be, but I don't remember you asking," you pretend to think.
Carmy never directly asked you to be his girlfriend, and you never asked him to be your boyfriend. You might as well be a couple since you've been dating long enough. You decide to seize the opportunity now to get it out of him. Having a proper anniversary day would be nice because you hope this lasts.
"I see, my mistake," Carmy nods, catching your vibe, "Honey…"
"Yes, Carmy?" You blink innocently at him.
"Would you do me the honor of becoming my girlfriend?" He finally asks.
You could joke around but decided against it cause the moment is perfect, "I'd love to," you nod, giving him a small kiss.
When the pizza is cooked, you bring it over to the dining table. Serving Carmy a pretty slice. Excitedly, you wait for him to bite into it and taste it.
"What do you think?" You ask expectantly.
"You were right. Best pizza in Chicago," Carmy agrees with an unbelievable laugh. He's got a lot to learn from you. It's the truth, or maybe he's blinded by his feelings. Only time will tell where you and Carmy will end up.
The End?
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thank you guys for pulling through and reading! i know it's a slow burn but i hope you liked it! i certainly enjoyed writing it even though it took me like 4 months.
if you liked it, i would appreciate you liking it, commenting or reblogging. if you have some feedback feel free to send it my way too. i wanna get better at this whole writing thing!
thank you! bye xx
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